Hii~
⭒๋࣭ ⭑Some basic info⭒๋࣭ ⭑
I'm Siv. 17. They/she (Desi. Get it? Yeah I'll see myself out). I'm a Gemini. Hailing from Slytherin, my godly parent is Hecate. I kin Sirius for the most part, also Remus a little. My top ships are WolfStar and Drarry but I ship almost all the pairs I find from the marauders era. I'm a neurospicy hoe who loves space, any and all forms of art, reading, coffee, the moon, and rain. I really really love rain, just puts me in a better mood instantly. And uhh... yeah :)
⭒๋࣭ ⭑Music⭒๋࣭ ⭑
I listen to so many artists cause i need music 25/8 or else i cant function but off the top of my head my favs are Taylor Swift (Evermore and Rep), Hozier (Wasteland, Baby!), Conan Gray (Superache), Lorde (Pure Heroine), Arctic Monkeys (AM), Girl In Red, a bit of Queen and I've started listening to Harry Styles and Manëskin recently.
⭒๋࣭ ⭑Books⭒๋࣭ ⭑
Can't choose my fav but comfort book is Red, White and Royal Blue. And the last book that deeply impacted my soul was The Invisible Life of Addie LaRue.
⭒๋࣭ ⭑Shows and Movies⭒๋࣭ ⭑
I've watched too many to count but my comfort ones are Heartstopper, SPOP, FRIENDS and Gilmore Girls (Lorelai is literally so me) in shows while in movies it's Single All The Way, and a couple tamil movies called Maara, Bangalore Days and Oh Kadhal Kanmani.
You can find my fanfics on:
Wattpad: wolfstarkinnie89
Ao3: there_are_memories_to_be_made
Some amazing friends that I've made here so far :) @daydream-of-a-wallflower @amaan-danish @her-midas-touch @silence-between-seconds @half-a-heart-without-you @inluvwithremuslupin @skeelly @ghost-of-a-poet @reisbackinblack @not-rab @lovebooks3000 @thedvilsinthedetails
Yeah... k byeeee <3
(Oh also the tags below are just tags I use the cause I need them there for who knows what reasons)
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how do you get your colors to look so nice and your lineart so red and vibrant? i love it
omg anon thank you!! 😭 im going 2 be honest I am Not Great with color theory... but i like having my sketch pages look cohesive to me...
BUCKLE UP this is going to need a readmore bc i like talking.
I always sketch in neon colors it's a habit i picked up from an old teacher but I'll think of a color usually on a whim and draw with that. and then if i want to draw something else ill pick another color that i think goes well with the page. usually most of my color schemes r analogous (colors right next to each other on the wheel)
yanked this from recent dunmesh post; i kept most of my colors within the pink/red/orange range.
i wouldn't recommend doing everything in monochrome or analogous palettes though because it's sort of a guilty crutch of mine XD.
sometimes when im coloring ill change the layer mode of the sketch. color burn gets you either very very bright or very very deep colors depending on the color of the flats underneath. multiply and linear burn do the same thing but they're a lot tamer and generally always return darker colors. im sure there's some technical bits behind this though. ill either color my lineart afterward to compliment the color of the flats, leave it as is, or mess with layer modes if i feel like it. my favorite trick is color burn + linear burn + some combination of two lineart layers and just fiddling until i get a nice burn effect.
mithrun was done with crimson red on color burn.
coloring... like 999% of this is relative color which is like. kind of the idea that colors look different when placed next to each other. if you eyeball it a bit it's pretty noticeable.
what i used to do a bit ago was i would fill in the area i wanted to color with one big mask of color, make a new layer that has a clipping mask down to the flat layer of color, and then draw my actual flat colors. the color of the mask helped me pick my flat colors bc if I picked a color i think stood out too much next to the mask i could kind of just adjust it until it looked a little more cohesive.
old ish drawing next 2 a canon reference. i ignore local color a lot...mea culpa....but my overall color palette here was a light pink, so the shirt here is actually a desaturated pink? or violet i believe. if you shift sort of that purple color far enough into the gray area of your color wheel it can take on a blueish or even greenish hue. it being next to a lot of warm pinks/fuschias helps.
a neat thing that kind of helps is that if you desaturate or saturate certain colors they can kind of take on a certain hue? not sure if this makes sense. sort of how orange here turns tealish blue the grayer it gets. so if im drawing something that's predominantly orange and i have a blue color i can just take an orange color and desaturate it until i get a color that sort of looks like blue. and that way it kind of looks more harmonious? at least to me XD
shading. i don't apply serious lighting to a lot of my drawings, but a helpful bit is that the shadows tend to be the opposite of whatever color the lighting is? i try to think first about the "mood" or the main color i want to go for in the drawing and then i pick a shadow color opposite of that. so for here, i wanted the lighting to be a coolish magenta so the shadows r lime green. if there's anything off i fiddle around until i get something i like. the shadows on the skin here were too green initially so i shifted them a little more orange.
there's a "band" of color going on between the transition of the shadows to the light. generally this could be for a lot of reasons and i tend to use it differently (core shadow? overexposure? etc etc). but this is a color post so ill try not to go too off track.
but generally digital doesn't "mix" colors the same way traditional colors do if you use RGB (cmyk is a bit better with this but is kind of a pain to get used to), so to make blending a little less muddy, i sometimes add an intermediate color to smooth things out a little. for example, mixing digitally blue n yellow tends to get you gray, but generally, blue + yellow makes green, so if im making a blue->yellow transition ill slap some green color in the middle so it flows a little better.
I do a lot more cel shading nowadays. if you've been on here for a while earlier this year i have another style of coloring but it's not really accurate to how shadows really work so i wouldn't recommend looking at it. it's mostly to add zest and texture to the underlying flat colors.
coloring your lineart does a TON to helping your colors look vibrant, though its like the garnish on a dish to me (same with shadows). i think it's good to try and play with your flat colors and try to make sure those look in order first before adding flourishes. usually ill leave it a dark, saturated color that again matches my overall palette but sometimes i go in and color them by alpha locking my lineart layer and picking a color that matches the flat colors underneath? not sure how to explain it properly.
i used a darkish purple for shuro's ponytail to match the dull red of the flat colors (more relative color! trying to simulate a black/brown while keeping the pink palette there) but a lighter crimson for laios's blond. the light was this super intense like blush pink so i thought it might be cool to add this neon salmon red in the areas of that light to really give off that vibe of a very bright intense rim light.
sometimes you could also tweak with gradient maps or color balance, which adjusts hue based on how light or dark a color is. these r fun to mess with as a final touch but i need to watch using them because they can become crutches real fast XD but those are also just tools to help you. in the end just developing a good sense of how color works and how you want to use it is the best place to start.
LONGASS ramble but yeah. tldr just kind of train ur eye for color and look at what you like best. which is unhelpful and a little sucky but it really is just observation and practice and maybe some personal zest.
happy drawing!
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You had it then you lost it in the comments tbh
It’s FINE if people don’t want to identify with words others have reclaimed, what’s NOT FINE is when those people go and harass Queer people over it. But based on your comments, you seem to think that’s just fine and dandy and it’s the fault of Queer users for not changing their public identity to suit the sensibilities of those people
Like come on, why does only their comfort matter? If I want to identify as something that was reclaimed by the community long before either of us was even born, I will.
“Q slur” discourse only serves to help exclusionists who need to know for sure what you are so they can decide if you’re Acceptable or not
y'all are so thin skinned i swear to god..if it's fine that "people don't want to identify with words that others have reclaimed", why are you here? that's the literal only point my original post was making. it was never about people who are told not to reclaim queer. i say in that post that i reclaim faggot. i say twice in the replies that i don't agree with people who tell others how to self identify. you don't get to come into my inbox, on anon i might add, and just Lie about what i said lol
no one was saying any one person's comfort matters more than someone else's. you are being a child by implying anything else. grow up.
now if you're done throwing a tantrum about shit nobody was saying, either go read the comments on that post made by black users i've been telling y'all to read, or just go make your own damn post. it's free!
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Goal: Finally finishing The Secret History. (Within the next 24 hours.)
Tagging @good-oldfashioned-lover-girl cause she is the one motivating me hehe
Starting time: 12.00 AM (13th march)
Starting point: page no. 242
(I'll be editing this post each hour to like keep track of my progress~)
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hi kane ! i wanted to ask, do u have different s/is for ur cars f/os or is it just one with multiple aus? 🤔 id love to hear abt ur insert !! (@dmclr)
I'm. I'm. You??..EXSQUEEZE ME?????
Okay euhm..buckle up!! It's like a 50/50 for whether this turns into a really really long tangent or not..I suppose whether the finished post has a read more bar will be telling XD
I kinda interchangeably refer to my S/I as me, so throughout this post I switch back and forth between first perspective of saying "I" and the third perspective of saying "Kane". Hope it's not too confusing😅
Hi, future Kane here, this gets quite lengthy and paragraph-y, so I sectioned the post with bold headers of sorts, to hopefully make it a little more clear and less overwhelming.
Really though, regaurdless of if you read this all or not, cause it's certainly a lot, thank you for asking such a question! I deeply appreciate it and am thankful for it, felt great to be able to share this and get this all out of my system.
So, I kinda mentioned this when going over that ask game, and a longg while ago I every now and then bring it up, but!! Technically, it's just one self insert with multiple AUs. My self insert is always basically just..me, except with a different job, and occasionally slightly more stamina/talent(typically fighting talent or such, funnily enough) for running and.. things and climatic things!! I typically refer to my self insert just as, well, me! I'll say I did blah blah with whatver F/O, and only really change it up for the sake of clarity(like this post) or sometimes when writing fics I'll do it from a 3rd person POV so I'll refer to my own name and such instead of it being written from my perspective.
As mentioned before, the role my self insert plays changes depending on who I'm currently imagining myself with. Typically either as a spy(or reformed spy, in the story with A.xlerod, Kane actually quits being a spy as a big gesture to basically be like "I don't actually want to hurt you", since Kane was given the job as a spy to..."put an end" to A.xlerod, to put it lightly), or will be a pitcrew member to one of the racers. The only one who I don't have a clear backstory role is with F.rancesco, but that's mostly because it's not really a necessary/needed part of the plot that I have with him.
Basically, whenever I imagine me with my F/Os, I typically imagine it as a one on one thing, where it's just me and them and kinda ignore the other characters that I have relationships with. The only exception to this is with Grem and Acer, who are a packaged deal, and I headcannon them to be together, so it's like a little triad thing.
--My S/I's Roles--
But most of my stories with my F/Os don't actually really follow the plot line of the movies at all, it typically takes on a much more day-to-day or domestic sort of perspective(my weakness for domestic things is showing). The only one where it follows a narrative of the actual movie is with L.ightning, where I'm a pitcrew member for him(really the only one, since I got there in his rookie days and he kept firing everyone so his only team member was really just Mack), and end up getting lost with him on the way to R.adiator Springs, and the whole plot with him is really just a looser version of the original C.ars movie, with some alternate twists and plot points and endings.
I've also mentioned this before, but technically my story with each F/O can actually be chronologically put together like some big G.ame/F.ilm Theory thing, where it goes from me having this job and meeting [x] and then getting other job, and it goes from there.
--Meeting Them--
For my insert with other racers, it's typically from the perspective of them just doing..their usual racing thing. Like with F.rancesco, he's just doing his usual typical F.1 races and Kane meets him through that. My self inserts role here though is typically a more laid back one, usually as a fan or maybe someone that got hired to take photography/recordings for the race or such(typically as an eager F.1 fan, with F.rancesco being one of his favorite racers), but the backstory for my S/I doesn't matter so much with F.rancesco.
For C.ars 3 characters though like C.al and J.ackson, it's in a scenerio where none of them end up getting replaced/fired/etc. And they just all end up racing together, basically the start of the C.ars 3 movie in a sense, except C.ruz is also included in the mix. Though, instead of my self insert being a pitcrew member for L.ightning, he's actually one for C.ruz instead.
--Meeting Finn--
With A.xlerod, Kane starts out as a spy and is hired to investigate and maybe put an end to A.xlerod for good. After getting caught snooping around and trying to flee just to get the daylights knocked out of him by essentially some gaurd, A.xlerod takes some sense of strange pitty on Kane and ends up dragging Kane back to his place and tries to fix him up. There's a lot of trust building that ends up happening and them oddly having some soft spot for each other(which ends up getting demonstrated several times, typically through them accommodating or protecting each other out of the blue), and since Kane most certainly isn't going to continue his mission of ending A.xlerod, he quits his job as a spy(which, Kane working for a rather questionable spy company, has to go on a slightly elaborate event to fake his own death and get some non-spy affiliated clothes). Kane ends up realizing how cozy he's gotten to just staying at A.xlerod's place, considering he never really left it when A.xelrod dragged him back to fix him up, and just..never leaves so he kinda moves himself in to living with A.xelrod. A.xlerod, being a billionaire that he is, Kane doesn't really ever need to get another job or anything.
Finn and A.xlerod by far have the most complex stories of how my self insert meets them, and the most thorough and thought out ones, cause I typically imagine them a lot more and such. With Finn, my insert is also a spy, and ends up getting to work with him and L.eland, and meets them on a rather dubious sort of mission, where Kane has to get rather close to Finn quite quickly(in a personal sense and in a physical sense, they have to do some cheeky ballroom dance((a waltz ,really)) together for a split minute), and when they start to come to an end of completing their mission, Kane kinda has a bit of a crisis of "This is probably the greatest time I've had in my life and I'm probably never going to see them ever again" and Leland catches him looking a bit broken and so sad and torn up that Kane confesses his whole predicament and Leland is like "You moron, just give me your phone number". And Leland, being the witness that he was to the very clear feelings between his best friend(Finn) and a potienal very close friend(Kane), he offers to Kane to tag along with him some time when he visits Finn, and at some point Kane ends up staying at Finn's place for a night and is over there so much that it turns into a question of "do I really even need a house. Why am I paying rent for some other house if I practically already live here and eat all his food".
--Meeting A.xlerod--
In both scenerios with Finn and A.xlerod though, Kane, an American sent from the US over to the UK for a mission, ends up moving and staying in the UK permanently.
--G.rem and A.cer--
How I meet G.rem and A.cer is a lot more of a shits-and-giggles thing, I actually have no clue how I came up with the idea because it is so silly and completely irrelevant to what they do, but also feels really oddly fitting for them. But basically Kane is working some low end job like as a grocery clerk or such, and since he works the closing shifts, he ends up stopping by some shop that was the only nearby one open at such a late night so he can get some food. It's some pizza parlor that G.rem and A.cer work at, and for whatever reasons they're the only ones that really work there(maybe they're the only two that work the closing shift as well, I haven't put too much thought into why yet), and Kane basically makes it a routine that every time he gets off of work he swings by their shop and pretends he's only coming in for food when it's really to hang out with them. G.rem and A.cer are still as wild as they are in the movie, they're just not really in many positions now for it to be shown that they'd kill and go to extreme ends for things. It eventually reaches the point where they start hanging outside of their usual routine and such.
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rambling about hi3 thoughts from last night and processing ✌🏼
love that honkai impact just gives me brainrot so bad it's got me rotating a billion characters not just one in my mind since i started
i still have to finish ch 12 (i was gunning it last night and i barely remember what the hell happened aside from me sobbing my eyes out so i have to restart it) and ik ch 12 technically exists in a bubble universe, but seele said something about this bubble universe feels so strange from the others so who knows what that means
but ch 12 suuuuure made me cry hard about sakura... i already really loved and adored sakura as a character a lot. her story back in yae village made me Ache because all she wanted to do was to take care and protect her sister and she couldn't do that and she grew to hate humanity for it, and yet she still tried to fight for it, but all she really wanted to do was to run away (with kallen COUGHS) from the village that had dealt her so much grief
SO WHEN SHE SHOWED UP IN CH 12 TRYING TO FIND HER SISTER ONLY TO REALIZE HER SISTER'S DEAD AND THEN ATTEMPTED TO FIND THE REMNANTS OF HER SISTER AS THE HERRSCHER ONLY TO DIE BY HER "SISTER'S" HANDS I WAS IN SOOOOO MUCH PAIN.... idk what's the deal between this sakura and the one from sakura samsara.... idk if it's even the same sakura, but i love the implications that regardless of which sakura it is, she will always have such a strong love and desire to protect her sister.... i love strong sibling bonds it makes me happy but nOT LIKE THIS OW....
what it did make me think of though was how sakura kinda reminds me a bit of lightning in ff13. i swear it's not just the pink hair.... but it's just older sister things and doing all you can to save your younger sister, even if it also means losing yourself in the process.
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