10 characters I am attracted to!
Tagged by @densofyarrow ... ten days ago.
This is really hard because I am rarely attracted to fictional characters? I didn't manage to find ten... also many of them are... thin cases. Also I ship many of them with other characters which will instantly mute my attraction. XD ... so no guarantee about the order.
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#10 ??????? idk I’d probably find another One Piece Character. Maybe just Oscar from Syberia? But then I kind of ship him with Kate so that would be weird too... idk.
#09 Bobby Fulbright - Phoenix Wright: Ace Attorney - Dual Destinies (don’t question this............ Bobby ;_; we hardly knew you... or maybe we did.)
#08 Boromir - Lord of the Rings (Book version ... yeah... when I got older he became more interesting? idk)
#07 Vimes - Discworld books (like... It’s him or Vetinari if you’re into men, let’s be real! But also Vimes/Sybil = OTP)
#06 Hannemann - Fire Emblem Three Houses (I do ship him with Manuela but... I dig the gentleman scholar vibes.)
#05 Ponder - Discworld books (I like my men either lawful and/or loyal and/or good and/or so fucking nerdy that couldn't function in the real world)
#04 Vice-Admiral Momonga - One Piece (There is just something about him... idk)
#03 Dedue - Fire Emblem Three Houses (There is a trend of me enjoying to romance the right hand man of the "main characters")
#02 Kuririn - Dragon Ball Z (so the adult version... fml I had a real crush on him... I just remembered that I got really upset when I learned that he was together with Android 18... lmao. I was young. Also in reality I’m more attracted to men who are around my own height... so... that was the first indicator for that?)
#01 Mr. Husbando: Frederick - Fire Emblem Awakening
Please I need me a freak like that. And with freak I mean a battle butler who loves fire as much as I do and is too loyal for his own good.
Damn I wish he was real and I could have him.
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I tag no one, because I don’t want to annoy anyone. But you can always tag me, I don’t mind! Thank you!
Oh wait... @burning-peanut if you want to?
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Maybe I’m just dumb so if someone has an explanation for this pls help me out but it’s kinda odd to me that Gwen, one of the spiderpeople whose universe is extremely visually distinct from Miles’s universe, doesn’t keep her world’s watercolor/color-changing aesthetic in other universes. Like she basically looks like someone from Miles’s universe when she’s not in her own universe, whereas other spiderpeople from visually distinct universes (like Hobie, Noir, and Peni) maintain their universe’s aesthetics regardless of what universe they’re in. So why doesn’t Gwen?
(Also I get that her universe’s art style is a bit inconsistent in that it changes and “ripples” a lot, especially with the characters’ emotions, but it would be cool if they utilized that to have Gwen shift into her universe’s art style during emotional moments)
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I think one of the reasons that people make fun of the prequel dialogue is that so often the characters like Anakin just say exactly what they mean without disguising it with implications. This writing is great for kids and also appeals to autistic people who appreciate it when people say what they actually mean. The dialogue is often kind of bare, open text.
Obi-Wan is a bit of an exception in that he is sarcastic, but it's pretty obvious when he's joking or being contextually polite. There's sometimes tragic irony in the sense that duplicitous characters like Palpatine can lie in ways that are clear to the audience as deception and manipulation, but he's still not really playing language games.
It all just sounds a bit stilted and awkward because it violates 'normal' adult conversation rules of implying what you mean for unclear social convention reasons. People are always looking to supply those extra implications bc it rings false and flat to people trained to expect those games, but no—the characters really are usually just saying the truest version of their opinions at any moment.
Idk it's a stylistic choice that makes sense for the genre and tone of the films, and the fact that people make fun of it for being literal, obvious, or stilted is kind of frustrating.
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yazs faith in my fic mostly amounts to no alcohol and vegetarian jelly babies and vague religious anxiety on occasion, partially bc i dont know a lot about islam so i dont really have a lot to work with and partially because the show doesnt really give us a whole lot to work with either
but i do kinda like how, especially in this current fic where i give her a sort of explicit eating disorder past, that like, the main ways that god ends up playing a role in her daily life this way is through what she puts in her mouth or not
if the doctor is restrictive, emotionally psychologically nutritionally, and the master is excessive, yaz sort of hovers in the middle, pulled at from both sides
seduced by restriction vs seduced by excess. swallowing your anger vs spitting it out. desire and consumption and the way the human and the holy meet in the fallible body. you can become the doctor by acting like the doctor. you can make yourself holy by Doing The Right Actions
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How do you say worcesteershsire sauce
Idk why ur asking this but unfortunately i studied linguistics in college so im gonna send a pointlessly specific answer.
I speak general american english & i usually say it like one of these (rough IPA transcription in brackets; closest word approximation in parentheses, but this may only work to read if u also speak gen american english):
[wʊs.tr.ʃɑɪr] (wuss-ter-shire)
[wʊs.tr.ʃir] (wuss-ter-sheer)
sometimes [wɔr.tʃɛs.tr] (war-chess-ter), but I think I mainly said that as a kid? I don't think it's an uncommon pronunciation in america tho. idk i might b wrong.
I think [wɔr.tʃɛs.tr.ʃɑɪr] (war-chess-ter-shire) and [wɔr.tʃɛs.tr.ʃir] (war-chess-ter-sheer) are possible pronunciations ive heard here too
None of these are how it's pronounced in the UK, i think. iirc I think it's [wʊs.tə] (wuss-tuh). I dont know much abt british eng tho so idk.
Sauce is [sɑs] (the "a" sound in "father").
Tbh i dont eat worcestershire sauce (i dont like most condiments) so i dont really say this word often LMAO;;
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my apologies if this is too simple or juvenile or personal a question but HOW did you become such a proficient writer? and do you have any tips or pointers to keep in mind? i know you must do a lot of reading and a lot of writing, but your skill is just incredible to me. your prose!! your cadence!! when we get around to talking about it is genuinely one of the best things i've ever read and i'd eat it if i could!!!
this ask was so sweet thank you!! rly made my day when i needed a boost. Hope you don’t mind i took a couple days to think about it cause no one’s ever asked me for writing advice before
idk how i became a “proficient” writer bc I really don’t write that much. something about my fic gave me brainworms and i went into overdrive but that’s…not my usual MO. which is why it’s weird for me too. admittedly i am studying english/creative writing as my second major at uni, but i haven’t learned anything in any of my classes you couldn’t learn by just reading and writing on your own. honestly i should’ve stuck with my IR major instead, i find structured cw classes a complete waste of time. but here are some little tips i thought of that would’ve helped ME:
This is more a “do as I say not as I do” because I’m really bad at habits like this, but keep a diary. You can write about the big events (went to the store, did homework, got laid etc.) but that’s boring—focus on the details (watched someone at west side market throw a glass bottle of olives at a rat, broke a pen and permanently stained my dorm desk and won’t get my deposit back which pissed me off because I move out in a week, this guy’s breath smelled like lemon pledge and it made me wonder if he drank window cleaner before kissing me etc.). Real life is really interesting! How can you write about interesting real life in an interesting way? It’s a good way to practice. You don’t have to do a big reflection at the end of the day or anything. It’s okay to jot down something you saw & then immediately forget about it. It’s the act of figuring out how to translate life into words that’s important
If you type, learn how to type FAST. This is just my experience, but I think typing faster makes your cadence, clause length, dialogue, IDEAS flow better/more naturally. We think in words/sentences, not letters.
This is a super lame tip that’ll make you roll your eyes, but read poetry. Poetry is all about how words/ideas/images sound and interact with each other. Don’t get hung up on one poet—im not really recommending any for precisely this reason—read poetry you love (for me, Ada Limón, Jack Kerouac, Frank O’Hara, ghazals etc) AND read poetry you hate (for me, Rupi Kaur, Emily Dickinson, Whitman, etc)! Read all genres you can get your hands on. (I think there are like “great poetry anthologies” you can find for free online if u don’t know where to start. Also you can’t go wrong with subscribing to/reading a variety magazine like the NYer. It’s pretentious but it exposes you to all kinds of weird topics, ways of writing about them, etc.) Figure out how certain combinations of words and punctuations make you FEEL, and why, and why the writer chose (or not) to make you feel that way. Figure out which literary sounds you like and which ones you don’t. For me, i figured out that I REALLY like alliteration, comma splices, zeugmas, the rule of three, and
“he’s [verb]ing again… yeah compacflt’s characters are [verb]ing again… big shocker”
If you have an idea for a piece, figure out what it is you really want to get out of it—to say something? to experiment with a different style? to see your fav characters do something? to have fun?—and then figure out how, on a technical level, you should write to match that goal (this is where the poetry training comes in handy). If you’re just writing to have fun, don’t listen to any writing advice (incl. mine), because most of it is bullshit and over-generalized and will make you feel bad about yourself. Just take the advice that you think will work for what YOURE trying to write.
But if you’re writing to explore some political idea, then you should think about HOW to best write about that idea. What would be a convincing story/allegory/scene to engage with this idea vs. not convincing. I talk on this blog all the time about how disappointed I am that my very-adult-grown-up attempt to deal with the dynamic of “immovable internalized homophobia vs unstoppable falling in love anyway” is rendered a little childish/immature by some pretty unconvincing plot points like the characters buying a house together—I really should have considered how that plot point would interact with the characterizations I’d built already (hint: poorly). You can think of writing as kind of a military structure if that helps—you have strategy on the overarching campaign (plot/character growth/allegory/theme) level, the battle (scene that advances the above) level, and the tactical (sentence-level construction/syntax/wording) level. They all have to work together. If a scene is failing to properly engage with the idea you’re trying to convey, you’re losing a battle that will weaken the overarching campaign. Same thing if you choose a weird word in a sentence/write in a style or tone that’s weirdly out of place with your idea—it makes your engagement with the theme/idea less convincing. just try to be purposeful and consider your strategy on all levels of your work as you’re writing it!! At the very least it’ll make editing easier lol.
But then again when I read my own writing from just a couple months ago I cringe out of my skin, so like—just also accept that it’s a process and we’re all just making it up as we go along. Be proud of being embarrassed of your old work, because it means you’re growing. Own that shit. When I finished writing WWGATTAI i thought it was the best thing I’d ever written, and maybe it was. But since the day I finished working on it, it’s the worst thing I’ve written since then. That’s a great feeling. Not to be like writing grindset obviously bc it’s supposed to be fun—but if what you want is to get better at writing, the strategy is to WRITE a whole bunch of shit, and then own your embarrassment about how much you’ve grown since you started. And know you’re still always growing and learning. there should never be any “goals” where skills are concerned 👍🏽
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