Hiii! May I request some of your beautiful writing for “we’ll face this together” kisses pairing it with kisses in the rain? For Lucio, Julian the Arcana and Alucard from Castlevania Netflix? I know it's a cross between fandoms,hope it's alright and not too MUCH!! You can pick between them. I Thank YOU in advance!!! Be well and may inspiration be abundant!!!
✨💛✨🙏😍😍😍😍😍
Hello! Ohmygosh, I would love to write for all three of them! I think what I'll do is space them out over the next week or so. I'll have Julian's up in a couple days, then Alucard's, and then Lucio's, so just be on the lookout for them! Thank you so so much for requesting!!!!!! Excited to write these! And thank you for all your support and many kind words 💜
4 notes
·
View notes
anyone wanna get emotional about collaborative art with me?
[Mirage 19 Story: E&L, Layout: Eastman, Pencils: Jim Lawson, Inks: Laird, Letters: Steve Lavigne]
ID from alt: Cropped section of the page annotations by Laird, (relevant) text: Page 18 is also the beginning of what I think of as "Brick hell" - Jim drew so many panels with hundreds of bricks in them, and I felt obliged to ink them all in. That was a LOT of bricks." Left is a panel showing Raph running down a curving brick tunnel, the wall is drawn with individual bricks, uncountable amounts of lines that illustrate the curvature.
If not, enjoy brick hell instead (I'll leave, just a doozy of a brick hell image at the end)
(this issue has beautiful layout paneling, which little snippets of could never replicate. great one to check out. imho)
come one come all to the worst barn party of the decade...
[IDS AND ALTS THE SAME]
ID: Jones family barn interior. Mike and Don speaking to Raph (off panel). Mike, in an open gesture: Life is good here... It's given us time to heal, to accept what's happened. Leo's needed this time, too--. Don, by his work table, no mask, wearing an apron. More neutral: We're not the guardians of society, Raphael... we never were. END
ID: Three panels, Raph pushing Leo around, yelling at him. The background moves from uninked, to midtone, to dark tone, as they both get more angry. Raph: No-- You're hiding out here... scared to face facts... And you're dragging all of us down with you! Fun and games are over, Chump... Look at yourself! END
ID: Two panels, Raph looks down to a wooden sword Leo (off panel) has held up in his way. He looks at it, unimpressed. Then looks up, pissed off and says only "Mistake." END
1. Three panels, Leo in the forground, just his leg seen. Raph on the floor against a wall. He whips his chin, saying "You were always good, Leo...". Close up, spit hangs from his mouth, continues "... One of the best..." He stands and finishes "...Which makes life here even more of a crime."
2. Four panels, Leo has Raph in a choke hold, holding him from behind, they are on the floor. Sweaty and teeth grit with exhertion. Leo says "--Do you hear me?!" Raph starts throwing punches to Leo's head, just above his own. As each one land we close in on Leo's face. END
Well. Thats great. Ill eat my own heart out how abouts.
AND ANYWAY. My favourite favourite effect.
ID: 1. Four panels, Leo, Mike and Don, run along a roof top, grab some fire escapes, and make their way to street level, skirting the edge of a street lamp's glow. The entire set is pen inked normally, and washed completely with the mid tone, save the small circle around the lamp, glowing white.
2. Large panel. Raph, 3 point lands, kicking up dust in the center of a spot lit section of sewer. The tail ends of a hood he wears trail up with the motion. Very little double-tone is used on the page, instead the shadow is communicated by increased hatch lines still following the shapes of every object in shot. END
ID: Raph sits in the tattered remains of the turtles lair, his brothers shadowed in the foreground. Raph, not very warmly says "Welcome Home." END
Okay okay. cry forever and every. please for the love of god. read comics. now. more brick hell
ID: Three panels, showing the entrance of a sewer tunnel into a larger area, closed and open pipes along the wall. The shot holds empty for two panels, then with the inclusion of Raph jumping out the exit in the third. If you are to look carefully. You can tell, though the scenery remains the same, in each, the intricate pen inked brick work and shadows have been done three separate times. END
LIKE. I KNOW ITS TRADITIONAL MEDIUM COMICS. But sir.... SIR? Another annotations from Laird specifically. Have mentioned using the copier to place certain things in backgrounds.... i just.... SIR?
9 notes
·
View notes