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ayellowbirds · 5 years

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42 Webcomics Keshet Reads

I was recently reminded that I currently read a lot of webcomics, or have done so in the past. Here’s an incomplete list, linking to the first page where i can (which will usually mean the worst art). Organized thus: Title, Author. Genre. Format (long-format stories, short-format & single-page stories, or mixed). Description.

The Adventures of Dr. McNinja, by Christopher Hastings. Comedy, Parody, Action. A man from a long line of Irish ninjas has devoted his own life to saving lives as a doctor, disappointing his family. His staff includes a sentient but non-speaking gorilla receptionist, and eventually a boy sidekick who grew a fabulous mustache out of sheer determination. Recurring threats include fast food mascots, ghosts, wizards, ghost wizards, and a disease that turns people into giant lumberjacks. Completed.

BACK, by Anthony Clark and KC Green. Comedy, Adventure, Absurdity, Weird West. Long-Format. A cowgirl comes back from the dead with no memory of who she was or how she died, and is told by a trio of “Cool Witches” that she has to bring about the end of the world—though what exactly that means remains a mystery. Consistently excellent visual storytelling from masters of sequential art; at least one WLW pairing among the characters.

Bite Me!, by Dylan Meconis. Comedy, Horror, Historic Fiction. Long-Format. A young woman becomes a vampire amidst the chaos of the French Revolution. Featuring immortal angst, a Jewish werewolf, and sacré bleu, the chickens. Completed (website can be slow to load).

Broodhollow, by Kris Straub. Horror, Weird Fiction. Long-Format. By the creator of the original creepypasta that inspired Channel Zero. A young man abounding with neuroses and compulsions comes to a strange little town in order to settle a late relative’s estate. Themes of unreliable memories and differences of perception.

Chainsawsuit, by Kris Straub. Comedy. Short-Format. Three-panel gag comic.

ChaosLife, by A. Stiffler & K. Copeland. Slice of Life, Autobiographical. Mixed-Format. The life of a queer couple and their pets: humor, lgbt issues, mental illness (K. experiences paranoid schizophrenia), cats, and occasional puppets.

Crunchy Bunches, by Scott Warren. Comedy. Mixed-Format. Cereal mascot parody focused on snaggle-toothed feline mascot Munchy and his friends.

Dead Winter, by Allison Shabet. Action, Horror, Comedy. Long-Format. Zombie apocalypse story with occasional partially-animated scenes, and a relatively low focus on the actual zombies. Infrequent updates, but has a Patreon with weekly content.

DRIVE, by Dave Kellet. Sci-Fi, Comedy. Long-Format. Humanity has taken to the stars, led by a second Spanish Empire that controls the secrets of FTL travel. When the crew of the Machito recover their science advisor and accidentally pick up a mysterious amnesiac alien at the same time, they become embroiled in intrigue that affects the whole of human space and beyond, caught between secret police, mind-controlling invaders, and a species dedicated to invention who have a grudge against humans.

El Goonish Shive, by Dan Shive. Adventure, Sci-Fi/Fantasy, Superheroics, Slice of Life, Mad Science. Long Format. Difficult to pin down, once described as “the most squeaky-clean fetish comic online”—lots of characters undergoing fantastic transformations of their bodies. Starts out weak but gradually grew into one of the most progressive webcomics out there as the creator started to really think about the meaning of someone wanting to transform from a nerdy boy into a busty girl. I’ve said more about it, here. Significant LGBT content, including canon gay, lesbian, bisexual, transgender, genderfluid, and asexual characters.

Family Man, by Dylan Meconis. Historic Fiction, Horror, Romance, Libraries. Long-Format. A learned man of Jewish ancestry takes a position as a lecturer at a small Christian university in the middle of nowhere in the Germanies of the 18th century, and falls in love with the daughter of the head of the university—who has some secrets relating to her mother’s family On hiatus as of July 2017.

Freefall, by Mark Stanley. Comedy, Sci-Fi, Furry. Long-Format. A larcenous alien and his naive robot pal living on a human colony world acquire the services of an uplifted humanoid wolf as their ship’s engineer under less-than-legal circumstances. As time goes on, the crew becomes caught up in the struggles and politics of the artificial intelligences of the colony. Binge-reading page here, colored strips here.

Girl Genius, by Phil & Kaja Foglio. Gaslamp Fantasy (Not-Steampunk), Action, Comedy, Mad Science, Alternate History. Long-format. A young woman discovers that she is the latest in a line of mad scientists including the vanished heroes of Europa as well as some of its most terrible villains.

Goblins, by Ellipsis Hana Stephens. Fantasy, RPGs, Action, Body Horror. Long-format. A tribe of goblins go from being mere MOBs to taking levels as adventurers themselves, facing ambiguity about alignment, morality, and the place of "monsters” in a world that seems to favor humanoids. Can get very gory at times. Light LGBT content including a prominent gay male character; transgender creator.

Goodbye to Halos, by Valerie Halla. Fantasy, Adventure. Long Format. Forced through a gateway to another world for her own safety, Fenic finds herself in the “run-down queer district” of a city of animal people—and spends a few years coming into own identity as a trans lesbian, forging a new life. But the reasons she was forced into this world are catching up to her, and she’ll need to turn her protective streak towards defending herself. Heavy LGBT themes; often not safe for work. The only work i can think of where a trans girl’s underwear bulge is treated as a completely nonsexual and innocent thing.

Grrl Power, by Dave Barrack. Superheroes, Sci-Fi. Long Format. Probably Not Safe For Work. Comics nerd Sydney Scoville winds up becoming a superhero herself after circumstances force her to reveal her powers and join up with an agency providing training and oversight. While consistently funny and clever with the use of powers, it can be very centered on the male gaze; the art starts out being pretty . I actually first started reading it because I recognized one of the characters from years prior when the artist was posting softcore smut to furry websites.

Guilded Age, by T. Campbell & Phil Kahn, art by John & Jason Waltrip and Erica Henderson. Fantasy, RPGs, Action, MMOs. Long-Format. A group of adventurers face off against threats to their world—such as the CEO of the company that programmed their world in the first place. Strong themes of intrigue, the nature of violence, and the concept of good and evil in fantasy settings. Completed, now running extras & side stories, including annotated repeats of the original pages.

Gunnerkrigg Court, by Tom Siddell. Fantasy, Sci-Fi. Long-Format. A young girl attends a strange boarding school specializing in matters of the supernatural and obscure, making friends with classmates, a ghost, robots, psychopomps, living shadows, fairies, and eldritch horrors in the form of silly woodland creatures while exploring the mysteries of the school and her own ancestry. Shows remarkable art progression; the style of the first storyline is unrecognizable from the present. Especially rewarding if you’re into alchemy. LGBT content, including prominent WLW characters. Warnings: unreality is a recurring theme, and there is a bit of “suicidal” fairies desperate to be reincarnated as humans. Boxbot is rubbish.

Johnny Wander, by Yuko Ota & Ananth Hirsh. Autobiographical, Fantasy, Humor, Mixed-Format. A mix of slice-of-life autobiographical pages, and short stories, including the longer format “Barbarous” and “Lucky Penny”.

Kevin & Kell, by Bill Holbrook. Comedy, Slice-of-Life, Furry. Mixed-Format. Extremely long-running strip (daily updates since September of 1995). In a world of anthropomorphic animals where predatory species can legally & without repercussions hunt & consume other species, a businesswoman wolf (Kell) and her uncommonly large rabbit husband (Kevin) make their blended family work in spite of social stigma against predator/prey relationships. Far more light-hearted than it sounds, though it often touches on social issues and drama. Light LGBT content from some minor recurring characters.

Kill Six Billion Demons, by Abbadon. Fantasy, Metaphysical, Martial Arts. Long Format. A college student’s attempt at heterosexuality is interrupted by the arrival of a legendary king of all reality. Thrust into a battle over the greatest power of all worlds, Allison faces devils, angels, and the city at the center of the 777,777 universes. It’s a lot to take in. Occasionally not safe for work. Frequent LGBT content, including WLW.

Love Me Nice, by Amanda Lafrenais. Comedy, Hollywood. Long Format. Set in a world shared by cartoon characters and ‘real’ people (think Roger Rabbit), where TV star Mac T. Monkey Jr. struggles between his irresponsible instincts and his attempts to build a life as an adult and a relationship with fellow protagonist (and manager) Claire. Some LGBT content; infrequent updates. Occasionally Not Safe For Work.

Manly Guys Doing Manly Things, by Coelasquid. Comedy, Videogames, Parody. Mixed-Format. The staff of a temp agency for “ludicrously macho guys” tries to help the protagonists of video games, TV, and movies deal with their testosterone-addled brains in a constructive fashion. Occasional LGBT content—mostly MLM, naturally. Keep an eye out for the fluffy little velociraptors, and Mr. Fish the Gyarados. On indefinite hiatus since June of 2018.

Narbonic, by Shaenon K. Garrity. Comedy, Sci-Fi, Mad Science, Gerbils. Mixed-Format. Comp Sci. grad Dave needs a job. Helen B. Narbon, cute blonde mad scientist with a gerbil fixation, is hiring. Story arcs feature action-packed forensic linguistics, a worldwide conspiracy of guys with the same name, rodents uplifted to sentience, time travel. Some awkwardness around gender transformations, light LGBT content. Completed, with author annotations.

Nedroid Picture Diary, by Anthony Clark. Comedy, Absurdity. Short Format. Short comics that very quickly come to focus on the antics of the anomalous ursine orb Beartato and his friend/roommate Reginald, a bird who is just terrible.

Not Drunk Enough, by Tess Stone. Supernatural, Action, Horror. Long Format. A survival horror styled webcomic by a creator with a history of exceptionally dynamic page composition and lettering. Expect lots of magnificently weird body horror.

O Human Star, by Blue Delliquanti. Roboticist Al Sterling died. Al Sterling woke up an android body mimicking his own. As he reconnects with his former partner-in-several-senses, he explores a world that remembers him as one of its greatest innovators. Major themes of identity, the definition of humanity, and gender and sexuality. LGBT themes including MLM and transgender characters. Warning for some discussion of self-harm.

Outsider, by Jim Francis. Sci-Fi. Long Format. Beautifully-illustrated science fiction story that is painfully slow to update. If you watched a lot of 80s and 90s sci-fi anime, you’ll get the vibe that this has—including its arguable weak point of being centered on a man who finds himself among an alien race dominated by warrior women.

Patrik the Vampire, by Bree Paulsen. Supernatural, Slice-of-Life. Long Format. The unlife and history of an exceptionally awkward vampire and the mortals around him—book club, knitting, coffee shops, violent murder. Some LGBT content.

Poppy O’Possum, by I. Everett. Fantasy, Furries. Long Format. A single mother in a world of animal people where only opossums lack magic, Poppy just wants to settle down in quiet and safety with her daughter Lily. The world has other ideas—but fortunately, Poppy is mind-blowingly strong. On hiatus. Some LGBT content.

Questionable Content, by Jeph Jacques. Slice-of-Life, Comedy, Sci-Fi. Mixed-Format. Starts out focusing on indie rock fan Marten and his robotic “anthroPC” Pintsize. As the art evolves, so does the subject matter, focusing more and more on the rest of the cast and topics like the nature of personhood and identity for artificial intelligence. Eventually comes to feature significant LGBT content, including bisexual and transgender characters in the main cast.

Rae the Doe, by Olive Brinker. Comedy, Slice-of-Life. (Mostly) Short Format. If Garfield was a transgender doe and wore clothes and also there weren’t any jokes about Mondays or lasagna and the comic was constantly assumed to be autobiographical in spite of its creator frequently asserting otherwise and the comic was still genuinely funny. But otherwise just like Garfield, really.

Selkie, by Dave Warren. Sci-Fi, Slice-of-Life, Comedy, Drama. Long-Format. Former adoptee Todd becomes a father himself to a strange young girl who turns out to be a refugee from a secret underwater civilization. While the public gradually becomes aware that humans are not alone, family forms and is redefined as secrets from both Todd and Selkie’s past are revealed and dealt with, and kids confront issues of inclusion and exclusion. Also, for some reason two of the kids from Evangelion are Todd’s neighbors.

Skin Deep, by Kory Bing. Fantasy, Coming-of-Age, Monster Girls (and Boys). Michelle discovers the secret world of mythical monster people after a small medallion unlocks her own heritage as a sphinx—supposedly long-extinct, according to the other monsters. Michelle must explore who she is and her family history while also trying to avoid completely upending nonhuman society and maintaining secrets within a culture already used to the use of magical illusions and transformations. Light LGBT content.

Skin Horse, by Shaenon Garrity. Comedy, Sci-Fi, Mad Science, Zombies, Canadians. Mixed-Format. Set in the same universe as Narbonic (see above), “Skin Horse” follows an organization of the same name dedicated to providing social services to beings only recognized by the secret shadow government—staffed by a patchwork zombie bioweapon, a talking sled dog, a cross-dressing pansexual psychologist, and a receptionist in the form of an immobile Victorian robotic weapon of mass destruction, all overseen by a sentient swarm of bees. Frequent LGBT content.

Something*Positive, by RK Milholland. Comedy, Slice-of-Live, Parody. Mixed-Format. Very long-running comic that gradually grows from a dark and misanthropic sense of humor into a dark and misanthropic sense of humor with a warm and gooey center. Earlier comics can be pretty weak and handle many subjects very poorly (the first strip, linked above, features an abortion “joke”); gradually improves.in terms of LGBT representation to the point that it’s one of the better webcomics in that regard. I might recommend skipping ahead in the archives to the current decade (the “1937″ and “1938″ are strips flashing back to the previous generations).

Spacetrawler, by Christopher Baldwin. Sci-Fi, Comedy. Long-Format. The naive but brilliant alien race known as the Eebs are enslaved by interplanetary society at large, depending on their servile nature to maintain the high standard of technology and transportation across the void of space. A group of utterly incompetent aliens come to Earth to seek help in freeing the Eebs... and generally fuck everything up for the best with their terrible choices of sample humans. Currently in the midst of a sequel series focusing on new intrigue and antics, including a talking, murderous kangaroo.

Spinnerette, by Krakow Studios. Superheroes, Comedy, Sci-Fi. Mixed-Format. A grad student develops spider-themed superpowers—including extra arms—and attempts to navigate both concealing her transformation, and becoming a superhero in a world where super-powered vigilantes and criminals are a fact of life. Not Work-Safe due to suggestive artwork including improbably form-fitting costumes over improbably large bosoms. Recurring LGBT content.

Val & Isaac, by @tredlocity. Sci-Fi, Fantasy, Comedy. Mixed-Format. A space mercenary, her wizard buddy, and the cyborg fish girl who keeps all their technology functional, occasionally featuring their shapeshifting assassin friend Space Dread. Major LGBT content, including WLW and MLM, and a prominent transgender character.

Vattu, by Evan Dahm. Fantasy, Worldbuilding. Long-Format. Born to the Fluters of the grasslands, Vattu finds her traditional subsistence lifestyle torn away as a multi-species empire asserts a claim over her people’s lands. A fantasy epic with several major arcs; see also the creator’s earlier completed works Rice Boy and Order of Tales.

XKCD, by Randall Munroe. Science, Parody, Comedy. Short Format. Stick figures and scientific silliness. Make a point of checking the alt-text of each comic by moving your cursor over the strip. Early pages are much more along the lines of experimental sketches; link above directs to a random comic in the archives. Some comics are more along the lines of interactive games!

Yet Another Fantasy Gamer Comic (YAFGC), by Rich Morris. Fantasy, Comedy, Parody. Mixed-Format. Not Work-Safe. The inhabitants of a world heavily based in Dungeons & Dragons go about their lives as monsters, humanoids, and soul-searching mixes of the two. Begins with a romance between a beholder and a goblin, gradually builds up to battles between nations and the gods themselves, while also finding time to explore family, loss and love, and whether kobolds count as sapient. Moderate LGBT content including recurring gay & bisexual characters (it’s a very large cast); new readers guide here.

#long post #webcomics

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frederator-studios · 6 years

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Steve Wolfhard: The Frederator Interview

Steve Wolfhard is a cartoon writer and storyboard artist who's been nominated for an Emmy award for his work on Adventure Time. Since joining AT in season 3, Steve has contributed his zany humor and style to several more great shows, including Over the Garden Wall and our own latest season of Bravest Warriors. Steve lends great insight here into his path through animation and sources of inspiration. To hear that he often pulls ideas from dreams gives helpful context to the nightmarish ‘Lemongrab eats Lemongrab’ scene that he wrote, below. Going on the record as saying that this is and has been one of my very favorite minutes in animation. Enjoy!

When did you know you wanted to work in animation?

I always wanted to be a cartoonist as long as I can remember. I went to animation school because I just wanted to get better at cartoons. Once I got in there, I started to really enjoy animation.

When you were in the Classical Animation program at Sheridan, did you already know you wanted to be a writer/storyboard artist?

No. Until I learned about how Adventure Time did their work, as a board-driven show, I didn't even know that writing was an option that might be available for me, or that storyboarding could be something that I could love.

What's a general outline of your path through animation, from first job on? How did opportunities come about?

When I graduated from animation school, there weren't many jobs available, so I started on a public access animation show with some friends of mine in a small town in Ontario. After that I started working at Studio B in Vancouver doing character design and flash animation. Then I planned on quitting animation for good. I did illustration and comics for a couple of years. I met Pen Ward at a comic convention, and he was collecting comics people to work on Adventure Time. That was my first job writing and storyboarding.

What have you written that you're most proud of?

I'm really proud of a scene from an Adventure Time episode called "Another Five More Short Graybles". The outline just said something like "the Lemongrabs get angry." I made that into a scene where one of the Lemongrabs ate the other one. It still makes me laugh.

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What is your writing routine like? Any must-haves for writing?

I get ideas in dreams a lot. The idea for the Bravest Warriors episode "I.O.U. for Your Love" came from a dream. I like coming up with a setpiece or a fun ending and working around that. I also like to come up with fun jokes and get a lot of those in there. If I'm in a block, I think about what I'm trying to say with this story. In general, though, I don't trust anything that I come up with. I always talk with my wife Leslie about it and trust her to know if something's good or bad or how something can be fixed.

What do you like best about being a writer / storyboard artist? What's most challenging about it?

Writing and boarding are an artistically fulfilling part of animation. A job's a job, and I know that the important thing is keeping the lights on and food on the table, but I feel really lucky that I get to tell stories. I can get kind of exhausted from having to come up with ideas all the time, but I'm very lucky.

What are your favorite things about Beth, Danny, Wallow and Chris? Do you have a favorite character?

I like that the four main characters are very sweet but also have sex drives. Haha. I think that a lot of adult-centered cartoons would have sex-focused characters, but it would be lecherous. In BW, characters can be lustful but they don't lose any of their sweetness because of it. My favorite is Wallow. He's the most sensitive, and I like his voice actor, Ian Jones-Quartey.

What do you like best about Bravest Warriors overall?

I like how much adventure can be packed into one episode. I see that going back to the roots of the show on YouTube, where each episode would start in media res and end before the actual story ended. Wall to wall action. And I appreciate how the space setting lets you bring in literally any kind of creative idea. What's to stop you? It's space. Who knows what's out there.

How would you describe your writing style or voice in a few words?

I'm joke-focused, but I also like things to be very quiet and plain. In the most entertaining possible way.

What are your favorite cartoons? Which artists or writers do you admire most?

Right now, I'm really enjoying Craig of the Creek. As an adult, the things that have affected me the most have been the pilot for Adventure Time, some of the later episodes of Bee & Puppycat, and the first time I saw OK KO. My favorite cartoonists are KC Green, Meredith Gran, Emily Carroll, Kate Beaton, and Pen Ward. And they are wonderful writers as well. You can't really separate out cartooning and writing. I also read a lot of science fiction. My favorite sci-fi authors are Ray Bradbury, Brandon Sanderson, Vernor Vinge, Ursula Le Guin, and Adrian Tchaikovsky.

Which 5 books / comics / movies / seasons of TV would you have on a desert island - that has a functional entertainment center?

Books would be The Princess Bride (William Goldman), The Wizard of Earthsea series (Ursula K. Le Guin), the Zones of Thought series (Vernor Vinge), Something Wicked this Way Comes (Ray Bradbury), The Stars My Destination (Alfred Bester). Comics: Vampire Loves (Joann Sfar), Dungeon (Lewis Trondheim, Joann Sfar), Dungeon Meshi (Ryoko Kui), Ranma ½ (Rumiko Takahashi), Madman (Mike Allred). Movies: Porco Rosso (1992) Harvey (1950), The Adventures of Robin Hood (1938), Pinocchio (1940), A Room With a View (1985). TV: Lost. It would be funny to have it on a desert island, but I don't think I could bear to watch it again... let’s not count that one. Lost in Space (the original series), The Sopranos, Jeopardy!, and The Great British Bake-off. ❀

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Follow Steve on Twitter (@wolfhard)

Thank you for the interview Steve! Everybody be sure to watch Summer Camp Island on Cartoon Network, the latest show Steve is writing/boarding on :)

- Cooper

#The Frederator Interview #Canadian animation #Frederator Studios #Steve Wolfhard #Adventure Time #Bravest Warriors #Over the Garden Wall #Summer Camp Island #writers on tumblr #storyboarding #writing #animation #cartoons #comics #Sheridan #comedy

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