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tofixtheshadows · 4 days

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This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.

The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.

And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.

I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.

We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.

So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.

#Dungeon Meshi spoilers #Kabru #Kabru of Utaya #using that tag even though I'm ethically opposed. it's fine #dungeonposting #musings with Dea #btw I'm genuinely not trying to imply anything weird here I really do think Kabru has Seen Some Shit #Kabru and his pre-canon pseudo-espionage lifestyle #this was supposed to be??? more of a joking post? but I talk too much #I mean I'm only thinking about it because it IS funny. Kabru. what the hell do you get up to in your spare time.#he didn't even stop to think 'oh no what do I do'#he was just like 'good thing I have a knife in my boot'#even if this was his first time being tied up it just makes me feel like he was prepared for this kind of danger #maybe Milsiril taught him this too

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carnivalcarriondiscarded · 10 months

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Does

Does Barnaby

Does Barnaby tell the others to get off his lawn when he's angry

psh, who do you think he is, an old man? he'd Bark, like any lively young dog

#serves them right for (playfully) arguing right outside of his house smh #hes got sensitive ears yall... probably... i wouldnt know...#i bet ya could hear that woof everywhere in the neighborhood #and feel it. its gotta be deep as hell. bass boosted boof #legend has it that a Single Can fell in howdy's store #scribble salad #welcome home #welcome home puppet show #many thoughts about barnaby and barking #id imagine that if asked if he can bark hed be like 'yeah but its a waste of effort / who has the time for That'#i doubt he ever really does it...#cause that would take effort and really when would he be in the mood to be able to do it #its like. i dont get how some people can just let out a real good yell/scream on command #if im not angry enough i Physically Cannot raise my voice in that way. just dont have it in me #and id also think that barnaby has a thick skin. takes a lot to make him That Peeved yk yk #but when he does bark. oof. thats gotta be the loudest shit ever #everyone runs out of their homes like 'what happened??? is there a thunderstorm??? did a fuckin Bomb go off??'#meanwhile barnaby is slamming his door behind him and frank & julie are speedwalking away from his house with ringing ears #thoughts thoughts thoughts Musings

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notthecity · 1 year

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if you don’t love me at my mania then you don’t deserve me at my so much (for) stardust

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aquaquadrant · 6 months

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Title: flickering

Warnings: Hearing voices similar to intrusive thoughts (the voices are from sentient fire, not from the character’s own mind), pyromania, session 3 spoilers

~*~

Tango might be hearing things.

That is, beyond what the rest of his friends have already been joking about this entire session. The secret task bestowed upon him seemed like pure hilarity at first: pretend to have an imaginary friend. And he had to go all out, too, having imaginary conversations in the presence of other people. He wasn’t confident enough in his improv skills to pull it off without some kind of prop, though, so he’d assigned the role of imaginary friend to a torch in his inventory.

Torchy, a new best friend for the resident blaze hybrid on the server. Hilarious.

Except, as the hours went on… carrying Torchy around and randomly placing it down… hosting one-sided conversations with a piece of burning wood while his friends watched on with baffled amusement… it started to get a little less hilarious. Because he started to imagine that he could actually hear Torchy talking back to him.

Looks bad. Burn it. Kill him.

Just pleasant little things like that. It made for great conversation fodder; nothing turned heads on this server faster than a randomly overheard, “No, no, we can’t kill him!” And it was funny to carry on that kind of dialogue, chastising a flaming stick for its apparent bloodlust. The looks on his friends’ faces were priceless.

But at the end of the session, after Tango had been found out and failed his task, after everyone bid their farewells and went their separate ways to end the session… he hears it again; a flickering whisper of a voice in his ears.

Burn it.

It startles Tango so badly, his blaze rods ignite. “Aaagh- who? What?!” He spins around, flames spitting.

“Huh?” Skizz pokes his head up from behind their little clump of chests, his wing flared out in surprise. “What happened?”

Tango clutches his pounding heart. “Did you- did you say something, Skizz?” he asks breathlessly.

“What, just now? No?” Skizz frowns, then his eyes widen. “Oh, wait, I get it…” He chuckles. “Very funny dude, but uh, you can drop the ‘imaginary friend’ thing now.”

Burn him. Kill him.

There it is again. “No, I’m not…” Tango hesitates, glancing around warily. “You seriously can’t hear that?”

Join us. Burn it. Eat it all.

Now Skizz looks a little concerned, rising to his feet. “Uh- no? What?” He takes a few steps towards Tango, holding out a hand. “You okay, buddy?”

Tango rakes his claws through his hair. “Th- the whispering, the…” Swallowing, he creeps a bit closer to Skizz- and as he does so, he happens to move closer to a random torch. The voice gets louder.

Free us. Join us. Let it all burn.

There’s a chunk of solid ice in Tango’s stomach. “I think it’s coming from the torches,” he whispers.

Skizz stares at him for a moment before he sighs bemusedly, shaking his head. “Oh, brother. You’ve been talking to yourself all session, dude, I think you’re starting to hear things.” He claps a hand on Tango’s shoulder. “Get some rest, buddy, and I’ll see you back here next week, alright?”

Skizz doesn’t hear it. Tango makes himself laugh. “Right, yeah. You’re right. See ya.”

With a parting smile, Skizz logs off.

Tango waits. Soon enough, the voice returns. The whispering is now a chant, a dull roar echoing in his skull.

He’s gone. Burn it. Burn it all. Sets us free, let us spread. Join us. Burn it. Eat it all.

Tango’s heart is in his throat. He can see it, in his mind’s eye; the soft pink cherry blossoms engulfed in flame, a ring of smoke outlining the entire island… his inner fire thrums with want, with need.

Yes, yes, burn it all…

The smell of burning snaps him out of his trance. His clawed fingertips are pinching a cherry blossom from a low-hanging branch, a trail of smoke rising between them. Wait, when did he walk over to the tree? Quickly plucking the flower, he incinerates it in his clenched fist, the flame extinguished as soon as it’d ignited.

And now he’s got a handful of ash. Great.

Okay, that’s it- he’s gotta get off this crazy server. It’s all these stupid tasks! They’re totally messing with his head. The secrecy, the deception, the mind games- he just needs a break. He needs to go back to something familiar, some place where things make sense.

Tapping his communicator, he brings up a portal.

Tango steps through it into Hermitcraft, into blue flames and his dungeon master’s robes. He blinks, acclimating to the change of light. He’s in the underbelly of Decked Out 2, of course- most of his time this week has been spent working on the redstone for level four. And over the months, he’s taken care to light everything up (because a single creeper in the skadoodler could derail his entire operation here) so there are torches everywhere…

And he hears nothing.

Just the idle sounds of the dungeon above him. The occasional warden sniff or ravager growl, bats squeaking in the dark. A slime slapping against stone somewhere in the distance. He can even hear the ambient flickering of the countless torches around him, but no freaky voices accompany it.

Tango exhales heavily. It was just the Secret Life server messing with his head, after all. Relieved, he ignites a rocket to take off, whirling through the air in the tight hair-pin turns required to escape from the dungeon’s inner workings. He swoops into his storage room and dives into the bubble-vator, arriving swiftly back in the citadel.

Hopping off the platform and into the air, Tango glides toward his private entrance to the lobby. He needs to go cover up the barrel at the start so he can make a couple changes to the dungeon. Nothing major, maybe just an extra warden or two. Ideas for names are already flashing through his mind. Debating whether to go intimidating or silly, he’s so deep in thought as he passes through the lobby that he almost doesn’t notice it at first. But as he walks past the soul flames, he hears it.

The flicker of a familiar voice- though more haunting, now, almost mournful- whispering in his ears.

Join us. Burn them. Eat them all.

~*~

#secret life smp #life series smp #tango tek #tw intrusive thoughts #kinda??? at least it might feel similar so just in case #ANYWAY. HOW WE FEELIN ABT EP 3 #i’ve actually managed to watch a couple in between cramming for this exam #and lemme just say. as a blaze!tango enjoyer… torchy was very interesting to me #for the record this isn’t HTP tango #i don’t picture him as having this same ability #this was just a fun musing #like what if torchy awakened tango’s ability to speak to fire #my writing

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pallanophblargh · 7 months

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I’ve basically been dead as far as online presence and art is concerned, mostly due to keeping busy with life stuff. There is currently a recently spayed cat wearing a shirt in my house, I’m playing houseplant musical chairs, that kind of stuff.

But here’s a few crude scribbles of a curly ‘noph lady who I’m finding fun to draw. I should compile another pallanoph sketch dump when I’m less lazy.

#pallanophs #sketchbook #personal art #creature design #love when my camera skews the crap out of a sketch #on top of the drawing already being wonky haha #art muses are hard to come by these days #I have plenty of things to blame but mostly it’s me #anyway this lady looks like she’d be soft #curly hair is fun to draw #expressing my hair envy via imagined creatures heh #can’t be normal about it nope #I can feel the seasonal affective disorder kicking in and that’s fun #I’ve achieved what feels like peak laziness/lack of motivation #I’ll get over it just stab me with a poker

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roscoe-me-and-this-fuckin-kid · 1 year

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fall out boy don't make music with their brains and they don't make music with their hearts they make it with their pussies amen 😌🙏

#fob #fall out boy #so much (for) stardust #smfs era #patrick stump #pete wentz #andy hurley #joe trohman #hold me like a grudge #what a time to be alive #love from the other side #i am my own muse #heartbreak feels so good #post hiatus fob

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cahootings · 2 months

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Actually this post DID get me thinking, about all the times Ed gives up and resigns in the show. It's a defense mechanism. We know he's a deeply feeling person. We know his emotions are strong and he will express them. These dismissive reactions are him pushing those feelings aside, not thinking about them, not acknowledging them, trying to ignore them. Trying to control them. Trying to stay on top of them.

This, of course, always catches up.

And it's making me think about how interesting the choices were in this sequence.

In particular, how the final product contrasts with the version of the script that Jes Tom posted later.

(also reading this again wrecks me wow)

In the version in the show, he is not giddy. He is not happily humming. He is calm, and he doesn't even crack a smile. And I think it's more than just acting/directing choices, it's a completely different tone. His "bye bye" in the show does not read as victorious or celebratory to me, it reads as his quick dismissal and resignation that we see several times before. This is Ed giving up a part of himself without letting himself feel what that really means.

This change feels bigger and more deliberate. Ed still doesn't know what it means to give up Blackbeard. And like all the other times he tries to quickly dismiss a feeling, I think that's still going to catch up with him.

It's such an interesting character arc and I love it and I think it's one of the strong cases for needing another season. He hasn't reconciled what it means to hold on to Blackbeard. We see him bring the leathers - this persona - back, to a degree, at the end of the season. But I don't think we've seen him actually process what that means to him. What does it mean to be Ed? Blackbeard isn't Ed, but Blackbeard is undeniably a part of Ed. And this doesn't have to be a bad thing. This can be a part of Ed that he gets to define anew. I'd love to get to see Ed reconcile this part of him, and how it fits with the person he wants to be. He doesn't have to shun this past part of himself.

I want to see him get to his "Hello, Ed."

#ofmd #our flag means death #ofmd s2 #ofmd meta #edward teach #that shot is always so heavy to me!#he's just like. idk. it is such a mixed emotional moment #i do think maybe we lost some of this with the shortened season #it almost feels like this could/would have been handled in the finale if there was more time #because I still think the choice to retrieve the leathers and what that meant to him deserved more (or any) attention #anyway. here's hoping for s3.#ofmd musing

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ride-a-dromedary · 8 months

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When Halsin says: "Please don't trivially bring up such difficult topics. My heart can be wounded just like any other." if you break up with him but then reconsider...

Like I FELT that in the pit of my stomach - I need to know who hurt Halsin enough that he is constantly under the impression that people think his feelings don't matter because of what he looks like or who he is.

#BG3 Musing #Halsin Posting #how many people have just assumed he's a brute with no feelings #how many people just assumed he would take it in stride because he's soft spoken and calm #like halsin is definitely one of the most adjusted companions but something always points to the fact #that he's so used to people putting his feelings last of all that he just...accepts it takes it in stride #and is...surprised or snippy when people show actual interest in him #anyway you know what i am going to KEEP posting about this elf #the reason i need to know is that i'm going to take a baseball bat an-

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tofixtheshadows · 2 days

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Hello, op! While I do find your reading of Kabru’s self sacrifice and how little he eats really good, im curious why you consider him the deuteragonist? He is a foil to the protagonist yes, but still a supporting character.

I think its pretty clear Marcille is the second most important character in DM, and her story has much more weight than Kabru’s.

Hello! I've mentioned this on my blog before, but I actually consider Marcille and Kabru to both be deuteragonists to Laios's protagonist. I just wasn't talking about Marcille in that post.

Technically this term is meant to be used in playwriting, and the Greek tradition at that, so I'm playing a little loosey goosey with semantics and my argument would sound different if I were writing an academic paper. But this is tumblr dot edu and I'm trying to get a point across on my little blog, and part of the idea of a deuteragonist is that they support the protagonist. "Secondary main character who has their own importance in the narrative while bolstering the protagonist" works well enough for my purposes.

I think Marcille and Kabru are both playing specific and complementary roles to Laios. Marcille is at his side, facilitating the A plot: namely, "save Falin", which requires Marcille's magic, and then Marcille's method of resurrection ropes Thistle in, so the continuation of "save Falin" necessitates confronting the Dungeon Lord and conquering the dungeon (the B plot).

Kabru only intersects with Laios, but he is tied from the beginning to the B plot- and with dragging basically everyone else into it. Actually, the fact that he brings in this extremely loaded B plot despite only having brief face time with the protagonist should be seen as significant. In a sense, Kabru represents the surface world and all its concerns.

Before I talk about that more, I want to continue with the complementary line of thinking and point out that Kabru and Marcille have very similar background motivations.

Laios wants to save his sister first and foremost, and it's only along the way that he starts to consider what he'd do with the responsibility of Dungeon Lord. Coming to the conclusion that he wants to create a home for disparate peoples to live in harmony has connective tissue to both Kabru and Marcille's desires.

Marcille is the only one in their party who starts out with a greater motivation other than saving Falin (Izutsumi is a special case, but she's ultimately along for the ride), one that she keeps hidden for a long time. Because she is a mage, and because she is driven by a very personal tragedy (my dad died; I am terrified of outliving everyone), she is looking for a miracle to bring the different races closer together.

Kabru comes from a background of personal tragedy as well, but it's also a far greater, more political tragedy than just the death of a parent. It is not a coincidence that Kabru is a brown boy from an exploited region that suffered despite and because of military intervention from a first-world power, nor that he was adopted by a white woman whose coddling/dehumanization of him represents the paternalistic oversight of these world powers.

Thus, Kabru's motivations are both personal and political: if they, the short-lived races, can finally access the secrets of the dungeons, then not only can they have agency in stopping tragedies like Utaya's, but it will also give them a greater power of self-determination.

Marcille and Kabru have both correctly identified and set themselves against a problem that is greater than saving the life of one girl, greater even than sealing this one dungeon.

Despite Marcille's hopes, there is no grand magic solution to this. Only small, slow, backbreaking, ordinary solutions, the kind you labor over in kitchens and bedrooms and throne rooms and meeting houses and hearths and negotiation tables. The kind you run a kingdom with.

There is a reason why Dungeon Meshi ends with Marcille and Kabru on either side of Laios's throne.

Okay: back to Kabru (under the cut).

I've talked about this a little before, but I'll reiterate here: I consider Kabru to be the counterweight to the back half of the story. In a very literal sense too, as he pulls the focus up from the depths to the surface not once, but twice. Dungeon Meshi builds itself on the premise that the traditional "dungeon" must function as an actual ecosystem, and the monsters in it are biological actors in that ecosystem and not merely magical obstacles independent of their environment. The first couple dozen chapters are focused on this. Like regular animals, monsters have needs and instincts and unique behaviors, and they can be killed and consumed as part of a food chain.

And then Kabru comes along and he reminds us that humans are also part of their own special ecosystem, with their own needs and instincts and unique behaviors, and that beyond the biological drive of the literal food chain there are also complex social issues influencing these behaviors (like capitalism). Tansu's visit with the governor introduced us to these ideas, but Kabru is the one who carries them.

The way he and his party break down Laios's party also serves an important function. I think most readers are so busy being shocked that Kabru is "so wrong" about our goofy boy Laios that they don't realize that he isn't actually wrong about anything (he's only missing the context of what drives Laios, which he admits to and is part of the reason why he pursues him). We've gotten only Laios's view of things so far, and Laios is pretty tunnel-visioned. The narrative, through Kabru, is telling the reader this is how our protagonist actually comes across to his community.

We like Laios because we are following his story from his inner circle. We know he's naive and struggles with people but that he has a good heart and is ultimately just a big silly guy who won't harm anybody if he can help it. But we only know that because we're seeing him with his inner circle, in his environment. Outside of the dungeon, Laios is anti-social to the point of rudeness; he misreads situations and misjudges people, he acts in ways that cause friction, and he accidentally aligns himself with people who make his whole enterprise look suspicious: a prominent half-foot community leader, a mysterious foreigner literally surrounded by spies, the disgraced daughter of a criminal who now has to shoulder the burden of her father's reputation, and an elf in a land where there are no elves. And they seem to be very good at what they're doing. Yet this whole time, Laios acts as if he doesn't care about profit or taking the kingdom, the only logical reasons why anyone on the Island would gather up such a party and throw themselves into this death pit day after day.

Yeah of course Kabru finds this suspicious and interesting. Of course people don't know what to make of Laios. This all reiterates the question that Zon the orc already raised: What will you do, Laios, if you defeat the Mad Mage? If you gain control of all of this? Can you be a leader? Laios himself doesn't know yet.

This is all necessary context for our protagonist and the journey he has to go on, and it's fittingly brought up by the most socially adept character, who is so concerned with human ecosystems and the bigger picture of the dungeon. There is a reason why Kabru, as a character, is connected to large webs of people as he moves throughout the narrative: his own party, Toshiro's party, the Canaries, the denizens of the first floor of the dungeon.

Kabru is responsible for bringing Toshiro down to Laios's party. Toshiro is not a big mover and shaker in the story itself, but his confrontation with Laios is a huge part of Laios's character arc. His detour down to the lower levels also allows Izutsumi to escape and join Laios's party later.

We also have this very important moment:

It shows the first inkling- to the audience, to Kabru, and to Laios himself- that Laios is willing to do a painful, necessary thing to protect other people, that he won't just allow them to become collateral for his sister/monsters. That he can listen, and that he can assess a situation beyond his personal feelings. Again, fittingly, big-picture-thinker Kabru is the catalyst for this.

And then, not content to leave him as merely a device for Laios's character growth, the focus slingshots back up to the surface, and we follow Kabru.

The Canaries were going to go into the dungeon soon anyway, and they were always going to stir up the crowd in order to lure Thistle to them. Unless Thistle had given up right then and managed to slip away, the story could have very easily ended here:

Falin, immobilized and surrounded by Canaries, would have certainly been killed, and there would have been no way to ever resurrect her. Thistle would have been neutralized. The dungeon would have been taken by the elves, and anyone they could get their hands on would have been imprisoned at best. And maybe the dungeon would have been managed safely ... or maybe something would have gone wrong, and more lives would have been lost. Remember: the Canaries arrived in Utaya one year before the tragedy.

This is a huge moment that changes Laios's life forever, and he doesn't even know it. Kabru single-handedly keeps the story on course by sabotaging the Canaries, and he does it not just for Laios's sake, but for everyone's sake. For his friends and companions in the dungeon and everyone else outside it. Laios is a part of his motivation, a key player in Kabru's hopes, but Kabru has his own desires, his own agenda. He's trying to change the world. In a way, he succeeds. And while the Canaries might wish it were otherwise, as an entity in the narrative they are always anchored to Kabru's character. The two forces collide because of Kabru. The unsealing of the Winged Lion and Marcille's emergency ascension to Dungeon Lord happen indirectly because of Kabru.

While I have talked so much already that I don't want to give a detailed breakdown of it, I do want to mention Kabru's unique interiority as a character. That is to say: we see the inside of Kabru's head more than anyone else. Every character in the main ensemble gets their own moments of inner monologues or fifteen minutes in the limelight, but for Kabru, it's constant. He's always thinking, talking, narrating. His POV chapters always stand out for how first-person they feel compared to most others.

Notably, the only other character I could compare that to is Marcille, specifically during the dungeon rabbit debacle and her ascension afterward, which is when she really takes center stage as a character.

I hope I've explained my reasoning without becoming too insufferable.

To cap off my thoughts with a nod to my original post, I cannot stress enough how significant it is, thematically, that Kabru's relationship with food is the inverse of Laios's. It isn't just that Laios is the main character in a story about cooking monsters and Kabru happens to be his monster-hating foil. The artistic choice to deny the reader the visual of this character ever enjoying food, and only ever putting it in his mouth in situations where it hurts him, in a manga that gives so much attention to eating and the pleasures of meals, cannot be understated.

#Dungeon Meshi #Marcille Donato #Kabru #Kabru of Utaya #Dungeon Meshi meta #Dungeon Meshi spoilers #I started answering this at 10:30 AM but took several detours #mostly I was at work. some people shitpost at work. god knows what I'm doing.#I am so fucking sorry I did not mean for it to be this long. I had to EDIT THIS DOWN #paging malewifesband I feel like this does the trick wrt: Kabru's function in the narrative #of course I have more to say about he and Laios specifically (she threatened)#musings with Dea #I think I'll go back and add image descriptions but it's been eight hours and I need dinner!#and also to play FFXIV #dungeonposting #Dea's anonymous friends

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