+act Magazine January 2024 Issue
ft. Hirakawa Yuzuki Interview
(translation below)
Publication: December 12, 2023
Hirakawa Yuzuki plays the immovable Rita Kaniska (PapillonOhger) in the Super Sentai series "Ohsama Sentai King-Ohger." In her first appearance in this magazine, she says that while her first priority is to complete this role, there are also things she wants to accomplish next.
"When did you first become interested in acting?"
Hirakawa: It wasn't until I joined my agency that I first became interested. Until then, I was attending a business high school in Kumamoto, my hometown, and wanted to become either a tax accountant or a certified public accountant in the future. Around that time, I learned about the "LDH Presents THE GIRLS AUDITION" and I told my parents, "I should enter like it's a commemorative entrance exam.*" I won the Grand Prix in the vocal and dance category, not the acting category. However, it wasn't until I joined the agency that I tried singing, dancing and acting genuinely. So, it was abit embarrassing being told that I was the Grand Prix winner in the vocal and dance category. (*exams taken for schools you have little to no chance of getting into)
"Your first performance was in a stage play."
Hirakawa: It was in "Moryo no Hako" starring Tachibana Kenchi-san. The play was set where the curtains rise on a scene between me and another girl, and I was so nervous that it caused my stomach to hurt every day. Once I said a few words on stage, I was okay, but until then…I guess that once I got on stage, I felt like I had no choice. But, until I was offstage, my heart would be pounding like crazy.
"Did the fact that it was your first time on stage, and your first performance, have a big impact on you?"
Hirakawa: I always thought that if I broke the tempo of the play in the first scene, things would become out of sync. Even during rehearsals I was told, "The beginning is important. It determines the quality of the performance." That's kind of scary. It's a big responsibility. But, I think they trained me well on that stage.
"What did you find interesting about the stage?"
Hirakawa: I always took lessons with two or three people at most, so more than anything, I enjoyed creating a production together with many people. I also thought it was fun to be with my dependable and kind seniors all the way through the rehearsal period, and that they started to feel like friends.
"Were there any memorable words that were said to you during rehearsals for the play or on the stage itself?"
Hirakawa: They'd say "Just try things out for now." I think I tend to worry about what other people think of me. If I think that I have to do something, I focus on only that. Still, I was told, "Just give it your all for now. It'll be easy to control things from there." This is often said on the set of the Sentai series that I'm currently performing in.
"Ohsama Sentai King-Ohger, right?"
Hirakawa: Their keyword is "Immovable," and I do what I can within that context and to "just give things a try." If I really deviate from the character, the Director will get me back on track.
"Have you seen any other Sentai productions?"
Hirakawa: When I was little, I watched "Tom and Jerry." I haven't really watched the previous series. In middle and high school, I was either doing practice lessons, club activities, eating meals, or sleeping (laughs).
"What kind of programs do you currently watch?"
Hirakawa: Since I started working, because I have alot to learn, I've been watching various things. I've only been alive for 22 years, so there are many things that I don't know. I'm learning about these experiences as I watch these works. What have I been watching…I really can't remember (laughs).
"(laughs). How do you remember your lines?"
Hirakawa: One of my strong points is memorizing things, but I'm the type of person who (intentionally) forgets them immediately (laughs). When they say, "We're done filming this scene," I instantly forget about it. So, I don't really remember much. Recently however, at the recommendation of a co star in King-Ohger, I watched the entirety of "Heaven and Hell: 2 Psychos," starring Ayase Haruka-san.
"Were you interested in Ayase-san and Takahashi Issei-san's personality changing performances?"
Hirakawa: It was interesting to see how the two of them came to know each other through swapping bodies. I also experienced performing a body swap in King-Ohger. Before we filmed it, it was recommended to me with, "This show, it's got body swapping," so I learned alot from it.
"For Rita, did they have the keyword "Immovable" from the beginning?"
Hirakawa: Since my role is that of the International Chief Judge, the words "always neutral" were there from the audition stage. When I was reading the script before filming started, the Director said to me, "Rita is Immovable. That's it." It doesn't mean that they shouldn't move, but that they're unwavering. I was also told, "There may not be much movement, but it holds various meanings. Please be extremely immovable this year." That's why even now, I'm looking for things I can do within being "immovable."
"What did you do at the audition?"
Hirakawa: It was an audition for two roles, the yellow Hymeno Ran, and Rita, who I'm playing. I played both roles in the first round, but when I entered the second round, in terms of her character, I thought, "I'm definitely not Hymeno." From there, I went after Rita.
"Did you feel any similarity between Rita and yourself?"
Hirakawa: I thought I could create something close to the calm and dignified feeling of the character. I'm also pretty tall (166 cm, 5'5"), so I thought that the darker color would also suit me in terms of image. Actually, I had auditioned for the Sentai series and Kamen Rider series multiple times, but most of the roles I've gone for up until now have been for the heroine. So, I thought it wasn't really suited for it. But, with Rita I thought, "That's definitely me." I was pretty enthusiastic, thinking that if I missed out on Rita, I wouldn't get a role like this for about four or five years. And then, until I started working in this industry, I hated my voice.
"But it's an attractive voice, with a deep bassy tone."
Hirakawa: When I finished my first performance, many people said to me, "Your voice is really nice." Do the people around me see this voice as my weapon? Rita's words are very persuasive, or rather, have weight to them. I knew from the audition that I could use my voice in this role. However, since filming started in King-Ohger, I felt that my voice has become even lower. I was trying to make my voice sound deeper, but I ended up sounding lower than usual (laughs). I might be stuck with this low voice. Maybe it'll go back to normal once this role ends.
"What do you currently find interesting about performing?"
Hirakawa: Rita only keeps their left eye visible, right? However, there's a limit to what can be expressed with just the eyes. They're a character that doesn't move that much and doesn't laugh. Things like the inflection and intensity of my lines and how they're conveyed are different from how it's been in the past. Still, by experiencing this kind of role, I feel that the range of my expressions have expanded in slightly different directions. I think I'm lucky.
"What kind of roles would you like to play in the future?"
Hirakawa: In episode 38 of King-Ohger, I performed with my face showing, but I was embarrassed since it had been awhile. A year ago, I would've been able to do it normally, so first of all, I'd like to "reset" that (laughs). I don't have much of a funny role now, so I'd like to play more energetic roles. Also, I want to wear a uniform! I want to be in a school story. It doesn't matter if I'm a class president, a bully, or some kid with a depressed personality. I just want to wear a uniform (laughs). I definitely want to make that happen. But for now, my first priority is to finish King-Ohger. It's been a year, and I think the real battle afterwards will be letting go of Rita and returning to Hirakawa Yuzuki.
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friend fish!!! do you have any super specific headcanons for nucarni you'd want to post about? like from the serious to the silly. im talking from like how did little yakumo deal w humans and snakes hating him and then his grandparents loving him to who are the left handed mfs and who are the right handed mfs. how did kuya handle huey disappearing vs can garukaru wink. i like your brain and i like the very specific little things that come from everyone's brains and just wanted to see if you wanted to post any sillies or seriousies :3
why, friend anon, it seems like You are the one bursting with ideas... if u wish to share with the class i shan't object ohoho
MMM>....UUHHHHH boy ain't it just appropriate that once u hand me the microphone, my mind blanks
hmmm........
............(leaves ask and comes back in several hours)
OH I got one!! yakumo and chickens
s o one day, i wished to draw yakumo holding a chicken. just snekboi holding an absolute buff orpington orb of chicken, because it would be, how u say,... grotesquely adorable, yes??
but before i could, i wondered.. is that possible? do chickens like yakumo? or would they sense his snakeyness and hate him? was it ever discussed in the story?
my immediate thought was of those chickens who get hypnotised into a catatonic state when u draw a straight line in front of them. u know all those gifs of the chickens that just go [plop] with HARD FOCUS on the line? and as soon as line was erased, chicken blinked back into existence/Killer Peck mode?
i remember ppl hypothesising that it was bc the lines reminded them of snakes and the chickens were like shhhhh play ded the snakes will want nothing to do with us.
i can;t remember if they ever actually found the answer to that behaviour. i wish i knew. but i don't. so instead i imagined eiden placing a 🧍♂️yakumo horizontally in front of a chicken to see if the trance could be replicated
the whole thing made me think about yakumo's relation to animals, especially farm animals, bc idk if his grandparents ever farmed animals or if it was JUST produce. the story so far seems to say vegebls only but *I* want *FARM ANIMALS* and *YAKUMO* ***toGETHER*(*(***** so we continue the train of thought
yakumo has pulled Princess-Snow-White-shenanigans in the past (Idol Fest). those forest animals didn't have a problem rolling up to yakumo just to listen to him sing. i don't remember if exact animals were mentioned in the story, but i'mma assume it was lil guys like rabbits, birds, rodents, deer. i mean... snakes have been known to share habitats with these guys... so it would make sense for some of them to be scared if yakumo's energy is more snake>human.
but then KUYA??? he's a fox. yet he's got parades of adoring forest worshippers everywhere he goes, regardless of predator/prey status. so maybe the vibe of Yokai overrides whatever trophic chain dynamics are supposed to exist in this world. So instead of EEK! A SNAKE/FOX! the animals be like Yokai=cool nature powerbeing let's hang out ?
but then i wonder if the Yokai Vibe is moderated by Yokai expertise. bc kuya of course has way more experience as yokai... he's more likely to embrace his foxy traits than yakumo with his snakey traits (what is this.... a competition of self acceptance now??).. so maybe the animals all trail after kuya bc of his confidence,,, but would they do the same for yakumo who hasn't yet transcended to that Power Strut Aura?
which relates to childhood yakumo. to surrounding animals, what was his vibe? snakey? human? yokai? did it matter? he mentioned that the other snakes used to bully him .. and that people also used to chase him away... so his vibe was. what? like the king cobra who eats other snakes, and can bite people? at this point, it's not like yakumo has the self-control or self-acceptance to consciously manipulate his outward appearance. his vibe is his vibe.
so, in this unsure, untrained, scared snake-self stage of his life, he still appeared as a Threat to other snakes (and probably other animals that typically fear snakes). i imagine that if i were to introduce yakumo to farm animals at this point, they would react like they saw a potentially dangerous snake. chickens angy. cows might stomp u. goats might eat u
and yet Grandma and Grandpa , like many humans, promptly threw convention out the window and went [lol what threat?? he scared. let's give him some soup]]
-> for further proof of ppl being like that, look at. any dangerous creature. cute as heck. i'll fawn over apex predators. angry bear incapable of empathy? deserves my respect. sure i'll share my room with a snake if it looks like it's crying . self-preservation? why would i care about that if i have the chance to make the snake less sad??
i mean, farm animals are domesticated so they're supposed to be pretty chill. i like to think that once yakumo spent more time on the farm with a loving family, his energy became more stable and more human. and surely with daily exposure, those farm animals would acclimate to yakumo's presence. maybe even grow to like him if he takes care of them.
THAT IS TO SAY even if the animals initially shun him or treat him like Danger... they eventually associate his energy with the good times. and yakumo would learn how to act around each specific animal so as not to upset them (just like any good zookeeper!!). As both parties build upon their experiences, the likelihood of positive interaction between yakumo and another animal goes up up 🆙☝!!!
IN THE END, ALL THIS MEANS is that, simply bc i like animals, i'm gonna pretend that yakumo's grandparents also farmed creatures (dang, an undertaking for 2 elderly ppl. i know. but this is gay fantasy isekai). ok, maybe more believably, a neighbour farmed animals and yakumo was the only young'n around to help. and because of all that, yakumo has experience dealing with animals.
according to my made-up timeline (😄) if i drew him at human age ~7, it would make sense if it was a pic of a cow chewing on his hair (being bullied by ungulates. he's crying), or chickens pecking him en masse
and if i drew him getting ALONG with those same animals, it would more likely be a yakumo at human age -- well- older than that. he's got some working experience at that point.
(slams fist on table) SO I CAN JUSTIFIABLY Draw A FLUFFY CHICKEN RESTING HAPPILY IN YAKUMO'S ARMS AND IT COULD BE IN-CHARACTER.
i crave interspecies friendships. humans do nonsensical things to befriend other critters. why can't the chickens override their snake fear for this one special boi. it is what i want to see and i will twistturn canon until i see it.
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