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#it's nonsense all the way down
popatochisssp · 2 years
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Is there a story for the mahou au?
Not a fully fleshed-out one, at least in terms of a published (or planned to be published) multi-chapter fic, or anything, but there's a pretty solid plot to it and a few stray scenes and drabbles I've written, mostly self-indulgent sona/skeleton content but y'know lol
Basically, things go like this…
Here's Ebott City. It's chilling. 'Damn, that is a sweet city,' you might say--wrong!
Jasper and Pyre show up out of nowhere at the Hero Association one day because they (but mostly Pyre) are being recruited by a suspicious evil organization and the only way to escape assimilation is to join the other team instead.
There's systems in place for this kinda thing at least, protocol for bad guys who want a redemption arc, but maybe don't want to serve a jail sentence for all the crimes and property damage and whatnot--glorified community service, paying the city back by being a hero (with garnished wages) under the supervision of an established and trustworthy existing hero.
So as a villain, you need somebody to vouch for you, who'll be held accountable if you're a liar or try to weasel out of your debt to society early.
No problem for Pyre, who's been Papyrus' rival for forever, and Papyrus has only been trying to convince Pyre to change his ways since their very first grand battle, so he's totally hyped to be his sponsor.
It's a bit of a problem for Jasper, who is really not on great terms with any of the heroes, and there's a rule about only taking on one liability at a time so the least of all the evils (Papyrus) is not an option. He ends up with Sky as the second least evil, and he's a brutal taskmaster who refuses to let Jasper skip out on hero training or cut corners or run away from his fears and commitments and responsibilities.
He…may try to literally run, at least once, in the middle of the night, when the 'oh god what am i doing here, i can't be a hero, i can't hack it' hits and nobody will try to stop him because everybody's asleep…except justice never sleeps, and Sky had a feeling he was gonna pull something like this and a midnight ass-kicking is a clear enough message to Jasper that he's gotta see this one through (or else).
So that's them for awhile, going about business as usual and mostly spinning their wheels on this villain conspiracy thing, having random encounters with bad guys who are suddenly coordinating with each other and doing things that don't make sense, old faces and new ones and nobody can figure out what's going on or why--just that it's probably bad.
The worse things get, the more involved Papy gets with hero business until he can longer hide it from his brother, who is understandably not happy. Slate was under the impression that Papy was in nursing school and going out to study groups with friends, but he's back with the Hero Association? Again? Without him? Uncool, he doesn't appreciate being played for a chump, and after what happened to them (to their whole team) how can he still want to do this?
Alas, Papy's a do-gooder through and through and couldn't stand sitting on the sidelines, so he doesn't regret going back. He does regret lying about it, that was poorly done, but he just didn't think Slate would understand--and he was right, he doesn't!
But the disagreement between the veteran heroes is put on hold when Ell shows up out of the blue, claiming he has information about the Villains' Cabal that they ought to be very interested in. They don't know what to make of him at first and question his credibility--especially when he says he wants them to help him extract a known villain from the ranks in exchange for his info--but when he name-drops King, Slate and Papy are suddenly paying quite a lot of attention and insisting to see what he's found.
Ell is the first real lead they've gotten since all of this started happening (much bigger than the tiny clues and mysterious messages they've been receiving from Nobody) and he has loads of evidence: bank records, news clippings, photos--and stars above, it's true, there he is, that's King and his brother Brick, Slate and Papy's former teammates behind this all, and Ell still isn't quite able to say what they're planning but the fact it's them means it's big and it's bad.
So alright then, all hands on deck for this one, all petty squabbles and disagreements left at the door until business is handled.
They plan a raid on one of the Cabal's facilities, intending to infiltrate and access the computer systems directly where Ell will have a much better chance of finding more specifics about The Big Evil Plan. It's just an outpost, should be an easy enough mission, main crew will cause a distraction while a smaller team slips off to get the goods.
Except nobody was expecting the Big Bad and his even bigger right-hand man to actually be there, and that throws a pretty nasty wrench in things.
Everyone gets a harrowingly serious smackdown and they make it out in one piece only because they were allowed to escape--one last favor from King to his former teammates.
So they regroup.
Ell got distracted in the middle of his hacking when Merc showed up and he gave chase, ultimately leading to badly corrupted data when a failsafe activated and he was away from the terminal and unable to counteract it in time. And it was a waste anyway, because Merc didn't want to be saved, he wanted King to accomplish his goal which--between the usable data and King's own villain monologuing words--they finally know.
He's found an ancient artifact with unfathomable power beyond mortal ken, and he's going to use it to steal away the mahou magic from everyone in the world, absorbing it all into himself instead.
So that's not good! One kind of mahou powers in one person with bad intentions is enough to cause some serious trouble, but for one person to have all of them? They can't let that happen, it'll be a disaster!
But the data they retrieved is corrupted, even with Ell's best efforts to find something useful on it, he's only able to recover the when and the how: the details of the artifact and the dark ritual that's going to be performed, and when, specifically, it's all going to go down.
But where? King has dozens of compounds scattered all around the globe, maybe even hundreds, and they have no way of knowing which it will be and to get there in time to stop anything.
…And that's about when Nemo pays them a visit, in person this time, since it's nearly the eleventh hour and his usual anonymous cryptic hints weren't going to cut it with so much on the line.
They doubt him, naturally, even more than they doubted Ell because he's a villain, he's high up in the organization if he really has been entrusted with this information, why should they believe he's not trying to get them in the wrong place at the right time?
Nemo removes his mask, showing his face for the first time in years and admits that he's doing it for his brother.
Only the old guard recognize him and know he's talking about Pitch, but the rest still doubt because that guy doesn't need any protecting.
But 'protecting' isn't what Nemo's trying to do, really…maybe 'rein in' is a better word. Pitch has spent the years since his injury looking for greater, bigger, more dangerous thrills and it's been hard for Nemo to watch, much less participate. Even knowing he's bull-headed and reckless by nature and that'll probably never change, if you could stop your brother from doing one really stupid thing…wouldn't you?
Ell, with his confrontation with Merc still fresh in his mind, decides to trust him. And as the resident stubborn, paranoid, conspiracy nut, most of the rest figure that if he thinks Nemo's on the level, he probably is.
They get ready for the final showdown and hope like hell they didn't put their trust in the wrong guy.
They didn't.
Merc is guarding the compound when they arrive, and he's never far from his benefactor so they know they've got the right place. He's still a hell of an obstacle, so it's good news with bad news, but Ell volunteers to fight/distract him while the others go on.
Pitch is the next layer of security and much more of a problem. Even when they tell him that King's planning to steal away everyone's mahou powers, including his, he doesn't back down--he doesn't need his powers to fight, the only thing he can see resulting from this is people working harder to be formidable with what they've got, shaking up the status quo, and he's very much on board with that.
He's outnumbered but still somehow not outmatched and having the time of his life against so many opponents. Bring it on! Who's next?
And Nemo steps out of the shadows, taking his place in front of him.
It makes the manic grin drop off Pitch's face for sure, making him falter because what… he doesn't… He doesn't want to fight Nemo… But Nemo's not backing down either--Pitch is going to have one opponent until this is all over, and it'll be him.
The rest keep going while they fight, time is running out, the ritual will be getting underway about now.
The heroes bust into the inner-sanctum in time to see Mal and Rus having it out, arguing over the Ancient Artifact which Mal is trying to put into place and Rus is trying to wrest away from him.
Rus has been thinking about this and he doesn't want to do it, he doesn't want to lose his mahou powers, he feels like he's supposed to have them, and even if he didn't, it shouldn't be one person's call to decide that for everybody!
Mal is totally blindsided and at literally the worst possible time, he's pissed…but when King shoves his brother hard and takes the Artifact to just do it himself, he breaks rank too.
It may be horrible timing for Rus' independent streak and it may be fucking up all of Mal's plans, but damn it, he's proud, and nobody pushes his brother around, not without hearing from him!
So the heroes have a couple of new allies (?), and they're going to need them because King is beginning the ritual and his giant brute of a bodyguard isn't going to let anyone get close without a hell of a fight.
Brick doesn't pull any punches, a solemn single-minded enforcer quashing all attempts to slip by him and stop what's happening.
Merc and Ell stumble in together--Ell finally broke through Merc's shell with a lot of 'this isn't you' and 'you don't need his help, you don't need to get rid of this part of you, we can still be heroes, like you always wanted'--but even the added bodies don't help turn the tide.
Brick's too strong, and the Artifact is working, everyone in the room is gradually weakening as their mahou magic is taken and transferred to King.
A last ditch effort, Slate and Papy plead with the massive wall of bone that used to be their friend, begging him to see reason and stop his brother before it's too late, before he destroys himself with this mad quest.
When Brick is unmoved and only signs that King is strong and can handle it, that's when they realize.
King had kept something back from Brick, about this ritual.
A mortal body could only handle so much of a mahou power before burning out. It took too much, it wasn't sustainable, and to take on that power from others too only heightened the risk to the person who held it.
To take all the mahou, from everyone in the world…
It was a death sentence.
If King did this, he'd be dead in a week, no matter how strong he was.
And that's finally enough to give Brick pause, to make him look to King, standing there with the Ancient Artifact, overseeing the ritual that would let him do the thing he'd been crowing about for years, ever since they all got hurt that day. He expects his brother to explain his grand plan again, to boast about how he's being the biggest damn hero in the world and turning a million little burdens into one big one that he'll shoulder by himself, that he's powerful and he can take it and everything will be better.
Except…King is silent.
Because it's true, and he knew, he'd known all along that this would kill him in the end, but it was a necessary sacrifice to him because when he died, the mahou would die with him.
And as Brick realizes this, horror and rage mingling to know that his selfless selfish idiot of a brother was really going to let him help him kill himself, he opens his mouth for the first time anyone can remember.
The sound is cracking and strained, red sparks of magic flying from the jagged crack in his throat and the scowl on his face takes a pained edge, but it doesn't stop him from growling the words.
"fu--uc-k…..tha-a-t."
And then, it's really on.
It's a clash of titans between Brick and King, one larger than life and furious and the other fueled by desperation and with an ever increasing trickle of everyone else's mahou abilities, both refusing to back down.
The weakened, beaten down heroes (and villains [?]) help where they can, and between them all…
They win.
They get the Artifact away from King, and Brick doesn't hesitate to crush it to pieces underfoot, and with its destruction all of the stolen mahou energies burst back, rebounding to where they belong in a flash of light and crackle of magic.
While everyone celebrates and cheers, King is left on his knees in the wreckage of everything he'd spent so long building, his hopes and dreams once again (literally, this time) shattered on the floor.
In disbelief, devastated, all King can do is say that he was going to fix it, he was going to fix everything--how could Brick do this?
But for Brick it's no great mystery. He did what he did for the same reason King was trying to do what he was trying to do.
'because i love you too much to let you be hurt again.'
And that was always King's problem: too much love, too much self-sacrifice, and not enough trust in other people to take care of themselves and do the right thing.
…But Brick is here, helping him up off the floor, and Slate and Papy are right behind him, his old team back together again, tired and battered and relieved just like they always were after a rough fight and it's…
It's too much.
For the first time since King killed Undyne, he finally cries.
"I…JUST……… I WANTED………"
He's not sure anymore.
"I WANTED TO FIX IT…"
"We Still Can."
"keyword 'we'. not just you going off by yourself all half-cocked like usual, ya hotshot. thought you'd have grown outta that by now…"
'never. stupid. always been stupid, always be stupid.'
"heheheh, yeah that sounds right."
"Slate, Don't Be Rude, We Haven't Seen Them In Years, You Can't Be Your Usual Self Until It's Been At Least A Few Hours!"
"oh are we not counting king's monologue? i thought that put us over the edge…"
"No, Monologues Don't Count, They're Necessary Exposition For The……….."
And god damn it, it feels so normal, it feels like nothing ever happened, like it's just the team ribbing and bickering like they always did, and King feels so young, so stupid, so…warm.
Stars, what a mess this all is…
The celebrating heroes all around them start remembering that the guy who started all this is still here, still not knocked out or apprehended, and the sudden increasing trickle of attention and eyes on the group at the center of the room cuts their reunion a little short.
"Go On, You'd Better Get Out Of Here Before Someone Tries To Arrest You!"
"YOU'RE NOT GOING TO…?"
"I Was Thinking Instead, You'd Take a Swing At Slate, And Dodge When I Fire On You Center-Mass After He Goes Down, And Then Grab Brick's Harness And Yell Something About Him Being An Incompetent Buffoon Who Would Pay For Betraying You Or Something. And Then You Run Off To One Of Your Evil Lairs That Our Conspiracy Theorist Hacker Friend Doesn't Know About."
Brick squints and mouths 'incompetent buffoon???' but King is more focused on the important part.
"I… YOU'RE LETTING US GO?"
"not if you're not quick about it, it's gonna get suspicious if you take too much longer." Slate shrugs with a quick wink. "we'll find you later, to talk more. you know i got my ways."
And that's pretty much how it goes down.
Brick and King escape in a flair of dramatic theatrics, and not many of the onlookers buy it, but Slate and Papy are experienced veterans, whatever they're doing they probably know what it is…
Merc and Ell approach the heroes together with matching pleading looks, hoping to get Merc a spot on the team too--and well, he'll have to join on the community service basis, y'know, because of the crimes, but that's not a problem at all! They finally get to be heroes together, after all this time!
Mal and Rus approach a little more tentatively, Rus hopeful and Mal visibly annoyed.
"can i do the community service whatever too???"
"uh…yeah, i guess… what about him?"
"WHAT ABOUT ME? THE OTHER OPTION'S JAIL, RIGHT?"
"yeah."
"THEN I GUESS I'M FUCKING DOING THE COMMUNITY SERVICE WHATEVER!"
Pitch and Nemo are gone for a long time, completely disappeared off the map and nobody really knows what happened to them, never saw the end of their fight or what they did after, but ages after everything goes down, they're back--and they want in on the hero racket too.
Even with a reserve squad lingering around the base, Nemo's always thought the Hero Association's security is lacking, and he can help with that. As for Pitch, he's done some thinking, and he thinks he'd be a damn good coach for newbies with wild, unpredictable powers, y'know since he's so wild and unpredictable himself and always excited for a new challenge.
Well, stars help them all, fine, hope they don't regret this but welcome aboard to you too!
No one ever sees Brick and King again…or at least, nobody who'll admit to having seen them.
Slate and Papy, both officially reinstated heroes again, tend to drop off the radar every now and again and when they come back they always seem to have new and very thoroughly discussed ideas for improvements in hero training, health care, therapy and rehabilitation programs, plus a healthy cash-flow to actually make it happen.
Where the money comes from, it's impossible to say…but it might be the same mysterious benefactor that's funneling money into environmental programs, and social reform, and a dozen other causes all over Ebott, making change in small but measurable, meaningful ways.
A happy ending? Maybe not exactly…but it's not exactly an ending either, just…a new way forward.
A way where people can learn to live with their powers, to accept themselves as they are with the resources to help them when they get in over their heads.
An imperfect solution for an imperfect world, but maybe a little bit better every day.
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gin-juice-tonic · 1 year
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what are you two TALKING about
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cherrycoloredphoenix · 5 months
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... just as Mother once said farewell to me, all children must grow up and leave their parents.
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brother-emperors · 2 months
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Did you used to like Mark Antony and dislike Cassius? What changed your mind ?
honestly the condensed version of events is that Antony and Brutus became uninteresting, extremely boring as POV characters to me at the same time for the same reasons, that prompted me to look closer at Cassius, and then I decided to spend two years trying to untangle Cassius from Brutus which completed my transformation into a part time Cassius apologist
like, both Antony and Brutus are still compelling figures, it’s honestly the versions of them in media and pop culture that I personally dislike and find boring because it’s not discussing anything I find interesting & frequently I feel like my time has been wasted, while their historical counterparts is more of a ‘wow I hate what you’re doing, keep it up!’
and ofc: the general passage of time. you get older. things that interest you change. being a hater as a recreational activity is fun. variety is the spice of life. people who write about Cassius are delivering poetry and I’m not immune to it. etc etc.
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designernishiki · 9 months
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it’s kinda funny to me how that dumb scene in kiwami 1 of majima getting shot and left for dead in the harbor was basically just added as a half-assed way to explain majima not being around for a bit of the plot, but they accidentally(?) just made it seem like start of a chain reaction where majima ended up feeling slighted and heartbroken after being abandoned like that and then lashed out about it via smashing a big truck into the building kiryu was in. and yeah that isn’t inherently a romantic thing as-is but then they go and add the part where majima grabs a hostess and performatively hits on her as in-kiryu’s-face as possible, she says she’s already in love with someone, and majima lets her go immediately, no questions asked, making a big fucking point of it just to say see THAT kiryu? I appreciate when people are HONEST about their FEELINGS. people who won’t just BACKSTAB someone who CARES about them to save themselves. is that so crazy kiryu?? huh??? anyway make it up to me get down here and fight me right fucking now
#I think on another level he was sorta saying like ‘hey kiryu. you’re making it extremely clear that you don’t trust me and my intentions#and I’ve been trying to show you- over and over again- that I’d do just about anything for you and your safety#but I can’t just let my mask fall off in front of everyone- I need to keep up the unpredictable morally grey wildcard act for both my sake#AND yours. because disguising my helping you as crazy random violent outbursts and weird stalker behavior#is the only way I CAN help you. do you think it would go over well with shimano or literally anyone else if I was outright helping you out#of the kindness of my heart and fondness for you? stop being so fucking dense and look past the crazy wacky nonsense for a second and#maybe you’ll realize that all I do at the end of the day- really- is help you and put my own life and reputation on the line for you.#I am an honest guy when it comes to my real values and when I told you I wouldn’t let anyone kill you unelss it was myself- I meant it.#I’ve taken a knife and a bullet for you now. can you REALLY not see through the act yet? am I REALLY that unpredictable when you think about#it?’#that was a longer explanation than i intended but. it was difficult to put into words#I basically feel like it could be read as him implying kiryu shouldn’t backstab the people who put themselves on the line to help him#and/or pointing out that he’s never actually done kiryu dirty and has stuck to his word protecting him in the ways he can#trying to say yeah all this is a crazy act and all but when it comes down to it you Can trust me#it really makes sense when you think about it that he’d have to help kiryu/show affection towards kiryu in unpredictable convoluted ways#at that point in time because. I mean. there’s a reason he was the only person who showed up to welcome kiryu when he got out of prison#and that’s because A) he sticks to his word and his loyalty to people he cares about and B) no one else had the balls or the batshit insane#mask to wear to ward off anyone asking real questions like majima did. because ANYONE associating themselves with the supposed#patriarch-killer was a HUGE NO-NO at the time. someone important showing up for kiryu and welcoming him back outright could’ve caused#all-out warfare probably. except majima. because majima was dedicated and smart enough to use his widely-feared wildcard persona#(that everyone tended to view as incapable of having any Real agenda to worry about) to his And kiryu’s advantage#does that make sense??? I feel like it makes a lot of sense if you get it to click in your head#kazumaji#majima#kiryu#yakuza#kiwami 1#yk1#rambling
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fromtheseventhhell · 2 months
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I can't stop laughing 😭
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crescentfool · 24 days
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having the hc that minato is ace is incredibly funny sometimes when you think about how ryoji is oh so very bi because it's like. "ah. death stole my ability to be attracted to people," in the same way that ryoji stole minato's eye color and energy level. like wow, thanks ryoji, you just keep finding things to steal from minato!
#persona 3 spoilers#minato arisato#hc and au nonsense#lizzy speaks#happy international asexuality day to my fellow aces out there i hope you know that you are loved!!! 🎊🎉🥳#i like viewing minato with the lens of him being gay / ace. esp bc it stems from my own experiences so it's fun to look at-#him from that perspective even if that's not what was intended by atlus y'know?#and im sure others have other hcs from me that are informed by their own life experiences and i think that's great ^_^#something that i found interesting while playing FES was how. stilted? minato's animations felt when hugging the girls#you could definitely go with the perspective that it's a graphical limitation or they didn't have time to polish the animations#and that's def true!! but sometimes i see the hug @ yakushima beach + the other hugs and then i compare it to the sou/yo hug in p4#and there's like... a noticeable difference to me with how intimate and close together the hugs are...#that said i do know that the animations for reload are updated and the hugs are much more natural (good on them tbh!)#the other thing is (pensive sigh). the way you couldn't reject any of the girls when doing their social links in FES#objectively speaking i'm glad that they did away with that and i like how the rejections were handled in reload. it feels naturally written#but also a part of me enjoyed looking at the “hey atlus what the FUCK” moment and thought of how to interpret it differently#specifically with the idea of minato having like.. little to no autonomy and kind of going along with the relationship#it kind of reminded me of myself tbh with like going along with the rship without considering what you want bc#it's what others want or expect out of you... LOL. i dont think atlus intended for someone to interpret it this way but#eh i think that's the fun part of hcs and looking at characters with certain lenses!#regardless of how you perceive minato i do think there's something to be said about him being the kind of guy who molds himself-#into someone that is needed. not wanted. but needed. important distinction here.#the one caveat my brain runs into when im like “minato is ace!” is when i remember thanatos exists and i go#“you know what these ideas can exist simultaneously” GKLHFHDFHD when in doubt schrodinger's headcanons#anyway that's all i've had this thought in my brain in awhile and haven't sat down to share it properly until now 👍#have an excellent weekend everyone !!! lizzy loves you all lets all nurture our inner yippee!!! 🥺💙
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intotheelliwoods · 11 months
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I present to you a little timeline :)
I have been having dreams about this story since way early march and im so happy I finally have the guts to go through with it all lmaooo no matter how wild it is
"hey ell what happened to this being a hurt/comfort comic" can you pretty please trust me when I say that everything comes full circle, the hurt comfort comics will return! I just want to have some fun first!
Anyways uhh expect a time skip next update!
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merakiui · 7 months
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Azul who's so self conscious about his mer form so you decide to do something about it. Just you walking to Mostro Lounge in an octopus costume lol
Either wearing a octomer costume or something like this: https://www.partiescostume.com/octopus-costumes.htm 😭
LOL he bans you from the lounge so swiftly that you have to wonder what he's thinking. T_T the minute he lays eyes on you, the words just come rushing out: "Jade, Floyd. Please escort the prefect out." and you're desperately trying to plead your case while the twins are dragging you away. Floyd's howling with laughter and Jade's doing his best to conceal his own amused chuckles. You always know how to get Azul so worked up and it's the funniest thing every time. He just gets so huffy and red-faced and flustered, struggling to keep his composure in front of so many eyes; it's really too fun to see. orz
The ban only lasts for the day, but just before closing the twins let you back in and they tell Azul there's one last customer who wants him to serve them. Azul can sense there's something not quite right, and he's not surprised in the slightest when he sees you sitting in the booth (now without the silly octopus costume and back in your uniform). Maybe you offer to help him get more confident in his mer form. If it means you'll stop tormenting the lounge in your silly outfits, it's a deal he's highly considering.
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vaguely-concerned · 2 months
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I've been devouring the first few seasons of star trek deep space 9 recently and folks... after several false starts we might finally have found the trek that will take my brain down like the weak gazelle of the herd. I love this shitty little space station and the cast of exclusively weirdos that inhabit it so much
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themoonking · 10 months
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when people bring up the racism, homophobia, transphobia, romanticization of domestic abuse / rape / pedophilia / incest, literal actual written porn of literal actual real life flesh and blood children, et cetera et cetera on archive of our own, one of the ao3 stannies’ main defenses is “you can just filter out the tags if you don’t want to see that!” when that defense has no fucking legs to stand on.
ao3 is not an archive, it is barely even a website: a rant <3 (very long)
ignoring the fact that it’s a problem that all of that is permitted on the site in the first place (i guess child porn and racism are fine, and the people who allow it on their platform are fine, as long as i, personally, do not see it), that defense literally means nothing. it’s assuming that every little thing on ao3 is tagged properly and it absolutely is not, and if you think it is you are dumber than rocks. i mean for fuck’s sake, just touching on archive warnings and not tags, “creator chose not to use archive warnings” is literally a valid option for fic authors to use when it should fucking not be.
if someone is a freak who thinks that pedo shit is hot, they might not tag it as “rape” (archive warnings OR tags). i’ve literally seen underage father/son rape porn with no trigger warning tags but “child abuse if you squint”. IF YOU SQUINT. if someone thinks that domestic abuse is actually cool and sexy when attractive people do it, they might not tag it as “abuse”. if someone is a freak who likes incest, but bends over backwards to justify it by only shipping adopted family members, then they tell themselves that they don’t view it as incest, and might not tag it as “incest”. if someone is a racist, a homophobe, a transphobe, et cetera and they wrote bigotry into their fic (or else wrote a deliberate troll fic to trigger people on purpose), do you really think they’re going to tag it as racism / homophobia / transphobia / et cetera? and some people get kicks out of writing purposefully triggering content and either leaving it untagged or mistagging it so that people will read it unsuspectingly.
even for just general content tags, it’s a mess. people just forget to tag things all the time. people deliberately won’t tag the endgame ship of their fic because “it’s a spoiler heehee”. people use the romantic or sexual “x / y” tag instead of the platonic or otherwise “x & y” tag, sometimes by mistake sometimes on purpose. it’s a joked about issue how people will tag characters or ships that appear in their fic for two sentences.
there’s no standardization of tags, which is a pretty obvious problem. what first comes to mind is the “dead dove: do not eat” tag which should just not be a tag at all because it just has no meaning. depending on the individual fic writer using it, it could mean anything from “literally the most sickening and depraved thing you’ve ever read in your life” to “horror w/ gore”. but it applies to other vague tags too - different fic writers will have different ideas of what the tag means.
in addition to that, what is and isn’t made a filterable tag, what tags are made synonymous, et cetera, is entirely up to the whims of the site staff. as an example, if you’re trying to look for fanfiction of a singular animated disney movie, the infinite crossovers with other disney movies will not actually be counted as crossovers (which they are) because they’re classified as the “disney theatrical animated universe” (which isn’t a fucking thing), so you can’t filter them out the “exclude crossovers” way. if you try to filter out the fandom tag “disney theatrical animated universe”, it’ll show up with zero fics because that tag is synonymous with every disney animated film (regardless of if the fic author actually used the tag “disney theatrical animated universe” or not), thus also filtering out the one you actually wanted to find.
and do not get me fucking started on the “all media types tags”, which also just shouldn’t be a thing because it makes it fucking impossible to find the specific fics you’re looking for. some people use it in place of tagging a specific canon / adaptation when their fic very clearly draws from one specific canon / adaptation, and you can’t filter it out because it’s synonymous with every fandom tag under its umbrella.
as an example of the issues of both the “all media types” tag and mistagging in general: as a fan of the witcher books, it used to be a fucking ordeal to find fanfiction specifically for the books (post netflix show release). some show fans would, for whatever reason, tag their fics with the book fandom tag in addition to (or even in place of!!) the show fandom tag when their fics were unquestionably show-specific, meaning i could not simply search only in the book fandom tag. i could not simply filter out the show tag, because some show fans would, for whatever reason, tag as fucking “all media types”, when their fics were unquestionably show-specific. and alas, i could not filter out “all media types” and the show tag, so that i see only those fics which have been deliberately and exclusively tagged as the book, not only because as mentioned some show fans would tag their show fics with only the book tag, but also because the fucking all media types tag filters out the book tag as well, leaving me with zero fucking fics REGARDLESS of if the author actually used the “all media types” tag. now, thankfully, i’ve thankfully seen this issue in this specific fandom lessen, but it still occurs in other fandoms and i guarantee that it didn’t lessen in the witcher fandom because of any fixing of the site on the part of ao3 staff.
another common defense of ao3 freaks is that it’s an “archive”, and therefore can’t get rid of anything anyone posts, and disregarding the fact that that is not how archives fucking work, they don’t just allow anything and also ao3 DOES get rid of fics... when they say that they don’t like proshippers, apparently, archives have... you know... archivists. they have someone or a team of someones making sure that everything in the archive is *properly fucking categorized*. they have someone or multiple someones making sure that everything they recieve (1) belongs there and (2) is properly labeled and organized. same for libraries. meaning that if ao3 really were an archive and not a sub par fanfiction website, they’d have something like that in place. something as simple as a report button for fics with a review team that will see if something’s been mis- or untagged. they’d have some kind of standardization of tags (especially the warning / trigger tags) and have proper tagging enforced in some way. and then they could also do something like stop being spineless racists, queerphobes, and pedos have the barest minimum of content guidelines saying that you can’t post fucking hate speech.
if something is mistagged or untagged, the most you can do is leave a comment politely asking that the author fix the issue, and then hope and pray that they do that. and if that person thinks [insert form of abuse] is hot, or if they’re just straight up a bigot that wrote bigotry into their fics to be bigoted, or they’re a troll that gets kick out of deliberately traumatizing people by tricking them into reading their mis/untagged fics, they might not! AND if you see a major tagging issue on an orphaned work, or a work that has an inactive author / hasn’t been updated in forever, good fucking luck getting even a negative response.
you can’t permanently block tags (i mean even tumblr.hell has that), meaning that if you would like to search for fic without coming across something troubling, triggering, or just something you don’t like, you have to either (1) do a work around by having a bookmarked link for every fandom you’re in or every character you like with all of your tags already blocked, (2) download browser extensions that do the work for ao3 because they can’t be bothered themselves, or (3) input every individual tag every time you search ao3 and don’t forget that all of those options only fucking work at all when everything is tagged properly, and we’ve already established its not. you also can’t actually block people (you can only prevent them from commenting) meaning that if there’s a specific person you’d like to stay away from your fics or a specific fic author that you don’t like and would like to stop seeing their fics clogging up the tag, you’re out of luck (though for the latter you could insert “-[username]” into the “search within results” box, but then uh oh we’re right back around to having to input that every time or have a bookmark)
their archive warning system is shit. first of all it’s functionally useless because, as mentioned, “creator chose not to use archive warnings” is an option. what’s the fucking point of special required archive warnings if you’re going to allow people to opt out anyway. second of all, aside from “chose not to use warnings” and “no warnings apply”, the only warnings are “major character death”, “graphic depictions of violence”, “rape/non-con”, and “underage”. disregarding the fact that they shouldn’t be allowing porn of underage characters in the first place (but i’m talking to a brick wall on that issue) and that “non-con” (and “dub-con”) as terminology needs to die, it’s just fucking rape lets not use weasel words... this is a paltry list of possible warnings. there’s no official warnings for depictions of: domestic abuse, animal abuse, depictions of racism / homophobia / transphobia / et cetera, suicide, self harm, et cetera et cetera. and we return to the issue of standardization of tags. in your required archive warnings at very least, there should be a standardization of what these mean, but ao3′s own faq is just like “ehh... you decide. we’ll leave it up to you”. what qualifies as graphic depictions of violence? two people may write the same level of violence, but qualify “graphic” differently, and make different decisions regarding their warnings. and we also return to the issue of: if a freak doesn’t see something that is clearly rape as rape, they might not tag it as such.
this website gets a disgustingly large amount of money every year that it doesn’t fucking do anything with. it’s been over a decade and they’re still in fucking beta. features that would actually be useful, like an actual block system, don’t exist. they technically have a report system for abuse and harassment and such, but apparently what they qualify as abuse and harassment is fickle. ao3 defenders seem to be very proud of the legal work they do for fandom / fanfic authors, but they set aside a very small amount of the money they get every year for legal advocacy, and they actually use even less of that, because it’s not the early 2000s “anne rice hates fanfiction” era anymore - you aren’t going to get fucking sued for writing fanfiction in the first place. based on their own self-reported yearly cost of upkeep, they literally already have enough money to run the site as they are now for the next twenty years.
once again: ao3 is not an archive. it is not a library. it is barely a even a website.
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hellscap3 · 2 months
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I'll never forget my one teacher in college talking about how he worked on Deadly Premonition and how proud be was of it cause of the different ways they added 'psychological horror' elements. Meanwhile the games got scenes like this:
youtube
I had never heard of the game n later was the GGs playthrough of it where I realized it was the most abstract nonsense of a game I had ever seen.
youtube
Like. I heard about how great this game was as if it was this man's masterpiece on multiple occupations only to watch it and -- THIS IS THE GAME HE WAS ON ABOUT?? If they didn't have the same title and game company I would have thought he was talking about a different game. Literally.
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sciderman · 9 months
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I did not know you wrote fics I’m truly living here
🫶
my fics are so delicious, you are SO lucky you get to experience them all for the very first time anon
#spideycablepool fic incoming... im devoting my ENTIRE saturday to finishing her. will not be thinking of anything else.#it's fuckigng. its freaking. 12k+ words. i don't know how it happened.#i never write fics that long!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!#i just had a lot to say about nathan summers.#which is hilarious because nathan summers himself doesn't have a lot to say.#but he says some things. and i feel a lot about him actually.#i kind of really want to hold 9319 nathan summers in my hands and kiss his forehead. he's a nice boy. people don't know he's a nice boy.#he is pretty shitty too (all cables have to be) but he's a nice boy. and he loves a whole lot.#i hope people get as attached to 9319 nathan as i have suddenly become. i love him. i love him.#feeling a lot about him. like a lot. feeling a lot about his and peter's differences and similarities.#him and peter have a lot to talk about. like a lot.#i really really want all three of them to lie down and sit under the stars and have a soul-searching conversation.#obviously wade would dominate the convo and talk about very strange nonsense that doesn't make any sense.#so maybe peter and nate should distract him with a shiny toy of some kind so that peter and nathan can actually have a profound conversatio#but of course they'd both just love to listen to wade babble about nonsense . they love him. they love his voice. they love his weird ways.#what a simp circle. wade surrounded by two boys who just have Heart Eyes for him#and he acts so oblivious. like these guys aren't falling over themselves in love with him.
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top 5 books?
off the top of my head right now? it does change often and there's some recency bias of course but right now something like:
Station Eleven by Emily St. John Mandel
The Little Prince by Antoine de Saint-Exupéry
Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin
Turtles All the Way Down by John Green
Salt To the Sea by Ruta Sepetys
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brightwoods · 1 year
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Does anyone else feel like almost all of the conflicts that had to do with the various character dynamics in Chain of Thorns didn’t actually get resolved, they just unexplainably ceased to exist after two books of building them up because CC didn’t feel like writing them anymore and she didn’t know how to resolve it naturally after how she’d built the issues up so much?
Like how none of the characters but Cordelia and Thomas had any clue about the Alastair and Charles situation and then suddenly in CoT it was like who doesn’t know? Of course Matthew knew and didn’t say anything before and then randomly brought it up to Cordelia in Paris while assuming she knew too
Or how Alastair and Thomas went from how things were at the end of CoI with Alastair thinking it could never work because Thomas’s friends hate him to oh look everyone suddenly is friends with Alastair with no grudge with no development of that in this book at all, just an abrupt shift
Especially the Alastair and Matthew dynamic where Matthew hated Alastair and wanted him to have nothing to do with any of their friends and he spent CoI ranting about him to Cordelia. And then suddenly in CoT it’s like of course Matthew is supportive of Thomas and Alastair and oh look Matthew and Alastair are suddenly not just tolerating each other for Thomas’s sake but friends despite barely interacting and no development actually showing and never getting any mention of the other in their own POVs, just having Cordelia be like Alastair stop being dumb, you’re literally friends with him now
Or like everyone other than Christopher and Grace where it was like oh we don’t like her for how she’s treated us and her friends straight to anyway she’s one of us. Like yes Grace was useful and yes Tatiana manipulated her whole life, but none of that was why anyone changed their minds or opinions? It was just suddenly the flip of a switch when it was convenient for CC
Or Anna and Ariadne where it didn’t so much develop as Anna just acted mean to Ariadne on and off throughout the series and at the end of CoI she wanted nothing to do with a relationship and then in CoT she was just suddenly like sure I guess I do. Also, slightly different note, but I did not like that Anna barely interacted with anyone else for the entire book and she was just off in the corner being an irrelevant romantic subplot for almost all of the book except when she showed up to barely even be shown in the background being sad about her brother being dead
(Although Anna still got more of a reaction than everyone else and his death was poorly executed all around in the sense of how did you write this so predictably and poorly that no one even knows when he died and it’s so background and 99% of the characters don’t care at all and we don’t see his parents finding out or much of Thomas’s reaction or anything and it’s just as if he wasn’t a character anymore 2 seconds later which is a different genre of issue with CoT but similar problem in the sense that both issues made the book feel a lot more emotionless to read)
And how the issues of Thomas and Alastair being together as two men and Anna and Ariadne being together as two women in this time and the issues of what would happen if the fact that Charles and Alastair were gay got out to the entire Clave just disappeared and never got addressed at all. We know how the ClVe reacted to Alec Lightwood YEARS later. We know society was homophobic at the time TLH is set and that it seems like shadowhunter society was a lot less open-minded than mundanes a century later
I understand that Charles being blackmailed and making shitty decisions was annoying but it was like suddenly everyone finding out wouldn’t have consequences and all the other queer men characters were like how could you possibly be worried about this :/ as if they haven’t spent the whole series knowing they have to be careful about who they tell. And then suddenly it was just of course it’s totally fine and safe to have everyone find out and why wouldn’t you be fine with that. And it was really written in a way that had other queer characters like oh Charles is such a coward for not being ready to publicly tell a bunch of homophobic people his sexuality and it just wasn’t it??? And super weird after Thomas was terrified of telling even Anna and Matthew for years. And also, I did not care for the fact that when Charles did go risk getting outed to finally do the right thing, we didn’t even get to see it through any character’s perspective or how that important meeting went, we just got one line of dialogue from somebody else saying that it happened with no details at all. And I can’t think of other examples right now but there were quite a few moments like that where we got one line saying that something had happened that was important to the plot and to characters’ development that seemed like it would have been more interesting than some of what we did get to see where it was just totally breezed over and way too easy and totally background to less important stuff
And then there was the whole no one reacting to Ariadne and Anna dancing together publicly thing was like yeah that’s nice I guess but not realistic and it doesn’t go with the way things have been presented up to that point, it also just feels like a situation where CC was like well this would be easier for me so there just won’t be consequences and then they can easily end up happily together
And then there was the whole Thomas and Alastair thinking they couldn’t realistically be together thing and knowing they couldn’t get married or be known to be together by anyone they’re not close to and then at the end it’s still not really addressed how they’re going to be together? Like there was the laziest write off of the family tree being wrong and then we still are just left to assume that eventually they move in together and suddenly it’s not a problem and everyone’s fine with it? And then I also feel like we don’t actually know if everyone found out about Alastair and Charles’ sexualities after the blackmail or if people are going to assume about Thomas and Alastair or if that’ll cause issues or if no one knows outside of who they’ve told and they have to be careful or what. Which like wouldn’t necessarily need to be addressed if it wasn’t for the logistics of being together as two men in that time being part of the obstacle that they were struggling with being in their way and then it felt like it was totally forgotten to even be one at the end by CC
Idk like I’d love to think they just lived in a world where homophobia didn’t exist but it felt like homophobia was a plot point when CC wanted it to be an inconvenience and then suddenly disappeared just to make her writing easier the moment she didn’t want it there anymore instead of actually addressing the plots she raised with it if that makes sense?
And sorry, I really did not mean to go on a rant this long. And maybe everyone else had a very different reading experience than I did and other people don’t agree with some or all of this. I personally am just very confused about how the book was almost 800 pages long and it felt like so much of the development in it was us abruptly being told that development had happened rather than actually getting to see it and how so many of the issues were abruptly solved in an I don’t want to write this issue anymore kind of way rather than anything actually needing to be worked at outside of the Belial situation
Edit: You know what, I mentioned it in my tags but I feel like it’s annoying enough to put in the body of the post and make it even longer. What the fuck was with everyone outing or potentially outing everyone else just so that characters could openly talk about the queer characters and tell them to do what they want them to? Why did Matthew out his brother multiple times? Like yes, the people he said it to coincidentally already knew, but he didn’t know that. And why was Thomas outing Alastair? The straights got to keep their secrets as long as they wanted and fix their problems more naturally. Why did I have to sit through queer characters constantly having their sexualities and romantic histories to everyone else when they clearly had not okayed it? Why were the queer characters doing so much of the outing? Why were people who cared about them and knew what it felt like to be afraid of the wrong person finding out just broadcasting their sexualities to make it easier for CC to breeze past development to have their things get resolved fast? Why did no character have an issue with it at all?
#As a queer person the whole using homophobia against her characters as plot just to pretend homophobia doesn’t exist and call her characters#cowards for worrying about it as soon as she’s decided writing it doesn’t serve her plot agenda anymore really icks me right out#Like yeah I’d love homophobia to not exist but girl what are you doing that’s so gross to go about it that way#ALSO everyone outing or potentially outing everyone else to other characters to make it easier to get the queer characters to do what she#wanted them to was a HORRIBLE vibe. Why is Matthew outing his brother? Why is Thomas outing Alastair? Why is everyone telling everyone else#people’s sexualities as if it’s nothing and everyone has a right to know when that character clearly did not feel that way#And it’s so out of nowhere every time too#Hot take: Charles protecting Alastair’s privacy instead of outing him was more valid than anything any of the other queer characters said#about Charles or Alastair’s sexualities even if I hate Charles and his going along with the blackmail was bullshit#Also now that I’ve written all of this down and 99% of what I wrote about in here has to do with the canon queer characters that’s not#a great look either that she did breeze over some of the stuff with the other characters for sure but she was way more likely to skip depth#and development with the queer characters in CoT#CC said no slow burn gradual changes in this book… there’s only room for abrupt 180s and Cordelia running 🏃‍♀️#Sorry if this has weird typos and other mistakes in it. I typed on my phone and didn’t check for autocorrect nonsense and I’m too lazy to#reread this all rn at my current brainpower level#CoT#Chain of Thorns spoilers#Chain of Thorns#The Last Hours#The Shadowhunter Chronicles#Cassandra Clare#My Posts
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lenievi · 9 months
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Carol breaking up with Kirk and telling him to stay away from their child - part is Kirk, part is his job
Janet breaking up with Kirk and marrying someone else - part is him, part is his job
La'an telling Kirk she moved on - the connection is still there, she doesn't think she will ever stop having feelings for James Kirk, but she now knows that there are other people she can be her real self with, who see her, and she'd rather not pursue anything of a romantic nature with him - our jobs wouldn't permit it (she might serve as his first officer on the Farragut though, for more angst and lost chances; but she won't transfer with him back to the Enterprise. Una told her that even though she regretted never pursuing her feelings for Pike, she wouldn't change it because she could always be there for Pike, always be by his side, doing a job she loved)
(but also obviously them getting/wanting to get together and La'an dying is always a choice as well - from Kirk's POV this makes sense, from La'an's I don't want this...)
and Kirk just closing his heart off and dedicating himself to his job completely, stopping to want to form a relationship, which he thought he could have before, but apparently not
Love. You're better off without it, and I'm better off without mine. This vessel, I give, she takes. She won't permit me my life. I've got to live hers.
And he envies his brother because he could do that. He could have a family and a job he loved.
And then he encounters Khan Noonien-Singh (I'm using a dash because SNW!Khan should have a dash). He knows his legacy is genocide, torture, but also La'an - a woman he will always hold dear to his heart. The logical path would be to let the Starfleet know about Khan and let them deal with him, but instead, he gave him a chance to live. He found him a planet and didn't inform Starfleet that Khan Noonien-Singh was back. Because of La'an.
And then Khan is back. And his return reunites him with Carol and his son. And while he hadn't thought of her for years, the memories of La'an hit him with strength again. He rejected her for a life he thought he could have with Carol and their son. And his son is now a young man who doesn't know him, who hates him, and would like to see him dead. Because Carol asked him to stay away.
"If there are self-made purgatories, then we all have to live in them"
And Khan wants to kill him. Kirk wanted to give him a second chance but because he hadn't informed anyone, no one checked on the planet where Khan was sent to and never learned that the surface became almost inhabitable.
Khan wants to kill him and doesn't care how many other people die with Kirk. And Spock sacrifices himself so the Enterprise can be saved. And his death allows him and David to connect.
And maybe now Kirk could get to know his son. Maybe after all those years, he could finally get something he wanted. Spock's death hurt but it gave Kirk a new chance.
But then David is killed and Kirk never truly recovers from his son's death.
(at least he realizes he has a family with McCoy and Spock, but it can't fill the void of his son and a romantic partner)
"...I was like you once ...so completely blinded by duty and obligations that I couldn't see anything past this uniform. And in the end, what did it get me? An empty house..."
---
yeah, anyway, just putting La'an into my typical Kirk journey
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