Jally comic made in 2013
why dose he look like that :''[
My friend said that this looked like something very interoperate :|
poor johnny why did they do this to you
he kind of looks cute here
Tehehe We are died hehehe
he looks okay here too maybe his eyes are freaking me out but okay
he kind of cute here too
"I know where you live"
hahah silly Johnny (✿◠‿◠)
the og
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angrboda, designated cowgirl
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Probably not a common opinion, but I believe Calliope would feel much more at home in Jotunheim than Midgard XDD It’s a warm place, like Greece; the air smells sweet and the woods are peaceful. And, at the time of my post-Ragnarok AU, there’s a thriving little community of Giants in Ironwood! The artisans are creating, building, and writing. It’s a soft and simple life, and I feel like Calliope (as an artist herself) would fit in well with the Giants.
Not to mention Angrboda is there to help her transition into a life of everyday Giant stuff! :DDD
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05.27.23
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After seeing your classical painting of Kraots and Faye, what classical painting would you think fits Angrboda and Atreus?
The Swing Springtime (Pierre Auguste Cot) or maybe...La Belle Dame sans Merci (Frank Dicksee)
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quick chatter about jallakuntilliokan's role in canon + what i'm integrating into my portrayal, bc my hellblazer pre-order still isn't here yet and i'm going berserk re-reading the comics to pass the time:
jallakuntilliokan is one half of a twin god called "the god of all gods" and described as "the dragon", described in the comics as the masculine principle animus to the feminine principle anima; essentially, the earth as a god. as described by zed: "the god of all gods is the earth, on whom we live. the earth is a living body. the power of life flows through it — male and female. god is the harmonic force." this is, of course, a very binary explanation in terms of gender and i will probably be recategorizing & tweaking this as i develop jalla & klavi, since nature can require symbiosis in other ways than gender-stereotypical principles. potentially jalla represents the oft-destructive refinement of natural processes/animal consciousness while its counterpart represents the maintaining & sustaining of pre-existing systems?? processes of decay VS new growth??? i'm working on it.
as described by constantine: "the god that we're dealing with is an archetype of human consciousness. it's a response to an emotional stimulus — a memory of a time when our brains worked differently — a time when gods were real because we lived more on the creative right side of our brains than in the "rational" universe of the left." this is why i've decided that jalla is also tied to the Dreaming, since it's linked to creativity + consciousness.
jallakuntilliokan draws its power from two primary sources: ley lines and the human consciousness, including dreams, nightmares, and the imagination. a partial way to hurt/diminish jallakuntilliokan's powers is by disrupting the ley system, cutting it off from its power source. in the comics, they did this by "earthing" ley energy, driving copper stakes into ancient stone-circles.
constantine described the process of its summoning as "they're using blood and sacrifice and terror to feed the male principle and raise it in the universal mind — using the breaking of taboo to realize a force of primal creation." the magus at geotroniks was letting a terror-thing created by traumatized psychics run rampant through the system of ley lines across the earth to revive jallakuntilliokan's energy. this is why the version of jalla i'm writing is tied so tightly to fear: it's been revived on, fed on, and saturated with human terror.
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A rare pic of Darius and Jalla, the little firebug. Though she may look a lot more like Alysa, she’s her father’s daughter through and through.
A lot of things get set on fire. Like, a lot.
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whoever on the ragnarok dev team reached into my brain and pulled out jalla do u kno how much u mean to me
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Anthony Fineran, Aeron Jalla, 2024
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WHAT UNPOPULAR ARCHETYPE ARE YOU?
𝘒𝘓𝘈𝘝𝘐𝘌𝘙 — 𝘛𝘏𝘌 𝘋𝘈𝘙𝘒 𝘏𝘖𝘙𝘚𝘌. who would’ve guessed it’d be you? after all this time, it’s really you? when you were little, nobody knew your name. for so long, you’ve lived as a shade amongst shades. written off, cast aside, overlooked. you did your best work in the shadows. it took you so long to bloom, some thought you would never emerge at all.
but now’s your time in the spotlight. all the heroes have failed, but you’re still standing. in the darkest hour, you came in to save the day. ( you’re our last hope, dark horse! )
personality: clever, determined, quiet
counterpart: the killer
𝙹𝙰𝙻𝙻𝙰𝙺𝚄𝙽𝚃𝙸𝙻𝙻𝙸𝙾𝙺𝙰𝙽 — 𝙺𝙸𝙻𝙻𝙴𝚁. you got fucked up something awful. sorry. i dont know why or when it got so bad for you, but now that heat feels so true to you that it’s hard to imagine a you without it. there’s nothing grand about the damage you do. it isn’t the kind that people write stories about.
for this reason, it’ll be a while before anyone stops you, if they ever come around to it. it’s all the more likely that you’ll have to dig your own way out of this pit. one day you won’t even remember how blood tasted. ( the rage won’t keep you warm forever, killer! )
personality: intense, introspective, edgy
counterpart: the dark horse
𝗝𝗔𝗟𝗟𝗔𝗞𝗟𝗔𝗩𝗜 — 𝗧𝗛𝗘 𝗛𝗜𝗚𝗛𝗘𝗥 𝗣𝗢𝗪𝗘𝗥. you’re the best, you’ve always been the best, and now everyone who’s ever doubted you is gone. you’ve gotten everything you wanted. you smoked all your competition. but something inside of you just won’t settle. all the evil of the world is still out there, all the big problems that you never got around to.
in spite of your skill, this is something you simply can’t handle yourself. but that’s ok. you’ve got new, shiny pawns to play with. you know how to make people do what you want. ( the ends justify the means, right? )
personality: talented, calculating, overbearing
counterpart: the ghost
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Take the journey
and greet His Unceasing Love
fold away all false mirrors and masks
as you fervently claim the inner pilgrimage.
— Nimah Ismail Nawwab, Canvas of the Soul: Mystic Poems from the Heartland of Arabia, (2012)
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Within the intricate tapestry of Islamic spiritual practices, the virtues of stillness, observation, and detachment weave a profound journey through Tafakkur and Muraqaba.
Delve into the sanctum of stillness, where the art of observation transcends mere sight, inviting the soul to become a detached observer of the world's movements.
In Tafakkur, the reflective introspection aligns with the essence of existence, inviting consciousness to bloom in the quietude. Meanwhile, Muraqaba, the meditative voyage, beckons one to navigate the inner realm, fostering a serene detachment that unveils truths beyond the veils of illusion.
Embrace this harmonious dance between observation and detachment, for within their union lies the gateway to profound self-discovery and spiritual awakening in Islam.
Whilst being engaged in the midst of life's bustling rhythms, there exists a profound sanctity in the art of stillness within Islamic Muraqaba, beckoning us to embrace the silence that unravels the mysteries of existence.
Be still. And observe, breathing calmly, watch, become the witness of the imageries, and read from the mirrors of creation.
It calls for a departure from the clamour of the ego, allowing us to become unattached observers of the transient. Through this practice, we comprehend the essence of being the witness, discerning the veils of illusion that cloak reality. As the Light emanates, falsities dissolve, revealing the immutable truth within.
The hadith, narrated by Abu Huraira, The example of a believer who recites the Qur'an is that of a citron which tastes good and smells good. And the believer who does not recite the Qur'an is like a date which tastes good but has no smell, underscores the significance of engaging with the Qur'an, while Surah Al-Ankabut (29:69) echoes the significance of spiritual insight gained through deep contemplation: And those who strive for Us - We will surely guide them to Our ways. And indeed, Allah is with the doers of good.
Islamic teachings often encourage deep introspection and contemplation, emphasizing the importance of spiritual awakening and transcending the ego. Muraqaba, or spiritual meditation, is seen as a means to achieve this by fostering a state of mindfulness, detachment, and heightened awareness.
— Mle. AainaA-Ridtz A R, A Thousand Veils, A Thousand Nights
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i am suffering in pain and agony
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loooootta parallels between klavier and hugh dancy's will graham, tbh. same principle of being transformed first against your will, then accepting the change because you're too far gone to go back so you might as well walk forward, and finally completing the transformation yourself because you've come to see the beauty inherent in the change. by a similar token, ondine is a little bit of both bedelia and alana.
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