#jay ward productions

[acmeoop]

Bullwinkle Little Golden Book Cover Painting (1962)

#60s #little golden book #jay ward productions #bullwinkle #rocky and bullwinkle #mr peabody #cover art #book cover #painting #character designs #hawley pratt #harry garo #david corwyn

[blogjhm]

Rocky and Bullwinkle Mr. Peabody & Sherman Sing

#youtube #rocky and bullwinkle #mr peabody and sherman #the adventures of rocky and bullwinkle #jay ward #jay ward productions

[choicefineart]

Rocky and Bullwinkle Scene Cel signed by Jay Ward: Rocky, Bullwinkle, Boris Badenov

MEDIUM: Original Scene Cel SIZE: 12 Field SIGNED: Hand-Signed by Jay Ward SKU: CCV2042

#Jay Ward Productions #Jay Ward #Rocky and Bullwinkle #Boris Badenov #Original Production Cels #Production Cels #Animation Art #Original Art

[animatejournal]

Aesop and Son | Studio: Jay Ward Animation Studio: Gamma Productions | USA, 1963

#Aesop #Fable #Jay Ward #Look Before You Leap #Animation #Frogs #Gamma Productions #Cartoon #60s #Video #Daws Butler

[grudnick]

DSCF1194 by Skatole Grudnick Via Flickr: Capt'n Crunch, scanned from blue pencil drawing on paper, for the Quaker Oats Company by Jay Ward Productions. This sketch would be copied to a cell, digital ink, the cell would normally be hand painted. The commercials began to air in 1963, Daws Butler was the original voice. Capt'n Crunch was also the name of a pioneering phone hacker, now retired, who inspired Jobs and Wozniak of Apple fame.. en.wikipedia.org/wiki/Cap'n_Crunch

#Capt'n Crunch #Jay Ward #Quaker Oats #TV Commercial #hacker #Daws Butler #animation #art #cartoon #TV #Production Art #Animation Art #3rd Street Promenade #Cultural #Heritage #cartoons #Allan Burns #Cap'n Crunch #Quaker Oats Company #Animators during production of #Jay Ward Productions #production #television production #TV Production #flickr

[mutant-what-not]

Classic Retrovision Milestones

64 years ago today, November 19, 1959, The Rocky & Bullwinkle Show premiered. (known as Rocky & His Friends during the first two seasons and as The Bullwinkle Show for the last three seasons) It originally aired from November 19, 1959, to June 27, 1964, on the ABC and NBC television networks. Produced by Jay Ward Productions, the series is structured as a variety show, with the main feature being the serialized adventures of the two title characters, the anthropomorphic moose Bullwinkle and flying squirrel Rocky. The main adversaries in most of their adventures are the Russian-like spies Boris Badenov and Natasha Fatale. Supporting segments include Dudley Do-Right (a parody of old-time melodrama), Peabody's Improbable History (a dog and his pet boy Sherman traveling through time), and Fractured Fairy Tales (classic fairy tales retold in comic fashion), among others.

Rocky & Bullwinkle is known for quality writing and wry humor. Mixing puns, cultural and topical satire, and self-referential humor, it appealed to adults as well as children. It was also one of the first cartoons whose animation was outsourced; storyboards were shipped to Gamma Productions, a Mexican studio also employed by Total Television. The art has a choppy, unpolished look and the animation is extremely limited even by television animation standards at the time. Yet the series has long been held in high esteem by those who have seen it; some critics described the series as a well-written radio program with pictures.

The show was shuffled around several times (airing in afternoon, prime time, and Saturday morning time slots), but was influential to other animated series from The Simpsons to Rocko's Modern Life. Segments from the series were later recycled in the Hoppity Hooper show.

There have been numerous feature film adaptations of the series' various segments, such as the 2000 film The Adventures of Rocky and Bullwinkle which blended live-action and computer animation and the 1999 live-action film Dudley Do-Right, which both received poor reviews and were financially unsuccessful. By contrast, an animated feature film adaptation of the "Peabody's Improbable History" segment, Mr. Peabody & Sherman, was released to good reviews in 2014.

Mr. Peabody will star in a new reboot series picked up for 13-episodes.

In 2013, Rocky and His Friends and The Bullwinkle Show were ranked the sixth Greatest TV Cartoon of All Time by TV Guide.

[dreaminginthedeepsouth]

64 years ago today, November 19, 1959, The Rocky & Bullwinkle Show premiered. (known as Rocky & His Friends during the first two seasons and as The Bullwinkle Show for the last three seasons) It originally aired from November 19, 1959, to June 27, 1964, on the ABC and NBC television networks. Produced by Jay Ward Productions, the series is structured as a variety show, with the main feature being the serialized adventures of the two title characters, the anthropomorphic moose Bullwinkle and flying squirrel Rocky. The main adversaries in most of their adventures are the Russian-like spies Boris Badenov and Natasha Fatale. Supporting segments include Dudley Do-Right (a parody of old-time melodrama), Peabody's Improbable History (a dog and his pet boy Sherman traveling through time), and Fractured Fairy Tales (classic fairy tales retold in comic fashion), among others.

Rocky & Bullwinkle is known for quality writing and wry humor. Mixing puns, cultural and topical satire, and self-referential humor, it appealed to adults as well as children. It was also one of the first cartoons whose animation was outsourced; storyboards were shipped to Gamma Productions, a Mexican studio also employed by Total Television. The art has a choppy, unpolished look and the animation is extremely limited even by television animation standards at the time. Yet the series has long been held in high esteem by those who have seen it; some critics described the series as a well-written radio program with pictures.

The show was shuffled around several times (airing in afternoon, prime time, and Saturday morning time slots), but was influential to other animated series from The Simpsons to Rocko's Modern Life. Segments from the series were later recycled in the Hoppity Hooper show.

There have been numerous feature film adaptations of the series' various segments, such as the 2000 film The Adventures of Rocky and Bullwinkle which blended live-action and computer animation and the 1999 live-action film Dudley Do-Right, which both received poor reviews and were financially unsuccessful. By contrast, an animated feature film adaptation of the "Peabody's Improbable History" segment, Mr. Peabody & Sherman, was released to good reviews in 2014.

Mr. Peabody will star in a new reboot series picked up for 13-episodes.

In 2013, Rocky and His Friends and The Bullwinkle Show were ranked the sixth Greatest TV Cartoon of All Time by TV Guide.

[Classic Retrovision Milestones]

+

Narrator: And so alls well that ends well for our high flying friend and his lowbrow companion. I think that it's safe to say that these boys put the moan in matrimony.

Snidely Whiplash: Oh that's terrible!

#Retrovision #Rocky and Bullwinkle #TV #vintage TV characters #cartoons #Rocky and His Friends

[silvergrapefruits]

The Adventures of Rocky and Bullwinkle and Friends (Jay Ward Productions 1962) https://www.tumblr.com/sidekickclubhouse/169431462593/the-adventures-of-rocky-and-bullwinkle-and

[newpathwrites]

A New Creed Epilogue - Sneak Peek

I’ve been very productive this vacation, but I doubt I’ll get this final installment (more than a year overdue) finished before I go back to work. So enjoy this sneak peek of the final chapter!

Series Masterlist

————————————————————

Din awoke to something warm and fuzzy pressed against his forehead, a pair of very familiar claws tapping his cheeks.

“Grogu,” he addressed his ward tiredly.  “I know you’re excited, but can I sleep just a few more minutes?”

The tapping only continued, and Din opened his eyes to look into the larger ones of his son.  “Grogu… use your words, ad’ika.  What do you want?”

The boy huffed in response, raising his little hands in the air as the sheets and blankets went flying off the bed.  “Up now, you will.”

“Hey,” Din admonished him, sitting up and pulling the sheets back up to cover his sleeping riduur.  “No need to wake your mother.”

He took a moment to stretch out his joints.  Age and several long decades of abusing his body were catching up to him.  He was ‘retired’, in a manner of speaking, these days, and that had certainly helped with the chronic tension in his back.  But some mornings, like today, he’d wake up with Grogu dozing on his chest, much of his pain miraculously resolved.

“Thank you, ad’ika,” he told him gratefully.  “But I really wish you’d reserve your powers for more important things.”

Grogu hopped off the bed defiantly and looked up at his father.  He had other priorities at the moment and no interest in discussing his (in his opinion) very reasonable use of the force.

“Come today?  Jai will?”

Din couldn’t help but smile.  “Yeah.  Jai should be here in…” he looked over at the chronometer.  “... just a few hours now.  Why don’t you go next door and see if Winta needs any help while we wait?  It’s getting harder for her now, isn’t it?”

“Yes,” he responded with a toothy and knowing grin.  “Help her, I will.  Get up, you will.”

Grogu hopped off, and Din laid his head back down on the pillow.  Perhaps he’d bought himself a few more minutes of sleep.  His son’s excitement was contagious, though.  Stars, he was looking forward to having Jai back home.  He’d really missed the kid.  Though, he supposed, they really weren’t a kid anymore, were they?  And anyway, they’d been an old soul practically since birth.

He knew he’d missed his chance at a few more minutes of relaxation when he heard the front door of the cabin open and close and Winta’s voice floating in from the kitchen.

She hesitated a moment at the bedroom door, whispering, “Is everyone decent?” before waltzing in with Grogu on her hip and a protective hand over her swollen belly.

Din got up quickly, placing a finger over his lips, and guided her out and back into the kitchen as he pulled a shirt over his head.  “Your mother’s sleeping in for once.  She was up all night getting ready… as if Jai will care about the silverware being polished…”

“Well, I couldn’t sleep… too excited,” Winta replied quietly as she started a kettle on the stove for the morning caf.  “I figured Grogu would be awake, so I decided to come over instead of waking up Tov with all of my tossing and turning.  Baby’s kicking up a storm, too.”

————————————————————

End of sneak peek! More to come, hopefully sooner rather than later. ~J

#din djarin x omera #mandomera #original mandalorian character #non-binary character #din is demi and bi #newpathwrites #a new creed #how to build a clan

[ridenwithbiden]

November 19, 1959, The Rocky & Bullwinkle Show premiered. (known as Rocky & His Friends during the first two seasons and as The Bullwinkle Show for the last three seasons) It originally aired from November 19, 1959, to June 27, 1964, on the ABC and NBC television networks.

Produced by Jay Ward Productions, the series is structured as a variety show, with the main feature being the serialized adventures of the two title characters, the anthropomorphic moose Bullwinkle and flying squirrel Rocky. The main adversaries in most of their adventures are the Russian-like spies Boris Badenov and Natasha Fatale. Supporting segments include Dudley Do-Right (a parody of old-time melodrama), Peabody's Improbable History (a dog and his pet boy Sherman traveling through time), and Fractured Fairy Tales (classic fairy tales retold in comic fashion), among others.

Rocky & Bullwinkle is known for quality writing and wry humor. Mixing puns, cultural and topical satire, and self-referential humor, it appealed to adults as well as children. It was also one of the first cartoons whose animation was outsourced; storyboards were shipped to Gamma Productions, a Mexican studio also employed by Total Television. The art has a choppy, unpolished look and the animation is extremely limited even by television animation standards at the time. Yet the series has long been held in high esteem by those who have seen it; some critics described the series as a well-written radio program with pictures.

The show was shuffled around several times (airing in afternoon, prime time, and Saturday morning time slots), but was influential to other animated series from The Simpsons to Rocko's Modern Life. Segments from the series were later recycled in the Hoppity Hooper show.

There have been numerous feature film adaptations of the series' various segments, such as the 2000 film The Adventures of Rocky and Bullwinkle which blended live-action and computer animation and the 1999 live-action film Dudley Do-Right, which both received poor reviews and were financially unsuccessful. By contrast, an animated feature film adaptation of the "Peabody's Improbable History" segment, Mr. Peabody & Sherman, was released to good reviews in 2014.

Mr. Peabody will star in a new reboot series picked up for 13-episodes.

In 2013, Rocky and His Friends and The Bullwinkle Show were ranked the sixth Greatest TV Cartoon of All Time by TV Guide.

#RockyAndBullwinkle

[sixcostumerefs]

Performance Stats: 2022 (mainland edition)

Alright, it’s (no longer) that time of year again! Summary of all 2022 calendar year performances stats!! - This was a CRAZY year full of cross-production covers + emergency cover chaos so very fun to write up. It also made it a bit of a challenge with organization. If an actor was primarily with one production but served as an emergency cover for another, I listed them with their primary or initial production. - Yearly disclaimer that some errors and/or disparities could exist. - And as always, if you repost/use these stats anywhere, please credit me @sixcostumerefs (or six.costume.refs on Insta) And as always....a shoutout to Dionne Ward-Anderson, who featured in the largest number of performances this year, at a whopping 353 shows! Runner up is Andrea Macasaet at 327 shows, with Brittney Mack a very close third with 322! Most performing Aragon was Phoenix Jackson Mendoza (270), Seymour was Claudia Kariuki (293), Howard was Samantha Pauly (314.5), and Parr was Meesha Turner (267.5, but Alana Robinson was at 267). 2021-22 West End Amy di Bartolomeo: 242 performances Amanda Lindgren 255 performances Tsemaye Bob-Egbe: 233 performances Meesha Turner: 267.5 performances Paisley Billings: 114.5 performances (55 A, 44.5 C, 14 P) 2022-23 West End Rhianne-Louise McCaulsky: 81 performances Baylie Carson: 78 performances Koko Basigara: 65 performances Monique Ashe-Palmer: 14 performances (7 A, 1 B, 6 C) Leah Vassell: 40 performances (20 S, 1 C, 19 P) 2021-22 UK Tour Lauren Drew: 71 performances Maddison Bulleyment: 62 performances Caitlin Tipping: 68 performances Shekinah McFarlane: 60 performances Vicki Manser: 63 performances Elena Gyasi: 66 performances (61 regular prior to cast change + 5 emergency cover post-CC) Cassy Lee: 22 performances (8 A, 14 C) Cherelle Jay: 7 performances (1 B, 1 S, 2 C, 3 P) 2022-23 UK Tour Chloe Hart: 269 performances Casey Al-Shaqsy: 252 performances total (249 on UKT + 3 as E/C for WE) Aiesha Pease: 7 performances Jessica Niles: 237-245 performances total (19-27 performances with Breakaway 2.0, 218 performances with UKT) Jaina Brock-Patel: 110 performances Rebecca Wickes: 72 performances Alana M Robinson: 267 performances Harriet Caplan-Dean: 72 performances (10 A, 9 B, 13 S, 7 C, 18 H, 15 P) Grace Melville: 153 performances total w/ 151 performances on UKT (55 A, 4 B, 91 C with 60 of those performances as T/R, 1 P) + 2 as E/C for WE (2 C) Leesa Tulley: 186 performances (1 A, 35 B, 11 S, 137 H with 57 of those performances as T/R, 2 P) 2021-22 Broadway (+ Aug replacements) Adrianna Hicks: 202 performances Bre Jackson: 123 performances (two of these were half shows) Andrea Macasaet: 327 performances Abby Mueller: 117 performances Keri Rene Fuller: 183 performances (59 as T/R, 1 as early debut, the rest as principal) Brittney Mack: 322 performances Samantha Pauly: 314.5 performances Anna Uzele: 97 performances Joy Woods: 146 performances Brennyn Lark: 85 performances Mallory Maedke: 67.5 performances (16.5 A, 47 S, 4 H) Nicole Kyoung-Mi Lambert: 95 performances (39 A, 26 B, 30 C; two A were half-shows) Courtney Mack: 99.5 performances (25 B, 57.5 H, 17 P) Keirsten Hodgens: 107 performances total. 104 on Bway + 3 as emergency cover for Aragon Tour (Bway was 33 S, 25 C, 46 P; Tour was 3 C). Ayla Ciccone-Burton: 20 performances total. 12 pre-CC + 8 post-CC (pre-CC was 2 B, 3 C, 7 P; post-CC was 2 B, 3 C, 3 P) Holli’ Conway: 18 performances total. 9 pre-CC + 9 post-CC (pre-CC 3 C, 6 H; post-CC 5 A, 4 H) Hana Stewart: 2 performances (1 A, 1 P) 2022-23 Broadway Hailee Kaleem Wright: 27 performances Leandra Ellis-Gaston: 30 performances Bella Coppola: 30 performances Nasia Thomas: 29 performances Zoe Jensen: 19 performances Taylor Iman Jones: 29 performances Kristina Leopold: 2 performances (all as S) Aubrey Matalon: 9 performances (all as H) Aragon Tour Khaila Wilcoxon: 258 performances Storm Lever: 267 performances Jasmine Forsberg: 267 performances Olivia Donalson: 263 performances Didi Romero: 261 performances Gabriela Francesca Carrillo: 257 performances Cassie Silva: 41 performances total. 4 with Broadway + 37 with Aragon Tour (Broadway 3 B, 1 H; Aragon Tour 10 B, 13 C, 14 H) Kelly Denice Taylor: 29 performances total. 3 with Boy + 26 with Aragon Tour (Bway 3 S; Aragon Tour was 12 A, 7 S, 7 C) Kelsey Kimmel: 43 performances (16 A, 12 S, 15 P) Erin Ramirez: 34 performances (9 B, 11 H, 14 P) Boleyn Tour Gerianne Perez: 95 performances Zan Berube: 96 performances Amina Faye: 89 performances Terica Marie: 93 performances Aline Mayagoitia: 91 performances Sydney Parra: 96 performances Cecilia Snow: 18 performances (4 A, 11 S, 3 C) Tay Pearlstein: 13 performances (5 B, 7 H, 1 P) Jana Larell Glover: 20 performances (5 A, 8 C, 7 P) Aryn Bohannon: 13 performances (3 B, 4 S, 6 H) Australia Tour Phoenix Jackson Mendoza: 270 performances Kala Gare: 283 performances Loren Hunter: 291 performances Kiana Daniele: 269 performances Chelsea Dawson: 267 performances Video Makan: 254.5 performances Karis Oka: 137 performances (13 A, 28 B, 1 S, 26 C, 38 H, 31 P) Shannen Alyce Quan: 86 performances (9 A, 14 B, 30 S, 2 C, 6 H, 25 P) Chiara Assetta: 93 performances (29.5 A, 3 B, 3 S, 32 C, 18 H, 6.5 P) Cristina D’Agostino: 7 performances (all as P) Madeline Fansler: performances (with Breakaway 3.0: . 16 with Aus Tour: 7 A, 4 S, 5 P) Actors who primarily continued with their initial productions: Claudia Kariuki: 293 performances - 231 pre-CC - 62 post-CC Dionne Ward-Anderson: 353 performances - 269 pre-CC - 84 post-CC Roxanne Couch: 178 performances - Totalling 1 A, 5 B, 61 S, 13 H, 98 P - 122 pre-CC (1 A, 5 B, 61 S, 13 H, 42 P; two of the P were half performances) - 56 post-CC as principal Parr Rachel Rawlinson: 166 performances - Totalling 44 A, 13 B, 51 S, 29 C, 16 H, 13 P - 142 pre-CC (40 A, 12 B, 37 S, 29 C, 13 H, 11 P; 1 C + 1 S were mid-show swing-ons) - 24 post-CC (4 A, 1 B, 14 S, 3 H, 2 P) Esme Rothero: 153 performances - Totalling 19 A, 32 B, 19 S, 16 C, 27 H, 40 P - 129 pre-CC (17 A, 31 B, 19 S, 16 C, 19 H, 27 P) - 24 post-CC (2 A, 1 B, 8 H, 13 P) Danielle Rose: 192 performances - 152 pre-CC (6 A, 51 B, 4 S, 3 C, 87 H, 1 P) - 40 post-CC (15 B, 21 H, 4 P) Jennifer Caldwell: 289 performances total - Totalling 296 as B, 11 H, 3 P - 21 pre-CC as alt (7 B, 11 H, 3 P) - 287 post-CC as principal Boleyn - 2 as E/C Boleyn for West End Natalie Pilkington: 142 performances total - Totalling 8 A, 3 B, 65 S, 12 C, 2 H, 52 P - 130 performances with 22-23 UKT (2 A, 3 B, 64 S, 12 C, 1 H, 48 P) - 3 performances w 21-22 UKT (1 A, 1 H, 1 P) - 9 performances as E/C for WE (5 A, 1 S, 3 P) Standby swings: Harriet Watson: 78 performances total - Totalling 2 A, 19 B, 21 S, 14 C, 6 H, 14 P - 42 performances as alt for the 21-22 UKT (10 B, 11 S, 4 C, 5 H, 12 P) - 3 performances as E/C on the UKT (3 C) - 17 performances as E/C for the WE (6 B, 6 S, 2 C, 1 P) - 6 performances as standby swing for 21-22 WE (2 B, 3 S, 1 H) - 10 performances as standby swing for 22-23 WE (2 A, 1 B, 1 S, 5 C, 1 P) Marilyn Caserta: 5-7 performances total - all as Aragon - 2-4 Bliss 3.0 (all as A) - 3 Bway (all E/C as A) Emergency Covers Courtney Bowman: 1 performance (WE)

#six the musical #six stats #six west end #six uk tour #six broadway #six aragon tour #six Boleyn tour #six australia #andrea macasaet #dionne ward anderson #brittney mack #phoenix jackson mendoza #Claudia Kariuki #samantha pauly #meesha turner #alana robinson #Danielle rose #six alternates #six musical

[acmeoop]

Icy Stare

#60s #jay ward #the Bullwinkle show #the adventures of Rocky and Bullwinkle #rocky and bullwinkle #animation art #storyboard panels #storyboard #production art

[blogjhm]

The Rocky Show Intro and Outro

#youtube #rocky and bullwinkle #Intro #outro #the adventures of rocky and bullwinkle #jay ward #jay ward productions

[pixarpedia]

Porsche 911 Sally Special

Porsche and Pixar Animation Studios have unveiled a very special Porsche inspired by one of the most popular 911s: Sally Carrera, the famous car from Disney and Pixar’s animated film Cars.

Like Sally Carrera, the 911 Sally Special is one of a kind. There will only be one 911 Sally Special – and it’s the first time that Pixar has supported such a project. The one-off car will be auctioned by RM Sotheby's on Saturday, 20 August 2022 as part of Monterey Car Week in California. Auction proceeds will be donated to two charities. A portion of the proceeds will benefit young women through a donation to Girls Inc. The second portion will go to USA for UNHCR, an organisation that supports refugees from Ukraine.

The project began in November 2021 and united members of the original Cars team that brought both the film character and life-size Sally Carrera to life more than 20 years ago. The team included Jay Ward, Creative Director of Franchise at Pixar Animation Studios, and Bob Pauley, the Production Designer who first drew Sally Carrera for the Cars film. They were assisted by members of the Sonderwunsch team at Porsche Exclusive Manufaktur in Stuttgart and designers from Style Porsche in Weissach. The team worked together for ten months – the result is a unique factory one-off.

#Cars #Porsche #Sally #Disney #Pixar #Pixar Cars #Cars Sally #Pixar Animation Studios #Movie #Film

[randomvarious]

Today’s compilation:

Rock & Roll Show 1987 Rock & Roll / R&B / Rockabilly

Man, there is something that's really off about this 50s oldies comp. For one, it has the faces of two people featured prominently on its cover: Jerry Lee Lewis and Chuck Berry. And there's some marquees under those photos too, listing both of their names, among others. Now, naturally, this should lead you to believe that both of these artists would actually *be on the disc itself,* but only one of them actually is, because, as it turns out, there's no freaking Chuck Berry on here. Like, at all. Excuse me?!

Second, it's not mentioned on the packaging anywhere, but a bunch of these hits—though, thankfully, not all of them—are actually re-recordings. And re-recordings tend to suck total ass. They're made a lot later than the original versions, so the artist often sounds past their prime, and the production value tends to be significantly lower as well. A lot of times, a record company trying to hawk a CD of re-recordings admits it in the fine print with some clever language, like, "new takes on old classics," but with this release, Hollywood Records appears to have just said, "fuck it!" instead (not literally, though. That would be great to just see those two words randomly printed on the packaging 😂). Very deceptive. So, if you're looking at this tracklist and you're wondering why I'm not including Screaming Jay Hawkins' "I Put a Spell On You" or Frankie Ford's "Sea Cruise" in the list of highlights at the bottom of this post, it's because they're shitty re-recordings that pale in comparison to the original versions.

With all that said though, let's focus on one great song that's on this CD that's not a re-recording and that's deserving of far more love and attention than it's received since its original 1959 release: Dee Clark's "Hey Little Girl." This somewhat forgotten tune that peaked at #20 on Billboard's Hot 100 chart & #2 on its R&B chart is one of those tracks that makes good use of the timelessly irresistible Bo Diddley beat. Now, the Bo Diddley beat is a type of rhythm that maybe you're not familiar with by name, but you definitely know it when you hear it. I think, sonically, it might be the best thing to ever come out of the 1950s, and a lot of artists have employed it since Bo Diddley first made it popular in 1955, including George Michael on "Faith," U2 on "Desire," and The Strangeloves and Bow Wow Wow on their versions of "I Want Candy." And Dee Clark adds his signature, explosive tenor to the catchy rhythm here to yield this song that, unjustifiably, somehow doesn't even have a stub article on Wikipedia 😠.

Anyway, had this CD not unexpectedly used a bunch of re-recordings, it could've actually made for a pretty good half-hour of oldies. Also, where, pray tell, is Chuck Berry???

Highlights:

Dee Clark - "Hey Little Girl" Jerry Lee Lewis - "Great Balls of Fire" Bobby Day - "Rockin' Robin" Jerry Lee Lewis - "Whole Lotta Shakin' Goin' On" Billy Ward & His Dominoes - "Sixty Minute Man" The Coasters - "Charlie Brown"

#rock & roll #rock #rock and roll #r&b #rockabilly #classic rock #oldies #music #50s #50s music #50's #50's music

[dreaminginthedeepsouth]

63 years ago today, November 19, 1959, The Rocky & Bullwinkle Show premiered. (known as Rocky & His Friends during the first two seasons and as The Bullwinkle Show for the last three seasons) It originally aired from November 19, 1959, to June 27, 1964, on the ABC and NBC television networks. Produced by Jay Ward Productions, the series is structured as a variety show, with the main feature being the serialized adventures of the two title characters, the anthropomorphic moose Bullwinkle and flying squirrel Rocky. The main adversaries in most of their adventures are the Russian-like spies Boris Badenov and Natasha Fatale. Supporting segments include Dudley Do-Right (a parody of old-time melodrama), Peabody's Improbable History (a dog and his pet boy Sherman traveling through time), and Fractured Fairy Tales (classic fairy tales retold in comic fashion), among others.

Rocky & Bullwinkle is known for quality writing and wry humor. Mixing puns, cultural and topical satire, and self-referential humor, it appealed to adults as well as children. It was also one of the first cartoons whose animation was outsourced; storyboards were shipped to Gamma Productions, a Mexican studio also employed by Total Television. The art has a choppy, unpolished look and the animation is extremely limited even by television animation standards at the time. Yet the series has long been held in high esteem by those who have seen it; some critics described the series as a well-written radio program with pictures.

The show was shuffled around several times (airing in afternoon, prime time, and Saturday morning time slots), but was influential to other animated series from The Simpsons to Rocko's Modern Life. Segments from the series were later recycled in the Hoppity Hooper show.

There have been numerous feature film adaptations of the series' various segments, such as the 2000 film The Adventures of Rocky and Bullwinkle which blended live-action and computer animation and the 1999 live-action film Dudley Do-Right, which both received poor reviews and were financially unsuccessful. By contrast, an animated feature film adaptation of the "Peabody's Improbable History" segment, Mr. Peabody & Sherman, was released to good reviews in 2014.

Mr. Peabody will star in a new reboot series picked up for 13-episodes.

In 2013, Rocky and His Friends and The Bullwinkle Show were ranked the sixth Greatest TV Cartoon of All Time by TV Guide.

#TV #TV shows #cartoons #Rocky and Bullwinkle #TV Guide #television