Desperation (Hope)
I have no excuses, @sinistershepherd / @bitterkarmaa wrote a non-canon oneshot for their Karma is Bitter series (which y’all should read) and then I got brainworms and wrote this in like 12 hours instead of working on chapter 10 yaaay -6am cheer-
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A stranger.
There is a stranger in the library.
A stranger who wears the face of his master, a face that Sun hasn’t seen in so, so long but still glimpses in the pristine polish of marble tile and in glass window panes overlooking a darkened kingdom because it is his own face, a pale reflection of something grander. This stranger is a reflection, too; burnt orange and charcoal, silvery scars and soldered rays boasting proudly of conflict survived and surpassed. A slender frame draped in clothes nicer than any Sun has ever worn.
One of his eyes is dark, blinded, while the glowing orange pupil in the other is barely more than a pinprick, reflecting alarm that nearly matches Sun’s own. He does not belong here, and he knows it.
“Don’t say. A word.”
The harsh rasp of the stranger’s voice, barely louder than a whisper, spurs Sun into action. The voice is even more familiar than the face, bored drawl sped up by a fear and urgency that he’s never heard before, yet it strikes deep into a lifetime of conditioning.
He sympathizes, he really, truly does– but the fear his master inspires outweighs any sympathy. The stranger realizes this too, launches himself forward to cover Sun’s mouth before he can make a sound. The servant immediately cringes back, going still, trying not to provoke– but the expected pain never comes, just the press of careless clawtips into his cheek from the force of the other’s panic.
“Sun? What did you find?”
That was the drawl he recognized; irritated, impatient. Dull and lifeless like the building around them, a promise of punishment lurking just under the surface. A battered hand twitches at his side, unsure if he should try to pry the hand from his mouth, but the stranger makes the decision for him by releasing his grip. Sun doesn’t question it, only whirls on his heel with the intent to get away, and almost immediately runs right into his master.
He doesn’t bother trying to catch himself, an action trained out of him after one too many books knocked from the shelves by his uncoordinated flailing. Get away is still thrumming in his circuits but his frame is frozen, pinned under his master’s bored disdain.
“I-I was surprised, sir! You h-have to understand, I-“ he begins, and the disdain sharpens into a glare that severs his words, cutting off his frantic babbling. His master’s attention shifts, moving off of his servant and onto the intruder, and Sun knows that’s as good of a dismissal as he’s going to get. He scrambles away without bothering to climb to his feet, yet knows that he’s actually about as safe as it’s possible for him to get.
His master has something far more interesting to torment right now.
Tucked down next to a nearby shelf where he can observe without drawing attention, Sun follows the exchange between god and mortal with curiosity smothered by dull resignation and the fear that being in his master’s presence always sparks. It is interesting only in how it brings a little variety to the otherwise unchanging days, and soon the stranger will become nothing more than a memory– until his master decides to rip it from his head. He cannot imagine that even a scrap of someone who wore his master’s face would be allowed to continue existing.
Especially not someone who was going to talk back. Sun’s hands clench, fingers digging thoughtlessly between the spines of identical books, and he doesn’t know if he should feel pity or fear or faded appreciation as the glint in the stranger’s eye shifts from utter terror to anger, injured pride apparently overriding sense.
The look of dark satisfaction on his master’s face is expected.
The glow that emanates from the center of the stranger’s chest isn’t.
Sun’s eyes widen. He stops trying to meld himself with the countless books that line the shelves, stops trying to make himself even smaller and less important, and raises up on his knees so that he can see better. Damaged rays scrape and catch as they try to move, an instinct that has yet to fade completely despite only bringing tears of pain to his eyes.
He recognizes that light.
A white-hot glow, branching out from the center of the stranger’s chest, snaking up his throat and face, crossing his darkened eye. Cracks that do not bleed, causing no pain that Sun can discern. The brands of something much greater than the vessel that bore it.
The star.
Sun sucks in a hissing breath, and his gaze cuts to his master’s face. He expects to see recognition as well, perhaps irritation or intrigue– and yet all that he can make out is confusion. His master peers at the machine in his too-tight grip as if the stranger was the volume of a book incorrectly shelved, nothing more.
Does he not recognize it, too? Was he so blinded by the light of his own star that he could not recognize its glow in another?
The crack of metal on metal makes him flinch, drawing Sun from his thoughts, and the servant watches as the stranger is hurled into a wall, hitting it with bone-jarring force. He winces, tucking himself back down against the books, hands brought up to clutch his own arms and pulling them tight to his frame in dull sympathy. He knows all too well how much his master’s ire can hurt.
Perhaps he’d been mistaken, perhaps he’d been wrong like he so often is wrong. Stupid, stupid, how could the stranger have a star? Of course his master hadn’t reacted, of course Sun had been wrong–
Scraping, claws against a solid surface. The stranger pushes himself to his feet, single pupil a furious ember, and he launches himself at the master of this world with deadly intent. They hit the floor together, hard enough to splinter wooden boards.
Sun… cannot recall ever seeing anyone attempt to challenge his master like this.
Something sparks; a tiny sliver digging into his core, frightening in its unfamiliarity. For a moment he fears that this is it, that he’s drawn his master’s ire one too many times and this is the first pinprick that heralds his unmaking, but grasping at his chest reveals no wounds, no new damage.
Sun’s eyes drift over the white-hot cracks twisting over the stranger’s dark frame, glowing faintly under fine clothes now torn and streaked with dust, and he inhales sharply as that light resonates with the feeling struggling to ignite in his otherwise empty chest.
Hope?
His battered hand twists in the fabric of his shirt, scratching roughly against the equally battered casing underneath. No, no, he dare not name this feeling something as fragile as hope. Any hope he had was crushed by his master's hand a long time ago, scraped out and discarded, leaving him hollow. All that he has now is fear and boredom and aching loneliness. Whatever this feeling is, it's not that.
The painful scrape as his rays try to move is barely acknowledged, and he grits his teeth on his permanently manic grin. Sun thinks about the hard glint in the stranger's single eye, fear and fury melting together. Something familiar, something he recognizes.
Desperation.
Sun has nothing to live for except the tired routine of life itself. A body of metal that rusts but never breaks, a mind of circuit boards and files that corrupt and fragment but never enough to stop him from functioning. He lives by his master’s hand, and he’s long since wearied of the leash that ties him to this world of empty halls and dusty volumes, lacking the strength or willpower to snap his bonds.
This stranger wearing a familiar face has the anger needed to fight back. This stranger has the power of the star needed to succeed.
When his master acts, an armored hand gripping his attacker by the back of his two-toned vest and tossing him aside as if he were nothing more than garbage, Sun is already scrambling to his feet. Too fast ventilations almost stop as he tracks the other’s trajectory, he does not hope he can only despair, please don’t take away the opportunity he has only just recognized. A heart he doesn’t have catches in his throat as golden claws reach out, snag the wooden banister, arresting the stranger’s fall.
Desperation, a last chance. If he does not seize it now it will slip through his shaking fingers, and he will have nothing but his own inaction to blame.
Sun has never moved so fast in his life.
The stranger’s claws slip and skitter, losing purchase on the polished wood just as Sun reaches him, reaches out to grasp a black and gold hand as tightly as he can. The weight nearly drags him over the side of the bridge, his shoulder screaming at the sudden abuse, but he digs in with grim determination, fighting back against gravity’s embrace.
He looks down, into a softly glowing pupil swimming in confusion, and the explanation spills breathlessly from him. “You have one.”
“What?”
It was a good thing that holding the stranger aloft requires him to engage nearly his whole frame, because it leaves almost nothing relaxed enough to flinch at the question in stereo. His master stands just a few feet away, and he can only imagine the expression that lurks on his face, the anger surely bubbling to the surface. Sun has been loyal for his entire life, a loyalty bought with fear and cruel conditioning, and this act of betrayal will not be well received.
A last chance, then. There will not be enough left of him for another, after this.
“You have one!” A response for the stranger only, twisted up with desperation and urgency as Sun pulls, trying to drag the other back up onto the bridge. He isn’t very strong, and the damage he’s incurred over the years has chipped away at his strength even further, but he can at least get the stranger far enough to pull himself up the rest of the way.
Confusion still reflects in the stranger’s– in Eclipse’s good eye, a confusion that isn’t dispelled when Sun presses a finger to his chest, to the center of that gentle white glow. He can feel unevenness to the casing underneath, a scar of hastily repaired metal.
He cannot understand how the stranger doesn’t realize what he’s talking about, how someone can be a vessel for such power and yet apparently unaware of its conspicuous marks, but they do not have time for lengthy explanations. His gaze flicks along shimmering cracks before returning to Eclipse’s eyes, one a burning amber, the other the barest hint of orange. “Use it.”
The tap of metal on wood, the click of metal against metal. Eclipse’s gaze refocuses over Sun’s shoulder, confusion replaced by wary anger. Out of time, they were out of time.
Sun does not know anything about this stranger that wears a familiar face, burnt orange and charcoal, silvery scars and gunmetal grey. He does not know what this Eclipse is like, if he is kind or if he is cruel. He knows that he could very well be trading one kind of hell for another.
But…
Eclipse had been afraid, as only those who still remembered what it was like to feel pain and loss could be afraid. The fear of a mortal who has trespassed against their will, the fear of someone who has suffered and would like to avoid more suffering.
Eclipse had been angry, fueled by his own fury and the gentle light of a star. Angry enough to pick a fight that he had no hope of winning, too proud to simply bow his head for the sake of his own life.
And with the god of this world bearing down on them both, Eclipse stands, steps forward to put himself between servant and master. An intent to protect, and it didn’t matter if it was motivated by pity or gratitude, only that Eclipse intended to bear the brunt of whatever punishment was coming.
So Sun tucks himself behind his savior, trembling hands clutching the soft fabric of a goldenrod sleeve. His damaged rays scrape and tug, trying to retract, and he buries a whimper of both pain and fear in Eclipse’s shoulder. He is not brave, he cannot bear to watch as death approaches.
Desperation and hope. Two emotions of such similar color, a gentle white glow that could either warm or scorch. In hands like Sun’s the power of the star would be useless, the servant lacking the willpower and the intent needed to take that final step.
However, Sun isn’t the one with the star.
“USE IT!”
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Naomi/Esteban: 1, 7, 16 and 55 ; Gregory/Manfred (AA): 20, 21 and 59 please!
Naomi/Esteban
Who would end a heated argument by defending their actions with ‘because I love you!’ ?
Both to be honest. Albeit in slightly different ways. Esteban is more likely to have pre-emptively made a decision/taken action without informing Naomi or asking for her permission first. And Naomi would be livid that she wasn't consulted beforehand. Esteban would be very smug and condescending and talk about how he knows better since he's older (physically, maybe but not necessarily mentally) and wiser (questionable) so Naomi should defer to his judgement. And he would use "I love you" in a slightly manipulative way to try and silence all her protestations. (It doesn't work. His love for her just makes her even more determined to save him from his own noble urges).
In circumstances that specifically involve Esteban putting himself at risk (to protect Naomi/other members of his family/Avalor), he would probably also try to pull the "I am older and less worthy/important, so I am more disposable if things should go wrong" bullshit, which would make Naomi absolutely livid.
Also I think it would be impossible for Naomi to end the argument simply with "because I love you." She would specifically end it with "because I love you, you asshole!" (Emphasis on that last part). Sure she loves him and wants him to know that's why she's behaving as she is. But she also wants to remind him that he is incredibly aggravating and often stupid and she can just barely stand the sight of him sometimes.
Would they build a pillow fort together just because?
Just because? No I don't think so. And certainly not together. That being said, I can see them building separate pillow forts under very specific circumstances for the sheer purpose of outdoing each other. One of them mentioned building pillow forts as children and being very good at it. And the other immediately follows up with "That is nothing. I built forts twice as high and just as impressive." and the inevitable response is "Oh yeah. Prove it!"
And so there just ends up being the pettiest little competition as to who can build the best fort. (Elena is named the judge since she has a foot in both camps. And she's rather shook about the whole thing. She herself would've absolutely accepted a pillow fort building challenge in an instant. But like she kind of expected Naomi and Esteban of all people to act like actual, reasonable adults--as they do in most circumstances. But no, they are the ones acting like children just because neither can bend even in a little where the other is concerned).
Not sure who would win the competition, though I might have to give a slight edge to Esteban. Simply because we know he likes to stack a pillow given the like 6+ we see on his bed in the sick day episode. (Of course, if Elena had taken part, she probably would've won because she has even more stacked pillows on her own bed and she's more stubborn than either of the others to boot).
Can they stay up all night just talking?
Could they stay up all night talking? Yes, probably. Both have a lot to say, enjoy the sound of their own voice, and like spending as much time as they possibly can with their partner.
Would they stay up all night talking? I kind of doubt it. While both are very hard workers, they are also two of the more practical characters on the show. (To an extent, Esteban can definitely have his super irrational moments). Therefore, they know the importance of getting a good night's sleep. They also seem like the sort that genuinely enjoy the sleep that they get. Like they're not going to protest too much or try to stay up any longer than necessary. Sleep is good (especially in each other's arms), so there is no strong drive to push it off.
Do they like watching clouds or star gazing?
Both of them are canonically into sailing, and using the stars to navigate is kind of a big part of that. So I definitely think they would look at the stars together. Additionally, Naomi has lived in a bunch of different places, and Esteban traveled a lot during his time as chancellor. So I think they would both know and talk a lot about the different names for various constellations in different places--as well as any legends/stories associated with these or the stars themselves.
On a similar note, they might also watch the clouds a bit--but more out of practicality than enjoyment. It's always good to be on top of changes in the weather--especially when one or both is out at sea and/or if they have specific plans outdoors in the near future. That being said, Naomi is particularly fond of pointing out any cloud that she sees that even vaguely resembles Esteban's facial hair. (Esteban's usual reply: "You do me a great disservice with that remark, Miss Turner! I would never allow such a miserable, misshapen thing to grace my face.")
Gregory/Manfred
Choose one song that perfectly describes their relationship.
I'm sorry, but I am so bad at this. I don't know music like at all. (It's really just musical theater and artists my parents like. That is the extent of my music knowledge).
So we're gonna have a few songs from random musicals and they're gonna be angsty since that's where my brain goes with this ship.
So I don't think this one will come as a particular surprise especially given I know you are a Les Mis fan...but yeah, the whole sequence of Confrontation --> Stars--> Javert's Suicide.
Just Manfred being horrified and disgusted at being at Gregory's mercy and the audacity of this man to be kind and just and dedicated toward the Truth when he has no right. Just go ahead and substitute "defense attorney" for "thief"/"criminal" in a lot of Javert's lyrics, and you've got Manfred being a toxic, doomed, would-be tsundere.
"Damned if I'll live in the debt of a thief/ Damned if I'll yield at the end of the chase./ I am the Law and the Law is not mocked./ I'll spit his pity right back in his face./ There is nothing on Earth that we share....
"How can I allow this man to hold dominion over me...This desperate man whom I have hunted."
And as for another toxic musical yaoi ship, Judas' reprise of "I Don't Know How to Love Him" from Jesus Christ Superstar. (Arguably Mary Magdalene's original as well). Just Manfred destroying the man that he loves (unrequitedly?) as Judas has done--simply because their goals are not aligned and because he doesn't know how to handle his feelings that he can't help but feel are irrational--especially as Gregory (or Jesus in the original) is just so damned Good and Manfred knows he never would've been worthy of him.
And even though I don't particularly read MVK as wallowing in guilt nearly as much as I do with Kristoph in krisnix, I think here could be an element of that there as well.
"I have been splattered with innocent blood./ I will be dragged through the slime and the mud./ I have been splattered with innocent blood!/ I will be dragged through the slime and the slime and the slime and the mud...
I..I don't know how to love Him./ I don't know why he moves me./ He's a man; he's just a man./ He is not a King./ He is just the same as anyone I know. /He scares me so."
There's also a bit of a similar feel from Burr's parts of "The World was Wide Enough " from Hamilton. Realizing that your idealogical opposite and narrative foil and foe didn't need to die at your hands. That your victory at long last is distinctly Pyrrhic and that there was and should've been room for both of you in the courtroom (which is THE world for all intents and purposes for Manfred).
(For both of the above songs, the beginning isn't really the vibe for angsty Manfred/Greg, so I went ahead and linked to right where the relevant part starts).
And on a much, much lighter note. "Horny Angry Tango" from Crazy Ex-Girlfriend. (Bonus in that both characters are lawyers and the background of this is them duking it out in court in a proxy battle for their relationship issues.) Just Manfred and Gregory getting super hot under the collar while arguing against each other in court, but also like genuinely being furious with each other as opposed to just horny and in denial.
And similarly, You're Only Second Rate from The Return of Jafar. I see this as early in Manfred and Gregory knowing each other. Manfred is just so aggravated by Gregory and thinks its so absurd that Gregory thinks he is a match for him. And he just quickly becomes overly obsessed with him in a totally not healthy or normal way that Greg in no way asked for. But Manfred just can't let this go for some reason. (It's a crush; he's got a crush, but he'll never realize it).
Who would get into a fight to defend the other’s honor? Who tends to the other’s wounds?
I'm not sure I can see either of them getting into a fight to defend the other's honor. Gregory doesn't ever think fighting is the answer, and it would take awhile for Manfred to ever get to the point where he is self-aware enough to admit that he cares about Gregory in order to defend him.
That being said, I can definitely see Manfred getting into a fight that concerns Gregory in some way. Maybe he's jealous of someone else he thinks is moving in on his man? Or someone (Gant probably) makes this mistake of teasing Manfred about his obvious "crush." Then, Manfred gets really really defensive about it (he's so in denial) and may even retaliate with his fists if the person is really pushy about it.
Greg would have to be around to bandage Manfred's wounds, but he would definitely do it and very carefully. Which of course makes Manfred even more furious about everything. HOW DARE HE BE KIND WHEN THIS IS ALL HIS FAULT IN THE FIRST PLACE?
Who tops? Who bottoms?
Honestly, I don't think I've ever seriously thought about this, lol. I am friendly with some Manfredf*ckers, though and so I have thought/heard a little bit about their thoughts re: von Karma sex in general.
My main feeling is that I feel like whether Manfred would top or bottom depends entirely on whom he is being shipped with. He bottoms for Gant and Blaise, he tops Udgey, Yanni, Phoenix, Miles or Kristoph (I've only seen it one fic but like...👀).
But as for Gregory...you know I have a feeling Manfred would bottom for him too. Specifically in the sense of being a rather pushy power bottom and sort of for similar reasons as Kristoph. He's super uptight and repressed--and I feel there's a part of him that would enjoy losing some of his trademark control and perfection but specifically in a controlled, safe, private environment like the bedroom. Also, he's worth it so he would enjoy making his partner do most of the work and he just sits and enjoys like the perfect and deserving von Karma that he is.
As for Gregory, I guess see him more as a service top anyway. He doesn't strike me as particularly dominant, but he strikes me as a submissive even less. Maybe it's the overall "dad" energy that he exudes, but I feel like he would be very attentive to his partner and focus on making sure that they feel good and are well-looked after.
So yeah, they're probably both switches but in this case, Greg as service top to Manfred's power-bottom.
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