STORIES TELLING: NED LOWE AND THE DEATH OF POOR REPRESENTATION IN OUR FLAG MEANS DEATH
In history, Ned Lowe was one of the most sadistic and violent pirates in the early 18th century, so he’s an obvious choice for a villain for season 2, episode 6 – Calypso’s Birthday. What is interesting is what the OFMD writers chose to do with him.
Lowe announces himself to the crew of the Revenge with great fanfare (cannon ball attack) and gets right to the point.
Ed is thoroughly unimpressed.
Cut to Ed and Stede tied up while Ned attempts to set the mood so he can monologue about why he wants to kill Ed.
Ed knows what’s coming. He is going to suffer but he still can’t be arsed to meet Ned with anything but vaguely bored dismissiveness (and Stede is happy to play along).
Up on the deck, Ned prepares the crew for his big, dramatic moment of symphonic torture.
Note that the Revenge crew is tied down, braced by vices and generally unable to protect themselves from imminent torture and possible death, but their spirits are up. They don’t seem terribly fussed.
Then Stede uses his people positive management style to happily orchestrate a worker uprising in Ned’s crew.
Ned’s crew responds instantly; severing their allegiance to Lowe and telling him off.
The crew sails away and talks profit sharing while Ned dully threatens to hunt them down.
Ned is now a prisoner of the Revenge crew and seems entirely disinterested in his own survival.
And Ned sinks to the depths, without struggling at all.
There is a lot going on in this episode: pay and labor equity direct action, gay love engagement bliss, kink humor, Stede being a hero and saving his crew by playing to his strengths, then having to decide whether to kill in cold blood and feel the consequences of that choice. Ed having one more reason to be done with piracy (while being so impressed with and fond of Stede), and then watching his man make a fraught choice and having to deal with the fallout from that. (And, damn, I haven’t even mentioned the passionate sex bit.) Anyway, back to the point.
Now for the the meta part
The Ned Lowe sequences are perfectly in keeping with OFMD’s signature blend of madcap violence, humor, and big emotional gut punches. But something about Ned Lowe just strikes me as off for this show.
Ned is seriously threatening the crews’ lives, so why don’t they take him seriously?
Why does Ned have such a boring, throwaway backstory?
Why is Ned so nonchalant about his own death; like it’s a foregone conclusion?
Why does Ned have a silver violin and silver spurs on his slip-on dress shoes?
Why is Ned sartorially monochromatic?
And then I realized who Ned reminds me of.
This guy,
Earnst Stavro Blofeld in the James Bond film Diamonds are Forever (1971)
And this guy,
Scar in Disney's The Lion King (1994).
And this guy,
Xerxes, 300 (2006).
And it sure seems like Ned Lowe isn’t just an episodic villain. He is an archetype of the one-dimensional, stereotypical queer-coded villain that has been endemic in film and television throughout history. The OFMD writers have a lot to say about what to do with this kind of character:
Don’t respect him.
Feel free to openly mock him.
Don’t let him take your joy, even though he will hurt you.
He won’t disappear on his own. You have to throw something at him (take action) to make him go away.
Once he’s in the water, he’s content to drown. He’s not into what he’s doing any more than you are.
Oh and, just to be clear,
The LGBTQIA+ community has a very long history of turning shit media into better stories. So, hey, big media, prepare to have your crap characters wrecked (improved).
Now, back to our transformative pirate show with rich, complex queer characters and a multi-layered plot that surprises me every week and makes me feel big feelings - most of all, joy.
Final thought: I do wonder if Ned Lowe is monochromatically silver as a tribute to/poke at, Hollywood and the silver screen.
This meta was written before OFMD season 2 has fully aired. No idea what’s going to happen in the finale (and I’ve generally fled social media to avoid spoilers). I’ll be back, looking at everyone’s fascinating posts after episode 8 airs.
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Surprisingly, hearing Vox and Val technically (I love how technically needed to be added) aren't dating didn't upset me as much as I thought it would. It did... for like a minute until I thought about how painfully much it fits them.
Val throws tantrums and is ready go out and kill people to let off steam, but decides to stay put in his room and sulk instead while he waits for his flat-faced prince to come and comfort him before he does anything drastic. He's killed and abused people for the slightest hint of non-compliance, which he sees as giving him an attitude or questioning his authority, but he doesn't so much as flinch when Vox raises his voice and starts shaking him in frustration more than once. He doesn't lash out or get angry when Vox tries to talk him out of marching towards the hotel, but instead listens to his points and takes his words to heart even when they weren't what he wanted to hear. He's not interested in Alastor, but is willing to sit through watching the extermination broadcast because Vox is a passionate football dad about his one-sided rival getting dunked on. He doesn't even act jealous towards Vox's obsession, just weirdly amused and supportive even tho he hates not being the center of attention any other times. And then there's Vox, who acts like he's annoyed to have to put up with Valentino but still does it anyway. He acts disinterested about Val's ranting over Angel until he hears that Angel might've quit because he's an jealous, insecure loser that wants that mf's attention to himself. He lights his cigarette and decides to call up their lowest earners for him to terrorize without being asked just to lighten his mood a little (unrelated but i feel for their employees). He keeps his eyes on him both in his room and when he's at the pub through the cameras he's got everywhere. He takes his hand like one would with a princess and smiles fondly at him before disappearing when noticing they're being watched. He's the only person that Val trusts enough to calm him down when his temper gets the better of him. And Val-- despite his volatile temper and obnoxious quirks-- is someone he respects and cares about, both as his business associate and romantic partner.
And they aren't dating. Val and Vox clearly have a connection and understanding and attraction yet are unable to confront those feelings in fear of being vulnerable. So they aren't dating. Val obsesses over Angel and Vox obsesses over Alastor to distract themselves of the other only to fall back into each other's arms at the end of the day. Even tho they aren't dating. They celebrate, dance, sing, support and shamelessly make out with each other. They're the only ones that would put up with each other's bullshit no matter what-- but for some reason, they're still not dating. They are two of the worst Overlords in Hell, capable of committing so many despicable acts and jumping to immoral tactics for their own gain without any regrets, but opening that door into genuine emotional vulnerability? Acknowledging their softness for each other? That's where they draw the line. They're clearly made for each other, but neither of them dare to step over that line to commit to something more.
Which means that we could get to actually see these changes take place. We could get to see more sides to these two we still haven't seen before. We could get to see them actually start dating and the complicated journey it took to get there. We could get to scream and kick and seeth as these two morons continue to dance around admitting their very much requited romantic feelings for every stupid reason under the sun episode after episode. We could get to see these two fix each other and make each other worse simultaneously. Mostly make each other worse. We could get to see them have a romantic duet. We could get to see them be happy together-- officially together-- while they make life worse for everyone around them.
All this mumbo-jumbo, sleep-deprived ranting will likely not happen, but the potential character growth, the dynamic development, the resolved romantic tension, the SONGS we could get??? I'm clinging onto this hope for dear life until it's ripped from my cold, dead hands.
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