The Story Behind The Song: Arctic Monkeys’ early ambitions on ‘A Certain Romance’
Lucy Harbron – Far Out Magazine | January 17, 2024
It was 2006. Mortgages were crashing, and businesses were going bust. Tony Blair was on his last legs in office as the longest-serving prime minister since Margaret Thatcher, and the hangover of ‘Cool Brittania’ was beginning to set in with an unexpected ferocity. Things were bleak when a young Alex Turner sang, “There ain’t no romance around there” through the public’s speakers. Arctic Monkeys were about to write themselves into musical history as the voice of a new generation.
The final song on their debut album, there has always been something special about ‘A Certain Romance’. In 2022, after the release of their seventh album, The Car, Turner seemed to find himself reflecting back on that 2006 track. To the musician, that early cut holds a clue to everything that was to come as he said the piece “showed that we did actually have these ambitions beyond what we once thought we were capable of”.
Coming in at over the five-minute mark, ‘A Certain Romance’ almost feels like the Arctic Monkeys’ version of a rock opera, summarising all the themes, feelings and energy that came before it on their seminal album Whatever People Say I Am, That’s What I’m Not. It has the cheekiness of ‘Fake Tales Of San Francisco’ and the catchy instrumentals of hits like ‘Dancing Shoes’ or ‘I Bet That You Look Good On The Dancefloor’. Utilising the northern charm of ‘Mardy Bum’, it stands as a final, neatly summarising point on the social commentary found in their early tracks like ‘From The Ritz To The Rubble’ or ‘Riot Van’. Really, it could be argued that ‘A Certain Romance�� is the ultimate example of Arctic Monkeys’ original sound, perfectly encapsulating all the things that made the world listen up and pay attention.
It’s like they seemed to know that, too, always allowing the song a special place. In fact, it was really the band’s opening remark. Years before the offer of a debut album came around, the group were a well-oiled machine with their own local hits. They had the northern live music scene in their hands as their homemade demo CD was passed around like everyone’s worst-kept secret. Beneath the Boardwalk features eight out of the 13 songs that would be on Whatever People Say I Am, That’s What I’m Not, albeit in a slightly different, lower-quality version. But the opening number, ‘A Certain Romance’, sounds just the same.
It’s all there, from the rolling opening drums to that final guitar solo. Recorded and produced in a rented studio at only age 17, the existence of ‘A Certain Romance’, one of the band’s most explorative and energetic numbers, in this form this early in their career feels like a diamond sitting in a mine. It proves that they were always onto something special.
They never needed any help. In fact, their producer, Jim Abbiss, noted that they even seemed nervous about the help. “I think they were probably a bit weary, like ‘who’s this guy? And is he gonna make our sound this or that.’”
They didn’t want anything to change too much, as the group already had the songs figured out. Turner certainly did, as the track’s meandering narrative about hometown lads, fights, and local boredom is already there. Talking on a podcast, original member Andy Nicholson revealed the story behind the song. “We had a practice room with a pool table in, and we had a party in there, and we invited another band who were friends of ours, and we all had some drinks,” he said. “Then something happened, someone throws a pool cue, someone throws a pool ball, and everyone ends up fighting,” he added, explaining the lyrics, “there’s boys in bands / And kids who like to scrap with pool cues in their hands.”
But the magic of Arctic Monkeys lies in their nuance. What begins as a snooty analysis of his local landscape is a genuinely affectionate take. “Well, over there, there’s friends of mine / What can I say? I’ve known ’em for a long long time / And, yeah, they might overstep the line / But you just cannot get angry in the same way,” Turner sings, looking around at his bandmates and lifelong friends. ‘A Certain Romance’ is not only a time capsule for the group’s beginnings but is an ode to all the people who were there with them. It’s an ode to the hometown that made them and all its various characters.
But as the last guitar solo roars to life, there is an unspoken statement that they’re going to be bigger than what they came from. “I remember when we were recording ‘A Certain Romance’ and having a conversation with the producer about the final guitar solo,” Turner told NME, recalling the moment these songs were reworked for their debut. But they wouldn’t let anyone mess with ‘A Certain Romance’, knowing exactly what they were doing and trying to say with that one. In the 2003 demo version, all the feeling is already there, and Turner wouldn’t risk it.
“There’s something that happens at the end of that track where we break some rules in a single moment,” he continued. What happens at the end of the piece feels even more special, considering how the album was recorded. “These are the songs we wanna do, and I think this is the order we wanna do them in,” Alex Turner told their producer, recounting the conversation in 2007 to RadioX, “And he goes, ‘alright, we’ll try to record them in that order as well.’” As the final song, that last guitar solo is the last thing recorded for the album, standing as a cathartic outlet and a chance for the band to prove themselves.
“We focused on the [emotional] effect of the instrumentals over the words,” Turner reflected on the track, concluding, “and I feel like we’ve been trying to do that again and again since then.”
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I’ve always assumed that gaster and the dreamers had a parental relationship, considering that he seemed pretty young (teenager) when they took him in, plus it’s kinda implied that gaster had a abusive or at least neglectful childhood so it makes sense that he would want to view asgore and torial as parental figures.What do you think?
Also sorry about pestering you about fell!Handplates but it’s such a fun au. But how do you think gaster first reacted when the dreamers started becoming cruel?
Yup! Generally speaking I view Gaster as having a mostly parental/filial relationship with the Dreemurrs, and that evolving into a (mostly) platonic family dynamic, though it is kind of complicated with Asgore being his King and boss and Toriel disappearing and them grieving her together - I think it brought them closer, and not necessarily in only healthy ways ♪
Haha, I don't really mind, but I can only give my own thoughts and opinions on it! Some of it is stuff I'd also like to know haha ♫
I kind of assumed they were Fell from the beginning, that the argument is that Monsters are just Like That, it's in their Nature, and Fellplates!Gaster is trying to find proof that Monsters are capable of change, that with the "correct" kind of Nurture, they don't have to act on their Fell impulses. As for when he was inspired to start looking for that, hmmm ♪
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yeah i'm eternally disturbed by the connor hate rn. coming from an avs, pens, oilers, canes, leafs, devils, canucks, and more fan. it wasn't rigged. and just because he helped design it does not mean it was automatically going to be him that won. anything can happen, anyone could have won that. he helped design it because he wanted to help make it fun. for the fans AND the players. and he did. him "making" it and winning it are not correlated. he tried hard, as did cale and a lot of others.
we should all know that connor is the best player in the world by now. maybe that's a factor too. makes sense. but you can't just hate him for that... he's a silly, sweet, personable person once you get over how much love broadcasts talk about him. he himself doesn't care for the media as much as we all do as fans. he's just as tired about being practically exalted as we are about him.
and yes, he is the best player. but you could argue nate is too. just because he's the best doesn't mean others are not incredibly close too. he is not perfect. he is human. he deserves a little more love in the real way. not the "great player amazing so good blah blah blah" way. the "he's humble and funny and so haunted by expectations i am kissing his forehead and giving him a hug" way.
tldr it's okay for the guy that actually made the push for the all star skills competition to be more fun to win it. it's not rigged. he just... won. no big deal. also the entire event was fun so do we really care who got an extra million dollars they didn't need? they had a good time and that's what matters.
(also yes i know a lot of the hate is a joke but still. i have a point here..) ((i am also a huge connor fan. so. tooootally not biased lmao))
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Spoilers for the ninth Detective Conan OVA, "The Stranger From 10 Years Later."
Realistically, out-of-universe, I know it's little more than fanservice. It's a peek at what a popular recurring character's future could be, a snapshot of how things may turn out for him. But in-universe, I can't help thinking about the implications of 26- or 27-year-old Heiji's short cameo appearance in Shinichi's literal fever dream.
There's an immense level of detail to the entire scenario. The tree in the Kudo yard has grown taller, downtown Tokyo is littered with new buildings and renovated old ones, a high school teacher's face is lined with more wrinkles than he ought to have after a mere "few months." It's a vibrant, breathing world that Shinichi's imagined—one that indicates to me that he's deeply considered the possibility of never returning to his old life. He's walked by his home, in a body so small that he can't even unlock the gate, and thought to himself, "One day, that tree will tower over the fence, but I'll still be stuck as tiny Conan." He's ruminated about it, wondered and speculated and deliberated, how the city around him will change while he hasn't been allowed to, not in the way he wants.
And he's done the same concerning Heiji. And... it's positive. Immensely so.
Interviewer: For today, we'll be interviewing... The famous detective from Naniwa, Hattori Heiji-san! He has brilliantly solved numerous intricate cases and is now recognized all over Japan! He's even opened his own detective agency!
Or, at least, it is at first, anyway. It's quickly revealed that Heiji and Kazuha's relationship hasn't progressed in the slightest, which, while obviously not a particularly favorable outcome for either of them, does say something about Shinichi. Because you could argue that Shinichi envisions Heiji living the life that he himself so desperately desires. You could say that the true purpose of Heiji's appearance in this OVA is to accentuate the future that Shinichi craves but cannot have, not yet and never as himself, where he's the mastermind behind a thriving, well-renowned detective agency, where an interview with him is unquestioningly broadcast on a huge screen overlooking Tokyo streets, where busy passersby stop in place, look up, and listen to what he has to say.
And... where he's also popular with girls.
Heiji is known as "The Lady-Killer of Naniwa" in Shinichi's imagination, and especially early in the manga, Shinichi does explicitly enjoy that kind of attention (File 10, included as File 1 in Volume 2, spells this out directly).
Interviewer: I've heard that the young ladies have a certain nickname for Hattori-san... "The Lady-Killer of Naniwa."
But the fact that Heiji and Kazuha have gotten nowhere points me elsewhere. This isn't an idealized fantasy that Shinichi wishes he could have for himself in the slightest. Ran is his dream. The emotional heart of this special, the dominant, overarching tragedy, is how Conan's overwriting and erasure of Shinichi prevents him from being with his lifelong love. There's no way that Shinichi would ever imagine a "happy end" that's anything like what Heiji and Kazuha have going on in this OVA.
So, what does Shinichi's conception of 26- or 27-year-old Heiji mean? A few things:
Even in this nightmarish "bad end," Shinichi cannot conceive of a life without Heiji, just as he cannot conceive of a life without Ran. It's unthinkable.
Shinichi wholeheartedly believes that Heiji will be wildly successful in his career.
Shinichi wholeheartedly believes that Heiji is so attractive and good-looking that of course he'll be wildly popular with women. Undoubtedly.
tl;dr, Shinichi's thought about Heiji's future, and those thoughts are really essentially, "Yeah, there's no way that my boy Hattori isn't going to have his own fantastic detective agency one day, and also, he's a hunk, so he'll be called 'The Lady-Killer of Naniwa.'"
Seriously.
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