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demilypyro · 5 months

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So I've seen a few too many people on twitter talking about The Kiss Scene from the new Scott Pilgrim anime. People saying it's fetishistic and indulgent, people calling it male gazey, etc. And while the kiss itself is certainly a bit exaggerated, I felt like writing a bit about why I disagree, and why context is important, like it always is. But it basically turned into an extended analysis on the metatextual treatment of Roxie Richter. So bear with me. It's a long post.

What really matters about this scene is not the kiss itself, but what precedes it. Not even just the fight scene just before it, but what precedes the whole anime series, really. And that's the Scott Pilgrim comic book, and the live action movie. Because in both, Roxie is a punchline.

She's a joke. Her character starts and ends with "one of the exes is actually a girl, I bet you didn't expect that." Jokes are made about Ramona's latent bisexuality, the movie especially treating it as funny and absurd, and her validity as a romantic interest is entirely written off by Ramona as being "just a phase." There's a fight scene, she's defeated by a man giving her an orgasm which implicitly calls her sexuality into question (come on), and the movie just moves on. It sucks. It really, really sucks.

The comic fares a little better. It never veers into outright homophobia like the movie does, and while the line about Ramona having gone through a phase remains, Roxie actually gets one over on Scott when Ramona briefly gets back with Roxie. But Roxie is still only barely a character. Like all the other evil exes, she's just a stepping stone towards the male protagonist's development. She barely even gets any screentime before she's defeated by Scott's "power of love." But Roxie stands out, since she's the only villain who is queer, or at least had been confirmed queer at that point (hi Todd). In a series that champions multiple gay men in the supporting cast, the single undeniable lesbian in the story is a villain. She's labeled as evil, made fun of, pushed aside in favor of the men, and then discarded. Her screentime was never about her, or her feelings for Ramona. It was about the straight, male protagonist needing to overcome her. And that was Roxie Richter. An unfortunate victim of the 2010s.

Fast forward to current year, and the new anime series is announced. Everybody sits down to watch the new series expecting another retelling of the same story, and.... hang on, that straight male protagonist I mentioned just died in the first episode. And now it's humanizing the villains from the original story. And there's Roxie, introduced alongside the other evil exes in the second episode, and she's being played entirely straight, without a punchline in sight. No jokes are made about her gender, no questions are made of her validity as one of Ramona's romantic interests. The narrative considers her important. In one episode, she already gets more respect than she did in either of the previous iterations of Scott Pilgrim. And this isn't even her focus episode yet... which happens to be the very next one.

The anime series goes to great lengths to flesh out the original story's villains and to have Ramona reconcile with them. And I don't think it's a coincidence that Roxie gets to go first. While Matthew Patel gets his development in episode 2, Roxie is the first to directly confront Ramona, now our main protagonist. This is notable too because it's the only time the exes are encountered out of order. Roxie is supposed to be number 4, but she's first in line, and later on you realize that she's the only one who's out of sequence. She's the one who sets the precedent for the villains being redeemed. She's the most important character for Ramona to reconcile with.

What follows is probably the most extensive, elaborate 1 on 1 fight scene in the whole show. Roxie fights like a wounded animal, her motions are desperate and pained. Ramona can only barely fight back against her onslaught. Different set-pieces fly by at breakneck speed as Roxie relentlessly lays her feelings at Ramona's feet through her attacks and her distraught shouts. And unlike the comic or the movie, Ramona acknowledges them, and sincerely apologizes. And the two end up just laying there, exhausted, reminiscing about when they were together.

Only after this, after all of this, does the kiss scene happen. Roxie has been vindicated, she has reconciled with the person who hurt her, the narrative has deemed that her anger is justified and has redeemed her character. And she gets her victory lap by making the nearest other hot girl question her heterosexuality, sharing a sloppy kiss with her as the music triumphantly crescendos.

It's... a little self-congratulatory, honestly. But it's good. It's redemption for a character who had been mistreated for over a decade. And she punctuates the moment by being very, very gay where everyone can see it, no men anywhere in sight. Because this is her moment. And then she leaves the plot, on her own accord this time, while humming the hampster dance. What a legend. How could anything be wrong with this.

#scott pilgrim #spto #scott pilgrim takes off #roxie richter #roxanne richter #scott pilgrim spoilers #spto spoilers

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mssoapart · 1 month

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Day 7

Free-day (Out of order and late) Alenoah as Sherlock/Moriarty.

I like it when two characters play mind games and scheming against or with each other.

I didn`t plan to create an AU, but – my rant and bits of literature/character analysis (The Vision). Also, draw concept sketch.

Noah (Detective Sherlock Holmes). I mean, they're both geniuses, introverts who don't care about social opinion and some versions depicted him as being good with dogs. In Victorian England, I totally see Noah opening a detective agency, because you either go working on a plant or you might use your geniuses’ intelligence to solve crimes, like game puzzles, and make monies to pay bills and buy new books because in 1800 many books were expensive and produced in small quantities.

Plus! I might look at this too far, but I think the Sherlock and Watson analogy was implemented in London episode when they strip team Chris just to Noah and Owen for investigation.

Owen (Dr. Watson). Basically in the original books, Watson plays the role of the guy, your typical visual novel MC, well narrator, who has character, but his whole purpose is just to be a witness to detectives doing, asking questions for the audience. This leads to usually representing Watson as either annoyed with Sherlock's antics or (usually in kids' media) naïve but with good intentions because of this simplification, to show his kindhearted nature in cartoons and caricatures he is portrayed as chubby, which is what we need! But all of them did service in the Anglo-Afghan War, even Disney version mentioned it. (Also if you want to do Nowen version of Jhonlock I don`t mind, sure go for it)

Alejandro (professor Moriarty). Do I really need to explain? Both archvillains in their stories. Professor, respected in society for his talent and achievements, wealthy, but behind all of that façade he`s "Napoleon of crime". He doesn’t usually do crimes himself but rather, schemes, orchestrates the events, or provides the plans that will lead to a successful crime, like paying money to a court so that someone can be released from prison.

Heather (Irene Adler). OK, in the original books (all books written not by Arthur Conan Doyle are basically fanfics) her character and Sherlock don`t date (But if you like, it`s fine). She was more like “I know what you are” towards him. I want to base it more on Warner Bros Sherlock where Irene works with Moriarty, but they also try to get rid of each other. She is also famous for blackmailing royals, If it isn`t most Heather thing I don`t know what is.

Eva (Mrs. Hudson). The landlady. I think it would be funny, she yelling at them to pay their bills in time.

See you next week

#total drama #td noah #td alejandro #alenoah #td heather #td owen #td eva #alenoahweek2024 #english not my first language #write it at night #i probably should have made several posts #I just combined two things that I love #sorry Eva #Sorry about the rant I try to restrain myself

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audreyscribes · 4 months

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Ω PJO DEMIGOD HEADCANONS:

💖 APHRODITE: Goddess of Love and Beauty 🕊

author's note: I had a sudden idea about writing some headcanons Camp Halfblood demigods being claimed and what it's like for each respective god and cabin, followed by a small blurb afterwards. Thank you for reading and please like and reblog! The order is not in order of the cabin numbers. [PJO DEMIGOD HEADCANONS MASTERLIST]

When you arrive at camp, you’re already got eyes following you. There’s something about you that draws people’s eyes to you. It could be your face, your hair, your eyes, your hands when they move, how you walk, how you move. So when you get claimed by Aphrodite, your fanfare is totally expected by others and unexpected when you get a magical makeover by your godly mother’s blessing. You’re dressed to the nines, your look done up perfectly like you're a movie star walking on the red carpet. People stare at you with awe and you can feel it.

The moment you are shown the Cabin, all you can think of is “Oh god it’s a god dang barbie mansion”; this may either fulfill your deepest childhood dream or your worst nightmare.

There’s gossip everywhere in the cabin. You’re hearing about people’s love lives, social interactions, and everything about the people in camp. Even if you’re not as romantically inclined yourself, you’re practically spoiled for choice for hearing about drama. There may be no TV or shows for you to watch, but this is the next best thing. It’s like the Kardashians, House Wives, and Golden Girls all the same.

Shipping. So much shipping. Shipping between campers in your cabin and outside the cabin. Shipping between movie stars to literal characters. Heck, even self-shipping is encouraged! It’s a shipper's galore.

The Aphrodite cabin likes to have fashion runs. A lot of the Aphrodite demigods become models and do a catwalk. But if you’re not that interested in being a model, there are still ways to participate.

If you like to design and make your own clothes, the Aphrodite cabin has your back. You have access to all types of fabrics, patterns, and materials you could need. You have no shortage of models for you to work with. If you’re interested in doing make-up, cosmetic or movie makeup, you have plenty of people to practise on. Even if children of Aphrodite have the ability to have permanent makeup and whatnot, it doesn’t mean you still can’t use your skills to be on fleek.

You know the meme where you see a woman putting eyeliner with the sword to make sure it's sharp? You see that way too often.

You're swiftly proven that functionality being sacrificed for fashion is a myth. It can be done and it has been done, but it's just some outweigh functionality with AESTHETICS

Stans. Stans everywhere. People don’t usually see the Aphrodite kids fight and break character unless it comes to their stan. If you haven’t seen them fight before, you do now. You’re still reeling from the BTS stans.

K-dramas. K-pop. Enough said.

You look at yourself as best as you could, it was both familiar yet foreign. It was like looking at the mirror, seeing yourself and all the positives of your body. Even if you had a negative view of yourself, it was gone and changed.

A girl stepped up, her black hair swaying, and you looked at her in awe as she smiled at you. “Hi! My name is Silena Beauregard, welcome to Cabin 10!”

“Oh hi” you said lamely, but before you could say anything further, you saw a large amount of pink in your vision. “Oh my god” you couldn’t help uttering as soon as your eyes laid on the Aphrodite cabin. It was pink in glory, and all you can think was that it was a true to god barbie house.

“Ah yeah,” said Selina, “Welcome to the Barbie house.”

“Wait it’s really called that?”

“Well, we really shouldn’t be calling it a Barbie house, but ... .I do admit it is pretty much a barbie house” Selina whispered in the last part.

You couldn’t help snicker and Selina gave you a knowing smile and wink, before she led you to the door.

“You ready?” she asked.

“Ready as I’ll ever be” you replied after taking a deep breath.

“Don’t worry, I’ll be here for every step of the way” she reassured and you smiled back. As soon the door opened, there was a waft of perfume. It wasn’t particularly strong or particularly bad, in fact it made you happy, but you could smell it anyways. There was a twinge of emotion that stirred up in you; it reminded you of smelling a perfume that reminded you of home and love…for some reason, you had a flash of a woman holding you to her chest and you burying your nose into her, your eyes closing with warmth.

“Hey everyone, let me introduce you to our new half-sibling!” introduced Selina, gently putting a hand on your shoulder. You raised your hand and waved, introducing yourself. That was all it took before the flood work came. Immediately, all the inhabitants in the cabin begun to interview you from where you were from, your favourite colour, your favourite colour, band, and etc-

Your head was absolutely swimming but as you all talked to each other, sharing your likes and dislikes, you had a feeling you were going to be alright.

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anonymousbardd · 2 months

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Character Headcanons

꒰ ☕ ꒱ ┊: How You Met

↳ Various x FemReader

- The following characters are: Gun Park, Goo Kim, Samuel Seo, Jake Kim, and Gongseob Ji.

ʚɞ ┊: Gun Park

↳ Gun isn't typically a lady's man, he prefers to get stronger and earn more money than ever, he'd do anything just for money, that's why he agreed to join forces in the first place.

Though when chairman Choi suggested marrying the young daughter of the alliance company, he wasn't exactly too thrilled.

When he first met (F/n), they didn't exactly get along, both had different views of the world and both had different priorities.

(F/n)'s priority was to give and to help, while Gun's were to kill just to get.

After some time, both alliances tried to set multiple dates for the two, though they weren't of consent, (F/n) and Gun were civil and handled it maturely.

Eventually, they grew quite fond of eachother, though they don't admit it.

(F/n) would constantly look out for Gun, she would treat his wounds and scold him for smoking and what not, Gun on the other hand brushed her off.

After all, their engagement were just of convenience, there was no point in trying to get attached.

Although, the changes in Gun was slightly noticeable, when confronted about it, he denies all accusations and gets frustrated.

So what if he doesn't smoke as often as he used to? Everybody knows that smoking is a bad habit.

So what if he starts to take care of himself? He needs to do so in order to fight better.

So what if he bought himself a small keychain that reminded him of his Fiancé? It was just a reminder of the contract he has to respect.

And so what if he found himself thinking about the young woman every night before he goes to bed? Though their soon to be marriage is only of convenience, it doesn't mean that he should treat her less.

After all, (F/n) is his wife to be.

ʚɞ ┊: Goo Kim

↳ Much like Gun, he prefers money over women, he also has a bit of a habit of spending a shit tone when he's upset, he doesn't care, he's got more money than he could count.

In a spectacular day, he found himself roaming around in an anime convention, he only had one goal, and that is to get as much Katanas he could.

He looked around and enjoyed himself, taking pictures with a few cosplayers, getting a bit of keychains and what not.

The moment he laid eyes on a man cosplaying one of his favourite characters, he immediately went by to say hi, the man was handsome looking, pale skin, sharp eyes and tall.

He was surprised to learn that it was actually a woman.

Goo couldn't believe his eyes that a woman is able to pull such a masculine cosplay, when the cosplayer asked him about the huge Katana haul, he excitedly explained that it was one of his favourite weapons.

The two talked for a bit and took a picture together, the cosplayer left Goo a small custom keychain and headed off.

A few days later, Goo found himself saving a young woman who was dresses up as a video game character from a group of perverts.

He was surprised when the cosplayer recognised him, and he was even more surprised when he found out that it was the same cosplayer he met a few days ago.

The cosplayer wanted to thank Goo so she ended up showing him her collections of swords, katanas and other weapons, Goo was over the moon and kept on drooling over the displays.

The cosplayer was kind enough to give Goo two weapons.

Goo never forget about it and has those two weapons displayed in his home, he also kept in contact with the cosplayer and goes out for coffee whenever he's free.

ʚɞ ┊: Samuel Seo

↳ It was a long night, Samuel's original plan was to drink the night away, he wasn't at all expecting to meet a talented woman.

He met (F/n) at a bar, she was singing a song, she was a stage performer.

After her performance, she tumbled upon Samuel, they noticed each other's presence but didn't speak.

What lead to them was the bartender, both of them had ordered the same drink and when the bartender placed down the fixated alcohol, Samuel and (F/n) reached out to grab it.

(F/n) was first to apologize, she claimed that she didn't know it was his, Samuel was already a bit tipsy by that point and thought about having a bit of fun.

The two of them ended up sharing the drink, they ordered a couple more as they continued to speak to each other.

It was the typical "fuck I fell in love in a one night stand".

Now Samuel bothers (F/n) in any chance he could.

ʚɞ ┊: Jake Kim

↳ Sinu tried to set up his dear Jake and his dear sister in law, Jake was of course not ideally please with the idea.

Although, he did end up agreeing due to Sinu's persistent PESTERING.

They ended up talking in a café, it went smoothly, it was a slow burn trope for the two, it took them a year and a half to actually admit they had feelings for eachother. — (Speaking from soon to be experience hehe).

Sinu was proud of himself being the source of the newly blossomed relationship.

ʚɞ ┊: Gongseob Ji

↳ (F/n) was unfortunate enough to found herself in a club with Gongseob Ji, she was only there because of her friends, Gongseob was there to pickup girls.

And sadly, (F/n) was the one he took interest in the most.

Once he found out that the two of them went to the same highschool, he began to attend school just to see her everyday.

Gongseob didn't really want anything else other than a sweet relief, but as he continued to appear any place (F/n) was, his friends started to tease him.

That's when he slowly questioned his feelings, and that's when he found out he actually liked her.

He wasn't discreet about it, he told her as soon as he found out.

It took a while but he was able to take her out to dinner after saving her from a group of delinquents.

༝༚༝༚𝚊𝚗𝚘𝚗𝚢𝚖𝚘𝚞𝚜𝚋𝚊𝚛𝚍𝚍

#lookism #lookism Headcanons #lookismoneshot #lookism samuel seo #lookism jake #lookism x reader #gun park x reader #goo kim x reader #gongseob ji x reader

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aspoonofsugar · 3 months

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Hi! Do you think Alastor and Lucifer are foils?

Hi!

Yes, of course they are!

Alastor and Lucifer's foiling starts in Dad Beats Dad (obviously), where they fight over Charlie's affection. They might seem as opposites throughout the episode, but they are actually the same, as they both try to impress Charlie with their powers:

[ALASTOR:] They say, when you're looking for assistance It's smart to pick the path of least resistance [LUCIFER:] Others say, that in your needy hour There's no substitute for pure angelic power!

Still, Charlie doesn't care and all she wants is for her parental figures to support her:

Charlie: How come he can have faith in me, but my own father can't?

In short, Alastor and Lucifer find pride in their abilities, but need to let go of it, in order to show their love for Charlie. By the end of the episode, they both accomplish this. However, they succeed in slightly different ways, that fit their shared motif of shadow and light. In particular:

Alastor is linked to shadows, as his abilities let him manipulate shadows

Lucifer is linked to light, as his name means morningstar and his powers manifest in light-beams

As a result:

Alastor's development happens in the shadows, whereas Lucifer's in the light - This is true also on a meta-level, as Alastor's arc is the secondary plot-line of the episode, whereas Lucifer's is the main one

Alastor acts as Lucifer's jungian shadow and becomes a catalyst for him to change. Similarly, Alastor himself is challenged to grow by his own jungian shadow, aka Husk

What is the jungian shadow? It is the repressed part of a person. In stories, a character might meet another one, who embodies this hidden part of the self. By integrating with the shadow, the character evolves. In other words, Alastor represents a repressed part of Lucifer and Husk a repressed part of Alastor. Let's see how it all plays out.

ALASTOR, HUSK AND MIMZY

Alastor and Mimzy's bond is unhealthy, as they both enable negative sides of the other. On the one hand Alastor keeps covering for Mimzy, no matter what she does. On the other hand Mimzy feeds Alastor's ego by praising his power and abilities.

So, Mimzy never faces the consequences of her actions:

Mimzy: Thanks for helpin' lil' old me out of a though spot. You're always such a pal.

And Alastor feels respected and appreciated:

Alastor: It's nothing I can't handle. Don't worry Husker. Who in their right mind would cross me?

However, the reality is that Mimzy is using Alastor and Husk points this out:

Husk: You and I both know Mimzy only shows up, when she needs something. That bitch is trouble and who knows what kinda demon she fucked with to come running to you this time?

Not only that, but he openly calls Alastor out on his pride:

Husk: Big talk for someone, who's also on a leash.

Which results in Alastor reacting in anger:

That said, Husk is proven right. It turns out Mimzy has willingly brought chaos to the hotel, so that Alastor could solve things for her. Because of this, Alastor finally cuts ties with her:

Alastor: You deliberately brought danger to this place just to have me clean up your mess. I can't have that here.

This choice is important and it shows how the people around him are slowly impacting Alastor. On the one hand the Radio Demon listens to one of his subjects' advice. On the other hand he acts to protect the hotel. As a matter of fact the moment Alastor steps up as the Host of the Hotel isn't when he sings to Charlie in Hell's Greatest Dad nor when he transforms into a giant and fights. It is when he sends Mimzy away and sacrifices a little bit of his pride to do so. interestingly, this happens as nobody is looking at him, so he isn't really trying to impress nor to trick the others. He acts selflessly in the shadows.

LUCIFER, ALASTOR AND CHARLIE

Lucifer and Charlie's bond is strained:

Charlie: We just have never been close. After he and mom split, he never really wanted to see me. He calls... sometimes, but only if he's bored or like, needs me to do something.

At the root of this conflict there is Lucifer's inability to show his daughter how much he cares. He struggles to express his feelings and hides them behind a prideful persona:

Charlie: I told you when you called me five months ago. Or did you not listen? Lucifer: No, no, no, no. Just, you know, I just forgot. I've just been really busy, ya know with um... important things.

Instead of openly admitting his depression and sadness he prefers to look cold and uninterested. Even dismissive and condescending, like when he arrives at the Hazbin Hotel:

Lucifer: Wow, this place sure looks, uh... Uh-uh. Yeah. Uh-uh. It's got a lot of character!

Lucifer is initially too focused on what he cares about - meeting his daughter - rather than on what Charlie wants - for him to help her with the hotel. He happily hugs Charlie and then immediately moves on to pet Keekee, Razzle and Dazzle, who are his own creations. Only later he considers the welcome Charlie and the others have prepared for him. Even then, he still misses the point and tries to buy Charlie's love by showing off his magical powers:

Haha, looks like you could use some help From the big boss of Hell himself

Except that what Charlie wants from him aren't champaigne fountains or caviar mountains, but an appointment with Heaven, which he negates her. Not only that, but instead of being honest about his fears, he deflects everything on Charlie herself, by dismissing her plan:

Lucifer: Alright, listen, I love that you want to see the best in people, but these sinners... You know, they're just the worst. I, I don't know how much you can realistically expect from them in Heaven.

Luckily, the Radio Demon is closeby, as he forces Lucifer to show his true self.

On the one hand Alastor brings out Lucifer's insecurity and fears:

I'm truly honored that we've built such a bond You're like the child that I wish that I had I care for you, just like a daughter I spawned It's a little funny, you could almost call me dad

He juxtaposes moments of everyday life and affirmations of affection to Lucifer's materialistic and fancy promises. In this way Alastor highlights the faults of Lucifer, as a father. He points out that Lucifer is never there for Charlie.

On the other hand Alastor embodies the kind of sinner Lucifer despises:

Lucifer: Ya see? What I tell ya? Charlie, sinners are violent psychopaths, hell bent on causing as much pain and destruction as they can. There's really no point in trying.

And yet, such a violent psychopath is more willing to help Charlie than Lucifer himself:

Charlie: Dad, stop! He's defending this hotel. It may be a bit more sadistic than I'd hoped. But he's doing it for me!

This realization leads to a confrontation between father and daughter and to an admission on Lucifer's part:

Lucifer: I just don't want you to be crushed by them like... like I was.

The problem isn't Charlie, but Lucifer himself. It is not that Charlie's dream is silly, but that Lucifer's one has been destroyed. This revelation is important because Lucifer's mask comes off and he shows Charlie his weakest and most broken self. He swallows his pride and has Charlie see who her father really his. In all his mistakes and his hurt. And to his surprise Charlie accepts him. Not only that, but she admires him:

So in the end, it's the view I had of you That showed me dreams can be worth fighting for

Symbolically the song More than Anything starts with Lucifer and Charlie in the shadows:

They are repressing a lot and have no idea who the other is. Still, as the song goes on, they get to understand each other:

All that I'm hopin', now that my eyes are open Is that we can start again, not be pulled apart again 'Cause in the end, you are part of who I am

And they end the song surrounded by light:

What is initially in the shadow comes to light in three different ways:

Lucifer shows Charlie his true self

Lucifer sees Charlie for who she is

Lucifer exhibits his weakness in front of the whole Hazbin Hotel. He lets the sinners he dislikes so much witness the mess that he is.

His fragility is in full display. It is in the light for everyone to see.

PHENOMENAL COSMIC POWERS! ITTY BITTY LIVING SPACE!

Another similarity Alastor and Lucifer share is that they are two powerful beings that give much importance to free will:

Alastor: You should know better than anyone what a soul can accomplish when they take charge of their own fate.

Charlie: Together, they wished to share the magic of free will with humanity.

And yet, they are both trapped:

Alastor: I'm hungry for freedom like never before The constraints of my deal surely have a backdoor Once I figure out how to unclip my wings Guess who will be pulling all the strings?

Charlie: As punishment for their reckless act, Heaven cast Lucifer and his love into the dark pit he had created, never allowing him to see the good that came from humanity, only the cruel and the wicked.

On the one hand Alastor controls many souls, but his own is owned by someone else. On the other hand Lucifer is the strongest being in all of Hell, but he is regarded as a disgrace by other angels.

Moreover, they both project their unhappiness on others. Specifically, Lucifer blames sinners like Alastor:

Lucifer: Our "people", Charlie, are awful! They got gifted free will and look what they did with it! Everything's terrible!

While Alastor lashes out on his prisoners, like Husk:

Alastor: If you ever say that again, I will tear your soul apart and broadcast your screams for every other disrespectful wretch who dares to question me.

Still, the point is that Lucifer is exactly like Alastor. He is a gifted creature, who messed up royally and cursed humanity. Alastor instead is exactly like Husk, a powerful overlord, who still finds himself chained. Lucifer is the most hated being in all of creation and Alastor is on a leash. They are both lonely and desperate, but too proud to admit it. In other words, they are both losers:

Husk: There was a time I thought no one could relate To the gruesome ways in which I'm damaged But lettin' walls down, it can sometimes set you straight! We're all livin' in the same shit-sandwich

Just like everyone in Hell. And yet, this is not bad per se. Even if you hit rock bottom, you can still climb back up, as long as you let go of self-importance and start to earnestly empathize with others. As a matter of fact it is only through community and bonds that a person can be redeemed and heal:

Out for love Love Think of who you care about Protect them and be out For love Love You're gonna fight without gloves Long as you're out for love

This is what Alastor and Lucifer are learning through Charlie.

TWO DADS, ONE DAUGHTER

Season 1 sets up Alastor and Lucifer as two mentor figures to Charlie. They share this role in a way, which makes them almost perfect mirrors. Some examples:

Lucifer gives Charlie the hotel building and Alastor calls it Hazbin Hotel

Alastor helps repair the Hotel in the beginning, while Lucifer assists Charlie in building it anew by the end

Lucifer guides Charlie to Heaven, as he sets up her meeting with Sera and Emily. Alastor instead guides Charlie in Hell as he introduces her to Rosie and helps her inspire the cannibals

Both Alastor and Lucifer believe in Charlie, when she is at her lowest. Alastor does so before the final battle, whereas Lucifer after the fight

Alastor and Lucifer fight Adam (another foil of theirs) in the final episode. Moreover, both belittle his abilities and highlight how he is strong, but unskilled:

Alastor: You lack discipline, control and worst, you are sloppy!

Lucifer: So, this is what you've been up to since Eden? Gotta say, you really let yourself go buddy.

In particular, Alastor is the one supposed to take Adam down, but fails and Lucifer steps in by the end. This is just like in the beginning Lucifer is supposed to support and help Charlie with her project. Still, he is absent and Alastor fills the spot.

In other words, Alastor and Lucifer are unwillingly complementary and so far one has appeared when the other has been incapacitated. We'll see if this pattern continues. As for now, they are clearly framed as key to Charlie's development, so it is possible they will come to embody different sides of her:

Alastor represents the sinners Charlie wants to reach and all their pain and complexity. He is also linked to fear and the unknown. He is the ally she finds by herself. He is the found family Charlie chooses.

Lucifer represents the angels Charlie wants to communicate with. He is also linked to dreams and ideals. He is the legacy she inherits. He is the biological family Charlie wants to re-connect with.

In short, they are both parts of who Charlie is and she needs them to grow into herself. Just like they need her to mature and find redemption and happiness.

#hazbin hotel #hazbin hotel meta #alastor #alastor hazbin hotel #lucifer morningstar #lucifer hazbin hotel #my meta #asksfullofsugar #anonymous

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thatweirdguyinthebushes · 1 year

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breaking bad and it’s themes of toxic masculinity is one of those things that ill never get over. upon first glance jesse is very traditionally masculine, more so than walter, but as the show goes on it becomes clear that walt strives much more for the toxic and self-destructive standards of masculinity, where he must not only be the sole breadwinner for his family but must be acknowledged and praised for being such, where he must be the most intelligent most respected most deferred to of all the other men in his life. his son must respect him the most, his wife must acknowledge and be grateful for the money he brings no matter how he treats her or how he gets that money, his family must be grateful that it was him who provided for them, not strangers on the internet or charity or any of their friends, him. he needs to be acknowledged and respected, needs constantly to have his ego stroked. its one of the reasons he attaches himself so quickly to jesse, because jesse is in desperate need of both parental acknowledgement and a sense of academic achievement. walt takes on a kind of fatherly role, yes, but he's also jesses former teacher, and so his praise comes with a kind of undercurrent of that academic acknowledgement. and also, his relative ignorance at least at first of the technicalities of cooking meth makes it easy for walt to compare himself to jesse and therefore boost his ego. he does genuinely like jesse, but the amount of respect the kid has for him (extending even to the way he addresses him, "mr white", as if theyre still teacher and student) makes him feel superior, which is what he wants. and, as the story later reveals, jesse also has more traits that are stereotypically regarded as soft, feminine, non-masculine. he's highly emotional, much more so than the rest of the cast, and he cries more than every other male character combined. he's very gentle, and enjoys taking care of people, which is evident in the way he treats his romantic partners but also in the way he treats walt, specifically in the episode fly. he likes kids, gets along well with them, and goes above and beyond what every other character does in order to protect them. his emotional nature, especially when children and them being in danger come in to play, is one of the things he is most criticized for by other characters in the show. he's called impulsive and irrational and stupid and rabid, and he's repeatedly punished by the world for how much he cares about things. it seems, for a while, that the world of breaking bad is not only reprimanding him, but reprimanding these traits in and of themselves, saying "Look at what happened to the guy who really cared. Look at all the other male characters. They were all put together and angry and prideful and they cared about no one more than themselves, and they're on top of the world while Jesse is crying in a corner somewhere, because he wasn't a enough of a man." but then, as the story winds further into a close, you see everything play out more clearly. because the characters who are more explicitly masculine than jesse, who keep their emotions together and feed their own egos constantly and comply to the standards of toxic masculinity, all end up dead. gus has to brag in the face of the man who killed his partner, needs the revenge and the gloating and the satisfaction of having ground another man into the dust. mike has to get in the last word against the stupid son of a bitch that fucked it all up. hank has to arrest walt on his own, has to keep his job and his dignity. walt has only ruined his life this much because of his ego, and specifically dies at the hand of his own invention, designed for vengeance against all who wronged him. he offers the gun to jesse and jesse does not take it. he lays it down and instructs walt to do it himself if he wants it that bad. and then he drives away, and he is not stoic or cool or anything like his many foils, he is loud and emotional and he screams and cries and smiles. and at the end of the day, despite the world punishing his open emotion and his love and his gentleness, he is alive, and every other character who disregarded and talked down to him is not.

#breaking bad #analysis #jesse pinkman #walter white #hank schrader #gustavo fring #mike ehrmantraut #brba #better call saul

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adventuringblind · 5 days

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Chin Up, Princess (2k words)

Max Verstappen x Reader

Genre: Ghoulverse Hurt/Comfort

Summary: Jos oversteps and causes a whole lot of hurt for Max and his mate, he takes things into his own hands and ends up resorting to extreme measures in order to save his lover. (Background Landoscar, Charlos, and Sewis)

Warnings: Mind control, talks of eating people and mentions of gore but nothing explicit, ghoul on ghoul violence, burning of a character, major character death (not a good guy tho), ED but like... also not an ED, soulbonds

Notes: Ironically the most tame ghoulverse fic I've done thus far. Thank you to🏍️for the amazing idea!!

Side Note: Feed my praise kink please?

Masterlist // Request Form // My Website // buy me a Ko-Fi

It’s raining again. The kind of rain Monaco doesn’t see often. The torrential downpour that keeps everyone hidden away inside to keep warm.

She watches the water droplets race down the window, wondering which one will hit the edge first. It’s not productive, but she needs something to distract her from the ache in her bones. The hunger pains have gotten progressively worse over the last three weeks. Still, she’s finding ways to cope. She has to manage; the pain is what’s keeping her sane.

It’s nice being home and hidden behind the water covered window. It means she’s free to drop the human look. All horns and tail, long tongue and sharp teeth, dark eyes and pointed ears. It’s natural - or it used to be.

It doesn’t quite feel like her anymore. Like somehow everything that had once been a part of her is now irritating. Her horns are heavy and her tail refuses to be anywhere but the ground. All because his words sit in her head and bounce around the cavity in her chest.

He changed her.

~~~♡~~~

A month ago, she ran into Jos in the paddock. Even though she doesn’t like the guy, he’s still technically her king - and Max’s dad - so her father in law in a way. Max had mated with her (a heavenly feeling) but had done so without the consent of his father.

Jos doesn’t like her one bit. Which she doesn’t care about. If Max is the prince of the demons and set to take up leadership at some point, that makes her a princess. They both dislike each other but in the essence of keeping things civil, she makes it work.

“I didn’t expect to see you here today!” She nodded her head to show respect. Opting for that instead of bowing to this man in broad daylight.

“I wish I hadn’t seen you at all!” Well - fuck you too - she supposes. She’d fallen into step beside him as they made their way to the Redbull garage.

She nearly crashes into him when he stops abruptly. He grabs hold of her bicep and drags her down some alleyway between buildings. She goes with compliance, hell only knows what this man can and will do to her.

Her back hits the wall with a disorienting force. “You’re not enough for us.”

“I think you mean for you.”

Jos hisses close enough to her face that she can feel his saliva hitting her. “The council decided you’re not one of us-'' He grabs her chin and she watches as his eyes fade to that deep dark color that usually means something bad is about to happen.

“You will not eat. You are not one of us. Am I clear?”

She snaps at him. Her attempt at fighting his hold is futile. Not when the damn demon king is trying to hypnotize her. “No!”

He clamps a hand over her mouth and pulls a lighter out of his pocket. The open flame hovers just above the healed over scar on her clavicle. She shakes, desperate to get away from the heat. “You will not eat. You are not a ghoul. You are not one of us.”

It’s a hypnotic tone that seeps through her ears and floods her veins. The heat of the flame no longer her one weakness as her mind submits itself to the will of her king.

~~~♡~~~

Her jaw snapped shut. Her vocal chords refused to work. Her throat constricts around liquids. Her teeth become glued to each other each time she tries to bite down into something of nutrients.

A month of this torture and she can feel herself getting progressively more ravenous. Slowly they’ve exhausted all of their options. No matter how desperately she tries, she can’t get any substance into her.

Max’s reflection appears in the window. A frown etched upon lips. It doesn’t suit him; Max was made to smile. She likes being the one to cause it. These days it feels like all he’s doing is trying to ease her slow and painful death.

He sits opposite of her and heaves out a gust of warm air on the window. His pointer finger paints a simple picture of a stick figure. It’s - objectively - a terrible drawing, but it serves its purpose and makes her laugh.

“I’m scared, Max.”

“I know, schat.”

They continue to stare out the window. The bond doing the talking for them, passing their emotions back and forth. He can feel her pain and she can feel his inner rage.

Humans don’t understand. Maybe they never will. They fear those who are different. Think this way and do this thing or you're a monster. Certainly not all of them. Lando and Charles are prime examples of this. Still - surviving amongst them gets harder each day.

“I know what you want to do.” She turns towards him. Unbidden in the comfort of their own home. His tail flicks in uncertainty. A habit he picked up from Sebastian. “I don’t want you to regret it.”

“It’s inevitable. Just earlier than planned.” He won’t meet her gaze. “I can’t watch you suffer when I can stop it.”

“You have always been the chivalrous type.”

Max slides closer to her. His thumb comes to the underside of her chin and pushes it upward. Her eyes have nowhere else to go, forced to get lost in his. A never-ending sea of endless dark that she’d willingly drown in.

“Chin up, love. There is going to be a crown on your head soon. I’d hate to see it hit the ground.”

~~~♡~~~

She hates not being able to go inside. She understands why she can’t though. She already has the weight of one hypnosis spell weighing her down; she’s more susceptible to another.

Still, waiting is nerve wracking. The sound of familiar roars fill her ears. Occasionally wincing when she feels Max’s pain. Mild compared to what it is for him.

Lando and Charles are sitting on the ground with her. Their mates are inside with Max, along with Lewis and Sebastian. She attempts to hold close to the bonds of their tribe. They’ve been planning this for the last couple of weeks. Every hole is plastered with flexi tape.

“Relax, chéri. They are fine.”

She won’t open her mouth to mutter a thanks. Not when she’s already salivating and can smell exactly where their pulse points are. Not when she can hear the steady rhythm of their hearts.

No, she can’t eat, but she’d also rather not risk it.

“Do we have to bow to you after this whole ordeal is over?” Lando looks at her with a curious expression. “Cause like - Oscar doesn’t bend like that.”

Both her and Charles gape and the odd statement. Lando looks like he’s just stated the weather on an average Monday morning.

“Lando, are you sure it’s not you who doesn’t bend like that?”

“I think I know how I can bend mate! How do you think we broke the table-“

Charles grimaces, his nose scrunching up and cheeks turning red. “Bleh! I don’t need to know how Oscar bends you.”

“You asked!”

“And now I regret it…”

Another roar bellows into the night sky. It’s loud and painful. She looks to the boys beside her for confirmation that it’s not Oscar or Carlos. They nod at her, leaving only three options.

She bolts inside.

The roars turn to whines. The fire rages over the body of Jos Verstappen. Max has sunk to his knees, the sunset hues of the flames reflect in his eyes and illuminate the tear tracks on his cheeks.

She falls beside him. Panicked hands search for any possible wounds; any burns in need of immediate attention. Max is crying as she does so, but he’s smiling at the same time. There are a million emotions running through the room. The large flames a mercy to the now deceased king.

A fallen king lay before them. His body burned to ashes. They watch as he is devoured by the fire. The silence is deafening. The only noise being the roar of the flames. An irony that doesn’t go unnoticed. To feel serene with the one thing that would surely kill her if the starvation doesn’t first.

Max is the first to approach the pile of ashes on the ground. He creeps up to it like they might reanimate. Like they might take back what they once had and reestablish their hold on her mind with no chance at her escape.

Sebastian meets Max in the middle. He scoops handfuls of the ash and decorates Max’s skin. The Dutch looks miserable when Sebastian dumps a handful into Max’s own cupped hands.

“Do I have too?”

“Do you want your fathers powers?”

He groans, but doesn’t wait any longer. He tries to be serious, but there is an element of humor here despite the situation.

“Does this mean Max is a cannibal now?!” She supposes Lando is trying to whisper, but the building they are in echoes. He chokes when he hears it.

“Lando! I am trying to eat my father!”

“So you are a cannibal!”

Oscar slaps a hand over his mate's mouth. Briefly, a look of disgust flashes across his face. “If you really think licking me will work, you are mistaken.” Muffled sounds from underneath Oscar’s hand escape, but nobody understands.

Max is finally able to choke down the ashes of his father. Certainly not the most conventional of coronations, but she can’t picture it any other way.

“Never thought I’d see the day where we were dropping to our knees for this guy.” Carlos chuckles from somewhere beside her as they close in on the new king.

Not a prince anymore - a king.

It suits him more, she thinks. Standing tall in front of his tribe, still laughing at Lando and Oscar and their odd positioning. At Carlos and his playful pride as he kneels. He exchanges a smile with Charles after years of rivalry now comes a shared respect. He turns endearingly to Sebastian and Lewis looking at him like proud parents.

Then to her. She’s on the ground, her knees bruised already. Max pulls her up into his arms. He brings his hands to her jaw and once again she drifts into the calm of his endless eyes.

Soft fingers massage her jaw. The one that aches with a desperate need for something she hasn’t had in so long. He’s gentle with her, like an antique porcelain doll that might break if he applies too much pressure.

“You are worthy of every good thing. You are one of us, just as you always have been and you are deserving of your life.”

The cement that had been fire in her veins vanishes as he speaks. Max keeps talking, but she’s too lost in the relief from these heavy feelings - the euphoria of knowing she belongs again. The cavern of her chest is beating with words of comfort.

Her horns don’t feel like extra weights and her tail finds Max’s with immediate ease. They intertwine like they had before.

“You are here and loved. You have a place with us.” He tilts her chin upward like he’s done since they mated. “Chin up, your highness, you’re a queen now.”

~~~♡~~~

Sated.

Her body aches from a full belly instead of the hunger pains. As does the rest of their tribe, she presumes.

Max keeps getting phone calls… and he keeps ignoring them. Instead opting to keep his attention focussed on his tribe. His love for them - for her - is radiating through his every move.

“I think King Max sounds good on you.” She flashes her teeth at him. The others are either chatting, or if you’re Oscar then you’re using Lando as a blanket and sleeping. They are paying no attention to them.

“You think? I’d always resented it.”

“You’re going to change things, Max. That’s not something to resent.” They hook tails again, a comfort she’d missed dearly. “Plus, you’re stuck with me now since you saved my life. I’m going to be the most demanding queen.” She waves her hand around for dramatic flair.

“Oh yeah? How so?”

“First I’m going to demand that you cuddle me - and I’ll figure out the rest later!”

“As you wish, your highness.”

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narutocharacterpolls · 8 months

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SEMIFINALS

GAARA vs SENJU TSUNADE

Reasons for submission under the cut

Gaara

he overcame his incredible loneliness and childhood trauma with a lot of grace

he acknowledged the people he may have hurt (rock Lee) and did everything in his power to build up from there

he was always very caring (like when he brought the girl he accidentally hurt an apology gift when he was a child)

he was someone who understood Sasuke and shed tears for him

he motivated an entire army of shinobi that were fighting amongst each other, and he did it purely with love for Naruto, showing how powerful his kindness is

serial killer turned babushka. Quite possibly the sweetest and funniest character transformation [submitter]'s ever seen

he enjoys succulent and cactus gardening, based as always

his gardening outfit is the cutest shit ever seen

he has cat eyes which are very cute

nothing but respect for my goth teenaged president 🫡

he's so polite,,

his character development is amazing, he went from being a crazy murderer, to gaining the trust of his whole village and becoming the Kazekage

despite how drastic his character development was, it still feels understandable due to how badly he was treated as a child, and how deep down he always wanted to love but was simply punished for it

eeeing him recover from his trauma thanks to Naruto is really heartwarming

one of the best redeemed villain characters ever imo

very cool character design

storyline that made [submitter] cry like a baby three different times

he's so full of love

has a cool transformation

enjoyable demeanor once he got the help he needs

nice to see a quiet but social introvert succeed in life, overcome his trauma, and learn his self worth

he was an edgy 12 year old who talked like shadow from shadow the hedgehog (2005) how can u not like that

he's funny

he's pretty cool when he's older, a good leader

his arc is [submitters] favorite in the series

lovely to see how far he came and how hard he worked to overcome his demons

Tsunade

milf….

was the best hokage

the regulation she created to include medics on every team saved so many lives

she's funny and a complex and interesting character

is a bad bitch

probably THE most competently written female character in the entire series

she has a very rich history that plays into her character's actions and motivations

wanting to be the best medic-nin possible in order to save more lives because she lost her love Dan, and also change the way ninja squads operated to always have a medic to save more lives did so much for the better during the war to reduce casualties

after being broken down by so many people she cares about dying, she dips and leaves behind ninja society, which has taken everything from her (including wiping out her clan)

because Tsunade is also one of the most legendary/strongest ninja alive, no one could really stop her or chain her down. It takes the conviction of a child who wants her to save the village and heal his friends to get her back to Konoha, despite the all the trauma she's endured

she's a medic with a fear of blood that overcomes that to fight her own teammate and beat his ass so Orochimaru stops killing and maiming people

she steps up to be a leader because it's what the new generation need and someone has to fix all the stuff broken by her selfish teammates and old teacher

the strongest female character both in physical strength and the strength of her writing. It's like she was written first as a character versus most of the other female characters being written first as Girl and Love Interest

Tsunade is vain and a chronic gambler and drunk, she is really brash and abrasive, she is traumatized. But she's also deeply caring, an incredibly accomplished woman, one of the smartest people/medics in the world, and a great leader

she's multi-layered. She is a woman, but her entire character isn't just Woman

finally finished the job on Jiraiya on previous poll

strong arms

she is strong and smart and quick as a whip but still soft and caring when it comes to her loved ones. Characters with rough exteriors who are mushy inside are very good

#kage vs kage #bestnrtcharapoll #naruto #polls #gaara #sabaku no gaara #senju tsunade #tsunade senju #id in alt text

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trans-cuchulainn · 18 days

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let's be more positive about books for a while! here are some queer historical romance novels that i've been rereading recently that i think do something interesting with making characters feel historical in their mindset and worldview, but are also fairly progressive, diverse queer books that are, frankly, a delight to read

this is by no means exhaustive and to be honest i could put almost anything by cat sebastian or kj charles on a list like this so this is purely the highlights of what i've reread in the past week to take my mind off work, and why i think they're interesting from this specific angle

cat sebastian, the ruin of a rake (turners #3)

this is technically the third in a trilogy but they're only very loosely connected, so you don't need to have read the others if you don't care about knowing who all the background characters are. the others are also good though

why it's interesting: features a character who has had to painstakingly study and learn the rules of polite society in order to claw his way up to respectability, and is now deploying those skills to help another man repair his reputation. shows the complexity of those rules, the social purposes they serve, and the work that goes into living by them, as well as the consequences of breaking them. also explores some of the financial side of aristocracy, and features a character with chronic illness (recurring malaria following repeated infections as a child in india) whose feelings about his illness are very relatable without feeling overly modern.

kj charles, society of gentlemen series.

this trilogy is closely related plot-wise and best read in order. all three explore cross-class romances and characters struggling to reconcile their political views and personal ethics with their desires, in the aftermath of the peterloo massacre, with a strong focus on the political role of the written word. first book is long-lost gentleman raised by seditionists / fashion-minded dandy teaching him to behave in society; second book is tory nobleman submissive / seditious pamphleteer dominant who've been fucking for a year without knowing the other's identity; third book is lord / valet and all the complicated dynamics of consent there with a generous side-helping of crime.

why they're interesting: close attention to the history of political printing and the impact of government censorship and repressive taxes on the freedom of the press; complex ideological disagreements that aren't handwaved as unimportant; examination of trust, consent, and social responsibility across class differences and in situations with problematic power dynamics; most of the characters are progressive for their time without feeling like they have modern attitudes. the second book, a seditious affair, deals most strongly with the revolutionary politics side of things, but all tackle it to some extent.

kj charles, band sinister.

look i'm probably biased because this might be my favourite KJC. it's a standalone about a pair of siblings: the sister wrote a gothic novel heavily inspired by their mysterious and scandalous neighbour whose older brother had an affair with their mum (causing scandal); the brother is a classics nerd. the sister breaks her leg on a ride through their neighbour's estate and can't be moved until she heals so they both have to stay at the house and find out if the neighbour is really as scandalous as he seems.

why it's interesting: discussion of atheism and new ideas about science and creation (very shocking to the brother, who is the viewpoint character); details of agriculture and estate management via main LI's attempt to grow sugar beet, as well as the economics of sugar (including references to slavery); "unexpurgated" latin and greek classics as queer reference points for a character who nevertheless hasn't quite figured out he's queer; material consequences of society scandal

bonus: wonderful sibling dynamic and a diverse cast including a portugese jewish character, which i don't think i've seen in a book before

i will add to this list as i continue to reread both of their backlists! (bc i have read them all enough times and in close enough succession that they blur together in my head unless i've read them very recently)

#néide has opinions about books #kj charles #cat sebastian #queer historical romance

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muffin-snakes-art · 5 months

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Hi. So I’m not a Layton guy and all THAT familiar with the lore, but a close friend of mine is, and as far as I understand Layton has a dead girlfriend? Can I please know who Magolor’s dead girlfriend equivalent in this AU is? I’m legitimately so curious. /pos

I have been thinking A LOT about which Kirby character would fit Claire's (dead gf) role. In the end I chose Taranza bc I feel he and Claire are the most similar in character. They're both really good at what they do (Claire: brilliant scientist - Taranza: immaculate mage), quick thinkers, humble, and have a lot of love to give.

I'll explain more under the cut (along with images of Claire and younger Layton for design ref), but Taranza could've also fit in as a couple other characters bc I made Sectonia as Descole. In this essay I will-

In Kirby there's an interesting connection between Magolor and Taranza. Primarily based on that one Magolor portrait in that haunted house in Triple Deluxe (like ok huh????) and also that one Star Allies Wave 3 illustration.

With that portrait existing, to me it implies that Magolor has met Taranza and Sectonia before the events of the game somehow. This theory is further backed up with the Old Friend mask in Merry Magoland. Magolor would HAVE to have known what Joronia looked like before her transformation, and that means he would also have met Taranza too at that time. I could be completely wrong about this HAHA but those are my thoughts on that.

When Wave 3 was announced, I didn't think much on the connection of the 3 characters other than they were from the first three core games of modern Kirby. But then they posted this art piece.

It's so cute how Magolor and Taranza combined their magic to create a shield for Kirby!! Both of their respective magic circle designs are melded together perfectly. Did they practice together on their own to perform this or was that a lucky in-the-moment occurrence? Either way, they must know and understand each other's magic abilities to a decent extent. Like how both Claire and Layton understands each other's careers and goals. Layton is a professor in archeology. Claire is a scientist researching time travel and other stuffs. Those fields go hand in hand, and the two do what they can to support and improve each other's passions.

Now onto the other characters that Taranza would've fit as and reasons why I ended up putting him as Claire.

So I put Sectonia as Descole. Descole has an extremely loyal partner/butler/henchman named Raymond. Yea Taranza would easily fit as him, but a few things made me decide not to. Descole may appear cold and not show it, but even in his madness he cares for Raymond. He does order Raymond around, but he still gives Raymond freewill to do as he pleases. Sectonia is very controlling over Taranza. If Raymond were to make mistakes, I don't see Descole punishing him for them. Sectonia would. She blasted Taranza away for mistaking Dedede as the hero of the lower world. Maybe when she was Joronia she wouldn't and wasn't as controlling but....I feel we don't have the full story on their relationship. I also focused more on Sectonia's overall in-game personality. I absolutely love seeing the two spiders enjoying each other's company and having fun, but in-game we never really got what Joronia really thought of Taranza. As Sectonia, she saw him as a disposable servant. You can say her personality was corrupted by the mirror, but I personally believe the mirror actually amplified her negative feelings and views. Negative emotions are brought up a lot in Kirby lore. I personally find that more interesting than just the mirror possessing her or something. I may be very wrong on that, but those are what I thought about.

Last reason, which is uhm, Raymond saves Descole from death FGDHSJ I don't think I need to elaborate on that. It would be so neat and ironic to have Taranza as Raymond, but I also wanna keep things in line as possible with Kirby lore canon.

Yet, who could be Raymond then? Idk fgdsj that's why I struggled so much. If Claire wasn't an option, Taranza would've been Raymond.

Now the one other character Taranza could've fit as is Descole's late wife. His wife was never mentioned by name, to my memory, and didn't have a huge role in the games. There's not enough information on who she was. I wanted to give Taranza a fitting role in personality and importance.

So in the end after all that thinking, Claire it is! I also don't know who else in the Kirby cast would fit her better and be Professor Magolor's late partner. One may think Susie would fit Claire more, but I've already decided she will be Emmy. Emmy's and Susie's personalities are very similar to me. And Emmy's lore? Fits quite well with Susie's. I'll draw that at some point.

So uh yea. Thanks for reading all that if you did! Hope you enjoyed the insanity

#feel free to disagree!#I thought about this for the past few days I am unwell #i spent a good few hours writing this #there are many other important things i could've put my time into but this is very important to me #one last thing...#I've also decided who'll be Don Paolo #mark HAHA #it sounds so dumb knowing the story but also fitting in character???#that may change but I can't stop thinking about Don Marx......#asks #anon ask #kirby #magolor #taranza #sectonia #PLxKirby #professor layton #hershel layton #claire foley #jean descole #nintendo #hal laboratory #fanart #clip studio paint #magoranza/taranzolor get yo food #i don't ship characters but this is a cute ship and I see the appeal #i feel there's more to say about Magolor's and Taranza's connection #and how it parallels Claire's and Layton's story #but I can't figure out how to word it and it's mostly hc based #am tired idk how to write

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god-mouths · 5 months

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Scott pilgrim is a modern retelling of Dante’s Inferno, and I want to talk about it

Hi . Brought this up very briefly a while ago but i rewatched spto with friends last night and got my gears turning. I don’t usually make posts like this but It’s been on my mind and I want to share. Here we goooo. Under read more becwuse I wish not to disturb my beloved friends with a long post

First off, let’s start with theeeee obvious.

Say hello to our Dante and Beatrice.

I don’t think I need to go into this first one much, but Scott and Dante are of course the heroes(term used lightly. Scott is not a good person and honestly neither was fuckinh Dante of all people) of their respective tales, going through hell and back to win over this ethereal, “too good to be true” heavenly dream girl. Scott even dies to get her in the end, like Dante venturing down into the depths of hell, dying and then ascending to get to Beatrice. If I wanted to really stretch it I could say the dreamscape is a sort of purgatory but I don’t think there’s enough evidence for that one.

Next,

Our Virgil. What’s up, Wallace.

In the comics Wallace acts as a sort of guide to Scott. We end up seeing him less as the comic progresses, which I find lines up with Virgil having to part ways with Dante before he enters heaven. Not much to say otherwise admittedly. Love you though buddy

Now for the symbolism of hell. Since there are nine circles of hell, it obviously can’t match up one to one with the exes unless we add some of scott’s relationships to the mix, which both doesn’t make sense, causes this analysis to get stupider than it already is, and leaves some characters left over that already don’t fit in to these parallels.

Luckily, however, there are The Seven Deadly Sins. Going to be going in sin order rather than ex order here

Firstly,

MATTHEW PATEL - PRIDE

- the first boyfriend and the first sin very conveniently line up, which threw me off track because I thought the exes would go in the order of the sins. Enyways

- in the movies, comics, and shows, he is insanely flashy with how he presents himself. It’s the entrance, the dances, the expressive clothing (“that guy’s dressed as a pirate” “pirates are in this year!”, modifying Gideon’s suit to fit his color palette, the outfit he wore while kicking gideon’s ass). The theatre kid in him essentially

- taking the lead in the musical Knives and Stephen presented him with— they knew how to cater to him, because he views himself as the coolest bitch on the planet. Which honestly he kind of is but don’t tell him this

- so headstrong in his pride that he fucks up. Repeatedly. First to get killed, too cocky, spends all of gideons money “I’ve lost billions!”

- believes he’s entitled to Ramona as soon as he wins the fight against Scott

GIDEON- GREED

- I don’t feel like I have to explain this one but I will because I enjoy him greatly

- CEO, billionaire. Money money money mr rich

- literally “owns” or tries to excersize ownership Ramona in the comics and movie as if she belongs to him— with the glow, or with the chip implanted into her neck with his logo on it.

- has all of his past girlfriends cryogenically frozen. All for him none for anyone else. They should only love meeeeee.

- wants everything for himself in excess. Women, fame, money. Almost considered pride for him also but greed is more fitting

KEN AND KYLE- ENVY AND LUST

- holy shit this image has five pixels so sorry about that I’m on my phone and Google images sucks

- anyways of course they’re sharing sins

- not much to say here as they don’t show up much, and it’s easy to make the argument of envy or lust for ANY of the seven exes. These two were the hardest to figure out. Not as sure on Envy, but can definetly advocate for lust— playing around with women, thinking they were playing around with Ramona.

TODD- GLUTTONY

- this one was the easiest one for me. Like come on

- breaks vegan edge in the comics, movie, (vegan police), and show (Wallace breakup event 2 dead 5 injured)

- his whole persona revolves around food. Of course gluttony doesn’t always mean food but here it most definetly equates. Even when he’s vegan he always makes it a talking point of how superior he is to others because of this fact, only for it to blow up in his face when his enjoyment of non vegan food catches up to him.

ROXY- WRATH

- a very angry girl to be sure. Takes her emotions out using violence, attacking Ramona the first time she sees her, even though she is going out of the order of the league and supposed to be attacking Scott (although I guess that point is moot because they all think he’s dead at that point)

- “I’m bi-furious” line from the movie deserves a shout out here I think

- (completely justified) Unending rage against Ramona in the show, and scott in the comics and movies. She is PISSED.

Lastly,

LUCAS LEE- SLOTH

- also one of the easiest ones. Could have made an argument for pride (tries to prove he can land a sick ollie so hard that he dies) or greed (movie star who lives in huge mansion), but sloth ultimately fit the bill the best.

- even before we get into his reoccurring theme of “whatever” in the show, it’s pretty evident in the comics and movie that he doesn’t care enough to extend effort. He tells Scott he’ll leave him alone and say his ass got kicked if Scott gave him a twenty dollar bill, sends his stunt doubles to fight Scott in his stead.

- onto the show, he lets his stardom slip out of his fingers with his attitude, not even caring to read or memorize the script anymore (“is that why half the lines in your last film were ‘Let’s Party’?” “I uhh, read the title.” Etc). Just spends all his time messing around and skateboarding. The title of his episode is literally “Whatever”. He doesn’t give enough of a shit to care. Which. Respect I guess

Extra; the exes ARE referred to as “the seven deadly chumps” in the show.

In conclusion;

#Scott pilgrim #ramona flowers #Wallace wells #matthew patel #gideon graves #todd ingram #roxy richter #lucas lee #kyle katayanagi #ken katayanagi #scott pilgrim takes off #scott pilgrim vs the world #writing #not ocs #this took me an hour to write tghis is why there’s so many tags.#anyways thank you bye bye

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coochiequeens · 1 year

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This is why we still need Women’s History Month.

By Martha Gill

What was life like for women in medieval times? “Awful” is the vague if definite answer that tends to spring to mind – but this is an assumption, and authors have been tackling it with new vigour.

The Once and Future Sex: Going Medieval on Women’s Roles in Society by Eleanor Janega, and The Wife of Bath: A Biography by Marion Turner both contend that women were not only bawdier but busier than we thought: they were brewers, blacksmiths, court poets, teachers, merchants, and master craftsmen, and they owned land too. A woman’s dowry, Janega writes, was often accompanied with firm instructions that property stay with her, regardless of what her husband wanted.

This feels like a new discovery. It isn’t, of course. Chaucer depicted many such cheerfully domineering women. The vellum letter-books of the City of London, in which the doings of the capital from 1275 to 1509 were scribbled, detail female barbers, apothecaries, armourers, shipwrights and tailors as a matter of course. While it is true that aristocratic women were considered drastically inferior to their male equivalents – traded as property and kept as ornaments – women of the lower orders lived, relatively, in a sort of rough and ready empowerment.

It was the Renaissance that vastly rolled back the rights of women. As economic power shifted, the emerging middle classes began aping their betters. They confined their women to the home, putting them at the financial mercy of men. Female religious power also dwindled. In the 13th century seeing visions and hearing voices might get a woman sainted; a hundred years later she’d more likely be burned at the stake.

“When it comes to the history of gender relations, storytellers portray women as more oppressed than they actually were”

Why does this feel like new information? Much of what we think we know about medieval times was invented by the Victorians, who had an artistic obsession with the period, and through poetry and endless retellings of the myth of King Arthur managed somehow to permanently infuse their own sexual politics into it. (Victorian women were in many respects more socially repressed than their 12th-century forebears.)

But modern storytellers are also guilty of sexist revisionism. We endlessly retread the lives of oppressed noblewomen, and ignore their secretly empowered lower-order sisters. Where poorer women are mentioned, glancingly, they are pitied as prostitutes or rape victims. Even writers who seem desperate for a “feminist take” on the period tend to ignore the angle staring them right in the face. In her 2022 cinematic romp, Catherine called Birdy, for example, Lena Dunham puts Sylvia Pankhurst-esque speeches into the mouth of her 13th-century protagonist, while portraying her impending marriage – at 14 – as normal for the period. (In fact the average 13th-century woman got married somewhere between the ages of 22 and 25.)

But we cling tight to these ideas. It is often those who push back against them who get accused of “historical revisionism”. This applies particularly to the fantasy genre, which aside from the odd preternaturally “feisty” female character, tends to portray the period as, well, a misogynistic fantasy. The Game of Thrones author George RR Martin once defended the TV series’ burlesque maltreatment of women on the grounds of realism. “I wanted my books to be strongly grounded in history and to show what medieval society was like.” Oddly enough, this didn’t apply to female body hair (or the dragons).

This is interesting. Most of our historical biases tend to run in the other direction: we assume the past was like the present. But when it comes to the history of gender relations, the opposite is true: storytellers insist on portraying women as more oppressed than they actually were.

“The history of gender relations might be more accurately painted as a tug of war between the sexes”

The casual reader of history is left with the dim impression that between the Palaeolithic era and the 19th century women suffered a sort of dark age of oppression. This is assumed to have ended some time around the invention of the lightbulb, when the idea of “gender equality” sprang into our heads and right-thinking societies set about “discovering” female competencies: women – astonishingly – could do

things men could do!

In fact the history of gender relations might be more accurately painted as a tug of war between the sexes, with women sometimes gaining and sometimes losing power – and the stronger sex opportunistically seizing control whenever it had the means.

In Minoan Crete, for example, women had similar rights and freedoms to men, taking equal part in hunting, competitions, and celebrations.

But that era ushered in one of the most patriarchal societies the planet has ever known – classical Greece, where women had no political rights and were considered “minors”.

Or take hunter-gatherer societies, the source of endless cod-evolutionary theories about female inferiority. The discovery of female skeletons with hunting paraphernalia has disproved the idea that men only hunted and women only gathered – and more recently anthropologists have challenged the idea that men had higher status too: women, studies contend, had equal sway over group decisions.

This general bias has had two unfortunate consequences. One is to impress upon us the idea that inequality is “natural”. The other is to give us a certain complacency about our own age: that feminist progress is an inevitable consequence of passing time. “She was ahead of her time,” we say, when a woman seems unusually empowered. Not necessarily.

Two years ago, remember, sprang up one of the most vicious patriarchies in history – women were removed from their schools and places of work and battoned into homes and hijabs. And last year in the US many women lost one of their fundamental rights: abortion. (Turns out it was pro-lifers, not feminists, who were ahead of their time there.)

Both these events were greeted with shock from liberal quarters: how could women’s rights be going backwards? But that only shows we should brush up on our history. Another look at medieval women is as good a place to start as any.

Martha Gill is a political journalist and former lobby correspondent

#Women’s History #books for women #The Once and Future Sex: Going Medieval on Women’s Roles in Society #Eleanor Janega #The Wife of Bath: A Biography #Marion Turner

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r-2-peepoo · 17 days

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Here is why I really doubt that the clone assassin is Cody:

So either CX-2 is Tech or they are throwing a hell of a lot of red herrings at us which wouldn’t really make sense unless the writers decided to completely switch styles right at the end, but the alternative theory people have is just not good imo.

It shouldn’t be Cody. I truly don’t believe it is and if it somehow was, then I think it would be a bad idea.

Cody is why Crosshair ultimately leaves the Empire. Jennifer Corbett actually said it herself. Cody is someone Crosshair admires and who has always treated the Bad Batch with respect and kindness even if no one else did, and it is him that makes Crosshair begin to change his mind. Mayday exposed the horror of what the Empire was really doing and Cody starts him on his journey of wanting to leave.

Cody was obviously just a throwaway character at the time ROTS came out but who he became in TCW is so important. Even if he doesn’t have the most screen time, it’s more about what he represents than anything else. His personality evolving into what it is when he is the Commander who serves with Obi Wan is very intentional because both characters serve similar purposes for their respective groups, those obviously being the clones and the Jedi. They both are imperfect people who are genuinely good at heart and it’s that goodness that is so important. They don’t know everything but they do their best to navigate the galaxy with empathy and respect for others. There are so many lovely parallels between the two of them and I think analysing Obi Wan actually allows you more insight into Cody too. They have differences of course, but there is so much that connects them and their influence on each other is undeniable.

Cody turning into this antagonistic figure would undercut Crosshair’s journey in my opinion. Cody needs to just be in the one episode to be a symbol of Crosshair’s development. Any further involvement from him devalues his contribution which was so crucial. One single episode created such a ripple effect. Obviously Cody wouldn’t choose to be like this, but even being forced against his will to become a monster still colours what he gave Crosshair and also feels like a very unfulfilling arc for him. There’s been no set-up and it contradicts everything he has ever been. Cody should stay as this pure moral character because that’s what he’s been from the very beginning. Order 66 was his moment of tragedy. There shouldn’t be anything else. It wouldn’t feel complete, narratively speaking, and I’d hate for him to be used just to develop someone else, like Rex. He just drops wisdom in random episodes of shows he’s in and then gets the hell out of there and I love him for that. The clone assassin shouldn’t be him and I truly don’t believe it is.

#star wars #obi wan kenobi #clone wars #the bad batch #sw #tbb #the bad batch s3 #tbb tech #cx 2 #clone assassin #codywan #commander cody

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good-soupmens · 8 months

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Ik the good omens fandom has different takes on God as a character, but I like the idea that she DOES have an ineffable plan, and Heaven is doing their absolute worst job carrying it out.

Most angels never talk to God, and they're usually selfish, they don't do the right thing (only what they're told), and it's even possible they're working under a corrupt power (like the Metatron). I like that theory because Metatron IS the barrier between God and the angels. He could easily lie to them and change plans, and we the audience know that "friendly old man metatron" swindling Aziraphale is not what he seems.

But from the beginning, we see inconsistency. Crowley falls from heaven after asking questions/hanging out with the wrong group while Aziraphale is allowed to lie about the flaming sword and change Heaven's plans. God can see how much he cares about humans and the earth by his actions (Crowley being the same), which makes me think that him getting away with it is intentional, not inconsistent or neglectful. ESPECIALLY if Aziraphale and Crowley run heaven and hell respectively in season 3. They have the power to change things, just like they stopped the world from ending the first time. I think Crowley and Aziraphale ARE the ineffable plan.

Their love could bridge the gap between opposing forces in a way that it couldn't if they were both angels. After all, both heaven and hell think they're doing the better thing while they're both not. Crowley and Aziraphale are the best of both sides.

If bringing them together was God's plan, it'd be a powerful story for queer Christians!! A lot of us have been hurt by the church, but we hold on to God's love, which doesn't fail us. We stay in a religion with a history of fighting queerness not because we're all brainwashed, but because we wholeheartedly believe in a God that loves us. Sometimes I see good omens' heaven as an analogy for toxic churches, and I'd love nothing more than for Aziraphale to realize heaven is working against God. Not to mention God using a gay couple to save the world/save heaven from corruption?? I'd kill for that storyline

Secondly, Aziraphale's devotion wouldn't have been for nothing. If God was awful the whole time, it defeats the times he and Crowley reached out, and the moment in the GOs1 finale where Crowley says, "what if you're going AGAINST God's ineffable plan?" to Gabriel and Beelzebub. (It'd almost defeat the purpose of her being the quirky narrator following their story, too.)

Even Crowley, never fooled by "heaven is all good" calls for God in his time of need ("God listening? Show me an ineffable plan.") (Possibly when he reaches to the sky in order to stop time) (Calling for God before Satan in the burning bookshop) (Looking up and muttering "God" after realizing Aziraphale is going to leave him in s2)

Lastly, after the trauma that both Crowley and Aziraphale went through, with Crowley falling and Aziraphale coming to terms with heaven's corruption (and both being mistreated by their side) it'd be nice to have been for a reason. They have every right to grieve and be angry for all that they went through, and the centuries that they weren't supposed to love each other, but I believe the series will end on a positive, sweet note, like the rainbow after a storm.

Like Job, they're losing almost everything (their relationship as it was, the bookshop, and the life they carved out), but they have each other. I think they'll lose everything to save EVERYONE, and in the end, the reward will top the pain. No holding back, no forces hunting them down, just them together after a PAINFULLY long time with everything they'd wanted.

We know that God doesn't get around to answering many questions, but her speech to Job was in part to say "trust me"

She laid the foundations of the earth. She made every living thing. Job couldn't see past the destruction of his life, but she has a plan. Job is a valuable human being, but he doesn't have the power and knowledge of God. God will share her plan when he can make a whale. Otherwise, he can trust that "Most things are fine in the end"

*Aziraphale voice* That's ineffable!

#ineffable husbands being the ineffable plan PLEASE #again. God being a good character in the end would mean a lot to queer christians like myself #and for the amount of times that ineffable is thrown around. it turns out ineffably #I'd like another reason to hate metatron also. I would love plot-wise for him to be the main villain #I also NEED Aziraphale to be right about some things. he was wrong for leaving Crowley but he should know what he's doing #his actions should be more important than “he's just brainwashed”#Crowley deserves reconciliation and a purpose for his pain #“it is not good for man to be alone” (God creating eve) parallel with putting aziracrow together #god good omens #good omens meta #metatron good omens #good omens season 3 #good omens theory #good omens #ineffable husbands #good omens season 2 #crowley #aziraphale #aziracrow #good omens spoilers #crowley good omens #ineffable plan #queer christian

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jester-lover · 1 year

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A Sunday Kind of Love

Twisted wonderland characters with a girlfriend who wears suits

feat- Trey, Jade, Floyd, Jamil, Rook, Lilia, and silver

cw- fluff, stupid gender roles being destroyed, very flustered boys, insecurity (not from the reader), talks of gender roles/identity, whoever reads this is so cool, reader is so hot and confident (did I mention she’s so hot)

Trey

Mmm domestic baker boy

He is so enamored with your confidence and classy attitude

For the first time in his life, he’s genuinely flustered by the sheer presence of another person

You two tend to both keep Riddle in check, him with his calming attitude, and you with your gentle sternness

The place where he comes from, women are expected to be more subservient, so he likes to think of you like the Queen of Hearts herself, a headstrong woman capable of taking control of her own destiny

Trey loves when you allow him to help you with your outfits, like buttoning up your jacket for you

He was probably a little intimidated by you at first, with your powerful aura and sleek aesthetic, you brought intimidation with you wherever you went

Another thing Trey loves is order and cleanliness, your clean and sublime aesthetic keeps him stable

Househusband material, no explanation needed

“Sweetheart, your lapel needs fixing, do you mind if I get that for you?”

Jade

The both of you have such staunch, serious aesthetics, with such caring, passionate personalities behind them

You value the way you dress and look in a way Jade admires greatly, he knows the value of dressing well to create an image for yourself

Jade understands the trust you can earn from people when they deem you to be elegant and professional

You two revel in the looks of both awe and confusion, hand in hand

No matter if you're wearing the most outlandish colorful suit, he’ll find an accent color to incorporate into his own outfit

It's a small way for him to show people that he’s taken

His air of confidence is often left on his coat hanger, knowing that the both of you have a shared sense of comfort with one another always makes him smile

Jade knows what it feels like to not entirely fit into a societal mold, he himself is a literal fish out of water, and he understands that he needs to support you as a young woman accidentally portaled to an all-boys school

You two find unity and connection in your differences

“Dear, would you like to share a cup of tea after my shift is over?”

Floyd

Floyd enjoys fashion and business-type silhouettes, even if he tends to loosen up his own

Seeing that you are a young woman, and Floyd is (begrudgingly) respectful of your personal space, he’ll always ask before squeezing you

That is until you start squeezing him first

He loves a woman who takes initiative!

Floyd absolutely adores all of your more fancy outfits, especially during galas

He finds those fancy events so boring, until you show up and blow everyone out of the water

Floyd finds it especially funny when irrelevant little guppies try to make fun of your traditionally masculine attire, and you just laugh at them

You two share a similar aloofness towards the opinions of others, and it just brings you closer together

After a while, he is sorta wrapped around your finger, grinning and going pink at every wink you send his way

“Shrimpy’s dressed all fancy, is it just for me?”

Jamil

Jamil tends to prefer more casual clothing for himself, but the allure of you in a full suit is powerful to him

You probably meet at one of Kalim’s parties, where your aura of grace and androgyny catches his attention

If he finds time to talk to you, he’ll be stuttering over himself constantly

Why would a strong, successful young woman like you want him? Why would you settle for second best, when you could have Kalim and by extension everything else?

You did want him though, you appreciated his tough work ethic, and his dreams to better himself beyond his condition

Jamil usually finds dressing or taking care of other people to be tedious, but when it's you, he can’t refuse

He loves helping you style yourself, especially if you let him do your nails to match

Small moments of time shared between the two of you, helping you tie your tie, or do your makeup, keep Jamil going

Another one who’s prime househusband material

“I-I’m not blushing, now would you let me paint your nails in peace?”

Rook

Rook is very curious about you when he sees you, sure, he knows about feminine men, but he has yet to converse with a masculine woman!

Oh but when he does, Rook finds himself startled

He has never met someone with such effortless charisma, such power and dominance in language alone!

Our poor little french boy has a crush almost immediately

He writes you poetry about your beauty, about the gorgeousness of your androgyny and loving spirit, slipping the notes into the shaky mailbox outside Ramshackle

Rook thought he would get away with it long enough to confess, but you were too smart, and figured out it was him, his red face during that conversation was delightful

With Rook as your partner, you often take long walks together, hands placed snugly in your suit pockets

His favorite accessory on you is a pair of cufflinks, which he gets you often as gifts

“Mon ange, you look absolutely brilliant, the two of us will be the talk of the town!”

Lilia

Lilia is often considered to be a feminine individual by strangers, he knows what it's like to break gender norms

You have a certain air of power around you he has never seen on a human, so he often jokingly questions if you are human after all

It's almost impossible to make Lilia blush, the closest you’ve ever gotten was during a dance, when you spun and dipped him

Lilia often goes clothes shopping with you

Especially if you enjoy a more vintage aesthetic of suits, who’d be better to ask then someone who was actually there?

He loves your confidence most of all, Lilia is very comfortable in his skin, so of course he’d want a partner just the same

You know you’re hot, he knows he’s hot, it's a match made in heaven

“Beastie, your tie is shifting, won’t you allow me to tuck it in for you?”

Silver

The moment you walk through the portal, Silver has his eyes on you

You love flustering him, he’s such a sheltered person after all

Pulling him in by his collar to kiss him, wrapping your arms around his shoulder in pictures, and so much more

Silver is enamored by the way you dress, it feels so mysterious and yet so open and kind

Besides teasing your poor little boyfriend, you also love being affectionate towards him, like slipping your blazer over his sleeping form whenever he falls asleep in inconvenient places

He saw you then, with your blazer off and your vest slightly unbuttoned, and he knew he saw beauty in its purest form

Silver may be shyer when it comes to romance, but you’re naturally dominant nature helps him push himself forward with you

Everytime he buys you a bouquet of flowers, he makes sure to tuck one into the pocket of your suit, so you can keep a bit of his love with you at all times

“I saw these black petunias, and they reminded me of you, I hope whenever you look at them you think of me too.”

#twisted wonderland #twisted wonderland x female reader #twst x reader #twisted wonderland x reader #trey clover #trey clover x reader #floyd leech x reader #floyd leech #jade leech x reader #jade leech #jamil viper #jamil viper x reader #rook hunt #rook hunt x reader #lilia vanrouge #lilia vanrouge x reader #silver x reader #twst silver

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