something I genuinely love about the magnus archives is how excellent it is at showing both the beauty and the horror in the separate fears.
I love it when a piece of media shows me something awful, something terrifying, something that could break a human mind, and can still make me go "fuck, that's beautiful, though."
it reflects humanity in a more accurate way, I think. like, our fears aren't that cut and dry because we're not that cut and dry. the corruption is, objectively, a terrifying concept.
thousands of bugs infesting your body? a crawling rot that seeps into your blood? horror at its best. but then it turns around and it shows you why people become its avatars.
it's a home. a home that can never leave you, a home that will always be there. it's a purpose, it's belonging, it's a reason more profound than most people could ever find on their own.
and then there are the less obviously terrifying fears. the more existential ones like the beholding or the lonely. the ones that can make you go 'hey, maybe that wouldn't be so bad.'
and then jonny sims like the legend he is just goes 'yeah they would be actually.' sure, the beautiful alluring side is shown. but so is the utter horror of isolation and total lack of privacy. the raw agony of it all, and why exactly those are fears.
idk, I just think it's kinda neat :)
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Kids in the Archive: Episode 3
hi everyone you know the deal - i uncovered a bunch of original scripts for kith sketches with the help of the wonderful bruce mcculloch and now i'm here to bring you all a behind-the-scenes comparison of script and screen!
Previous Episodes:
Episode 1 - armada finale ("do we make it?")
Episode 2 - fran & gordon: the vacation
today's episode is dedicated to @ofkithandmckinney as we cover the script of their favorite sketch, s2e1's "comfortable"
the thing that immediately sets "comfortable" apart from all the other scripts i own is the multicolored paper is it printed on, with some parts being on pink and others on blue. this is not accidental - each color denotes a specific revision date which is standard practice for tv production, though comfortable is the only script in my collection in this style. the date for pink revisions is may 22nd 1990, while blue revisions were june third of the same year. while taking photos of the scripts, my phone tries to color-balance the images automatically to make it look like black text on a white background, so i had to trick my phone into letting me show off the pink pages here today
The Casting
since the opening of this script is near-identical to what we seen onscreen, I decided to use this section to highlight an interesting (and at times confusing) element of this script, which is that dave and mark's roles are occasionally switched. at times dave is designated as scott's character's wife and mark as the other husband. on a related note, this also wasn't initially written as a nina sketch, with the character being referred to as "marion" in this draft. all in all, while thinking about this alternate version of "comfortable" is fun, i frankly cannot imagine anyone else playing these roles, as all of them bring the perfect type of energy. plus, this nina appearance relates it to my web of kith sketches that exist in the same universe
The "Improv"
this script also allows us to clear up a misconception i've seen in the youtube comments of various uploads of this sketch: people claiming "i want you in me" was improvised
i can see where this misconception came from - while adhering to the script very faithfully, at this point in the sketch things feel like they're starting to fly off the rails, and each of the actors are struggling not to break. plus, this is totally something scott would do. there's a chance this could have been improvised during a rehearsal or table read (it is on the blue pages after all) but in the version that was broadcast this line was expected. however, there is a possibly-improvised moment in the recording which wasn't in the script. after scott's character takes his pants off there's a moment where he starts singing hava nagila - in the script it just says "da da da da". why scott chose to commemorate this moment with hava nagila we may never know
The Ending
unlike our past few sketches, there's no big difference between the script's ending and the final moments of the sketch on tv. all the beats are accounted for, with most variations stemming from the goldmine that is getting nina in this situation
as soon as i saw this script in storage i knew i needed it in my collection (with bruce's permission of course), and with all these fascinating production elements it certainly delivered. beyond that, comfortable is one of my favorite sketches as well, because i vividly remember the first time i watched it in the summer of 2022
pre-2022 i'd seen some kids in the hall before, but they'd always been scattered sketches and individual episodes all from season one. when i got into season 2 i didn't know what to expect. would this increased attention and production value make the kids less willing to push the boundaries? would they end up like snl? looking back it's hilarious i could ever think that about this troupe, but i identify "comfortable" as the sketch that really set the tone for what i was in for with season 2. the living room setup and premise of an awkward gathering feel similar to any number of middle-of-the-road snl sketches, which lulled me into a false sense of mundanity, until scott keeps pushing the limits and eventually starts straight-up fucking kevin mcdonald on the table. of course this season wasn't going to be your standard fare sketch show, as pretty soon after followed sizzler and sizzler and the iconic "touch bellini" contest, but as i saw the world of these suburban couples' descend into chaos it was comforting that this punk rock sensibility wasn't over yet.
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“I’ve been in that thing’s head,” or: how does Marcy view the Core?
In the last episode of Amphibia the Core decides to ram the moon into Amphibia and kill everyone on the planet because it is such a sore loser.
Ramming the moon into Amphibia is sort of an extreme action to me, so I do wonder what would lead it to do that. How lucky is it that Marcy says it for me, then: "Fear. I've been in that thing's head. I know that more than anything, it's afraid of being destroyed. Of being irrelevant. It will do whatever it takes to defeat us and claim the stones as its own. If that means destroying an entire civilization, then so be it."
You don't know how much this line means to me. Marcy of all people saying that the Core is scared, just, wow. But why? Why her? She's been in its mind but how does she know? The Core would never admit this, the Core would never tell her that, so how does she know that it is scared? (And why does her voice go flat? Why does she look so tired when she says that?)
Well, there's this word that Marcy uses. "Irrelevant." "Irrelevant" is an interesting word considering it applies to both Marcy and the Core: "I am scared of being irrelevant."
And, I gotta say, getting your friend to steal a music box for her birthday present and riding on the pipe dream that it might send you to a place where you'll never have to grow apart is. Sort of an extreme action to me? You'd have to be really desperate to do that.
Marcy: "I'm sorry. I was so scared about moving away. The thought of losing you was just so big. I was afraid that if we weren't together, we wouldn't be friends anymore."
Do you understand? The Core has Marcy's actions and thoughts blasted up to eleven, pushed to extremes. "I am scared of being irrelevant. I am desperate. I will do whatever it takes to keep us together, even if it means sending us to another world."
Because if Anne defeats Andrias the pushover and Sasha defeats Darcy the control freak then does Marcy defeat the Core? Does Marcy understand? She's been in its mindscape, she's been in its fantasyland. She's rejected its fantasy adventure, she knows she's not it, but does she look at the Core and does she understand, viscerally, what she's looking at?
Marcy: "You know I bet I can fit in your pocket."
There's something to be said about Marcy going "boundaries, Marcy" and then immediately climbing into Andrias' pocket. Ignoring boundaries like that, like the Core does all the time.
(Edit: Okay I just rewatched "the Beginning of the End" and in the flashback in the beginning Marcy spoils the movie they are watching. And Sasha goes: "Whoa! Spoiler alert!" Then Marcy apologizes, and, notice this, opens her mouth to spoil the other twisty twist right after apologizing.
Again, "boundaries, Marcy," she thinks. The thought is fresh on her mind she literally said it out loud - and then she gets the bright idea to climb into Andrias' pocket. No hesitation, no delay.
The Core is a thousand times worse in its actions, make no mistake about that, but on a base level they are the same! And Marcy would recognize that!)
There's something to be said about Darcy going for the mind pain thing when Andrias is being pissy about his long-dead friend, forcing him to follow its orders.
Marcy: "But forcing them to follow my dreams is wrong. I learned that the hard way."
There's something to be said about Marcy using her own selfish wish as Anne's birthday present and Andrias going "Yes ... it's ... everything I've ever wanted," because Mars & Dars both have a tendency to not consider what other people want in favor of what they want.
There's something to be said about immortality and lasting forever.
Marcy: "What an amazing adventure. Makes you wish it could last forever, huh?"
Actually, let's go on a tangent. In s3e22 (episode 13a) Mother Olm says this: "These conquerors, with their arrogance and greed, created an unnatural thing that does not sleep and will not die."
Mother Olm really is hyping the Core up as the spookiest and scariest villain of all time, and for me as an individual I know that's not true. I don't view villains as scary, I don't tend to buy the hype.
Crucially, I don't think Marcy buys into the hype either. Does she hate it for what it has done to her? To everyone? Sure! Why not. But I don't think Marcy finds the Core scary, she doesn't buy into its hype, because 'scary' is a word used for things you don't know and she's literally been in its mind. (And also did slap away Aldrich's hand and reject the Core's sick fantasy that was so cool btw.)
Anyway, tangent over, back to "the Hardest Thing".
Something interesting happens right after Andrias betrays the Core, and the interesting thing in question is that the Core-as-Aldrich says this: "Fools! You cannot stop ... a god!"
Considering the Core canonically feels emotions, I'd imagine that it feels quite upset, because in the previous scene Andrias betrayed it and it failed the invasion so epically. (Rest in piss buddy.)
So if we take it saying the above in the context of the Core being upset, there is a certain interpretation I can and will make.
That is, do you think it wants to be a god?
Do you think it wants to be "an unnatural thing that does not sleep and will not die"?
Do you think it wants to be a machine computer? Do you think it wants to be anything but a bunch of losers in a trenchcoat that don't know everything, that aren't gods but pitiful mortals like the rest of us, that get scared and frustrated and make mistakes?
Because I am sure it would love to be an emotionless machine and god-emperor. I am sure it would love to be a thing, a machine computer that doesn't feel fear or uncertainty, only here to conquer and control and restore Amphibia to its former glory. I am sure it would love to be a god, far above mortal things, soaring the skies instead. But the Core isn't a god. The Core isn't even a computer. It is very, painfully mortal, and capable of being destroyed.
I am sure it would love Mother Olm hyping it up as a villain like that, cuz it makes it big and it makes it relevant. I am sure it would love to be an object, a great and terrifying thing instead of a person (people?), because why be made of flesh and blood when you could rather be a machine computer?
Now, this analysis is about what Marcy thinks of the Core, so let's bring it back to Marcy, shall we?
Marcy is an escapist.
Canon gives very little information about her home life which is honestly such a shame, but I can't imagine that it was the greatest, considering she did what she did.
Marcy: "I started this whole mess because I wanted to escape that reality. But I won't run away from it anymore!"
In Amphibia Marcy is the chief ranger of the Newtopian Knight Guard, because why be the clumsy klutzy Marcy of Earth, the place where your pain comes from, when you could rather be a super cool ranger/artificer?
Because if Anne defeats Andrias the pushover and Sasha defeats Darcy the control freak then does Marcy defeat the Core the escapist?
...
I guess the Core would be sort of unnerved by Marcy because she can cut through its hype and see it for what it is: A bunch of old amphibians long past their expiration dates, still trying to bring back the nonexistent greatness of a millennia ago. It's honestly sort of pathetic, that they can't freakin' let go. That's what you get for being the antithesis of change, I guess.
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