#lok worldbuilding

[the-hopefulpenguin]

The Problem of the Earth Kingdom

I’ve been doing some more thinking about Avatar geopolitics and I’ve settled upon a bit of an overarching theory - that the Earth Kingdom is the seat of every war in the last two centuries plus of the Avatar universe.

This is not to say that the Fire Nation, in particular, does not bear culpability for the Hundred Year War; they absolutely do; but rather that the geopolitical problem posed by the Earth Kingdom is one which policymakers have grappled with throughout the shows and books, to limited success. In brief, it is this: a strong Earth Kingdom is too powerful; a weak one is too unstable. As a result, policymakers in the Caldera, Republic City, the Water Tribes, and the White Lotus have struggled to find an effective balance - and repeatedly failed to do so.

To prove this, I would like to do give a history of major conflicts in Avatar and why they link back to this central problem of the Earth Kingdom.

THE PLATINUM KING Our first piece of evidence is the Platinum Affair and subsequent rule of Earth King Feishan in the late 5th and early 4th centuries BG. These inferences are drawn noting that we have relatively limited textual evidence from the period.

The inciting incident was a prolonged civil war in the Earth Kingdom, between the armies of the Earth King Feishan and a General Nong. The origins of the conflict are unclear, but we do know that it was protracted, with neither side seeking a decisive engagement. This had a negative impact on trade and potentially international stability.

As a consequence, the Water Tribes and Fire Nation began to fund General Nong in secret - the intention appearing to be to have him win and end the fighting, with a friendly regime in Ba Sing Se. In other words, foreign powers refused to tolerate instability in the Earth Kingdom, and so intervened.

Unfortunately for Agna Q’ela and the Caldera, Feishan ultimately won the civil war at the Battle of Llamapaca’s Crossing, which revealed the funding scheme and foreign culpability in it. The Earth King responded by embargoing on the Fire Nation and Earth Kingdom, with only four cities permitted to handle a limited throughput of foreign trade. Internationally mobile elites (the shang merchants) in these cities, seeking to break free of the Earth King, attempted to develop new forms of bending - risking international stability in the process. Feishan also considered invasions of the other powers due to cooled relations. This is an example of how a strong, centralised Earth Kingdom provoked resistance from its periphery and fear abroad.

THE FIFTH NATION Our next piece of evidence is centred on the late fourth and early third centuries BG - the rise and fall of the Fifth Nation, a major group of corsairs operating off the southern coast of the Earth Kingdom.

Our textual sources on their rise to prominence are somewhat patchy. We know that there was a long history of sea-banditry in the region, but by the time of Yangchen, they were powerful enough for the Avatar to personally sign a treaty with them to secure an agreement not to attack the coasts of the Earth Kingdom. It is probable that their willingness to sign a deal with Yangchen was as much to do with fear of a united Earth Kingdom under Feishan as it was terror of the Avatar. After all, Yangchen’s treaty makes no mention of at-sea piracy; only that which directly targets the Earth Kingdom.

However, the end of the Feishan dynasty - it is unclear if this is the death of Feishan himself, or an immediate successor - led to the Wars of Secrets and Daggers, a succession of assassinations and palace coups from at least 306-296 BG which killed at least seven royals. This chaos was exploited by the Yellow Neck Uprising and led to rising status among regional magnates such as Jianzhu - who ultimately crushed the Yellow Necks at the Battle of Zhulu Pass. In short, the late fourth century BG saw a complete collapse in central Earth Kingdom authority.

The Fifth Nation was quick to exploit this, defeating the Earth Kingdom fleet in open combat and establishing maritime hegemony in the Eastern Ocean. They failed to expand into the Mo Ce, largely due to the actions of the Fire Nation, who stepped up their patrols to counter the pirate threat. The Fifth Nation was ultimately destroyed by Avatar Kyoshi and an aggressive maritime counterinsurgency campaign waged by the Fire Nation. In other words, the failure of Earth Kingdom stability exported a severe maritime security challenge which required sustained Calderan intervention to resolve.

SOZIN’S FEAR, OZAI’S FOLLY I've presented my argument about the origins of the Hundred Year War previously, so I will not dwell on it - the above article is a richer explanation. In brief, however, from the crisis of the fourth century, the Earth Kingdom began to enjoy a slow revival in fortunes through the third and second centuries - largely due to the actions of Avatar Kyoshi. By the first century BG, it is plausible that Ba Sing Se’s authority was once more reaching into its maritime periphery along the Mo Ce coastline.

For a Fire Nation used to trading privileges and political influence in this part of the Earth Kingdom, this could be seen as an immediate infringement. Moreover, the example of Feishan suggests that a united Earth Kingdom could threaten the core interests - perhaps even sovereignty - of the Fire Nation. Sozin therefore invaded the Earth Kingdom not to exterminate it, but to secure Fire Nation interests in the periphery and limit the Earth Kingdom’s united power.

Unfortunately for the Fire Nation, the Earth Kingdom proved more cohesive than they had assessed, and the war ground on for decades until Ozai, a strategically inept Fire Lord, mobilised a big enough coalition against him to end in a defeat for the Fire Nation - one actively enabled by the Avatar.

SWORD OF THE CALDERA But for the Fire Nation, defeat in war led to victory in peace. Fire Lord Zuko swiftly renounced overt rule on the continent, but defended Fire Nation privileges all the same - deploying an army to the continent in 101 AG to face down a royal force under Earth King Kuei. This crisis was settled by Avatar Aang, and led to the creation of the United Republic, carved out of Earth Kingdom territory along the Mo Ce periphery.

But, as discussed elsewhere, the United Republic was only nominally independent. In practice, it was heavily tied into the cultural and economic world of the Fire Nation - to the point that the commander-in-chief of its military is a Fire Nation prince. It is unclear if Zuko personally intended this, but it is a defensible position to argue that the United Republic was created to weaken the Earth Kingdom.

And weaken it, it most likely did. By the late 2nd century AG, the Earth Kingdom is experiencing a serious domestic crisis, on the order of the crisis of the late fourth/early third century BG. Even the movement of tax revenues to Ba Sing Se is seriously in doubt due to bandit activity, while local magnates such as Suyin of Zaofu wield immense power. It is probable that the United Republic played a role in this - it deprived the Earth Kingdom of much of the lucrative Mo Ce trade, and served as a constant demonstration of Ba Sing Se’s weakness.

This was all well and good for the Fire Nation and other international actors, who had reason to fear a strong Earth Kingdom. But the situation spiralled out of control with the assassination of Queen Hou-Ting, and an enfeebled Earth Kingdom which did not pose a foreign threat collapsed into anarchy.

UNITY & DISASTER Clearly, something had to be done - instability in the Earth Kingdom threatened trading relations and fostered transnational threats such as the Red Lotus. The international community was unwilling to deploy their own troops into the Earth Kingdom to restore order, so; much like with General Nong centuries earlier; they selected a proxy to do it for them: Kuvira.

The global strategic intent seems clear. Prince Wu was a United Republic-friendly candidate for the throne. Kuvira, legally empowered and supported with money and weapons, would re-unite the Earth Kingdom. She would then step aside and let Wu take the throne, where he would reign over a stabilised but non-threatening Earth Kingdom.

Unfortunately for this plan, Kuvira refused to hand over power, instead forming the revanchist Earth Empire and setting her sights on conquering the United Republic. This was not megalomania but rather geopolitics; for the Earth Kingdom to be strong, the Fire Nation-backed intrusion on the Mo Ce periphery must be repulsed. There are certainly shades of Feishan’s embargo policy to be found in Kuvira’s approach. Kuvira was, however, subsequently defeated by the Avatar and the United Forces, ending the immediate territorial threat to the United Republic.

RUINS OF THE EMPIRE In light of this challenge, the policy approach changed - the Earth Kingdom would be abolished, and instead be broken up into a set of independent, democratic states. On the surface, this resolves the too strong/too unstable paradox which plagued foreign policy calculations for centuries. In practice, it is highly likely to lead to further violence.

There is little tradition of local democracy in the Earth Kingdom, but extensive examples of military magnates and warlords assuming control in the absence of centralised authority. The aftermath of Kuvira’s conquests, as we see in Ruins of the Empire, left substantial stockpiles of sophisticated weapons available. The division of a large, multi-ethnic empire into smaller states is a difficult process likely to lead to grievance and dissent. And all this is not to mention the threat of spirit vine weapon proliferation.

The future of the Earth Kingdom, far from looking like a democratic paradise, probably involves a chaotic mixture of shaky democracies and outright autocracies vying for position. If any one of the successor states can gain enough power, they may well attempt to follow Kuvira, and Chin, and Feishan, in consolidating imperial rule over the whole Earth Kingdom.

For foreign powers, then, far from solving anything with this new step, they have simply fired the starting pistol on the latest round of Earth Kingdom instability - which is likely, in the best case, to generate transborder threats requiring action; and in the worst case, lead to the consolidation of the Earth Kingdom behind a new, revanchist leader, and the outbreak of another major conventional war.

#atla #lok #atla meta #lok meta #atla worldbuilding #lok worldbuilding #zuko #kyoshi #yangchen

[allgremlinart]

oh southern water tribe... I would treat you so right... I would give you the worldbuilding you deserve...

#like ok so. thanks to the comics we KNOW that sokka + katara's village wasnt the only SWT settlement (which. GOOD. I would have a fucking #worldbuilding conniption if that was the case) #unanswered questions: is tundra the only biome ?? we see in lok that the NWT had taiga as well but.. #where do they get their blue dye? possibly fictional animal source ? how warm does it get? we HAVE to assume that the climate is warmer than #the irl South Pole... it wouldn't make sense otherwise... anyway #atla

[theduckeminence]

so while im creating these filipino-inspired tribal groups on the other side of the Avatar-world (which I’ll call Sun Islands or Solar Islands though the name is pending), I thought about adding a part of the island that is the the most modernized out of all the islands. This island would be inspired by 18th-century spanish-colonized Philippines, and the how this island (or rather small kingdom). But for a Native land to go so far as to turn into a modernized jurisdiction, while still retaining to their roots, it brought another question:

Or what if theres OTHER places not known to the Nations but close by to the Sun/Solar Islands that they interacted with and thus had a developing culture/environment?

And that such places are inspired by latine/hispanic cultures?

Now, while I’m unsure about the prospect of there being a place where it’s adjacent to Spain, I like the idea the Sun/Solar Islands and these other places that are a part of this “Hidden World” (a term I’ll be using to describe these hidden lands) interact with each other while remaining isolated and away from the 4 Main Nations.

And while the cross between Latine/Hispanic and precolonial Filipino cultures would be more or less different from when IRL Spanish-influenced Filipino era occurred, it would be interesting.

#atla #avatar the last airbender #avatar the legend of aang #tlok #lok #legend of korra #the legend of korra #rise of kyoshi #the rise of kyoshi #earth kingdom #fire nation #water tribe #air nomads #foggy swamp tribe #worldbuilding #solar islands

[rabbits-of-negative-euphoria]

legend of korra had myriad issues but it did one thing exceptionally well and that was animating a lot of gorgeous gorgeous women

#- HK #korra? hot. asami? hot. lin beifong? hot. #pema? hot. suyin? hot. KUVIRA?? #but the most beautiful girl of them all was obviously Iroh II #mobile #ATLA #x #i actually still rlly admire the worldbuilding of LoK it’s a shame #if there’s one thing about me it’s that I love a dieselpunk

[thetruearchmagos]

Starring on Legend Korra,fashionably late as usual.

#Rapidly running out of media to consooom #But LoK seems interesting #Hear a lot about its worldbuilding - hope it's as good as they say

[stardust948]

So is the ATLA world also called Earth or does it have a different name or any name at all?

#just thought about this #atla #lok #worldbuilding

[scattered-winter]

why are the best characters in media always cursed to be comic relief with no sincerety or depth

#yes this is about bolin from legend of korra #tbh i like the overall story of lok but there's a lot of smaller things that make me :/ #but bolin makes up for it #he's the reason why i watch it <333 #and mako when he isnt being a cop ass bitch #and asami <3333322 #and korra <333 #see i LOVE the characters so much but some of the worldbuilding stuff is just. not on the same level as atla #ill get into it later but rn im lazy <3 #winter speaks

[seltzerfordogs]

What is with all my favorite media having giant colossus battles at the end

#toh spoilers #not my fav trope tbh! #it can be done well if it fits in the story. I think botw is a good example of that #splat3 is an amazing boss battle but I’m still iffy on mr grizz just being a fuckin bear #though splatoon definitely gets away with goofy worldbuilding choices. that’s it’s appeal #but for some reason I kinda hated it in lok!! #and I’m not sure how I feel about it in toh. definitely need a rewatch asap!!!

[laloward]

i hate atla fans. stop arguing over shipping teenagers and start complaining about the show itself

#its not a BAD show but the only thing that matches up to the quality people praise it for #is the character arcs and relationships #the worldbuilding is meh the plot is generic the politics are terrible #and people dont wanna acknowledge the racism #not even taking into account the supplemental material or lok #the less i know about those the better

[korras-fingerguns]

They really said “Korra era movie” like what do you mean by era. is this about other people? is this the krew finally having their filler fun time episodes in the form of a feature length film? will it be story driven and move the world-building further? like what-

#i feel like with zuko movie there is only so much to do #kyoshi will probably be story and worldbuilding driven since we only have the novels #but the korra one???? #late to the party but ah well #avatar the last airbender #avatar #avatar studios #korra #tlok #lok #the legend of korra #avatar news making me lose my mind #but like thanks for the news

[the-hopefulpenguin]

Commentary on this exchange from The Isoru Airlift?

Excerpt from Princess Ursa’s Remarks to Republic City Press Corps:

“We stand shoulder-to-shoulder with the United Republic in opposing abuses of human dignity and defending the rights of citizens, wherever they may be. But we cannot send Fire Army troops into the Earth Kingdom. To do so would revive the memory of the Hundred Year War, fuel the grievances which empower warlords and genocidaires, and undermine any hope of a lasting peace.”

—

Republic City Gazette: Fire Nation Refuses Military Support to Isoru Evacuation, Citing Escalation Risk

Yue Bay Times: BETRAYAL! Fire Nation Princess Stabs Brother in Back

Star of Teyana: FINE, WE’LL DO IT OURSELVES: Sixteen retired officers make the case for the war, exclusive on page 3.

The Times of Caldera: United Republic, Fire Nation, “Shoulder-to-Shoulder” for International Peace, Says Princess Ursa

Equality Now: Arrogant Fire Nation Once Again Abandons United Republic

—

Iroh,

You won’t be surprised to hear I’ve been following the news closely. I think I can help.

A. Sato.

Isoru! The fic I really ought to get back to and a setting I am keen to talk about, so thank you for the ask! There’s a few different components in this, so apologies if the reply rambles a little.

First, ref: Ursa’s remarks, I think there’s some commentary on both the context of including it, and the content too. On context, I wrote this with a bit of an eye towards the sort of role a member of the Fire Nation royal family might have in a crisis situation. My sense was that while Ursa is not a professional diplomat, as a very visible symbolic representative of her country, she has particular utility in public diplomatic efforts (this leaves aside the liaison value-add of her brother being the UF military C-in-C, of course). Hence, it felt appropriate to have a major intervention in the narrative come via comments to press.

Regarding the context of her remarks, the language is quite modern/real world in some respects (“We therefore, here in Britain, stand shoulder to shoulder with our American friends” to quote Tony Blair), but the sentiment is linked into the LOK world-state. I think the Fire Nation, while far from abandoning the military instrument of national power, has huge sensitivities regarding deployment of ground troops into the Earth Kingdom. This is both a cultural piece, but also political; leaving aside the textual comments Ursa makes about their reception in the EK, there are likely domestic revanchists in the Fire Nation who would be emboldened.

Also – the reference to abuses of human dignity is a stealthy shout-out to the Conventions on the Protection of Innocents and Respect for the Dignity of the Human Person (also known as the Cranefish Conventions), from another one of my fics.

Second, the newspaper headlines; I love newspapers very much! The thinking here is to represent a spectrum of opinion – of course The Times of Caldera dodges the whole issue and notes only the joint resolve of the two nations, while the Gazette is an even-handed broadsheet. Equality Now is particularly interesting (I think, anyway) because it references a broader headcanon I have that the Equalist movement had strong nationalist shades, focusing its ire on foreign benders. And Star of Teyana being militaristic is a reference to some of my thinking on the United Forces’; Teyana is a major base for them.

Last, with Asami! So the Airlift was initially envisaged as part of a series of stories called ‘Sato’s War’ which was predicated on the assumption of Asami Sato becoming heavily enmeshed within the United Forces’ and Kuvira’s efforts to manage conflict in the Earth Kingdom* - with all the moral peril and interesting high-tech shenanigans involved. In general, I think she is the sort of woman who wants to solve problems, particularly technical ones, and whether one is an Irohsami shipper or not, she definitely has a working relationship with Iroh in any event.

*Chapter 3 of the story would feature Asami flying on a secret diplomatic mission to Kuvira to request her army supports United Forces troops cut off in Isoru; in my notes, I have a line from Iroh where he muses that Asami “has a face which could launch a thousand ships; no doubt her words could re-route an armoured brigade.” On a less self-indulgent note, I think there is some rich story-telling material in the connection between Kuvira and the United Forces during the timeskip which would be great to unpick.

Thank you again for the ask!

#lok #lok worldbuilding #asami sato #iroh ii #irohsami #asami solves problems!

[allgremlinart]

more character designs and concepts from the season one art book... the background characters are some of my favorites

Art by Joaquim Dos Santos, Il-Kwang Kim, and Jin-Sun Kim

#lok #tlok #the background characters >>>> #I love you worldbuilding I love you attention to detail... #artbook adventures

[comradekatara]

obv any new avatar show set in a post-korra cycle is gonna suck so bad bc it will be forced to adopt the precedents lok set and there are simply some worldbuilding elements you cannot walk back, but if they don’t use this opportunity to address the way advancements in physics and chemistry will allow the avatar to understand their own capabilities in heretofore unknown ways, and instead make the argument that “oh technology is so advanced now the avatar is basically obsolete” i am going to crush their stupid little company with hammers

#frankly I don’t buy that sokka was a politician and not a scientist so this not being addressed in lok bothers me too #but now they have NO excuse #and yes I know bending is spiritual and fantasy shows don’t need scientific accuracy #but science v spiritualism are presented as ongoing conflicts in the franchise! #I demand satisfaction

[prying-pandora666]

On the Disconnect Between ATLA and LOK: Or Why Reactionary Centrism Ruins Everything

I’ve made it no secret that I’m no fan of LOK’s writing for a number of reasons. But today I want to focus on only one issue: its politics.

I am baffled as to why LOK is seen as being the more “woke” story. Just because the protagonist is a buff brown woman with a female love interest (only implied until the comics, really)? This is such an incredibly shallow reading focusing only on aesthetics and ignores the actual content and philosophies LOK espouses.

But let’s not get into religion, iconography, the effects of colonialism and westernization etc, or we’ll be here forever.

Instead let’s just focus on the politics.

The Forge

Part of the disconnect between ATLA and LOK are the cultural conditions in the USA when both were made. The forge from whence they came was quite different.

Avatar: The Last Airbender

ATLA criticized imperialism.

If this show had been made during the height of Manifest Destiny, or during our super fun times illegally annexing territories (like Hawaii), it would’ve likely struggled to tell its story as well as it did. It would’ve been far more controversial and likely would’ve needed to take a more “centrist” approach, making it seem like imperialism isn’t “all that bad”.

It might have even come out and said that it isn’t imperialism itself that is the problem, but that Sozin to Ozai were big mean dictators that did it the wrong way!

But because ATLA came out in the 2000s—during a time in which the world had widely come around to thinking imperialism is kinda some super villain schtick—it was easy for the story to focus on the perspective of the victims of such campaigns and tell it from this point of view.

We don’t get long segments of feeling sorry for Ozai, now do we? The closest we get is Azula, who herself serves as a victim of this war that has consumed her childhood and deprived her of a safe, loving environment in which to grow and develop, instead having been groomed into a living weapon for her father and nation’s war machine.

So now let’s compare this to LOK.

The Legend of Korra

What does the first season of LOK cover? Collectivism, social activism, civil disobedience escalating to acts of violent defiance against the state.

What was going on in the USA in 2012 when LOK came out?

Occupy Wallstreet.

Socialism vs capitalism, the 99% versus the 1%, civil rights and equality; these are all issues we are still grappling with today. They’re highly politicized and divisive. There is no universal agreement about them.

And so LOK had no “safe” villain or “evil” ideology to combat. Instead it had a complicated and widely divisive topic to tackle that was contentious then and continues to be today.

As a result? Too much time is wasted equivocating.

Both Sides Are The Same! (But Not Really)

We get some soft worldbuilding early on in Book 1 of LOK showing how the infrastructure of this city is built to benefit benders and box out non-benders, but this is never given real focus. We SEE how the trains and police are dominated by earth/metal benders, we SEE how factory jobs employ lightning benders, while non-benders live in the slums which subject them to violence. But none of this is ever the focus or the point.

Almost as if the show is afraid to make a real critique from the perspective of the working class or an oppressed minority group.

Instead the story quickly falls off a cliffside as every tired old pejorative thrown at communists is recycled for Amon.

His sympathetic backstory is a complete fabrication meant to hide that he is actually part of the oppressor class.

They pretend to be the powerless oppressed group, and yet have the funding of the richest industrialist in the city?

The rich industrialist is a member of this supposedly oppressed class but really he’s just a secret villain looking to change the world for his own personal reasons and not to protect his fellow nonbenders (these same accusations are thrown at Jewish people re: Marxism).

There are no sincere attempts to communicate their grievances sympathetically or build a coalition or garner public support. Instead The Equalists only use violence, fear, and other oppressive silencing tactics.

The desire to make everyone equal by “stealing” people’s individuality. (The old “make everyone equal heights by cutting tall people’s legs down” chestnut).

And more!

This is kinda bonkers propaganda if you’re looking at it from a left-wing perspective, right?

And it seems weirdly incoherent if you’re trying to look at it from a right-wing perspective, especially with Tarrlok standing in as the villain “on the other side”.

But it makes PERFECT sense as an enlightened centrist horseshoe-theory piece that can’t commit to either side and has to warp and undermine its own story to fit a “both sides are wrong” message. Heck, it’s so heavy handed it even made Amon and Tarrlok brothers!

This is the problem that plagues all of LOK.

Look at the other villains too!

Amon: Civil Rights Activist or Bad Faith Opportunist?

Amon

Pretends to be: A civil rights activist for an oppressed minority group.

Is actually: A bad faith actor whipping up a small or non-issue into a much bigger one and convincing people to turn on each other for his own personal gain/revenge. Once defeated, the problem disappears.

Electing a non-bender somehow makes everyone happy and the problem is never addressed again. Just like electing Obama ended racism! Oh wait…

Unalaq: Spiritual Environmentalist or Environmental Satanist?

Unalaq

Pretends to be: A spiritualist concerned about the environment and the spirits. Basically Al Gore meets Tenzin Gyatso but willing to start a civil war over it.

Is actually: An occultist weirdo who wants to fuse with LITERALLY SATAN and usher in 10,000 years of darkness or something, and willing to start a war over it.

In an attempt to make a spiritual foil for Korra, who struggled with the spiritual parts of being the Avatar, the story took a weird turn and made a choice widely regarded as “fanfiction on crack” by having Unalaq aspire to become “The Dark Avatar”.

But it’s okay, you see, because while Unalaq’s criticisms of waning spirituality and lack of protection of holy sites could be seen as a knock against environmentalism, by the end Korra recognizes that Unalaq had a point and that the spirit portals should be left open.

So why exactly did Unalaq want to be the Dark Avatar and usher in an era of darkness? How was that supposed to resolve the problem he presented and Korra ended up agreeing with?

It doesn’t, and once again we are left with a contradictory centrist message of “protecting the environment is good but you should be suspicious of anyone that actually advocates for it”.

Also thanks for demystifying the origin of the Avatar and ruining the original lore for where bending came from with your Prometheus/Christian allegory. Ugh.

Zaheer: Spiritual Guru Fighting Against Modernity or A Charismatic Dummy Who Learned Everything About Anarchy From a Prager U Coloring Book

Zaheer

Pretends to be: An anarchist seeking to bring down oppressive regimes, therefor resetting the world to a more egalitarian time

Is actually: An idiot who doesn’t even know the difference between an ancom and an ancap and has no coherent ideology. He just wants chaos, I guess, which isn’t whah anarchy or anything is about.

Perhaps realizing they messed up so badly with Unalaq that even the creators were unhappy with the results, they attempted the spiritual foil idea again with Zaheer.

This time they actually had a writing staff which makes this season the agreed upon best of LOK.

But the tip-toeing around making any actual criticisms and falling back on the “both sides are bad” cop-out are only exacerbated by how uninformed and nonsensical Zaheer’s actions are. Not unlike Amon, he takes none of the steps an actual activist would take. He never even speaks to the people of Ba Sing Se to find out what they need or want. He just kills their leader, announces it, refuses to elaborate, then bounces and lets the city tear itself apart in the power vacuum.

It’s an entertaining spectacle! Just like his later torture of Korra is visceral. But none of it has any real substance to support it and so the horrific acts he commits feel like senseless edgelord tantrums.

Even Bolin knows it. Once Zaheer is defeated, Bolin shoves a sock in his mouth, therefor cementing Bolin as my favorite of the Krew for all time.

Kuvira: Literal Nazi or Literal Nazi but she didn’t mean it!

Kuvira

Pretends to be: A fascist, putting people in labor camps and uses the equivalent of an atom bomb to crush her enemies under heel in the name of unifying the continent under her control.

Is actually: All of those things but she had good intentions! She just went too far! Give her a slap on the wrists because her and Korra aren’t so different, you see!

Perhaps the most bizarre writing choice was to make the fascist the only truly sympathetic villain of this series. The reasons become quite clear, however, when we recognize one thing.

Yes, she’s styled after the Nazis.

Yes, her actions in modern day are more reminiscent of Russia.

But who is the only nation to have ever used a weapon of mass destruction on the level of the atom bomb? The USA.

And here is where the unwillingness to make a bold criticism or take a hard controversial stance is the most apparent.

Kuvira acts like a fascist and has a lot of Nazi-vibes, but she is also a grim reminder of the USA’s own imperial history. Of our flippant use of a horrifying technology that still continues to have consequences for the descendants of the victims even today. It is one of the worst violations of human rights and decency in history. And the USA is the only nation to have ever actually used one.

So if you ever feel it’s weird that Kuvira was arguably the worst of the villains but got off with only house arrest and a happy ending with hugs from her family? You’re not alone. Kuvira has to be “not that bad” or else you’re critiquing the USA itself. And that is a level of controversy this franchise doesn’t seem interested in dipping it’s toes into.

It’s the reason they equivocate and justify by having the Earth Prince step down and choose democracy. This isn’t an East Asian ideal. This wouldn’t have been a popular or virtuous choice in that time period. Many would’ve regarded it as tyranny of the majority, or a disorganized chaos without a consistent central authority.

It’s only seen as the perfect solution in the Democratic West. So you see, it’s not so bad, because at least we have democracy! We aren’t as bad as Kuvira who really isn’t all that bad either! Or so the narrative tries to apologize for itself.

And this is even more apparent with everyone’s problematic fav!

Varrick: How Elon Musk Wants Us To View Him vs What Elon Musk Wishes He Was

Varrick!

Is presented as: A quirky, funny, Tony Stark-esque genius who made a mistake and deserves a redemption!

Is actually: A war-profiteer willing to escalate tensions and shed the blood of his own people with no remorse to make money. Also he builds the equivalent of the atom bomb for Kuvira and her allegorical Nazis. But he gets a happy ending with a weirdly westernized wedding anyway!

Isn’t it telling that the villain who is written to be the most loveable and sympathetic is, in fact, the capitalist industrialist?

And not like that yucky evil industrialist Hiroshi Sato funding the Equalists and their civil rights movement.

No, no! Varrick is the good kind of industrialist! The kind that is non-political and mostly cares about money and inventions! After all, he only built a weapon of mass destruction for the Nazis, not the civil rights protestors!

Which brings us to…

Our Civilized Poverty vs their Savage Poverty!

And hey, that’s fair because look at the differences between Republic City and Ba Sing Se!

Sure, both had destitute populations starving and without proper shelter due to the disconnected elite leaders who didn’t care about their plight.

But the homeless people of Republic City are presented as jolly and helpful and never state a single grievance even as they live in a tent city underground! Everyone knows that democratic poverty is better! Therefor Sato was totally unjustified in funding an equality movement!

The poor people of BSS, on the other hand, are victims of that mean old non-democratic Earth Queen and later of the power vacuum left by her assassination, therefor their plight is ACTUALLY horrific. Kuvira may have been bad but she and Varrick are justified because of the unAmerican conditions!

Looking at it this way, so many of LOK’s problems fall into place. It perhaps serves as lesson in not tackling complex problems with the intention of a clean solution unless you’re willing to take a controversial stance and stick to your convictions.

I don’t think the creators intended to make a libertarian criticism of every social movement and apologia for capitalism and fascism. It’s just a sad reflection of what is and isn’t controversial in our current society. Divorced from actual morality or perspective.

What a waste.

This Post Brought To You By: Viewers Like You! (or: Check out this thing I made)

All that said, if you want a well-written and more adult take on the ATLA universe, check out the Kyoshi and Yangchen novels! F. C. Yee doesn’t pull any punches and perfectly balanced the darker, more visceral elements an adult story can have, with expert worldbuilding and humanized characters that feel believable even when they’re in fantastical situations.

Or if you want more ATLA instead, kindly check out @book4air: A project creating a pseudo Book 4 using both the official comics and original materials, fully dubbed, orchestrated, and partially animated by industry pros who happen to be fans!

Some comics are getting rewrites too, so whether you love the comics and want a fresh take, or hate the comics and want a change, we are doing our best to make this accessible for everyone including people with disabilities who may not be able to enjoy the originals.

Check out our first episode here!

If you can afford to, consider supporting us on Patreon! Every episode is expensive to produce and we are a bunch of broke artists. Some which don’t even have consistent or reliable housing. Any little bit helps.

If you can’t, no worries! You can still help by spreading the word so our videos can overcome the YouTube algorithm.

With all my love for this franchise and its fandom, I hope you all continue to enjoy your favs regardless of my criticisms.

#avatar the last airbender #atla #avatar #Legend of korra #lok #book 4 air restoration project

[wishingforatypewriter]

Hey, y'all! So, I just made a discord server to discuss Republic City lore and general atla/lok worldbuilding stuff. It's very empty right now, but if you'd like a place to discuss headcanons and theories, please let me know and I'll send you an invite link!

#legend of korra #lok #tlok

[grendelsmilf]

Have you heard that is going to be a new avatar series, post-korra? Not sure how i feel about that, I guess it depends who’s involved, because the books have been good, but if they try to make it even more modern than korra it’s probably going to backfire

ugh, yes. really not looking forward to this. or the “adult gaang” movie. or the netflix live action. i like the novels because they do a good job of fleshing out the worldbuilding through past avatars (seeing, for example, a fire nation pre-sozin, air nomads pre-genocide, the geoeconomic conditions that led to the north/south pole divide, the way internal earth kingdom politics affected all nations, the ripple effects how the spirits were affected by human choices, etc.) but it’s clear that they have no idea how to handle the politics of their world in a post-atla-finale landscape.

the comics are godawful, and of course lok is a political dumpster fire. i really see no way for them to make a show about an avatar post-korra because it would simply highlight and exacerbate the problems they established with lok, namely the facts that they don’t know how to “modernize” the world they created without westernizing it, all the radical anti-imperialist politics of atla being replaced with pro-colonial centrist copaganda, the bizarre developments with the spirit world, and the fact that atla specifically works as a standalone story in the first place so trying to expand on it in any way shape or form beyond the timeline of the show’s finale simply doesn’t work!

i wouldn’t mind if they made more content about past avatars (because again, i like the novels!) but it’s clear they have no idea how to handle their postwar future. i don’t want to see the gaang as adults! considering we know how they turned out in lok (zuko maintaining a colonial presence in the earth kingdom, toph becoming a cop, aang and katara nuclear family, etc etc) that sounds depressing as fuck! i don’t want to see an avatar after korra in some bizarre attempt at a “modern” world.

even if the writers on these projects do truly understand the ethos of the show, these characters, the themes that made atla work in the first place, they’ve written themselves into a corner with what they already established in lok. it shows with faith erin hicks’s attempt to salvage the comics. she is good at writing these characters and this world, and yet she still has to abide by the worldbuilding established by the godawful gene yang comics on one end of the timeline and the lok world on the other, so she’s severely limited by what she can write about in a way that doesn’t contradict “canon” (in quotes because i refuse to abide by it lol).

if avatar studios really wanted to expand their franchise without taking a big fat shit on atla’s legacy, they would make media expanding on tangential lore that people care about, like a kyoshi warriors spinoff series, or a kanna bildungsroman (just as examples). it’s clear they don’t know what they’re doing, so i have absolutely no faith in them. that said, hire me bryke you need me

#ask #anon #100 #o.tv #>:( #i will PAY THEM to STOP