#los angeles chamber orchestra

[leiselaute]

from "Therapy". Released 2023 march 03

#Bandcamp #music #audio #Brendan Eder #ambient music #orchestra #classical music #chamber music #neo classical #ambient classical #crossover classical #los angeles #LA #usa #2023 #aphex twin #rhubarb #electronic music #ambient #music recs #song recs #Therapy #cover

[random-brushstrokes]

Philip de László - Miss Lisa Minghetti (1933)

Lisa was born Elise Pauline Pollak in Vienna on 17 October 1911, the daughter of Siegfried Pollak, an engineer and bridge builder, and his wife Adele, née Frankenstein. When Lisa was seven her father died of tuberculosis aged 51. She made her first appearance at the age of twelve at an orchestral concert of the Vienna Symphony Orchestra. She studied the violin at the Vienna Conservatory, going later to Berlin to complete her training with Carl Flesch, after which she moved to London, probably in 1933, in October of which year the present portrait was made. According to her son, in order to leave Germany she had been helped by an Italian diplomat who had befriended her in Berlin. Lisa recalled attending a reception with him at which Hitler was present: as they had passed into the reception area she had seen two members of the Gestapo commenting on the women and overheard one say to the other he could “smell a Jew a mile away.” After she had been presented to Hitler, who kissed her hand, the same man said that Lisa, who was indeed Jewish, was the most beautiful woman present. She never returned to her native Austria and changed her name officially to Lisa Minghetti in 1935, although earlier references to the present portrait indicate that she was using that name before. When the Germans arrived in Austria, her mother and elder sister emigrated to Buenos Aires but Lisa never saw her mother again. In England she frequently played at major orchestral concerts in London and the provinces. While there she met and married Anton Maaskoff, himself a violin prodigy and 18 years her senior. Before the outbreak of war they moved to Los Angeles where her only child Maurice was born in 1940. There she performed with the Alan Hancock Ensemble at the University of Southern California, in motion picture studio orchestras, and frequently gave chamber music recitals at home and for benefit concerts. She was considered to be in the first rank of modern women violinists, combining sound musicianship with brilliance of execution. Early on she worked and developed a close relationship with Paul Robeson. Having experienced American racial prejudice with him, later she herself became involved in the civil rights movement. After Anton Maaskoff died in 1951 she married Alfred Lustgarten, a Julliard trained violinist, who adopted her son. His brother was a renowned cellist and both played under Toscanini for a number of years. Lisa Minghetti died in Los Angeles of skin cancer on 7 October 1961, shortly before her fiftieth birthday. (source)

#philip de laszlo #hungarian art #portrait #Lisa Minghetti #1930s

[jarenka]

Today I am here with another contemporary Mexican composer, Arturo Márquez. Maybe you already know his Danzón No 2, it's a quite popular piece of contemporary classical music. There is this famous version from 2007 performed by Simón Bolívar Symphony Orchestra with Gustavo Dudamel as a conductor, but let's listen another interpretation:

Arturo Márquez - Danzón No 2 performed by Orquestra Juvenil da Bahia (also the rare sight of modern orchestra playing without a conductor).

If you ever wondered how much Danzones Márquez has... He has 9 of them, last one he wrote in 2017.

Couple of his other works (including other Danzones) are under the cut as usual:

Arturo Márquez - Danzón No 1 performed by Los Angeles Philharmonic

Arturo Márquez - Danzón No 6 performed by Pan American Symphony Orchestra

I recommend you to check their channel if you are interested in Latin American classical music by the way.

Arturo Márquez - Danzón No 9 performed by Children's Symphony Orchestra of Mexico

Arturo Márquez - Concierto de Otoño para trompeta performed by National Symphony Orchestra of Mexico

Arturo Márquez - De Juárez a Maximiliano performed by Banda Sinfonica Universidad de Guadalajara and Banda Sinfónica Facultad de Música de la UNAM

Arturo Márquez - Marchas de Duelo e Ira performed by Unió Musical de Torrent

This piece is written in remembrance of Tlatelolco massacre in October of 1968 when Mexico Armed Forces  opened fire on unarmed protestors.

Arturo Márquez - Alas (a Malala) performed by The Miami University Symphony Orchestra, The Miami University Chamber Singers, and The Miami University Collegiate Chorale

This piece is dedicated to Malala Yousafzai.

Arturo Márquez - Cantata Sueños performed by Alison Acord and Michael Preacely, soloists, Esther Claros Berlioz, narrator, The Miami University Symphony Orchestra, The Miami University Chamber Singers, and The Miami University Collegiate Chorale

This piece and quite long but interesting. It's called Dream and dedicated to different people who fought for social justice and human rights. You can read more about it here.

And let's finish with the liveliest (imo) piece by Márquez:

Arturo Márquez - Conga del Fuego Nuevo performed by National Symphony Orchestra of Mexico (conducted by author himself)

#music

[importantwomensbirthdays]

Iona Brown

Violinist and conductor Iona Brown was born in 1941 in Salisbury, England. Brown was a member of the Philharmonia Orchestra from 1963 until 1966. From 1974 until 1980, she was music director of the Academy of St. Martin in the Fields, and from 1987 until 1992, she led the Los Angeles Chamber Orchestra. In 1986, she was appointed an OBE for services to music.

Iona Brown died in 2004 at the age of 63.

#music #violin #musicians #woman musicians #violinists #england #salisbury #english #uk #Youtube

[lesser-known-composers]

Virgil Thomson : Autumn, Concertino for harp, string orchestra and percussion (1964)

I. Salute to the Wind II. Dialogue III. Love Scene IV. Promenade

Performed by Ann Mason Stockton (harp) and the Los Angeles Chamber Orchestra conducted by Sir Neville Marriner.

#Virgil Thomson

[pastdaily]

[n4682]

loved your raut recs especially the violin concerto tysm :)))

general romantic / impressionist / modernist recs?

hey so sorry for responding late but i saw this and just kinda went a bit feral, so im sorry.

Alberto Ginastera

Piano Sonata No. 1 (Terence Judd [pfte.])

Piano Sonata No. 2 (Fernando Viani [pfte.])

Piano Concerto No. 1 (Sergio Tiempo [pfte.], Gustavo Dudamel [cond.] w/ Los Angeles Philharmonic)

Guitar Sonata (Aniello Desiderio [gtr.])

Harp Concerto (Nancy Allen [hrp.], Enrique Bátiz [cond.] w/ Orquesta Filarmónica de la Ciudad de México)

Alfred Schnittke

Concerto Grosso No. 1 (Gidon Kremer [vln.], Tatiana Grindenko [vln.], Heinrich Schiff [cond.] w/ Chamber Orchestra of Europe)

Concerto Grosso No. 2 (Oleg Kagan [vln.], Natalia Gutman [vcl.], Gennady Rozhdestvensky [cond.] w/ USSR Ministry of Culture Symphony Orchestra)

Cello Concerto No. 1 (Natalia Gutman [vcl.], Gennady Rozhdestvensky [cond.] w/ USSR Ministry of Culture Symphony Orchestra)

String Quartet No. 3 (Kronos Quartet)

Dmitri Shostakovich

Symphony No. 1 (there was a great recording but when i went to check the recording on yt it wasnt there and it sucks cause it was great)

Symphony No. 5 (Evgeny Mravinsky [cond.] w/ Leningrad Philharmonic Orchestra)

Symphony No. 7 (Yevgeny Svetlanov [cond.] w/ USSR State Symphony Orchestra)

Symphony No. 9 (Rudolf Barshai [cond.] w/ WDR Symphony Orchestra Cologne)

Symphony No. 15 (this one too dissapeared)

String Quartet No. 9 (Fitzwilliam Quartet)

Violin Concerto No. 1 (David Oistrakh [vln.], Dmitri Mitropoulos [cond.] w/New York Philharmonic)

Maurice Ravel

Violin Sonata No. 2 (Viktoria Mullova [vln.], Bruno Canino [pfte.])

Sonata for Violin and Cello (Jean-Jacques Kantorow [vln.], Philippe Muller [vcl.]

Introduction and Allegro, for Harp, Flute, Clarinet, and String Quartet (Skaila Kanga [hrp.], Academy of St. Martin in the fields)

Alborada del Gracioso (Fritz Reiner [cond.] w/Chicago Symphony Orchestra)

Piano Concerto for the Left Hand (Samson François [pfte.], André Cluytens [cond.] w/Orchestre de la Société des Concerts du Conservatoire)

Piano Concerto in G (Arturo Benedetti Michelangeli [pfte.], Ettore Gracis [cond.] w/Philharmonia Orchestra)

La Valse (solo piano version) (Seong Jin-Cho [pfte.])

Valses Nobles et Sentimentales (Louis Lortie [pfte.])

Franz Liszt

honestly too many to list here (hehe, liszt here) but heres just some of the ones (marked with Searle numbers)

S.126i, S.139, S.145, S.173, S.174i, S.177, S.178, S.206, S.216, S.217, S.242 (especially no. 20), S.244/12 + 15 + 19, S.252, S253, S.254, S.388, S.390i, S.392, S.393, S.394, S.400, S.409a, S.412iii, S.413, S.418, S.420 (hehe funny number), S.464 (yes i prefer the arrangements, fight me), S.513a, S.558/4 + 12, S.695c, S.697i (not the Busoni version), S.700

Other Composers

Bela Bartók - Piano Concerto No. 2 (György Cziffra [pfte.], Marco Rossi [cond.] w/Budapest Symphony Orchestra)

Olivier Messaien - Le Banquet Céléste (Gillian Weir [org.])

Samuel Barber - Piano Concerto (John Browning [pfte.], George Szell [cond.] w/Cleveland Orchestra]

Kaikhosru Sorabji - Sequentia Cyclica on Dies Irae (Johnathan Powell [pfte.])

Ferrucio Busoni - Piano Concerto (Marc-André Hamelin [pfte.], YL Male Voice Choir [chor.], Osmo Vänskä [cond.] w/Lahti Symphony Orchestra)

Sergei Rachmaninoff - Sonata No. 2 (Nikolai Lugansky [pfte.])

Marc-André Hamelin - 12 Études in All the Minor Keys (Marc-André Hamelin [pfte.])

Eugène Ysaÿe - Sonata No. 5 for Solo Violin (Hilary Hahn [vln.])

Oren Boneh - Sprout (Lung-Yi Huang [gzhn.] w/ C-Camerata Taipei)

Karol Szymanowski - Violin Concerto No. 1 (Lydia Mordkovitch [vln.], Vassily Sinaisky [cond.] w/ BBC Philharmonic Orchestra)

aaaand i think im going to end the list there because this took WAY too long

#ask #ascendantdreamweaver #music recs #sorry

[ryotarox]

(Steve Reich - Runner: I. Sixteenths (Official Audio) - YouTubeから)

（DeepL訳）この音楽は、まさに一音一音が重要であり、止められない連鎖が目の前で展開されるようなスリリングな感覚を生み出す。ミニマリストのアメリカ人作曲家スティーヴ・ライヒは、「アンサンブルとオーケストラのための音楽」を「ランナーII」と呼んでいるが、それも不思議ではない。両曲とも、2台のピアノが魅惑的なオスティナートを奏で、非常にアーティキュレートな音世界を展開する。しかし、スザンナ・マルッキのダイナミックな指揮によるロサンジェルス・フィルハーモニックの魅力的な演奏では、室内楽的で巧みな「ランナー」と、オーケストラの響きと深みのある「合奏と管弦楽のための音楽」との違いをまざまざと見せつけられる。 This is music in which truly every note counts, creating a thrilling sense of an unstoppable chain of events unfolding in front of your ears. Minimalist American composer Steve Reich has referred to Music for Ensemble and Orchestra as “Runner II”, and little wonder: both works are cast in five movements, they share the same palindromic ABCBA structure and they derive their rhythmic profiles from an ingenious cycle of semiquavers, quavers and crotchets. Both exhilarate in highly articulate soundworlds activated by two pianos, which set in motion the music’s mesmerising ostinatos. And yet, in these hugely engaging performances from the Los Angeles Philharmonic under the bracingly dynamic direction of Susanna Mälkki, one is made unmistakably aware of the differences between the deft, chamber-scale Runner and the Music for Ensemble and Orchestra’s orchestral resonance and depth.

- - - - - - - - - - - - - - - -

現代の音楽 (NHK) - Wikipedia

2023年現在のテーマ曲はSteve Reich - Runner: I. Sixteenths[3]

#youtube

[escondidolibrary]

Join us on our Facebook page and upstairs in the Turrentine Room on July 8, 3:00 to 4:30 p.m., for a live performance from Nuojun Wang Duo!

About Nuojun Wang Duo:

Praised by critics as “a rising pianist who is truly passionate, sensitive, and musical”, Nuojun Wang has appeared as a soloist on concert stages throughout the United States, Austria, Netherlands, France and her native China. Nuojun Wang has performed in various well-known concert halls including Kleine Zaal, Concertgebouw at (Amsterdam), Solitär, Mozarteum (Salzburg), Salle Cortot (Paris), Newman Recital Hall (Los Angeles), Janette MacDonald Hall (Los Angeles), Seully Hall (Boston), to name a few.

Nuojun has been awarded prizes in many music competitions in Europe, US as well as China. She graduated from University of Southern California, Thornton School of Music, where she studied with Professor Bernadene Blaha. She previously obtained her bachelor degree from Boston Conservatory at Berklee under the guidance of American pianist Dr. Jonathan Bass. She currently maintains an active private piano teaching studio in Los Angeles.

Chinese-American violinist Strauss Shi is quickly establishing himself as one of the most exciting multi-instrumental artists today representing music of the east and west. Praised by American conductor Carl St.Clair as “a deeply probing musician who plays with passionate commitment and virtuosity” and a “rising star” by the late Maestro Michael Morgan, Strauss made his major debut with the Utah Symphony under the baton of Vladimir Kulenovic at the age of seventeen and has since then concertized in the United States, Europe and Asia. Strauss is a top prizewinner at numerous competitions including Gold Medal at the 3rd Berliner International Music Competition (2019), First Prize at the USC Thornton Concerto Competition (2018), Grand Prize at the Mondavi Center Young Artists Competition (2017), First Prize at the United States International Music Competition (2016), and Second Prize at the inaugural Siqing Lu Futian International Violin Competition (2016), among others.

Recent solo appearances include USC Thornton Symphony and Andrés Cárdenes, Downey Symphony Orchestra and Sharon Lavery across two seasons, Chamber Music Society of Colombo with Midori, and his debut with the Pacific Symphony at the invitation of Carl St.Clair in their Summer Series “Symphony in the Cities” in Mission Viejo, Segerstrom Center for the Arts, Musco Center, and Irvine across 10,000+ audiences to major acclaim. Recital highlights include sold-out debuts in San Francisco, Los Angeles, and New York.

This event is presented by Friends of the Escondido Public Library.

#nuojun wang duo #library concert #free concert #classical music #escondido ca #city of escondido #north county san diego #free event #pianist #violinist #musician #library

[sarahtheflutist]

Eve Beglarian (born Ann Arbor, Michigan, U.S., July 22, 1958) is a contemporary American composer, performer and audio producer of Armenian descent. Her music is often characterized as postminimalist.

Her chamber, choral, and orchestral music has been commissioned and widely performed by The Los Angeles Master Chorale, the Bang on a Can All-Stars, The Chamber Music Society of Lincoln Center, The California EAR Unit, The Orchestra of St. Luke's, Relâche, The Paul Dresher Ensemble, Sequitur, and The American Composers Orchestra, among many others. She received a Foundation for Contemporary Arts Robert Rauschenberg Award (2015).

#eve beglarian

[edisonblog]

Mario Castelnuovo-Tedesco (1895-1968) was an Italian composer, known mainly for his compositions for guitar and film music.

Was born in Florence and began studying composition at the Florence Conservatory at an early age. He later moved to Milan to continue his studies with the famous composer Ildebrando Pizzetti. In 1939, due to his Jewish ancestry, he had to flee Italy and immigrate to the United States, where he settled in Hollywood and began composing film scores.

Throughout his career, wrote a wide variety of music, including chamber music, opera, ballet, and concertos, but he is best known for his works for guitar. Among his compositions for guitar are two concertos for guitar and orchestra, numerous works for solo guitar, as well as chamber music including guitar.

In the world of cinema, composed music for more than 200 films, including Walt Disney's "Cinderella" and Orson Welles' "The Merchant of Venice." He was also a professor of composition at the Los Angeles Conservatory and had a significant influence on the Los Angeles music scene during his time there.

Mario Castelnuovo-Tedesco's "Capriccio Diabolico" performed by Doris Ćosić on a 2020 Eric Sahlin

source: 10:17min - https://www.youtube.com/watch?v=wPc-1sayNuY

#edisonmariotti

bit.ly/43c0xDX

.br

Mario Castelnuovo-Tedesco (1895-1968) foi um compositor italiano, conhecido principalmente por suas composições para violão e música para cinema.

Nasceu em Florença e começou cedo a estudar composição no Conservatório de Florença. Mais tarde mudou-se para Milão para continuar seus estudos com o famoso compositor Ildebrando Pizzetti. Em 1939, devido à sua ascendência judaica, teve que fugir da Itália e imigrar para os Estados Unidos, onde se estabeleceu em Hollywood e começou a compor trilhas sonoras para filmes.

Ao longo de sua carreira, escreveu uma grande variedade de música, incluindo música de câmara, ópera, balé e concertos, mas é mais conhecido por seus trabalhos para violão. Entre suas composições para violão estão dois concertos para violão e orquestra, numerosas obras para violão solo, bem como música de câmara, incluindo violão.

No mundo do cinema, compôs músicas para mais de 200 filmes, incluindo "Cinderela" de Walt Disney e "O Mercador de Veneza" de Orson Welles. Ele também foi professor de composição no Conservatório de Los Angeles e teve uma influência significativa na cena musical de Los Angeles durante seu tempo lá.

"Capriccio Diabolico" de Mario Castelnuovo-Tedesco interpretada por Doris Ćosić em um Eric Sahlin 2020

[chasenews]

Los Angeles Chamber Orchestra, Led by Music Director Jaime Martín, Presents Gershwin’s Rhapsody in Blue, Featuring Celebrated Pianist Hye-Jin Kim

Los Angeles Chamber Orchestra Gershwin’s distinctive and instantly recognizable Rhapsody in Blue, featuring noted South Korean pianist Hye-Jin Kim, is the centerpiece of Los Angeles Chamber Orchestra’s upcoming program led by Music Director Jaime Martín on Saturday, April 1, 8 pm, at Glendale’s Alex Theatre, and Sunday, April 2, 2023, 7 pm, at UCLA’s Royce Hall. Kim, praised for her “passionate,…

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#Featured

[thecomedyclubhouse1]

Entertainment In Barcelona

Few towns can fit the power of Barcelona and nowhere is this greater evident than in its live arts scene. The beautiful Palau de l. A. Musica Catalana and the new Auditori de Barcelona have keen and important audiences. They host some of the world's greatest classical musicians, such as Montserrat Caballe and Josep (Jose) Carreras, each of whom are barcelonins. Equally dynamic are the numerous exciting present day theatre and dance corporations acting year round at indoor and outside venues. Modern track enthusiasts are properly supplied for at severa rock, stay jazz and salsa golf equipment, no longer to say the buskers on La Rambla or within the squares of the Barri Gotic. A subculture of vintage Barcelona that keeps to thrive is its brash, glittering dance halls.

Classical Music Barcelona's Modernista Palau de la Musica Catalana is one of the world's maximum stunning concert halls, with its stunning interior decor and international-renowned acoustic. Also inspiring is the Auditori de Barcelona, opened in 1999 to present the city modern-day halls for big-scale and chamber concerts. Its recognition become extensively strengthened whilst it have become the home of the Comedy Club Barcelona.

Musical lifestyles suffered a setback while the Liceu opera house burned down in 1994. Fortunately, the metropolis had enough credit in the financial institution of operatic excellence to ensure that its popularity remained undiminished. Restoration became completed in 1999, and the Liceu is now backing in operation at complete-octave level.

Theatre and Dance Worth seeing are Catalan modern theatre agencies along with Els Comediants or La Cubana whose original style combines a interesting melange of theatre, track, mime and factors from traditional Mediterranean fiestas.

The Mercat de les Flors, a transformed former flower market in Montjuic, is an thrilling theatre supplying remarkable productions of classic and cutting-edge plays in Catalan. The new Teatre Nacional de Catalunya, next to the Auditori de Barcelona, is some other best show off for Catalan drama.

The most important venue for classical ballet is the Liceu opera house. There also are many cutting-edge dance organizations and ordinary performances are staged on the Mercat de les Flors in Montjuic.

Cafes, Bars and Clubs Among Barcelona's most well-known cutting-edge sights are the hello-tech designer bars constructed within the wealthy 1980s, as an example the Mirablau, which appears over the metropolis. The Torres de Avila, in the Poble Espanyol, is the height of put up-Modernism.

Otto Zutz has normal DJs and the much less sublime but nevertheless fun Apolo has live track. La Paloma is a best dance hall whole with a 1904 indoors and its very own orchestra.

Two of the high-quality-recognized bars are in the vintage city: Boadas for cocktails and El Xampanyet for sparkling wine and tapas. El Bosc de los angeles Fades is the café of the wax museum and is imaginatively adorned like a fairy's woodland grotto.

[javierronceros]

Latinos in the house. Los Angeles Chamber Orchestra. (at Ambassador Auditorium) https://www.instagram.com/p/CmDRx6brm0e/?igshid=NGJjMDIxMWI=

[softgonv]

Hanna-barbera tom and jerry episodes

Once the score is approved, I copy the stems into a Pro Tools session so it’s self-contained, save that and post it to the FTP server.” “The dub is done in Pro Tools so they usually ask to have a Pro Tools session delivered to them. On the Mac, he also runs Avid Pro Tools 12 for delivering stems to the dub stage. The two systems are locked together via SMPTE timecode. He composes in Cakewalk’s Sonar on a PC and runs video through Steinberg’s Cubase on a Mac. The head amp is based on the Telefunken ELA M 251.” The capsule is sort of like a cross between those two mics. “The Sputnik is a cross between a classic Neumann U47 capsule with the original M7 design, and an AKG C 12 mic with the original CK12 capsule. Maddala also uses several large diaphragm tube condenser mics he designed for Avid years ago, such as the Sputnik. He chooses AEA N8 ribbon mics matched with AEA’s RPQ 500 mic pre-amps. The string ensembles sometimes consist of seven violins (four first and three second), three violas and three cellos, captured using a Blumlein pair recording configuration (a stereo recording technique that produces a realistic stereo image) with ribbon mics to evoke a vintage sound. He also records small chamber groups there, like double-string quartets and woodwind quartets. Maddala keeps a Yamaha C3 grand piano and a drum kit always mic’d up so he can perform those parts whenever he needs. His multi-room studio in Los Angeles houses a live room, his main composing room and a separate piano room. His score combines live recordings with virtual instruments. I’m able to draw from a lot of different things that inspire me,” explains Maddala. are giving me quite a bit of autonomy in coming up with my own musical solutions to the action on-screen and the situations that the characters are experiencing. It all melts into the quintessential Tom and Jerry small orchestra sound.

His musical references to Flashdance can heard in the “Cat Dance Fever” episode, and he gives a nod to Elmer Bernstein’s score for The Magnificent Seven in the episode “Uncle Pecos Rides Again.”Įach new musical direction or change of instrument doesn’t feel abrupt. Maddala’s vintage-meets-modern compositions incorporate contemporary instrumentation and genres like blues guitar for when the cool stray cat comes onto the scene, and an electro-organ of the muziak persuasion for a snack food TV commercial. I have a certain way of hearing drama and hearing action, and that’s what the score sounds like.” I’m taking some of the approaches that Scott Bradley used but, ultimately, I am using my own musical vocabulary. The music I’m writing for the show very much sounds like me. Maddala also listens to “music that is completely unrelated, like Led Zeppelin or Marvin Gaye, to help jog my imagination. Maddala studied those scores carefully and frequently revisits them while writing his own scores for the show. In their initial conversations, director Van Citters regularly referenced Bradley’s scoring technique. “Scott Bradley’s scoring technique is the gold standard. Comfortable cartoon tropes like trumpet blasts and trombone slides, pizzicato plucks and timpani bounces punctuate a string-and woodwind-driven score. Maddala’s compositions are reminiscent of composer Scott Bradley’s approach to the original Tom and Jerry animations. Music plays an essential role in describing the characters’ actions and reactions. New episodes of The Tom and Jerry Show are currently airing on Cartoon Network, and Maddala will be composing 39 of the episodes in Season 3.Īs with Hanna-Barbera’s animated theatrical shorts, the characters of Tom and Jerry rarely talk, although other recurring characters are voiced. Obviously, this is a Flashdance reference, so I was able to thread oblique references to Flashdance in the score.” For example, Tom’s love interest, a cat named Toodles, is an aspiring dancer by night but her day job is being a spot welder for heavy construction. It features layered storytelling that children probably wouldn’t be able to appreciate. Ostensibly, it’s a children’s show but what I’m finding is the writers seem to be having a lot of fun with allegorical references. “The storytelling is getting better and better. Vivek Maddala is co-composer on the series.

#Hanna-barbera tom and jerry episodes

[yalilguerra]

Dear friends, my music will be performed in Manaus, Brasil on October 15th, 2022 by the Amazon Chamber Orchestra - OCA, with my dear friend, conductor Bruno Nascimento. They will perform my work for string orchestra titled: 'El Portrait de la Paloma', a work that gives the concert its title. #yalilguerra 🎼 #composer 🧑🏻‍🏫 #professor 🧐#PhD 🎙#musicalproducer 🎸#guitarist 🎤 #rycyproductions 🏫#laverneuniversity #lacm #collegeofthecanyons#antelopevalleycollege #UCLAalumni (at Los Angeles, California) https://www.instagram.com/p/CjS8kZerlAc/?igshid=NGJjMDIxMWI=

#yalilguerra #composer #professor #phd #musicalproducer #guitarist #rycyproductions #laverneuniversity #lacm #collegeofthecanyons #antelopevalleycollege #uclaalumni