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#maroya
vorvoros · 3 months
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Ana Mendieta - Untitled (Maroya), 1982
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woundgallery · 5 months
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Ana Mendieta, Untitled (Maroya), 1982 (Lifetime black and white photograph, 10 x 8 inches)
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follow-up-news · 11 months
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The number of people with highly drug-resistant bacterial infections linked to contaminated eyedrops has reached 81, the Centers for Disease Control and Prevention reported Friday.
The 81 cases, up from 68 identified in March, include 14 people who have been blinded and four others who had to have their eyeballs surgically removed.
Though most infections have been limited to the eyes, the bacteria can be fatal when it enters the bloodstream. As of Monday, the CDC said, four people have died.
"These were catastrophic and life-altering infections," Maroya Spalding Walters, who leads the CDC's antimicrobial resistance team, said in an interview.
Though many patients said they’d used multiple brands of eyedrops, EzriCare Artificial Tears was found to be a common brand among those infected. Opened bottles of the EzriCare eyedrops were also found to harbor the same bacteria found in samples taken from patients.
The EzriCare products were manufactured by Global Pharma Healthcare in India and sold mostly online. The CDC and FDA said people should stop using them, as well as two other eye products made by the same manufacturer: Delsam Pharma’s Artificial Tears and Delsam Pharma’s Artificial Eye Ointment.
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cosmicanger · 2 months
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Postcard showing Ana Mendieta’s Maroya (Moon), a lifesize figure made from Limestone and cement, 1982.
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Taino Ti Guakia Ata Taino Ti Guakia Ata Taino Ti Guakia Ata Taino Ti Guakia Ata Areyto areyto Turey Areyto areyto Ata Bey Taino Ti Guakia Ata Taino Ti Guakia Ata Maroya Guariche anao Maroya Guariche anao Taino Ti Guakia Ata Taino Ti Guakia Ata ******** #handmade #woodworkersofinstagram #artistsoninstagram #taino #womanwoodworker #boricua #coqui (at Yonkers, New York) https://www.instagram.com/p/Cf_kQPkLS5D/?igshid=NGJjMDIxMWI=
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mizu990612 · 3 years
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今日2021/02/27は #キャスト #アクティバ #CAST #ACTIVA #CASTACTIVA #LA250S に #ボンネットダンパー #エンジンフードダンパー を 取り付けました(^o^) #マロヤ #MAROYA #桑名市 #桑名 #kuwana #三重県 #三重 #mie #日本 #japan https://www.instagram.com/p/CLzAPkSJozN/?igshid=1f2jg54hsh8af
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strathshepard · 2 years
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Ana Mendieta, Untitled (Maroya), 1982 (Lifetime black and white photograph, 10 x 8 inches) via the Nasher Sculpture Center , Acquired through the Kaleta A. Doolin Fund for Women Artists.
This photograph relates to later works from Mendieta’s Silueta series that inscribe a generalized female form upon the landscape. It documents the performance of a work in which the artist ignited gun powder inside the cavity of the form she had carved into the earth. The photograph’s subtitle, Maroya, refers to the Moon Spirit of the Taíno (an Amerindian culture indigenous to Cuba and the Greater Antilles), who was considered to be the link between Divine Woman and human women. Made during a visit to Cuba in the early 1980s, this photograph symbolizes Mendieta’s return to her homeland. 
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technostories-blog · 3 years
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The Maroya Vendor
By: Alvin Ampong, Araco Roceil, Anunciado Joseph
Date: September 22-2021
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There is a woman who sells bananacue based on our interview with her, she is said to be has been in business or selling bananacue for a long time since there was no pandemic, he told us that the sales of his goods used to be strong but when there was a pandemic it seemed like their customers suddenly disappeared but even so, they said they didn't they should lose hope because if they stop they might not have food on a daily basis especially since they still have family and children to feed. it is said that sometimes their goods are not nearly consumed in one day so their goods are affected and wasted because they can no longer be used and can not be sold again the next day.
The solution they planned was to just sell it through social media such as posting on Facebook so that they would not have a hard time selling goods on the sidewalk and on the road and also to avoid contracting the disease.
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ekizlabrujita · 4 years
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So i'm a Brujita, or Baby witch. i'm restarting my book of shadows, i decided to make the inside cover and front page a tribute to my ancestors. I'm Puerto Rican so i went with the symbols of the tainos. Starting at the top of the totem is the Goddess of the moon Maroya, she's also symbolic for the menstrual cycle taking every 28 days just like the phases of the moon. The next Goddess is Guabancex. she is the goddess of storms and all destruction. She usually manifests in the form of a hurricane, earthquake and and an active volcano. the final one is Maquetarie Guayaba "El señor de los muertos" or the "the god of the dead" he's the guardian of the Ancestral realm. The White feather is one that i found after the earthquakes in Puerto rico. as a child i was told that if you found a white feather, it meant your guardian angel /or ancestors are watching over you. they are also a symbol for protection. i've casted a spell to protect my book, and left a spot to store the feather. i'm really happy with how it turned out.
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alluneedissunshine · 3 years
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maroya north head
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maroya north head by donnnnnny Via Flickr: a few months back on the eurobodella coast nsw australia
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lenazapassky · 3 years
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СУП ИЗ ТЫКВЫ ОБЕД В ШАЛАШЕ
СУП ИЗ ТЫКВЫ ОБЕД В ШАЛАШЕ
  Искала стихотворение у японских класиков об осени и шалаше около тыквенного поля, нашла подходящее, но тыквы в нем не упомянуты: Прошуршал колосьями, скрипнул калиткой и в шалаш ворвался гость мой вечерний осенний ветер Yu sareba Kadota no inaba Otozurete Ashi no maroya ni Akikaze zo fuku    (Minamoto no Tsunenobu 1016-1097)   2 маленькие тыквы на две порции супа. На сковороде с растительным…
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thelifesway · 5 years
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Meet Frank Maroya @mhhmassage who specializes in #Massages with @dymebeautyapp and works in #Sandton Area of #Johannesburg #SouthAfrica #DYME is a quick solution to get all #BeautyOnDemand services at the leisure of your home. It not only saves your time but petrol and parking costs too. Even 60 minutes massage will feel like 75 min longer at home. You can even play your own music while getting your muscles relaxed. Pictures taken by @alfonzowords Give your body a change and a chance to experience the professional services by Frank on the #DymeBeautyApp Download and order now! #TheLifesWay #Photoyatra #HealthyLiving #LifeGoals #Relaxed #StressFree #DYME #HealthBenefits #Lifestyle #SmartphoneApps (at Sandton, Gauteng) https://www.instagram.com/p/BwUKMnNJBo-/?utm_source=ig_tumblr_share&igshid=dsv6mopm26yr
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ruseg · 5 years
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Maroya Motherwell by Erwin Blumenfeld, 1942 pic.twitter.com/bpefHauc2f
— Xtrakik (@Xtrakik) February 27, 2019
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standingatthefence · 7 years
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Ana Mendieta | Untitled (Maroya) (Moon).1982, Nasher
‘Betwixt Between’
‘All her life Mendieta was torn between direct, bodily contact with the ground, clay, sand, water and rocks, on the one hand, and photography and film, on the other, which allowed her to document and to present her work in controlled conditions. Mendieta often came back to the fact that it was precisely this mid-way realm that was her sphere of operation as an artist. In all areas of her life she resisted any kind of cliché, any prefabricated thought patterns and categorizations. And it was not only in her art that she developed her own language; she also took an entirely individual political stance.
A central source of the power of Ana Mendieta’s art lies in her occupation of in-between spaces. Her work, her biography, her political position, her whole worldview were defined by the way in which she strove to ‘explore new land’. Categories such as feminism, body art and land art simply did not apply to her work, because she had carved out her own creative space – the ‘Betwixt Between’. Her work is intangible; its essence is absence: the absence of the human body, the absent sculpture, the absent moment that is only captured on paper as a photographic echo. Mendieta’s magic is the magic of the ‘space between’, of the ‘very little’, of ‘slightness’. In her own words: ‘I wanted to send an image made out of smoke into the atmosphere.’ 
Stephanie Rosenthal 
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strathshepard · 2 years
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Ana Mendieta, Untitled (Maroya), 1982 (Lifetime black and white photograph, 10 x 8 inches) via the Nasher Sculpture Center , Acquired through the Kaleta A. Doolin Fund for Women Artists.
This photograph relates to later works from Mendieta’s Silueta series that inscribe a generalized female form upon the landscape. It documents the performance of a work in which the artist ignited gun powder inside the cavity of the form she had carved into the earth. The photograph’s subtitle, Maroya, refers to the Moon Spirit of the Taíno (an Amerindian culture indigenous to Cuba and the Greater Antilles), who was considered to be the link between Divine Woman and human women. Made during a visit to Cuba in the early 1980s, this photograph symbolizes Mendieta’s return to her homeland. 
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thinkingimages · 7 years
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Ana Mendieta’s “(Moon)” from “Untitled (Maroya).” Photo: Nasher
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