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#michel hazanavicius
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cemyafilmarsiv · 5 months
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Artist directed by Michel Hazanavicius
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bookofcalm · 8 months
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🪻 Le Redoutable (2017)
Dir: Michel Hazanavicius
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imperfectfragilediary · 3 months
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"Le Redoutable" (2017) dir. Michel Hazanavicius
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Godard Mon Amour,  Michel Hazanavicius, 2017.
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tigristear · 1 year
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le redoutable, michel hazanavicius
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movie--posters · 1 year
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thebestestwinner · 1 year
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The top two vote-getters will move onto the next round!
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byneddiedingo · 11 months
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Jean Dujardin and Bérénice Bejo in The Artist (Michel Hazanavicius, 2011)
Cast: Jean Dujardin, Bérénice Bejo, John Goodman, James Cromwell, Penelope Ann Miller, Missi Pyle, Malcolm McDowell, Elizabeth Tulloch, Beth Grant, Ed Lauter. Screenplay: Michel Hazanavicius. Cinematography: Guillaume Schiffman. Production design: Laurence Bennett. Film editing: Anne-Sophie Bion, Michel Hazanavicius. Music: Ludovic Bource. 
There are two classic movies about the effect of the arrival of sound on films and the people who were silent-movie stars, Singin' in the Rain (Stanley Donen and Gene Kelly, 1952) and Sunset Blvd. (Billy Wilder, 1950). Neither of them won the Academy Award for best picture. Coming half a century later, Michel Hazanavicius's The Artist, which did, looks oddly like an anachronism. It is certainly a tour de force: a mostly silent film with a few witty irruptions of sound in the middle when the protagonist George Valentin (Jean Dujardin), having learned that his career as a film star is ending, suddenly begins to hear sounds, even though he seems incapable of producing them himself. (At the end of the film, Valentin speaks one line, "With pleasure," revealing his French accent.) The project grew out of Hazanavicius's admiration of silent films and their directors, and it fulfilled his own desire to make one himself. The title and the central predicament of George Valentin are an acknowledgement of the fact that silent film is a distinct art form, one lost with the advent of sound. At the expense of his career, Valentin insists on preserving the art -- much as Charles Chaplin did by refusing to make City Light (1931) and Modern Times (1936) into talkies, long after sound had taken hold. But Valentin is no Chaplin, and his effort, an adventure story in the mode of the films that had made him famous, is a flop, coincidentally opening on the day in 1929 when the stock market crashed. Meanwhile, a younger fan and something of a protégée of his, Peppy Miller (Bérénice Bejo), becomes a huge star in talkies. From this point on, the script almost writes itself, especially if you've seen any of the versions of A Star Is Born, which is why some of us wonder how this undeniably entertaining film became such a hit and a multiple award-winner. It was nominated for 10 Academy awards and won half of them: picture, actor, director, costume design (Mark Bridges), and original score (Ludovic Bource). To my mind, Hazanavicius's screenplay is at fault for not making Valentin's supine reaction to sound entirely credible: Is it actor's ego? A fear of the new? Embarrassment at his accent? And the decision to play Valentin's suicide attempt as comedy feels like a failure of tone on the part of the writer-director. That said, the performances by Dujardin, Bejo, and the invaluable John Goodman as the studio boss keep the movie alive. I just don't think it belongs in the company of Singin' in the Rain and Sunset Blvd.
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mtonino · 2 years
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17° Festa del cinema di Roma
2 giornata
Coupez! Di Michel Hazanavicius
Uno spassoso spot sull'arte di fare cinema anche (forse soprattutto) quello "veloce, economico e nella media". Geniale
Aftersun di Charlotte Wells
Delicato e doloroso solo come certi ricordi e forse qualche videotape possono esserlo.
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rheo-tu · 1 year
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Coupez! (2022), dir. Michel Hazanavicius
Почти покадровая пересъемка японского хита о группе кинематографистов, которые начинают снимать фильм о зомби и сталкиваются с нашествием зомби настоящих. Как я и подозревала, ремейк не идет в сравнение с оригиналом. Вся драма пропала из него подчистую. По крайней мере, фильм все такой же смешной, однако Хазанавичус явно проигнорировал остальное - возможно, японцы оказались для него слишком загадочными. Так что я продолжаю рекомендовать оригинал - фильм One Cut of the Dead.
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tulio-miguel · 1 year
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Cet élève qui ponctue toutes mes phrases avec un “poil au...”.
That kid who’s always making a joke when I say something.
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motsimages · 1 year
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We've all seen the gifs and the photosets. We are already having an image of what the film is like. But let me give you an idea on how to make the movie to actually happen, if somebody has enough free time. I don't say it will be easy, but it is doable:
youtube
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mydarkmaterials · 2 years
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reinevictoria · 2 years
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Bérénice Bejo and Michel Hazanavicius by Saskia Lawaks for Vanity Fair, Cannes 2022
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adscinema · 2 years
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Les B.O. de Quentin Dupieux - Blow Up - ARTE.
https://www.arte.tv/blow-up
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