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ripperdoc-is-daddy · 2 years

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Corpo Trash

Militech Arms Dealer Sanemi Shinazugawa waits for his contact on a newly sourced product.

TW: Sexual Situations, Violence, Classism, Betrayal, Dark Content, Deceit, Blood, Gore, Chrome, Exposed Wires, Altered Eyes, Cyberpunk2077 terms, Night City, GN reader that is AFAB, Mild Smut/Erotica, Sadism, Alcohol, Drugs, Sanemi is an asshole, dude play the fuckin' ttrpg already, Crude Language. MINORS DON'T INTERACT! NO PERMISSION TO REPOST, READ, OR TRANSLATE! NO COPY!

Ty @animupiglett for reading it over. <3

Sanemi waited out by the docks of Pacifica in the early morning. Sun's rays bouncing off the exposed chrome on his chest and face. Areas where the pseudo skin had been torn off, revealed the shiny blueish-tinged metal along with RGB-wrapped wiring. The damage was never repaired because he believed it added to his intimidation factor. And he wasn’t wrong. Other operatives within Militech and Arasaka gave him a wide berth. His temper was legendary. Not as legendary as some in NC but enough that people gave way when they saw him coming.

Which is the only reason he could stand out so openly and with so little protection out by the old mall. Animals and Voodoo boys curious but not interfering in his business. He took another drag of his cigarette, flicking the ash onto the ground staring over the ocean waters. He looked serene with the soft amber glow from the sun caressing his face and giving him a natural contour.

The ash white-haired man flexes the fingers on his free hand. Black sclera, violet static pupils glance down to where his custom Daikon Nt’s by Arasaka resided. Thermal, enhanced blade, and non-lethal mods added on. He had three other slots available but at present, he didn’t feel the need to do anything extra. His thin lips form into a snarky smirk as he remembers with amusement how insulting it is to use them against his opponents, them expecting him to give them death only to find out that the blades cannot do that with the mod attached. Their fury gave him a sadistic sense of pleasure that did things to him. Which he in turn took out on his output. Much to their enjoyment.

A sneeze to his left brings him out of his thoughts. His eyes narrow and he sneers at his lackey. “Cover your fuckin’ mouth. Unsanitary gonk. Even the filth that lives here knows better.” his words are venom and the man ducks his head down, cringing. Sanemi looks back over the water and growls. “You are fucking late.” he hisses. Not moving.

Behind him, a blond woman with her hair done in a tight undercut with a 1980’s crown rolls her starred out pink and purple eyes at him. “Whatever man. I got the goods and that is what fuckin’ matters right? Not like you Corpo trash got anything else to do besides ruin other people’s lives anyways.” she dismisses his agitation with her flippancy. Sanemi takes a deep breath then flicks his used cig onto the ground.

“Show me.” He orders calmly. Head turning slightly to put more of her body in his line of sight. “I am a busy man. I don’t have time to waste on trash like you,” he adds on, emphasizing with the twirling of his fingers in the air. The woman flips him off in her tacky gold, teal, hot pink tracksuit and picks up a massive black briefcase off the ground. “Here ya go. Skimmed it off a scav site. Looked like Maelstrom busted ass to get out of there if they left this baby behind. “She kicks the case towards him. Giving him finger guns with her pink and teal chromed phalanges.

The lackey intercepts the product and picks it up. Plugging in to check out the authenticity of the product and its condition. “Chip is intact and complete. Doesn’t appear to have any stragglers,” he informs his boss. Sanemi nods and motions for the man to pick up the case.

“Thank you. It’s a shame that you couldn’t be honest on your end of the deal. I mean bringing the product was a nice touch. Buuuuut…” He drops off as his other hand waves. From underneath the underpass emerges two other men. Completely chromed out looking like Metal Jack from Tekken. Held in between them is a raggedy-looking nomad. He looks terrified, piss staining his ripped jeans. Shirt long since gone. Blood dried over his right eye, across his lips, and crusted on his nostrils.

The woman stares on in horror. She is raises up a hand, a DB-2 SATARA. Nice choice. If only she had the chance to get it off. Unfortunately for her, he had a Sandevistan MK.3 with Arasaka Software and Tyger Paw mods. She never saw him coming. Literally. He was around and behind her, blades out and pressed close to her neck. Heat from the thermal mod splitting the realskin and melting the chrome underneath. Sanemi purrs, warmth growing in his belly as he imagines what he is going to do next.

“We found your netrunner a while ago. You really should have given him a better suit. I would have thought Pacifica trash like yourself would have gone to your beloved Mr. Hands or the Voodoo Boys and gotten a competent person for you. At least have some gold to cover that meat inside your skull. But no. Stupid is as stupid does.” The two Jack-looking men smirk and walk the beaten and bruised nomad up to the woman. The pair of street punks sobbing as they realize their end is near. The frosty-haired man shrugs, retracts his blades, caresses the woman's face, and steps away.

“7 minutes. That is all the time you will get for each other. I’m not completely without mercy.” he says with mocking affections. The netrunner is released and he limps forward into the arms of his input or was she his output? Didn’t matter. They weren’t going to be anything soon.

A smile forms on Sanemi’s face as he straightens out his Jinguji black neo-militaristic pants. Red and silver streaks woven into the fabric, just barely visible. Knee-high Jinguji boots on his feet. Modeled after English Riding boots from around the early 20th century. He calls his output and waits for them to pick up. A deep feminine voice hums over the line after a few rings. “Mm, sup baby? I thought you were busy?” The man smiles wider. “I was, but it looks like this is wrapping up a lot nicer than I thought. Was thinking we could do something nice. Go to the sky lounge. Have a few drinks. See where the night takes us?” He replies lovingly.

The femme voice hums again. “That sounds nice and all buuuut….” they drag out the but and his face falls. Hairless brow quirking up. “But?” he growls out whilst glaring death at the couple in front of him that is sobbing and professing their undying affections for each other. “I am already here in your office in nothing but the chrome I bought and the meat I was born with. I am feeling like some pretty fuckable meat right now. Care to partake?” they tease.

The scarred man moans audibly. “Fuck yes, baby. I’ll be there soon.” The femme voice chuckles and ends the call. An image is sent soon after. Hastily Sanemi opens it up and brings his fist up to his mouth and bites his fingers. His output is in his chair playing with theirself. Hands cupping their natural breasts while playing with their chromed nipples. Legs spread out fully exposing themselves to the drone that took the image. They looked delicious and he couldn’t wait to devour them. The pants that were already tight now ridiculously tighter than before.

“Cut the crap. Times up!” he barks out around his fist. Refocusing on the people in front of him. “But our time isn’t up yet! It’s only been maybe five minutes!” she whines! “Whatever. Don’t care. I plan on getting my dick wet here in a bit so if you could hurry this up?” he motions for them to speed things along while he summons his airlift.

The Kitsch street punk’s eyes begin to water as she sobs desperately holding the other man’s face. “I’m so sorry baby. I lo-” she is cut off by a quick pop. Looking down she sees her life’s fluid along with the lubrication that operated her joints leaking out of a hole in her chest. Her eyes snap back to her lover and he has the most malicious grin on his face.

“Never liked living out in the badlands. Too fucking dusty. Always scrapping by. Life ain’t much better than being a scav. I’m tired of that shit. Sorry babe, you know how it is.” He pats her on the top of her head and laughs as she slowly drops down to the floor. Sanemi watches on impressed. He kind of expected the ruse to continue but whatever. No skin off his bones.

The nomad cackles as he walks away. The woman on the ground hisses and swears. She turns around to watch his back moving away from her as he walks towards the MILITECH-branded craft. Sanemi gives her a pitying look and starts his own walk towards his vehicle. Suddenly the woman roars and lunges forward. Picking up a piece of rebar from off the ground. She raises it, jumps into the air then brings it down solidly on top of the nomad’s head. Crushing his skull. Brains, chrome, wire, and whatever else was in that casing he called a head exploding around. She smashes his remains a few times before tossing the bar away and glaring over at the bare-chested, scarred man that had brought this misfortune onto her.

“I will fucking end you!” she declares. He tilts his head in curiosity then shrugs. “You can die trying. Or.” he pauses and motions to the craft. “You can join me and we can forget this bullshit. I train you and you will work for me in the arms deal division. Your other option is I disable you and leave you for the Animals to have their way with. Maybe they’ll take you to a Ripperdoc so you will last longer. “He continues into the craft. Sitting down he picks up one of the champagne glasses and twirls it. Bringing up the image of his output sent to him earlier.

The two chrome men and the lackey follow suit. The last passenger is the gaudy woman who had tried to double-cross him. She looks guilty? No, that isn’t it. He can’t put a name on it but he wants to say that it is scorn. She looks at his dark eyes. Stars meeting the night sky. In this moment he knows what it means to have the stars cross at you and it makes him even harder. Her hatred an aphrodisiac. The lackey motions to one of the flutes in the center console as the doors lower and the craft rises.

“Welcome to MILITECH.” Sanemi purrs. Not even bothering to hide his lust as he manspeads in his seat. The woman looks away in disgust. Her focus on the wrecked corpse laying on the pier. Citizens of Pacifica already moving in on it to harvest what they could for resell. She shakes her head. “Feels like shit,” she mumbles as she leans back in her seat, closing her eyes and sighing. The sadistic man across from her smirks and leans forwards. Bare elbows on his knees. “It doesn’t have to feel like that. Give it time. You’ll come to enjoy it just as much as I do. If not more.” He licks his bottom lip while he gives her a predatory gaze that she cannot see.

An hour or so later the white-haired man finally makes it back to his office. Swearing under his breath as he undoes the button to his pants as he walks into the lavishly decorated monochromatic black office. Giant Great windows sit behind an ebony tech desk. On the far left wall are 20-some-odd monitors showing all sorts of different deals. Meetings of government officials, a pornographic brain dance, some of the harder black-market shit, corporate stock exchange, etc. A deep chuckle is emitted from his chest as he saunters into the room. Making his way to his desk to sit in the Jinguji brand office chair. Legs spread as he takes himself out.

“I don’t care if you took care of yourself. I expect to be satisfied,” he announces to nobody in particular. He reclines in his chair and stares out the windows, down and over at Night City. The giant koi fish of Corpo Plaza swimming along their projected paths. His legs spread out wide and he feels the familiar warmth of his output settle between them. A call is connected and he smiles a genuine smile this time.

“Hey baby. Show me how much you missed me. You can see how much I missed you.” he says into the call. Hands coming to wrap into their hair, grip tightening around the strands to give himself purchase. “I thought you said you would be here sooner. I worked myself up for nothing waiting on you. You don’t deserve my mouth.” they say as they lap up his long, thick, girthy, veiny shaft. Ripping a salacious moan from his mouth. “Ah, you bitch. You know how it is. A couple of gonks thought they were smarter than they were. Was im-mmmm-pressive really. He thought he was betraying her but she smashed his meat in. Beautiful really. So much splatter.” he purrs as their mouth wraps around his head. Fingers sinking into their scalp.

“Fuck I love you baby.” he moans into the call. His output chuckles. “I don’t believe you.” they taunt. Their tongue began to vibrate against the underside of his cock. “Then allow me to show you,” he growls out as he shoves their head down fully on his shaft, choking them. Sadistic grin on his face as he gazes from the top of their head to the rest of Night City behind them. “Let me show you everything.” His grip on their head is brutal as he begins to roughly and without mercy face fuck that warm, wet, vibrating hole. His output reaches into his pants. Their delicate, well-manicured hands pull out his heavy sack and a thumb caresses the seam in the center. “Then show me,” they say before ending the call.

Fin

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lizzygrantarchives · 14 years

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Adirondack Daily Enterprise, January 28, 2010

When she was growing up in Lake Placid, Lizzy Grant used to perform in choirs and school plays at St. Agnes and Lake Placid Middle/High School, and though she was still young, audiences could see she had the potential for a future in music.

"Even then you could tell that she had a very different and powerful sound, because she could mesmerize the entire audience even when she was little girl," said father Rob Grant.

Now 24 years old, Lizzy Grant is on her way. Earlier this month, she released her first professionally produced album, "Kill Kill," under the stage name Lana Del Ray on the label Five Points Records, and it is now available for purchase on iTunes and other Web sites.

Lizzy recorded the album with producer David Kahne, who has worked with well-known musicians from Paul McCartney, Cher and Bruce Springsteen to No Doubt, Guster and Matisyahu.

"He produced most of the major music groups that have come out of the last couple of decades, so she was very fortunate to get a producer of that world-class caliber," Rob said.

When she was recording, Lizzy even got to meet Paul McCartney. McCartney came with his son, James, to start working with Kahne on an album of his, and Lizzy decided she wanted to meet them. She knocked on the door, saw McCartney and waved to him.

"David's like, 'Oh my God,'" Lizzy said. "Paul didn't care."

Lizzy said she saw a toy piano that made what she called a "sparkly jewelry box sound" and said she wanted to use it for her album, but Kahne said she couldn't since it was already on McCartney's. When she made a face, McCartney tried to comfort her.

"He said, 'Don't pout, Lizzy, don't pout,'" Lizzy said. "'You'll find another instrument.'"

Grant said she worked with Kahne every day for about three months recording the 13-track album.

"We were pretty obsessive about it," she said.

Lizzy said she liked that Kahne quickly understood her vision.

She told him she wanted the album to be cinematic. She was also hoping it would reflect her affection for nostalgic things like Coney Island and black and white movies.

"He kind of got my whole vibe right away," she said.

That nostalgia, which often has an eerie tinge to it, is a big part of her vibe. The music videos she has posted on YouTube and MySpace are shot in the style of the '50s and '60s and include plenty of B-roll from that era.

The promotional photographs she posts on her Web sites and provides to the media highlight her platinum-blonde hair and mod-style makeup and feature washed out colors reminiscent of earlier decades.

Much of the nostalgia is heavy on Americana themes, including images of surfing, carnivals and Lizzy dressed as Marilyn Monroe or wearing an American flag and a military ball cap with U.S.A. embroidered on it.

Lizzy's music is difficult to place. Her heady, jazzy voice often sounds like a '50s nightclub singer, and the music at times is highlighted by heavy burlesque-style drumming and cascading wurlitzers.

There is also a modern element to much of it, though. Some songs verge on electronic beats, and her vocals sometimes slide into whispers and minor chords reminiscent of Courtney Love or Fiona Apple.

Grant's MySpace page describes her music as glam/surf/Hawaiian.

"It's been described as a very smoky and provocative kind of voice," her father said. "It kind of catches you off guard. It's not predictable."

The album has been getting some attention, including a review on the Huffington Post Web site and a two-page Q&A in Index Magazine.

"I'm glad I'm singing," Lizzy said. "I don't really know what else I would do."

She plays the guitar and the wurlitzer, but prefers to stick to singing when she's performing a concert because her hands get too nervous. She said she likes to have video of 1950s Las Vegas, Frank Sinatra and similar images to project onto the backdrop so the audience watches that instead of her.

Her venues vary from ballrooms to burlesque clubs to private parties.

She said she doesn't have a single type of costume when she plays a show. She'll vary from going all-out glam to wearing cutoff jean shorts and a white t-shirt.

"If I know it's mostly business people, I will specifically dress down just because I know that it makes the whole show more weird," Lizzy said.

She writes all her own music, and she said her lyrics tend to be a reflection on actual incidents in her life.

"There will be two true verses, then I'll make up the third; just rhyme it out," Grant said.

One of the most catchy songs on "Kill Kill," "Gramma (Blue Ribbon Sparkler Trailer Heaven)," is about a conversation she had with her grandmother, Cynthia Grant, who lives in Lake Placid.

Her father, who has a history in advertising and has been helping his daughter market her album, said it's very exciting to live vicariously through her.

"It's a girl from an upstate New York town who may be on the verge of something great," he said.

Originally published on adirondackdailyenterprise.com with the headline Lizzy Grant aka. Lana Del Ray releases album.

#2010 #Lana Del Ray A.K.A. Lizzy Grant #Adirondack Daily Enterprise #Jessica Collier

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filmniller · 2 years

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Night Sky (serie i 8 afsnit)

4½ ud af 5 genveje til stjernerne

"Amour" møder "Interstellar" i en sf-historie, som vor mor lavede dem tilbage i halvtredserne ─ med mindelser om stjerneforfattere som Ray Bradbury, Clifford D. Simak, Robert Heinlein og Jack Finney samt tv-serien "Twilight Zone", der forstod at sætte mennesket i centrum i et kaotisk, men eventyrligt univers. Så kom Star Wars til det actionhungrende publikum, og vi glemte helt den gode historie. Men den får vi her. Så mens vi venter på tv-udgaven af Simaks "Way Station", er der "Night Sky" i samme dur. Vi følger et aldrende ægtepar, fremragende spillet af J.K. Simmons og Sissy Spacek, som har en hemmelighed i lillebyens baghave: Et mystisk teleportationskammer, der giver dem udsigt og ultimativt adgang til en fjern planet guderne må vide hvor. Det oplever vi allerede i traileren og første afsnit, og fanget af denne narrative hook ser vi tålmodigt videre i håb om at få kastet lys over, hvad pokker der foregår. Det tager sin tid, men belønningen kommer i afsnit 8, og indtil da må vi trækkes med en slowburner, der dog krydres med sidehistorier og bipersoner, som holder interessen i live. En ung mand dukker op i teleportationskammeret. Hvem er han? Hvor kommer han fra? En sydamerikansk mor og datter arbejder for ... ja, hvem? Tilsyneladende nogen, der er langt bedre informeret om teleportationssystemet end os andre. Og så videre. Der er masser af løse tråde, men de fleste samles på forbilledlig vis til sidst, og resten peger videre mod en sæson 2. Serien burde egentlig have et femtal, men der er et par ting, der trækker en smule ned i min karakterbog: Selv om Simmons og Spacek spiller forrygende, bremses tempoet tit af en del overflødige scener med netop de to. Jeg tror, mange action-aficionados står af undervejs, og det er synd, for det er faktisk en forrygende og gribende fortælling, da der først kommer fut i den. En god historie er hverken plot- eller persondrevet, men afbalanceret mellem begge dele, og i alt for mange andre underholdningsfilm og -serier er problemet det modsatte: at persontegningen negligeres. Der er givetvis nogle, som vil nyde ombytningen, men historien kunne efter min mening med udbytte sagtens være skåret ned til seks afsnit. Og så er der castingen. Både Simmons og Spacek har meget karakteristiske næser, og pyt med det, men kunne casteren dog ikke have fundet et par unge skuespillere, der lignede dem bare en lille smule til de scener, hvor der hoppes tilbage til deres forhistorie? Ud over det er der intet at sætte fingeren på. INTET. Sæt lige otte timer af til sofasumpning.

#Night Sky #amazon prime

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yourfriendlyneighbourhoodlosers · 3 years

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Norman Bates, Sweeney Todd(bonus points if Mrs Lovett gets her own set of headcanons as well), Billy Loomis, and Charles "Chucky" Lee Ray with a gender neutral reader that has an eating disorder

Oh, This hits close to home. But, for comfort reasons, I’ll write it. -Mod Daniel

WARNING(S): E*TING DISORDER, M*RDER MENTION, S*ICIDE MENTION, W*IGHT MENTION

Norman Bates

Norman was heartbroken when he found out about your eating disorder

“Why would you hide this from me, Y/n?”

He found out when talking to your doctor after your monthly health check

He asked you if you knew about it when taking you home

You didn’t say anything until you got home

why didn’t you tell him?

The poor boy was worried for you

He ended up crying because he didn’t want to lose you

He kept reminding you how amazing you were and how beautiful you are

Norman held you for hours that night, making sure to keep you company

Sweeney Todd

Your family invited you and Todd for dinner

You ate so little food

Todd had taken you into a different room and asked you why you ate so little

That’s when you told him.

“My sweet, why didn’t you tell me sooner?”

He enveloped you into a tight and long hug

He whispered compliments into your ear until you felt content and safe in his arms

He had wished your family an early goodbye, and took you home to make you some dessert

Mrs. Lovett

When Nellie(yes, I’m using Nellie) found out you had an eating disorder, she had been busy at her shop

You had come to check on her and Todd and she had given you a free pie

But you ate one bite and said you were stuffed.

Nellie took you away from the crowed, asking you if you were okay

And you told her that you already ate and just wasn’t hungry

She knew that was a lie.

After she called you out, you told her the real reason

You had an eating disorder.

She felt so bad, sorry if it was her fault

You told her it wasn’t and you didn’t have very good self esteem

She gave you a hug, and rubbed your back

“Don’t listen to anyone. You’re beautiful.”

Billy Loomis

Billy knew. He always knew.

You’ve always had one, so you tried eating more

You couldn’t.

Whenever Billy saw you eating, he’d smile and clap, cheering you on as you ate.

Being the way he is, you loved whenever Billy would praise you for eating.

On days you don’t eat, Billy would whine and drag you to the kitchen to eat something.

He treats you like a God.

He worships your body.

And because of that, you started eating more.

You started wearing tight clothing to show off the body that you’re proud of.

Charles Lee Ray(Chucky)

Charles...is Charles.

He’ll tease you for it until he realises that he hurts you.

He’d apologize and try to help you

Lord knows he couldn’t

Charles sits next to you, letting you vent to him

He won’t hesitate to kill someone if you needed it.

He calls you beautiful all the time, hoping it’ll help somehow.

When he found out it does, he won’t stop telling you that you’re perfect.

He’ll be honest, he doesn’t think he’s helping, so you tell him that it helps constantly

which motivates him to start praises you more.

#norman bates x reader #norman bates #sweeney todd x reader #sweeney todd #mrs lovett #billy loomis x reader #billy loomis #charles lee ray x reader #charles lee ray #chucky

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femalechibiblogger · 3 years

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My Top 7 Underrated Indie-Horror Games

1. Detention

Set in 1960s Taiwan of the White Terror period, students Wei and Ray find themselves trapped and vulnerable in Greenwood High School (翠華中學), which is located in a remote mountainous area. The place they once knew has changed in unsettling ways, haunted by evil creatures known as the "lingered" (魍魎). While hiding from the rampaging monsters, the protagonists unveil mysteries which slowly reveal the dark past of the cursed school.

Detention is a horror adventure video game created and developed by Taiwanese game developer Red Candle Games for Steam. It is a 2D atmospheric horror side-scroller set in 1960s Taiwan under martial law. The game also incorporates religious elements based on Taiwanese culture and mythology. The game was released on 13 January 2017. A demo version was released on Steam Greenlight on 13 June 2016.

The concept of the game originates with the Red Candle Games co-founder Shun-ting "Coffee" Yao. In February 2017, a novel based on the game was published by novelist Ling Jing. A live action film adaptation distributed by Warner Bros. Taiwan was released on 20 September 2019.

2. Layers of Fear

The player takes control of an artist who has returned to his studio. His initial goal is to complete his masterpiece, and the player's role is to figure out how this task should be accomplished. The challenge comes from puzzles which require the player to search the environment for visual clues. The house appears straightforward at first, but it changes around the player as they explore it in first person. These changes in the environment provide scaffolding for the puzzles and provide regular jump scares common to games of this genre.

The game is divided into six chapters with various items for the player to find in order to complete his work. The game is heavily dimmed, and there are objects that uncover certain aspects of the painter's history. While completing the painting, there is a letter that is slowly pieced together, which shows the origin of his masterpiece, and objects which explain the secret of the painter through dialogue flashbacks.

Layers of Fear is a psychological horror video game developed by Bloober Team and published by Aspyr. It was released on Linux, Microsoft Windows, OS X, PlayStation 4, and Xbox One worldwide in February 2016.

In Layers of Fear, the player controls a psychologically disturbed painter who is trying to complete his magnum opus as he navigates a Victorian mansion revealing secrets about his past. The gameplay, presented in first-person perspective, is story-driven and revolves around puzzle-solving and exploration. Layers of Fear: Inheritance was released on 2 August 2016 as a direct follow up add-on to the first game. This time the player controls the painter's daughter with the downloadable content focusing on her apparent relapse into trauma after returning to her old house.

A definitive port for the Nintendo Switch, entitled Layers of Fear: Legacy, was released on 21 February 2018 and it features, in addition to the Inheritance DLC, Joy-Con, touchscreen, and HD Rumble support. A limited physical retail release for the Nintendo Switch and PlayStation 4, published by Limited Run Games in North America, would be available starting October 2018. A sequel titled Layers of Fear 2 was announced in October 2018 and was released on May 29, 2019.

3. The Blackout Club

You are a teenager from a small, modern town. Each morning, you awaken covered in mud or scratches, with no memory of the night before. You've heard of sleepwalking - but this is different. Sometimes you lose entire days.

There are others like you. Your new group of friends bonded over this shared secret, forming a club to investigate the cause of these BLACKOUTS. Together, you discovered a network of bizarre underground tunnels, hidden just beneath the surface of your quiet community. An uncanny, disorienting music beckoned from below.

You hesitated. But last night, your best friend vanished - and now, a mysterious group of adults wants to eliminate you. You must strike back, capture their activities on camera and expose them to the world.

The Blackout Club is a first-person co-op horror game centered around a group of teenage friends investigating a monstrous secret beneath the skin of their small town. 1-4 players explore procedurally-generated missions against a fearsome enemy you can only see with your eyes closed.

The developers describe the content like this:

There is violence in the game where players or enemies might use tranquilizer darts or electric stun guns on another human. Although there is no excessive violence or gore in this game, there are scenes with blood and evidence of crimes such as kidnapping and murder. It should be noted that the player characters and their allies are teenagers. Players are not allowed to injure or hurt another teenager, but the game does depict teens in situations of peril.

4. Cry of Fear

The player controls Simon Henriksson, a 19‑year‑old who wakes up in an alley shortly after being hit by a car. The player must navigate the city solving puzzles and fighting monsters to progress. The game switches between normal gameplay levels representing the city and surrounding areas, and "nightmare" levels, similar to those found in the Silent Hill series of games.

Cry of Fear features many unique mechanics, such as the limited inventory system, which allows the player to carry only 6 items at a time and does not pause the game while the inventory screen is open. Another unique mechanic is the ability to dual-wield inventory items, allowing the use of two weapons at a time, or one weapon and a light source. Item combination is also possible from the inventory screen. Health is recovered by the use of morphine syringes, which can blur the player's vision if overused. Stamina is consumed through strenuous actions such as running and jumping, and can be recovered by resting or the use of morphine syringes.

Some days before Cry of Fear's anniversary, Valve released a Half-Life update for Linux compatibility, making changes in the folders and engine. This update made several Half-Life mods, including Cry of Fear, incompatible with the base game. Team Psykskallar decided that, since no more could be done for the mod itself, they would finish a standalone version. Confusion due to Valve regarding Cry of Fear's status as freeware caused the game to be delayed until April 25, 2013.

5. The Coma: Cutting Class

The story follows Youngho Choi, a freshman student at Sehwa High. In the midst of finals season, a student attempts to commit suicide during their study session. Despite this event, final exams are scheduled to continue as normal. Youngho proceeds to take his exam, but falls asleep from exhaustion due to having gotten no sleep the night before. Consequently, he wakes up at his school desk in the middle of the night and finds that there is more to Sehwa High than he thought.

The Coma: Cutting Class is a 2D survival-horror video game developed and published by Devespresso Games. It was released on October 19, 2015. It follows the story of Youngho Choi as he explores the mystery behind the abandoned Sehwa High school.

A remastered version was released on September 22, 2017 for Steam, PlayStation 4, and Xbox One, and on December 21, 2017 for Nintendo Switch. A mobile version was released on January 17, 2019 for Android and January 22, 2019 for iOS. A sequel, The Coma 2: Vicious Sisters, was released on PC platforms (Steam, GOG) on January 28, 2020.

6. The Park

The game follows Lorraine, a struggling single mother and widow with a troubled past, as she searches for her young son, Callum, who goes missing in Atlantic Island Park. Lorraine enters the park after her son just as the park prepares to close for the afternoon, only to find that nighttime comes unnaturally fast as she ascends the escalator and discovers the park to be abandoned, vandalized and rundown as if several years have passed. Despite abandonment, the rides and lights mysteriously still function. Lorraine calls for Callum and his voice calls to her, leading her through the decrepit park.

Lorraine boards several rides which reveal the themes and backstory of the game: the Tunnel of Tales tells the story of Hansel and Gretel, this time with a new ending - in which after cooking the witch in the oven, Hansel and Gretel devour her. On the Ferris Wheel, Lorraine remembers Callum's father Don, a construction worker at the park who died in a fall from the Ferris Wheel when Lorraine was still pregnant with Callum. Between rides, Lorraine expresses her frustration with Callum, her belief that she is a failure as a mother, her history of mental health problems, and her fear that Callum is becoming changed by some mysterious threat. However, while aboard the roller coaster, a monstrous top-hatted ringmaster (identified in the credits as The Boogeyman) accosts Lorraine and claims 'the Witch' has her son.

The Park is a first-person psychological horror adventure game developed and published by Funcom. The game was released for Microsoft Windows via Steam on October 27, 2015 and is a spin-off of an earlier Funcom game, The Secret World. It was released for PlayStation 4 and Xbox One on May 3, 2016 and Nintendo Switch on October 22, 2019. It will be released in Japan on September 24, 2020. The game takes place in the Atlantic Island Park that closed back in the year of 1980 for mysterious reasons that are gradually revealed throughout the game.

The Park is experienced from a first-person perspective as the player, Lorraine, interacts with and experiences the decrepit environment of Atlantic Island Park. There is no combat or defense and the player has no health HUD as Lorraine can only interact with limited objects in-game and there are no enemies to battle. These objects mostly consist of pages that reveal the backstory of the park and later, Lorraine. Lorraine can call out to character Callum at any time during gameplay, and this may have a small affect as it allows Lorraine to follow Callum's voice and thus continue the narrative of the story or to reach necessary areas or objectives within the park such as the rides. The rides act as both exposition and scares. To enter the House of Horrors, Lorraine must find a flashlight. Throughout the game, Lorraine narrates her feelings and memories to the player.

7. Mad Father

Mad Father takes place in northern Germany, where the 11-year old protagonist, Aya Drevis, lives with her father, Alfred Drevis, and their maid Maria. Aya is a shy girl who never goes outside. Her mother, Monika Drevis, was incredibly ill, and presumably died of illness before the occurrence of the game. Her father performs secret research in his laboratory in the house's basement, with the assistance of Maria. Aya is aware that Alfred experiments and kills humans in the basement, as well as the fact that he is involved in an extramarital affair with the younger Maria, a former homeless woman he had taken off the street some years prior.

On the anniversary of Monika's death, the very beginning of the game, Aya awakens at midnight to find herself surrounded by test subjects that escaped from the laboratory. Fleeing back into her room, Aya encounters the mysterious salesman Ogre, who offers her the task of solving puzzles to break into her father's laboratory and uncover his secret. Aya discovers that her father had intended to perform taxidermy on her and convert her into a doll, as he had done to numerous other children, having been enamored with preserving humans after having killed his own mother as a youth. Aya soon discovers that her father killed her mother in fear of her mother taking Aya away to prevent him from performing taxidermy on her.

The game has three endings based on the player's choices. In one ending, Aya allows her undead mother to take her father away to another world. After returning to the real world, she runs into Maria, who knocks her out, takes her to the basement and then kills her, turning her corpse into a doll. In the second ending, Aya saves her father from being taken by her mother's spirit. However, after doing so, Monika reveals to Aya that Alfred murdered her for one of his experiments. Horrified, Aya flees while being chased by a chainsaw-wielding Alfred. While attempting to escape, she runs into Maria. Maria attempts to follow her, but when she fails to capture her, Maria is attacked by Alfred. The game then branches into two endings depending on Aya's actions; if Aya neglects to help Maria and instead attempts to escape the mansion, she is found by her father and killed, with Alfred performing taxidermy on her corpse and rendering her into one of his dolls. In the true ending, Aya helps Maria, declaring that the two shall henceforth live together. Maria then kills Alfred and the two women leave the mansion, which is burned down by Dio, the spirit of one of Alfred's human test subjects.

As the house burns down, Ogre transports Alfred's spirit to another world, where he is free to experiment to his heart's content, creating a mature adult clone of his daughter, leading into the events of Misao. Meanwhile, while walking away from the burning mansion, Aya notices that her father's medical book has survived the blaze. Some years later, Aya and Maria have created a clinic, where they perform medical services free of charge. A poor woman named Jean Rooney arrives for an examination, and Aya uses anesthesia to render Jean unconscious, claiming that Jean will no longer suffer from her illnesses. In another room, Maria muses that Aya has become just like her father and that the tendencies run in the family, heavily implying that Aya has followed in her father's footsteps.

#Top List #my top 7 #indie horror game #Underrated #video games #horror #detention #layers of fear #the blackout club #cry of fear #the coma #cutting class #the park #mad father

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rating-shittysawtraps · 11 months

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OH SHIT TURN ON THE DROPOUT TV MAKE SOME NOISE SEASON TWO EPISODE ONE PROMPT ONE OF ROUND TWO AT ROUGHLY THE 16:10 MARK

#saw franchise #shitty saw traps #jigsaw #mod ray ting #not a trap #game changer #make some noise #dropout tv

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djmossback · 3 years

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Spacebar 09/18/21

Third Space Saturday

Amii Stewart, Knock On Wood

Mantronix, Bassline

New Order, Everthings Gone Green

Wire, Ahead

DEVO, Time Out For Fun

Blaque. 808

Pet Shop Boys, West End Girls

Sade, Hang On To Your Love

Talking Heads, Crosseyed & Painless

Naked Eyes, Promises Promises

Cramps, Domino

Stevie Wonder, Master Blaster

Bob Marley & The Wailers, Rebel Music (3 O’clock Road Block)

Tower Of Power, Only So Much Oil In The Ground

Ray Bryant Combo, Madison Time

Captain Sensible, WOT!

Hot Chocolate, Every 1’s A Winner

Nazareth, Hair Of The Dog

Soho, Hippychick

Heaven 17, Penthouse & Pavement

Zapp, More Bounce To The Ounce

Booker T, Hip-Hug Her

Sparkletones, Black Slacks

Sonics, Cinderella

Otis & Carla, Tramp

James Brown, Papa’s Got A Brand New Bag

Bee-Gees, Jive Talkin’

Herbie Hancock, Chameleon

Skee-Lo, I Wish

Cure, The Love Cats

Jay Z and Jermaine Dupree, Money Ain’t A Thing

Sleaford Mods w/Amy Taylor, Nudge It

Londonbeat, I’ve Been Thinking About You

PJ Harvey, Down By The Water

Kylie Minogue, Can’t Get Blue Monday Out Of My Head

Fred Schneider, Monster

Frankie Ford, Sea Cruise

Ting Tings, Let Me Go

Bill Justis, Raunchy

ZZ Top, Waiting For The Bus/Jesus Just left Chicago

Ruts, Savage Circle

Stooges, Loose

Bob Seger System, Ramblin’ Gamblin’ Man

MC-5, Kick Out The Jams

Toto, Hold The Line

Thundercat, Them Changes

Kendrick Lamar, Yah

Slingshot, Do It Again Billie Jean

Robert Palmer, You Are In My System

Mos Def, Ms. Fat Booty

Cameo, Back And Forth

Positive K, I Got A Man

David Johansson, Funky But Chic

Michael Gregory, No Ordinary Romance

Lauryn Hill, Everything Is Everything

Foster The People, Pumped Up Kicks

Kraftwerk, Taschen Echner

Tilt, Arcade Funk

Musique, The Bush

David Bowie, D.J.

Jessie Belvin, Goodnight My Love

Mostly, I thought it went well. I need to shuffle some things, and make some plans. Mostly I think about it all month, and wait til the last minute anyway. A man my age needs to take notes. I’m never going to do too much planning, but I am going to do some. But I will never, ever plan the sets in advance. I like the rush of the wire act.

Oh, and thanks as always to Will for letting me do this, and the staff for taking care of me, and DJ IGA for coming by to hang.

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shittysawtraps · 9 months

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hi ray ting here. I saw that.

Mod Sam is a fandom blogger confirmed.

-Mod Sam

#not a trap #or is it #shittysawasks #mod sam

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entergamingxp · 4 years

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yes, a handheld really can run Crysis • Eurogamer.net

Can it run Crysis? It’s been 13 years since Crytek’s epoch-making release hit the market – and in some respects it’s still capable of monstering modern day PC hardware. But now, the game is playable on a handheld console using a mobile processor with power consumption that barely troubles a watt meter. So just how good is the port? How does it compare to the sub-optimal last-gen versions and can it possibly match up to the original experience?

Much has been made of the leaked material for Crysis Remastered – with negative fan reaction causing Crytek to hold the game back for further tooling. However, the Switch version arrives on the original July 23rd release date and just from the first ten minutes of play, it’s easy to see why. Based on the code available, and the sheer complexity of Crysis’ systems, it’s difficult to imagine a port that’s anything better than what has been delivered here. It’s not without its faults, but Crysis has been expertly retooled to scale graphically to the console hybrid – and it pushes Switch’s ARM Cortex A57s to breaking point. It’s a remarkable, fascinating port, but not without issues and strictly speaking not complete – the Ascension mission that’s missing from the PS3 and Xbox 360 ports is still MIA here.

Let’s start with the basics in taking a look at what Crytek and developer partner Saber Interactive has delivered. On Switch, Crysis Remastered uses dynamic resolution with temporal upscaling. Pixel counts suggest that 720p is the average resolution you’ll experience during gameplay. In busy situations I counted resolutions such as 540p and even lower but this isn’t especially common especially in docked mode. The resolution is capped at 720p in portable, of course, but can also jump slightly above this when docked. Based on information from the developer, the full dynamic resolution scaling range is 540p to 900p while docked, dropping to 400p to 720p in mobile configuration, where Crytek leans into the 460MHz ‘power’ GPU mode (up from the typical 384MHz used in most Switch games). The main takeaway is that image quality isn’t bad – it’s not pristine, but it’s significantly better than the heavily blurred presentations seen in the likes of the id Tech 6 ports, The Witcher 3 and Warframe.

There are some noticeable omissions to the visual feature set (this is essentially a mobile port after all) – there’s a reduction in geometry on elements like the nanosuit, an elimination of ray-marched volumetric light sources and parallax occlusion mapping, but there are dramatic upgrades too. We understand that the Xbox 360 and PlayStation 3 CryEngine 3 ports are the foundation on which Crysis Remastered is based, but side-by-side, it’s clear that the Switch version looks significantly better in some respects. The first major shift stems from lighting: on the surface there are tweaks made to the time of day compared to the original game, along with the introduction of image-based lighting which helps with material quality – especially indirectly lit metals and plastics. However, the most significant and surprising addition here is sparse voxel-based global illumination, also known as SVOGI.

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The Digital Foundry video breakdown of Crysis Remastered on Switch. Essential viewing, even if we do say so ourselves.

Essentially, global illumination is typically precalculated or ‘baked’ on most games. Instead, SVOGI delivers a real-time global illumination system that offers both ambient occlusion and indirect light bounce, delivering a standard of realism that easily eclipses the last-gen ports and indeed the lighting found in the PC original. It’s surprising to see this on Switch but as I understand it, SVOGI is highly scalable. According to the team responsible for its conversion, this implementation of the systems runs at a very low resolution on Switch but the primary optimisation work centered around optimising data formats to reduce size, limiting the distance rays can be traced into the octree and using smaller kernels. Naturally, this reduces precision which can lead to more visible light leakage and light rippling in some cases but it still works surprisingly well. Presumably, the PC and other console releases will use higher precision.

This is perhaps the most significant improvement – it’s Crytek making good on its promise to bring high-end CryEngine features from the latest iteration of the engine back into Crysis and it’s fully armed and operational on Switch – even in handheld play. Beyond that, the rest of the lighting sees more subtle adjustments. Time of day tweaks can be seen in missions such as Assault where the sun rises much earlier on Switch than it does on PC. In general, most changes seem designed to create a more dramatic looking game – similar to many of the mods available for the original PC version. More importantly, the new lighting model more closely resembles that original PC version which cannot be said of the PlayStation 3 and 360 release. That version relies too heavily on strong bloom and blue-tinged colour grading. Throughout, it’s a cold, harsh looking game that strays too far from the original for my tastes. Crysis Remastered is a huge improvement in that sense and the more immersive, naturally lit environment really pops.

The entire post-processing suite has been enhanced as well. Per-object and camera motion blur remains intact with a higher sample count than the previous console release. The PC version uses a different technique – it only applies motion blur to dynamic objects and camera rotation but not player movement so in that sense, Switch delivers an improvement all around. The bokeh depth of field used (most notably with iron sights) is also really impressive. It’s an improvement both over the original release and the last-gen versions of the game.

Another key pillar on which Crysis is founded is destruction. The idea is that trees, bushes, and entire buildings interact and break apart based on your actions. Harking back to an era where video games went to extraordinary lengths to deliver realistic physics, destruction in Crysis was a remarkably impressive element which heightened combat and enabled some amazing moments. Impressively, everything is intact on Switch – but the fact that every feature is delivered means that there are some compromises. Objects and builds on just about every scale can break apart in real time, but this does cause momentary drops to frame-rate. Thankfully, this dissipates quickly so it’s not a huge deal. I can’t imagine Crysis without destructible buildings so it’s worth the performance hit – and despite its meagre CPU resources, Switch still manages to outgun last-gen console frame-rates.

In delivering these features on Switch with just three available 1.0GHz mobile cores, there are also further compromises. As you blast palm trees and other flora, branches react to every shot but these interactions are time-sliced on Switch, updating at a lower rate than the main renderer. As a result, when you unload on a tree, it appears somewhat choppy. In comparison, the PC original and even the last-gen console versions of the game updates these interactions at full frame-rate. However, while we’re on the subject of foliage, it’s good to see that density in this respect is far closer to the original PC game than the rather sparse last-gen console releases: there’s more grass, trees and bushes used throughout, just as you’d hope.

As for shadow rendering, the fidelity of shadow maps is reduced compared to the PC original with higher settings, as you’d expect, but CryEngine’s method for shadow filtering saves the day here and even distant cascades are clean and devoid of artefacting. I still love the use of small bokeh shapes resulting from the filtering techniques used – this is a brilliant approach to handling lower resolution shadow maps as it lends these shadows a natural softness that is pleasing to the eye. Flashlight shadows are in the game as well but similar to PS3 and Xbox 360 versions, they are absent from the first stage for some reason. I do appreciate how, when using two flashlights, each beam projects shadows from the environment. I’ve already mentioned that parallax occlusion mapping is also removed on Switch – Crytek tells us that this requires too much power for mobile mode but may return at some point in a future patch, but only for docked play.

Beyond that, another key change lies in water rendering – Crysis Remastered makes the jump to the DX11-class water simulation featured in newer versions of CryEngine and the water surface itself is more visually pleasing as a result. Remarkably, computationally expensive planar reflections are still in use in for world reflections as well. However, the rendering of underwater areas has taken a noticeable hit compared to the original PC version. Basically, the rocks and plants featured beneath the ocean are completely absent, often leaving you with an empty sandy expanse instead, while the water caustic layer also has exhibits a visible cut-off line that you can see while swimming. You won’t necessarily spend a lot of time underwater in Crysis so it’s not a huge loss but it is curious to see.

Perhaps the most remarkable aspect of Crysis Remastered is that of all the impossible ports we’ve seen so far on Nintendo Switch, there’s less of a sense that we’re having to work with a vast array of technological cutbacks. Of course, part of this is down to the fact that fundamentally, the base game is 13 years old now, while the conversion is based on nine-year-old PS3/Xbox 360 code. But the point is that the remaster has been improved with modern, cutting-edge rendering techniques including temporal upscaling and dynamic resolution – and actual real-time global illumination. Aside from the resolution drop, the only difference between mobile and docked play is shadow map quality – and even then, the drop in fidelity in handheld mode is not much of an issue.

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The only other way to play Crysis on consoles at a reasonable frame-rate is via Xbox One/One X back-compat – but you don’t get the Switch version’s various improvements, obviously.

All of which bring us to the final, crucial aspect of the analysis: performance. Crysis is exceptionally heavy on the CPU – it always has been. Thankfully, the developers did have access to the last-gen console ports, which moved a game that operated mostly on a single core to leverage six available hardware threads (or SPUs in the case of PS3). Regardless, this still required extensive optimisation on Switch to deliver the same workloads using just three CPU cores. Occlusion culling – basically removing objects that you don’t see from being rendered in the first place – was a CPU task on last-gen consoles, but on Switch it’s moved to the GPU. Other tasks were sped-up simply by virtue of the fact that Switch has around 3.5GB of usable memory up against the mere 512MB of the PS3 and Xbox 360.

Even so, hitting CPU limits does impact performance – especially when engaging multiple enemy Ais while putting the physics system through its paces. Unsurprisingly, this is mostly evident in areas where the game was always heavy on the CPU, such as the village in the second mission, for example. Expect frame-rates in the low 20s when this happens, and sometimes even lower in Crysis’ most packed combat scenes. With that said, the use of motion blur and triple buffering does mitigate some of the impact, but I would hope to see improvements here. In mission four, I actually noted that the game could freeze for a moment – Crytek says that this is a bug unrelated to CPU performance and will be fixed in the next patch.

Outside of the heaviest combat scenarios though, Crysis actually runs rather well. Even with its enhanced feature set and real-time global illumination system, it still manages to outperform the Xbox 360 and PlayStation 3 versions of the game. Much of the action plays out at 30 frames per second, and again, performance overall is much the same whether you’re playing docked or in handheld mode. Crysis Remastered is CPU-limited in most scenarios and the Switch’s ARM cores run at the same clocks whether you’re playing docked or in mobile mode. However, even when running in optimal conditions, there is a problem: the frame-rate cap is actually 31fps, not 30fps. It may sound like a matter of little importance, but the whole reason 30fps is a developer choice at all is that new frames are synchronised with every other screen refresh – so it still looks smooth and consistent.

As things stand, an extra frame is added every 12th frame and even if the frame-rate is notionally higher, this adds unwelcome stutter. This seems to be an artefact of the last-gen versions of Crysis which mostly went unnoticed as performance was generally so poor – we only noticed it running under back-compat emulation on Xbox One where many of the bottlenecks are removed. However, it’s a little disappointing that the same scenario is there on Switch. CryEngine titles like Homefront The Revolution and Crytek’s own Hunt: Showdown deliver 30fps on console the way it should be – and Crytek tells us that they’re looking into the issue here. Overall, performance isa mixed bag: it isn’t exceptional but it’s perfectly playable by Crysis standards and a far sight better than any other console release of any Crysis game and even at its worst, it’s still generally on par with other examples of Switch’s ‘impossible ports’.

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While we’re on the subject of CryEngine, why not check out Hunt Showdown – it’s wonderful on PC and the console ports are also terrific.

Beyond the visuals, Crysis Remastered also leans into Switch exclusive features. The game offers full support for gyro aiming, allowing you to more easily dial in your shots. The game controls surprisingly well in general, honestly. Crysis is an experience designed around the mouse and keyboard but the introduction of gyro aiming combined with snap targeting helps alleviate these issues. As expected, the game retains the same basic interface as the original console release as well. Suit powers are mapped to shoulder buttons – you can toggle between armour and stealth mode – while speed mode and strength mode are mapped to longer presses of the sticks. You jump higher via strength mode by holding down A, just as you did in the last-gen Crysis games. One thing that seemed a little odd to me is that walking speed seems a touch slow, while speed mode drains suit power and essentially rushes you into the next encounter. It doesn’t feel quite right.

So at this point, we have a clear picture of what Crysis Remastered actually is on Switch. It’s undoubtedly the best console port of the game released to date – until its Xbox One and PS4 siblings arrive, at least. Stacked up against Xbox 360 and PS3, it has the best image quality, vastly improved overall performance and the most impressive visuals. Yes, it’s still missing features from the PC original and dropping parallax occlusion mapping is a shame but even considering Crysis’ vintage, the basic concept of a Switch port of the game still seems insane, even before we factor in the new CryEngine features added here. Put simply, the porting team did a great job – but fundamentally, so did the original developers. Since the release of the original game, many folks have suggested that Crysis is nothing more than eye candy but I feel differently. Even today, this is a brilliant action game.

First and foremost, Crytek nailed the concept of scope. Crysis features massive maps to explore but it is not an open world game and this is fundamental. It’s an example of wide-linear design – the beginning and end are fixed but the path to victory is open-ended. This is coupled with the special features of the nanosuit, allowing for a lot of flexibility in how you approach each skirmish. It’s stealth and action but it’s also everything in between – and it works. The stealth and the shooting still feel great but by adding in the physics, destruction and a wealth of vehicles and items, the player’s toolbox is expanded, allowing for a lot of creativity along the way. It feels satisfying to try out an idea and have it all work out thanks to the systemic nature of the core game design.

Despite its more linear design, Crysis puts each of its maps to better use than any open world game I’ve played to date. When traversing the environments in Far Cry, most areas are ultimately just window dressing – they don’t factor into your strategy and have little impact on the game. This is not the case with Crysis and it’s fundamentally what makes it so special. Honestly, this is just scratching the surface but the point is this – Crysis itself remains a classic experience even to this day and even with the limitations of the Switch, it’s absolutely worth checking out.

from EnterGamingXP https://entergamingxp.com/2020/07/yes-a-handheld-really-can-run-crysis-%e2%80%a2-eurogamer-net/?utm_source=rss&utm_medium=rss&utm_campaign=yes-a-handheld-really-can-run-crysis-%25e2%2580%25a2-eurogamer-net

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kawsarjahanshimo · 5 years

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Kawsar Jahan Shimo Historie navn: Forhold (1. side) Forfatter: - Kawsar Jahan Shimo

Relationship:- Danish language Dato: 24/09/2018 Rehana Akter Alder tjuefire år Ægteskabet har lige været en måned. Ny ægteskab, Desuden har han et lille job. Udviklingssamfundet for Folkesundhed Løn beskæftigelse. Efter sit ægteskab er hans job nu i kraft. Forlad ikke endnu. I dag er den 5. februar. Den har sendt en månedlig rapport til kontoret For. Da han kom ind på kontoret, så han, at hans kæreste Tamanna sad og sad der. Han arbejder i Muhuriganj filialen. Det smilende ansigt så han Rehena og sagde: "Hvad er der, du går så langsomt, Du har et nyt ægteskab. Du har en følelse af lykke nu. Rehana smilede på hendes kinder efter at have lyttet til sin ven Tamlana. Så spurgte hun i fortvivlelse pigens ansigt og sagde: "Hvis folk bliver gift, er de glade Er du Tamanna var overrasket over at høre om Rehena. Han er god i Rehena Han kiggede, han kæmmede ikke hans hoved godt. Han sagde igen, "hvorfor er du så rodet?" Han sagde til Rehnas frustrerede ansigter: "Hvorfor? Så mange mennesker omkring os Efter ægteskab så jeg, at alle havde stor glæde efter ægteskabet. Rehana er foran vinduet foran kontoret, træer er plantet i en kedelig have.

Kawsar Jahan Shimo Historie navn: Forhold (anden side) Kawsar Jahan Shimu Afskåret fra at se, sagde Rehana, 'alles liv er ikke anderledes. Måske er det godt, og ingen er godt. " Tamanna, efter at have lyttet til Rehena, blev forbavset. Tamanna spurgte fra den modsatte side: 'Hvorfor er du ikke god'? Rehana gik ikke længe, åndede ud og sagde: "Nej, ikke godt. Det er, Rehana er en finger Som kurven øverst påpegede han: 'Han er gift med hvem jeg er gift, hvordan ved han det?' Tamanna spurgte igen: 'Hvordan forstår jeg ikke naturen? Rehana sagde: 'Hvis du ikke vil komme til kontoret siden ægteskabet. Det betyder at komme Han er ikke enig med mig. Hvor smertefuldt er det for mig en gang Du tror Endnu en ting, ti gange om dagen, for at afslutte jobbet. Der er ikke behov for at gøre et sådant lille job. " Tamanna var meget bekymret for Rehena's ord. Men konsulter ham Han troede ikke, han ville give det. I et stykke tid sagde hun: "Din mor snakker med din brudgom Sig mig, Rehanto ligger foran bordet på bordet, hovedet over hovedskiverne Hans hjerte blev revet fra hinanden på grund af sorg

Kawsar Jahan Shimo Historie navn - Ejendom (3. side) Kawsar Jahan Shimo Rehana kiggede på Tamanna og sagde: "Du siger at møde din mor, Han kan ikke høre min mors navn. Ringer min mor en prostitueret siger - Sbasurabarite to gange efter moderen celle, og hver celle snuppet ud af min hånd. Jeg har gentagne gange fortalt mig at løbe som han gør. Rehana var ikke længst efter de ord, hun indåndede. Tamanna blev bedrøvet da hun hørte Rehena. Hun fik alvorlige problemer efter Rehena's bryllup Forstå livets skyld Rehana og Tamluns venskab er næsten fire år gammel. Rehana egen Det ser ud til at være smertefuldt, men han kan ikke give nogen løsning for Rehena's skyld;

Kawsar Jahan Shimo Historie navn: Forhold (4. side) Kawsar Jahan Shimo Rehana og Tamanna sendte månedlige rapporter til kontoret med unødige smerter. De kom ud af kontoret. Mens han gik langs vejen, spurgte Tamanna: "Hvordan er alle dine svigerfarer? Hvis du er gift med din svigermor - De gik langs fronten af kontorerne. Far - svigerforældre, søster-in-law, deres adfærd - adfærd Rehana kunne ikke tale. Han ønskede ikke at gøre sig selv for at sige så mange problemer med sin kæreste. Og min svigermor siger, kone klog - ikke vanskelig. Faktisk nogle gæster fra uden for huset, hans kone, min mor og fortælle pitaya Dhola tromle med adfærdsmæssige problemer Lyt til mig " Og den dag og min svigermors gode - jeg gjorde mobil til ondskab. og, Derefter fik min svigermor en chance for at få ondt. Ligesom dette - jeg vågner op sent. Religioner er ikke interesserede i arbejde, tegn på uhøfligt udtryk, når de kommer hjem Lad. For eksempel: Jeg gør ikke salami, ikke dygtig i kulturarbejde og kogt Gadaai - Laski –

Historie navn: Forhold (side 5) Kawsar Jahan Shimo Han lod slippe, Tamanna, hvad ville du gøre for at høre alle disse problemer eller hvad? Disse er alle Ophold, mit sind er på vej til at ødelægge. Han stoppede et stykke tid. De gik rundt om en tur af vejen. Og side om side Fodgængere og rickshaw'er rejste. Tamanna spurgte Rehena, 'Rehana, vil du gå til din fars hus nu?' Rehena var ubehagelig med sorg og sagde: "Min mand forbød mig at gå. Og så hørte jeg, at min mors krop ikke var god. Jeg vil gerne se min mor en gang Jeg vil gå til min fars hus i et stykke tid og derefter vende tilbage til min svigerfamiliehus. De så en masse rickshaw på Aak i Dakbangla Road. En rickshaw Rehana kaldte. Rehana rickshaw, taler med Tamanna med farvel.

Forhold (sjette side) Historie navn: Forhold (sjette side) Kawsar Jahan Shimo Rehana rickshaw dukkede foran huset. Han kom fra Rickshaw - Rickshaw Wala spurgte: "Apa, hvad er dit hus?" Rehana trak en note af ti rupees fra sin forfængelighedspose i hånden, sagde Rehana, "Denne rickshaw Folkene i folket snakker uden yderligere fremskridt. Rehana sagde ikke noget til manden. Kun et ord blev kaldt "hoo". Rehana sagde: "Antag, leje 10 taka rickshaw." Rehana blev 10 rupees mod Rikshawala. Rickshaw sagde, "Apa, leje er femten rupees, det er rentesats." Lej ikke en rickshaw-driver. Og de ventede på en leje af fem rupier. Rehana var meget glad for manden med rickshaw. Selvfølgelig kastede han fem og halvtreds rupier på sine hænder og gik væk. Han gik op ad trappen og gik ovenpå. Han trådte ind i huset og så, at hans mor forberedte brødet. Mor laver brød i morges. Han var forbavset. Hun gik for at hilse sin taske ved at hænge posen på den ene side af sit bord. Mor Salma Banu datter Rehna var meget glad for at se i morges. Men bekymrede pigen Kig på ansigtet. Smukt og smukt ansigt, hvor snavset, tørt og sultet i disse dage. Ukendt er bange Hendes bryst vågnede op. Mor er bekymret i ansigtet: "Hvordan har du det, Rehena, hvorfor er du så tør?" Rehana kunne ikke tale noget imod dette spørgsmål. Hvem ved hvad hans mor er bekymret for sin datter, vand kom til hendes to øjne. Rehana så, at hendes mor omfavnede en anden belastning. Rehena ændrede emnet og fjernede sin mor og sagde: "Mor, okay, jeg laver dit brød. Mor fik en bog og sagde: "Hvad skal jeg gøre, mit job er ikke kommet siden morgen, så din fars måltid Der var meget svært ved at lave skak. " Rehana så, at sandheden faktisk er, hendes mor har steget meget. For dette har Rehana gjort sine egne opgaver De begyndte at give. I første omgang rullede Rehana brødene meget glat. Rehana talte om brød og talte til mor - Hendes mor spurgte hende: "Ja, Ray Rehna, hvordan har din svigermor det?" Rehana stoppede og sagde langsomt: "Der er meget bedre."

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Forhold (7 sider) Historie navn: Forhold (7 sider) Forfatter: - Kawsar Jahan Shimo Han kunne ikke tale nogen ord. Han sagde ikke noget gennem munden. Hun troede i hende, at hvis hun sagde så meget til sin mor, så er der en mulighed for en moders spændingsforøgelse i slagtilfælde. Så han kunne ikke afsløre nogen hemmelighed. Han talte om at gøre brødene hurtigt. Når brødet er færdigt, er han fyldt med en taske, og han tager den Gone til gaskomfuret er der. Hendes mor sad i en stol ved spisebordet. Han sagde: "Ja, Ranu, bliver du ikke i dag?" Rehana sagde: "Ingen mor, jeg er ikke kommet her for at sige, at jeg vil blive her." Dit barnebarn kender ikke. Så jeg er nødt til at forlade et stykke tid. " Rehmans mor Salma Banu sagde: "Så lad du ikke gå i mobil for at fortælle dig at du bliver her." Rehana sagde: "Min svigermor er irriteret, hun kan ikke arbejde alene, hun kan ikke blive her længere, og det største er, at jeg ikke er kommet hjem, så jeg er nødt til at forlade snart. Salma Banu lyttede til datteren, og hun var chokeret over lyset. Rehana spurgte mor, "Mor, ligger forældrene stadig i forstuen?" Salma Banu sagde: "Hvad vil din far komme fra sengen og bare gøre mit arbejde?" Salma Banu sagde til datteren: "Runu, gør en ting, og efter at have fået brød, tjener din far brød og smør." Rehana var pludselig unødvendig at bage brødet. Et brød blev brændt. En rygrad af brød er sort Har været farvet. Det var det, han sænkede på den ene side. Rehending de resterende brød hurtigt drænet. Han løb til faderen med en skål med fem eller seks brød fyldt med en bakke. Hans far Aminul Haque kom lige op i sengen. Mosquito hopper. Rehana bakke satte hende på bordet og sagde til sin far: "Hvordan har du det, far? Jeg kom for et stykke tid siden, men fordi du sov Jeg vågnede ikke. " På det tidspunkt følte faren tøvende at se pigen. Aminul Huqs langvarige praksis Så snart de vågner, spinder en spade sig. Taler til alle om at gøre dette i lang tid. Der er ingen besked om, at nogen bliver forstyrret eller ej. I dag begyndte han at gøre det samme. Faderen bad pigen stå foran ham: "Da du kom alene, Hvor er Moin? " Moin er Rehana's mand. Rehena blev overrasket af sin fars far. Det syntes for hans far, at faderen ikke var glad for at komme til sin fars hus. " Rehana sagde ikke noget om det, sagde hun til sin far: "Far tog brød og karry til dig og spiste det." Historie navn: Forhold (8 sider) Forfatter: Kawsar Jahan Shimo Hendes far spurgte Rehena, "Da du kom alene, Rehana, kom Mune ikke der - Rehena troede, at hendes far "Hvorfor kom ikke søn?" "Hvorfor kom ikke søn?" Men han kan ikke svare. Hun og hun tænkte: "Efter ægteskab kan det ikke gå overalt - undtagen mand." Hvis alene, vil alle forstyrre unødigt ved at stille alle spørgsmål. Han sagde simpelthen til sin far: "Far kan ikke komme til dig, fordi du har et job." Hans far lavede en stub "wobble" med et vindue. Walking på vinduet, sidder på en sofa. Kort sagt spurgte: "Har du kommet med barnets tilladelse?" Rehana var i en tilstand af forlegenhed. Hver gang han kommer foran sin far, skal han kun stille sådanne spørgsmål. Og han kan ikke svare mere. Hun ønskede at komme ud herfra. Men han kunne ikke have været for sin far. Hans far begyndte at spørge ham efter hinanden. Rehena spiste måltidet og sagde: "Ja far, ja far, jeg er kommet til at sige - Han udvidede sin hånd på begge sider og sagde: "Jeg har fortalt alle." Han stoppede hurtigt i et stykke tid og sagde: "Far, hvis du spiser hurtigt, så bliver du" sukker nill ". Han talte ikke længere og kom hurtigt derfra. Da han kom foran sin mor, begyndte han at trække vejret. Åndedræt tungt. Og leger et glas vand i bordet foran bordet. Hendes mor var chokeret og kiggede på pigen og spurgte, hvad forstod ikke og spurgte, hvad der skete, Ray, Rehena. Hvorfor gør du det her? " Rehana kiggede på sin mor og sagde: "Mor, hvad begyndte faderen med mig, bare at falde i lappen og ikke som mig - Rehana mor sagde: "Din far er altid den samme, du kender ham, hvad siger du med disse ting?" Han kiggede på sin mor et øjeblik og sagde: "Men jeg kom jo så sent, og min far var lidt af mig Søg - Få ikke nyhederne. Nej, hvorfor spurgte jeg ikke, hvorfor jeg kom her? " Rehana tog hånden tilbage til ryggen og spurgte sig selv: "Hvor mærkeligt!" Rehna satte sig på kinden med et enormt hjerte - Hans mor var bekymret af datterens tørre ansigt. Han sagde til pigen, hvad er sagen Ranu, hvorfor er det? "

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Historie navn: Forhold (side 9) Forfatter: Kawsar Jahan Shimo Rehana "Nej" angiver hoved Rehana sagde: "Nej, mor, jeg vil ikke spise noget. Jeg vil ikke spise noget Ikke gør. " Salma Banu sagde komfortabelt: "Du er din fars søn. Du kender kun din far, kun dig Hvorfor er du vred på din far? " Rehana kiggede på et blik mor. Men munden siger ikke noget. Hun sidder stille. Rehanas mor sagde til hende: "Alle mine lægemidler opbevares i en kasse i Alamari, hvorfra jeg tjener diabetesmedicin." Rehana tog diabetesmedicin fra supermarkedet på et hurtigt spor efter at have hørt om sin mor. Bring det til moderen. Hældte et glas vand fra verden. Mor spiller medicinen Rehanas mor beklagede at spise medicin og sagde: "Jeg har spist hele medicinen, men ingen Fortjeneste er ikke rentabel. " Efter at have ventet på minut Bicholama spiller Salma Banu noget af det brød, der spises om morgenen. Og. Salma græd til sin datter for at spise, for at tage lidt tid til hvile. Naturligvis var der en tallerken ris i moderens syndrom med Rehana i køkkenet, og hun kom med en tallerken ris. Sæt dig ned på bordet med pladen. Der var en kop te på bordet på forhånd. Han tog fisk og salt derfra. Langsomt blev rispladen brændt. Der er ingen at spise Var ikke interesseret På grund af sin mors anmodning satte han sig ned. Rehmans mor sagde at spise brød, "Jeg har en rå klud på badeværelset, men min energi er ikke tilstoppet til at ryge. Rehana hørte moderen og sagde: "Jeg vil rive dit tøj efter at have spist mor." Rehana spiste ris langsomt så lang tid. På grund af moderens behov steg måltidets hastighed. Rehana ris er færdig med at spise. Så kom han ind på badeværelset. Moders forklædt klud Bluser er alle stablet i spanden med et surf excel pulver. Han tog det op fra skovlen og begyndte at græde. Moderens tøj blev vasket rent og vandet kom ned på taget. Det var klokken tre om eftermiddagen at tale om de nødvendige opgaver og tale med moderen. Derefter Hun ønskede ikke at forsinke længere, det var for sent. Han gik ud med en forfængelighed pose. Da hun nåede hendes svigerforældre var det omkring tre om eftermiddagen. Da jeg kom ind i døren, kunne jeg ikke se nogen. Hvor er hans svigermor? I dag er det på grund af forsinkelsen i ankomsten forstået, at kogt midt på dagen kogte sin svigermor.

Historie navn: Forhold (10 sider) Forfatter: Kawsar Jahan Shimo Rehana kom ind i stuen og så hendes mand Moeen liggende på sengen. FRIHEDS FIGUR Denne mand har været der. I den grove stemme spurte kræftens stemme: "Hvor gik du?" Rehana blev bange af ordene fra Rehana's mand, der var bange og så på de ængstelige øjne, sagde: "Jeg gik til moderen, det er sent." Moins brændende cigaret i hånden Han går på en cigaret. Da han hørte Rehenaas blod, blev hans blod løftet. Han stakkede Rheena fra sengen og trak hende tættere på armen Brændende cigaretforbrændinger. Rehana mistede bevidstheden ved at spise cigaretter. Efter et stykke tid blev det set, at han ikke miste hans viden. At være meget interesseret kun i Qatar Var. En kande vand faldt i bordet. Det begyndte at hælde i hånden. Rehana råbte højt: "Hvorfor gjorde du denne rock, hvorfor gjorde jeg det?" Moeen trak en for en højt og sagde til konen: "Jeg kan ikke gå til din fars hus, hvorfor har du ikke lyttet til mig?" Med denne snak kiggede Moin op og slog en klap og satte en klap. Fem fingre blev placeret på venstre hånd. Bussen faldt i en seng og faldt i sengen. Rehana begyndte at græde ned og græde. Rummets dør blev lukket for alle at beskytte ham Kom ikke frem til at samarbejde. Rehana's mand Moin skubbede et af benene og bragte Rehena i midten af sengen. Moin sagde med ordene: "Du har ikke forladt din fars hus." Ansigtet var som en mos foran konen (hun syntes at sluge lige nu), sagde: " Hvilken tygge, talte du stadig? " Da en mand så en fisk i en vending, begyndte han at spørge Rehana. Rehena blev tabt. Han talte ikke med hendes ansigt. Han mistede sin mental balance. Historie navn - Forhold (11 sider) Kawsar Jahan Shimo En ældre kvinde sidder her, hun er mor til dalim. Denne dame ved siden af iført en gammel hvid sari. Men der er ingen bluse. Skorpenes to bryster hænger ud af kroppen. Dalims mor så på Rehenka og sagde: "Hvad svigermor hele dagen er søndag Hvorfor skærer du Arbejder med hendes mor i hånd med hænderne - kan ikke fungere - Bablu's mor sidder ved siden af Dalims mor. Rehna's tante er svigermor om Bablu's mor. Bablu's mor sagde til kæresten: "Din svigermor er hele personen Drengen havde lidt problemer med drengen og familien. Vi har set os alle, vores hus er kommet til vores hus foran vores øjne. " Pludselig sagde Bablu's mor: "Hvor mange dage har du gået til en af din svigermor Der var en callie, et lille barn måtte arbejde i barnets skød. Men hvad er brændt? Panden, der var ingen mennesker i dette hus for at hjælpe. " Pina mor sad ved siden af hende. Pinas mor er Reena's barnebarns svigermor. Pinis mor slæbte hende og sagde: "" Fortsat din pande pande. I denne alder spiser din svigermor ris, og hendes sønns kone er vant til at være til stede i hjemmet. Pinas mor stoppede om få minutter, og efter at have drukket det sagde hun, "du forlod På kontoret. Og din svigermor dør i køkkenet. Er det okay, siger du, kone? Rehena blev overrasket af alle ældre kvinders ord - budskabet. Kun mandens smertefulde dage er den eneste der ved! Rehena troede også, at disse kvinder går sammen imod hende. Nå, hvad er skylden til alle disse forældre? Hvordan vidste de, at han ikke var hjemme i dag? hans Hvis din svigermor ikke siger - Rehana stod på et ben og hendes svigermor, Meherunnesa, og sagde: "Hvilken kvinde, hvorfor står du? Lav te til dine fætre og". Rehana spekulerede på, hvad de skulle tænke. Anmana kiggede ud af de kede udsigter. Da svigermor bad om at forberede teen, gik hun hen til lerbrændeovnen. Mål en kop, sæt seks kopper vand på komfuret. Men i de første fem minutter var det svært at fange sin ovn. Hele stedet var dækket af røg. Vandet kom til hans øjne for at sætte røgen i øjnene. Hun ønskede hurtigt at lave te. Men på grund af unødvendige grunde Der var mere forsinkelse. Kvindens rygter skulle høres fra det store rum. Derefter sagde hendes mand: "Hvad er der, kone, hvorfor er du så sent, at tage te, din tante står op?" Kølette lavet af mælk i en kop te og hældte mælk i en bakke. Noget på en tallerken Han kom i et stort rum med en kiks. Rehena gav te til alle. Pinoo mor sagde at spise te, "Vinteren kom, jeg startede den frosne budding i Meherun, Pinnu's svigerfamiliehus. Du skal binde knæene Jeg vil bringe en maund ris for ''

Historie navn: Forhold (12 sider) Kawsar Jahan Shimo To af Meheruns øjne var på panden og hun hørte diktets død. Mehrun sagde, "" One Mound Ris! Det er dem, du kan blande med chaat. " Pinura mor sagde: "Og hvad vil Runi, men der er ingen måde at gøre det, jeg er nødt til at kalde Bey;. Trunks Chata ikke spise kagen Hans eller gastritis kage og spise det.. Meherun Bhru - sagde til krybbeen, "Fortæl ham, din kæreste vil dræbe dig. Ligner en masse tatoverede ting - Meherunnessa begyndte at tage Guds navn ved at fjerne malurt. Book pinura mor sukkede og sagde, die, die, og mig at skulle gøre alt arbejdet. Hvad er mine fem døtre i kulakshan? Jeg er fredeligt gift med piger? En dag ældre datters mand, en anden ældste datter-in-law. Jeg har en gæst i mit hus Har der. Alt skal håndteres af mig. Pinura mor kunne ikke stoppe midt i ord, ofte lang ånde, og bryst, forårsager luft kaparakhani gentagne gange løs. O. tiden for Eid Kjole alles hus påklædt. Ellers er der stor respekt og værdi. Dette år er sådan her. Og på denne side af mit ånde fejede pusten væk Giggles at blive. Rehana tante svigerforældre, jethi svigerforældre, og samtidig engageret i en dialog med alle de personlige problemer, at Rehana blev indtastet Terai kunne ikke forlade. Rehana forlod det lille køkken og kom ind i huset i det store rum. Hun er i hendes seng værelse Indtastede. Under huset holdt hun sine dyrebare bøger sammen i en gammel taske Han var derude. Sæt bøgerne på alle senge. Disse bøger At være hans styrke til at overleve. Han har købt disse bøger ved at gemme en enkelt krone. Disse bøger er til deres overlevelse. Når man læser en bog, så Kraften i at arbejde med den nye entusiasme, Sanjeevani er. Rehena bøger er midt i brystet Hold på. Han trykte sine øjne og spekulerede på, hvad Rehena ville have troet. Efter et par minutter, da han så to øjne, blev han overrasket over at se spøgelset. hans Manden stod foran. Moeen's to øjne eksploderer. Som om ilden faldt. Nå, hvorfor så hendes mand Moeen hende i et sprængende ansigt? Synes pulveret at eksplodere? I øjeblikket begynder huset at fyres. Rehana holdt ved at trykke sine bøger i brystet. Moin spurgte Rehena, "Hvad er der, hvor har du så mange bøger fra?"

Historie navn: Forhold (13 sider) Kawsar Jahan Shimo Rehanna forstår ikke, hvad jeg skal sige. Så og daura daura flagermusen fortalte sandheden. Jeg bragte dem fra min fars hus. " Moin var utilfreds med konens ord, sagde hun, hvorfor gør alle disse sider? hvor, Du kan ikke se nogen hadith, Quran lærebøger. " Forundret Rehna med forbavselse og sagde: "Alle disse bøger lagde en spænding og sagde:" Lad dem gå til verandaen, giv det til siden, lad mig se. " Rehanas bøger er blevet efterladt på en sådan måde, at de skatte, der blev opbevaret i lommen i Tulsidas, var gået tabt Fløjten begyndte at stoppe. Rehana begyndte at græde efter at mandens fødder var presset ned. Han sagde: "Disse bøger Tag det ikke. Dette er mine yndlingsbøger ''. Moin kiggede ikke tilbage på et øjeblik. Ingen kanti af brudgommen - Mintye i ørerne Fik ikke ind Moin begyndte at tænke, "hvis hans kone har så mange vaner, så ingen i hendes familie Vær ikke bekymret " Moin kiggede ud på bagsiden og kiggede ud og gik ud. En af bogen er dam vand Smed ind Alle disse bøger er uudholdelige! Uudholdelig! Om morgenen gik Rehanas svigermor, Meherunnesa, til køkkenet for at afslutte bønnen. Se, alle husene er skjulte, men hustruen fra huset forlod ikke sengen. Ethvert arbejde i køkkenet - hånd i hånd Der er ingen bestemmelse til morgenmad, der er ikke noget arrangement til morgenmad om morgenen. Meherunnessa beskylder sine egne forfædre efter at have set sådan et rodet rum. Og rommen De begyndte at misbruge og misbruge. Meherunnessa satte sin hånd på arbejde. Og højlydt, alle disse urbane piger På grund af sit ægteskab i dag er hans familie begejstret. Ellers hvis hans søn er fra landsbyen Hvis han skulle gifte sig, ville hans familie ikke have været på en sådan måde. Meherunnessa tænker mere og mere "Stadens folk spiser ikke ris, hvordan er de dovne?" Meherunnessa knuser panden og huset hopper. Og langsomt kom Rehana ind i køkkenet med et deprimeret, deprimeret sind. Da hun så Rehena, sagde svigermoren: "Hvad er der, hvorfor vågner du så sent? Hvornår vil du lave morgenmad? Hurtigt tilbered asafoetida og steg det. Rehanas ansigt ser ikke ud som nogen. Han blev kastet i hullet. Hans langsomme tempo blev lagt mærke til. Han kom til køkkenet og ovnen Dharalo. Begynd at lægge lidt vand i en ske, hæld pakken mel i vandet. Da melet var færdigt, tog han padle og ballon og sad på spanden.

Let us movement violence against women - Kvinder i dette land er ofre for fysisk og mental og mental tortur. Hvor livet går!

Historie navn - Forhold (14 sider) Kawsar Jahan Shimo Rehana solgte brødet. Hvem ved hvad det er! Alt brødet var buet - det blev lidt, det syntes ham, at han ikke vidste, hvordan man laver mad. Han har ingen færdighed i dette arbejde. Eller han blev ubehagelig på arbejde! Hvor meget han troede Det er som denne en time er gået. Roti holder ikke længere. Brødbella's arbejde Det virker som hans pinefulde smertefulde arbejde hele tiden. Da brødene var færdige, gik de hen til stege det i ovnen. Da han var færdig med at stege brødet, tog han det op i et bur og holdt det hængende. Så gik han hen imod huset. Efter et stykke tid kom Moin for at spise morgenmad i køkkenet. Hendes mor sad foran hende. Moin kom ind i køkkenet og fandt sin mor og sagde: "Hvad er moren, så meget sket, Og så ring ikke til morgenmad, hvad er der sket med mor? Hans mor syntes at være begyndt at tale med folket. En sådan ting kom pludselig, en sprang på siden af ovnen og hang på sofaen, tog noget af brød fra 'jhappy' og bragte det ud foran drengen. Rystelsen begyndte at sprænge og sagde: 'Mejlen til at gøre din kones brød, du ser godt ud'. Mehrunnesa smilede smilende og sagde: 'Hvad er disse tre hjørner med fire hjørner af brød, hvordan kan du lave morgenmad for at se, om jeg kan se' Moin '? Historie navn: Forhold (15 sider) Forfatter: Kawsar Jahan Shimu Dato: 26/01/2016 Og så blev Meherunnesses hals grusomt. Foran Muneen begyndte højlydt at sige: "Min kone blev begejstret for din kone". Moin gik ikke for lavt, hun begyndte at tale med sin mor og sagde: "Før ægteskab var du vild med at blive gift på det sted, og nu, kone. Du kan ikke lide - Da han hørte om Cheela, sagde moderen: "Du ved hvad dette er, du ved, denne ufødte pige kommer hjem." Det kan ikke fungere som et godt og ''. Moin hylede mor og sagde, at hele tiden folk skal se efter muligheder, kan hun Lad være med at give din sønns kone og tid, helt pludselig vil det være okay. " Drengen sagde, at alle ordene blev brudt. Og hans mor ønskede ikke at høre disse ting. Hendes farfar morede sig, da han hørte drengens stemme

Historie navn - Forhold (16 sider) Kawsar Jahan Shimo Moin sagde: "Hun slap, mor, nogle af mine venner kommer om eftermiddagen, lav lidt morgenmad. Meherunnessa blev begejstret for at høre sønnen. Halsen spredte sig i spænding og sagde: '' O Jeg kan ikke lave alle kager. Min hud i ovnen er brændt. Du ved det ikke, lægen forbød mig at opvarme ilden. Fortæl din kone at komme til køkkenet - Moin så sin moders barberede hals og kom ud derfra. Han trådte ind i stuen og kom ind i sit værelse. Han så, at hans kone ligger i Rehana Chi's hus Bogens ansigt er på ansigtet. Og benene svingede to. Da han så scenen, kunne han ikke stå stille. Blod var på hovedet. Han fulgte efterfølgende to spark bag på bagsiden. Historie navn: Forhold (17 sider) Kawsar Jahan Shimo Rehana kunne ikke visualisere noget først. Umiddelbart efter at være blevet behandlet som dette, er det skammeligt og ydmyget, at han ikke kan Bliv ved kanten Og han kunne ikke sige et ord, og han kunne ikke tale med nogen. Han vidste ikke hvor meget tid gik. Efter timer gik han fra seng til seng Kataracche yantanaya. På den bevægende fan, kigger på zenithen. Rehana ligger på den ene side af natten. Og hendes mand Moeen ligger på den anden side. Manden og kone er begge ansigter - Chawi er tæt på. For nylig mobiltelefonen af Rehena Rehena Seyre er i mobilens position Efter at have flyttet fremad, skulle han fange mobilen, før han tog mobiltelefonen. Rehena kunne ikke leve uden at tale. Rehana sagde: "Giv mig dagen, min mobil - Men, Moin gav ikke mobil. Han sagde lige i ansigtet: "Ingen magi po mobil i dag Jeg har set det i dag, " Hun begyndte at tage telefonen fra antallet af telefoner, der kom ind der. Telefonen var oprindeligt mobiltelefon, men mobilen modtog ikke nogen. Han ser sådanne hændelser Han blev tvivlsom overfor konen. Han sagde til konen: "Hvad er det, hvorfor ikke få din mobil?" Moins kone er på siden Stemmen af den ophidsede stemme, uanset om det er din identitet eller ej Vil bevise. Hold stille. " Moyen fortsatte med at ringe. Efter lang tid blev mobilen modtaget. Moin bemærkede, at telefonen, som han talte, var ved at trække, sagde Moin, "hvem er du?" Fra den anden side sagde: "Hvem er du, Moin var så forvirret, at han forsøgte at slå manden med en sko. Hun kan ikke tolerere en mands telefon i sin kones mobiltelefon. Moin råbte fra dette hjørne af mobilen, råbte han højt. Han sagde "Hvorfor kalder du denne kvinde, tak? Hvorfor har du ringet til min kone? Slug dig Køb - Bloody Bloody

Historie navn: Forhold (18 sider) Forfatter: Kawsar Jahan Shimo Jeg begyndte at stønne et par minutter. Og sagde ikke et ord til konen. Lige før han forlod huset sagde han: "Jeg vil medbringe et nyt SIM på din mobil, det kan ikke bruges længere". Af denne lille grund vil det mobile SIM-kort blive ændret. Af en eller anden grund er mobil SIM-forbindelsen Rehena var overrasket over at høre, at skibet ville tage afsted. Rehana lå på den ene side af sengen, godt, hendes mand var så smal mentalitet Hvorfor naturen? Hele dagen mistenker ham. Og tænk på ham som personlige egenskaber Gør det Han har ingen frihed, han vil klare ham. Rehana og Mune er blevet lukket i de næste par dage. Rehana kan ikke lide noget Gå til køkkenet, kom ind. Rice cooks curry. Moeen sidder i køkkenet, han tager hele hans ånde. Hans kone sad foran ham. hun Plade al risen hældt ned og venstre. På vej går værfter fortsat og siger, "Sæt dig ned på dette rådne hus og sluge dig." Rehana sidder på venstre kind efter at have set sin mands udnyttelse. Og i følelsesmæssig smerte Lider af. En dag i Badams hus sidder Rehana i Badam og sprer to ben - drys. Sad Ser man på horisonterne på himlen, er visionen ubegrænset. Hendes svigermor gik forresten og kigger på Rehenka Kastede det ned. Ved at øge en hånd halsen, sagde Meherunnesa, hvordan man sidder hjemme og hvordan man sidder Du kender ikke " Long live Rehana sidder alene. Rehana hals blev fanget i et bryst. Han sagde noget Kunne ikke Rehana havde ingen slør på hovedet. Da hun så hende, sagde svigermoren sjovt, "slør i hovedet Dew, frisurer og bægre vil sluge dig. " At sige mange tårer gik hendes svigermor til køkkenet. Rehana kom ud af Badams sted. Hun gik i seng i sengen Han ligger på sin mobil. Han tog telefonen Ved at høre fra den anden side blev det forstået, at mobilen fra distriktskontoret. Først hørte han Kunne ikke gøre Da han indså, at distriktsdesignschefen har lavet mobil, han Stret op og satte sig. Rehena var chokeret og sagde: "Ja herre, ja herre, jeg fortæller Rehena Akhter." Fra den anden side sagde: "Hør, Rehana, jeg fortæller dig D.D. Gautum Krishna Paul, Du har træning i distriktskontoret den 26. og 27. i den følgende uge. Det er klokken ti om morgenen Kommer til distriktskontoret. " Rehana hørte om træningen og sagde: "OK herre, okay herre, jeg kommer tilbage Sir. " Efter at have talt i telefonen holdt Rehana mobilen. Da hun så på døren, kom hendes mand Moinul Islam ind i huset. Da Rehana talte om mobil, spurgte hun: "Hvem har ringet?"

Historie navn: Forhold (19 sider) Forfatter: Kawsar Jahan Shimo Rehana sagde: "DD Sir fra vores distriktskontor. Ved at sige dette flyttede han til side og holdt hovedet lavt. Moin bad om at sidde på den ene side af sengen og sagde: "Så hvad sagde din D.D. Saheb?" Rehana kiggede på sin mand og sagde: "Der er træning i den forreste uge." Rehana's mand Moin rydde klart, og hele træningen - fjern træningen. Og lad os gå Ikke for meget Nå, hvorfor sagde du så forbløffende til mig, at du ikke har stoppet nu før ægteskabet? " Efter at have lyttet til alle disse vers af hendes mand, rehears Rheena hele kroppen. Moeen spyttede i et hjørne af huset, sagde han med høj stemme: "Disse to er pengene værd Sænk drømmen om job, koncentrere sig om husbygning - Moeen kiggede på en anden og sagde: "Glem ikke at gå til den træning." Rehana sagde: "Hvorfor giver du op?" Hun spurgte sin mand: "Hvorfor skal jeg give op?" Rehena så på mandens øjne og begyndte at stille spørgsmålstegn ved. Moin bemærkede, at hans kones øjne blev større. Moin løftede sine fingre og sagde: Shut, fuldstændig stilhed, øjne ned - Øjnene rystede i hånden med to tweaks og sagde: "Jeg vil dræbe alle, mere snak At sige, Moeen Rehena ønskede at holde tittleet nede. Rehana begyndte at blive ondskabsfuldt tale. Hele hans krop skælvede i vrede. Denne person bliver deprimeret hver dag, og kan ikke bære den. Rehman forlod Der var et tomt glas på bordet, og hun kunne ikke ryste i vrede Sæt alle sammen Skæbnen flyttede sin mand væk, ellers havde hun hovedet afskåret. To dage senere hed Rehmans kæreste Tamanna. Tamanna sagde: "Bare rolig, i mange dage har du ingen kontakt. Hvordan har du det i din svigerfamilie? Rehana sindstilstand er ikke godt. Han har et skænderi med sin mand. Rehana tårer Stemmen sagde: "Hvordan kan jeg være god, Tamanna? I dette samfund er alle kvindernes ægtemænd Hvad slags Og hvad er min mand? Skænk altid med mig. Forhindrer. Jeg kan ikke lide det. Tamanna sagde fra den anden side: "Din mands vaner er ikke ændret endnu. Da hun hørte Tamanna's ord, sukker Rehana, og Tamanna er bekymret for åndedrættet Læs det. Tamanna sagde: "Nå, nu rigtige ord, du kommer ikke til at træne." Rehana sagde: "Hvordan kan jeg komme, hvis manden ikke kommer?" Tamanna hørte Rehena's ord og sagde: "Hør Rehena, du er en pige af frygtelig natur. Hele tiden er du bange for din mand. Du kan ikke komme ud af dit arbejde, der frygter denne vej. Med mod må du håndtere alt. Forebyggelse At gøre. " Historie navn: Forhold (20 sider) Forfatter: Kawsar Jahan Shimo Tamanna stoppede ikke et øjeblik, "Jeg talte til dig. Nu tænk over det." Så talte Tamanna og Rehana et øjeblik om personlige forhold til mobil. Om natten tænkte Rehena på ordene fra sin ven Tamanna. Kom "Redder mod Forebyggelse Sparer mod Forebyggelse " Hvad vil han turde redde? Hans summende slag blæser. Hun tænkte - Fødsel er sandt Døden er sandt Ægteskab er sandt Og det er rigtigt at holde verden levende efter ægteskab. Rehana faldt ned i et hån. Hans hoved Han bevæger sig, med den bevægende fan over og hans hoved blev ikke ædru. Dagens 26. dato Rehana fik træning fra ti om morgenen. Rehana i hendes soveværelse Var klar Klokken otte om morgenen. Rehana havde et lille spejl, Holde det, han blinkede i hans ansigt. Hendes mand Moine var i køkkenet, hun kom ind i stuen. Rehena rystede på håret, håret blev afskåret. Da Rehena var påklædt, spurgte Moin: "Hvad venter du på?" Rehena sagde: "Jeg sagde til dig, i dag har jeg træning." Moin sagde: "Du kan ikke gå i dag, min onkel kommer fra Dhaka om eftermiddagen. Mange kokke - bliver nødt til at græde. Mor kan ikke klare sig alene. Derfor er du Jeg kan ikke gå i dag. " Rehana kunne ikke acceptere alle hendes mands ord, sagde hun: "Men i dag, Jeg må gå, i dag må jeg gå. Jeg vil ikke have et job, hvis jeg ikke træner. " Hans faste arm var fistfaced. Hans arm blev rejst højt. Han blev en proteststempel. Rehana sagde: "Se, ikke forstyrre i dag. Lad mig gå i dag min Forsinkelsen sker. Mojas ansigt blev deprimeret, "sagde hun til tænderne," hvis du vil gå, kom ikke hjem til Jindegir. " Historie navn: Forhold (sidste side) Forfatter - Kawsar Jahan Shimo Hun var chokeret over at høre om Rehana's mand. Hun kunne ikke stå sig mere. Han løftede sine fingre og løftede fingrene og sagde: "Men det vil ske, men det bliver din, For mit liv er blevet forgiftet. Jeg vil slippe af med det. " Rehana ventede ikke et øjeblik. Hængende posen på skulderen kom ud. Rehana hang bare ud af haven. For at give en fod på gaden, var hun overrasket over at se et spøgelse, hendes mand Moeen stod foran ham. Hans syn bliver til en rød, nydelig som en blodbad. Han rejste sig og sagde: "Hvis du ikke lytter til mig eller lytter til mig, skal du ikke høre

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