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#ok bedtime now
faygos · 3 months
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ONWARD NOBLE STEED
Sure gran whatever you say!
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initial-lime · 24 days
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(Guy who says he’s gonna go to bed but then fucking doesn’t)
So anyways I don’t personally imagine s5 Jon with short hair, but imagine Martin finding him trying to cut it and seeing how shitty of a job he’s doing (cutting your own hair is hard, especially if you’re upset)
So Martin offers to help and just gently holds Jon’s face as he cuts his hair, not as evenly as a hair dresser would, but with the shaky yet steady hands of a loved one
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boyybites · 3 months
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wip of his ref because dammit if im gonna make new ocs imma at least get em up to speed in the finished ref and profile catergory
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autogyne-redacted · 1 year
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@loving-n0t-heyting hope you don't mind a bit of a longpost. I was gonna reblog one of your posts but this became A Whole Thing and I just decided to let it be its own post.
I've been thinking since you posted about it a little while back, and I do think (as an abolitionist) that the classic sources like Are Prisons Obsolete do stop short of making the case that no form of incarceration ever makes sense in any circumstance.
I think they make compelling cases that prisons cause more harm than they prevent. And I think there's a ton we can say about the limitations of viewing some ppl as just inherently Bad/Dangerous (or of acting like the majority of ppl incarcerated are in any way exceptionally "dangerous").
But I have the impression you're probably on board with at least most of that, and that's different from actually making the argument you're asking for.
///
At the end of the day, there are and will continue to be situations people who have crossed lines and caused major harm and made clear that they would or likely would do so again if given the liberty to do so.
And I don't feel the need to shy away from talking about that just because it gets messy.
And so our options are:
-refuse to infringe on their liberty.
-kill them.
-or in some lesser way limit their liberty.
And while I wouldn't want to totally write off options 1 and 2, I think it would be foolish to hardline and refuse to consider options in category 3 as part of what ideal solutions might look like.
As for what that looks like, I think it varies a ton depending on what context we're talking about and what kind of individual / situation we're talking about.And I think fundamentally in any context I'd advocate for a more case by case approach, which unfortunately means my answer is still somewhat vague (tho if you want to propose specific hypotheticals or talk about specific historic court cases I'm open to that).
But my general principles are:
-try and find a solution that minimizes the risk of them cashing more major harm in the future while not infringing on the their liberty more than necessary.
-reject punishment for the sake of punishment, or for the gratification of the victim.
Prison is a one size fits all solution and a fairly comprehensive denial of someone's liberty and I would (thinking about solutions that could be implemented without changing more than the criminal justice system)* advocate asking lots of separate questions:
-can the person in question continue to live at their home? If no, why not?
-can they continue to work a (non-prison) job. Or hell, work a bit al remote job from inside a prison?
-can they attend specific events / otherwise go to specific places they want to?
-can they keep their possessions?
Etc.
Requiring that any reduction in freedom be actively justified.
A lot of the logics that justify prisons act as if some ppl are Inherently Dangerous and the only way to mitigate that is total separation between them and law abiding citizens because if they were allowed to walk thru a grocery store or go to a football game they'd manage to kill someone. And it's like ... that's 100% media super villain logic and not a real threat model.
Generally the capacity to cause major harm is dependent on specific things (having a weapon, having an established relationship, an institutional hierarchy, an isolated space, etc).
And none of this says that we could never decide that the best course is for someone to be confined to a specific location or otherwise be under close supervision long term. But I think there's a real paradigm break we can make from that being the default to something that has to be justified piece by piece, case by case.
//
Also, I'm gonna include this link as the only specific historic anarchist examples I know of:
https://theanarchistlibrary.org/library/augustin-souchy-with-the-peasants-of-aragon#toc7
Is it abolitionist? Is it trustworthy source? I think lots of ppl would say no to both, but it paints a specific kind of picture that seems like the result of ppl using similar principles to mine. And like, how do you handle a large group of fascist soldiers seems like one of the harder challenges you could pose to prison abolitionism (tho tbf my understanding is lots of them were drafted and actual ideological commitment wasn't super high)
*this is a weird thought experiment for me to do because my relationship to the prison system as it exists is so fundamentally one of antagonism and I see the kinds of cases where I would see ~ongoing control or supervision~ as justified as so limited, but they're not non existent and I hate seeing abolitionists in your threads just refuse this conversation so I'm trying.
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elytrafemme · 1 year
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bedtime for me unfortunately <- finished everything on to do list and is feeling emotionally well but wanted to work on editing a fanfiction so she can finally post it but just got the motivation three minutes ago and therefore can’t directly go and do that because school requires i wake up at 6:30 am
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Or possibly this season has been defined by waiting for the fulfillment of a dream, which might make these days feel like a waste of time... I am learning that sometimes there is treasure to find in the wake of a vision that's been lost.
-From Lost to Found, by Nicole Zasowski
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softbobamilktae · 2 years
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.
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antholozities · 8 months
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i am sufficiently watered
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leafatlaw · 1 year
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Creo que tengo OCD
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infectedshq · 1 year
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welcome  to  the  memphis  safezone,  &  good  luck  out  here  !  please  report  to  pete  for  your  first  duty  in  24  hours.  the  following  faces  &  roles  are  now  closed  for  applications :
˚ 。❛ —— brittany  o’grady.  26.  she  /  her.   〉 yeah,  that's  wren  ford,  originally  from  new  york  city,  new  york.  they're  known  ‘round  here  for  assembling  weapons  in  memphis,  but  they  came  into  the  zone  six  years  ago.  they  were  with  the  new  york  group,  but  they've  done  pretty  well  fittin'  in  here,  i’d  say.  don’t  know  how  to  feel  about  the  fact  that  they  would  call  themselves  a  firefly,  but  it  helps  that  they  remind  me  of  the  disorder  of  the  city  —  staccatoed  car  horns,  the  dull  cry  of  tourist  chatter  floating  around  times  square.  the  scents  of  gasoline,  citrus,  &  laundry  detergent  that  bleed  into  one  another.  abandoned  breakfast  diners,  possessed  by  the  vines  that  now  swallow  its  walls :  a  pocket  of  respite  at  3am.  dry  humor  that  feels  stifling,  holding  others  at  an  arm’s  length,  stringing  barbed  wire  around  your  heart.  peeling  fruit  with  a  military - grade  serrated  knife,  alarmingly  casual  about  handling  weapons  made  for  slaughter.  [  sarah.  +  nyc  sib !  ]
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bitegore · 2 years
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there was a post that suggested making your own prompt meme to solicit prompts on on the archive of our own so i decided to go give that a try.
that's in here. it might not work right. we'll find out. go yeet some drabble ideas in there if you want and i'll consider them tomorrow while i'm in class
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bakurapika · 2 years
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i don't want to reblog and actually @ any of the art in particular, but finding bad-/comic-art seems to have whole genres of types of "bad art (i don't know if it sounds bitchier with or without the quotes so i added one quote. you're welcome for the confusion)
this is a blog post in the traditional opining-for-no-reason sense so this is under a readmore
i know it's a bad trend in general to have women all be sexualized without the men getting the same treatment, but we don't get context, so like
genre 1: normal sexy women. im including stuff that is stylized in a way that emphasizes curves/bust/butt but (butt lol) is emphasizing things that look good. by which i mean, it has a clear line of action, you can tell what's going on, but the proportions are intentionally weird or it's apparently chilly out today. like ngl i'm kind of into this look. reminds me of some early-to-mid-00's cartoons. (plus, in that example, the guys are getting the same goofy expressions and poses)
genre 2: abnormal sexy women. this is the michaelangelo approach if, instead of grapefruit, he stuck beach balls on the boobs and butt. it's not a character choice for a woman to be a Sexy Woman - it is the default design, and any angle which does not have boobs and/or butt must be corrected. this is where you get those weird spine issues and strange torso twists and "this body looks normal except her boobs are in antigravity" where the net effect is not sexiness but uncanniness.
i don't think that ONLY the boob/butt thing will put the art into this category though. counter-example, this is boob/butt but (butt) it gives an exaggerated fluidity to the motion imo. it doesn't feel like we're looking at a woman with weird anatomy, but like we're seeing her torso and then seeing her run. the hands being distorted make it feel more like a smear to me. contrast this one, where you can't tell at first if we're even looking at her back or her front. i'm not sure if they drew the hands wrong or maybe this was a crunch time problem or if it was intentional. it's not more anatomically "wrong" but it's confusing instead of conveying its movement in a glance
or this cover where it seems to be a normal, referenced portrait, but with her boobs appearing massive, because the rest of the torso is a little foreshortened but her Boobs Cannot Be Small. the boobs take up the whole thing, they interrupt any sense of movement, and are given as much importance as her face. in fact you wind up with stiffer poses a lot of the time because you're restricted to pin-up appropriate movement.
genre 3: inexperienced or done quickly. things get wonky and off-model in ways that aren't on purpose, and there seems to be no one in the editing process who was willing or able to correct it. im also lumping some stylization in here that doesn't seem intentional, like this one, where the anime-eyes are going against the mood that seems to be otherwise conveyed.
im also lumping in "you can see what they're going for but they couldn't find a reference image" which seems like it might create some of the weird anatomy. like they had to look up a face and a body and it looks badly photoshopped. or like this one i almost think they did some inks on the wrong layer and accidentally colored over it?? children seem to get this issue a lot too, although granted, even baby jesus has that issue for centuries so it might be an age-old problem
genre 4: stylized so much it is hard to see what's going on. this one is even more subjective than the rest, and all art is subjective so whatever. but when the poses get funky or the design is complicated, then you need to really compensate with line weight and careful color choice and composition or else it looks cluttered and weird. at least that's how i would approach that problem but i don't art much. spider-man seems to deal with this the most that i'm seeing so far, although you could probably put the liefeld offenders in here too
genre 5: silly. the art might not even be bad but the expression or pose is silly
genre 6: too detailed in the wrong spots. man muscles. also otherwise non-sexy women who get their nipples shaded in situations that it doesn't make sense, or where other similar shapes aren't detailed. or the faces are lined a lot to make it intense but wind up making the whole thing really dark and hard to parse. (don't @ me about yugioh.......)
genre 7: racist. might be the colorist or the pencils/inks or all. even those that aren't intentionally offensive seem to just not know what non-white people look like
i think the reason im writing all this (and not tagging anyone obv) is because there's not really a point to saying YOUR ART IS BAD AND YOU SHOULD FEEL BAD for many of these, esp the off-model ones. i guess im overanalyzing because i want to learn from it?? and maybe articulate to myself why "haha girl sexy" and "oh no boobs too big" get such different emotional reactions from me, and why i don't need to feel bad for thinking girl sexy, and it does not mean i am perpetuating bad boobs. dont accuse me of perpetuating bad boobs :(
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maudiemoods · 29 days
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I am trying my very best despite it being 1:30am
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tskumoyuuma · 5 months
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it is kinda funny tho that so many people missed the very blatant message of the movie about how easy it is for people to turn on each other when they dont have all the answers .... and they missed this because they wer too angry about not having all the answers
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greenfinches · 10 months
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blooming-cecilia · 8 months
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playing dress up with his favorite human
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