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#ok i have 6 characters and three jokes
m1d-45 · 8 months
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KAEYA IS SOOOO THE GUY EVER. he’s my boy girlfriend. my scrimblo. my eep glorpy. if/when that kaeya ai gets released i WILL be losing my shit. i will simply cease to exist. oh god i need to write ideas for kaeya now. perhaps a princess tutu-esque au with reader as duck. but then again diluc fits a bit more into the fakir role… but that doesn’t matter if i just mash everything together and pick out the bits i like
ANYWAYS. kaeya alberich the world - teddy anon
you’re so real for all of this, and i don’t even know the reference. you 🤝 me : “mash everything together and pick out the bits i like”
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orcelito · 2 years
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57 notes . 57 notes !!!!!! fifty SEVEN NOTES showing that there are people that exist on here who like the manga ive stolen this identity from and YET no one has approached me about my legitimately canon url for this manga !!!!!
im here !! he’s my FACE and yet u dont interact with me . why
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moonlitlex · 7 months
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i have so much to say abt chalice of the gods so im just gonna copy paste my review from goodreads here. you can also read it on goodreads
ok. i promised i would hate this book. and i do. i hate this book. i also hate rick riordan. in addition, i hate capitalism. i promise that’s relevant.
let’s talk about the book now. i’ll cover the things i love first. i love percy jackson. i love grover. i love annabeth. i love sally. i love paul. i love percy annabeth and grover together. all of these things are very obvious and self-explanatory. percy is hands down THE main character of all time. i have nothing bad to say about him. his literal fatal flaw is loyalty. he’s actually perfect and has no flaws. this is expected from the son of sally jackson, the perfect person. paul is sweet and kind to sally and that’s really all that matters. annabeth is awesome and supportive and so is grover and they’re all besties forever. you get it. you’ve read percy jackson.
the jokes are better than before. there are definitely some legitimately funny jokes in this book, which i was really missing from the last few rick riordan installments. and i don’t think this is because rick suddenly got funnier. i think it’s because this style of joke works for percy. of all of rick’s protagonists, percy seems the most natural fit for these jokes.
sally is great. grover and annabeth are generally on form. so is percy, as much as can be expected from rick riordan at this point. i will elaborate on this later.
now to complain. this is the stupidest premise i’ve ever heard of. percy is a high school senior. he is going to go to new rome university. he needs 3 divine recommendations. this is already a stupid premise but don’t worry, it gets worse. poseidon reveals that the reason percy needs these recommendations is that it’s a special requirement for him specifically made by zeus. and the reason he gets to have this stupid requirement is that he’s a child of the big three and shouldn’t exist.
hello. zeus. yes, lord zeus, it’s me. alexis.
what the absolute FUCK are you saying.
this doesn’t MAKE SENSE. the only reason percy shouldn’t have existed was that the gods had a stupid pact to not have any kids because of a stupid prophecy. two things here. one - that prophecy is OVER. everything turned out fine. thanks to percy jackson. you’re welcome, gods of olympus. two - percy has literally saved olympus TWICE now. two times. this is genuinely such a dumb and made up reason to send percy on a quest that i can’t even turn my brain off and enjoy it. it’s not fun. leave percy alone. LEAVE HIM ALONE.
it’s literally insane how stupid this setup is. rick keeps writing books about how the gods are horrible and take advantage of the demigods and the demigods live terrible lives. in this book, percy has LITERALLY saved olympus TWICE and motherfucking zeus (literally) had to be talked down from making him get 25 letters of recommendation to 3. this is AFTER percy spent 3 years in pjo almost being killed and got his memory wiped for 6-8 months depending on which book you read in hoo and then got sent on a quest to save the entire world AGAIN. this CHILD got like a 2-4 month break (depending on which book you’re reading) and he woke up with no fucking memory and had to spend like 2 more months fighting monsters and the literal primordial earth goddess. and now he has to go on literally pointless quests that someone who didn’t just get back home from saving the actual world could ALSO just do. because he needs to get some fucking letters of recommendation.
look. genuinely. percy jackson should snap at this point in the story. this boy should’ve snapped like at least 5 books ago. at minimum. rick wrote the perfect setup to show us percy’s instant descent into madness. he should LOSE it. all the gods have done for the ENTIRE time he’s known he’s a demigod is treat demigods like disposable tools. this is the point in the story where percy goes. wow. luke was right. you guys are all assholes who don’t care about us even a little bit. i am NOT saying what needs to follow is a fanfic-esque dark!percy story where he successfully destroys olympus or something. what i AM saying. is at bare minimum this is where percy goes you know what fuck you i hate you guys and washes his hands of being a demigod at least temporarily. at the very least he should sit back and think yeah, i don’t really want to go to new rome university. it’s not worth it. i will just go to a different university. look. it’s percy jackson. he can literally one shot all but the most fearsome monsters (typhon, the giants, a drakon, etc). he is literally going to be 100% completely fine going to mortal university AND he wont have to deal with zeus’s annoying ass.
listen. MY percy jackson wanted to kill smelly gabe as a 12 year old because he abused his mother. MY percy jackson doesn’t like bullies. MY percy jackson challenged ares to a fight just on the basis that ares was a fucking asshole.
MY percy jackson is not going on useless fucking quests to go to new rome university of all places.
which reminds me. why DOES he want to go to new rome university. this is percy jackson. he LOVES new york. why is percy “what did they do to my city” jackson going to university ACROSS THE COUNTRY from the city he loves. why is he doing that. and hey look. sally and paul (and soon estelle) are ALSO going to be in new york. so like WHY is he leaving for real. percy my fatal flaw is loyalty jackson. IT DOESN’T MAKE SENSE OK! it’s percy he is seriously not going to have issues with common monsters attacking him. we literally saw him fight off titans and giants a fucking hellhound isn’t gonna get his ass. WHY is he leaving. it does NOT make sense.
there’s this scene ok. where sally tells them she’s pregnant. and percy’s like oh my god…. i’m going to be in california…. and my sister is going to be here…. and i was just sitting there going. yeah bro. why are you going to california. i literally do not understand. you literally are from nyc. you live here. your family is here. your friends from chb are like a short pegasus ride away. there are like 50 universities in new york. just go here. why are you leaving. you are percy jackson. being a new yorker is literally one of your defining traits. stay here. WHY AR EYOU LEAVING I DO NOT UNDERSTAND PERSEUS
and listen. if your argument is that annabeth is going to be in nru. why the FUCK is ANNABETH going to nru!!!!! WHY WOULD SHE DO THAT!!!! EXPLAIN IT!!!! percy LITERALLY says annabeth is such an overachiever she’s already run out of ap classes to take. he literally says that. why the fuck is this girl going to nru where let’s be real her admission is guaranteed. annabeth is 100% someone who would want to go to an ivy. and would you fucking believe it there’s an ivy right here in nyc. like let’s be fucking realistic here. annabeth started her architecture career at SIXTEEN designing the city the fucking GODS live in. so like. don’t you think she’d want to be a bit more challenged. don’t you think she’d want to go to a university that is actually recognizable to mortals. annabeth did NOT love new rome that much like did richard forget what he wrote. this girl was freaking out about new rome until percy said he only likes it because they could live together there. she literally does not care about new rome and she is WAY too ambitious and academically inclined to be happy with going to some small as uni 99% of employers have never heard of.
this isn’t even the worst character assassination in the book. that award goes to the way rick wrote percy. percy. my darling percy. my beloved percy. perseus jackson. light of my life. as i said before, he is MOSTLY on form. the him really wanting to cali thing is definitely ooc for him but it is NOTHING compared to the sheer amount of times rick portrays percy as stupid in this accursed novel. his internal monologue is constantly shit like i’m always so behind annabeth and omg i’m being so dumb right now and annabeth calls me seaweed brain because i’m an idiot and blah blah fucking blah.
dick riordan has forgotten that perseus jackson is, in fact, not stupid at all. he is INCREDIBLY clever. he is just not particularly academically inclined/not very book smart and it would also be perfectly understandable given the fucking books that riordan wrote to interpret that as percy being very discouraged from engaging with his studies. he genuinely enjoys chiron’s class at yancy because chiron is an engaging teacher and encourages him. he spends 90% of his time in pjo deducing what’s going on with extremely limited information because rick decided none of the characters can tell him anything because of plot and exposition reasons. in son of neptune he literally just coasts on having sherlockian (not bbc that’s a whole other angry review) powers of deduction. to the point where the characters around him are amazed at how he’s figuring stuff out. literally in house of hades annabeth’s pov’s are constantly her commenting on how she gives percy shit for being a dumbass but he’s actually really clever.
it genuinely feels like at some point during the writing of mark of athena rick decided to just slowly start making various fanon ideas canon. percy being stupid is very commonly accepted fanon because he doesn’t realize how smart he is (and fans don’t realize he’s an unreliable narrator) and the fans also love to infantilize characters with more in your face adhd (leo is another victim of this phenomenon). we’ve spent 5 books in percy’s head and he doesn’t think he’s particularly clever so it makes sense to ignore the mountains of evidence pointing towards his quick and creative thought process in favour of haha percy is dumb jokes.
the wild thing is, percy isn’t even that hard on himself in pjo. he obviously doesn’t see himself in the same way we later come to find out other people see him (mainly thinking about hazel and frank in son of neptune, which is the only time in hoo he genuinely feels like the same character as pjo percy) but he’s not really dealing with crazy self doubt and self esteem issues. he does have his down on himself moments but they’re all extremely understandable given the context because he literally faces impossible odds in every single pjo book. at one point he’s disappointed he couldn’t tell that ares and luke manipulated him… like yes bestie that’s a very valid thing to feel upset and betrayed about. it doesn’t mean that he’s actually stupid though and genuinely he comes across more as humble and not realizing just how awesome and cool and interesting he is than anything else. percy consistently shows that he is really clever. half of pjo is percy figuring out a new and interesting way of defeating his enemies and the other half is percy figuring out how to bait his enemies into a duel to improve his odds. it’s horrible what rick does to percy in his internal monologue.
it’s to an insane degree. yes i realize i have already written 500 words about percy not being stupid alone but i must stress how egregious this is. it’s literally characters who have previously acknowledged percy’s intelligence who start remarking about how he’s stupid. in house of hades percy and annabeth get out of fucking TARTARUS and reyna makes a jab about how percy wouldn’t be able to find his way out of a paper bag without annabeth. that is an INSANE thing to say for reyna and for rick. rick has not written a stupid character so it’s weird to make that something a character does without really trying to show them being wrong. from reyna’s perspective, this is a guy she was complimenting a few short weeks ago. this is a guy she immediately wanted to make a leader at the camp that she loves and is her home. this is guy she barely knows and she pretty much immediately proposes to him. WHY would she suddenly start making jokes about how dumb he is? it’s not like she actually knows him better now. he came to the battle with reinforcements and basically immediately dipped after the feast. how are we to accept reyna treating our beloved perseus in this horrific manner? we simply cannot. it is unnacceptable. this is inaccurate.
it’s so WRONG to do this to percy. yES I UNDERSTAND I HAVE BEEN TALKING ABOUT THIS FOR TOO LONG. I DON’T CARE. PERCY JACKSON IS MY BEST FRIEND IN THE WHOLE UNIVERSE AND I NEED TO DEFEND HIM FROM THIS SLANDER. I AM ONLY PARTIALLY JOKING. listen. liSTEN. this is the guy whose signature move is manipulate your enemy into dueling with you when you’re outnumbered or outmatched. he very coolly manipulated bob into killing his own brother (btw this was very hot and sexy and clever and attractive perseus is king of gaslight gatekeep girlboss). he is NOT stupid. he is impulsive. he is extremely oblivious about some things. he is NOT stupid. i watched perseus jackson grow up for 5 books and he is not stupid. i always say this. i always say that percy is not stupid and richard riordan refuses to listen to me.
there are such horrendous lines as “i am a guy of limited talents. if i can’t kill it with water, a sword, or sarcasm, i’m basically defenseless.” richard how DARE you say this about my beloved perseus. he is NEVER like this. he literally would never say that. even at absolute worst percy’s internal monologue was “this plan is stupid and will get us killed. but it’s the plan i have.” he’s NOT a being defenseless guy. what hte fuck are you saying. richard did you read your own books. RICHARD. DID YOU. at one point he says that he is constantly several steps behind annabeth’s thought process. he has literally never thought this before and it is also untrue. richard. i hate you. read your own fucking books oh my god.
ok. i think i have sufficiently harped on the fact that percy is not stupid. now i will complain about another thing. and this was just in one part but it bothered me and this is my review so i get to talk about whatever i want. if you don’t like it read someone else’s review. don’t hate read my review. i didn't charge you money to read it
at one point, percy has to wrestle a god who hercules once wrestled. and annabeth says something about hercules brute forcing it. and look. i GET that hercules was freakishly strong. i get that. i understand it. but when annabeth says hercules just brute forced it they’re both like ah shit i can’t do that. perseus. beloved. you ripped the minotaurs horn off its head with your bare hands as a 12 year old with no training. you are literally insanely strong as is. that is an insane thing for a 12 year old to be able to do. hell, that would be an insane thing for a grown adult to do. i don’t think rick realizes how op percy is. he was so caught up in making percy cool (which is, you know, extremely understandable and right and correct percy jackson is the coolest man in fiction for a reason i get it) that he forgot that he made percy extremely unbelievably powerful too. with the curse of achilles he was potentially matching minor gods in power level. he fights while sustaining mini-hurricanes and explodes glaciers and shit.
some more things. the prose is… acceptable. the plot reads like a fever dream. there is a smoothie shop called himbo juice that annabeth percy and grover are evidently regulars at. and there are. himbos. that serve. juice. so you can imagine what this fever dream looks like. like the last couple rick riordan releases, this one reads like published fanfiction too, just with better quality of writing than the sun and the star.
there are some WEIRD continuity errors in here. one of them is fairly minor but i still noticed it - percy says his father compared his mother to a princess. this is not true. poseidon compared sally to a queen. specifically, he called her “a queen among women”. i know this because i am sally jackson’s number 1 fan.
more egregiously, however, is annabeth’s yankees cap heebie jeebies. percy puts on annabeths’s cap and gets the heebie jeebies while using it. and then he goes wow annabeth. you never told me that using the cap is like this. and annabeth is like yeah well. power is like that. richard. riordan. did you fucking FORGET that percy has, in fact, worn annabeth’s cap before. and it was literally completely. once again, richard, did you read your own books.
one more good thing - when percy fights geras/gary, who is the god/personification of old age, the way he does it is by imagining him and his friends getting older and embracing it. this was a genuinely good and sweet moment and it was very touching. the trio’s talks about this after the fact are also absolutely a return to form from riordan. for like, a few paragraphs. but still.
the biggest problem is just how obvious it is that this book is a cash grab. we had pjo. then we had a sequel series. then we had ANOTHER sequel series. and now we’re getting random standalone novels that are extremely unnecessary and don’t add anything. rick riordan has dollar signs in his eyes. these are not stories that make sense. these are not stories rick genuinely wanted to tell. these are stories that are being told because the purpose of publishing books now is to maximize profit. (sidebar - i told you the capitalism thing would be relevant. you should believe me more often. smh) the only reason rick is still writing these books is that they make money. they feel extremely empty and hollow.
percy is trapped as a teenager forever because rick refuses to let him age up. percy accepting old age would make FAR more sense for a percy who’s in his 20’s and just now realizing that he lived past all the shit he thought was going to kill him and he has a real life that he likes and he could actually grow old now. but percy must be a child for marketing purposes, so he stays a child. the world itself is trapped in a cycle of the gods promising they’ll be better and the gods literally not changing at all. and for the sake of the book series, it can’t change. if we had real change in the world, that would actually mean something, silly. we can’t have consequences. we have to reset every 5 years like a fucking comic book so that we can make infinite money. this is the infinite money glitch irl. just make trash that doesn’t need to be made. the end point of capitalism is making trash no one asked for that has no artistic merit just because you can make money off of it.
by the way, dr emily wilson’s iliad translation, which was also out on the same day, is LESS expensive than this book. this cashgrab nonsense novel is MORE expensive than a book a professor in classics who has a phd spent 4 years on. this is just wrong. the fun and stupid cashgrab book should NOT be more expensive than a book that someone spent 4 years meticulously translating from ancient greek. it’s just so clear and in your face. trials of apollo absolutely felt like a cashgrab but at least there was SOME semblance of effort there. this is literally just the most plain and simple cashgrab novel you can make.
hey. you know the infinite monkey theorem? the infinite monkey theorem is that a monkey hitting keys at random on a typewriter keyboard for an infinite amount of time will almost surely type any given text including shakespeare. richard riordan is a monkey with a typewriter. you get it. you’ve read percy jackson.
rick riordan struck gold with pjo. it’s genuinely to this day one of my favourite things i’ve ever read, flaws and all. it’s FUN. it’s COOL. it’s THEMATICALLY COHESIVE. the characters grow and change. they feel like real people with personalities. it literally doesn’t even matter how op percy is because THAT’S how good of a character he is. he is so compelling that you want to read about him anyway even though you can tell right from the minotaur fight that this kid can decimate whatever opponent he has. the books are funny and moving because you can genuinely connect to these characters. the more i read rick riordan’s work, the more certain i am that pjo was a fluke. i don’t think he knows what he’s doing. i think he should retire from writing.
unfortunately for me, richard riordan seems to have no intention of retiring. he has announced another percy jackson book that will be released next year. i assume there will be at least 2 more books based on the setup in this one.
rick. listen. i know you’re listening because what else will you do with your time. rick, why are you doing this. hasn’t percy been through enough. when will it end. give it a rest. stop it. get some help. at the very least, read your own books before writing percy. i am right about him and you are wrong about him. you are the author and i’m killing you right now. i am strangling you and i am hitting you with weapons. all at once. i am very proficient at causing deaths. (this is a metaphor referring to roland barthes’ death of the author. i wish no bodily harm to richard riordan).
this book is… alright. percy is my smart king. sally jackson is queen of my heart. it’s a fun read but you do have to turn your brain off completely and read through some serious percy defamation.
[edit: i am downgrading this book to one star (was at 2). the more i think about it, the more angry i am. there is literally a paragraph tailor made to rub jason's death in our faces. it's about how he looks forward to getting old being married to piper and having grandchildren. it's a very low blow. jason is literally rick riordan's biggest missed opportunity and he's rubbing in how poorly he treated jason even after killing him off for apollo's character development.
annabeth still keeps putting percy down because rick doesn't realize how mean she is i guess. she's still scared of him. canonically. which is a really weird and fucked up thing to write imo. this relationship doesn't seem healthy in canon (they are healthy in my head, however, because i know what women are like) but rick refuses to address it or let them break up. i LOVE annabeth. i love her. but she is an extremely flawed character and rick never treats her as such. and it just makes it exhausting to read about her.
percy IS on form but it genuinely feels like he's tlt percy, not post hoo percy. his inner voice sounds way more immature than it has for most of pjo and in son. riordan also repurposes the "look, i didn't want to be a half-blood" line from tlt to make a dumb little joke about how high school is hard. it was a GOOD opening line. it immediately set the tone and told us so much about percy in literally just a handful of words. now it's a joke about how being a senior in high school sucks. it's this mcu-esque allergy to being sincere that pjo never had.
there is BARELY any grover in this book. i love grover so much that i was cheering any time he was there, but there is very little of him. he's in like 2 or 3 scenes and has his own side plot going on with juniper and being bad at understanding what his girlfriend wants or whatever. extremely unnecessary and not what i want for grover. this book kind of ends up feeling like it's about annabeth but from percy's perspective. she gets good moments at percy's expense. percy spends the book monologuing about how annabeth is way smarter than him and all he has is his sick ass water powers and the best swordfighting skill in 300 years, both of which are very downplayed. percy explodes a river and it's treated like this crazy freaky scary thing but two years ago in universe he made a volcano erupt and everyone was like yeah this makes sense percy is that powerful. in son he explodes a glacier and it's just a normal tuesday for him. he literally doesn't even react to it. and now we're supposed to believe his exploding and purifying a river feat is some unbelievable feat.]
in conclusion, i want a refund. no i did not purchase this book. however, i would like to be reimbursed about $5000 in emotional damages. i will also be suing richard riordan for defamation on percy’s behalf. good night new york city. and my beloved perseus jackson who lives in new york city.
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lvmity · 3 months
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byler tag these days simulator
🫂 bylerairporthug Follow
Hey guys .am i the only one who doesn't know whats the Waterfalls and village? Can someone let me in on the joke?
#byler #byler endgame #waterfallgate
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💀 iknowwhatyouarevecna Follow
The way they look at each other in this scene.... please be fr they're so in love like. suffer brothers i will come for you if you don't make Byler canon . im storming into the Netflix studios idc
#byler #st5 #byler is endgame #byler is real
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👨🏻‍🦲baldmikhailfanaccount Follow
POV its 2025, you're sitting on your couch ready to watch st5 . FINALLY. you press play on netflix. the opening scene . youve eaited years for this moment. tbe camera shows one waterfall. then another. then another one to complete the three. someone's voiceover comes on. it sounds weirdly like finn's voice, but there's something off about it... he comes on screen. it is mikhail. and he is bald. he tells the main characters to not worry, they've found the local village and will be safe from the ud here. you wake up screaming
#byler #mikhailgate #mikhail
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🎨 what-did-you-think-really Follow
let's not forget what happened with that other actor. please stop speculating on someone's sexuality, it is none of our business and he would have said something.
#byler #<- target audience
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✉️ lettergate-writing Follow
hii I was thinking and im working on this new au, it would be if mike wasn't that oblivious in ST4 and there was only one bed. anyways lmk what you think im also thinking maybe lettergate? wr all know it's real tbh
#byler #byler fic #also new chapter of my rewrite of freezer scene is up if u. are interested in that then also check out my other works #letterwrites
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🎉 partyrockismikewheely Follow
Uhhh i was away for literally two weeks what is a waterfall?? Village?? and did we get episode titles
#byler #target audience
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🐢 bylering4ever Follow
honestly soooo so tired of bi mike vs gay mike discourse. in the end he wants to kiss will byers. who cares
#byler #"it doesnt make sense narratively for him to be x or y" UHHH have you heard of having fun with hcs. #is this your first fandom.
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🎂 birthdaygate1407 Follow
always thinking about how mike and will are each other's first true loves and they're probably married nowadays, making comics together being successful. i mean, they're old now. and they are still together. man.
#byler #sometiems it hits me. they're so meant to be #endgame byler
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💇🏻‍♂️ blue-n-yellow-meet Follow
Ok here's some more tweets from that account. Honestly take all of this with a grain of salt as we can't know who's behind this, they say they're working on the set. Possible spoilers.
Read more
#st5 speculation #st5 #anti milkvan #byler #<- Target audience. #stranger things 5
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💛hearteyes-cgi-truther Follow
HEJQJAHEJJWHSSJ OMG . wraaagehehdgeh
#byler #the way im insane abt them #might even say #crazy #like. they need to kiss. on the mouth #boyfriends
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simplyavatrice · 7 months
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Let me start off by saying I really enjoy your writing. It's just... SO good. It just hits the nerdy little writer part of my heart and that's not even starting on the story itself and the characters. *chef's kiss* I am in the process of writing a little Avatrice fanfic myself and I can only dream to be as good and as proficient as you are one day. I was hoping you might be able to give me some advice. I'm currently stuck on a part that is supposed to have a text conversation between Bea and Ava and while I think I have the general stuff down (the difference between how they'd express themselves) none of my drafts come out feeling natural only clunky and forced. Do you have any advice on how to write text message conversations and would please be willing to share?
first of all, thank you for the kind words <3
as to your question, the way i approach texts between ava and bea is all in the layout and the way that they express themselves
meaning beatrice's texts are going to be straight to the point. no detours and they're all properly formatted and punctuated and perfect. she doesn't use shorthand like 'lol' or 'idk' or anything like that - though ava has probably tried to get her to drop and lol every now and then
as for ava, her texts are more frantic and all over the place
i also think she texts in bunches, like splitting one sentence into three texts for emphasis or dramatic effect. there's no proper formatting, no capitalization either
so to me texts between them would look like
Ava: ok so we need two potatoes and a stalk of celery
Ava: why is it called a stalk?
Ava: oh! that reminds me of another joke ok what did one ear of corn say to the other ear of corn?
Bea: Ava, I'm standing in the produce section, please give me the list
Ava: cmon bea! just guess!
Bea: Fine. One ear of corn said to the other ear of corn - I think someone is stalking us
Ava: :( HOW DID YOU KNOW??!?!
Bea: Because you used the word 'stalk' right before the joke and as it was the most unique word in our exchange thus far, I assumed it triggered the memory of the joke
Ava: what?
Bea: I know how your brain works, darling. Now please give me the rest of the list
fjklasfjalf so yeah something like this (sorry this was cobbled together at 6:30am so not the most sane thing i've written) but i hope this helps lol
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deke-rivers-1957 · 8 days
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It Happened at the World's Fair Review
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It Happened at the World's Fair expands on what was introduced in Girls! Girls! Girls! (which came out after World's Fair filming started). Taking inspiration from Blue Hawaii, this set of movies are music heavy, have colorful scenery and involve Elvis having to work with child actors. The scenery in this case is the real life world's fair. The 1962 World's Fair in Seattle opened in April and closed in October. With a very limited timeline, it was very important that the movie comes out before the novelty of the fair is gone.
Because this is an actively operating fair, there were many issues involving crowd control. It's a major reason why filming didn't even start in September when most children started school. Naturally, this posed a problem because this meant despite making the movie as fast as possible, it still came out in April 1963 (6 months after the fair closed). Despite the logistical issues, does this movie capture the beauty of the World's Fair while balancing its plot, or does it take a complete nose dive because of the rushed production? Let's find out.
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To start with, I'm not a big fan of the title. I get you need to highlight the World's Fair but it's a bit clunky. Might I suggest "World's Fair Wonders"? This opening song is forgettable. "Beyond the Bend" sounds like a rejected version of "Ridin' the Rainbow" from Kid Galahad. Since those two songs have the same songwriters, I get the idea that they repeat melodies to make up for the extra songs. After all Kid Galahad (at the time the last movie the songwriters worked on) only had 6 songs while this movie now has 10.
Elvis singing while flying a crop duster feels dangerous since it's obvious he's distracted. He looks goofy wearing those goggles and just seems out of place. We immediately get jokes with Elvis being a pilot claiming he can't see the barn. It's a joke as old as the Three Stooges. Elvis is so irresponsible that he flies the plane practically next to the road just to flirt with some girls. They almost crash into some telephone wires and I wonder if Paradise, Hawaiian Style was inspired by this scene when they did the helicopter scene with the dogs.
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Surprisingly for a cliche womanizer, Mike is financially responsible. It isn't much but it does give him some depth. Given how he almost crashed the plane because he was distracted by women, it's impressive that he that it's not his entire character. As to why he doesn't take the money with him, I have no idea. I guess you have to assume that Mike doesn't know Danny had access to his hiding place.
So he goes to meet one of his girlfriends, Dorothy, who we never see again. They're making out on the couch while Dorothy wants to push away to get some iced tea. But Mike insists on keeping the action going. I know out of context "Relax" is a steamy song, but I wonder if it was intentional to make Mike so pushy. Because he's always touching Dorothy while she pushes him away and does everything she can to get away from him. He pulls stuff out of her hands and it's just creepy.
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Her parents come back and I'm very confused on why Dorothy's dad is so upset. Unless we're assuming that they have never met Mike in their entire lives, it's very strange to react like that. At least seeing Mike run for the hills gives us a little chuckle as if to say "yeah he had it coming". The whole scene is just random as we didn't need to emphasize that Mike's a womanizer. The opening scene already tells us that he's a flirt. Since Dorothy doesn't even come back, it just feels like a scene where you go "ok that happened" as it came and went without adding anything.
Mike somehow catches up with a now broke Danny. After multiple bad hands, Danny can't pay his losses to some guys including a Red West cameo. A fight breaks out in the office and I don't think I've ever seen such an ugly scene. That gives it a bit more realism. You don't expect regular guys to have the punch of death. It's supposed to be ugly and brutal and it's not completely unrealistic that Mike and Danny win long enough to get away in their plane, Bessie.
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The duo lands in Sherrington where they find out that because of the many debts they have, the sheriff "boots" their plane. He takes away their keys and gives them the ultimatum: pay the $1200 debt in 2 weeks or their plane goes up for auction to recoup the money. That's a pretty good set up for a conflict. It doesn't involve Elvis having bad luck, but instead relies on his friend having a realistic character flaw in the form of a gambling addiction.
Penniless and stranded, the duo tries to get a free ride into town. For how expensive his suits were, I'm amazed they had Elvis walking down the road in it. At first a car with a couple women stop but they only wanted Mike's lighter. I'm not sure if it was meant to be a joke or a narrative device meant to make the audience feel bad for them. Personally I don't think it does any of that. I didn't think it was funny and the "pain" they endure from the bad luck doesn't last long as they immediately get a ride. It makes me wonder why it was even added since there was no indication that a long period of time passed.
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We get introduced Mr. Walter Ling and his niece Sue-Lin. I love this family. It's obvious that this is an Asian immigrant family which is very realistic for this part of the country and the time period. Despite Mr. Ling's actor being Chinese and Sue-Lin's actress being born in Manila (which is in the Philippines), it's actually not that bizarre. The Philippines does have a Chinese population so you can easily assume that Sue-Lin has some Chinese ancestry. For the time period, I'm so glad that this family is depicted as real people as opposed to stereotypes.
They drive to the World's Fair and I love the real backgrounds we get because of it. Mr. Ling being a delivery driver makes perfect sense since there are plenty of farms around the Seattle area. He can make extra money to be able to afford going to the fair. Sue-Lin has Mike try to explain what she might see and we get a decent song as "Take Me to the Fair" is a whimsical tune. I love Sue-Lin as a character. She isn't a generic cutesy girl character. We get genuine depth by showing that she's able to understand Chinese when her uncle is talking on the phone. When she finds out that uncle Walter has an important job and can't take her to the fair, she's naturally upset. It's not done in an over the top way where she has a complete tantrum. She understands that uncle Walter needs to take the job, but she's of course disappointed. Her realistic reaction only makes you appreciate Mike when he at first begrudgingly agrees to take her.
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Mike's distracted by woman and we get it he's a womanizer. They could've just had him be absentminded because he's worried about finding a way to get money. But I do love how we see Mike and Sue-Lin interact with the real exhibitions such as the monorail. It gives you a special perspective that goes beyond a soundstage and shows just how big this fair is.
We get a Joe cameo as the man who gives Sue-Lin her red dog. I love the montage of them going around the fair. It's a wonderful showcase of what was there in case the viewer never had a chance to go and for younger generations who might not even know about the fair. Plus we get to see Mike warm up to Sue-Lin like he's taking his own daughter or niece to the fair. I can believe a change like that can happen in a short period of time. Unlike a romantic relationship, you don't need to have a lot happen to get along with a child. And it's not like Mike hated Sue-Lin as they got along on the truck ride.
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It's really incredible to see just how much you can do at the fair for what doesn't seem like a lot of money. If only this was made earlier as it would've been a great way to promote the movie. After one too many treats, Mike takes Sue-Lin to the fair's nurse station. While Sue-Lin's being treated, Mike starts talking to himself and looks distractingly tan. When the nurse comes in and sees this he naturally can't help but flirt with her.
He pretends to have something in his eye and it's shocking how unapologetically pushy he is. I love how Nurse Warren rightfully calls him out on this. You really feel uncomfortable for her since it's relatable to have a man flirt unwarranted. Sue-Lin feels better so the two of them leave. Mike looks smitten and I have no idea what's meant to be so special about Nurse Warren. Because unless he thinks she's just playing hard to get, they have literally no chemistry.
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I love this song. "They Remind Me Too Much of You" is such a beautiful ballad that if it wasn't for the fact that his first interaction with Nurse Warren went horribly, it would be the perfect ballad. We never see a quiet moment like this in any Elvis movie. In fact this is the first time outside of the opening song where Elvis isn't even singing out loud. He's only thinking about it as Sue-Lin sleeps. Not a single word is spoken as we take in this moment of Mike reflecting about his feelings. It's easily the best scene in the movie as it shows that Mike is so much more than a womanizer.
Mr. Ling returns to pick up Sue-Lin and you really get the idea that Mike loved "chaperoning" her. Sure he does say out loud to Danny that he was more happy about meeting Nurse Warren, but I honestly think the movie should've skipped the romance altogether. Mike had more chemistry with Sue-Lin in that one montage than he ever had with any other woman. The scenes with Dorothy and Nurse Warren only shows how shallow he is with women. With Sue-Lin we see a different side of Mike where he grows to care for Sue-Lin like she's his own family member.
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Danny manages to swing the duo a temporary home that was set up for people attending the fair. We get introduced to Barney "yoo hoo" Thatcher who Danny uses as his pigeon to get money. Mike talks about how to get with Nurse Warren and again all I can think of is just how shallow he is. Even if he does succeed, it doesn't feel satisfying here because it doesn't feel like he'll change.
"One Broken Heart for Sale" is such an unnecessary song. We don't need to be bashed over the head with the obvious fact that Mike is horny for the nurse. Mike doesn't even deserve to say his heart is broken. You can't say your heart is broken just because someone you just met didn't reciprocate your pushy behavior. It doesn't add anything and just feels so out of place since you also have the other old men magically know what he's singing. Just shows how even the best songwriters can have duds if they're not in the right context. It's a shame because Otis Blackwell and Winfield Scott have had great successes with Elvis.
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We cut to the next day as Mike has a ploy to get Nurse Warren's attention. He pays a boy, played by an uncredited Kurt Russell, a quarter to kick him in the shin. I love how as Elvis screams in pain, you can see people in the background turn to see what happened. That's a sign that this was a genuine crowd and only makes the setting feel real. Given the extent of the actual injury I'm more amazed that the nurses didn't immediately call for an ambulance. If Mike supposedly can't walk properly that could possibly be a sign of a broken leg. Mike says he blacked out which if you're a nurse is a red flag. The head nurse even has him walk on it and you just have to wonder why they're doing this. They don't know Mike is exaggerating so they're doing a horrible job of insuring his safety when the head nurse suggests Nurse Warren escorts him home.
As Nurse Warren shows no sense of urgency we get pretty obvious rear screen projections as the two talk. Why are we doing this? Nurse Warren doesn't know that Mike's faking so why is she taking her sweet time getting him home? In fact, when Mike again lies about blacking out, instead of calling for an ambulance she instead helps him up to the real rotating restaurant. Why? A professional would've immediately called for an ambulance. You would never risk moving someone who feels that dizzy as you would risk causing them further injury.
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His ploy seems to work though since Nurse Warren is in no rush to leave the restaurant. In fact based on the passage of time they've been in that restaurant for hours. Mike even sings a ballad about how he's in love with Nurse Warren. "I'm Falling in Love Tonight" is such a generic ballad that I have no idea why I'm supposed to support this budding romance. Nurse Warren falling for Mike is something I don't buy at all. If anything it's showing that so long as you get the girl, you can be as pushy and manipulative as you want. That's a terrible moral to have for what's supposed to be a family film. It'd make more sense if she's just going along with this until it all blows up in his face, but that isn't at all how it's presented
I do love how the extras have their own charm to the movie. These were legit patrons that had no idea of what's happening. Them clapping after Mike's song was real and I love it because it shows just how weird it is to have someone burst into song in a restaurant. Mike's ploy immediately falls apart as the boy from earlier comes back. He kicks Mike in the shin and I love the old man who's just like "oh my God what's happening". He looks realistically concerned.
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As Mike tries to apologize to Nurse Warren, Sue-Lin rushes up to him. She tearfully tells him that her uncle didn't come back from a job. Given how she waited from 9 am to 3 pm for Mr. Ling to return, I'd say Sue-Lin handled the situation very well for a child. You always allow for some delay if someone's traveling because you never know what would happen. When it became obvious that something had to have happened, it's natural for her to be very concerned.
This is the most realistic acting from a child I've ever seen. A 7 year old girl possibly losing her only guardian is terrifying situation to be in. It really says a lot that she didn't go one of her neighbors since they were living in one of those temporary homes as well. In fact, I'm amazed that not a single adult noticed her wandering the fair alone and most likely in distress. It's like the movie wants us to believe Mike's the only adult in this movie who Sue-Lin can even trust.
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He takes Sue-Lin home and the movie immediately got better again. Mike explains that he took every measure to make sure people know he has Sue-Lin. I love this as he could've easily been the buffoon that has no idea how to tell anyone that he's watching a child who would otherwise have no one. It seems like it's relatively late at night, so while you can question if Mike's doing the right thing, it's at least better to have Sue-Lin be in a safe space than drive around trying to find the authorities.
We get a sweet scene where Sue-Lin dresses in her traditionally Chinese pajamas. Mike even sings "Cotton Candy Land" as a lullaby. In the context that it's in, I know the lullaby is meant to be sweet, but I only get a creepy vibe to it. I'm not sure why but to me Mike singing it in a quiet voice and the music just makes me feel more scared than soothed. The sandman doesn't feel like this whimsical creature but more like a monster. I'm sure that was unintentional as I don't think it's a common opinion to feel that way.
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After pretending to be sick so Mike can make up with Nurse Warren, she arrives to check out Sue-Lin. It's a bit distracting how the studio light casts a big shadow. You know that little night lamp isn't doing that. Sue-Lin tells Nurse Warren the truth and I'm amazed Nurse Warren didn't immediately raise an eyebrow. Then again this is the same woman who took what she believed to be an injured Mike up to a rotating restaurant when he said he was about to blackout. I can't take any expertise or authority a character like her should have seriously.
The movie clearly has no idea on how to handle their relationship as Nurse Warren starts to fall for Mike again when he serenades her. "A World of Our Own" is so unnecessary. Mike being nice to Sue-Lin and taking care of her doesn't eliminate the fact that he was pushy and manipulated her. The whole relationship just feels forced as I don't think this couple has any chemistry. Again there's nothing about Nurse Warren that makes her different since there's a clear difference between playing hard to get and having no interest. While the movie wants to tell you that she's the former, you really know that it's the latter.
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Danny comes back from his card games completely drunk. You would think this would tell Nurse Warren that Sue-Lin living with Mike is a bad idea. But no. It's not even a thought that was uttered as she just drives home. How? She has the authority to report this to the authorities since Danny being drunk can lead to terrible consequences. Especially when you have a child in the home.
Danny meanwhile meets up with a guy named Vince who offers Danny a deal to fly up to Canada. Oh yeah they had a debt to repay. I almost forgot about that since that plot took a back seat to the conflict of Mike caring for Sue-Lin and the conflict of Mike getting with Nurse Warren. Vince outright agrees to pay them the whole amount that would allow the duo to get their plane back. So naturally you assume he's going to be the villain which can't possibly be a good thing since he's been introduced way too late in the movie to really do anything important.
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Mike comes back from asking about Sue-Lin's uncle. We get a sweet moment where he watches her color before playing "How Would You Like to Be?" with the windup clowns. I love the song as it does serve a purpose. Mike is trying to cheer up Sue-Lin and it of course makes sense that Sue-Lin only sings along once she feels better. These aren't complicated lyrics to try to have a young girl learn so it feels realistic for her to join in. Her dancing along with Mike is sweet but the smirk he has does feel out of place. I would've used a different shot as out of context you don't think he's looking at a 7 year old girl.
A woman from Child Services arrive to take Sue-Lin away. Because after a couple days, now it's a problem for Sue-Lin to be here. The woman says "an abandoned child is automatically a ward of the state" which is a lie. Sue-Lin wasn't immediately taken by the police who had to have known she was with Mike. This whole plot point is terrible as it doesn't properly set up why now all of a sudden is it a problem. The woman claims that it was Nurse Warren who made the complaint which you immediately know isn't true. If Nurse Warren genuinely believed that Sue-Lin wasn't safe, that would've been conveyed in the previous scene. This is just terrible drama meant to turn Mike off of her. Also there's no way that woman from Child Services would straight up tell Mike who made the complaint. That would put the person who made the complaint at risk of retaliation.
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This whole situation is gets even worse as for someone who's supposed to be in Child Services, she can't even keep track of one child. I understand that Child Services has a very legitimate job, but this movie doesn't paint them in a good light at all. Instead of taking this seriously, I just see Child Services as a joke in this movie. They're only now making a stink about custody of a child when not even the police mentioned it. Instead of making it a forced situation from the start, it was only "suggested" so I have no reason to buy this organization as legitimate. I can only think of the much later film Lilo & Stitch as it does a better job of setting up why Lilo could be taken out of the home.
So we have Mike now desperately trying to find Sue-Lin as he's the only one who would know where she could be. As irrational as it is that he wouldn't tell authorities where she would be, I 100% get it in this situation. The authorities have done nothing to prove that they are reliable. In fact, if Mike didn't find her, you already know Sue-Lin would just runaway again. It's really sad that a child feels more safe with Mike than the authorities meant to protect abandoned children. It's also frustrating that because of the situation, Mike's now being painted as if he's abducting her.
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Mike and Sue-Lin manage to make it to the airport just as Nurse Warren arrives trying to find them. She tries to explain what happened but he naturally doesn't want to hear it. Mike is just so done with everyone as he immediately finds out about the smuggling scheme. I know that Vince being a criminal was going to be this twist but wow they really just dropped that fur smuggling scheme that quickly. It doesn't even give that much importance or tension as Sue-Lin actually does something by biting Vince's finger when he's holding them at gunpoint. A fight breaks out and again it's ugly. Just like a real fight between non-professionals. Mike at this point is running on pure adrenaline so it makes perfect sense for him to win. But it's just so anti-climatic because really? This is what you've been building Danny's subplot up to? This plot element of Danny being involved in a fur smuggling scheme is introduced and resolved so quickly that there's no point in it even existing.
They get caught by the police and it turns out Danny was the one who contacted Child Services. This is a stupid twist as there's no way he could've fooled the woman from Child Services into thinking he's a woman. Also why's he now deciding that Sue-Lin was a problem when he didn't want her being there in the first place? It's not like he cared about Mike's feelings for her.We then find out that Mr Ling was only 20 miles south of the town and was in an emergency hospital. 20 miles is not that far so I have no idea why it took them all these days to figure this out. If Sue-Lin knew where he was going that she knew he should be back by certain point, what's the mystery here? It isn't like uncle Walter got kidnapped and no one knows where he could've been taken. Again a very anti-climatic ending for something that took up a big chunk of the movie.
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We time skip to Mike applying to NASA as he walks with Nurse Warren through the fairgrounds. He sings about how this is a happy ending with a very fitting title "Happy Ending". Danny and Sue-Lin with her uncle Walter are nowhere to be seen to share this moment and absolutely nothing was earned. Maybe I'm missing something, but I just don't think this couple is likable and Mike was better off forgetting about her. It isn't unrealistic to realize "hey my priorities have changed. Getting the girl doesn't matter to me anymore. All that matters is that Sue-Lin is safe." That's character growth.
But no this is an Elvis movie and regardless of whether it makes sense for them to be together, he has to get the girl. It just makes you wonder why we spent all this time on something only for it to be completely hand waved like it was nothing. Almost like they completely ran out of time with writing the script and just had to say "everything is magically resolved no matter how ridiculous it is".
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This movie clearly tried to do too much and it shows. You have the conflict of Mike and Danny being broke and needing to get the money for their plane; Mike wanting to get with Nurse Warren and having to deal with her being mad at him because he lied; Sue-Lin's uncle going missing and people thinking she needs to go to Child Services; and a last minute fur smuggling scheme. None of these plots were resolved in a way that feels like thought was put into it. They were only resolved because it's an Elvis movie that has to have a happy ending as opposed to naturally fixing them. As a result, the whole film is messy and is a case of wasted potential. It seriously needs a rewrite to smooth out everything that doesn't connect together well.
That being said, I give this film a 7/10. I can respect the attempt at giving an Elvis character depth, but I still think more work needed to be done. I do recommend watching it simply because the fairground scenes act as a time capsule of what life was like back then. It's just unfortunate that the movie was rushed because it was a great concept. No matter how you look at it, you wouldn't have been able to get this movie out in time to promote the fair. You can't film before the fair opens because then you have nothing to serve as a background since it's being built. You definitely can't film it in April because then you have to worry about the massive crowds since it's a total novelty and you can't do what the directors chose to do and film near the fair's ending because then you won't be able to get it out in time to promote it. It's a lose-lose situation which is a horrible shame but I at least respect the fact that they tried doing something like this.
AN: Thank you to my discord bestie snaileyinsheff for suggesting this movie and providing input. Also shout out to @hooked-on-elvis for providing the link that I used to watch the movie.
Tagging: @eapep, @i-r-i-n-a-a, @atleastpleasetelephone, @huhhhhsthings, @jhoneybees,
@eptodaytommorowforever, @thetaoofzoe, @smokeymountainboy, @dragonkingsdaughter, @myradiaz,
@dnnenenens, @wildhorseinkansas, @lett-them-eatt-cake, @vintagepresley, @mercsandmonsters,
@velvetelvis, @arrolyn1114, @alienelvisobsession, @xanatenshi, @peskybedtime,
@peaceloveelvis, and @tacozebra051.
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pebble-of-gold · 1 year
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WOO 2023
Lets talk about my top 10 films that came out in 2022! I watched a lot of films last year!
1. Everything everywhere all at once
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I could write essays on this movie but putting it simply I watched this film in theatres 5 times. There was nothing in this movie that dissapointed me. Its an incredible example of nihilism vs existentialism and I cried 3/5 times i saw it. I now own it on dvd.
2. Bullet train
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Bullet train I saw ever so slightly less coming in at 4 cinema visits! Fantastic visuals and soundtrack. Wonderful casting and a fabulously written script! One of my favourite examples of a film that is just fun to watch. I'll be honest on the 3rd and 4th time I was a bit bored but theres not as much going on to rewatch as EEAAO.
3. Black panther: Wakanda forever
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I started crying and I dont know if I stopped? An incredibly touching tribute to Chadwick Boseman and a heartbreaking reminder of who we've lost. I think this is the best marvel movie since endgame honestly.
4. The unbearable weight of massive talent
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Nick Cage is unironically one of my favourite actors and him and pedro pascal have created an amazing piece of media here. It is so funny and thats all it needs to be! Its just 2 guys getting to know eachother. Fair enough theres some action and spy shit going on but with that removed it is just pure fun.
5. NOPE
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A slightly controversial one I know, However, I will never get over the wacky inflatable arm tube men. Im not even joking. They are what made me want to see the film in the first place! No but an excellent example of terror vs fear and a perfect film to discuss questions like "how far should you go for the shot" and issues like exploitation of animals.
6. Three thousand years of longing.
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First and foremost its Tilda Swinton and Idris Elba enough said. This movie is gorgeous. The cinematography is beautiful and the costumes the makeup the set design the props my word they did not dissapoint! The message of the film is largely isolation but also behind that theres a sense of love is eternal and how much would you do for love. I couldn't recommend this film more.
7. Matilda
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Ok this one is the music and choreography for me. It's a fun film and i loce the set design for it. The costume for mrs wormwood is to die for and I want it all. Theres not a huge moral like the others on the list its a good example of what goes around comes around and good prevails. The camerawork is amazing too.
8. The Menu
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Everyone in this film is an awful person EXCEPT Anya Taylor Joy's Character and I live for it. The pacing is wonderful, the camerawork again fantastic and the characterisation!!! There is so much tension and it keeps building until you reach the climax its a wonderful. I like to think the film is about anti capitalism and the death of creatives due to the preassure of critics.
9. The banshees of inisherin
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My favourite type of media is where nothing happens but SO MUCH happens. (Rosencrantz and Guildenstern are dead is a wonderful example of this) and Banshees is an amazing example of that. At its core its about loss and lobelyness. Plus It has a RELATIVELY ACCURATE autistic character and thats my favourite part.
10. Don't worry darling
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DON'T BOO ME DON'T YOU DARE. OK I ENJOYED IT. SOMEONE HAD TO! HARRY'S ACTING WASN'T EVEN THAT BAD YES IT COULD HAVE BEEN BETTER BUT THERE WAS SO MUCH SHIT GOING ON CAN YOU BLAME HIM! plus I was living for the drama of DWD and no it was not at all about feminism or the female orgasm but it was about control and it was a fantastic film to showcase that.
Honorable mentions go to:
Where the crawdads sing, Batman, The bad guys, Sing 2, violent night, JJK:0, Multiverse of madness.
Thor does not get an honorable mention and I will not see avatar 2 because I want it to flop.
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clare-with-no-i · 15 days
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20 q's for fic writers
thank you sooo so much for tagging me @kay-elle-cee I unfortunately could not approach this in a completely earnest fashion due to who I am as a person, so everyone please take this slightly ersatz set of answers with all of the love I intend…which is a lot I swear…
AO3 Username: clarewithnoi (pronounced 'clare with no eye')
1. How many works do you have on A03? lol I keep orphaning stories when they annoy me but for now 37 (I think?)
2. What’s your total Ao3 word count? 403,419…what is this word city
3. What fandoms do you write for? Harry Potter, Percy Jackson, others which I have not published lol
4. What are your top five fics by kudos?
not the statistics page!!!!!!! john mulaney voice that's the thing I'm sensitive about!!!!!!
one long day (all my love will make you shake) at 1,151 WOW my god I did not realize it had surpassed 1k!!! did I know that? holy shit!
I will carry you, always at 873 ok this is also shocking but I do know that my they-lived AUs tend to be more popular and they're older so they've had time to accumulate hits
foreigner's god at 701 still can't believe this <3
theogony at 682 (!!)
growing pains at 675 another they-lived AU! I really carved out a niche early on
5. Do you respond to comments? don't look at me…I always want to…I swear I just get overwhelmed…put the gun down please…
6. What is the fic you wrote with the angstiest ending? uhhhh jesus idk, probably the derelict art of letting go? I don't write a lot of angst but I guess that one is on the sadder side
7. What’s the fic you wrote with the happiest ending? foreigner's god! or I will carry you always! in one of them I contend with reincarnation and shared grief and second chances at life. in the other one they hook up in the DADA classroom. so it's a toss-up
8. Do you get hate on fics? not really, and given the number of public fights I've had on this account you'd think that people would take their dislike of me to ao3 more often, but everyone's been remarkably charitable in that regard. thanks guys <3
9. Do you write smut? If so, what kind? only if I can exorcise personal trauma through it. or if it's 2020 and I'm dissociating in my studio apartment.
10. Do you write crossovers? What’s the craziest one you’ve written? no and no one say theogony or I'm turning this bus around
11. Have you ever had a fic stolen? yessiree and it was not pleasant!
12. Have you ever had a fic translated? yes! a few! the ones with my permission were lovely. the ones without my permission not as much.
13. Have you ever co-written a fic before? naur…
14. What’s your all time favorite ship? it's like a three-way tie between jily, percabeth, and zelink tbh! but I've mainly read jily fic in the past few years I think. but this answer can change dependent on me developing a new hyperfixation lmao
15. What’s a WIP you want to finish but doubt you ever will? the last time I answered this question I did it as a joke and then I wrote theogony about it so I'm going to choose peace and just plead the fifth here lest I commit to another wip that'll take three years
16. What are your writing strengths? I do a lot of (an excess of) research, I'm good at description, I am funny when I want to be, I've had some really good prose moments if I do say so myself (I do)
17. What are your writing weaknesses? I am structurally a very weak writer, I can't be succinct, I don't have a great literature background so I never really know what I'm in conversation with and have limited points of reference for writing, I am very bad at writing characters who are subtle about their emotions/romantic feelings, I submit to time pressure and rush myself, the list goes on
18. Thoughts on writing dialogue in another language in fic? I've always wanted to write a fic in Spanish omgggg
19. First fandom you wrote for? either Zelink or Percabeth when I was like 12 lol.
20. Favourite fic you’ve written? theogony!
tagging @thequibblah yes I know you've been tagged already. cope <3 and @mipwrites go get 'em champ
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tare-anime · 1 year
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SxF Mission 79
(Beware of spoiler)
Finalllyyyyy!!!!! Yesh!!!
I miss you so much, Yooooorrrr 😭😭😭
And TwiYor crumbs!! Yesh!!
So after..... 200 more days without TwiYor interactions, we finally get it 🥰🥰🥰
Anyway, this chapter made me LoL-ed with the way Endo trolling with us 🤣🤣🤣
Yes, I know the policy of Mangaka (or any of professional writters) may not read fanfics to avoid copyright things yada yada....
But it also a common thing that professional writters/publishers to have social media/internet team to monitor fans reactions or fandom in general.
And I have to give kudos to Endo's team here. It seems to me that they managed to summarize current sxf fandom favorite tropes, and give the reports to Endo. So Endo can troll with us 🤣🤣🤣(this purely my speculation. Let's just treat this as joke and something fun, ok?).
Let see how many fan-tropes Endo been using in this chapter:
1. Yor interact more with her coworkers
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This character develooment of Yor is good. Because she interacts daily with Anya and Loid, her social skill is improving. Good work, Yor!
2. Yor's coworker invites her to diner, only to gossip about her marriage life
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Honestly, I didn't expect Yor to finally have a common chatty chatty office life with her coworkers (I always see them as not good). But look at that, they finally warm up to Yor. Good things start to happen to Yor and I couldn't be more happy! Well, these three still has intention of humiliating Yor, but less intense? So that's a development there.
3. Her coworkers giving ideas of welcome home kiss
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Endo said: not now 🤣🤣🤣 But buuuuttt...maybe sometime in the future?????
4. Nest? ABO reference? I'm not a fan of this tropes but.... hmmm.
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5. Thorn Princess vs Twilight!!! One of fans favorite!!
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Endo said "Only in Yor imagination"
6. Identity reveal!!! My beloved!!!
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Again Endo said "Nope. Not today" 🤣🤣🤣 darn it, Endo!!
7. Yor is sick. She passed out and Loid catch her.... sick fic my beloved!!!!
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Endo said "badumb o meter is back, and thus..... no hurt/comfort or sick fic for ya!" Darn iiiittt Endo 😭😭😭😭 🤣🤣🤣
8. Anya can't sleep because her parents are too noisy being lovey dovey
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Endo said "yeah, different kind of noisy. Those are just Anya's imagination".
🤣🤣🤣👏👏👏👏
Amazing work Endo sensei!
I love this chapter so much. 🤣🤣🤣👏👏👏
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variousqueerthings · 5 months
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DOCTOR... WHO???? (siiiigh)
ok. ok. so. ok. alright let's do this. i have a sneaking suspicion this will rate higher than some other M*ffat episodes, but don't let that fool you about me thinking it's good"
sexism rank objectification (female character is ogled/harassed/turned into a sex joke by the doctor and/or a lead we’re supposed to root for and/or the camera): 8/10
sexism rank plot-point (lead female character is only there to serve plot, not to have her emotional interiority explored): 3/10
interesting complex or pointlessly complex (does the complexity serve the narrative or does it just serve to be confusing as a stand-in for smart, this includes visually): 1/10
furthers character and/or lore and/or plot development (broader question that ties into the previous ones, at least two of these, ideally three should be fulfilled): 5/10
companion matters (the companion doesn’t always have to be there, but if the companion is there, can they function without the doctor– and overall per season how often is the companion the focus or POV of the story): 3/10
the doctor is more than just “godlike” (examines the doctor’s flaws and limitations, doesn’t solve a plot by having it revolve entirely around the doctor’s existence): 3/10
doesn’t look down on previous doctor who (by erasing or mocking its importance, by redoing and “bettering” previous beloved plotpoints or characters, etc.): 6/10
isn’t trying to insert hamfisted sexiness (m*ffat famously talked a lot about how dw should be sexier multiple times, he sucks at writing it): 4/10
internal world has consistency (characters have backgrounds, feel rooted in a place with other people, generally feel like they have Lives): 1/10
Politics (how conservative is the story): 3/10
FULL RATING: 37/100 (if I can count….)
OMFG NO IT'S THE LOWEST RATED BOY OH BOY OH BOY AND IT DIDN'T EVEN DO BAD ON OBJECTIFICATION RATING AND YET!!!!!! IT'S SO STUPID!!!!!!!!!
OBJECTIFICATION: Amy wears a suit in this one. River Song is also wearing a suit in this one. because this secret society thing? (I am unclear what they're doing in it in this world, but I mean... the world-building is rated one out of ten so we'll get to that) people wear suits
there is this weird fucking interaction between sci-fi Churchill and the Doctor:
Churchill: What’s she like? Attractive I suppose The Doctor: Hell.... in high heels Churchill (leering): Tell me more
PLOT-POINT: ok so like. this episode is called "the wedding of River Song." it's about... not River Song. it's technically about how River Song (REMEMBER HOW RIVER SONG IS SECRETLY AMY'S AND RORY'S KID AND SHE WAS STOLEN AFTER AMY WAS FORCED TO GIVE BIRTH TO HER IN ORDER TO BREED THE "PERFECT PSYCHOPATH FOR THE DOCTOR" SO SHE WOULD KILL THE DOCTOR FOR A REASON WE STILL DON'T KNOW BUT LET'S FUCKINDFG DKLJSLÖKGFHSK BUT THEN OFC SHE BREAKS HER PROGRAMMING BECAUSE SHE FALLS IN LOVE WITH HIM BECAUSE SHE'S INFORMED SHE WILL FALL IN LOVE WITH HIM AND SO SHE DECIDES NOT TO KILL THE DOCTOR BUT THEN THEY FORCE HER INTO AN ASTRONAUT SUIT THAT WAS BUILT IN 1969 BECAUSE THIS SECRET SOCIETY SENT HUMANITY TO THE MOON SO THEY COULD DESIGN THIS SUIT FOR RIVER SONG TO KILL THE DOCTOR THE MOON LANDING WAS ABOUT THE DOCTOR SDFJJJLKJÖARGHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH OKAY AND SO EVEN THOUGH SHE'S NO LONGER INTERESTED IN KILLING THE DOCTOR THEY CAN JUST KIDNAP HER AND FORCE HER ITO THE SUIT TO KILL THE DOCTOR BUT ALSO NOW SHE'S NOT BECAUSE LURVE MAKES HER BREAK TIME TRUST ME BRO JUST DON'T THINK ABOUT I- *tears M*ffat apart With My Fucking Teeth*)
okay so it's about how River Song broke time in order to not kill the Doctor, which is supposedly a fixed point in Time, even though it definitely is not in show canon up until this season decided it was, and then the whole episode is the Doctor building up to telling River "actually I've found a way to not die," and she's like "oh good" and then he doesn't die
that is the plot. why is this a season's worth of plot and then 48mins? I will get to the FUCKING MONTAGES in a bit
so River's Thing is like. she's in love with the Doctor. in fact according to this episode "I cant let you die without letting you know that you are loved, by so many and so much, but by no one more than me"
which, if you're into River/Doctor is fine, personally I think Matt Smith looks like a child and Alex Kingston for all her acting (and hindered by so much bad "sexy" dialogue) cannot convince me she's into this baby-looking person. maybe if they'd done this during Capaldi, but that would require doing more things with River Song and M*ffat isn't really interested in her beyond the fact that a. she's in love with the Doctor and uh... 2. she was raised by a secret society. or she lived with her mother while she was growing up? (how did that work, when she was a child, weren't there people wondering who this kid's parents were????) and 3. she's sexy and she knows it
it does not fucking matter how she feels about the brainwashing of it all. it Does Not
I give this SOME points, because finally Amy got to have an emotion about her baby being taken away from her, I had fully forgotten that: "You took my baby from me and you hurt her and now she’s grown up and she’s fine (is she, we'll never know), but I’ll never see my baby again," and then she straight up, deliberately murders the villain who's helplessly tied to a chair
wonder if her feeling about murder will affect the plot in the future (they do mention it at the end of this episode), and she hints that "River didn't get it all from you" so like. Amy care to explain the execution you just committed?
she also mowed down a bunch of The Silence, but they're creepy monster people and not real people, so that's fine
uhhh what else for Amy? idk, she's there, she still loves Rory
COMPLEXITY: Stupid! Fucking! Plot! wait I already did this in the above point, okay so after River Breaks Time to not kill the Doctor at this supposed fixed point (lol, no it still fucking isn't M*ffat, there's loose continuity, and there's not caring at all about making your shit make sense, because LOLLL it's scifi after all and you can do what you want I fucking guess), Time just... stops
and all of Time happens at the same Time, except some people are noticing (are people ageing? or experiencing the same day again and again? or.. hte same second again and again? why is Churchill really the guy we want representing this idea??? why are there cars being carried around by big balloons????? why is it all earth? no time to explore any of this world- wait that's below point IT ALL BLEEDS INTO EACH OTHER BECAUSE IT'S SO STUPID)
WE DON'T HAVE TIME TO EXPLORE ANY OF THIS BECAUSE WE NEED TO GET TO THE REALLY INTERESTING PART OF THE EPISODE!
montages
the Doctor is explaining what happened up to a certain point and does so through the artistic format of montage. that means that Every! FUcking! Episode! M*ffat wrote for this season has a montage at the beginning!!!!!!
and then at the end of the montage, they're like oh no there's The Silence around us, for some reason, and then the Doctor gets kidnapped by... Amy, who's in the secret society now?
but now they're good guys, dedicated to figuring out why Time has stopped (except it... I mean it clearly hasn't, things are moving and changing and why is this done in the Stupidest way possible)
and they captured some Silence. but actually they were never captured just waiting, and now they're free and they go up to the top of a pyramid, the Doctor gets married to River, time restarts, River shoots the Doctor, but the Doctor had a Plan all along, using the little guys in robot-people we met in Let's Kill Hitler to get that body shot instead
the end
except for setting up THE NEXT STAGE OF THE MYSTERY because aaaalll of this happenned from WAY back in s5, because of a Question that mustn't be asked... and that question is Doctor Who
this episode is doing like. 2 things. "I know I'm going to die, and I stopped it easily (not so fixed a point after all I Guess, M*ffat)," and River and Doctor got married
oh and Amy KILLED PEOPLE but this will not be important, that was just to make her More Badass
and for all that it is presented like it's so fucking complicated
CHARACTERS/LORE/PLOT: um so plot as above is nothing, as said, it's just another bit of silly mystery on top of an already unwieldy house of cards standing in a drafty room
characters. not much actually, I mean, yes the Doctor and River got married now, but it's like. anti-dynamic. it's just there now the characters are meant to get married for the set-piece
lore um... checks notes. fucking. "Doctor Who." Trenzalore is a place something is going to happen. yeah so, fuck off nothing
COMPANIONS MATTER: lol see above. nope they're still basically "The last Centurion and the Girl Who Waited"
which, defining Rory as the Last Centurion outside of the particular episode in which another version of him was the centurion never made sense to me, sure that's something he did in a part of the story, but it's not really what his character... is. it's just that M*ffat loooves a moniker and it sounds impressive, and also in the last episode, the Doctor said "it's time to stop waiting" there's just nothing! new here! they're never going to be anyone else, or like... just their flipping names
Rory in this version of events/this other different universe is a soldier, and Amy doesn't remember him (I'm assuming Amy remembers the Doctor because they have a bond from back in s5 where her remembering him brought him back from non-existence, I can accept this as an already-established thing), but she does remember someone who she draws completely differently to Rory (hearkening back to Rory not being as manly as Amy's ideal fantasy and I thought we were past that but whatever)
anyway, the Doctor goes up to soldier-Rory and says this: Loyal soldier waiting to be noticed, always the pattern
IS Rory a soldier ever outside of two episodes in s6, both written by M*ffat????? M*ffat has a different, less caring, more "masculine" version of Rory that he writes that is so different from Rory in near every other episode... I don't like this Rory much, because he has no personality outside of "shoot gun/be badass and run after Amy"
I do appreciate that he is about to die and Amy returns to save him (although I have questions about how easy it is to kill "the bad guys" in M*ffat's era)
I will take this from the same exchange as above:
The Doctor (trying to get Rory to go for Amy): she said you were a mr hotti…ness and she would like to go out with you for… texting and scones..."
“GODLIKE” DOCTOR: this episode is all about how the Doctor is so special that everything bends towards this Moment In Time, but wait, That Moment is actually all about an even more important Moment that is still to come, also about the Doctor
and the tension of the episode is simply everyone waiting to see what clever thing the Doctor has already done in order to stave off the events this whole season has ostensibly been building up to
River Song at the Doctor: You’ve decided that the universe is better off without you, but the universe doesn’t agree
I mean yes, I enjoy the narratives favourite chewtoy type characters as much as anyone, but the thing is this Doctor isn't that, because the Doctor already has the solution. it's just. doing the exact thing that the episode The God Complex was deconstructing! S I L L Y ! ! !
PREVIOUS DOCTOR WHO: there's a moment here that's kind of quick succession, and goes like this -- the Doctor is avoiding the moment of his death (that is easily avoided), and has a throwaway bit in which he say that Liz the First is forever waiting in a grove to elope with him (gross, stop gross stop with the ongoing Elizabeth the First banged the Doctor jokes stop! It!) or he could just "go and help Rose Tyler with her homework"
I can read this either as M*ffat's penchant of writing whatever he wants in terms of how the timelines of this series go (which is how he does it with Eleven constantly jumping forwards and backwards, up until the point it suddenly can't be done, because M*ffat only has rules when they serve a particular plot point), but I also can pretend/enjoy it from the perspective of "actually I could never go back and help Rose Tyler with her homework, because it's not possible to change how things went down or mess with her timeline, and that's the point, I'm pretending I can do what I want, but I know I can't"
ofc the episode then undermines this point, but still... it's a sweet point
also Brigadier Lethbridge-Stewart dies. I didn't remember this in the episode, but I assume it just didn't land with me back in the day because.... who is the Brigadier if you haven't seen classic!who? it's something for the classic!who fans I suppose, but it's literally the moment that makes the Doctor stop running and it's completely unestablished why the Doctor cares about this character or even really who this character is
I'm being pedantic now perhaps, but I think if you're going to bring up classic!who (which I do enjoy) it needs to either be an actual Easter Egg/not affect the plot, oooorrrr it needs to be re-established in this text why this matters, and this does neither
I was sad watching it this time, because I've met the Brigadier now, but it's easy and lazy nostalgia bait
“SEXINESS”: so like. this isn't the worst episode for this, but the worst episode for this is so bad!
aforementioned gross mention of "Liz the first," River Song and the Doctor do boring, annoying flirting in which she mentions his past with Cleopatra (strike two, but at least??? Marilyn Monroe isn't also mentioned)
INTERNAL WORLD: none. nothing. montages of places that will never matter and a pocket universe world in which it seems like they thought two seconds about the functionality of it, I went on a rant above, I'm resisting ranting again, this whole thing is Stupid
POLITICS: there's not really politics. I mean, it's not a very big episode, it's just pretending to be, but in the end it's a couple of specific plotpoints inside a carnival that's on fire
but let's see, there's obviously the complete lack of interest in exploring female characters (including in episodes in which their names appear in the title)
oh and they mention psychopath River again
River: Take a child, raise her into the perfect psychopath, introduce her to the Doctor… who else was I going to fall in love with? fuck offffffffffff fuck off with all of this forever
also the plot culminates in a marriage -- now I was more annoyed when I thought the marriage literally solved the problem, when really it's more a sort of... segue into solving it, but the idea that this is a more important relationship than any the Doctor ever had or is ever going to have is what this plot works so hard to make the central conceit, and the way to prove this is by getting married, which segues into Fixing The Universe
and to be fair, it walked itself into this corner (on purpose) from the moment River Song was introduced, but the way it pretended at mystery as if the answer wasn't always "yeah they got married I guess, in an episode so boring, trying to be so big, that presents the Idea of marriage as the event that is more important than any other in the Universe (not like... individually, in the Universe) that for the Doctor in the same season as we had The Doctor's Wife is framed as more important than any other relationship because it is now defined by Getting Married...."
it's kind of a central problem with River Song and the Doctor, in the end it's... terribly normative. it tries not to be, but its structures struggle to break out of it, even when we get told that River has other partners (never seen, never important, often more of a throwaway innuendo to show how sexy she is), even with the tragedy of them moving backwards (sort of) in their respective timelines, it's still performing alloromantic heteronormative relationship hierarchy (big words meaning They're Straight TM writing)
the possible upside (we shall see) is that maybe now the stupid flipping marriage build-up is done River can be doing other fucking stuff, like being a character
FULL RATING: 37/100 (if I can count….)
okay so, the good. low on literally objectifying female characters on the whole, and isn't the worst on previous doctor who (except for of course saying a big fuck you to every past Companion and important relationship the Doctor has ever had)
and the bad is. that it is bad. bad across the board. it's a bad episode, made worse by everything that was bad before being doubled down on, so that in hindsight all the other bad stuff is also worse, like a horror ride funhouse mirror of non-linear watching reflecting backwards and forwards in time (kind of like M*ffat wishes the River Song and the Doctor's story managed to do, but in bad)
and that is s6. what a wild ride. epic highs and lows indeed!
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mapizb99 · 9 months
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SPOILERS!
Thoughts on the awakening movie
Ok so I have thoughts, not very organized thoughts but thoughts nonetheless
1) why was Marinette’s voice actress when she was singing SO DIFFERENT from her speaking one??? It took me out of the movie every single time.
2) there were too many songs and the fact that none of them were Ce mur qui nous separe is heartbreaking. At the third Marinette song I was rolling my eyes. Plus they all felt pretty same-y and I didn’t think any of the, were particularly good.
3) the scenes felt SO disjointed! Like they had some cool storyboards but weren’t quite sure how to join them together.
4) the whole story felt kinda like that to me, like they couldn’t quite explore all the elements they wanted to include and relies a lot on the fact that we already know (and love) the characters, like if it was my first approach to the universe I’d feel like the movie was rushed and shallow.
5) on a more positive note the animation was incredibly beautiful, a few characters felt a little too baby faced but the lighting and textures really made this very pretty to look at.
6) what was Gabriel’s villain song? It’s like they had an interesting idea but they just couldn’t deliver (which unfortunately rings true for most of the movie)
7) related to Marinette and her many many songs was her character arc, it felt kinda all over the place, like her whole “gotta face my fears” lesson was learned like three different times and not once in a fulfilling way.
8) Alya was kinda mean at the beginning? Did anyone else feel that way?
9) Tikki’s rap was SO CRINGE and the bit in Hawkmoth’s song where he gets a hat and poses un a rap-y way was so weird as well. Like come to think of it they were probably referencing “friends in the other side” but it only makes this song seem way worse by comparison.
10) the movie had serious issues with its rhythm and pacing, with the whole story but also in every scene.
11) kinda related to that but their mouths sometimes would not move with the dialogue? At first I assumed it was because it was made for French first but I could very clearly read their lips in English just not in sync with the sound.
12) the kwamis (genies in this movie apparently, ugh) were characterized in such a weird way, it was like trying to be Tikki but not quite getting there. I did enjoy when she got all wide eyed and musterious, it kinda goes with her being super old and powerful.
13) Plagg??? Being mostly just a fart joke??? 0/10
14) that and Chat feeling so unimportant.
15) Chat also fell in love way to fast, and like it didn’t feel genuine? Like they barely knew each other and Marinette wasn’t like particularly impressive yet for him to be fawning over her.
16) after the little montage tho? I loved their dynamic and relationship, and I really liked their little fight on the roof
17) the movie was sprinkled with little scenes and moments that were enjoyable and well crafted, but even if they were emotional moments they just didn’t feel earned and were kinda buried under a bunch of mid scenes.
18) I did like that Hawkmoth was dealt with in the spam of one movie, 11/10 much more realistic for his abilities than 5 seasons.
19) most of the jokes didn’t land because the timing of them was so weird, like long pauses or they were delivered too fast.
In general there were some bits that I enjoyed and the animation was obviously gorgeous (even if the pacing brought it back a bit) but maybe I had too much hype but I was disappointed. Still I’m certainly inspired to try some fan art and will save stills from the movie cause they were so beautiful.
I probably didn’t make a lot of sense but I needed to get everything out there!
P.S. HOW COULD THEY CUT JUST BEFORE THE KISS?!! UGHHH!!!
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zelda-cooper · 3 months
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My version of Loonatics Unleashed (Part 2)
This is just my interpretation of this universe of "Loonatics Unleashed", don't take it as a summary of the series or as absolute truth to interpret your version. NO! It's just MY view and you have every right to disagree. Furthermore, there will be low-level words (even though I censor some) and there may be sensitive topics for certain people. Besides, this refers to the universe of Loonatics Unleashed, so for those who don't care, you can skip this blog, but for those who are a fan or if this interests you, you can continue reading. Part one of this blog is at the link below if you want to see it.
Part 1
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Hi... I'm here again! Yeah, right? I posted that ls Loonatics blog in an unpretentious way, not expecting so many people to see it... And then I come across the post being reblogged and liked by A LOT of people... Ok, I'm exaggerating... But that amount is almost the same one I get in my regular Darkwing Duck posts, which is a surprise... I thought there weren't THAT many people who knew and liked Loonatics. So, right? Part 2 for you just to clear my conscience and talk about some other ideas I had. And it's not the character redesign yet, you'll have to wait for that... -w-
I again want to give credit to @drakepad-luv-2000, she was one of the reasons I'm doing these blogs (I'm sorry I got your pronouns wrong before, seriously-). And if you, a Loonatics fan, want to make a blog with your Headcanons, I just say that you can give credit to both of us. Having said that... Let's go! Again I will divide this post into two topics... The first will be highlighting more things in the story (theme, episode structure, tone of the series, etc.) and the second will be talking more about the characters' changed personalities and powers to adapt to this new version of me. So, we continue...
Story Narrative (Reinvented)
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If you saw the post before this one and already know a lot about the change in the backstory before the story and the past of the protagonists, you will understand this topic better. It's much more about what the narrative structure will actually be like... In this case, again it would be divided into seasons, and here... I think I put an average of at least 6 seasons. Then you ask... "6 SEASONS FOR THIS VERSION OF YOU?!?! WHY?!?!"... Because I'm crazy and I like to suffer- I'm joking, but there's a hint of truth... I literally I have so many ideas for this series that there is no way I can only do 3 seasons. It has ideas for villains, for OCs, for the protagonists themselves, even for some secondary characters! So it will have to be 6 seasons AT LEAST (because I'm going to increase the number-). But, well... Having defined how long this series will be... What would be the ideal tone for it? I'm going to talk about the first three seasons, which kind of gives an overview of the rest of the series.
First Season
The first season, as you can imagine, is an introductory season, which introduces the protagonists, supporting characters and initial villains, where it also presents many of the dynamics and shows the main plot of the story. The season that people, most of the time, find the most boring because it's the beginning, but in this case it would be equally important, not only because it's the beginning (obviously), but it defines a lot of the dynamics of both the heroes and villains. I also want to explore a lot of their personalities, so there will be solo episodes for the protagonists (and considering that the seasons have an average of 20 episodes each, it's reasonable), this includes Zadavia, because honestly in the original series she didn't have a personality or defined relationships. It has the classic "villains of the week" episodes, but in this case... I like to ONLY get what was relevant. In other words, villains like those ice Vikings will be discarded because they are not exactly relevant, unlike Mastermind who has a story behind her that is interesting. I'm talking about the FIRST SEASON, because, in addition to helping a lot with the writing, because we'll have about five villains to stay (including Optimatus), it's also possible to add an additional supporting character (some are OCs or reimaginings of characters? Yes, but that's because the series only had Zadavia as a supporting character at the beginning, so... Leave me...). There is the fact that there will also be a villain in the middle who, basically, was from the second season, but I changed it to the first because he is too important to discard for the second... Which is General Deuce, who will be at the Optimatus' side as his right-hand man (he's basically the villain's main "henchman") and you can draw a good parallel with Ace. As you can see, the first season really is an introduction, but I made it more cohesive, less "random" and gave the characters more focus.
Second Season
The second season is where the story really starts to have a clearer narrative line (even with fillers), it's where the narrative starts to take more serious turns and we get more of the characters themselves. Do you have OCs? I think there's a lot here... But there's also a lot of change in terms of characters... Like Melvin The Martian and Rip Runner. These episodes include more of the characters that are inspired by Looney Tunes. Support characters... There's Zadavia, obviously... But there's Tweentums who is basically the prince of a planet there... Here I'll give him a different personality and that includes changing a lot of his relationship with Danger Duck (because honestly I felt really sorry for Duck for taking care of the brat-), and also changes Sylth Vester, which... You can believe it, but this villain here I'm going to give a nice makeover and he's going to be a villain of respect! As for the conclusion of Optimatus... In fact, I'm going to leave a lot of it for the third season, where it will become clearer what could happen at the end of it there. In the second season there will also be a lot of the evolution of the main characters individually, kind of like how they would continue here and so on, where everything will combine in the third season. And speaking of her....
Third Season
The third season is the famous time "When sh1t starts to stink". There won't be any character deaths (or maybe there will be, I don't know...), but this is where a lot of the things that happened in the previous seasons will come to fruition and with force in this third. This is kind of where most of the villains I highlighted will come together and cause chaos... In other words, there will be dynamics between villains, internal intrigues, etc... It's also where a lot of heavy scenes can occur and kind of It's where it separates from what the series was before to now, where the direction becomes more serious. Okay, it was like that before, but now it's more so. And this is where the Loonatics' direction becomes most unpredictable. What do I mean by that? It's a secret, I won't tell you now... But you will understand in the distant future. I'm just saying that some characters will have suffered a little...
So the tone of the seasons kind of escalates... In the next seasons there may be comedy again, but at specific moments that are conducive to that, especially because it can't be 100% serious. But that's kind of the tone of the narrative... Now let's get to what I consider the soul of the story...
Personality and Powers of the Protagonists (Reinvented)
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I'm going to speak again in opening order, so... Let's get started...
• Ace Bunny
Okay, I'll admit that Ace is my least favorite... Because his personality in the original series is a bit "empty"... But considering he would have the vibe of a confident but insecure character... I got it from base Sonic's personality and also Leonardo's (from Rise of TMNT). But I think this is the one that, ironically, would be the most underestimated by the villains and basically the civilians he saves... Because he's charismatic, but he doesn't exactly have a certain "hero look". He may be confident, but his experience is zero, just like in combat. As much as he learned to fight, his type of fighting is much more street fighting, he doesn't have a lot of technique, so his arc is kind of knowing how to be a hero (just like most of the team). But there's another issue that anyone who's seen his story already understands between the lines... As for his powers... Honestly, I don't like his laser beam powers so much, because they don't have any parallels with Bugs Bunny... So I changed... His powers NOW are, first, being able to summon any MELAN WEAPON (that is, without firearms) and explosives, and the second is to make long-distance portals (with the condition that he has to KNOW where it is, because otherwise it's the same situation as him ending up going to the wrong place.
• Lexi Bunny
Ok... Honestly... I couldn't change ANYTHING about her personality... Because she's already very good, what I changed most was that her passion would be more for music and her powers... And also that she and Ace are brothers- But, powers! Here I didn't change that much, but her psychic rays were converted a little to Telekinesis, that is, she can levitate herself and objects and people, and the power to manipulate plants will become more evident.
• Danger Duck
This is another one that I didn't exactly change much, but I went deeper into it... Here he is another insecure character who always compares himself with others, but who hides this through arrogance and arrogance. He also has some Tsundere traits, that is... He pretends that he doesn't care or doesn't care about his companions, but deep down he cares about each one of them. And also... He is very VERY careful with children, he opens up more to children (you can already see that the Tweentums relationship and he can change a little-). As for the powers... I keep them the same, the random energy orbs and the teleport really suit him...
• Slam Tasmanian
Slam is another one that I ended up changing A LOT... And here I get a lot of the fans' interpretations, of him being the "big daddy" of the group, in the sense of being the one who protects the team the most and who is there to listen and help everyone. I still maintain the characteristic of him being a glutton, because it really draws a parallel with Taz, but here he has the ability to speak, but he prefers to remain quiet and more to himself. The powers... I changed it a little so as not to be a "copy and paste" of Taz... In this case, the powers are, first, going into bestial mode (something similar to the Hulk, so he only activates this mode when necessary , because he attacks EVERYTHING in front of him), and the second is the same as one of Ben 10's Aliens, which is that the objects he ingests become balls of plasma that he releases at enemies.
• Tech E. Coyote
I will say that I didn't change his personality or powers much... But I added more things... Besides him being autistic, which makes him have a little difficulty communicating or understanding other people's emotions, He also can't stay in public for a long time... In other words, he has a certain degree of social phobia. He can talk to friends and family, but speaking in public is almost IMPOSSIBLE for him... And he ends up having low emotional intelligence (or EQ), which results in him not knowing how to take care of himself very well when he's in trouble. hyperfocus or making some invention. As he had said, his powers remain the same.
• Rev Runner
My beautiful and adorable Roadrunner with ADHD- Okay, seriously... This one I changed some characteristics, but again his personality is more in-depth. Like the fact that, in the beginning, he was a little afraid of both Slam and Tech, because they are both kind of predators... Again the issue of hyperfocus, but in Rev's case, he manages to control himself in a certain way, the which also causes him to take Tech out of the lab several times. He is also more curious and mischievous in this version, especially because he is the youngest on the team, and he is also quite a gamer. His powers remain the same, with the exception of his GPS vision, because he doesn't use it much in the series and because it's very powerful (and you can't work with it that much...).
Conclusion
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Well, guys... That's it! Sorry if it was simpler than the previous one... I just didn't have much to say here... But tell me what you think, your opinions, etc... BYEEE!
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runawaymarbles · 5 months
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20 questions for fic writers!
tagged by @chubsthehamster- thanks!
1. How many works do you have on ao3?
32, unless you count the book covers. I've got 106 book covers
2. What’s your total ao3 word count?
487,170
3. What fandoms do you write for?
Whatever I get stuck on at any given moment. My most recent ones are 9-1-1, Inception, ATS and Hawkeye, but my repeat fandoms are Spn, X-Men, The Old Guard and Black Sails.
4. What are your top five fics by kudos?
I'm copying chubs and doing my personal favorites, because my top four kudos'd fic are all for the same fandom (The Old Guard) and written within like three weeks of each other.
The Scroll of Saint Barnabas (9-1-1, Buddie, 15k): recency bias, but I had a lot of fun with this one. I also probably drove my girlfriend*and cousin insane during the writing process. Sorry about that. The basic premise is: we all know how time loop fics go, but what if after the loop is broken the character has PTSD from all the things that nobody else remembers? And also what if you get a knotted dildo hooked onto your permanent retainer? *though we've now established consent and parameters for whether we can have sex if one of us is stuck in a time loop. It's always important to have these conversations in advance!!!
What The Moon Was Saying (Spn, destiel, 16k.) It's about Dean rescuing Cas from the Empty, technically, but it's also about Dean working through things he refuses to think about directly, and it's also about the perspective of dead characters who aren't all-knowing and have no clue what happened after they died, and it's also about Inanna's Descent into the Underworld and how many jokes about Sumerian mythology I could fit in there that probably nobody else is going to think are funny but I think are funny, and it's also about what issues Orpheus would have had if he'd succeeded. The central thesis statement is that Margaritaville is thee Dean Winchester Mental State song.
The Mixtape, Or: Six Things You Learn in Thursday School (Spn, destiel, 6k.) I always had this idea that I was going to write a fantasy book of some kind, where the first part would be about the founding of a religion and then the following parts would jump ahead a few hundred years and see how that religion and that original story change in the telling. Instead of writing that book I wrote 6,000 words about a post-apocalyptic religion whose foundational text was the Winchester Gospels, except they don't actually have the Winchester Gospels, so they're relying on collected ephemera and thirdhand accounts. It is also about both academic and online discourse.
The House on Graymalkin Lane (X-Men, background cherik, 92k.) My nice little outsider-POV x-men haunted house fic. It started out as "the x-mansion would be a bonkers haunted house" and then it turned into a love letter to the original timeline (we barely knew ye). It's about the mortifying ordeal of being in high school and also about how all my grandparents died at once and I had a lot of complicated feelings about that.
The Ill-Made Knight (X-Men, cherik, 1.5k) OK so you know that trope that's like "if anyone is going to kill me I want it to be you"?? it's that, but instead of being used as a statement of everlasting love and devotion, it's being used as psychological warfare. And also kind of a statement of everlasting love. But in a fucked up sort of way. Because Cherik.
5. Do you respond to comments? Why or why not?
Yes! I didn't used to but I do now because I always like it when people reply to mine. Sometimes I miss them and respond years later but like... I got there eventually?
6. What is the fic you wrote with the angstiest ending?
the whole estate of mortal man. (Black Sails, silverflint, 40k.) Silver is immortal but has a very impermanent self. Flint is mortal and has a very permanent self. There was only one way that was ever going to end and I stand by it.
7. What’s the fic you wrote with the happiest ending?
Of recent ones, I guess The Most Fun A Girl Can Have? (Kate/Yelena, 8k.) They're having a pretty good time for most of it.
8. Do you get hate on fic?
Not since like, high school.
9. Do you write smut?
Nope. Hats off to smut writers, you're doing God's work. It's very difficult.
10. Do you write crossovers?
I haven't, unless you count every Marvel fic being a crossover. And Good Omens show/book. But that seems like a cop-out.
11. Have you ever had a fic stolen?
Not as far as I know.
12. Have you ever had a fic translated?
Yes! Some very kind people translated The Punishment of Sisyphus (Black Sails crackfic) and Antebellum (Black Sails, Anne & Eleanor fic) into Russian, Stalefish (Old Guard, Nile-centric) into Polish, and Kidnapping for Dummies (Old Guard, Joe shenanigans) into Spanish. I can only read the Spanish one.
13. Have you ever co-written a fic before?
Yessss. The #ImmortalHusbands Conspiracy (The Old Guard social media fic) with @phoenix-acid. That was very fun.
14. What’s your all-time favourite ship?
Why would you ask me this. This is cruel. I can barely pick a top 5.
15. What’s a WIP you want to finish but probably won’t?
The Marvel pirate AU, probably. It's almost a complete story on its own as it stands. There's about half a next chapter written and I could probably us that to tie things up, if I cut out a bunch of things, but I'd have to reread all my research. I did way too much research for that.
16. What are your writing strengths?
Character voices? I hope it's character voices. I watch a lot of youtube compilations before writing anyone to try and get a handle on how they talk.
17. What are your writing weaknesses?
The actual romance part of a romance. What do you mean they have to get together after I've set everything up so that they get together? Ridiculous.
18. Thoughts on writing dialogue in another language in fic?
I've never done it before, but I respect people who can pull it off. I do really hate that trope though where a multilingual character calls their love interest pet names in their mother-tongue, when they are never shown using it that way (or mixing that language and English in a conversation) in canon.
19. First fandom you wrote for?
....percy jackson and the olympians.
20. Favourite fic you’ve written?
Since I listed five favorites up there I'm switching this with the kudos question. Fic with the most kudos is Kidnapping for Dummies (The Old Guard, 3.5k)
Tagging @monstrous-femme @thegeminisage @bomberqueen17 @ellelans @annerbhp @significanceofmoths and anyone else who wants to do it. say i tagged you. nobody will ever check to find out.
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hikari-ni-naritai · 3 months
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3 6 10 11 12 18 21 23 26 27 29 30 31 36 45 50 52 54 55 57 58 59 60 62 69 (nice) 74 76 86 87 90 95 97
3. bubblegum or cotton candy?
man . theyre both kinda. painfully sweet. bubblegum i guess? i also like cotton candy tho its just hard to pick
6. pastel, boho, tomboy, preppy, goth, grunge, formal or sportswear?
i dotn know what like. most of these words mean. how are half of these related even. tomboy.
10. game you were best at in p.e.?
man i fucked hard at dodgeball
11. what you have for breakfast on an average day?
these days shredded wheat
12. name of your favorite playlist?
the fuck is a playlist
18. ideal weather?
yknow, cloudy, warm, smells like its about to rain
21. obsession from childhood?
warriors cats babeyyyy. and bionicles
23. strange habits?
man i KNOW ive got some but i cant think what they are. i do this wrist flick manoeuver to crack it.
26. favorite activity to do in warm weather?
if im actually out in the warm weather? take a nice walk maybe.
27. favorite activity to do in cold weather?
yknow. i havent done it in ages but i really like doing jigsaw puzzles. maybe put some jazz on.
29. best way to bond with you?
i dunno honestly! i dont have an answer to this one. it takes a lot of time and effort i think.
30. places that you find sacred?
the woods. the woods the woods the woods you have no idea. the woods. its the woods.
31. what outfit do you wear to kick ass and take names?
i would die if i tried to do either of those things
36. what is the first meme you remember ever seeing?
like...... charlie the unicorn i think.
45. which genre: sci-fi, fantasy or superhero?
fantasy obv
50. what made you laugh the hardest you ever have?
god there was something that destroyed me but idr what it was. the hardest in recent memory was me trying to tell a REALLY really stupid joke that wont make sense to any of you. i did not manage to say it bc i was laughing too hard.
52. favorite font?
i absolutely do not have an opinion on this
54. what did you learn from your first job?
you know at mcdonalds in order to work the grill you have to be willing to put your arms under a hot piece of metal that drips boiling grease on you? thats what i learned.
55. favorite fairy tale?
what IS my favorite fairy tale....... we'll go with red riding hood bc her modern interpretations are always the cutest
57. the three biggest struggles you’ve overcome?
damn what. uhh ok, having to rebuild my entire social life after the shit that happened a couple years ago, the several year process of going from hyperconservative christian to a . whatever the hell i am now. some kind of far left girl. and uhhhh. figuring out i was trans i guess? idk
58. four talents you’re proud of having?
four??? im good at ff14 raiding, im good at writing, im good at.... uhh... im pretty funny i think, annnddddd uhhh. i dont know that its a talent, but i like to think im good at making people feel safe talking to me.
59. if you were a video game character, what would your catchphrase be?
heh... guess i shotcha... uhh 'god im fucking tired'
60. if you were a character in an anime, what kind of anime would you want it to be?
ISEKAI OBVIOUSLY specifically something like slime 300 but ill take almost any of them.
62. seven characters you relate to?
SEVEN............ god.... uhh hanako ikezawa, hikari finalfantasy (im cheating), (god i got to ONE and already had to start cheating...) yumiella dolkness, man im tappin out. look at my list of ocs i put way more of myself into them than there could ever be in any other character
69 nice. a fun fact that you don’t know how you learned?
i feel like i know how i know most of my fun facts bc if i didnt i would not really know if i could believe them or not.
74. at what pain level out of ten (1 through 10) do you have to be at before you take an advil or ibuprofen?
like 8 or 9 probably. i dont really go below a 5 so. its gotta be like migraine or vertebral artery dissection bad before im like 'i should really get some meds'. unless im doing it preemptively which ive done for like when ive got raid later.
76. what’s your favorite potato food (i.e. tater tots, baked potatoes, fries, chips, etc.)?
man fuckin SCALLOPED POTATOES BABEY
86. cookies or cupcakes?
the amount of qualifiers this question needs.... cupcakes tho probably.
87. your greatest fear?
dying.
90. luckiest mistake?
i mean most of my mistakes havent been lucky, the best i can think of is when i accidentally followed my girl @handinvampirichand and now we're mutuals with wildly different taste in things but we're cool.
95. favorite app on your phone?
i like tumblr
97. how many phone numbers do you have memorized?
uhh mine, my moms, my moms house, my brother's, my dads. jg wentworth 877 CASH NOW. so thats 6
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snickeringdragon · 7 months
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snick you need to tell me where ok ko wasted its potential and how you think it could be made better i havent seen anyone talk about this damn show in ages Yes im here because of skiddle's tags hi skiddle. hi snick
AHHAHAHAHAHAA. YOU HAVE NO IDEA. YOU HAVE NO IDEA
AHEM.
ok ko spoilers, obviously
...i should put this under a cut
opens up a powerpoint presentation. ok ko is in my opinion overall a very good show. its incredibly funny, charming, and...sometimes well written story wise. unfortunately it has a very very big failing in a very very big plot point
clicks to the next slide. my beautiful son tko.
tko himself is fine. i have no issues with his CHARACTER. i take issue with how his character is treated. tko is, by himself, a child with anger issues, he reacts very poorly to being agitated but like...
he has to be agitated first.
there is not a single example before season 3 where tko like, wrecks shit or whatever without being provoked, in his debut for example, hes just doing his job (albeit begrudgingly) before enid and rad provoke him, and he starts fighting them
however, the show always seems to act like tko is in the wrong, treats him like a villain despite his mostly heroic acts, is he PERFECT? no!! hes a fucking kid with anger issues!! he was locked inside a mind cage!! he doesnt know how to deal with things so he hits them!!! he just. happens to be able to hit things very very hard and with lightning bolts.
another example is the season 1 finale, youre in control. in yic tko. literally doesnt do anything wrong. like im not joking.
in yic tko gets let out to fight boxman jr and like...he does that. he throws boxman jr back to boxmore and then chases him over to boxmore. he does not attack a single hero in this episode. he does not do any damage to the plaza. the worst thing he does in this episode is put ko back in the cage. yet its STILL treated like hes doing something wrong???
another thing about tko. tko wants freedom. he says this outright. being locked inside a literal cage will do that to ya. i want to make sure real quick that we're on the same page here that locking a 6-11 year old boy inside a cage is bad no matter how badly he is at managing his anger issues right. right. okay. tko deserved to be uncaged. and he WAS. except...
when he gets out of the cage in youre in control. thats great and all but...his next appearance, tkos house, hes still upset. he still wants his freedom. its just that instead of being locked in a cage hes locked in a (pretty cool honestly) house. it doesnt matter how nice you make an enclosure, sometimes itll just never work for the animal. and thats what tko is like, he wants out, he wants control over the body, which like. is fucking fair?? im someone who REALLY understands the importance of going outside often, tko really deserves to be allowed outside their headspace. its good for you.
but tko DOESNT. GET THIS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! he shows up. LITERALLY TWICE in season 2 (thats 40 episodes!) and NEITHER of his appearances (tkos house, dark plaza) does he even get to use the body on his own!! its always fused as pko!! he doesnt get a turn!!
and then when season three starts. uh. glances at tko rules. Yeah. The Subconscious. he gets trapped in a dark empty void for [checks notes] about two weeks. minimum.
what im getting at here. is that tko never really left that cage.
okay. im gonna touch on one more tko thing. the FUCKING finale. [furious]
quick recap, in the finale ko and tko have a plot twist moment where "oh hey! ko and tko are the same person actually! and now theyve accepted eachother as the same person and can be happy! hooray!" except like. mko (finale fusion) is just ko
like seriously hes JUST ko. his design? leaning towards kos features. his personality? LITERALLY just ko theres not a hint of tko there. its not the two of them "accepting eachother" or whatever its. its the writers killing off tko.
as well as like. a guy i know pointed this out and i cannot fucking get over it. if they were just going to ""fuse the two"" in the end then WHY. in GODS NAME. is tkos LITERAL FIRST LINE OF DIALOGUE.
"no, not ko."
hes so fucking INSISTENT on correcting people when they call him ko (which is ANOTHER gripe i have with this show. NOBODY calls him his name) and they just. oh yeah hes actually ko lol. LIKE DUDE. THIS ISNT HOW YOU WRITING.
i didnt even mention the issues regarding system stereotypes. i didnt even mention dark plaza since i was focusing on tko. i didnt even. theres so much. i need to stop. now. goodbye.
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xbunny-k · 2 years
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The Actor & I: PART THREE – New iMessage: “Hiiiya it’s Austin”
This is part three of a very long, SLOW BURN series on Austin Butler and a Production Assistant on set of Elvis (2022). 
Part One is here!  Part Two is here!
Anything italicized is main character’s thoughts! 
Warnings: Fluff, eventual Spoilers for Elvis (2022), mild language (If i missed anything, please comment so i can add!) 
Tags: @manddor @pumkiinpasties @its-funny-til-its-not
(Let me know if you’d like to be added!)
Please, if you like this, share it, comment, like it and enjoy! xx
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As everyone parts ways after the meeting, Alison tells you she’ll see you back at your normal office not on the studio lot. As soon as you get in the car, you release a breath you didn’t realize you were holding. You start the car and just stare ahead at the windshield, zoning out. You just exchanged numbers….with Austin Butler…. Your phone’s text tone snaps you out of your thoughts and you rummage through your bag trying to find your phone. You see a number instead of a contact name with an iMessage and immediately your heart starts racing as you unlock your phone to read the message.
“Hiiya it’s Austin. Look forward to working together!”
You stare at the phone in disbelief. You just got a text from…Austin Butler…Ana, get it together you just thought “he’s not my type” this morning. Keep it professional, gheeze. Your inner thoughts are right, keep it professional. You think of what to respond with before typing so there’s no chance he sees you typing…
Hmmm… “Me too can’t wait!” No…. too eager and friendly. But I do want to be friendly… Ahhh…. Ok Ana, get it together. “Hii. So excited to embark on this together. Let me know if there’s anything I can assist with…Mr. Presley :P” Okay, that sounds good. Professional, but I’m a friend! Or is it flirty? ANA, JUST SEND THE TEXT. GOOD LORD.
As I unlock my phone again to send my perfectly crafted text, I see Austin is typing… REMAIN CALM ANA. Before you can continue freaking out, your phone starts ringing as your boss is calling. “Hey Anastasia, I’m stopping to get coffee. Do you want anything?” Alison asks you while you are still in the parking spot from the meeting. “Ali, no thanks! But would you rather me stop and pick you up something? I feel like I should be getting you coffee, not the other way around,” you joke back.
After some discussion about the rest of the day, the call ends and you are ready to send a text back to Austin when you see he sent a second text.
“Would love to get together just to go over schedules and some screenings I have planned with Baz of old reels of Elvis concerts.”
ANA, REMAIN CALM. Phhhafjafddjff;df… your mind is a mess. Why is this getting you so worked up? He’s just an actor… A taken actor at that. That shouldn’t even matter, this is work, Ana!! Now, replan your text back. “Hii. So excited to embark on this together. Let me know if there’s anything I can assist with…” No, that doesn’t work now. “Hii. So excited to embark on this together. Would love to meet up to discuss availability. I’m usually free after 6:30ish on weekdays, whenever on weekends. Just let me know!” That seems desperate… hmmm… .
“Hii. So excited to embark on this together. Would love to meet up to discuss availability. I’m usually free after 6:30ish on weekdays or could plan to meet up on a weekend, whatever works for your schedule…Mr. Presley :P”
You hit send on your second perfectly crafted message. Phew, now that I can breathe, maybe I should go to the office now…
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