dude no he's perfectly fine what do you mean the wound is oozing what wound i don't see no wound he's fine see?
reblogs > likes you sillies
closeup under cut // same cw apply
silliest fish in the world
(^ actual fottage of a lvl 3 smite btw)
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Oozing Wound “Between Cults”
• We Cater to Cowards (2023)
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Omega Radio for April 8, 2023; #348.
Sandrider: “Alia”
Civic: “Blood Rushes”
Torche: “It Never Began”
Still Form: “Gums”
Blacklisters: “Why Deny It?”
Tunic: “Whispering”
Godcaster: “Vivian Heck” + “Diamond’s Shining Face”
Heavy Mother: “Louie Louie”
Brain Cave: “Solo Gazebo”
Gloop: “I Never Really Knew”
Hickey: “Backseat Driver”
Fucking Lovely: “Lamp”
Slifft: “Unseen” + “The Real Unseen”
Knub: “Dark Room”
Colonial Wound: “YSL”
Space Camp: “Space Camp Intellectual Property Lawsuit”
Oozing Wound: “The Good Times (I Don’t Miss ‘Em)”
Nag: “Repulsion”
Weeping Icon: “Two Ways”
Shove: “Swing”
Desperate Living: “Gone”
Haunted Horses: “The Garden”
Pigs: “Donnybrook”
Mulva: “Futuremind”
Deluxe noise rock and garage.
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# 4,381
Omega Radio for April 8, 2023; #348.
Sandrider: “Alia”
Civic: “Blood Rushes”
Torche: “It Never Began”
Still Form: “Gums”
Blacklisters: “Why Deny It?”
Tunic: “Whispering”
Godcaster: “Vivian Heck” + “Diamond’s Shining Face”
Heavy Mother: “Louie Louie”
Brain Cave: “Solo Gazebo”
Gloop: “I Never Really Knew”
Hickey: “Backseat Driver”
Fucking Lovely: “Lamp”
Slifft: “Unseen” + “The Real Unseen”
Knub: “Dark Room”
Colonial Wound: “YSL”
Space Camp: “Space Camp Intellectual Property Lawsuit”
Oozing Wound: “The Good Times (I Don’t Miss ‘Em)”
Nag: “Repulsion”
Weeping Icon: “Two Ways”
Shove: “Swing”
Desperate Living: “Gone”
Haunted Horses: “The Garden”
Pigs: “Donnybrook”
Mulva: “Futuremind”
Deluxe noise rock and garage.
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Oozing Wound, "The Good Times (I Don't Miss 'Em)"
#NowPlaying
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2:44 AM EST December 3, 2023:
Oozing Wound - "Drug Reference"
Adult Swim Singles Program 2014
Last song scrobbled from iTunes at Last.fm
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Oozing Wound — We Cater to Cowards (Thrill Jockey)
Photo by Evan Jenkins
We Cater To Cowards by Oozing Wound
We Cater to Cowards is the fifth LP from Oozing Wound, appearing 11 years (say what?) down the road from the festival of thrashy hilarity that was Vape and Pillage, the band’s initial release. Back then, tunes like “Autopsy Turvy” formulated the ambivalent mix of headlong energy and smartassery that has consistently and sometimes irritatingly informed their music. The band can craft absolutely riveting experiences (“Hippie Speedball,” for instance, is flat-out terrific) but they have been just as ready to churn out cheap pastiche clad in flashy soloing and mean-spirited snark. As on their previous record, High Anxiety (2019), there’s still plenty of nod-and-wink irony in the semiotics of We Cater to Cowards; check out some of the song titles: “The Good Times (I Don’t Miss ’Em),” “Between Cults,” “Midlife Crisis Actor” (which is pretty funny). But also, like High Anxiety, the clowning is shot through with moments of more gravid character. There’s less petty derision and more emotionally hefty drama. Sonically speaking, this is a different Oozing Wound. We Cater to Cowards is a noise rock record.
That’s not exactly revelatory — the band has always been noisy. But their signature blend of top-speed thrashy chops and a punk-ish ethos has issued in a fairly familiar problem. For the genre-bound true believers, Oozing Wound’s records have been too metal for the punks and too punk for the heads. It would speculate overmuch to assert that the noise-rocking strut of We Cater to Cowards gestures toward a heavy-music third way, a new musical tactic seeking to solve Oozing Wound’s scenester dilemma. Likely the midtempo pace and thumping riffs around which most of the record coheres just felt right to longtime collaborators Zack Weil, Kevin Cribbin and Kyle Reynolds, as they wrote and played the songs.
Whatever the motivations, it’s certainly the case that “The Good Times (I Don’t Miss Em)” sounds remarkably like Steel Pole Bath Tub, c. 1990. The more impressive trick Oozing Wound pulls off is that the song simultaneously sounds like an organic outgrowth of tunes like “Tween Shitbag” and “Filth Chisel” from High Anxiety. A little slower, a little dirtier, but possessed of the same mean streak and informed by a similar interest in excoriating the band’s own contributions to our current conjuncture. On “Total Existence Failure,” Weil snarls, “I’m the king of cultural waste / On a franchised throne across the space / That binds the world…” There’s more Scratch Acid in that sentiment than there is Anthrax, or even MOD. More notable here is the fact that We Cater to Cowards is a satisfying and sometimes thrilling record. Particularly in its final third, it finds a snarling, crunching groove that slots alongside the general feeling of our current socio-political conjuncture. “Midlife Crisis Actor” and “Old Sludge” are by turns sizzling and pummeling acts of musical mortification.
An ironic distance from the ugliness represented in the songs was an intrinsic element of the early 1990s’ peak noise-rock moment, populated by bands that had learned their craft from Big Black and the Butthole Surfers. Unsane and Cows were great bands that put out some great records, but they lived and died by the grossout. On songs like “Bank Account Anxiety,” the first and best track on We Cater to Cowards, Oozing Wound seems to be evolving beyond the sniggering takedown. That’s a good thing. The songs still hit hard, and the ideas are hitting harder.
Jonathan Shaw
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THANK YOU @diamondzart I LOVE THE FIC HERES AN ART
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Oozing Wound, Platinum Boys, Hitter, and Dim at the Empty Bottle on 3/16/2019
ARTIST: Bill Connors
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Omega Radio for February 26, 2023; #345.
Enablers: “Year Of The Dog”
Sun Voyager: “God Is Dead”
Haunted Horses: “Cold Medicine”
Kal Marks: “Everybody Hertz”
Ladder Devils: “Get OK”
Multicult: “Countdown”
Porcelain: “Resume Restart”
Rong: “Gray Pull”
Wipes: “Always”
Borzoi: “Passing”
Deaf Club: “Ride With Cops, Shoot With Robbers”
Penance Stare: “Seven Vials”
Cocaine Piss: “Lalala Fuck Me”
Chat Pile: “Pamela”
Pink Frost: “Until The Summer Comes”
USA Nails: “Horror Show”
VV Torso: “Body / Corset”
Servo: “III”
Oozing Wound: “Minus Tree”
Pollute: “Stoned Rider”
Child Bite: “Erect For Dystopia”
Cloud Rat: “Inner Controller (Lucid Running Home)”
Felon Class: “Cruel Moment / Birthday”
Off!: “Kill To Be Heard”
All noise rock.
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im experiencing scar induced madness again. I feel like people do not give him enough credit for being extremely poetic when he wants to be. sure he might seem stoic, but the dude busts out lines like this like it's nothing
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im thinking about possession aftereffects that linebeck experiences immediately after the events of phantom hourglass, so here are bullet points i have down for my own ideas
he’s out cold for roughly five days after the fight. he’s conscious for a bit after being freed, but it doesn’t take long for him to collapse once he’s transported back to the great sea. link finds him when he reaches his ship to see him again (he takes a lifeboat or w/e from tetras ship its a whole thing and not the point) and ends up having to take care of him for those five-ish days.
while he’s out cold, he develops a bad fever, and has a good few physical injures from being possessed; all of his wounds from being possessed manifest as burns, the worst wounds bring cauterized and mostly closed, while smaller ones are still open wounds. the largest wound is a large burn covering most of his back, which is cauterized by the time he passes out, and then there are smaller, still open burns on his upper arms and legs. (the smaller wounds are manageable by link when he follows some medical instructions, [there are some medical books on the ship] the larger one is also manageable, but takes a lot longer to properly heal).
(link asks tetra and her crew to stick around for a while to keep linebeck stabilized while he’s unconscious. when linebeck wakes up, tetra and her crew are good to leave because then linebeck can better report what’s going on, and knows how to handle injuries).
linebeck’s fever persists after he wakes up, and he experiences… pretty much every fever symptom, with especially bad chills and full-body aches. the aches are really bad for the first few days after he wakes up, he’s extremely physically weak and shaky for a while, too. that weakness and shakiness get better with time, but he doesnt go entirely back to normal without actually moving around and doing things to build that strength back up.
he’s delirious and struggles to stay awake for those first few conscious days, too, which makes that weakness and shakiness worse; he struggles to eat and drink water, and struggles to string together thoughts or words to talk to link, and both of them figure out pretty quickly that they’ll have to wait a bit longer before so much as an attempt to coax him out of bed can be made.
beyond existing problems with food, linebeck struggles to keep anything down while he recovers, and becomes ill pretty much every time after he eats anything, so a bucket is kept near his bed. with water, he obviously needs to drink a lot of it considering that he’s feverish, injured, and vomiting frequently, but while he’s sick he has a bit of an irrational fear of water (along with an irrational fear of air and the wind, which makes him hesitant to go outside while he’s sick).
he’s generally pretty irritable, which isn’t particularly new, but it makes him prone to refusing help with certain things. he’s less irritable when tired and just resting. he’s also especially nervous, and despite the overall fatigue, he struggles to sleep for very long while he’s sick, and as said before, is often delirious and even confused when things are bad.
along with the other difficulties eating, linebeck has a hard time swallowing for a bit, and salivates a lot more than normal while he’s sick. he is soooo fucking dehydrated the whole time and that really doesn’t help.
while the weakness and shakiness stays for the entire time he’s sick and even a bit afterwards, for the first few days after he wakes up he’s stiff and also experiences some muscle spasms and numbness in his limbs, and has a hard time keeping his balance the first few times he gets out of bed.
once the sickness clears up fully, linebeck has to still be careful with the scar on his back; it’s sensitive to touch for a while and hurts when exposed to the sun or air for too long and when he stretches his back too far, but eventually just reaches the point where it’s a bit sensitive but is otherwise just a large scar.
obviously he’s also going through the wringer in an emotional and mental illness sense too but those would require a whole new bullet point list.
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Well it's my first poem of 2024 it's maudlin and gross because im tired and maudlin and gross 👍
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“ditch class.”
oh pretty girl with beautiful brown eyes and a smile that battles the shining of the sun, whose voice alone makes me flush even if we are just talking about normal things, and is so tall i need to jump to reach her lips believe me i want to, i want to ditch this fucking place if it came down to it but i will be suffering all day, all week, all year until i can buy that one way ticket so it can be
“let’s call in sick together.”
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look i know "sb fucking sucks" is a bold take coming from a vanny icon but also this is a fnaf blog, i think we're well past getting stuck on the idea of loving and being invested in something that you are deeply deeply critical of
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