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danggirlronpa · 3 days

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I have a question in regard to the whitewashing tw tag: do you think Aoi and the rest are...African-Asian? Because I always just thought they (apart from Angie of course) just had tans

Having tans is the canonical explanation from Aoi, Akane, and Sakura; Yasuhiro (doesn't have a talent that would reasonably require lots of exercise) and Angie (canon Polynesian) are the only characters who are technically canonically dark-skinned.

However. Danganronpa has a terrible colorism problem. And because dark-skinned characters rely on racist and colorist tropes, it seems obvious that they relied on the implication that the characters were blasian in order to communicate them. (We could also get into Gonta here, but since he isn't usually considered by fandom to be a dark-skinned character despite having a darker skintone, we'll set it aside for now. Just know the "dumb gentle giant" look isn't good.)

Firstly: Akane comes from a low-income area with gang violence and prostitution, with a lot of siblings, and is poor enough to not be able to afford a gymnastics uniform. She is portrayed as being unintelligent and caring only about food and fighting. In her crossover art, such as with Sanrio, she is alongside a monkey character (as is Yasuhiro). She has her boobs on constant display to indicate she is Sexy TM. This is a series of very blatant stereotypes about black people.

Sakura is constantly mistaken for a man and called "ogre." She is physically enormous, has bulging muscles, and is one of the only female characters to have a face that isn't condensable to "anime girl face" (primarily, she has a defined nose). Her talent involves beating the shit out of people. And one of her beta designs has her as a straight-up black woman with an afro. She suffers from the (once famous, though I don't know if tumblr still talks about this one) trope of a dark-skinned character with light-colored white person hair for seemingly no reason. This is another series of stereotypes.

Aoi is sexualized. She's constantly sexualized. Her big solo art is her in her underwear with her boobs smushed together. Toko/Syo bring up her boobs constantly. The only character on her level is Miu, who is a very different kind of sexualization; Miu is a character who expresses her sexuality herself, whereas Aoi is viewed as a sexual object by other characters and the audience. This is a very basic aspect of misogynoir - the black woman as a sexual object.

Whether or not these characters were intended to be blasian, these tropes applied to dark-skinned women conveys some very clear and disturbing implications. To make the characters not even canonically dark skinned is such a huge kick in the face - to convey all of these stereotypes and not even give the representation that goes along with them. It is an extra layer of cruelty.

So, yes: this blog agrees with the fandom-wide adoption of "they're dark-skinned." Really, the tag should be "colorism cw," but it has way too many posts for me to go back and change it now. You don't necessarily have to believe they're black; the characters could be Indian, or Polynesian, or any other number of nationalities. But they are dark-skinned, at least as far as I'm concerned.

#asks #anon #racism tw #(for the discussion itself)#akane owari #aoi asahina #sakura ogami #talk to the mod #meta

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doctorbunny · 3 days

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Hi! I hope you don't mind the sudden question, but i got really into Milgram recently and was wondering: What reasoning did people give when they voted Haruka guilty in the second trial? Like, generally speaking, what did the consensus seem to be?

Haruka is a character i strongly relate to, so i have a lot of Thoughts about him.

Firstly: Wow the start of the second trial was that long ago, huh 😅

Secondly: I need to explain that Haruka's trial was a bit different than most Not sure how recently you joined but in a normal trial, the MV will upload the same day a CD releases, and stuff like the instrumental, DECO covers and most importantly the voice drama will be officially uploaded at the same time

But for Haruka, due to some unspecified CD issue, we were getting the MV as planned then wouldn't get the voice drama for another two weeks This will be very important to his voting

Thirdly: Going into his trial, things were uncertain, a lot of people really liked Haruka and were very worried for him due to his new relationship with Muu. Whom many saw as a potential bad influence or threat. I won't get into it too much, but before this trial it was definitely more common to have a.... soft image of Haruka as a harmless little guy who had gone through a lot, who just made some mistakes because he didn't know any better

Its worth remembering that without the context of AKAA, Weakness is a very dream-like MV and not many were sure which parts were real or imagined One of the biggest debates about weakness was about if the blue haired child was a younger bother or Haruka himself It all seems quite quaint from here Some people thought Haruka might not have even killed a person, just animals, I was even considering a theory suggesting Haruka was in milgram for his own suicide (in the words of Danganronpa 'killing the person who is most important to you: Yourself') The girl with the plait wasn't thought about much as other than a possible childhood friend due to her being shown running next to young Haruka.

Fourth: The premiere of AKAA was super emotional and intense, it was a beautiful MV But like Purge March later, it would contextualise parts of Weakness we didn't expect it to Mainly the animal murder and the girl's death.

But without the voice drama, many were unsure what verdict would be best for Haruka Despite the failure of T1 Amane, many still thought we could fix the prisoners through voting right Some people saw this vote as a chance to get Haruka to break up with Muu if we played our cards right Overall people were confused and conflicted and couldn't wait for the voice drama to come out I think the best summary of feelings is a comment from the top of the AKAA comments section

This was posted right after AKAA came out and reflected a common mood

This part of his voting period was very strange. Because of the uncertainty, people were pretty split People didn't think he deserved an innocent verdict, but they didn't want to punish him so harshly with a guilty one either And it turned into an interesting situation: What happens if a prisoner gets exactly 50%? It was an unlikely truce between two passionate sides but for about 2 weeks straight, 50-50 was sustained Or more accurately, it was a constant flux of 49.9-50.1, changing by the hour if not minute (I actually dreamt up a fic of this causing Haruka to get a migraine but like most of my fics it never materialised)

Then the voice drama released

At the time I was the mod of the second biggest milgram server (rip Fancult - unfortunately that place got nuked so I'll have to go off memories alone) so I got to watch as a lot of people gathered and listened to the VD at the same time We were still waiting on translations, but still people could appreciate the acting and pick out key words like the prisoners' names and... other common phrases

お母さん, "Okaasan" The Japanese word for 'mother' or 'mum'

By the time we got to here it was Harukover 😔

Then a second Okaasan hit the verdict

And this giant mess ended with the suicide threat that's been haunting us for the rest of the season...

Needless to say, people were not too pleased

The 50-50 pipe dream was immediately shot down and betrayed

This graph (by paiplushie on twt) shows it pretty clearly

One thing to keep in mind is that even before Muu's MV was out, people were certain she'd be voted guilty, there was a fervour for it (mostly because people saw her as having taken advantage of Haruka and having the wrong attitude towards her verdict)

For some reason, voting Muu innocent was never really considered an option

It was 'Haruka threatened to kill himself if we vote Muu guilty, how do we stop him doing that after we do' [personally I voted him innocent because I had a pipe dream that if both Haruka and Muu were inno then they'd be obnoxious about it but unharmed]

People justified voting guilty in different ways, some thought it'd make him break up with Muu and not want to die for her, some just didn't want to enable his action (threatening suicide is awfully manipulative) and some people genuinely believed that physical restraint was the most effective way to prevent him from attempting suicide... which all I'll say is I disagree with that logic

But yeah, once the VD was out it never really showed any signs of returning to inno

#haruka sakurai #milgram #ミルグラム #ask #it was a tense time to be a haruka fan #I actually got so excited I made myself sick after the premiere for like a week ww

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gh0str3c0rd3r · 6 months

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whay are these guys all so nice.. wadda hell‼️‼️

#daily stuff i guess #i told the gc about like #what kinda stuff would be good for secret Santa #and i didnt get made fun of or anything #like #if i did that with my other friends #i wouldv been bullied for likeing pokemon #or for still being really into danganronpa #but that did not happen‼️‼️‼��⁉️#what the fuck man..#this is so weird

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evilbisexualgirl · 5 months

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korekiyo showed clear signs of autism in the canon game, especially in his breakdown scene, but some of you are not ready for this conversation yet

#drv3 #drv3 korekiyo #korekiyo shinguji #danganronpa #danganronpa korekiyo #korekiyo is autistic because I'm autistic #it's kinda an headcanon of mine but in canon korekiyo really shows many signs of being autistic #yet some mfers still wanna bitch about people headcanoning him as autistic

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accirax · 2 months

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i know you hate anyone who isn't you, but dragging everyone down with you by getting us all executed is a low blow, even by your standards.

#danganronpa despair time #drdt #drdt spoilers #teruko tawaki #david chiem #teruvid #teruvid week #teruvid week 2024 #fanganronpa #i! forgot this was happening until a few days ago!!! but i will still participate hooray!!!!!#i don't generally like posting ship art bc it feels embarrassing to me but this is unsaucy enough that it hardly counts #and also i feel like that aversion is something i should try to get over yknow? not fearing being vulnerable etc etc #so if you see me post more ships in the future... clearly it's a sign of bravery o7 #anyways this ship really grew on me. partially due to the hilarious memes and partially due to understanding both of them better #as time went on #their relationship could be a disaster or it could be exactly what the other needs #both are fun which makes the ship really enjoyable overall! in my opinion #thanks for hosting another fun event kuro!#my art #fanart

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makotonaegiunderstander · 2 months

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something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.

“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”

#makoto naegi #Danganronpa character analysis #Danganronpa #danganronpa thh #danganronpa future arc #I fucking love Makoto Naegi man.#I think there’s a fine line of nuance to Makoto that’s easy to miss bc he doesn’t really make it known #he’s not a pushover and he’s not overpowered. he’s a people pleaser but he will say what needs to be said #he’s an immovable object and the exact opposite of Junko but he’s also just a normal guy who’s optimistic and (un)lucky #he isn’t invincible but he has immense power to his words the same way Junko did #if anything his superpower is being kind above all else. he’s compassionate to some of the worst people in the world.#he was even conpassionatr to an extent to Junko. he didnt want her to kill herself despite everything she’s done #and he still acknowledges that for years she was a classmate and friend.#I do think the more he learned abt what she did the more he’s come to actually hate her though #post the first game he always refers to her without a suffix to her name which is one of the most subtle rude things you can do #it means you have zero respect for the person you’re referring to #and he speaks about her with some venom he doesn’t use for anyone else in the future arc #he’s not incapable of feeling negative emotions #I really liked the future arc scene bc it showed that Makoto DID experience enough despair to have overcome him if he didn’t refuse #and that it still affects him deeply. people treat him like he’s either this perfect ideal Chad or this baby chick who’s so delicate #and no one really focuses on how makoto shoulders so much and yet is still vulnerable.#honestly that guy was DUE for a mental breakdown even without the tape. it would have happened eventually #I actually wrote one based on him finally hitting a breaking point after giving so much of himself away and keeping nothing for himself #that his issues that he shoves down constantly finally can’t be held down anymore. Hajime helps him bc he knows how that feels #it was a LONG time ago that I wrote that but honestly if I can remember where i was going w it I might finish it #it was initially an rp but I could make it a fic #anyway. the point is Makoto is SO much more complex than people give him credit for #the most fundamental thing about him is that he’s normal and that’s ok! that’s what helps him rise!

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funishment-time · 2 months

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More asks, you say? Dare I... I must... I call upon the mighty powers of SEVENTEEN!!!!!!!!!!

your wish is My Command!!!

17. List five headcanons for your favorite characters!

another reason why Junko went off the Deep End is because, as the Ultimate Analyst, she sees every possibility. in a sense, she views the multiverse all at once. there is nothing interesting to her besides death because it's all happened, is happening, will happen. (Kamukura probably has something similar going on, but he reacted Differently)

surprisingly, or perhaps unsurprisingly, Mikan is the ex-Remnant who needed the most medical attention after coming out of the NWP. not because of anything that happened in the NWP, but because of her acts before that. she had really Frankensteined herself, to put it mildly

there are lots of characters i headcanon with a body type different than how they're portrayed, or a body type they're only sort-of suggested to have but the sprites don't really Follow Through. for example: i see Kaede as quite thick, a bigger girl, very hourglass shaped

inexplicably, Taka is in charge of moderating a lot of HPA's review sites. he is not proud of arguing with Kokichi people on Yelp about the state of the boys' bathrooms, but someone has to do it, and the SHSL Social Media Director died in a fire last year, so...

Kokichi once tricked Yasuhiro into a pump-and-dump crypto scheme

BONUS: a general headcanon for Hope's Peak Academy i don't think i've talked about much yet. it's a locus for obsessives, hyperfixators, neurodivergent folks, and...Robots. so: they may not be the most PC bunch, coming from Different Backgrounds and all, but it's kind of a tacit thing that most of them are playing around with gender and sexuality. SHSLs who can't cope with that generally leave, so it self-regulates. pride parades and labels may be foreign to some of them, some of them may still refer to themselves as Slurs you only ever heard your parents use, but YOU are considered the weird one if you're a genuine shithead to others for it. why make fun of someone for being gay when you can make fun of someone for being in the Reserve Course anyway

#danganronpa #izuru kamukura #junko enoshima #mikan tsumuki #kaede akamatsu #kokichi ouma #yasuhiro hagakure #kiyotaka ishimaru #hope's peak academy in a non-despair AU still has a ton of issues with Classism #and a lot of other bigotry still stands #but no one really cares too much if you're trans or gay or anything #that's not to say it's kumbaya: plenty of characters take a while to get used to it #and others will still innocently use terms you absolutely should not use for Anyone #and fights break out indeed #but it's one of the Safer schools for being el jibbity #just not a Safe school in general HA

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laniemae · 1 month

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Not gonna get into danganronpa another spoilers because this whole scene is something else that I’m still processing but I absolutely love this line. Like to bring up milgram I think this is an idea which can reflect on lots of the characters as well. The idea of basing your entire existence off of a certain thing/person/ideology and then for something to happen that completely destroys that. Your entire person has been stripped away and just what’s left? You can’t comprehend your own existence or meaning without that specific attachment and you start to question all of your actions based off that…

I can only really think of John, Kotoko, and Es here (and possibly Amane and Mikoto to an extent). And John bases his life off of Mikoto, Kotoko upholding justice, and Es being the warden.

John’s idea of his whole existence and reason for being is Mikoto. It’s the only reason he believes he exists and if he were to fulfill his role he’d “disappear” as he would be completely worthless without him. John tries to repress and ignore his humanity and reduce himself as a tool to protect Mikoto and that’s all he can see himself as. But now Mikoto’s starting to not deny his existence and feels pure hatred for everything about him. And what will happen to John, when the person he’s dedicated his entire life to and desperately wants praise from, denies his existence? What will he be but some worthless existence that is only a burden, to him.

Kotoko. An ideology of upholding justice and punishing evil that has completely overtaken her. She has pushed herself into a role of a “fang” for justice, protecting the weak and persecuting evil. But even so matter how much she tries, she knows her goals are unreachable. She denies relationships and attachments to other people based on this ideology. Kotoko admits that she does feel attachment to the prisoners, but has to deny them in order to fulfill the role as a tool. And believes that pain and violence is necessary to achieving a greater good. Trying to deny any regret because wouldn’t it be easier to believe you’re entirely in the right? She latched onto Es, believing them to be similar as the warden who carries out judgement on wether the prisoners are forgivable or not. But now, Es has denied her whole ideology, her whole existence due to the pain she’s caused. Kotoko wants to believe that what she did was right and that Es, another enforcer of justice would accept her, because that’s how it is.

And Es… they’re the warden of the prison. There’s nothing more to them than that they believe. Es has no memories of their identity or past before Milgram and immediately latched onto the identity given to them, of being the guard. Es took this role as their entire identity, an extension of the milgram system in order to interrogate and judge prisoners. I think Muu put this best.

“Warden-san, we call you "warden" because that's what you are, right? And I was assigned the role of prisoner, but that doesn't mean I'm now nothing but a prisoner at heart, too. After all, I'm still me.”

Es has an unstable sense of identity, to the point they latched on to the first thing they were given in order to give themselves a purpose and a meaning for existence. And Kotoko calling them “imperfect caused them to question their identity. But as the story progresses Es will probably begin to learn about the audiences control and the truth behind what they assumed to be their verdicts. That their will never was 100% their own. Who knows what Es’ past was, but eventually they’ll likely have to tackle it and their whole identity, the warden, the arms of milgram, is gone.

gonna think about Mikoto and Amane here as well. Mikoto, although may not seem to be as first, focuses his entire identity around other people. He’s the friendly sociable guy who’s easy to chat with. But that’s all he believes he should be, I guess. As perhaps this mindset is upheld by an inherent fear of other people rejecting him, so he focuses all his attention and identity on being a social person. He’s never truly friends with people, as perhaps that would be “too close” and open up the possibility for danger. He doesn’t completely deny his identity like the others, but he molds and shapes it in a way that is acceptable to others. He likes what everyone else likes and does what everyone else does so the fear of being rejected for being different won’t hurt him. But now he’s stopped denying John’s existence and his DID, believing himself to be crazy, and to be completely rejected from other people, his entire sense of identity to an extent. And especially with John scaring other people off with the mindset that will help Mikoto, he has now been completely distanced from everyone else and now has to come to terms with himself, but not the ideal persona he put on to be acceptable to other people.

Amane is a more different case as she in a way has rejected that idea, but not completely. Growing up in a cult it’s very likely that she was always conditioned that she was just a servant for god. That all the good things she did were actually god blessing her and all the bad things a fault of her humanity, herself as a person. She is in a unstable relationship with the whole submitting her personhood to her religion, as she sacrificed her ideologies in order to help a cat. But at the core, that wasn’t about herself and her identity, rather a focus on the cat’s life. Amane’s murder was her will. Rejecting everything and fighting for her life in direct opposition to what she has been taught her entire life and how her identity should be, a rejection of that and a glance into “herself”. But once again, this murder wasn’t entirely self motivated. She’s still broken enough that she can’t fully grasp herself as a person besides god and religion. And a large cause of her murder was out of the death of the cat, rather than simply protecting herself. Amane still slips back into the belief that her personhood is entirely dedicated to god. As she tried to convince herself and Es that the only reason she killed is because they deserved religious punishment and she is in the right for carrying out god’s will, once again denying her personal reason for doing so. Reducing herself to “we” on behalf of her religion, that this isn’t herself anymore. Amane is in a limbo between rejecting her personhood for god, but at the same time rejecting the suffering she’s been through in order to save “herself”. Amane’s case is so interesting, as there’s no clear answer of what she believes in here, and it is truly fascinating.

#milgram #Milgram theory #milgram analysis #amane momose #mikoto kayano #john kayano #john milgram #kotoko yuzuriha #es milgram #uhhhh this was meant to be a quick analysis how did this turn into an exploration of the identities of 5 characters #And comparing it to a scene from dra which focused a lot around the loss of someone’s beliefs completely destroying their identity?#May analyse that scene directly because the whole philosophical and psychological concepts coming into play there is just soooo cool #and man I was kinda figuring out stuff as I was writing this but like I said it’s so interesting how Amane isn’t completely dedicated to go #Like the other characters I mentioned who have dedicated their whole identities to something #And Amane’s at the struggling between her true self and her perfect religious self #But perhaps she doesn’t entirely realise this conflict going on within #Which is interesting as a realisation of their identities would probably cause the other characters to lose it #But Amane it’s coming to her in a different way #She’s so strong uahhhahhajajshshshs #Tw cults #Ok now thinking about this more I’m starting to see this whole ideology apply to other dra characters as well #Man this is just so interesting #Like Kinji although having nowhere near as bad of a situation of amane was in a way forced to repress his emotions his entire life #Due to religious reasons and to devote his life to god and reject personhood #Surprisingly he’s actually not a bad person but still is very stoic and avoids other people due to being taught those values #And kinji’s a whole parallel to Tsurugi so this would be really interesting #I would talk about Tsurugi here but this is primarily a milgram post so for everything he’s like kotoko with a dedication to justice #But handles it in a very different way #His story is just way to long to analyse now #But hey this is an invitation to play (or watch bc downloading the game is hard technically) danganronpa another

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dangans-ur-ronpas · 2 months

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the pixie chihiro (and alter ego)

chihiro's wings are warped and damaged from birth, so flying is impossible. as such, they built and enchanted a wooden puppet to carry them around, and named it alter ego

alter ego is also sentient...in a way it is an extension of chihiro that can also think for itself? the string tied around alter ego's wrist links it to chihiro

instead of computer programming, chihiro specializes in making enchanted objects, including enchanted dolls. alter ego is not their only puppet but its the one they like the most

chihiro is self-conscious about keeping up with others given their size and inability to fly, so will usually only introduce themself when piloting alter ego. because of this most others assume chihiro is a magic, sentient doll

#chihiro fujisaki #danganronpa #my arts #chihiro my friend chihiro #and their megic mecha alter ego #havent really prescribed a gender to this chihiro or alter ego they both kinda just do what they want #but alter ego does use it/its pronouns and likes skirts #the relation between chihiro and alter ego is kinda complex like. chihiro built alter ego and can pilot alter ego around #but alter ego can assume its own thoughts and personality away from chihiro #but in a way they are still the same person. if chihiro dies alter ego also dies if that makes sense? but not vice versa #whatever it's all handwavey #kyoko meeting chihiro for the first time is kinda pleased. like oh youre a sentient artificial being? me too we should get drinks #alter ego is giving. 'no little german boy dont go into the murder school'#was trying to channel pinocchio a little bit #im not really a fan of chihiro's teacup skirt in canon but. unfortunately. it is kind of iconic #because alter ego is made of wood its mouth doesnt really move...so when they talk it just sort of sounds like alphonse from fma #dgr mnm au

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ninjagirlstar5 · 14 days

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I was in the mood to draw Minako Tomori, and so I did. I put her in this melancholic pose while dressed in casual clothes, like she's hanging out in public, but she started getting distracted by past regrets...

Her casual clothes are based off of this sprite edit I made of her for my fanfic:

There's no tattoo-covering-a-scar on her shoulder in this sprite cause I literally just came up with that headcanon yesterday and this sprite edit is almost a year old (I just never posted it until now). Not that you would've seen it that well from this angle anyways.

Her tattoo is based off of the flower, Sakurasou or the Japanese Primrose, btw. Kinda proud on how it turned out, ngl, as I'm not really that good in designing tattoos for characters. ^^;

Anyways, I made an off-the-cuff Minako Tomori analysis under the read more, oops:

I've been seeing a lot of Tomori family talk lately and that made me start thinking of Minako again as she's, well, kindof my favorite out of the 6.5 crew next to Dr. Ando (which led to me making this drawing of her). Now, I'm not defending her in how she raised Kizuna or her horrible attitude or anything like that. She's pretty horrible in DRA 6.5 and she gets called out on multiple times by Ryutaro and even Dr. Ando, and rightfully so. But man, from what I can understand in DRA 6.5, she's clearly a goddamn mess. From all the smoking she does to (badly) cope with the stress of dealing with her failure of a marriage to a shitty husband who is also a shitty dad, to constantly cheating on him cause she'd rather be anywhere but with him and can't divorce him due to collateral so she's just legally stuck with him so she goes off to find other men (usually younger but at least they're of age) to ignore her problems at home, puts importance on money because she's the only one trying make sure they have a fuckin' roof over their heads cause her husband is too busy gambling and drinking all their money away, and probably put importance on her appearance more than anything else cause it's one of the few things she can control about herself and feel confident in (and even then, she can't stop the passage of time that is old age). And all of this, plus how she interacts with Ryutaro in her Talk sections (a.k.a. her FTEs) by constantly calling him brat and trying to get him to go away, and no wonder Kizuna turned out the way she did. She had a dad that was never there for her or his wife, refusing to take responsibility for anything and just focuses on himself, and her mom is dealing with SO many things that she's constantly stressed about money and her appearance to the point that she's unable to be emotionally supportive to her daughter in any healthy manner that her flaws, her own attitude about men, and her beliefs in money and appearance is all that matters just ended up trickling down to her daughter and influencing her in a way that it turned her into the messed up girl she is in the short time we got to know her in DRA. Like, holy shit, Minako. You're an asshole of a parent, but when you really think about it, the poor woman got the short end of the stick in life and that really affected how she acted in raising her daughter. Again, not defending her as she's still a bad influence but it's hard not to pity her when she's left to do all the work herself, from parenting, to working, to just trying to take care of herself (by coping in very bad ways)...It's not an enviable position, that's for sure. But honestly, that's what makes Minako so interesting to me. She's not a good person, far from it, nor is she the "better" parent in this scenario. But she still cared enough about Kizuna to follow a suspicious note and getting kidnapped in the process, even when it had the underlying motivation of deciding that she had enough of her shitty husband and took the opportunity to run away from him. And whenever the other characters, particularly Dr. Ando, call her out on her nonsense, I think she gets struck silent in response. Like their words are genuinely getting to her and making her question the way she acts.

And you know what fucks me up the most?

The implication that, between finding out what happened to Kizuna and the rest of the class in DRA post 6.5 upon getting rescued and before the events of SDRA2, she actually changed and improved as a person. Minako, while she is gossiping in the epilogue, is a lot more nicer and friendlier here, is giving us a rundown of what happened after the Utsuroshima Killing Game and the rumors surrounding it to Midori, and making light-hearted jokes in an attempt to cheer Midori up by making fun of herself. And when Midori starts to cry over Teruya's death, Minako's sprite goes sympathetic and concerned and it fades to black for awhile and we come back to Midori reassuring Minako that she's feeling better now with the implication that Minako was trying to comfort her through her mourning. And then she gives out some pretty sound advice, even when dropping this bit in the process:

(The translation is an unofficial version and this bit of dialogue appears at the 3:55 mark.)

"...Go ahead and cry your heart out. You're still young, so you don't have to pretend you're strong."

"With age, the tears won't come even if you want to cry, so when you feel the need to cry, cry."

Which, OW to that last one.

Like, imagine going through so much shit through your life as an adult that you can't even bring yourself to cry about it. You just go, "Yep, this might as well happen," with all the apathy and frustration you can muster in your body.

And when Midori goes to leave to talk to the criminals, Minako has the sense to go "That's a bad and dangerous idea, Midori, don't go alone!" and points out that she JUST got out of the hospital and hasn't fully recovered yet. She even tries to convince her to stay by asking her to continue talking with her cause she's bored. (And, well, I can believe that, even when she's speaking some common sense.) But it clearly rubbed Midori the wrong way as she seems to want to be useful in any way she can, regardless of whether or not her life gets put in danger, so she goes anyway. Aaand Minako complains about Midori's parents not teaching her to treat her adults with "respect," and has brought up "worrying over Keisuke getting a scratch on his pretty face" earlier in conversation, which shows that she's still a flawed person. But I consider that good writing as just because she's a better person now, that doesn't mean her flaws are just going to go away or disappear suddenly. Taking away a character's flaws in order to make them a "good" person will only make them bland, boring, and flat as a paper. Flaws are meant to help characters be more nuanced in personality, and Minako still being abrasive is good as it's a flaw that is a part of her to be aware of and keeps her character recognizable despite the implication that she's trying to do better now. And when Midori gets kidnapped, she immediately runs over to Ryutaro and Keisuke to tell them what happened, calling Ryutaro "kid" in the process, and showing fear for Midori's safety. I don't know if the translation between Kid and Brat is any different, but it's a step up from brat, at least. (And honestly, I can see Minako using "kid" and "brat" as a more affectionate nickname to Ryutaro over time since she comes off as the type to show affection through teasing.) And to top it all off, the cigarettes from her DRA sprites have been replaced with lollipops in her SDRA2 sprites, and candy is a common way of trying to combat addiction to nicotine.

In other words, the way Minako acts in SDRA2 shows that she's trying to be a better person, even if that development happened between games. (And frankly, we shouldn't just stop everything in the epilogue just to have a flashback of "here's why so-and-so acts like this now!" Like, that would just kill the pacing of the epilogue and defeats the whole purpose of a time-skip between games.) It's just a shame that Kizuna's death was the wake-up call that put her on that track to growth in the first place (alongside the call-outs). It's through the death of her own daughter and what led up to it and why she acted the way she did in that moment that made her stop, take in the call outs she's been dealt with throughout the 6.5 chapter, and go, "Oh. I've been a shitty mom and that played a part in how Kizuna acted and led to her death." Cause think about it: if Kizuna was never concerned about her appearance, if she never had this belief that she had to extort others in order to benefit herself, whether it's men for money, affection, popularity, attention or anyone else for anything else, DRA's Chapter 2 probably wouldn't have happened the way that it did. It may not have prevented Kizuna from dying at some point during the killing game, but her behavior was something that she learned and inherited from Minako. And that realization had to sting for her as she not only lost her daughter but had to come to terms with the revelation that it was indirectly her fault for influencing Kizuna in a way that made her a terrible person that decided her only option to survive was to try and kill (which backfired on her hard). But unlike some people, who would double-down on their behavior or just grow worse through their grief, Minako seemed to have reflected on everything up to that point and decided to grow as a person instead. But even though Minako is trying to be a better person now, she can never make it up to her own daughter that she messed up the most. Because that chance is forever lost thanks to death itself.

Reflection is important, because if you don't do that much, you'll never realize what you've done wrong until it's too late and the chance to make it up to your loved one is forever stripped from you.

...At least, that's how I've interpreted Minako Tomori.

#DRA #SDRA2 #Minako Tomori #Danganronpa Another #Super Danganronpa Another 2 #DRA Spoilers #SDRA2 Spoilers #Star's Art #My Art #Fanart #sprite edit #I hope this comes across as me rambling about Minako being a complicated and flawed character #rather than “justifying her actions” or anything like that #Like no #DRA Minako is *awful*#like congratulations you've passed down your issues onto your daughter #but there's something about SDRA2 Minako being kinder than her DRA self that just...scratches that itch in my brain you know?#like how she acts now VS then is basically almost night and day #while still making her character recognizable in a way that doesn't alienate her from returning players #and I *really* like that #there's just something about terrible older adults going:#“You know what? I don't want to be like this anymore.”#and choosing to change for the better even if they can't make it up to those they've wronged #And I like that it's *Minako* that shows this capacity to change and grow as a person #even if it's implied and requires reading between the lines in her appearance in the SDRA2 epilogue

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