OTMA 1914
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The girls were addicted to perfumes, and when they bathed at night, the water was perfumed and softened with almond bran. They always used Coty. Tatiana favoured Jasmin de Cors; Olga, Rose Thé; Marie constantly changed her perfumes, but was more or less faithful to Lilas, and Anastasia never deviated from Violette.
Lili Dehn, The Real Tsaritsa (1922)
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Alexandra Feodorovna with her daughters, 1913.
Another example of "old timey Photoshop." All the other postcard versions of this image are landscape; for some reason this one was published in portrait orientation. That meant they had to draw in the rest of Alix and Maria's skirts as well as the chair. They didn't . . . they didn't do great. The draping on Alix's especially looks very stiff and unnatural, being so straight. You can also see editing above Olga, Tatiana and Anastasia's heads where they had to fill in background that wasn't there.
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A hilarious photo showing Grand Duchess Anastasia Nikolaevna of Russia climbing a hill made of snow, while her sister, Olga Nikolaevna is pushing her from the back. Her brother, Tsarevich Alexei, looks at the camera while one of his friends is pulling Nastya by the hand. Their father, Tsar Nicholas II, is looking from the side.
p.s. if anyone knows who the boy is pls write in the comments or dm me (@otmaaromanovas maybe you do tho?)
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Grand Duchesses Olga, Tatiana, Maria and Anastasia of Russia, 1914.
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New photo of Grand Duchess Anastasia Nikolaevna of Russia painting with a bucket on her head 😂, Livadia 1914
Released by Ilya aka Sledstvie on Instagram and LastRomanovs on Flickr
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Grand Duchess Olga
i think this is the longest i've ever spent on a piece but imo it shows and i'm so incredibly pleased with it
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NEW dress belonging to OTMA has been discovered
A BRAND NEW, never-before-seen dress belonging to one of the Grand Duchesses has been discovered by the Hermitage Museum and exhibited for the first time.
It has not yet been identified who the pink and red dress belongs to. The sisters used to have their first name and patronymics stitched into the waist of their dresses in order to differentiate between them. Similarly, the dress maker is not yet known, though it is highly likely that it was produced in the workshops of either Olga Bubenkova or August Brizak, two of the Romanov family’s favourite designers.
The dress, alongside many other pieces of clothing and personal items, can be seen at the Hermitage Museum’s new exhibit, ‘OTMA & Alexei’.
Sources and photos: Дети последнего российского императора. Выбор куратора, Hermitage Museum, RomanovsOneLastDance
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The grand duchesses's favorites perfumes, 1910s.
Olga, La Rose Jacqueminot by Coty.
Tatiana, Jasmin de Corse by Coty.
Maria, Lilas Pourpre by Coty.
Anastasia, Violette Pourpre by Coty.
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OTMA 1906
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‘You kindly asked after the children & I enclose their last photos to give you an idea what they look like. Thank God Alexei has been keeping in much better health & has grown very much. He will be 10 this summer. I think you would love him […] He has such a tender heart - & bears pains so patiently - is very merry & clever’.
Photographs enclosed with a letter sent by Empress Alexandra to her aunt Princess Louise, Duchess of Argyll, 17/30 May 1914. (x)
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Grand Duchesses Maria, Tatiana and Anastasia Nikolaevna.
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Grand Duchess Anastasia Nikolaevna Romanova
❈ “We swung on the swing; boy, did I laugh when I fell off so splendidly!” ◦ “I took this picture of myself looking at the mirror. It was very hard as my hands were trembling.” ◦ “Goodbye. Don’t forget me.” • Anastasia (various sources)
❈ “My favorite goddaughter was she indeed! I liked her fearlessness. She was a fearful tomboy. And what a bundle of mischief!” • Grand Duchess Olga Alexandrovna
❈ “Anastasia Nicolaevna was the originator of all mischief, and was as witty and amusing as she was lazy at her lessons. She was quick and observant, with a keen sense of humour, and was the only one of the sisters who never knew the meaning of shyness. Even as a baby she had entertained grave old men, who were her neighbors at table, with her astonishing remarks.” • Baroness Sophie Buxhoeveden
❈ “Her French accent was excellent, and she acted scenes from comedy with remarkable talent. ... Ingenuousness and utter simplicity were the most characteristic qualities of Anastasia Nicolaievna. She was the imp of the whole house, and the glummest faces would always brighten in her presence, for it was impossible to resist her jokes and nonsense. [S]he was aflame with life and animation.” • Pierre Gilliard
❈ “The youngest Grand Duchess might have been composed of quicksilver, instead of flesh and blood; she was most amusing, and she was a very clever mimic. She saw the humorous side of everything, and she was very fond of acting.” • Lili Dehn
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Empress Alexandra Feodorovna of Russia with her second child Grand Duchess Tatiana Nicholaievna of Russia, 1898.
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