"In 1955, Ramona Quimby, a near American cousin of Pippi Longstocking, tumbled into the picture, all scraped knees and exuberant doodles. She and her creator, author Beverly Cleary, united with Pippi and Lindgren in literary confederation, bright beacons for little girls who have been variously told they are too much: too loud or pesky or hyperactive. Upon a cursory read, it might be tempting to describe Ramona as mischievous, but Cleary herself has protested against this accusation, and with good reason. Ramona loves the world with ferocity; she does not so much want to disturb it as she yearns to discover, to turn it over, examine every piece and crook and marvel at why each creature, commodity, and substance exists the way it does. 'She was a girl who could not wait. Life was so interesting she had to find out what happened next,' explains Cleary in Ramona the Pest." Read more about this beloved Mighty Girl character at https://bit.ly/3GMW8yi
If you'd like to introduce your kids to the irrepressible Ramona Quimby, the Ramona series is now available in a colorful box set for ages 6 and and up at https://www.amightygirl.com/ramona-quimby-box-set
The series is also available in two box sets -- the first four books at https://www.amightygirl.com/the-ramona-collection-vol-1 and the second four books at https://www.amightygirl.com/the-ramona-collection-vol-2
For box sets of series starring similarly spirited Mighty Girl characters for ages 6 and up, we recommend the "Amelia Bedelia 10-Book Box Set" (https://www.amightygirl.com/amelia-bedelia-box-set), "Dory Fantasmagory" (https://www.amightygirl.com/dory-fantasmagory-outside-the-box-set), and the "Heidi Heckelbeck 10-Book Collection" (https://www.amightygirl.com/the-heidi-heckelbeck-ten-book-collection)
To introduce children to Beverly Cleary's extraordinary life story, we also recommend the picture book, "Just Like Beverly: A Biography of Beverly Cleary" for ages 5 to 9 at https://www.amightygirl.com/just-like-beverly
For adult fans of Beverly Cleary, we highly recommend her two delightful memoirs: "A Girl from Yamhill" (https://www.amightygirl.com/a-girl-from-yamhill) and "My Own Two Feet: A Memoir" (https://www.amightygirl.com/my-own-two-feet)
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Recently, I came across these tweets, and I kind of can’t stop thinking about this.
I adore villain x heroine ships and dynamics, and frequently find myself pondering what it is I love so much about them. One thing I’ve come to notice is this very idea: the importance of the male villain’s desire for her… his near-obsession and the fact that he is threatened by her. And, as mentioned in those tweets, part of what makes that so special is the rarity of seeing men or male characters treat women as being so important, as being valid or worthy of consideration as a threat. To me, it can be almost empowering to explore such dynamics through fiction.
One of my favorite movies, of course, is Star Wars: A New Hope, and primarily because I’ve always been absolutely obsessed with whatever is going on with Leia and Vader and Tarkin there. It always draws me right in… the powerful Dark Lord near-obsessively chasing down this tiny defiant young princess, slaying so many soldiers and going through such effort, so adamant that she be brought to him alive.
And from there, she’s treated as a high-class prisoner, heavily guarded and locked up tight, interrogated ruthlessly… but resisting with all the strength and pride of a leader in an underdog rebel movement. She’s essentially the one who is the key to the entire story.
As for Tarkin, he spends much of his screen time dealing with Leia… focused on how best to break the rebel prisoner who holds such key information in this galaxy-spanning war. Most famously, of course, this is illustrated with the destruction of Alderaan… an entire planet wiped away as an act of spite and a means to manipulate the girl he regards as a critical enemy. He is rather creepy and demeaning to her, too, but this only serves to add to a complex power dynamic worth exploring….
Moreover, I imagine it is rare to see a powerful military man treating a nineteen-year-old young woman as a credible threat to his Empire, but in ANH, it’s very much the case. And with the villain/heroine subtext I rather enjoy envisioning from their little scenes together, it can be quite captivating and unique.
There are a lot of similarly enjoyable pairings in many mahou shoujo series— Usagi and Dimande in Sailor Moon, Ichigo and Kisshu in Tokyo Mew Mew, and all manner of Pretty Cure rarepairs— where young girls simply trying their best are the ultimate key to defeating evil and have an ongoing rivalry/love-hate relationship with the worst of monsters. The subtext in such dynamics is fun to explore just as it popular in fandom to do with many popular male superheroes and their archenemies— Batman and the Joker, for instance.
In fact, even when it comes to the most cliche and stereotypical damsel-in-distress stories, the inciting incident, the villain’s capture of the innocent girl, always comes from his inherent desire for her— whether it be her beauty or status, or some form of obstacle which she presents to his evil plan.
It’s so strange and fascinating to think that these sorts of dynamics, particularly when it comes to ship discourse in fandom, are often decried as “toxic” and “abusive”. It’s not as if there aren’t some very dangerous power dynamics at play— which only makes these relationships that much more fun to explore in fiction— but so too can they truly serve as a power fantasy for women and girls, who are so often told made to feel as if we aren’t important.
Sometimes I just need a villain to chase me across the galaxy and regard me as his “worthy foe”, you know? 🥺🥰
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anybody read Flatterland by Ian Stewart? I read it at a Formative Age; it’s a quasi-sequel to Edwin Abbott’s Flatland that covers things like hyperbolic geometry and the geometry of spacetime and black holes and things
and for me it’s one of those things that you reread and you say “oh THAT’S where my taste came from”
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🩸DRACULA’S DAUGHTER (1936)🩸
First film in my list that is neither an adaptation nor features a Dracula! This film is a direct sequel to the Bela Lugosi film. Not exactly a good movie imo, but one with some worth-while (if a little underexplored) concepts. The only recurring character/actor is Edward Van Sloan as Professor Van Helsing, the film opening with him being arrested for the murder of Count Dracula which he proudly confesses guilty to. The B-plot continues with Van Helsing attempting to prove his justification for killing the Count, and consequently prove his sanity. Unfortunately we don’t learn the outcome of Van Helsing’s trial, but can only hope he won his case as the film proceeds with its main antagonist, the titular Countess Zaleska. Circling back to the theme of sanity, Zaleska tries to force a psychiatrist to cure her of her vampirism, arguing just as Van Helsing does, that the mysticism of vampires goes hand in hand with science and medicine.
The scene I based my illustration off of is one in which Zaleska fails to resist her vampiric urges— luring a young woman to her home and convincing her to undress (did I mention I’ll be going out of my way to mention homoerotiscm in these little movie essays?) under the guise of using her as a partially-nude model for an art piece. The actress is shown, both front and back, with her bra loose and unhooked (rather racy for the era!) before being bitten by Zaleska.
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currently luz only has a handful of glyph combos—invisibility, the sleeping steam spell she did with hunter, the hover spell, and the combos she got from phillip’s journal. i guess she kind of knows phillip’s teleportation glyph? anyway i’m surprised no one has said anything about trying to make a healing glyph? even if luz doesn’t know how to make one, you’d think she’d at least consider looking into it. healing magic is like. one of the basic things plucky fantasy adventurers need and luz is trope savvy enough to know that.
also it fits with her background. her mom is a vet and literally “heals” animals for a living. growing up with a parent like that, luz would have some interest or at least knowledge in medicine that she’d reasonably connect to magic. once she found out she can make glyph combos one of her first thoughts should have been “cool wonder if i can make a healing spell with that since i keep getting myself into danger.” the healing glyph definitely would have come in handy in the most recent episode where hunter almost died lol.
anyway if they never brought it up i dont think they’ll do anything special with healing glyphs. luz can’t discover every glyph combo for every spell in existence within the show. the fact that she’s “only” learned like 7-8 combos in all of season 2 and only discovered like 3 without phillip, shows how hard it is to discover these things. even if luz is considered to be “fast” at learning glyph magic. healing spells are just such an important part of the repertoire in classical fantasy, so i’m surprised that they barely mentioned it in the show.
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because laura amy schlitz never gets enough attention (if you’re a fan of, like, eva ibbotson or l.m. montgomery or karen cushman or gail carson levine or that ~flavor~ of author, i def recommend checking her novels out!), i just need to take a moment to say: a drowned maiden’s hair is so good, i’m almost done with my first reread in many years and drowning in my feelings!!!!!
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How evil are you (from 0 to 100 percent)?
"... I guess there's always room for improvement?"
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