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shortnotsweet · 4 months

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This technically applies to my Stepmother AU in which Alicent is around six years older than Rhaenyra, and occupies a wicked stepmother role as opposed to ex ‘friends-to-first loves-to-enemies’. Despite lacking the foundation of shared girlhood, both find simultaneous comfort and rivalry in one another, and undergo a gravitational pull. A young Rhaenyra’s eagerness to participate in swordplay and political affairs at a young is accommodated for, and she grows up with a sword in one hand and the weight of experience in another, which further helps pave her way to the throne.

Alicent’s Costuming

Alicent’s clothing is almost entirely bottle, emerald, or forest green. While there is layering present in her skirts and jackets, the accent should always be a darker green than the base color. The fabric is deep, rich, and retains an undeniably high-quality luster. Look to velvets and silks. Gold embroidery lingers around her sleeves, neck, and hemline to elevate the coloring.

Metallic embellishments should be almost military-like, and appear heavy. Contribute to the imagery of chains or shackles in addition to her status

Draws inspiration from historically accurate stiffness and Victorian shapes, with a tapered waist, imposing, puffy sleeves, and a high neckline. Despite inaccuracies, this shape is evocative of someone elegantly and conservatively feminine, repressed, and capable of exerting power over others. Reference a classic, trussed hourglass shape. Skirts should be notably heavy and full; may make noise in movement

The coloring and shapes remain relatively consistent but lack variation; this is to demonstrate a lack of freedom and exploration, as well as an adherence to conventional feminine roles

Despite these limitations, her costuming should always be put-together, coordinated, and unquestionably fashionable. Tight sleeve cuffs may be accompanied by a more traditionally medieval fan sleeve

Shoes should stick mostly to slippers, or flat designs

In this AU, her hair leans more towards a dark brown instead of auburn, as her show counterpart. This is mostly due to faux-book accuracy and to simplify the sketch process, since keeping her hair darker in comparison to Rhaenyra’s lighter hair translates more easily in uncolored renderings.

Keep her hair either in a tidy bun or pulled back and loose; avoid too many intricate shapes, braids, or styles. Occasionally, the hair will hang loose. Lean into medieval or royal headpieces, clips, coverings, etc.

Rhaenyra’s Costuming

Rhaenyra’s clothes are primarily black and red, occasionally accented or substituted with neutrals such as beige, white, or gray. Exceptions may include blue or yellow, but she generally stays in this color palette.

Strong focus is drawn to her shoulders and neckline, sometimes with embroidered or embellished detailing. She often has strong, angular shoulders in her dresses or jackets, occasionally theatrically pointed. Off-the shoulder necklines emphasize her collarbones and a certain broadness.

There should be decent variety in her clothing; there is a hypothetical outfit for every occasion and more (for battle, for riding, everyday, formal, feasts, everyday, etc.), and most should be composed of multiple pieces and utilize generous layering. This includes under-fabric, belts and corsets, jackets and doublets, draped fabric for aesthetic purpose, and even functional capes.

Most of her clothes should provide visual aid for movement; additional fabric to her skirts, for example. Her clothes should be highly stylized but still easy to move in. In riding and battle gear, it is presumed that she wears pants and boots under her skirts, even if they are not visible.

Shoes lean more into boot cuts, still practical but should have a sleek and uniform quality to them. When she walks, she should make some kind of noise. Shoes should usually be black or potentially red, the latter for decorative purposes.

Overall her style should be more contemporary and lean into the fantasy element. She’s not opposed to oriental details or showing skin, and her costumes should reflect both couture-height drama and period-reliant aspects. Longer lines and diagonal hems mean she is not as devoted to an hourglass shape, and her high collars should always be decorative in some respect.

Keep her hair long and mostly loose, sometimes pulled back. Small braids should be implied as incorporated. Occasional hairstyles feature complicated braids. With the exception of highly decorative braided styles, simple buns should be avoided unless accompanied with very high necklines.

Avoid headpieces that are not either a) her crown or b) ceremonial.

#rhaenicent #rhaenyra targaryen #alicent hightower #house of the dragon #hotd #rhaenyra x alicent #asoiaf #my art #thinking about how their character and costume designs are so communicative and are designed with each other in mind. for example havijg bc #the strong shoulders and embroidered necklines keeps them connected although imo they could’ve played around with it a lot more #I just have a lot of thoughts about them ok

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hypewinter · 8 months

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The boy had fallen out of the sky. To be more exact, he had fallen out of a portal that had opened in the sky. He then proceeded to land face first next to Batman. As he looked up to see everyone gathering around him, he tried to speak. It was a weird cacophonous sound, a garble that was a mix between static and echoes. Everyone covered their eyes and Nightwing yelled out, "We can't understand you!"

Just like that the cacophony stopped. Everyone uncovered their ears as the boy whispered, "Sorry."

Now that he was sitting up, they were able to get a good look at him. The boy from had Lazarus green eyes and starch white hair that did not obey gravity. His body also has an ethereal glow to it. Everything was a blur after that. They ended up bringing the boy back to the cave when they noticed he was bleeding profusely. Batman wanted to bring him to a hospital instead but he got so panicked when that idea was mentioned and looked like he was about to bolt, so the cave it was.

The boy had barely maintained consciousness as he babbled on about getting away from someone and hoping they would let him stay for a few days to recover. As he rambled, Alfred began peeling back his styled hazmat suit to reveal everyone a sickening Y shaped scar running down his torso which oozed a distinct green color. Alfred had patched him up as quickly and steadily as possible, being guided through how to do it from the boy himself. Apparently whatever his physiology was, it didn't work like a human's. Soon after he was patched up, the boy (Danny as they found out) lost consciousness.

The boy in front of them completely changed after white rings had formed around him. His white hair was now raven black, his skin had taken on a healthy tan, his stylized suit had become a T-shirt and jeans, his blood turned red. By all accounts, this was not the same unknown they had just saved. Unless?

"Do you think he's similar to the Martians?" Tim asked.

Everyone turned to him, their gears already turning. Nevertheless, Batman spoke. "Explain," he said.

"Well you know, how they can change themselves to blend in. And he was talking about hiding from someone. What if he, I don't know, decided to just try to blend in with us."

Dick piped up next. "I mean, considering how many of us are running around, it wouldn't be hard. And look at his face. It's the perfect mix of all of us. He probably decided the best way to fit in would be to look a little bit like all of us. It'd be the best way to throw off his pursuer."

"Or pursuers," Jason cut in.

"And how can we be sure he stopped at just faces?" Damian inquired.

Now everyone was looking at him.

The former assassin puffed out his chest but it was clear from the slight rigidness of his stance that he didn't like everyone's attention on him.

"Tch. I am simply stating that if he truly wanted to blend in with us, he might as well copy our mannerisms as well. He has already copied our speech."

That was true. He had easily switched his speech once Dick had started talking. Of course they couldn't rule out the potential that he had simply known the language beforehand but considering how many aliens Earth got that could instantly adopt a new language, the former theory held more ground.

"Hmm. That may be true. Naturally we'll do our best to hide him from any pursuers. But-"

"Don't you mean you'll do your best to convince him to let you adopt him?" Steph interrupted with a cheeky grin.

"But," Bruce continued on, "we will need to make sure he doesn't imprint on us too much. We'll encourage him to be his own person and try out things that he enjoys so that when all of this is over, he can live independently of us. That being said, I want you all on your best behavior. We want to try to ingrain as many healthy behaviors into him as possible. That means no threats, no violence, no unhealthy sleeping habits, and no extreme intakes of coffee. And I clear?"

There were various mumbles and groans throughout the group and one particularly indignant squawk from Tim. "I said am I clear?" Bruce repeat. The group answered yes in unison. "Good. Then dismissed."

Everyone filed out of the cave one by one. Some went back to their own home and safehouses. Some hit the showers. And some headed straight upstairs. Finally there was only Bruce left. He looked down at Danny still sound asleep on the table. Making sure this boy was protected and cared for for while also making sure he didn't get too attached and therefore dependent on everyone was better said than done. Still, Bruce would make it happen, after all, he was Batman.

I got this idea from the lovely @damngirlidk . Truly a great idea.

#dp x dc #dc x dp #dpxdc #dcxdp #winter's tales #danny: *does something that is objectively normal*#the bats: no danny! you can't copy us. you have to be your own person #danny: ???#the bats are about to take this idea and run with it #and no one can convince them otherwise

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krawdad · 2 years

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Brain: cinemasins is the reason things aren't cartoony anymore

Me: what the fuck

Brain: connect the dots, I'm not doing all the work here myself

Me:

#am i the only one noticing how stuff has been abstracted less and less #presumably because computers have been getting better and better?#but like #one need not aim for realism exclusively #like I've seen video games stylize lighting in more interesting ways than in cg movies #you can stylize something just to make it read super clear on purpose. not just because of technology limitations.#you can decide to make art instead of running a physics simulation #not to make less of simulations-as-art #so much of cgi stuff is centered on convincingly replicating reality that it seems like it's stifling artistic potential #things don't have to look like they literally look there is so much more to visual arts

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therobotmonster · 2 months

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Chosen for What?

A short tale about chosen ones.

"There it is."

Johann's voice was barely a whisper but in the unnatural silence of the forest it might as well have been a shout. The knight took a step forward, oblivious to the crunch of his footsteps on the dry leaves or the sharp, almost metallic smell of the coming snow.

His focus was entirely upon the spear. It's shaft was made of white wood, polished so smooth he had mistaken it for marble, and the bronze spearhead was shaped like a elegantly stylized shark.

It was presently stuck within the ribcage of an obscenely oversized humanlike skeleton, which was itself entangled in the gnarled roots of a tree the size of a watchtower. The giant's bones were twice the size of a man's. More remarkably, they were made of pitted, rust-flecked iron.

Johann reached forward.

"HOLD!"

Johann froze. Even though the salvation of his people was mere inches away from his outstreched hand, he dared not ignore the voice behind him. He felt the wizard's hand grip him by the shoulder.

"You know it is not meant for you." Aldara said. She squeezed hard enough for Johann to feel it through his mail shirt. He remembered her saying that wizards aged only on the outside. He had no reason to doubt her on that point.

"And who is it for?" Johann hissed under his breath. "That scum?"

The scum in question was already walking toward the spear. Galen VonZent, the cutpurse and murderer. Galen VonZent, the spoiled, cruel son of a merchant house who killed his own father and nearly bought his way to freedom. Galen VonZent, who Alex 'sacrificed himself to save.'

"Galan, take the spear. You're ready." Aldara said, her voice heavy with the import of the moment. When Galan moved to obey, she slowly pulled Johann back away from the spear, step-by-step.

The tall, golden-haired man grabbed the spear with both hands, and began slowly pulling it free of the iron skeleton. To Johann's shock and disgust, the shark-shaped spearhead bent this way and that in a swaying motion, aiding in its release.

"The gods must be insane, or cruel beyond reasoning. If that beast is their chosen one."

"You aren't incorrect." The old woman chuckled. "But why say that now? Why not when we found him?"

"I had faith the gods had chosen well, that he'd grow into the role. But since we saved him from the gallows he has done nothing but confirm that he was right to be there. He has been cruel, selfish, cowardly, and petty at every turn." Johann's voice was a barely subdued growl. "And even if you do not believe me, he murdered Alex."

"I told you to give him a chance." Aldara said. Johann braced to be lectured about some hidden goodness or potential for redemption. "I'm glad you took my advice."

"What? You agree with me?" Johann gritted his teeth. "You should have let me at least try to pull the spear free. If he can do it, I certainly can!"

"Why is a prophecy like a worm on a line?"

"Again with your riddles! I don't know!" Johann barely managed to suppress a shout. "Is that why I am unworthy? A riddle?"

Aldara sighed. She smiled in that way that made Johann think of his grandmother, and his anger faltered. She spoke, clear and gentle. "Do you think the Gods would leave something this important up to chance?"

"Obviously not, that's why the prophecy-"

She squeezed again.

"Tell me, how do you ensure that a chosen hero isn't killed before they can save the world?"

Johann glanced back at Galan. The brute had managed to free the spear halfway, and was taking a self-congratulatory break. "Whisk him away as a child to be raised in safety? Assign a wizard to watch over him? Place other heroes along the path to help him?"

"So many moving parts." The wizard laughed. "The gods can try and play us like puppets, but free will is a wildcat in a burlap sack-"

"-you can take it wherever you want until the sack tears." Johann continued the adage. "And you'll get cut along the way regardless."

"The task gets no easier by adding more cats."

"Then how?" Johann asked, somewhere between sullen and frustrated.

"If you need to make sure only someone who is worthy can take the spear, you make the spear ensure that anyone who takes it-"

The wizard paused, a wide satisfied smile on her face. It was not the smile she had worn when they were joyously feasting with the elf-folk five days into the quest. It was the smile she had worn when she made Vorn the Destroyer's blood turn to water in his veins.

Johann's gaze was thusly occupied when the sound of Galan's sharp, anguished scream ripped through the air.

"-is worthy."

Johann turned slowly. As a knight he had heard enough death rattles and screams to know that he didn't want to witness the cause Galan's banshee-like shriek.

When he finally did turn fully, his gaze did not meet a horrifying eldritch mutilation as he expected. Instead, there stood Galan, holding the spear reverently with both hands.

Though nothing outward had changed, every aspect that Johann had found lacking was now plainly there in the lines of his face and posture of his body: compassion, thoughtfulness, maturity, competence, sincerity... even hope. Everything was there behind those eyes.

Everything except Galan VonZent.

#short story #mini-fiction #free will #chosen ones #fantasy story #drabble #tropes

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erika-xero · 1 year

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A small guide to commissioning artists: how to avoid getting scammed by people who use image generators

Because “Ai-art” is not art and everyone can use image generators for free.

Disclaimer! This post will include generated images which were originally uploaded on DeviantArt and Twitter by people who generated them. Some of these images are of erotic genre but censored out. I beg you, do not bully these people. This post wasn’t written to call anyone out, it was written to help human artists and their potential commissioners. While some of the “Ai-artists” out there may be real scammers, others are not, and I strongly believe that no one should be bullied, doxxed, stalked and no one deserve any threaths over some silly ai-generated pics. And - as always! - scroll down for the short summary.

Commissioning an artist in 2023 may be scary, especially if you are not experienced in working with artists and have a hard time to distinguish artworks from images generated by neural networks. But even now, with the tech evolving and with neural networks generating pics with multiple characters and fan art, there are still quite a few ways to avoid scammers.

The creator you are going to commission must have an established gallery

This doesn’t mean that you should not commission someone who is new to platform, someone who started drawing in 2022 or later or someone who didn’t upload their work online prior. Image generators actually forced some of the artists to remove their work from social networks. In addition, image generators can generate thousands of images within hours, which means that the scammers may have quite a lot of works uploaded. What I mean is that real artists grow. Their skills gets better over time – even if they are already established artists with huge experience. Their artistic approach constantly changes and evolve. It means that if there are hundreds of images in the artist’s gallery but their skill is always the same level and their artistic approach doesn’t change over time – this definitely might be a red flag. As an artist with a tendency to nuke my galleries on certain platforms (such as DeviantArt, VK and ArtStation), if I get asked to provide my commissioners with examples of my early artworks I will do it with no hesitation.

You need to look through the artist’s gallery and analize their work

Searching for some decent examples on DeviantArt I stumbled upon a gallery which is four weeks old but already has 660+ deviations all of which look the same way in the matter of skill and artistic approach. While stylization may vary from image to image (some of the artworks look like typical anime-styled CG artworks from visual novels and others have semirealistic proportions), the coloring, the “brush” imitation, the textures on the backgrounds are absolutely the same on every image I analized.

There are a lot of images depictinioning conventionally attractive white or sometimes asian girls in this gallery, some of which seem familiar or resemble the characters from various media. Yes, image generators can now generate fan art. But what they can not generate is diversity. There are of course living artists who tend to draw only conventionally attractive white or asian people too, but now when the image generators gain popularity this lack of diversity automatically raise my suspicions. Drawing a crooked nose or dark skin is not hard and living artists who use references rarely fail at it. It’s image generators who fails this task constantly.

Here is an image titled as a commission. The person who uploaded it also have some content under the paywall and I do not see their images being tagged as Ai-generated too.

Remember the golder rule: spotting an Ai-generated image is the same as spotting the evil faerie in a dark folklore tale. Look them in the eyes. Count their teeth. Look at their hands and count their fingers. Check if they have a shadow and if that shadow is of human form.The devil is in the details.

While this image may appear like a hand-painted artwork of the conventionally attractive girl at the first sight, however it has quite a few clues that may help you to realize that this artist is a scammer and his entire gallery is just a selection of most-decent looking images they managed to generate with neural network. This elven girl is insanely tall, and the shore behind her back, the stones, the grass and the trees are insanely small compared to her. The piece of jewellry is attached to her nips and it’s design makes no sense. What is the gold chain under her breast, which doesn’t seem to be attached to anything? Where does this piece of cloth hang from? Why does her head cast a triangular shadow on her arm?

Many details are easy to be spotted when an image is in high resolution. I do not recommend artists to post their works in high resolution online to avoid feeding the Ai-monster and also to avoid people using your works to produce pirated merch if they draw fan art. Yet in my opinion posting close-ups might become essential - because people who call themselves ai-artists are usually hiding the artifacts under filters and upload their image resized. So yes: avoid commissioning artists, who never post high resolution faces or overuse filters and blur. Because analizing the characters’ faces is now essential.

You may look at this picture and think: how is this possible for a neural network to create such a detailed image and not fail at it (if you also ignore the fact that the girl on the horse doesn’t have legs). Luckily, the person who uploaded it uploaded it in high resolution, so we can zoom in and... yeah.

The artifacts on these evil faeiries’ faces (especially eyes) and their hands speak for themselves.

Image generators have a tendency to either give characters extra fingers, phalanx or nails or hide the hands completely, if the person writing a prompt decide to to so. I do not know whether and how fast will the algorythm learn to generate normal human hands, but for now you should pay attention to these details to spot a generated image.

Like this randomly nakey fellow with two palms on a single wrist and with some extra fingers on their elbow...

...Or this Asuka Langley fan “art” I had to censor out, with her fingers twisted and crooked.

If you are up to commission an artwork and are in search of an artist who will actually do the job you absolutely must pay attention to small details on their works: the clothing, the jewellry, the tattoos, the anatomy.

While Ai-generated images may appear photorealistic at first sight, the neural network usually misses small details, creates artifacts and makes mistakes if there are too many similar objects or repetative patterns. For example, the infamous MidJourney Party Selfies depicting girls with roughly fifly teeth, extra collarbones and green watercolor spots instead of tattooes (and don’t forget to check the ginger lady’s hand). The hair dissolwing in fabric folds? Image generator. The clothing designs which makes no sence? Image generator. Jewellry dissolwing into character’s hair? Image generator. Moreover the image generators also make mistakes while generating interiors and architecture, since the algorythm is not aware of perspective and space and once again fails either at perspective and object size or with repetative objects and patterns.

Like this image here: the bed, the window, the picture on the wall. The perspective on this image makes absolutely no sense: two walls and the bed all exist in different dimentions, while the character is once again of enormous height.

If you try to analize the background on this one, I swear, you can go insane. Look at the window and then look on the corner above it.

There is also another red flag which makes it easy to spot a scammer: dozens of iterations of the same image, which usually happens with people who can’t choose the best image out of the bunch generated with the single prompt.

There are, of course, artists who do series of works, and sometimes these works may have similar ideas and themes, but they hardly ever look this similar to each other: they may differ in angles, poses, character designs and even the artistic approach (lineart, brushes, rendering and etc). The posting time is also important: drawing an actual artwork requires time and effort - for example, I need at least two weeks to finish an artwork with two or three characters and detailed background. So a bunch of ten similar images that are uploaded at the same time it is definitely a red flag. The ai-generated images have a lot of problems with anatomy, details, perspective and other basics human artists have to learn long before they become professionals. All while having glossy semi-realistic render which can only be achieved with years of practice. I’m not saying that there are no living human artists, who may make mistakes (everyone makes mistakes now and then, even the professionals who works in this industry for DECADES) or who choose not to give much thoughts to backgrounds while focusing on characters and rendering (it is okay too), but the combinations of various red flags listed above is something you definitely have to take in account while deciding whether or not you are going to commission an artwork from this creator.

Another example (this person openly admits that they use the images generators for funsies and I did not find him mentioning paywall anywhere). The image generator even imitated the watermark.

Red flags you may spot while working with the chosen artist

Image generators are tricky: they can generate multiple iterations of the same image, imitate WIPs and many more.

First of all, the artist should provide you with WIPs on every stage of work, not when the work is already done. We artists, do it for a reason. We need your feedback constantly, even if you grant us artistic freedom to chose the idea, the character pose, the medium and technique. There are always changes to be made, and we need to make them at proper stage: for example, change the pose or angle of your character while working on a sketch is thousand times easier than to do so while rendering the image. However, the minor changes are usually possible on the later stages (some of artists may require you to pay a small fee of a few bucks, others may not). While the living artists can easily change small details such as the character’s eye color (or other small design changes) not touching the rest of the artwork, image generators simply can not do so not rerendering the whole image. If an artist does not provide you with WIPs or only provide you with them when the work is done, if an artist refuses to make any changes - these may be interpreted as red flags. If an artist agrees to make any change, even the drastic ones, at a late stage, when the piece is almost finished - it is a red flag too. Ask for a small change every single time you need one. I know that there are artists out there who prefer to only provide their client with the finished image once it is done, but now when image generators gain populatiry his may be misinterpreted as if you are a scammer.

Here is a good example of image generators generating WIPs for an existing image: it might actually look scary both for many artists and many commissioners.

I know that some of the artists are panicking that the only way to prove that you really did the artwork is a timelapse recording but this method is not for everyone. Not everyone has a setup which allow them to record a timelapse for an every single commission (my laptop will simply explode if I try). Ask your artists which software/setup do they use, ask them whether or not they can provide you with a timelapse video, ask them which brushes do they use. I know that not everyone like sharing info on their pipeline but at this point it is essential to provide your clients with information on the information about your pipeline, tools and software. For example, if your artist works in Procreate (which is available in Ipad) they have all the timelapses recorded automatically. But please, mind that not everyone have such a privilege.

As a commissioner you can ask an artist for screenshots of their workspace with all the interface visible. If they refuse providing you with that or have a hard time answering the questions about the software they use it might be a red flag. I would also suggest you not to force your artist to draw everything on stream, especially if these streams are public, because there are already cases when people took screenshots of the work in progress, used the image to image generator to apply the shiny rendering to it and accused the original artists of plagiarism. It is a risk for artists and it is okay to refuse such a request. You can also ask an artist for .PSD file of the commission, but the artist have a right to refuse sharing it online for copyright-related reasons. The original .PSD file is a best proof of authorship in court for residents of many countries. Artists can still provide you with the resized .psd file with some of the layers merged or with the background/character png with transparent background without putting themselves at risk. Of course there are artists who draw on the single layer - but without a timelapse recorded this may indeed seem suspicious that the artist does not have a .psd file with layers at all. Always ask your artist to provide you with high resolution image when the commission is finished and fully paid for. There are artists who works on smaller canvases, but working on the canvas smaller than 1000px wide might be interpreted as a red flag, since it is easy to hide artifacts on a resized image. I myself prefer working on larger canvases, from 6000 pixels wide to 10000 pixels wide (300 DPI) because I had an experience with printing my images out to sell them at conventions. While I do not sell commissioned works as prints I still give my commissioners a right to print the finished images out for non-commercial purposes. Thus, I always make sure that it is possible to make a wall print of a decent size out of the finished product. Avoid working with platforms which do not support refunds. It must either be a payment system which support sending invoices or an established platform known and used among the art community (patreon, buymeacofee, boosty, Paypal and etc.). Most artists do not do refunds for finished works — which is absolutely a right thing to do - but sometimes an error might occure. I know people who accidentally paid for their commissions twice and the artists still had to do a refund. Yes, you must respect the artists Terms of Service, but ithas nothing to do with unrelyable platforms used to scam people.

To sum it up

Search for an artists with established galleries,which has a believable amount of works and the visible artistic progress/evolution;

Analyze the artist's gallery, carefully inspecting their work for anything that might be interpreted as a red flag. Excessive fingers, crooked hands, broken perspective, clothing designs and jewellry that makes no sense, extra collarbones, lack of diversity, excessive teeth, artifacts in the eye area, interior and architecture elements which makes no sense — all while the images being glossy, fully rendered as if the artist have decades of experience;

Avoid people with too many iterations of the same image in their profile;

Avoid people with too many images being uploaded at the same time (it is okay to upload a bunch of prevoulosly done artworks when you start running your account, but uploading hundrends of images every week for a long period of time is really suspicious);

Ask for constant WIPs. Give feedback at a proper time. See the reaction;

Ask for a small change when the image is almost finished: it is impossible for the image generator to do so without fully rerendering the image, at least for now;

Ask your artist which software and assets do they use;

Ask (if it is possible) for a timelapse recording — either if the commissioned work or at least of one of their previous works (if they had an opportunity to record it before);

Ask your artist for in program screenshots with visible interface and history (if possible);

Ask your artist to show you the layers of the artwork — at least character/background only layers (mind that the background might be less detailed/wonky at the places which usually are hide but the character's figure). Ask for a resized .psd with some of the layers merged or a gif animation of each layer being added on top — this is what I usually do;

Ask for high resolution file of the commissioned image once you paid for it and it is finished. If the artist doesn’t have it and claim to work on the canvas smaller than 1000 px wide and/or claim that they intentionally delete the original file somehow - this may raise suspicions. Of course a person can delete the file accidentally or have their hard drive crushed, but if you have already spotted some red flags while working with this artist it might be a sign of a person trying to scam you too;

Many of the stuff listed above might be interpreted as a red flag , but I strongly advice you not to judge anyone by one or two points from this post. For example, a person can draw on one layer and mess up the perspective on a drawing entirely! However, if you've played a bingo and suddenly won — you have most likely encountered a person who try to fool and scam you;

Avoid working with suspicious payment methods. If you never heard about a platform before — google it and see whether or not other established artists use it. If not - it might be a scam;

And remember! People may use the images generators for various reasons: for fun, to create references of their characters to later commission reall artists artworks with said character (for example, the art breeder is a useful tool to create arealistic image of the character, even though I find it slightly limiting). Yes, image generators are unethical and trained on copyrighted data, but a person using it may not be aware of this problem. Not every single person who call themselves an “Ai-artist” has malicious plans to scam people or to gain wealth using their funny little tool. Sometimes they do it for fun and do not pretend that it is anything more that a game. Thank you for reading this far and good luck with your commissions!

Have a picture of an absolutely normal and realistic woman, generated by the neural network!

#ai art #ai art is not art #support real artist #support human artists #support artist #how to spot ai #how to spot a scammer #scam #art scam

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jaazzpur · 5 months

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Morningstar family redesigns

I kinda wanted to expand on my choices for my redesigns for fun

So first, Lucifer. I really don’t have a lot of issues with his original design, I think it’s fun and fits within the Hazbin universe! I just wanted to reimagine him.

I always liked the idea of Lucifer having curly reddish hair, something about his fall turning his hair red (this design isn’t 100% biblically accurate as it is just for fun), but I toned down the red to be closer to his original blonde since I also like blonde Lucifer, and I figured he’d liked to keep his hair neat so I decided to put it up and take away the hat

I wanted to keep the ring leader theme in his outfit, but I wanted to further incorporate the snake element in his design since I think he’d be proud of his fall (hence why his suit looks burnt and torn, and he shows off his burnt arm, I figured he’d do this intentionally to remind others of his rebellion)

Lastly I changed the entire family’s main colors to purple, as biblically out of the 7 sins Pride is purple and since he’s supposed to rule pride in the show I figured he’d be more purple themed then red, pretty simple🙏

Next Lilith, I think she was the only one out of the three where I didn’t really like her original design. Not only because she didn’t have much going on, but she also looked really similar to Lucifer, to the point where they almost look blood related.

I think Viv’s choices for Lilith were a bit odd, as she had SOO much potential that just wasn’t used.

I kept her blonde hair but I gave it some tan undertones and I put it up into a semi-low slicked back pompadour inspired by some hairstyles you might see young women have in the early 1900s or late 1800s, but I gave her a little down section that fades into a dark purple and looks somewhat feathery due to one adaption of her describing her as a “screech owl”. I kept the purple theme somewhat like the original and plus she technically rules over pride as well, I would have loved to have given her a red theme if pride was red.

Based on these different adaptations of Lilith a took inspiration from each, giving her a flame-themed dress and the upper body of a beautiful women yet still somewhat demon-like, I also put some fluff at the bottom of her dress since I thought it looked kinda like smoke puffs and clouds. Her stomach is covered with gold rings that look somewhat like a snake belly, and I gave her a necklace with a style inspired by some eastern jewelry, the jewels on her necklace are each the color of one of the 7 sins which I thought would be a fun touch and a little bit of a “showing off” of her role as the queen of hell.

lastly I kept her horns since she is meant to be a succubus, but I stylized them a bit to look less like those big ram-like ones since I didn’t really like how odd they looked against her head. I also gave her long slender fingers that faded to a black naturally as in biblical lore she steals babies from mothers and I thought making her hands that she stole the children with look creepy and eerie yet still beautiful was a nice touch.

Lastly, Charlie! Again, I didn’t really have a problem with the original design. I changed her suit color and theme to prides color, put I made her hair curlier and more red/orange like her dads, and I wanted some parts of her suit to resemble his a bit hence the buttons and the back of her suit going out like her dad’s (but a bit shorter for convenience.)

I imagine her being a bit showy so I kinda decked her out in silver, I thought it’d also be a fun mirroring of how her mom is covered in gold. Her shoes are pretty similar to the original, I put a little split at the front of the shoes in the dark purple since Viv has said she has little hooves which I’m not sure is true but I thought it was a fun idea so I kinda hinted at it with that

I changed her irises (is that what they’re called?) to look more snake-like like her dad, and I gave her little horns since I thought they were cute and I wanted her to maybe show them on purpose because she wanted to blend in more with the citizens of hell so they might feel less intimidated by her presence as the princess, that’s also why I didn’t give her a crown :]

Overall this was just a fun little project I did out of curiosity and boredom, these designs aren’t made to criticize or taunt vivziepop since like I said I love her designs already

#art #hazbin hotel #hazbin hotel redesign #digital art #purple #charlie morningstar #lucifer morningstar #lilith morningstar #helluva boss #vivziepop

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