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#really what u think
shopcat · 10 months
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the baby has one parent's little face marking thing and the other's coat because they're a little horse family the world is a beautiful place
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peculiarbeauty · 5 months
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ronanlynchbf · 8 months
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tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY
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inkskinned · 5 months
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in internet posts it is easy to cut them out of your life. they are hurting you! they aren't listening to you!
they held your hair back. they lent you lipstick. they held your hand at the train station and got you home safe. they rounded on your bully, got loud, said get fucked, spitting-mad in your defense.
they also cut the hair off again. told you that you should really think twice before wearing something like that. took you for granted. took your insecurities and threw them in your face again.
you know logically it should be easy. all the internet advice comments always read it will feel better. like an equation - if a person is rotten, you just remove them. you pull the tooth that's hurting.
but it was never a big flare-up moment. you don't live in a sitcom. they never tried to take your boyfriend or steal from your apartment. they showed up to birthdays and they wrote songs about you and bring you water without you asking. once you found out they carry an emergency inhaler for you, even though you haven't had an asthma attack in years - just in case.
where is the line? people fuck up. sometimes they fuck up badly. sometimes people have raw personalities, like a powerline, and being around them is dangerous. addicting. sometimes they can't help themselves, but you know they're trying. sometimes they are just rough-around-the-edges. sometimes they don't even realize how they sounded when they said that. sometimes it's just - you've both loved each other for so long now, the way this thing hurts goes back to the root.
and that's the fucked up part. you have pushed your fingers against the sweetheart of memory. things these days are electric, tense, harrowing. they didn't used to be. there were a lot of good days in there. sometimes you want to just close your eyes and say can this be over yet? do we still need to be fighting?
doing that would give up any chance you get of getting an apology, but you don't always know that you need an apology, you love them. once they flaked on your birthday party. once they told you to get over it, people are always dying. they also let you crash on their couch for a week after the breakup, handfeeding you when you were so sad you couldn't eat. they are also judgmental about everything, occasionally react to banal statements with an attitude that is weird and fiery. they also love you like a lighthouse sometimes, so strong they cut the storm like lightning.
but the problem is that you might be storm. you might be the thing that needs breaking. what if you are two forces who are desperately, horribly drawn to each other, shaped by the other person's passions, and both good for each other and bad in equal measure.
what if you're both just people, and you're no saint neither.
just cut them off! swallowing the saltwater, you catch yourself in the mirror. you've been shaking more than usual. there's an ache in you that is oblique, loud, impossible to soothe. is this what it looks like? when life is "easier"?
your mouth will always have a hole, is the thing, if you remove the tooth.
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tawnysoup · 3 months
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The one eyed Siffrin Wink™
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lokh · 3 months
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fake dating au where shuro ends up pretending to go out with laios in order to secure his inheritance.... but is it really what he wants? a journey of romance and self discovery that ill never ever write
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gatoiberico · 2 years
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thinking about how reigen saying mob's actual name is rarer than rare steak
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misterradio · 8 months
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Im really curious how people know about Esperanto. Since its a relatively recent language (from the 1880s), its obviously not going to be as widely spoken in the world as other languages (altho apparently it is the most widely spoken constructed language). I assume most people are introduced to it later in some way?
If u know what Esperanto is, feel free 2 reblog this and say how you learned about it in the tags.
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simplydm · 3 months
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“We need more villains in mcrp”
Yall can’t even handle geminitay
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noisyghost · 6 months
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woof
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tamarrud · 11 days
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We were scared before, we’ve been scared since October 7th.
Be scared, you're on stolen land.
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thecmaly · 9 months
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local loser
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more tgaa comics
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felsicveins · 3 months
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I think John Dory should have 7 (evil) exes and you have to defeat all of them in order to date him.
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Choose your fighter 💥💪
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lavenderleahy · 12 days
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Buck scans the reception venue, eyes finally landing on Tommy. He's is sitting at an otherwise empty table in the back of the venue, sipping on punch and staring off in the distance. As Buck jogs over to him, Tommy notices him and his eyes lift with the hint of a smile. Buck slides into the chair nearest to him, hunching over earnestly.
"Tommy, hey. I'm so sorry. I did not mean to ditch you for half the wedding."
"Hey it's all good," Tommy shrugs. "You've got your priorities. Maddie needed you. No one could've predicted the chaos of the day."
"Yes," Buck responds, placing a hand on Tommy's. "But I'm still sorry. I'd do anything for Maddie, but it still wasn't okay to desert you."
Tommy mirrors Buck's movements and places his other hand on top of his. Smiles gently. "Evan. I can hold my own at a wedding. I promise."
Buck glances down, then looks up at Tommy, smiling shyly. "It's just... it's only our second date and I've fucked up both of them."
Tommy laughs. A real, pleasant laugh. It makes butterflies dance in Buck's stomach.
"You've done nothing of the sort, Evan," Tommy responds. "Sure, everything with you is.... unexpected. But I like it."
Now the butterflies are doing somersaults. "Yeah?"
Tommy smiles and squeezes his hand reassuringly. "Yeah."
Buck beams. God, he's so nervous. Tommy makes him nervous. He still can't believe Tommy has given him another chance after their train wreck of a first date. He'd been thinking about the wedding for days beforehand, just wanting everything to go perfectly. Needless to say, it had not gone perfectly. Not even close.
But here Tommy still was, smiling at him, holding his hand, forgiving him anyways. He hadn't left in the chaos. He-
"You're staring." Tommy's voice interrupts his train of thought. He raises his eyebrows. "Like what you see?"
Fuck, Tommy's so confident. Of course he's confident. He's cool, and he's loyal, and he's willing to take risks, and he has a cleft, and - Buck can't stop himself. He reaches his hand up and gently grasps Tommy by the chin, his thumb on that dimple and his four fingers brushing against the stubble near his neck.
"I'm gonna kiss you now," he says, breathless.
Tommy doesn't say anything, just nods solemnly.
Buck leans in and closes the gap, brushing his lips against Tommy's. Immediately, there's electricity buzzing between them and he deepens the kiss. Their noses and foreheads are pressed against each other, their lips dancing in unison, and there's nothing, nothing that Buck would rather be doing right now. His right hand snakes around Tommy's neck and he pulls him in closer, impossibly closer. The kiss is perfect. Tommy is perfect. He never wants this kiss to end.
But Tommy pulls back, ending the kiss far, far too early. His face his flushed and Buck is proud to notice that he might be a little breathless, too. He stands up, and Buck's eyes follow him, wide and wondering.
"C'mon," Tommy says, offering a hand to Buck where he remains in the chair.
Buck puts his hand in Tommy's but he can't move. His mind is still reeling from the kiss. He wants to kiss Tommy again.
"You said you needed someone to dance with, right?"
This shakes Buck out of his stupor, and he laughs. "Yeah, I did," he says, rising to his feet. He lets his eyes meet Tommy's and steps forward into his space. "Let's dance."
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inkskinned · 7 months
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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yrsonpurpose · 2 months
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"How is a man to get anything done knowing Alex Claremont-Diaz is out there on the loose? I am driven to distraction."
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