#sandra drzymalska | Explore Tumblr Posts and Blogs

whereisyourpippinnow · 2 months

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I won't forbid you, brother, to dance with the Germans, but I have no intention of joining you in this dance. So that future generations wouldn't say that Zawrats are traitors. And sons of a bitch. Tobie bracie z Niemcami tańczyć nie zabronię, ale ja nie mam zamiaru. Żeby ci, co po nas przyjdą, nie powiedzieli, że Zawraty zdrajcy. I skurwysyny.

White Courage (Biała Odwaga) | 2024 (dir. Marcin Koszałka)

#biała odwaga #white courage #polish cinema #perioddramaedit #filmedit #fyeahmovies #filmgifs #moviegifs #cinemapix #dailyflicks #filip pławiak #jakub gierszał #sandra drzymalska #julian świeżewski #marcin koszałka #moje

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cinematicjourney · 1 year

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EO (2022) | dir. Jerzy Skolimowski

#eo #io #jerzy skolimowski #sandra drzymalska #mateusz kościukiewicz #isabelle huppert #films #movies #cinematography #screencaps

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escapismthroughfilm · 1 year

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#153

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luckydiorxoxo · 1 year

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Early arrivals to the 95th Academy Awards

#jennifer lahmers #naz perez #drew afualo #erin lim #daryn carp #oscars #red carpet #loni love #nischel tuner #sherry cola #oscar95 #sarah lowes #sandra drzymalska #adam shapiro

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themakeupbrush · 1 year

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Sandra Drzymalska at the 2023 Oscars

#sandra drzymalska #red carpet #2023 oscars

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movie-titlecards · 5 months

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Mr. Car and the Knights Templar (2023)

My rating: 4/10

Maybe the real treasure is the friends we made along the- oh never mind, it's actually a bunch of random kids with magical face melting (and unmelting) powers.

#Pan Samochodzik i templariusze #Antoni Nykowski #Bartosz Sztybor #Zbigniew Nienacki #Mateusz Janicki #Sandra Drzymalska #Maria Debska #Youtube

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mondieuwordnerd · 1 year

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I really liked how Sexify handled the Monika and Maks relationship (spoilers).

They struck the right balance of letting the audience see them explore their connection, without forcing them into a relationship that wouldnt have fit them. It also set Monika up to have a more healthy relationship next season. Its not my typical tv relationship preference but I like that it was just a normal, amicable relationship that ends because it just isn't right but there is still a lot of affection and respect.

#spoilers #sexify #Sexify netflix #season 2 #monika nowicka #sandra drzymalska #maks oleksiak #dobromir dymecki

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kaipanzero · 9 months

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Mr. Car and the Knights Templar

Pan Samochodzik i templariusze (2023)

#Mr. Car and the Knights Templar #Pan Samochodzik i templariusze #Mateusz Janicki #Sandra Drzymalska #Antoni Nykowski #Poland #Netflix #movie #gif #2023

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artfaceswarsaw · 11 months

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K MAG x SANDRA DRZYMALSKA

Photography Max Gronowski | ART FACES

Styling Jan Kryszczak | ART FACES

Makeup Lucja Siwek | ART FACES

Hair Michal Pasymowski | ART FACES

#fashion photography #photography #editorial #fashion #photographer #fashion editorial #sandra drzymalska

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balimode · 1 year

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...I thought this was Taylor for a second gxyfhcchbifh

The fringe is... interesting? I don't think the colour serves her very well.

#sandra drzymalska #red carpet #oscars #bali reviews: oscars #bali reviews

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lamiaprigione · 2 years

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Sole (2019)

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rookie-critic · 1 year

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EO (2022, dir. Jerzy Skolimowski) - review by Rookie-Critic

Every now and then I'll get hit with a surprise. Something I wasn't really expecting, normally something I hadn't heard of or hadn't planned to see until just before purchasing the ticket, that comes along and really sticks with me. EO is one of those films. It's this year's entry from Poland for the Best International Feature Film award at the Oscars and a reimagining of a Robert Bresson film from the 60s called Au Hasard Balthazar. EO follows the story of a donkey named, well, EO as it goes through life, with almost all of the film taking place from his point of view. These types of movies have always interested me ever since my dad showed me a French film from 1988 called The Bear, which is a mostly dialogue free film told from the point of view of a bear cub, although it's a bit more of a family film than EO with a story that's got a little more mass appeal. Giving a voice to something that otherwise would not have one in any conventional story is not only commendable, but it is also incredibly challenging. How do you keep a story like this engaging for a feature-length amount of time? Skolimowski manages to accomplish this by focusing more on the idea that we can't really know what EO is actually thinking, and therefore are free to project however we feel about all of these situations our donkey finds himself in onto him, which, in a way, is exactly what the people he interacts with are doing, too, for better and for worse.

The film is presented very coldly, and shot in a way that is both impersonal and fully empathetic at the same time. We're not connecting and empathizing with EO because of any particular thing that he is doing or thinking because he is just acting like a donkey, we're empathizing with him because he is an animal, pure and clean of all fault or wrongdoing. We want the best things to happen to EO because we would want that for any animal (or at least anyone in their right mind would), EO just happens to be the focus of this particular story. I heard another critic say that "the movie isn't so much about the donkey as it is the people around him," and while I think there is truth to that, it seems diminishing to lay that down as a blanket statement, because this film isn't just about the human condition through a lens that is alien to us, it's also about humanity's relationship with animals and how we treat them. Some see animals as true companions, deserving of as much love and care as we would give another human being, some see animals as a totem, a symbol of something, whether that be something good, something selfish, or something filled with hate, and some just see animals as a means to an end, and even that aspect has a complexity all unto itself that is worth exploring, and Skolimowski does. He explores all of these aspects at one point or another during the film, and that brings with it a wildly varied experience. There are times when this movie is absolutely hilarious, and other times where it gets incredibly hard to watch, and sometimes these sequences are happening right next to each other (not to worry, though, right before the credits begin to roll, the film tells us that, throughout the entire filming process, all of the animals' safety was always the top priority).

Regardless of how we as individuals view animals, this film seeks to paint them as being capable of just as much complexity as us humans are. My one criticism of the film is that, due to the nature of the storytelling, there are a couple of narrative jumps that don't quite make sense, but ultimately that's not really what the film's focus is. It does slightly break the immersion into the film's world, but it is quickly re-overtaken by your interest in where EO is going and what will happen to him next. This really crept up on me, and I left the theater last night knowing I had just watched something really special. I'm not sure if it will win the Oscar or not (I venture to say it probably won't), but I'm so glad that its nomination put it on my radar, because it is a truly wonderful film.

Score: 9/10

Not currently available to watch online anywhere. It's possible that it is still playing in some theaters, so look around.

#EO #Jerzy Skolimowski #Sandra Drzymalska #Lorenzo Zurzolo #Mateusz Kościukiewicz #Mateusz Kosciukiewicz #Isabelle Huppert #film review #movie review #2022 films

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cinematicjourney · 1 year

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