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selkra-souza · 1 month
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The Moodsters Rabbit Hole
So I was bored one day and in my vain attempt to search the internet to find a knock off Inside Out movie to ironically enjoy, I find out that one does not exist. Vídeo Brinquedo, the studio behind the critically memed Ratatoing, has truly forsaken me, and alas, I can only dream. Instead of finding a rip off Inside Out movie, I ended up finding something that accused Inside Out of ripping off it, I'm talking suing. Turned out to be just as interesting.
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The Moodsters is a multimedia edutainment brand and children's foundation centered around a cast of six monstrous critter "feelings detectives" called Moodsters. There's Coz, the yellow Moodster representing happiness, Snorf the blue Moodster representing sadness, Razzy representing anger, Quiggly representing fear, Lolly who represents love and Tully representing ... being calm I think? The Moodsters is an IP created by Denise Daniels and owned by JellyJam Entertainment (formally known as the Moodsters Company) who claim on their website (themoodsterschildrensfoundation.org, formally themoodsters.com) that they're "providing accessible science-based content on emotions for children, their parents, and teachers for more than 35 years". That science is based in collaboration with Marc Brackett PhD and Robin Stern PhD, to develop the RULER™ model for dealing with emotions. Besides their mission statement and credentials, their site currently has downloadable workbooks for kids to print and journal their thoughts and feelings on, along with guide booklets for their caretakers. Their children's foundation initiatives includes an "International Partnership for Children Displaced by War" and "Grief Relief with the Moodsters".
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They've got a twitter account featuring one (1) post from 2016.
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Let's dig deeper though. Hopping onto the Wayback Machine and searching for "Moodsters" will show you that they've had an online presence since 2008. Since then, the brand has gone through a few changes, and they've released a few toys and published a few books.
I first want to go over the plushies specifically because look at them.
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They're adorable. I want to firmly grasp them in my hand. These goobers were sold in retail in the mid 2010s and nowadays are pretty rare in the second hand market. They look soft and I appreciate everything from their embroidered features to Snorf's lopsided face. From looking at them, I like the quality. My only complaint is that their little detective capes lack edge stitches, which would make them more prone to tears, and I'm not convinced they have an accessible way to replace their batteries (though I could be wrong). Overall as a plushie lover though, I want them in my home so I can invite them to tea parties and have them sit on my bed.
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Their website in 2015 teased a mobile app called, The Moodsters: Learn About Feelings, which - as far as I could search - does not exist. This page lists features such as an interactive story book, a Mood Meter that "gives children a basic vocabulary of feelings and helps them express themselves" by using a thermometer-shaped mood meter to take one's "feelings 'temperature'", a Moodster Mirror that "helps them make the connection between feelings on the inside and facial expressions on the outside" with demonstrations of 25 different emotions, and a Feelings Notebook that's an art program. The development of this app is no longer mentioned on the site currently, so it's probably a scrapped project.
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At some point there was a Moodster themed memory match browser game and coloring pages (hard to tell if they were browser coloring games or printables).
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Some of the features from the what would've been the app actually made it to market as toys. These toys were colorful little detective supplies. One for (almost) each Moodster. The top image of this very long post actually features each Moodster with their chosen detective tool on-hand. Coz wields a Moodster Mirror, Razzy carries a Moodster Meter, Quiggly has an emotional support Feelings Flashlight and Lolly writes in a Feelings Notebook, all (at some point) available at your (once) local Toys R Us. Whatever Snorf is carrying hasn't made it to market it seems, but it's apparently a First Aids Kit for Feelings (mentioned here). I can't find what Tully's item is supposed to be. Perhaps it's emotional identification cards, or positive affirmations? Who knows. My favorite out of these has got to be the notebook, mainly because I'm a sucker for cute stationary. I'd fold and decorate a little cardboard box just to house those crayons just for keepers sake.
And have I even mentioned the yoga mats?
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Almost every plushie and detective tool toy appears to come with a picture book. I can't comment on most of the books since I can't buy any that still happen to be available as of now, but luckily there is a read along video I found shown below of one of them. It prominently features a more recent addition to the Moodsters lore, the human children.
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These side characters where featured on the site as recent as October 2023 (I neglected to take a snapshot, so here's another from June), but are nowhere to be seen on the website now besides the older downloadable worksheets. There's a chance they've since been retired.
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It's exactly as boring as I feared that it would be. Obviously, I'm far from being in the target demographic for this anymore as an adult, nor am I any expert of child psychology beyond one elective course I took in university, but the one credibility that I do have is that I remember my personal tastes from when I was a kid, so I can comment on this from that perspective. I will say if I was handed this as a little kid, I would've liked the little monster dudes, but my attention would've shifted away from this pretty quickly and easily, because the little monster dudes aren’t really doing much. I was one of those kids that was really drawn to creature characters way more than I ever was to human characters (and to be perfectly honest, I still am as an adult, but that's besides the point I'm about to make). The plot of the book is perfectly serviceable with a good message about altruism, so that's not the problem. My grievance is with the fact that the human boy Zach takes center stage as the main character, when one would think that the main characters would be the Moodsters. They kind of take a back seat working on the sidelines for the most part here, and don't directly interact with Zach that much. Would've been hard for kid-me to latch onto this when the cool critter characters don't have as much of an active role as they could have. Not every kid is going to be as drawn to critter characters as I was (and am), but if the critter characters are going to be the face of your preschool IP, they should be presented front and center as much as they can be. Children's picture books are a media format that isn't particularly long nor complex, so their biggest strengths are in the characters and the art. If it were open to changes, I'd make a few: I'd have the Moodsters be just a bit more proactive, such as the suggestion to buy Sam a new bike coming from Coz or maybe Lolly instead of his sister Zoey, have them discover the "feelings emergency" while they're hanging outside with Zach and Sam instead of by spying on them with their cool and fancy desk setup, maybe have a one or two page mini side plot where Razzy's anger at the truck driver is addressed and resolved with breathing exercises or something, and change the art style to 2D illustrations to allow more dynamic poses and expressions since the 3D models and environments used here are pretty okay but nothing that stands out too much (or just instead use more expressive 3D models). No major changes that would fundamentally change the book, just enough to give the Moodsters more spotlight and expressions. Overall, as is, it's an okay children's book, just nothing that really stands out much as unique.
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Back in the 2000s, there was an animated pilot for the Moodsters (with art and animation direction by Drew Bloom) featuring different designs of them and an additional cat girl not present in the current iteration named Moodini voiced by Grace Garland. The earliest legible Wayback Machine snapshot for the Moodsters (May 16, 2008) lists their names as Zazz, Rizzi, Scootz, Snorf and Oola". Now, I unfortunately can't find the full pilot, only the intro, which is a massive bummer because it's the most interesting piece of Moodsters media I've encountered. Apparently, according to a few articles and court documents (we'll get to the lawsuit later I promise) it was titled "The Amoodsment Mixup", and said to be officially available in its entirety on Youtube ... only it's not there. It must've gotten unlisted or removed by the company owner, which is really disappointing since it looks like a fun watch. It's gone probably because it's an outdated interpretation of the Moodsters, which makes sense for the company to remove, but it's disheartening that I can't find it archived anywhere on the internet.
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To comment on the intro that we can watch: I'm really digging these older designs! They've got that Muppet look to them with the high eye placement but with smaller mouths, and they've got more varied facial structures and come in different heights, along with overall looking more monstrous. The literal emotional roller coaster is a cute touch too! Honestly I wished they kept these looks, they're peak. I can't find an officially stated reason for the design overhaul and reboot of the IP; my only guess as to why was in order to incorporate human children for the Moodsters to interact with, so that the brand would be more relatable for kids and more easily applicable to them as an emotional analysis tool. There's merit to that decision I'm sure, but I personally prefer this older version because the Moodsters here look more critter-ly and kind of seem to just hang out in the woods doing their own thing, instead of having more "marketable" designs and hanging out directly educating human children. I was a kid in the 2000s, if this animation pitch made it to air on PBS, I absolutely would've tuned in to see these goobers. I likely would have enjoyed it as much as Dragon Tails, Cyberchase and Arthur, as long as the education came second to characters and story (as opposed to more overtly educational shows like Super Why). Honestly, I'm really bummed this pilot wasn't picked up for a full show, or heck, I can't even find the full pilot anywhere :(
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Speaking of old iterations, I really want to show off these old renders of the Moodster headquarters I found digging through Wayback Machine snapshots from (June 29, 2014). It's the Emote Control Headquarters, which was seen in one page of the book in the read along video linked above, but with more detail in the background surrounding the central desks and not in Zach’s room. It seems these renders were to be how their headquarters looked before the human characters were added to the lore. And lemme tell you I adore the amount of detail put into these! I've mentioned the fancy desk setups from the book, and they're shown here again. It's got to be my favorite design aspect for the Moodsters, because each one has their own personalized setup that's color coded and decked out in decor. Coz has some sports equipment at his desk, Lolly's got art supplies, Quigly's got a telescope, and so on. It's a really good way to visually show off their personalities, since they admittedly don't have that much personality otherwise. My hot take is that it way more creative than the console in Inside Out because of its attention to detail. These colorful set pieces are peak kids show aesthetic appeal to me, especially the third image with the ambient lighting. This holdover is something I'm glad made it to more recent Moodster products like the book mentioned above, even if it doesn't make that much sense for them to have such elaborate setups to monitor on the kid they live in the same house with, but it sure as heck at least looks cool.
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Remember when I said that this was something that accused Inside Out of ripping it off? Well we’re finally getting to that. I have no formal education on law keep in mind, so here's my understanding on the situation: in Daniels v. Walt Disney, The Moodster Company filed suit against Disney for breaching an "implied-in-fact contract". The gist of the matter is that the Moodster Company had pitched their IP to several companies, the relevant one here being Disney, during the 2000s (likely the animated pilot mentioned earlier was what was pitched), and accused Disney of using the ideas they pitched to produce the film Inside Out, and failing to compensate The Moodster Company for it. It was an accusation of copyright infringement. Disney filed to have this case dismissed, claiming The Moodster Company "failed to meet the legal standard for copyright in a character", basically that the Inside Out emotion characters are not rip offs of the Moodster characters. Ultimately the court granted Disneys' dismissal, because The Moodsters are "lightly sketched" and "are not protectable by copyright". This was determined by the "Towle test" (based on Mark Towle v. DC Comics), which has three criteria for making a character design eligible for copyright protection:
" (1) has “‘physical as well as conceptual qualities,’” (2) is “‘sufficiently delineated to be recognizable as the same character whenever it appears’ and ‘display[s] consistent, identifiable character traits and attributes,’” and (3) is “especially distinctive’ and ‘contain[s] some unique elements of expression.’” " ~ McDermott Will & Emery
It was determined that The Moodsters met criteria (1) but not the later two, mainly because of the several redesigns and name changes the Moodster characters have gotten over the years, ultimately making them inconsistent and indistinctive. The Moodster characters also didn't pass the “Story Being Told test”, because in what little media they have been in, they don't have a proactive enough role nor go through any character arcs nor at least have any unique personality quirks that would make them distinguished characters, instead their personalities are summed up with a short description in their pitchbook and otherwise only just kind of exist. I'd hate to side with the massive corporation for pretty much any reason, but it's a stretch for The Moodster Company to have claimed that Disney ripped them off with inside Out. If the Moodsters had more consistent designs and personalities that Disney-Pixar copied in the Inside Out emotions, there would've have been a case, but that case isn't here. However, I don't think it was completely unreasonable for The Moodster Company to take the legal action that they did, even if they didn't really have much of a legal leg to stand on, because the creator of the company, Denise Daniels had directly pitched the Moodsters to Disney and a contract was involved. I can imagine pitching your idea about personified emotions to a huge company like Disney only for them to come out with their own personified emotions movie a few years later to feel like a contractual stab to the back. One last tidbit mentioned in the court documents though, the most interesting claim Daniels makes is that she discussed the Moodsters with Inside out director Pete Doctor, though the context for when and why this discussion took place isn't known. If that's true, it's very possible that Inside Out took inspiration from the Moodsters, as in, the general idea of personified emotions. The movie is also known to be inspired by Doctor's own daughter, so if anything, this is a case of taking inspiration at most, not copyright infringement. It just goes to show that even though the Moodsters is, first-and-foremost, an emotional educational tool, it's still worth the effort to make your educational tool have an iconic narrative with distinct characters at the very least. It's also interesting to learn that the history of the Moodsters is more intertwined with Inside Out than I initially guessed. If this law suit has taught me anything, it's that the more you redesign your commercially public OCs, the less they are eligible for copyright protection. Weird to think about, in my opinion. (sources and relevant court documents (1), (2) and (3)).
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The last thing I want to talk about extensively are the designs of the Moodsters themselves. Honesty, I like them. I think they're cute! I probably wouldn't have have written all of this text if I didn't. I dig the idea of having little fluffball monsters represent emotions, even if they have that generic preschool edutainment mascot look to them. I prefer their pilot designs, but the current designs have been growing on me. You might have noticed the green one got redesigned into the orange one to make room for another green one. Or maybe you didn't notice because they both look the same. In fact, they all kind of look the same save for the colors and outfits. They admittedly are not the same exact 3D model copy pasted with different colors and clothes (each have different shaped ears, cheek fur, facial features and heights), but they're all so similar to each other overall that they're still hard to distinguish. The only bad thing about their designs are the fact that their silhouettes look near identical, really.
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If I gave you only half a second to tell them apart based on this image, you'd probably have a difficult time. I'd imagine the preschoolers they're marketed to would as well. Now, a bad silhouette is a pretty fundamental character design issue, but it's easily fixed by just reshaping them with different body types. For fun, I tried my hand at it shown below. Essentially they're the same but with more exaggerated shapes, along with digitgrade legs and short tails to help sell the monstrous look. I drew Tully (the current green one) a little later after the original five (digitally, while the former five were drawn traditionally). It's a first draft that could be improved upon more, because if these critters need anything apparently, it's yet another redesign. I did have fun with it though!
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Since I like the pilot animation, it got me thinking about how I might reboot the Moodsters for a hypothetical animated show. I’d change the lore a bit. The main change I’d make is scrap the fact that they live in Zach’s house. They’re not like his fairly oddparents or anything to my knowledge, so there’s no need for them to hang out exclusively (or even primarily) with him. Instead of only helping Zach out with his emotions, I’d have them help out everyone in the whole town with them. This would allow the Moodsters (and the audience) to experience a diverse cast of human characters with a wider variety of life and emotional problems. The Moodsters could help out other children, parents, teachers, the baker, the librarian, the mayor, basically there’s a lot more possibilities than Zach alone would ever provide. A diverse cast of townspeople characters would make it more likely that the audience will relate to at least one of them. Having them help out adults would teach kid audiences that even adults need help with their emotions (because boy do we ever), along with giving this show an all ages appeal (so parents would actually want to watch it together with their kids, or heck, even teens, and adults who don’t have children). It’d be an episodic show that focuses on introducing characters with emotional problems that the Moodster main characters help solve, with the townspeople being better neighbors to each other for it. I personally would avoid any fourth wall breaking (“talking down to”) teaching moments because I personally hated that in shows when I was a little kid (I’m looking at you Dora) and it would bore older viewers. Again, I'm going for a aimed-at-young-children-but-has-an all-ages-appeal. All you really need to teach young kids via a show (again I'm far from an expert, I'm making assumptions based on my anecdotal experiences as a child) in an engaging way is interesting character interactions going through a well written plot honestly, and their caregiver being there with them to talk about it with them.
Also, why isn't there a disgust Moodster? Disgust is a lot more than just wincing your nose at duck poop on the sidewalk, it's a feeling that can shape your entire worldview - particularly about other people - if you don't take the time to analyze it like you would other emotions. It's probably the emotion that's talked about and understood the least and absolutely should have a place in an educational tool that teaches about how to identify and handle emotions. Waltzing around with unchecked disgust can mold a person into an needlessly judgmental snob, at worst a bigot (something I sadly have witnessed growing up with my own parents). Again, for fun, I designed one shown below. Admittedly, she's inspired a bit (a lot) by Rarity from My Little Pony. The gem emblem on her detective cape represents her meticulous sense of aesthetics, since she's the most artistic of the Moodster group. She’s purple because that’s the only color left.
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Listen, the Moodsters new detective hideout could be in a burrow under a tree stump in the park, there could be a hotline the townspeople can call to summon them for their help with emotional problems, the park could have a year round carnival with a whole ride dedicated to the Moodsters because they’re beloved by the townspeople called the Emotional Rollercoaster that’s a callback to the coaster in the animated pilot. The whole town could be called “Moodsville” or something. One of the school mascots can be a cow (because MOOdsters) with rainbow colored spots that represent each Moodster. Townspeople can participate in all sorts of community activities like community gardening and hanging out at rec centers. The Moodsters can emotionally help children acting for the school play or college students picking careers or parents handling a messy divorce, the possibilities are truly endless.
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That's everything I can find online about the Moodsters. I pretty much focused more on the Moodster media as apposed to them as a children's foundation mainly because I find the media more interesting, and it was easier to find information on. If you're reading this and happen to know any other other info about it (especially if it's about the pilot animation), definitely tell me about it because my intrigue pertaining to these fuzzy goobers is immense.
I think it's an IP with a lot of potential, and one that's struggled to have much of any footing on the general public these past few decades. Pretty much any rare recent mention of the Moodsters online is in reference to their lawsuit against Disney, and it's disfavorable on the part of the Moodster Company since a quick-glance-view of the situation shows a company that sued for a copyright infringement case that ultimately looked silly.
I do like their mission statement about aiming to help children and their caretakers to better understand and cope with their emotions, because emotions really are ignored, misunderstood and dismissed a lot here in countries like the US, leading to many dysfunctional interactions between family, coworkers, and communities at large. Discovering the Moodsters has certainly inspired me to be more mindfull about my feelings, and I hope this 9 page wall of text has inspired you to do the same.
Fingers crossed that the Moodster Company re-releases those plushies in the future
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selkra-souza · 2 months
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Now that tumblr live is finally dead I can share the most horrifying thumbnail I came across that I did not dare click.
"Oh you like Pixar? We have just the stream for you"
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selkra-souza · 2 months
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Selkra is a lifelong critter doodler and chronic daydreamer who's been meticulously worldbuilding alien societies since first playing Spore in 2009. In the meantime, Selkra resides somewhere on Earth doing people activities such as arts and crafts on the floor, hugging plushies, staring at bugs and mustering up the patience to read sci-fi novels.
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Broken Yolk Galaxy is a pair of galaxies merged into one within a cosmological void, and the sophant alien cultures that evolved and coexist in it. The main focus is on a trio of roommates who do interplanetary travel within the Spectrum Solar System on spaceship Appex looking for work and learning to get along.
lore tags: #broken yolk galaxy / #spectrum sol system / #aurora nation / #rhodo nation / #igneous nation
species tags: #nedal / #delorix / #masaka / #zrai / #smazel
OC tags: #Rutan / #Donelja / #Vertex
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Emotionsonas is a personal paracosm that focuses on a group of personified emotions living in an inner world and how they deal with my day-to-day life, as well as exploring the fantasical conscious and subconscious-inspired setting of my mind.
lore tag: #emotionsonas
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other tags: #selkra scribbles (art tag) / #selkra squalks (talk tag) / #selkra scrumbles (craft tag) / #fanart / #virtual pets (neopets, subeta, marapets, etc.) / #dream journal / #occult art
other blogs: inspiration blog / aesthetic blog
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Elsewhere on the web: (I'm currently most active here on tumblr) / newgrounds / toyhou.se / pillowfort / bluesky / deviantart (archive/inactive) /
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selkra-souza · 8 months
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Selkra is a lifelong critter doodler and chronic daydreamer who's been meticulously worldbuilding alien societies since first playing Spore in 2009. In the meantime, Selkra resides somewhere on Earth doing people activities such as arts and crafts on the floor, hugging plushies, staring at bugs and mustering up the patience to read sci-fi novels.
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Broken Yolk Galaxy is an alien worldbuilding project primarily focused on the lives of three roommates traveling in the Spectrum Solar System on the spaceship Apex. There's pilot Rutan the stout blue holographic model artist who's enthused about ancient websites, virtual reality and lucid dreaming, his best friend the red and trunk-nosed copilot Donelja who works as a desert ecosystem conservationist on a terraformed moon while keeping a hobby of nature photography, and the lanky yellow four-armed Vertex who was found at a ghost town as a hobo and taken in right when the duo were looking for another housemate, half out of pity and half out of morbid curiosity, but so far all Vertex does is eat tv dinners and complain about the interior decorating.
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★ Blog Tags ★
#Selkra Scribbles (art tag)
#Selkra Scrumbles (craft tag)
#Broken Yolk Galaxy (alien sci-fi worldbuilding)
#Emotionsonas (inner world)
#Rutan (OC)
#Donelja (OC)
#Vertex (OC)
#fanart
#sona
#occult art
#virtual pets
★ Sideblogs ★
Inspiration Blog & Occult Blog
★ Where Else on the Web? ★
Newgrounds ((trying to be) active) & Deviantart (archive)
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selkra-souza · 6 months
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So my main hype for the upcoming Inside Out sequel is the introduction of new emotions, and my main prediction for it is that the new emotions will be characters that appear via fusion of two or more of the preexisting five emotion characters. This is because of three reasons:
The original film already establishes that adults continue having the same five emotions as kids Riley’s age, so that means introducing new emotion characters in adolescent Riley would contradict the lore of the original movie. One could propose the idea of the new emotion characters being temporary, but this would contradict the theme of the original movie, the whole point of that film is that the potential to feel any emotion is always present, you can’t suppress them, you certainly can’t kick them out of HQ, and they most definitely aren’t temporary. Like I get adolescence is an emotional roller coaster of a ride, but subsequent adulthood doesn’t mean you stop experiencing certain emotions, they just become more easily manageable (ideally). This is where the idea of fusion comes in, you get to keep the same five core emotions, while keeping the new emotions ever present because fusion could happen at any time. It’s a win win.
I am a Steven Universe enjoyer.
There’s an emotional theory that suggests that base emotions can be combined to form more complex emotions. It’s a model proposed by psychologist Robert Plutchik, and visualized with a color wheel showing many various combinations of two or three emotions called dyads and triads. Of course, not every base emotion on this model exists as a character in the original movie. This model doesn’t have to be followed exactly, just enough to service the plot. Bam, now there’s a scientific reason for fusion. Calling the fusions dyads and triads would be rad as heck in my opinion.
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Like I’m so sure this is what’s going to happen in the sequel that I’m in danger of being upset if it doesn’t, because how else are they going to go about this without retconning the original? I’ve seen Toy Story 4 I’ve witnessed first hand how bad Pixar can butcher their franchises.
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selkra-souza · 1 month
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Tumblr: Quick! How do we advertise to the furry who’s obsessed with Pixar’s Inside Out?
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selkra-souza · 2 months
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Dang I’m in the middle of making a new pinned post, where I have on it listed that I’m most active posting on tumblr. Whelp, that’s going to have to change if I can’t get my art glazed (my PC is 10+ years old and can’t handle the download, and I’ve yet to get an invite for webglaze). I REALLY don’t want to have to leave tumblr like I did deviantart, but why stick around tumblr when tumblr so clearly hates artists? I’ll sit on this and make a more concrete decision soon. Hopefully I can at least get access to webglaze, I’ll only confidently keep posting more art here if that happens.
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selkra-souza · 7 days
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I've started a Sporecast of creatures I've seen in my dreams. Go check it out on the Sporepedia 👀
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selkra-souza · 6 months
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Are there any concepts/traits that exist in nature which you want to incorporate into an alien, but haven't yet?
That’s the easy part to be honest. I've make creating critters for well over ten years so I got that experience. For BYG specifically, though, it takes restraint to not incorporate every cool new biology fact I learn into the worldbuilding, which is what I used to do in my teens (because the worldbuilding ends up messy). When you've established a set amount of alien designs and cultures, you need to limit the inspirations so there's some cohesion to them.
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I can incorporate nature inspo into my aliens just fine, but sometimes it comes with difficulty! At some point a few years ago I really wanted to incorporate some grasshopper into the masaka. At first they looked way more grasshopper than they do now. I was not fully satisfied with it until I gave them their current pentapod design, which looks less grasshoppery, but more unique in my opinion, as well as being more flexible and fun to draw and pose.
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Even just recently I found this post about a really pretty fish (apparently a giant snakehead), their striking colorful scales kind of remind me of zrai chromatophores. I'll likely reference them in the future when rendering zrai skin.
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Being inspired by nature comes pretty easy to me since I've been doing it for so long, but things that I have a harder time incorporating into my aliens are things like cultue, technology, vehicles and ergonomics. Dang, language is really difficult for me, I'd love to form at least one "common" conlang for BYG, hoo boy. And don't even get me started on speculative governments. Ui. Definitely the hardest concept to incorporate into my aliens is speculative economies, because trying to imagine anything that isn't nor similar to capitalism is hella hard for me personally right now. I have much less experience with those concepts since it's only been a few years since I started with them compared to creature design.
What I've done so far has been really fun though, and I can't wait to work on them more :>
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selkra-souza · 10 months
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I just want every Welcome Home fan to know that I find it incredibly hilarious that we have Wally Darling, a painter puppet character from an unreality project who's intentionally designed to look unsettling (particularly when he's in a black void with his soul piercing stare), somehow manages to look less creepy than this other painter puppet character from an actual children's puppet show from the 80s.
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Multiple people working on a very much real actual kids show put this goober with soul piercing eyes in a black void in complete earnest. Absolutely wild to me.
His name is Binny Brush from the show Gerbert and my headcannon is that him and Wally were art university rivals.
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selkra-souza · 11 months
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Selkra is a lifelong critter doodler and chronic daydreamer who's been meticulously worldbuilding alien societies since first playing Spore in 2009. In the meantime, Selkra resides somewhere on Earth doing people activities such as arts and crafts on the floor, hugging frog plushies, cooing at snails and eating a guava while mustering up the patience to read a sci-fi novel.
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Broken Yolk Galaxy is an alien worldbuilding project primarily focused on the lives of three roommates traveling in the Spectrum Solar System on the spaceship Apex. There's the red and trunk-nosed pilot Donelja who works as a desert ecosystem conservationist on a terraformed moon while keeping a hobby of nature photography, their film partner and best friend Rutan the stout blue holographic model artist who's enthused about ancient websites and lucid dreaming, and the lanky yellow four-armed Vertex who was found at a ghost town as a hobo and taken in right when the duo were looking for another housemate, half out of pity and half out of morbid curiosity, but so far all Vertex does is eat tv dinners and complain about the interior decorating.
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★ Blog Tags ★
#Selkra Scribbles (art tag)
#Broken Yolk Galaxy (alien worldbuilding)
#Rutan (oc)
#Donelja (oc)
#Vertex (oc)
#fanart
#sona
#occult art
#virtual pets
★ Sideblogs ★
Inspiration blog & Occult blog
★ Where Else on the Web? ★
Newgrounds ((trying to be) active) & Deviantart (archive)
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Ask me about my OCs 👀
And have a nice day!
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selkra-souza · 1 year
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I bought a copy of Spore Hero from an eBay auction for $1. Waited over ten years to play this bad boy.
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selkra-souza · 6 months
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Bonus doodle that came in my mail that brought me so much joy I had to punch my pillows. @jayrockin thank u :>
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selkra-souza · 2 months
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Last WIP for for now because I'm still drawing BYG stuff if you're worried about that. Since I'm pretty sure most of my older followers are here for that (which is cool to know! I'm glad people enjoy my original art!) I've been a bit uninspired with BYG for some months, I think because it was what I've been focused on artistically almost exclusively for years. My brain's excited to finally have a whole new paracosm to explore I think, especially since it's a fantasy with virtually no rules unlike the hard sci-fi of BYG; that contrast I think got the creative space alien juices flowing again for now. Spec bio is a lifelong interest of mine, it's not going away possibly ever =)
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selkra-souza · 2 months
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I can draw them better than that I promise. I'm preparing some refs for art fight.
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selkra-souza · 10 months
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I’m at a point in my world building where I feel pretty drained and uninspired, yet still have the burning urge to make my world building weirder, so I take that as my cue to get back into being immersed into other fiction that inspires me. Anything that draws me in really. Right now I just rewatched the 2006 film Monster House and proceeded to become obsessed with the “anthropomorphic/zoomorphic possessed house” character archetype. Let you know later how that goes.
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