#synth tutorials

[liure00]

Mixing Stuff Masterpost for Vocal Synth Users

i'll say a few things here and there on how i approach mixing based on a set of guidelines i've been giving thru learning. i won't go 100% and i encourage you research further on your own as everyone has a different perspective of certain concepts. whats important is that you understand the concept so that you are able to interpolate on it with your own liberties. yeah. please read the links before looking at my commentary or you won't understand what im saying.

Some DAWs, Their Guides, & Some Freebies: One of the first things you should do is pick a DAW and learn how to use it and its functions to streamline your mixing process.

Free DAWs: The Best Available in 2023 by Produce Like A Pro

Audacity / DarkAudacity (i like darkaudacity): has a section of the site dedicated to tutorials on using Audacity!

Reaper: has a 3 hour course FREE course on mixing!

FL Studio: has a demo version you can pretty much use forever with a few.........exceptions. I won't be linking any cracked versions though. Here's a manual for this program since many people use it!

Free VST Plugins by Bedroom Producers Blog

37 Best Free Mixing VST Plugins by hiphopmakers

ORDER IN THE COURT!: The order of plugins is more important than you think. These links should also introduce some terms we use in the audio production world (like "gain staging" or "EQing")

WHAT'S THE BEST EFFECTS CHAIN ORDER FOR MIXING? by Icon Collective:

The Order Of Things: Audio Plug-ins by AskAudio

Plugin order is viewed from "top to bottom". BASICALLY... most like to gain stage -> EQ -> compress -> saturate -> MORE EQing -> whatever else at this point, but i do my process a bit differently. don't be afraid to bend the rules a little bit. but the guidelines are there for a reason.....based on what they do

Basics: I'll link to some tutorials to elaborate on what was listed by Icon Collective's list.

Gain Staging: Gain Staging Like a Pro by Sweetwater

Saturation: Saturation in Mixing – Instant Warmth, Glue and Fullness with One Plugin by Tough Tones (soundgoodizer fans make some fucking noise i guess)

EQ: SUBTRACTIVE VS ADDITIVE EQ (WHEN TO USE EACH & WHY) by Producer Hive

Compression: THE COMPLETE GUIDE TO AUDIO COMPRESSION by Icon Collective + Audio Compression Basics by Universal Audio

Modulation: Modulation Effects: Flanging, Phase Shifting, and More by Universal Audio

Time Based Effects: Reverb Vs. Delay: Complete Guide To 3D Mixing by Mastering.com

Audio Busing/Routing/Sending Tracks: Your guide to busing and routing audio tracks like a pro by Splice

Limiters: 10 BEST LIMITER PLUGINS FOR MIXING AND MASTERING by Icon Collective

Sidechaining: Sidechain compression demystified: what it is and how to use it by Native Instruments (i dont know anything about this lol)

Automation: Mix Automation 101: How to Automate Your Sound For a Better Mix by Landr (p.s learn how to write automation in your respective programs)

Last note: great. these are the main things you should focus on understanding in mixing. now you are FREE my friend!

Bonus: Tempo Mapping in Reaper (if you want to learn how to midi songs with bpm changes!!!)

#vocal synth #tutorial #masterpost #mixing #utau #vocaloid #synth v #synthesizer v #cevio #voisona #neutrino #mixing tips #audio production

[shimmerloid-ai]

Introduction - What is VOCALOID?

Hello everyone, Shimmer here! This is my first post in this guide blog thingy. I thought it would be a good idea to explain what VOCALOID actually is before I jump into how to use the software. Otherwise, it would be like baking a cake without knowing what cakes are.

So, let’s start by addressing what VOCALOID is not.

VOCALOID is NOT an anime series. Although Hatsune Miku made cameos in "Dropkick on My Devil!", she never originated from an anime series because she is NOT an anime character.

Second, VOCALOIDs are not those crappy AI voice models. You know, those weird “voicebanks” where you can make Spongebob Squarepants sing "7 Rings" or have Cartman from South Park rap "INDUSTRY BABY"? Yeah, those are actually illegal renditions of celebrity voices without the knowledge of the voice actors/influencers/singers whose voices were used to make the models. You just put the models over an audio track, and boom. Lazy, illegal shit.

Finally, this is just common sense, but VOCALOID did not originate from Project Sekai! Colorful Stage! The Cryptonloids (Miku, Rin, Len, Luka, Kaito, and Meiko) have existed long before the game was released; VOCALOID 1 was released in 2004, while the money making machine was launched in Japan in 2020. That is a gap of sixteen years, and if you compare the time between Hatsune Miku V2's release and Project Sekai, we have another thirteen year difference there.

With that being said, what *is* VOCALOID?

The best definition I can give you is that it is a digital singing synthesizer. Basically, it is an instrument, but instead of piano notes, you get vocals.

And no, *this* AKITO is not associated with the Akito Shinonome from Project Sekai.

To advertise this voicebanks and increase their appeal, Crypton, VSINGER, AH-Software Co., Internet Co. Ltd, and many other companies that make voicebanks for this software have cute or hot anime-style avatars designed for their box art. This was a great marketing scheme in my opinion, because wouldn't you be more inclined to purchasing something if it looks aesthetic, kawaii, or epic? Just look at GUMI's design!

Alright, I have a feeling I may have bored most users who are reading this weird info-dump, so I am going to add one final, important point. Remember our wood analogy? Well, we have the workbench (VOCALOID), and the wood (the voicebank(s) of your choice). Making a desk for instance would be like making a cover of a song. But people can make the same kind of desk with an entirely different appearance or texture. Similarly, a lot of producers can make covers of the same song, but they can sound entirely different in regards to their pitch, tone, or melody. This aspect is known as "tuning".

Tuning is basically the process of editing the properties of a voicebank and the notes/lyrics they are singing to create a specific sound. People can tune the same song in different ways. For instance, listen to the original "Rolling Girl" by wowaka, and then these covers. They are all the same song, but tuned in entirely different ways.

Below is the original song:

And these are all covers:

Also yeah, that last cover is mine, it's my blog, I can promote my content if I want to)

I hope that just by listening to these you can see how tuning can vary from individual to individual. Its all a matter of how you control the parameters of the singer.

So yeah, I yapped enough so I'm gonna end this infodump right here. I'm not surprised if you guys are still confused, so I'm going to leave some helpful resources down below as these people are better at explaining shit than I am.

My next post will involve some common terminology used in the VOCALOID community, such as “VSQx”, or “pitchbending”.

Goodbye for now!

#vocaloidproducer #vocaloid #vocal synth #vocaloid4 #Vocaloid tutorial #Youtube

[sundial-bee-scribbles]

idk what to caption this one tbh

#my art lol #vocaloid #vocaloid fanart #utatane piko #piko utatane #piko vocaloid #eyestrain tw #blue #glitchy #pink #this was all mostly a test and i'm not superrrrr proud of it? wasn't gonna post it either but eh why not #made this w/ the desktop vers of ibispaint and maybe thats why it seems a little rushed cause the. time limits #congrats buddy you overlayed so many effects on this i cant see shit. SKHDJGHSKJGH. this is a little too overboard i think yeah #based off those ideas a while back abt a particularly glitchy piko. blingus tutorial helped but i mightve also fucked it up 😅 #i need to test out more stuff w/ the synths themselves but im lazyyy and not very good... but i really wanna see to what extents i can brea #the voices. its fun. even if it blasts out my ears in audacity for final edits but shhh. #chromatic aberration

[red-dyed-sarumane]

kamitsubaki trying to frame rime as the "responsible one" is so funny to me. thats a kid playing house. she couldnt keep the others in line for one moment and ran to haru about it. ill admit shes a little above what they portray coko as but like shes kind of on par with all the others. which is to say they all collectively have one responsibility brain cell and pass it back & forth

#i dont actually see rime as a kid. to be clear. since im aware of the reading comprehension on this site i feel the need to say that #like ill wait to see what they have in store in ensemble but how theyre showing her in the 4koma is like. #she's responsible but only when she feels like it. which. mood. but to go out and call her the responsible one is funny to me #i also have no idea whats going on in the other game. i started it but after i realized it was multiplayer only after the tutorial #i never logged in again. im like. vaguely aware they introduced the isotopes to it but i have absolutely no clue the context #i just know theyre white & gold color scheme. which does look really cool admittedly #which is to say maybe im missing out on key rime details & am completely unaware of it #im not sure how much i care considering my own personal image of the isotopes is not 1:1 with the official sources anyway #as is the way with vocal synths. theyre kinda whatever u want them to be by design. #haru & sekai are the more responsible ones to me. but also thats just me & im aware of this. #also im not saying this to put her down. im rime defender number 3 after like rim herself & like one other person #i just think rimes too full of whimsy to be the responsible one #theyre free to prove me wrong tho i would like to see it

[depthbuffer]

DIY line-out to Eurorack-in amp explainer now up on depthbuffer.uk!

always wanted to add an electronics hobby to your mid-life crisis, but never bothered to learn?

spent so much on eurorack gear that you now can't afford an audio input module for your line out jacks?

like reading long-winded explanations, written in overly flowery prose, by passionate nerds who don't actually know what they're talking about, but want to tell you all about it anyway?

then boy, do I have a poorly-illustrated, badly researched five-article series for you!

#memento potato #electronics #diy #synth #modular synth #modular synth diy #circuit design #tutorial #explained #magic #artisanal jank

[dead-byte]

Question for Y'all UTAU Users

I kinda want to make a series on developing UTAU voicebanks. And I'm thinking about _maybe_ offering free 1-pitch commissions, on the condition that I use it as an example in the tutorial videos. Would any of y'all be interested in donating a voicebank if I did that?

Only thing is that I might critique the voicebank some, but it should hopefully go without saying that none of it would be mean-spirited, and purely with the intent of helping people make better voicebanks.

I might just record my own voicebanks for said videos, but I'd also maybe like to try a voicebank with less predictable traits for when users might encounter stuff that I might not initially think about.

I'm very undecided, but I would be curious as to gauge interest.

#vocal synth #vocaloid #utau #utauloid #commission #oto.ini #oto commission #tutorial #voicebanking #utau voicebank

[womenofnoise]

Hi do you have any tips on how to start using and playing synths for beginners? Or any resources?? I can’t play any instruments unfortunately :(

There are online tutorials for such things, especially on YouTube - search for "synth for beginners" and like terms. Are there any synths in particular that you're looking into getting? If so, look up video tutorials that will give you a basic rundown on features and what all you can do with them. If you're not sure what you want, just keep it broad in terminology as mentioned before - "synth tutorial" or "how to play synthesizer" - I'm sure there will be good results.

Also, you can just do what I did and be purely experimental with little tutorial input. For instance, I have a Korg MS-20 Mini, which is a semi-modular synth, meaning it has modular capabilities and a full keyboard, plus it's fully analog. Take some patch cables and put them in random modules just to see what comes out, and hit keys on the keyboard to see how that further modulates the sounds as well. You'll be surprised at just how complex the sounds are that you can get!

If you have something digital and/or purely modular, the capabilities are truly endless. There's so much to play around with that I can't fully cover it all in this message, but I would suggest taking a similar "Ooh, what does THIS button do???" approach. Bang around on things and patch modules together until you find something truly sinister that you want to unleash onto the world. Digital software can further amplify whatever sounds you come up with; dive into it as well.

I know this isn't the most helpful message, but I hope at least that I pointed you in the right direction. Let me know what you decide on and what you eventually come up with!

Mod @aleprouswitch

#asks #anon #synth #synthesizer #tutorials #advice from the admin

[get-more-bald]

I don't understand this contraption. I only have some weird third party cable and I can't connect to any speaker. I have downloaded two drivers for it on my laptop already. It still doesn't make a sound. I'm way too invested to quit now.

#although it js very. tiring #mmm thats why you buy the new and not the used versions. mm #because they give you a FUCKING cable #anyways. fuck my stupid baka life km going to become the synth joker #and no tutorials on how to connect because well i bought a used one :/ #well its in good condition at least and it was cheaper. so when i get it running im gonna be a king #mine #mininova #novation #synthesizers #ough its just a little rant but. yknow

[opusscience]

My latest article for Music Radar takes a deep-dive into Logic Pro X's synth Alchemy. There's a lot to cover, so this is part 1 of 2. Part 2 should follow in a week or so.

#music production #musicproduction #musicproducer #music producer #music production tips #musicproductiontips #synth #synthesizer #tutorial

[yupphire]

After a good month and a half, I finally finished my comprehensive UTAU voicebank tutorial. If any of y’all were thinking of making a voicebank but don’t know where to start or just want to learn the steps and the process, I highly recommend checking out this video.

#utau #utau content #utauloid #vocal synth #vocalsynth #utau tutorial #utau voicebank #Youtube

[utau-bowl]

A tutorial for installing ENUNU (a plugin that lets NNSVS AI voicebanks work with UTAU) into OpenUTAU.

NNSVS Carrd

#nnsvs #utau #utauloid #openutau #ai #vocal synth #tutorial #utau tutorial #nnsvs tutorial #resource #enunu

[shimmerloid-ai]

Introduction - Vocal Synth Terminology - Part 1

This post will be split into multiple parts due to Tumblr's character limit.

If you are new to the Vocal Synth community, you may encounter some words and phrases you don’t understand. For instance, someone may tell you about Rin and Len’s appends, and you may confuse that term for the difficulty in Project Sekai! Colorful Stage! Or may have heard someone discussing USTs, but can not find its definition anywhere nor figure out what the hell they are talking about.

Well, I made a dictionary of sorts to help newbie fans get used to Vocal Synth jargon. The keyword is “Vocal Synth” as these apply to other software as well. These definitions have a greater focus on the programs themselves than the characters themselves.

Credits to Vocaloid Wiki and Minnemi on YouTube for some of these definitions.

Vocal Synthesizer: A digital instrument that creates tracks like any other DAW, but instead of piano notes, guitar strums, or drum beats, you compose vocals! Also known as “vocal synths”. Examples of vocal synthesizers include VOCALOID, UTAU, SynthesizerV, CeVIO, and Piapro Studio.

Voicebank: A collection of recordings of the sounds that make up a language. These sounds are typically vowels and constants, but depending on the voice bank, you may also get breath notes and pronunciation effects. Or, in simpler terms, the singers that are used in vocal synths! There are ton of voicebanks in the vocal synth community, with some of the popular ones being Hatsune Miku (VOCALOID + Piapro Studio), Kagamine Rin and Len (VOCALOID + Piapro Studio), Megurine Luka (VOCALOID + Piapro Studio), Kasane Teto (UTAU + SynthesizerV), Megpoid Gumi (VOCALOID + SynthesizerV + A.I. VOICE, FineSpeech Ver3), flower (VOCALOID + Gynoid Talk + CeVIO), IA (VOCALOID + CeVIO), and KAFU (CeVIO + SynthesizerV)! Individual vocal synth characters can also have different versions of their voice, such as Yuzuki Yukari’s Onn (soft) and Lin (power) voicebanks!

Voice Provider: The person whose voice that a voicebank is created. Voice providers record samples of their voice (specifically vowels and constants) at a certain key (for instance A3), which are turned into a voicebank with the company’s black magic (I’m kidding, I don’t know how they process and put the vocals together). For instance, PIKO is Utatane Piko’s voice provider, Satoshi Fukase is Fukase’s voice provider, and Naoto Fuga (shown below) is KAITO’s voice provider!

Crypton Future Media: The brains behind some of the most popular VOCALOIDs, which are Hatsune Miku, Kagamine Rin, Kagamine Len, Megurine Luka, KAITO, and MEIKO. Aside from voicebanks, they created games, concerts, merchandise, and much more relating to these beloved VOCALOIDS! Cryptonloids are… VOCALOIDS created by Crypton. Soon, Crypton departed from Yamaha and made its own vocal synthesizer in affiliation with another company called Piapro named Piapro Studio. There are two versions of this software; Piapro Studio NT and Piapro Studio V4x.

UTAU: A vocal synthesizer that is considered the “sister” software to VOCALOID. Unlike VOCALOID, this software is 100% free and you can create your own voicebank. There are thousands of UTAUloids at this point in time, giving you a huge selection of different ranges and strengths. Popular UTAUloids include Utatane “Defoko” Uta, Kasane Teto, Namine Ritsu, Momo Momone, Yowane Ruko, Sukone Tei, Rook, Gahata Meiji (shown below), Yamane Renri, Matsudappoiyo, Keine Ron, Kohaku Merry, Gekiyaku, Kazehiki, Adachi Rei, Ooka Mika, and so many others! There is also an open-source version of UTAU called Open UTAU, which is much easier to install and use (it has a dark mode!). Vipperloids are the classic UTAUloids that share surnames ending with “-ne” and their VOCALOIDish designs. These include Utatane “Defoko” Uta, Kasane Teto, Namine Ritsu, Momo Momone, Yowane Ruko, Sukone Tei, and many others.

SynthesizerV Studio: Also known as SynthV, this is a vocal synthesizer made by Dreamtonics that is well-known for its AI voicebanks. For a software that is smaller than VOCALOID, they are extremely advanced with realistic-sounding voicebanks, piano-roll tuning, rap vocals, and so many other features. It’s also much cheaper (thank you, Yamaha money sharks). In addition, Dreamtonics has two free versions; SynthesizerV Studio R1, and SynthesizerV Studio Basic R2. Popular SynthV voicebanks include Eleanor Forte, Kaorou Rikka, GENBU, Tsurumaki Maki, SAKI, SOLARIA, KEVIN (fan design by ivylare shown below), Stardust, ROSE, POPPY, and Kasane Teto Ai!

CeVIO Project: A collection of voice synthesizers created in collaboration with five different companies including Techno Speech and Frontier Works. Not only do they make vocal synthesizers, but their softwares have speech interfaces as well. As of now, their most popular program is CeVIO AI, a next-generation vocal synthesizer that uses AI technology to create powerful vocals as seen in SynthesizerV. Popular voicebanks include Chis-A (shown below), KAFU, Sato Sasara, IA AI, ONE, Yuzuki Yukari Rei, CiFlower, POPPY, ROSE, and many others.

Tuning: Essentially how you want a song or cover to sound. By editing the parameters of the individual notes and that of the voicebank itself (including the pitch, volume, strength, sharpness, and breaths), you can obtain an entirely different result of how the singer sings the encoded notes through different methods. This blog is dedicated to teaching people how to tune, so I’ll show a variety of tuning styles in the software.

V_: The VOCALOID software edition. As of now, there are six editions of the software, which are VOCALOID, VOCALOID2, VOCALOID3, VOCALOID4, VOCALOID5, and VOCALOID6. A lot of VOCALOID voicebanks would be named after the edition they were designed for, such as Gackpoid V4.

VSQ/VSQx/VPR/UST/SVP: The different vocal file formats through which the note, lyric, and tuning data are saved in different vocal synthesizers. These files are not exactly specific to a single editor as they can be converted to the appropriate formats: 

VSQ: VOCALOID2 and VOCALOID3

VSQx: VOCALOID4

VPR: VOCALOID5 and VOCALOID6

UST: UTAU and OPENUTAU

SVP: SynthesizerV Studio

Phonemes: In linguistics and developmental psychology, phenomes are the smallest sounds of speech that distinguish one word from another. Similarly, in vocal synths, these are the building blocks of the individual lyrics that are read by the voicebank. Phonemes differ from the lyrics in a vocal synth file as the lyrics are the actual syllables in language while the phonemes are based on the X-SAMPA system. For instance, let’s examine and compare lyrics from “The Lost One’s Weeping” by neru to the phonemes that would be written in a vocal synth. Romaji lyrics (Source - Vocaloid Lyric Wiki): kokuban no kono kanji ga yomemasu ka? Romanji lyrics in VOCALOID4: [ko] [ku] [ba] [n] [no] [ko] [no] [ka] [n] [ji] [ga] [yo] [me] [ma] [su [ka] Phonemes in a vocal synthesizer VOCALOID4: [k o] [k M] [b a] [n] [n o] [k o] [k a] [n] [dZ i] [g a] [j o] [me] [m a] [s M] [k a] As we can see here, the phonemes of a song can differ significantly from the lyrics that are entered into a program. You can also edit the phonemes of a lyric for better pronunciation (for instance, for the word “you’d”, you can try [y M d]), or split them up into vowels and constants in notebending. In addition, there are entirely different phonemes for voicebanks designed for different languages; for instance, VOCALOID has Japanese, English, Chinese, Korean, and Spanish voicebanks. However, it is possible to make voicebanks sing in different languages, like how Utsu-P makes Miku V4 English sing in fluent Japanese. There are also phonemes for breaths, and glottal stops, as well as pronunciation effects that are exclusive to some voicebanks, like Enhanced Voice Expression Control (E.V.E.C.) in the V4x Cryptonloids. I will go into greater depth on phonemes in a future post.

Pitch bending: The effect where one note slides to another in a clean fashion without sounding flat. When people usually mention pitch bending in a vocal synth, they are referring to the tuning style where you alter the pitch using the “pitch bend” and “pitch bend sensitivity” parameters. If you have seen tuning streams or covers where people show their editors, you may have noticed dynamic and sometimes dramatic lines either on top of the notes or in a box beneath the piano roll. These are pitch bends! By drawing pitch curves in different ways, you can acquire different ways the notes are sung. You can then increase or decrease the pitch bend sensitivity of certain notes to change the factor of how many semitones the pitch curves will jump or fall by when the pitch bend parameter is brought to the maximum or minimum values. To paint a better picture of this concept, I made a quick VSQx of the "watashi" ([w a] [t a] [S i]). The curves on cutting through the green box are my pitch bends, and the thin red line running through the notes is the result. The transparent box behind it is my pitch bend sensitivity, which I increased for more sensitive in the [w a] and [t a] notes, and decreased for less for the [S i] phoneme.

Note bending: A tuning style where you manipulate the pitch by splitting notes into smaller notes. You can move the notes up and down or edit the phonemes to obtain different effects in notes. If you would like to breakdown the phrase [w a] [t a] [S i], you can write the notes out as [w a] [a] [a] [a] [a] [t a] [a] [S i [i] [i]! This is my preferred method of tuning as I do not enjoy drawing lines and like the nostalgic effect of the clean, slightly robotic sounds.

Portamento Timing: This term can have multiple definitions, but the general meaning is a slide from one note to the next. Do not confuse this for pitch bending as the way that notes transition in portamento is different from the former. In Vocaloid, portamento is a parameter that allows you to alter the timing of the pitch. Increasing the value would result in the pitch being more delayed, and decreasing it will cause the pitch to be sung earlier. In UTAU and SynthesizerV, portamento refers to the editable points in a pitch curve. Adding more points allows you to have more freedom in creating pitch bends.

Pitchsnap Mode: A setting in vocal synthesizers that causes the pitch curves to “snap” from one note to another. This setting yields a more autotuney and robotic tone in tuning. While I prefer to tune with this feature shut off, I have heard that the pitchsnap function makes pitch-bending much easier. Remember our "The Lost One's Weeping" example? Here is an amazing cover of it by our lord and saviour Jade S. with Fukase and Miku V3 Solid that showcases how beautiful the pitchsnap function can make the vocals sound when used correctly!

Mixing: A process of blending vocals with an off-vocal or instrumental so the singing fits in the environment of the vocal's music. It's more than just plugging in an audio track, you need to ensure that the vocals are cleaned up, are at an appropriate volume, and do not sound out of place. People can get super creative with mixing by adding reverb, radio-like effects, growls, and “adlibs” during instrumental breaks! All in all, the mixing of vocals is just as important as the tuning.

Producer: Anyone who makes music using vocal synths. This title was initially reserved for people who make original songs but can be used to describe cover artists like myself as well. Popular producers include ryo(supercell), kzlivetune, wowaka(shown below; Rest in Peace), neru, Deco* 27, and many others!

“-P”: Standing for “producer title”, this suffix originated from the IDOLM@STER fandom and refers to anyone who makes music with vocal synths, or in other words, vocal synth producers! For instance, why do we call Circus-P by his name with the "-P" suffix? Because that is what he is, a producer! You can also use the title “vocalo-p” to address synth users.

#vocaloid4 #vocal synth #vocaloid #vocaloid tutorial #vocabulary #vocaloid jargon #long post #resource #dictionary #utau #utauloid #synthesizer v #synthv #cevio

[mypolyvox]

#was trying to find 'pewpewpew' laser synth noise tutorials and found this gem #Youtube

[iamnotdame]

Whether I pursue any more music opportunities or not, music will always be life. 🎹

#dave smith #sequential circuits #sequential #prophet 6 #analog synth #synthesizer #synthwave #flume music #music tutorials #music producer #music is everything #music is therapy #music industry

[firestorm09890]

supposed to watch a bunch of tutorial videos for music class but every video has super distracting synth music in it so I can't absorb a thing these guys are saying

#bluejay chirpin #what's worse is that the synth music is relevant because they're tutorials for a midi device lol

[sleepingangelmusic]

Midicake Arp Tutorial # 3 ( For Newbies) Using THIS w/LOGIC PRO X /WILD ...

#youtube #midicake #arp #logic pro x #tutorial #synth newbies #electronic music #alchemy