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respectthepetty · 4 months

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Reading the (Visual) Rainbow Awards

Now that 2023 is officially wrapped up, I'm delivering awards to the QLs that gave the best visual narratives in 2023. In order to be considered for these awards, the series 1) had to air during 2023, and 2) had to finish airing by December 31, so out of the 108 BLs I watched this year, 14 are still ongoing and cannot be considered for these awards. Out of the remaining 94 QLs, 67 had some degree of consistent color coding.

*If a show is mentioned with an asterisk, it means the show was not considered in the nominations for not meeting the required criteria.

But before I begin the award ceremony, I must stay on brand and deliver one award for my namesake.

Petty Award: Only Friends & I Feel You Linger in the Air

This award goes to a show or shows that had great visual narratives but I refuse to write about it because I'm petty. Cinematographers Rath and Jim never fail, and they both delivered beautiful visuals in their shows, but these series know what they did to me, so now we got beef. Cutie Pie and Bad Buddy finally broke out of Petty Prison this year, so Only Friends and I Feel You Linger in the Air now join I Told Sunset About You behind bars for making me want to fight them in the parking lot of a Texas Chicken.

Now for the ceremony to begin!

Stats Awards [These awards are based solely on numbers]

Most Popular Pair: Light x Dark

This award goes to the color-coded pair who were used the most in the year, number-wise. The stats: The Black x White dynamic was consistently used for 9 couples, and the Happy Human (Multicolored Menace) x Brooding Boy dynamic was used 3 times. A Yellow/Orange Oddity x Blue Boy pair was used for 7 couples, a Green Guy x Blue Boy were used for 6 couples, and Red Rascal x Blue Boy were used for 6 couples as well.

The Best Light x Dark Couple: Tew x Guy from My Dear Gangster Oppa perfectly represent what makes this color dynamic work. Tew was an actual gangster who murdered people and only wore black, while Guy was an innocent college student who only wore white, yet they both ended up owning a bar on a beach and wearing stripes of the other's color to show that everyone needs to find a balance within himself and his relationship.

The Outlier: Star Struck

This award goes to a series that delivered a colored-coded pair that no other series did. Korean drama Star Struck gave us the ONLY Black Brooder x Red Rascal pair of the year. The leads were color coded as children into adulthood, and the show included color-coded accessories and a color exchange.

Visual Rhetoric Awards

Best Boundary/Barrier/Bars - My School President

This award goes to a series that best displayed an internal conflict with a physical barrier between the two leads. My School President did this several times and each time was different, but throughout the sixth episode, as the boys recreated the music video for Tilly Birds' "Just Being Friendly," the line between friends and boyfriends was clearly represented. Both boys struggled with their feelings and the physical barriers were there as a reminder that one of them would have to cross the line in order to move forward. However, when Blue Boy Tinn finally did, it was after confirmation that Red Rascal Gun felt the same, and it was a gentle move which was true to his character and the high school context.

Best Balance - Between Us

This award goes to a series that best used the scene to outline the balanced dynamic between the leads. My Beautiful Man 2 did a fantastic job of slowly showing Hira and Kiyoi's evolving power dynamic by Hira going from laying down to kneeling in front of a sitting Kiyoi, but Between Us showed that Win and Team were a balanced pair from the very first episode during their sexual encounter. That scene stated that neither boy was being taken advantage of, and this visual continued throughout the show. Both boys were afraid of their feelings, yet both boys loved each other, equally.

Best Background (Noise) - Our Dating Sim

This award goes to a series that best used the background details to strongly reinforce the ongoing plot. Our Dating Sim's plot revolved around a company creating an interactive game that would serve as a dating simulation, and that basis played directly into the former friends-to-lovers' conflict. The very first scene involved Eddy inputting code into his computer to "FindProblem; ResetTime; BackToStage; RestartGame" then the company Ian was applying to and the one Eddy worked at was called RE:TRY with a controller that had a heart as one of the buttons. However, every episode had some degree of background noise speaking directly about the plot including additional game simulation scenes where an unidentified player would have to select future moves based on the boys' previous experiences.

Best Use of Clothing - Never Let Me Go

This award goes to the series that made the best use of clothing to show the evolving dynamic between the leads. Never Let Me Go wins because Nueng began the series in dark solid colors while Palm was in colorful patterns. As their relationship progressed, Nueng's colors became lighter, and patterns were introduced. Yet in the end, both boys stayed true to themselves and each maintained their style while incorporating components from the other. Palm's color darkened but remained patterned, and Nueng opted for neutral colors with patterned ties.

Colors Awards

Honorable Mention - Oh No! Here Comes Trouble

This award goes to a series that had a great visual narrative but could not be considered for these awards because it wasn't marketed as a QL (even though it's canon to me). If Oh No! Here Comes Trouble was marketed as QL, it would easily be nominated for the Best Overall Award. The use of the color red as a continuing reminder of the thin red thread of destiny, alone, would win it a spot on this list, but the show also included ample amounts of visual rhetoric, a "kiss of life," and color-coded matching outfits which deserve to be recognized.

Best Color Exchange - My Personal Weatherman

This award goes to a series where the leads were color coded and switching their colors demonstrated more than their love being mutual. My Personal Weatherman owned this category. The series was riddled with miscommunications between the leads regarding the love they felt for each other, but after Mizuki's possessiveness ramped up at the end of the seventh episode, the love was made clear, through bondage. Yoh, wearing Mizuki's blue, felt the love Mizuki had for him when he was tied up and being, essentially, held hostage by Mizuki. And yet by tying up Yoh, Mizuki could finally physically reinforce the way he felt for Yoh. He wanted Yoh. All of Yoh. To himself. And Yoh needed that to be made clear with a color-coded bonding moment (hehe).

Best Kiss - The Eighth Sense

This award goes to the series that best used a kiss to support the color narrative of the story. The Eighth Sense waited until the second-to-last episode to deliver this extraordinary color-coded kiss, but the wait was well worth it. Jae Won was color coded as a Brooding Boy (dark) and Ji Hyun was color coded as a Happy Human (light). After an accident involving the two, Jae Won was the darkest he had been, color-wise and mentally, so he isolated himself. But after several episodes apart, Jae Won walked out of the darkness, straight to Ji Hyun's, and kissed him on the street with all the colors of the rainbow pulsing around them perfectly showing that Ji Hyun was the color in his dark world, but that Jae Won also brought color to Ji Hyun's life and directly to his doorstep.

Best Pink - Be My Favorite

This award goes to the series that best used the color pink to demonstrate the love between the two leads. Normally, shows use pink lighting, pink clothing, or pink blankets to display this visual, but Be My Favorite used pink wisteria delicately hanging behind Pisaeng comforting Kawi. The flowering plant symbolizes friendship, love, and longevity and perfectly tied into the show's themes of valuing friendship and putting in the effort day-after-day to make any relationship last.

Best Heart - Love Tractor

This award goes to a series that best represented love by using a tangible item to symbolize a heart. Even before Yechan realized he loved Yol with the physical representation of Yechan's red gloves sprouting out from his left chest pocket in Love Tractor, Yechan let Yol know that he could be trusted with Yol's heart. During the third episode, Yechan taught Yol how to pick strawberries. He advised Yol to be gentle, to not use force, and to not put too much pressure on them or they would bruise or break. Yechan proceeded to use this method with Yol, and continued to give Yechan red fruits to enjoy as a means of encouraging Yol to experience things he had truly not before, like fresh strawberries, stolen fruit, and unconditional love.

Best Accessory - I Cannot Reach You

This award goes to a series that best used a color-coded accessory to support the ongoing plot. Usually, color-coded accessories are physical items such as a phone, a shirt, or a mug, but I Cannot Reach You instead color coded feelings via a bokeh effect. Blue Boy Yamato tried to deny his feelings for his best friend, Yellow/Orange Oddity Kakeru, but the colors don't lie, and the bokeh effect snitched on him each time. When Kakeru was tending Yamato's wound or when Yamato thought of kissing Kakeru, the bokeh effect would show both boys' colors to let the audience know that Kakeru was on Yamato's mind. But the biggest moment was when this phenomenon happened to Kakeru, which finally showed that he felt the same for Yamato. [GIF by @my-rose-tinted-glasses]

Best Blinding Light (of Love) - HIStory 5: Love in the Future

This award goes to the series that best used a blinding light to emphasize the overwhelming feeling of being in love. Taiwan and its long-standing HIStory series win this award because Taiwan showed everyone else why it's the expert. HIStory 5: Love in the Future waited until the last episode to use this with an established couple, which is why it deserves the win. Vincent had already quit his job and moved to the beach, where his boyfriend Wynn would visit, but in the last episode, Wynn quit his job as well and ran to the beach because he finally realized Vincent was the reason all his dreams came true. Vincent told Wynn he never planned to tell him because he didn't want Wynn to believe he owed Vincent, and Wynn told Vincent his love was genuine regardless of what Vincent had done for him. They kissed, and the blinding light hit as they solidified their love. Therefore, the light wasn't just for love, but for understanding what that love meant and where that love came from.

Best Lighting - Moonlight Chicken

This award goes to the series that best used lighting to support the story's narrative. Cinematographer Rath, who has regularly partnered with Director Jojo and Director Aof, never misses. Not once. And Moonlight Chicken is a flawless example of that. Warm and cool lighting were used to show the difference between neglect and care, isolation and warmth, and a house versus a home. The characters' development could be directly seen through the lighting surrounding them and projected on them. Heart's entire storyline is a beautiful progression through blues and oranges and reds, and we see that although Jim did not realize he was the heart of his community, the lighting made sure that the audience understood how important he was to each character he interacted with, even Alan.

Best Cinematographer: Nid Nidchaya - Dangerous Romance, Love in Translation, My Universe*

This award goes to the cinematographer who best supported the story through visuals without distracting from the ongoing plot. Thailand dominated this competition with Joy (The Promise, The Warp Effect*); Rath (Never Let Me Go, Moonlight Chicken, Our Skyy, Only Friends, Last Twilight*); Jim (Step by Step, Hidden Agenda, I Feel You Linger in the Air); and Suthipong (609 Bedtime Story, Our Skyy, Chains of Heart, My Dear Gangster Oppa), but only Nid deserves this win.

My Universe consists of twelve different stories, and each has had a slightly different visual presentation, but it's Nid's work in Dangerous Romance and Love in Translation that show off his true skill. When Red Rascal Sailom was drugged and attempted to call Blue Boy Kanghan, the bathroom was lit in blue as Sailom fell down from the purple, and when Kanghan cried while pinning down Sailom, they were surrounded by their colors. When Phumjai and Yan Feng kissed in their store, their colors enveloped them much like the colors would combine as they had sex in the same spot a few episodes later. The colors and the love were always present even if it was overlooked, which only reinforced the on-screen drama of failing to notice the ways love is always present, even when in conflict.

Best Rainbow - I Became the Lead in a BL Drama

This award goes to the series with the best use of a rainbow. There were many rainbows this year featured in opening credits and several more that were nominees of this award such as Our Dining Table's rainbow over the smiley face sucker, Dangerous Romance's rainbow over Kanghan's heart, Past-Senger's rainbow paper hearts in a jar, and Wen's office Pride flag in Moonlight Chicken, but I Became Lead in a BL Drama's rainbow in the opening credits of the first episode swooped in right before the clock struck midnight ending 2023. The reason it stole this award at the last minute is simple - it's queer. Regardless if a kiss happened or not, this series was still about two men falling in love, and that's pretty gay. But how the rainbow was used in the opening credits of the first episode with the Blinding Light of Love as the clapperboard hid the leads' kiss is what gave it the edge in this category. We only saw one practice kiss because the scripted one was never for us. That kiss was for the audience of the fictional BL drama, and the real kiss between the actors was just for them. It was gay. It was meta. It was Japanese BL.

Best Surprise - La Pluie

This award serves as a catch-all for a series that delivered a color-coded surprise while still incorporating it well within the plot. Several series offered color-coded surprises in 2023, but La Pluie, the show about soulmates, splendidly reinforced its plot through the two color-coded brothers at the center of the series. Tien was a Yellow/Orange Oddity who believed in the power of destiny, yet he ended up in blue with a person who wasn't his soulmate, and his brother, Blue Boy Tai, who never wanted a soulmate, ended up with his and embracing more yellow in his life. The story is more complicated, and so are the colors, but for a series about bucking fate, it resisted every common use of color-coding techniques in order to support that theme. Life is unpredictable, and so were the colors.

Best Group Effort - Destiny Seeker

This award goes to the series that best color coded a majority of its characters. Destiny Seeker had consistent color coding throughout the entire season, but it really excelled at color coding each of its three couples. The youngest couple color coordinated, the second pair were yellow x green, which is usually reserved for friends and not lovers and went well with their plot, and the main characters were the traditional Thai blue x red. The show gave three different color-coded pairs yet provided something new and fresh while still hitting each stop on the BL history tour, and no couple was wasted. Each one, and their colors, perfectly added to the story, and gave a nice depiction of the rainbow of colors that queer love can be.

Best Consistent Color Coding - Tie: What Did You Eat Yesterday? 2, My Beautiful Man 2, Naughty Babe

This award goes to the series that had the most consistent color coding throughout its run. However, this year we were blessed with sequels and additional outings from some of our favorite series and color-coded couples. Therefore, this award goes to THREE shows for not only having consistent color coding but for also openly using those colors as part of the plot:

Shiro x Kenji [What Did You Eat Yesterday?] - Shiro was always a Brooding Boy (dark colored) and Kenji brought color into his life, but the second season directly addressed this. Shiro wasn't ever going to be a colorful person, but he didn't need to be because the show repeatedly stated that relationships are about balance. Kenji loves Shiro because he is practical and saves for their future. Shiro loves Kenji because he is upbeat and optimistic. They have different colors, but they are the perfect match, just like their aprons.

Hira x Kiyoi [My Beautiful Man] - Hira was a loyal and reserved servant (blue) to his god Kiyoi (white). Yet the second season and movie continued to show that Kiyoi was not a god, but instead a man lacking love and color, and because of that, Hira had to learn to give his color to Kiyoi rather than mindless devotion. Both men shined the brightest when it was clear that Kiyoi loved Hira for his stalker tendencies, and Hira thrived knowing that the best way to show Kiyoi love was by being himself and doing exactly what he loved, which was taking care of Kiyoi with all his color.

Lian x Yi Kuea [Cutie Pie, Naughty Babe] - All polycule jokes aside, Lian and Kuea had a complete color-coded story in Cutie Pie, so Cutie Pie 2 U felt like a repeat of the first season, but then came Naughty Babe. The boys wore more of the other's color which proved they were very much still in love as husbands, and at their best friends' wedding, these husbands stood in red and took a serious moment in a season full of hijinks and shenanigans to look directly at the audience and state that "Love Always Win." Domundi has been beating this Marriage Equality drum the hardest, and it continues to use its characters to emphasize the importance of QUEER family and rights. The Next Prince and Love Upon a Time when?

Best Overall - Kiseki: Dear to Me

This award goes to the series that did it like nobody else to claim the ultimate prize, and no other show can even compete with Kiseki: Dear to Me. The promo material, as shown above, outlined the light versus dark dynamic the two couples would have in the show. The main couple would be the lighter love and the second couple would be the darker version. It also showcased that the main couple would be the loyal blues, and the second couple would be the defiant reds. Before the show even started, it told us there would be balance. One couple with their baked treats would be sugar and sweet, while the other couple with their torture tactics of chili peppers would be spice and everything-not-nice. It would be a group effort.

And once the fun got started, we got several color-coded cameos from couples in other well-known Taiwanese BLs, the Blinding Light of Love for both couples, and the pink light of love.

But it didn't stop there! The series gave the traditional color exchange between Blue Boy Zong Yi and his devoid-of-color future-husband Rui, but true to his word and actions, Zong Yi never took his color back. He was serious about his love and gave it ALL to Rui, which was also depicted by Zong Yi opening a bakery that specialized in strawberry goods, because in case it wasn't clear, strawberry =💗= love.

Even with all that, the second couple still stole the show for most viewers. Perhaps it was Eddie's rainbow cardigans and sweaters. It's possible it was Eddie's cat collars combined with Chen Yi's dog tags or the body pillows of each other that watched the other's back as they slept. Maybe it was the graffiti behind Chen Yi that stated he was "no good at goodbye" when he was lying to Eddie about needing him to help with business issues or that they continued to wear each other's clothing which WERE COLOR COORDINATED THE ENTIRE TIME!

Regardless of the exact reason people preferred one couple over the other, Kiseki: Dear to Me continued to serve a visual narrative that underlined the plot and provided additional context for both couples and the overall story. Color-coded boys in love get happy endings, and this series proved that.

Before the show even began.

#Reading the (Visual) Rainbow Awards 2023 #the colors mean things #the color exchange #color coded boys in love #barriers and boundaries #long post #best of qls 2023 #Reading the (Visual) Rainbow

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