#the girls say 'they are finally gone | Explore Tumblr Posts and Blogs

m00n-pr1sm · 9 months

Text

Amy Dunne Character Analysis

Disclaimer

This analysis will be of Amy’s character from both the book and the movie, although the 2014 movie adaption takes greater precedence with only some additional details and quotes included from the book as it does delve deeper into Amy’s psyche and add further characterization. Thus some traits may be accentuated further than they are in the movie, not being completely faithful to either story. It’s an analysis of Amy in her totality across mediums, of course being entirely my opinion. There are of course adaptational differences but I will not include the major ones from the books (ex. her relationship with Hillary Hand). This is an analysis focusing primarily on Amy’s neuroses she demonstrates and the childhood links to them, it doesn’t cover in-depth the events nor themes of Gone Girl.

Amy Elliott Dunne, the ever enigmatic protagonist of Gone Girl, one of the most iconic female villains in modern memory, and one of the paragons of the “good for her” trope in media, is frankly one of my favorite characters of all time. As such I have been dying to write a full analysis examining her neuroses and characterization. Beneath the cultural perception of just another “crazy psycho” for girls to claim “she did no wrong” or “she just like me fr!”, lies a fascinating character who is masterfully written and developed by Gillian Flynn. Not to mention perfectly portrayed by Rosamund Pike in the movie. Amy Dunne is a character with a deep, complex psychology that I will do my best to thoroughly explore in this analysis.

From Amy’s childhood we first see the emergence of a literal high ego ideal, Amazing Amy. Of course this is the children’s book series created by her parents with a fictionalized version of Amy being the eponymous protagonist. This was a version of herself that rectified her own personal failures. Amazing Amy became a prodigy at cello, when Amy quit at 10, Amazing Amy made varsity volleyball, Amy got cut freshman year. Even in the (at time) final book in the series, Amazing Amy got married, a task Amy had not yet done. The entire book series revolved around Amy always making the most virtuous, the most selfless, the most perfect decisions.

>”With me, regular, flawed, real Amy, jealous, as always, of the golden child.”

An interesting detail in the book that is omitted from the movie is Marybeth’s numerous miscarriages and stillbirths (which totaled 7). All of these girls were named Hope, until Amy was born. Amy expresses her jealousy towards them, as they were always seen as perfect without ever living; meanwhile Amy herself has to live life everyday knowing that she will never truly live up to the Hopes. That she has to try everyday to be the best she can be. Her very birth was mired in the expectation of a perfect child; given that she was practically a gift from the heavens to her parents.

This sets up Amy’s perfectionism, as the childhood experience of never living up to a projected ideal led her to want to be perfect (and as we’ll later see, the expectation that everyone else is too), to live life always through the gaze of another. Evidently this leads to a loss of one’s inner essence, one’s individuality and sense of self.

>“-I’d never really felt like a person, because I was always a product” (Book Quote)

Amy’s obsession with personas can be seen as emerging from this, as she adapts a personality depending on who she’s interacting with, as to always be the most appealing she can, she is Amazing Amy after all.

>”I’m not sure, exactly, how to be Dead Amy. I’m trying to figure out what that means for me, what I become for the next few months. Anyone, I suppose, except people I’ve already been: Amazing Amy. Preppy ’80s Girl. Ultimate-Frisbee Granola and Blushing Ingenue and Witty Hepburnian Sophisticate. Brainy Ironic Girl and Boho Babe (the latest version of Frisbee Granola). Cool Girl and Loved Wife and Unloved Wife and Vengeful Scorned Wife. Diary Amy.” (Book Quote)

This general attitude leads to people trying to impress her as she places herself as someone special and especially someone to keep around. Not to mention she’s incredibly pretty and alluring. Enticing both the characters and viewers of the film through her enchanting aura. However we’ll see this dramatically backfire in her relationship with Nick, just you wait!

However for now we can focus on the beginning of their relationship as well as what I believe to be Amy’s view on romance.

I believe that Amy has an impossibly high standard of love, one that stems from her perfectionism and general inability to let down her guise of being amazing. Not to mention how her parents were a perfect match, Amy even referring to them as soul-mates.

>”They have no harsh edges with each other, no spiny conflicts, they ride through life like conjoined jellyfish—expanding and contracting instinctively, filling each other’s spaces liquidly. Making it look easy, the soul-mate thing.” (Book Quote)

In her childhood it’s implied that she was into romance novels, specifically Jane Austen’s Pride and Prejudice, which obviously contributes to the idealization of romance, of a literal scripted love.

>”You were an alienated teen and only Elizabeth Bennet understood you”

I think this little quote is incredibly indicative; it establishes a sense of alienation, of Amy never quite fitting in and blending with others.

>”So many lessons and opportunities and advantages, and they never taught me how to be happy. I remember always being baffled by other children. I would be at a birthday party and watch the other kids giggling and making faces, and I would try to do that too, but I wouldn’t understand why. I would sit there with the tight elastic thread of the birthday hat parting the pudge of my underchin, with the grainy frosting of the cake bluing my teeth, and I would try to figure out why it was fun.” (Book Quote)

Back to the topic of romance, through these stories it allowed her to imagine her perfect romance: if Amy could find that one person that truly understood her, beyond the illusion, that then would constitute a perfect union of love. She does deep down (whether consciously or not) want to be loved for who she is; not the idealized, palatable, literal marketed version of herself. Thus she holds trust as a premium, expecting that if she does the Herculean task of unspooling and revealing herself to another, that the other person would love her no matter what.

>”Can you imagine, finally showing your true self to your spouse, your soul mate, and having him not like you?” (Book Quote)

However all of this culminates in an impossibly high standard of a lover, of a practically divine mythical love; where one loves totally and absolutely. Of course where this neurosis is most demonstrated is in Nick and Amy’s relationship.

Amy comments that after meeting Nick she finally felt like a person as he brought out a side of herself that hadn’t been seen, in her own words “a lightness and an ease”, something that Amy enjoyed. In her eyes they had the perfect relationship in the beginning, Nick was her compliment with the witty banter, with their inside jokes, and charm.

However this doesn’t just vanquish her childhood neuroses, through her desire to be seen as perfect, she modifies herself to be a “cool girl” for Nick, complying endlessly to standards to maintain this perception.

>” When I met Nick Dunne, I knew he wanted a cool girl and for him, I’ll admit, I was willing to try.”

Amy essentially became Nick’s image of a perfect girl, witty, fun, and most of all easy-going and forgiving.

Yet one cannot live forever in images and ideas; and as such, the real, true Amy emerged. The Amy that cares too much, that’s hard to get along with, that is a controlling perfectionist. She also tests Nick through the treasure hunts, weaving in little details about their relationship as to challenge Nick and hope that he remembers the things they do together as deeply as she does. Combined with the 2008 recession and declining health of Nick’s mother (the consequences of which will be explored later). As well as Nick’s growing dissatisfaction in the relationship (evidenced by his worsening performances in the treasure hunts, the cheating, using her for sex and ignoring her otherwise, etc). The illusion both Nick and Amy were living in crumbled; they couldn’t possibly sustain their relationship as they were both striving to fulfill reciprocating images for the other.

One of the biggest parts of her character is Amy’s elitism and entitlement, in which she thinks of herself as someone superior, someone that deserves to be loved absolutely for who she is, although only to people she considers worthy.

>”She’s easy to like. I’ve never understood why that’s considered a compliment—that just anyone could like you.” (Book Quote)

Once again this stems from her childhood, in a seemingly contradictory way, she also sees herself as special for being the one that survived from her mother’s attempts, as well as the fact that her birth was so tumultuous that she would be an only child. From this also stems her entitlement for love.

Amy actively looks down upon women she considers “average”, whom she sees as coming from mediocrity and continuously perpetuating that in their lives. She scoffs at them with her wealthy parents and NYC background until her marriage with Nick crumbles. Only then does she realize that she’s become the very woman she would previously disdain. A woman with a failing marriage, the loss of her previous wealth following the recession, and moving to a failed development in Missouri (What the hell’s in Missouri?) for Nick’s mother.

I truly believe this, combined with Nick’s infidelity, and most importantly the loss of her idyllic love culminated in the iconic Gone Girl plan.

>”Nick took and took from me until I no longer existed, that’s murder. Let the punishment fit the crime”.

Nick took Amy’s identity, her sense of self that she so generously revealed to him and rejected her. Implying that she would only be loved if played the role of the “cool girl”; stripping her of who she really was, losing herself in yet another persona. Although Amy admits she doesn’t really have a personality and lives through personas, she still has a semblance of self that she holds dear.

>”-made me realize that there was a Real Amy in there, and she was so much better, more interesting and complicated and challenging, than Cool Amy”. (Book Quote)

Worse yet, Nick had cheated on her with a “newer, younger, bouncer Cool Girl”, leaving Amy in the dust, surely damaging her pride.

But Amy truly fell in love with her idealized version of Nick, believing that she was responsible for shaping that version of Nick. That she deserved that man in his entirety, of course what gets Amy to come back to Nick is the Sharon Scheiber interview, in which he promises to make up with Amy in just the way that makes her think that Nick is the one person who gets her. He makes the little references to their inside jokes (2 fingers on the chin when they’re not bullshitting the other) and a reference to the end of the treasure hunt (always a contentious issue in their relationship). She’s reminded of who he was, that he was once perfect for her, who else could know how to appeal to her heart in just the right way? With the same passion and conviction she reverses the judgment on Nick, clawing her way back to him. She does so in an especially brutal manner, slashing Desi’s throat with a boxcutter right after he climaxes. Putting aside my enormous personal bias against Desi, he was technically an innocent man, taking a great risk in sheltering Amy. However it’s clear that Amy sees him as merely an asset and something to be disposed of once he serves his value, as another prop in her ever evolving masterplan; she did string him along for years through their letter correspondences. He was just another casualty in Amy’s search for idyllic love. She comes back dramatically, literally falling into Nick’s arms while still covered in Desi’s blood like a dress; fabricating an elaborate story about a love obsessed former boyfriend kidnapping and violating her. Despite the glaring holes in her whole story (If Amy’s marriage was as bad as she made it out to be, why did she go back to Nick so easily? How did she get access to a knife and kill him so seamlessly? Why didn’t Amy do anything when she discovered the stuff in Margo’s shed? etc), law enforcement, media, and the public all fully believe it, infatuated with the persona and narrative that Amy’s created for herself. In the end she traps Nick into the marriage and eventually, the family. The last shot of the film is a haunting recall to the beginning shot of the film, as Amy has both revealed and secured herself to be the master of the narrative, finally obtaining her perfect love, no matter what the cost may have been.

Conclusion

Through a constant demand in Amy’s childhood emerges a need for perfection, simultaneously bringing about a sense of superiority and entitlement. The use of personas and façades facilitate this, painting Amy as the most amazing cool girl for whomever she’s performing for, to feed her need to be seen as perfect and desirable. Yet there emerges a psychological detachment from others; as the need to perform inevitably leads to an internal hollowness. However underneath all these layers there also lies the true Amy who has the deep unconscious desire of wanting to be loved absolutely, to have a perfect union of love where she can reveal herself fully and be loved for who she is truly.

>disclaimer for tumblr lol, this is not me trying to claim Amy was innocent I am fully aware that she’s a terribly entitled and narcissistic person but she can still be complex and have relatable desires & be a person even if she’s massively fucked up!!

#amy dunne #gone girl #gillian flynn #I love Amy Dunne so much #my little meow meow #analysis #character analysis #final draft of the analysis me thinks!!#unless I rewrite the conclusion which is very likely :P #I want to write one comparing the book to the movie #and speak on those said adaptional differences #my gone girl brainrot is terminal #(no I never referenced her typology in this whatttttt…..)#this doesn’t have much commentary into real life stuff (I am e5 ni base I can’t speak on such matters)#this is just a -why Amy is fucked up and the way she is- analysis #Also I don’t care if Amy isn’t actually that much of a she just like me fr character. I’ve said it okay and I’m a teenage girl (checkmate)#also b4 anyone comes for me & is like Amy literally says she doesn't believe in unconditional love #so then y would she crave it/doesn't that disprove ur point #well 1. she's unreliable as FUCK 2. note my use of unconscious!!

45 notes · View notes

angorwhosebabyisthis · 4 months

Text

i think one of the things that upsets me the most about velma and shaggy's relationship in sdmi--and boy there is a lot--is that not only is her constantly ''correcting'' him for minor, harmless, and usually completely reasonable things with physical and emotional abuse, well. abusive by itself. but so many of the things he does that she treats him that way over are very autistic things, and what she subjects him to is textbook abuse aimed at autistics in particular. (including the part where she gets more and more pissed whenever attempts at said emotional abuse fly over his head, because he's too bad at picking up cues for them to land fully.)

[cws: anti-autistic ableism, ABA, self-harm, physical and emotional IPV, victim-blaming, and abuse apologism. it's a lot and it's really fucking bad lmao]

like. there's a lot of examples there; shaggy's behavior coming across as autistic is worth a whole post of its own, and a lot of media depicts abuse targeted at autistic traits because ✨️hooray ableism.✨️but she straight up tries to Fix Him (read: force him to perform a Presentable Personality) by forcing him to wear clothes that are sensory hell, and trying to condition him to self-harm every time he does some small harmless, reflexive thing she thinks is Poor Socialization until he stops. and to catch himself doing it, and punish himself, without being prompted. i cannot fucking overstate how fucked up that is.

they even got down the fun little aspect of ABA where the methods of conditioning-through-pain are presented as toys and kiddish things: she gives him a rubber band to wear on his wrist, and tells him to snap it as hard as he can every time he says 'like.' 🙃🙃🙃🙃

like. this does not begin to scratch the surface of the abuse she puts him through in general. and again, characters being abused for autistic traits with the approval of the narrative is a common thing in media, which sucks. but holy fucking shit! they really took the 'violent ableism that is done to autistics irl' to the next fucking level here!

.......and it's portrayed as kind of cringey, immature teen drama on both sides. the self-harm, his dread over how much he knows it'll hurt, and the extreme pain it causes him to the point of screaming are all supposed to be funny. and her arc is all about learning to accept that she deserves better, because she was repressed and had low self-esteem and therefore putting him through fucking DIY ABA didn't make her happy.

🙃🙃🙃🙃🙃🙃🙃🙃

anyway if you couldn't tell i can't fucking stand sdmi velma and i have a lot of words in me about it. when one of your main heroes would have made a way more compelling villain as they are, on a more mundane level compared to all the wild fantastical shit they go up against, holy shit go back to the drawing board you have fucked up. she could have been genuinely good representation of a marginalized person dealing with the trauma of her experiences in some shitty ways she has to grow past, and an interesting flawed character, without being absolutely despicable--hell, she'd have made a great foil to pericles if they'd handled him decently too. they have a lot of parallels, which only gain more depth when you add their respective parallels with cassidy into the mix. and it really fucking sucks that we got this instead.

#sdmi #scooby doo mystery incorporated #velma dinkley #shaggy rogers #SDMItag #cws in post #sdmi velma lies at the intersection of A Lot of Hard Feelings for me; in ways both inherent and personal #so she is viscerally upsetting to me in a lot of ways mostly re: framing; and that makes it difficult to analyze her in a sympathetic light #even though i recognize she is very much a depiction of a hurting; traumatized person lashing out in nasty and interesting ways #but the older i get and the more perspective i gain; and the more i unpack and understand about my own experiences #the more important it feels to me to talk about this stuff #i still want to try writing fic sometime about newniverse velma and how she ends up being a non-abusive; less shitty person #without just *being* a completely different person who's All Nice Sweet Sunshine with No Hard Feelings About What She's Been Through #and about the confusion and grief newniverse marcie goes through when one day her loving girlfriend is gone #and in her place is someone who is so much like her and has clearly been through a lot; but is Different in ways that hurt more and more #that marcie keeps trying to justify and make excuses for; and sits in the pot and slowly boils #until she finally has to face that this isn't the girl she fell in love with; that that girl will never come back; that this is velma now #i'm totally not working through anything here lmao #and a nasty; pretentious; controlling; insecure young adult who's up their own ass about Being Super Intellectual and Telling It Like Is #abusing a teenager to make them stop saying 'like' because it's Annoying and What Stupid People Say and Not Gramatically Correct(tm)(tm)(tm #definitely does not hit dead on some very specific 'hi that scarred me for life and i don't think it's particularly fucking funny' buttons!#anyway. protect shaggy and marcie and daphne while we're at it #SDMIcrit tag #the crit files

10 notes · View notes