#the guest (2014) starring dan stevens

[squiblings]

I don't have anything particularly exciting for my boy's 14th anniversary but uhhh here have a piece of a thing I might never finish

#generator rex #genrex #rex salazar #the guest #the guest 2014 #the guest (2014) #david collins #everything i touch is tainted by The Guest (2014) starring Dan Stevens. This is my curse.

[mmuffncakes]

.........The Guest (2014) starring Dan Stevens????? scuse me????

this does actually make sense in the movie but yes, anyhow. The Guest (2014) starring Dan Stevens is a fun little thriller where British man plays Southern soldier boy who tries to infiltrate the family of his dead (boy)friend and ends up getting found out about his Super Dark Spooky Secrets. it's action packed, fun, silly, and i love it dearly.

you can watch it online still, or probably find it in the 5 dollar bin at wal-mart.

#the guest (2014) starring dan stevens #the guest #maika monroe #anon ask #request #my art #this meme is taken from that kiriko short from overwatch

[haslemere]

Your blog is so fun to look at. Yesterday I spent hours putting off grading midterms by scrolling through, and never got to the end. You’ve been here for a while! I wish I had known about the wonderful weirdness that is Dan long ago, and I’m trying to catch up.

I have three questions for you, if you don’t mind:

1. What first made become a Dan Stevens fan?

2. What is your favorite Dan scene of all time?

3. Have you ever met him in real life?

Thanks!

You teach! So do I!

Thanks for the love for my Dan posts. I try to make them funny and informative. I'm working on editing my annual birthday post for October 10 right now--it's getting long lol because I can't seem to leave anything out.

1. I became a Dan fan because of Downton... "Don't play with me..." The scene with Mary in S1 where they first kiss. Just the way he caresses that phrase it gave me chills ... It still does. I've never looked back... And the more I know about him the more I love him. He's the best kind of actor--giving to his co stars, adventurous in his roles, dedicated to his craft while having a ball doing it.

2. I might have to give this more thought but the scene above certainly qualifies as does the train station and The Dance and Mary and Matthew looking at their son... All transcendent DA moments. Then there's The Guest-- the way he just controls his movements in that movie. I also love him as Dickens in the scene with the children. Tom in I'm Your Man ... How he manages to individualize all the alters in Legion. The scene we share where David talks about the stars 😢♥️

3. I have met Dan twice. Once after seeing The Heiress on Broadway at the stage door... Freezing cold in a NYC February but utterly magical. And again at the 2014 Toronto International Film Festival after the midnight madness showing of The Guest--3am, unexpected, and one of the best moments of my life. I'm on the left... Hi Lou! (On right)

He's as handsome, kind, and funny as you hope he'll be... Just ♥️♥️. I was supposed to go see Hangmen in 2020 but covid had other plans.

Thanks. I hope I answered your questions.

#dan stevens #asks #about me

[lustfulsacraments]

t-shirt that says I'd rather be home watching The Guest (2014) dir. Adam Wingard starring Dan Stevens on Blu-ray

#going insane at work relistening to the soundtracks on repeat #when i say im hyperfixated on the guest when it was already my favorite movie you know im being fucking crazy rn #i have to make this zine now so i can get this insanity out of me

[codycawdren]

The Guest (2014)

Director: Adam Wingard Starring: Dan Stevens, Sheila Kelley, Maika Monroe A soldier introduces himself to the Peterson family, claiming to be a friend of their son who died in action. After the young man is welcomed into their home, a series of accidental deaths seem to be connected to his presence. The guest in this instance comes in the form of a handsome, well-built soldier named David (Dan…

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[llpodcast]

(Literary License Podcast)

You’re Next (2011)

 You're Next is a 2011 American slasher film directed and edited by Adam Wingard, written by Simon Barrett and starring Sharni Vinson, Nicholas Tucci, Wendy Glenn, A. J. Bowen, Joe Swanberg, Barbara Crampton and Rob Moran. The plot concerns an estranged family under attack by a group of masked assailants during a family reunion.  The film had its world premiere at the 2011 Toronto International Film Festival Midnight Madness program and was theatrically released on August 23, 2013, in the United States. The film grossed over $26 million from a $1 million production budget and has since gained a cult following.

 The Guest (2014)

 The Guest is a 2014 American thriller film directed by Adam Wingard and written by Simon Barrett. The film stars Dan Stevens and Maika Monroe, with a supporting cast that includes Leland Orser, Sheila Kelley, Brendan Meyer, and Lance Reddick. It tells the story of a U.S. soldier (Stevens) called David who unexpectedly visits the Peterson family, introducing himself as a friend of their son who died in combat in Afghanistan. After he has been staying in their home for a couple of days, a series of deaths occur, and the daughter Anna (Monroe) suspects David is connected to them.

  Opening Credits; Introduction (1.05); Background History (15.49); You’re Next (2011) Film Trailer (16.54); The Original (18.57); Introducing the Double Feature (42.20); The Guest (2014) Film Trailer (44.32); The Attraction (1:40.59); How Many Stars (1:18.40); End Credits (1:22.18); Closing Credits (1:23.15)

 Opening Credits– Epidemic Sound – copyright 2021. All rights reserved

 Closing Credits:  Perfect Day by Lou Reed. Taken from the album Transformer. Copyright 1972 Trident Records.

​

Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. 

 All rights reserved.  Used With Kind Permission.

 All songs available through Amazon Music.

#SoundCloud #music #Literary License Podcast #Entertainment #You're Next #The Guest #Barbara Crampton

[kjissexy1994]

Words of Shakespeare: Happy 20th Anniversary Supanova!

On the weekend of the 18th and 19th of June 2022, I went with six friends and two support workers (and of course my old friend Richard and other friends Sam and Hayden) went to the Supanova Comic and Gaming convention at The Dome at Sydney Olympic Park (my favourite entertainment fortress of solitude!).

Throughout the weekend, we saw a variety of cosplayers from Anime such as My Hero Academia and JoJo’s Bizarre Adventure, video games from my childhood such as Pokémon, Crash Bandicoot, Spyro the Dragon and Games from the previous decade including Undertale and Deltarune, cartoons and animated movies such as Steven Universe, the popular Disney adventure cartoon The Owl House and classics such as Beauty and the Beast and Mulan, web cartoons such as Vivienne Medrano’s Hazbin Hotel and Helluva Boss and Rooster Teeth’s RWBY, childhood animations such as Pingu, Characters from cult shows such as Monkey from the British gag dub of the same name that aired on ABC in the early eighties and of course cosplay from sci-fi movies and tv shows such as Star Wars, Star Trek, Doctor Who and Marvel and DC comic books and movies including classic heroes and villains such as Spider-Man, Captain America, Iron Man, Thor, Loki, Superman, Batman, The Joker, Harley Quinn and the rest.

A majority of the well designed displays of the cosplayers were also shown at the Cosplay Showcase at the Cosplay Theatre across from The Dome at Hall 5.

I was also amazed by how many male cosplayers can cosplay as female characters like for example, when I saw a male Tawna Bandicoot cosplayer and females cosplaying as Deku from My Hero.

At Supanova when I first entered The Dome, there was a wall of Supanova Posters from the past 20 years starting with 2002 up until this year, my much loved Convention has hosted a plethora of well known guests from movies, tv shows, anime and cartoons including Sean Schemmel (voice of Goku from the Dragon Ball anime), Dan Green (voice of Yugi Mutou/ Pharaoh from Yu-Gi-Oh! Classic and Knuckles the Echidna from Sonic X and the various Sonic games from 2003-2009), Barbara Eden (From I Dream of Jeannie), John Barrowman (From Doctor Who) David Hasselhoff (from Baywatch) The late Verne Troyer (Mini Me from the Austin Powers movie franchise) and Carrie Fisher (Princess Leia Organa of Star Wars) , Richard Horvitz (voice of Invader Zim and Alpha 5 from the earlier Power Rangers seasons Mighty Morphin to Turbo and currently the voice of Moxxie from Helluva Boss), Jeremy Shada, John DiMaggio, Olivia Olson and Jessica DiCicco, the Adventure Time cast of Finn, Jake, Marceline and Flame Princess/Phoebe respectively, Mighty Morphin Power Rangers cast members Jason David Frank (Tommy), Austin St John (Jason), Walter Emmanuel Jones (Zack), Johnny Yong Bosch (Adam), David Yost (Billy), Karan Ashley (Aisha) and of course the late legendary godfather of Marvel Comic Book superheroes Stan Lee who appeared in the 2014 edition of Supanova in Sydney. I have been attending Supanova Comic Cons since 2011 with the exception of 2015 when I was experiencing financial and physical burnout from my Melbourne trip and 2020 which was unable to be held due to well…horrid stuff and seeing those old posters of previous cons made me feel very nostalgic.

Supanova had a variety of stalls which you could buy various merchandise such as comics, pop vinyl figures, statues, trading cards, plush dolls of anime characters and video game characters and vintage merchandise such as action figures from tv show and cartoon franchises including Transformers, Power Rangers, He-Man, Batman the animated series, Star Wars, Star Trek and older comics from the eighties and nineties. Supanova also had a stall where you could buy autographs from previous years conventions.

For those who want some physical enjoyment, there was the archery target course and of course, my new favourite from last year, the Battlecry LARP sword fights. Richard and I had a great time taking down a burly ax wielding knight with rubber swords as you get a lot of exercise out of it as well!

There was also Star Wars Lightsaber demonstrations and testing your might as you try to lift Thor’s Hammer Mjölnir!

For those who love gaming, there were gaming areas where you could play Rocket League, Super Smash Bros and Ubisoft’s Just Dance whilst there was also gaming tournaments and demonstrations as well and of course board and dice games such as Dungeons and Dragons!

Looking through The Alley seeing all the prints of artwork and comic books by independent artists made me feel amazed inside, I bought a print of Spyro the Dragon and stickers of Stolas and Blitzø of Helluva Boss from Bunsanity and a commission of the character Wizarmon/Wizardmon from Bandai’s Digimon virtual pet, anime and video game franchise from art by Cyanide. I really loved how well designed Wizarmon looked even though if the artists never got into the Digimon franchise.

I even had my fortune told via Pokémon trading cards by a Mimikyu cosplayer!

There was also comic book artists from Australia such as Alex T. Trip who did illustrations for The Phantom, Jamie Johnson who did illustrations for IDW’s Teenage Mutant Ninja Turtles comics and Dean Rankine who did illustrations for Simpsons Comics and Oggy and the Cockroaches (France’s answer to Tom and Jerry). One of the comic books I bought was by independent comic book artist Bad Harvie and his Ozploitation anthology comic book series modelled after Grindhouse low budget horror movies from the seventies and eighties. Definitely not for those with a weak stomach if I say so myself.

I was also happy that there wasn’t any offending stalls at the Alley unlike last year when Supanova was embroiled in controversy where there was a stall selling right wing extremist and Neo Nazi merchandise as conventions are a place of celebrating who we are and we do not condone any hate here.

For the con-goers who were looking for an appetite, Dominos Pizza was serving up pizzas, garlic bread and Pepsi drinks as usual and the cafés inside the Dome sold Pies, burgers and Bagels. Outside the dome had stalls such as Chips on a Stick, Wally’s Hot Dogs, Hot Dog on a Stick, Cheese on a Stick (who would usually be there at the Sydney Royal Easter Show) and Ian’s Ice Creams.

Now it was time for the main attraction and a mainstay for Supanova since the beginning, the guests! This year’s Sydney Supanova was the first edition with overseas stars in three years caused by well…again…bad stuff and the guests included Tom Welling and Michael Rosenbaum aka Clark Kent and Lex Luthor from Smallville, Michael Biehn from The Terminator and The Mandalorian, Mark Shepperd from Supernatural, Emile De Ravine from Once Upon a Time, James and Oliver Phelps aka the Weasley Twins from the Harry Potter films, the part of the Supanova furniture, John Jarratt who is a very friendly fellow despite playing one of the most infamous horror characters in Australian film history which is Mick Taylor from the Wolf Creek movies (which gave me uncontrollable bowel movement when I was younger and Jarratt never appeared on an episode of Play School in the eighties for those who are a victim of the “Mandela Effect!”), and of course, one of the first few guests from Supanova’s inaugural convention in 2002, Veronica Taylor, the original voice of Ash Ketchum from the 4Kids English dub of the Pokémon anime series and movies from 1998 to 2006.

Even though I was very determined to wait two and a half hours to obtain Taylor’s autograph and photo with her (and a much needed interval to use the restroom and chow down on a hot dog on a stick!), it was definitely worth the $60 to greet Taylor and to acknowledge her as one of the voices of my childhood growing up watching the Pokémon anime in the late nineties and early 2000’s on Cheez TV hosted by Jade and Ryan (who also appeared at the 2016 Edition of Supanova).

Taylor was also a very lovely person to talk to as well as I discussed all those precious memories!

I also attended a seminar at the Cosplay theatre where the Phelps Twins discussed their time playing as the Weasleys in the Harry Potter films with a number of funny stories to tell too!

This year’s Supanova was a roaring return to form and without any controversies or kerfuffles after what happened last year in the artist’s alley. Supanova is such a great way to dress up as your favourite character, meet new friends, join and explore new fandoms, be involved in activities, meeting your favourite celebrities and of course, reliving your childhood in the process (like I did when I met Veronica)!

My only negatives for this year’s convention was the long waiting time in groups to see big name celebrities and only a minuscule number of voice actors appearing. After all, we are still in a dwindling health crisis and we should get to see more well known voice actors from cartoons and anime next year (Still praying for Richard Horvitz!) and of course, more well known guests from movies and tv shows!

I give this year’s Supanova an 8 out of 10!

This has been another Supa review of Words of Shakespeare!

Stay Amazing and Happy Trails!

#words of shakespeare #supanova #sydney supanova #supanova 2022

[jocia92]

From this IndieWire interview with Adam Wingard

‘The filmmaker has expressed interest in returning to the MonsterVerse, should another project present itself, but he’s not eager to franchise his other films any time soon. His popular 2014 thriller “The Guest,” which starred Dan Stevens (who the filmmaker tried to cast in “Godzilla vs. Kong” until the actor’s schedule got in the way), might inspire a miniseries, and Wingard teased that he was working on a news music-centric accompaniment to the film, which included an original score from Zombi’s Steve Moore.’

#dan stevens #adam wingard #godzilla vs kong #the guest 2014 #indiewire #instagram #good for him #interesting that he wanted to cast dan

[squiblings]

I have material for all of these, but I'd like some opinions

#dbd #dead by daylight #the guest (2014) #the guest #danny phantom #generator rex #otm #orbit the moon #otm comic #orbit the moon comic #someone help I don't know my audience

[mmuffncakes]

Request are 𝒪 𝒫 𝐸 𝒩 !! (I’ll be accepting today to draw this weekend!) (SFW only please!)

#spyscrapper #star wars jedi survivor #dead by daylight #dbd #requests #silent hill #resident evil #outlast #stranger things #l4d2 #nellis #the guest (2014) starring dan stevens #and whatever else im feelin

[simplylove101]

2020 Horror Challenge: [11/?]

↳ “I'm a soldier, man. I like guns.” The Guest (2014) dir. Adam Wingard

Plot: A soldier introduces himself to the Peterson family, claiming to be a friend of their son who died in action. After the young man is welcomed into their home, a series of accidental deaths seem to be connected to his presence.

Starring: Dan Stevens & Maika Monroe

This is another movie that I have previously seen recommended on horror movie lists and I finally checked it out. Always been curious about it. Almost expected a higher rating on IMDB for it, but it’s fair. I personally enjoyed it. Dan Stevens was actually a really good choice for the role of “David” cuz he doesn’t really miss a beat in the whole thing. He’s likable but completely believable as a ruthless killer at the same time. Far cry from his stint on Downton Abbey, that’s for sure. Maika Monroe also does a fine job here, being the only one who doesn’t believe in David’s charade. Maika also just happened to star in the first movie I ever watched for my first horror challenge 4 years ago so seeing her in another one was cool. Overall, I liked the aesthetic of the whole thing cuz it’s not always super intense but it never loses that thriller movie feel to it. Which isn’t surprising when you find out this was directed by the same guy who gave the world You’re Next. The music choices were also so great and really added to it imo. As far as I’m concerned I enjoyed myself watching this.

#the guest #horrorchallenge2020

[the-concession-stand]

Recommendations!: Netflix

I get asked a lot for recommendations. With that in mind I wanted to start a new feature here at Concession Stand called “Recommendations!” which will be a list of 10 or so movies on any given streaming service or maybe even physical media. For the first of these let’s go with the biggest service out there, Netflix.

(These are in no particular order)

10. Tucker and Dale Vs. Evil

Genre: Horror, Comedy

Released: 2010

Starring:  Alan Tudyk, Tyler Labine, and Katrina Bowden

Synopsis: A group of college kids go camping near where Tucker and Dale, two redneck friends, have purchased a cabin in the woods. When one of the college kids falls and hits there head and is taken in by Tucker and Dale, a misunderstanding spirals out of control.

My Thoughts: Probably the pinnacle of horror comedy this movie nails it on all fronts. It’s hilarious, intense at points, and delivers an amazing story that would be good even without the comedy.

9. As Above So Below

Genre: Horror

Released: 2014

Starring: Perdita Weeks and Ben Feldman

Synopsis: A group of explorers travel into the catacombs of Paris where they discover dark secrets and what may be an entrance to hell itself.

My Thoughts: This. Movie. Is. Intense. I know a lot of people will be turned off by the hand-camera aspect of it, but it’s not just a gimmick, it works in this movie. it’s one of the few movies that really stuck with me and got genuinely creepy.

8. Creep

Genre: Horror

Released: 2014

Starring: Mark Duplass and Patrick Brice

Synopsis: A videographer takes a one-day job to record the last words of a dying man, however when the man starts to behave strangely the videographer has to question the mans true motives

My Thoughts: Another hand-camera movie, but again it works in and for this movies benefit. Another one where one scene in particular really got me with a true what the hell am I watching holy crap moment. It and it’s sequel are worth your time.

7. Enemy

Genre: Drama, Thriller

Released: 2013

Starring: Jake Gyllenhaal

Synopsis: A college professor discovers an exact look alike for himself in a movie. After hunting him down and learning of the others life, things spiral out of control

My Thoughts: I gotta prefece this movie wont be for everyone, it’s weird. A lot of it wont make sense on first viewing. HOWEVER, this to me is why it’s so good, it’s one you’re gonna wanna look up what other people got from it and talk about it with your friends. Also you get double Gyllenhaal so that’s always a plus.

6. Super Dark Times

Genre: Crime, Drama

Released: 2017

Starring: Owen Campbell, Charlie Tahan, and Elizabeth Cappuccino

Synopsis: Two teenagers experience a gruesome accident that leads to a cover-up and a secret that drives a wedge between them and knocks them into a world of escalating paranoia and violence.

My Thoughts: This one came out of nowhere and I’m disappointed more people haven’t discovered it yet, it’s a great crime thriller. The kids in it are phenomenal in the roles and can be genuinely scary with how good they play these kids who have to cover-up something horrible. Go in blind to it and I assure you you wont be disappointed.

5. Good Time

Genre: Drama, Crime

Released: 2017

Starring: Robert Pattinson, Benny Safdie, and Jennifer Jason Leigh

Synopsis: After his brother is arrested in a robbery gone wrong, a man has one night to try to get him out of jail by any means necessary

My Thoughts: I’m so glad “Uncut Gems” was such as hit for the Safdie brothers because hopefully that means more people will look into “Good Time”. This is the movie I will forever throw out whenever anyone wants to question Robert Pattinson’s acting abilities. He disappears into this role as a criminal. So many great things here, the acting, directing, score. 

4. Green Room

Genre: Horror

Released: 2015

Starring: Anton Yelchin, Imogen Poots, oh and Patrick Stewart as the head neo-nazi (yes seriously)

Synopsis: On the tour that took them to the west, a D.C. based punk band ends up inadvertently playing a neo-nazi club. When one of the members enters the green room after they have packed up, he discovers a murder and the band ends up in a stand off with the neo-nazis.

My Thoughts: Oh Green Room, how I love you. Just writing this I want to immediately go watch it again. I’ve recommended this movie a lot and everyone whose seen it has come back saying they loved it. It is the definition of an edge of your seat thriller. Also, did I mention the beloved Patrick Stewart plays a neo-nazi?!? it’s wild. He said in an interview that just reading the script he had to turn on all the lights and kept looking out his window.

3. 13 Sins

Genre: Thriller

Released: 2014

Starring: Mark Webber and Ron Perlman

Synopsis: After receiving a strange phone-call promising him riches if he can complete 13 task, a man is sent on a disturbing journey where each task is more sinister than the last.       

My Thoughts: Another one that came out of nowhere, I hadn’t even heard of it before watching but man did I love it. It’s a great thriller that really sucks you in and makes you worried for the characters and invested in everything happening. Also makes you question what you would do in their shoes. There is a lot of those “do something crazy for money” movies out there but this is hands down the best.

2. The Invitation

Genre: Horror, Suspense

Released: 2015

Starring: Logan Marshall-Green, Tammy Blanchard, and Michiel Huisman

Synopsis: A man and his new girlfriend are invited to a get together at his ex-wife’s house with all his old friends. However, the true intentions of the host are unknown.

My Thoughts: This movie reminded me why I love movies. I was so happy after watching and just remembering why movies can be so great. While it may not be as ambiguous if the host are actually dark or normal, I assure you you will just love the ride.

1. The Guest

Genre: Action, Thriller

Released: 2014

Starring: Dan Stevens and Maika Monroe

Synopsis: A mysterious man shows up at the house of a family whose son has recently died in the military. Claiming to be a friend of the sons, the man gets closer and closer to the family, however not all is as it seems with this new mystery man.

My Thoughts: I have been singing this movies praises since 2014. Made by the same team behind “You’re Next” it’s really hard to decide which is better. What I do know is Dan Stevens kills it in this movie and it’s one hell of a ride.

So those are just some of the great hidden gems on Netflix. I had a lot of fun doing this and may just do another one going over another 10 on Netflix or another streaming service. Let me know which you would like!

[transaikawa]

The scene where David throws a fireball drink at the teen but instead of a fireball it's bone hurting juice

#the guest 2014 #david Anderson collins #david Collins #dan stevens #star shush #the guest #bone hurting juice #oof oo ouch my bones

[stainedglassgardens]

Favourite films watched in 2018

I arranged them into broad categories -- other than that they’re in no particular order.

Indie

River of Grass, Meek’s Cutoff and Night Moves (Kelly Reichardt, 1994, 2010 and 2013)

Tangerine and The Florida Project (Sean Baker, 2015 and 2017)

We Need to Talk About Kevin (Lynne Ramsay, 2011)

Winter’s Bone (Debra Granik, 2010)

Kumiko, the Treasure Hunter (David Zellner, 2014)

Ginger & Rosa (Sally Potter, 2012)

Cracks (Jordan Scott, 2009)

I Am Not a Witch (Rungano Nyoni, 2017)

Turn the River (Chris Eigeman, 2007)

Hello I Must Be Going (Todd Louiso, 2012)

Shuttle Life (Tan Seng Kiat, 2017)

On Body and Soul (Testről és lélekről, Ildikó Enyedi, 2017)

Vagabond (Sans toit ni loi, Agnès Varda, 1984)

Easy Living (Adam Keleman, 2017)

Mother of George (Andrew Dosunmu, 2013)

Khadak (Peter Brosens and Jessica Hope Woodworth, 2006)

Shirkers (Sandi Tan, 2018)

Comedy

Lipstick Under My Burkha (Alankrita Shrivastava, 2016)

Addicted to Fresno (Jamie Babbit, 2015)

The Spy Who Dumped Me (Susanna Fogel, 2018)

Edge of Seventeen (David Moreton, 1998)

Secretary (Steven Shainberg, 2002)

Experimental

Scorpio Rising (Kenneth Anger, 1963)

Always Shine (Sophia Takal, 2016)

The Midnight Swim (Sarah Adina Smith, 2014)

La Jetée (Chris Marker, 1962)

Daisies (Sedmikrásky, Věra Chytilová, 1966)

Classics

Reflections in a Golden Eye (John Huston, 1967)

Dead Ringer (Paul Henreid, 1964)

Horror

Creep and Creep 2 (Patrick Brice, 2014 and 2017)

The Poughkeepsie Tapes and As Above, So Below (John Erick Dowdle, 2007 and 2014)

Raw (Grave, Julia Ducournau, 2016)

Cargo (Ben Howling and Yolanda Ramke, 2017)

Hard Candy (David Slade, 2005)

Snowtown (Justin Kurzel, 2011)

Banshee Chapter (Blair Erickson, 2013)

Mandy (Panos Cosmatos, 2018)

Science fiction

Primer and  Upstream Color (Shane Carruth, 2004 and 2013)

Resolution and The Endless (Justin Benson and Aaron Moorhead, 2012 and 2017)

Midnight Special (Jeff Nichols, 2016)

Arrival (Denis Villeneuve, 2016)

Into the Forest (Patricia Rozema, 2015)

Ex Machina (Alex Garland, 2014)

Under the Skin (Jonathan Glazer, 2013)

Liquid Sky (Slava Tsukerman, 1982)

Bird Box (Susanne Bier, 2018)

Action

Hell or High Water (David Mackenzie, 2016)

M.F.A. (Natalia Leite, 2017)

Revenge (Coralie Fargeat, 2017)

Brick (Rian Johnson, 2005)

Full list of 306 films watched in 2018 under the cut!

January

The Devil’s Candy (Sean Byrne, 2015)

A United Kingdom (Amma Asante, 2016)

Creep (Patrick Brice, 2014)

The Witch (Robert Eggers, 2015)

The Blues Brothers (John Landis, 1980)

The Lost Boys (Joel Schumacher, 1987)

Midnight Special (Jeff Nichols, 2016)

Arrival (Denis Villeneuve, 2016)

We Need to Talk About Kevin (Lynne Ramsay, 2011)

Life (Daniel Espinosa, 2017)

Logan (James Mangold, 2017)

Creep 2 (Patrick Brice, 2017)

The Discovery (Charlie McDowell, 2017)

Otherlife (Ben C. Lucas, 2017)

The Dressmaker (Jocelyn Moorhouse, 2015)

Bokeh (Geoffrey Orthwein and Andrew Sullivan , 2017)

February

Get Out (Jordan Peele, 2017)

The Handmaiden (아가씨, Agassi, Park Chan-wook, 2016)

Brick (Rian Johnson, 2005)

Looper (Rian Johnson, 2012)

Winter’s Bone (Debra Granik, 2010)

Thelma (Joachim Trier, 2017)

The Guest (Adam Wingard, 2014)

Beach Rats (Eliza Hittman, 2017)

Let the Right One In (Låt den rätte komma in, Tomas Alfredson, 2008)

Cameraperson (Kirsten Johnson, 2016)

Sweet Bean (あん, An, Naomi Kawase, 2015)

The Hallow (Corin Hardy, 2015)

Cloverfield (Matt Reeves, 2008)

10 Cloverfield Lane (Dan Trachtenberg, 2016)

The Cloverfield Paradox (Julius Onah, 2018)

Moonlight (Barry Jenkins, 2016)

28 Days Later (Danny Boyle, 2002)

Take Shelter (Jeff Nichols, 2011)

Ginger Snaps (John Fawcett, 2000)

River of Grass (Kelly Reichardt, 1994)

Old Joy (Kelly Reichardt, 2006)

Reflections in a Golden Eye (John Huston, 1967)

March

Raw (Grave, Julia Ducournau, 2016)

Palo Alto (Gia Coppola, 2013)

By the Sea (Angelina Jolie, 2015)

Lady Bird (Greta Gerwig, 2017)

Jupiter Ascending (The Wachowskis, 2015)

Irreplaceable You (Stephanie Laing, 2018)

Kumiko, the Treasure Hunter (David Zellner, 2014)

Annihilation (Alex Garland, 2018)

Ravenous (Les Affamés, Robin Aubert, 2017)

The Bad Batch (Ana Lily Amirpour, 2016)

Notes on Blindness (Peter Middleton and James Spinney, 2016)

Breathe (Respire, Mélanie Laurent, 2014)

Night Moves (Kelly Reichardt, 2013)

Carol (Todd Haynes, 2015)

Lovesong (So Yong Kim, 2016)

Upstream Color (Shane Carruth, 2013)

April

ARQ (Tony Elliott, 2016)

Primer (Shane Carruth, 2004)

Meek’s Cutoff (Kelly Reichardt, 2010)

Certain Women (Kelly Reichardt, 2016)

The Lady from Shanghai (Orson Welles, 1947)

Waking Life (Richard Linklater, 2001)

Roman Holiday (William Wyler, 1953)

American Honey (Andrea Arnold, 2016)

Maurice (James Ivory, 1987)

The Silent House (La Casa Muda, Gustavo Hernández, 2010)

Viral (Ariel Schulman and Henry Joost, 2016)

Buster’s Mal Heart (Sarah Adina Smith, 2016)

Waitress (Adrienne Shelly, 2007)

Grey Gardens (Albert and David Maysle, 1975)

Ginger & Rosa (Sally Potter, 2012)

Cracks (Jordan Scott, 2009)

Into the Forest (Patricia Rozema, 2015)

A New Leaf (Elaine May, 1971)

Vertigo (Alfred Hitchcock, 1958)

The Beguiled (Sofia Coppola, 2017)

Scarface (Brian De Palma, 1983)

The Violent Years (William Morgan, 1956)

The Ritual (David Bruckner, 2017)

Casting JonBenet (Kitty Green, 2017)

Slums of Beverly Hills (Tamara Jenkins, 1998)

We’ve Forgotten More Than We Ever Knew (Thomas Woodrow, 2017)

Love and Other Cults (Kemonomichi, Eiji Uchida, 2017)

You Were Never Really Here (Lynne Ramsay, 2017)

Shirley: Visions of Reality (Gustav Deutsch, 2013)

Catfight (Onur Tuckel, 2017)

Pyewacket (Adam MacDonald, 2017)

May

Lick the Star (Sofia Coppola, 1998)

Scorpio Rising (Kenneth Anger, 1963)

Novitiate (Maggie Betts, 2017)

The Tree of Life (Terrence Malick, 2011)

The Happiest Day in the Life of Olli Mäki (Hymyilevä mies, Juho Kuosmanen, 2016)

Dead Reckoning (John Cromwell, 1947)

Human Flow (Ai Weiwei, 2017)

Mystery Train (Jim Jarmusch, 1989)

Dawson City: Frozen Time (Bill Morrison, 2016)

The Killing of a Sacred Deer (Yorgos Lanthimos, 2017)

I Am Not a Witch (Rungano Nyoni, 2017)

Cléo from 5 to 7 (Cléo de 5 à 7, Agnès Varda, 1962)

Orbiter 9 (Órbita 9, Hatem Khraiche, 2017)

M.F.A. (Natalia Leite, 2017)

Lipstick Under My Burkha (Alankrita Shrivastava, 2016)

Kedi (Ceyda Torun, 2016)

Deidra and Laney Rob a Train (Sydney Freeland, 2017)

The Most Dangerous Game (Irving Pichel and Ernest B. Schoedsack, 1932)

Girl Asleep (Rosemary Myers, 2015)

Always Shine (Sophia Takal, 2016)

The Monster (Bryan Bertino, 2016)

Desert Hearts (Donna Deitch, 1985)

Addicted to Fresno (Jamie Babbit, 2015)

Beyond a Reasonable Doubt (Fritz Lang, 1956)

The Fits (Anna Rose Holmer, 2015)

Hell or High Water (David Mackenzie, 2016)

The Midnight Swim (Sarah Adina Smith, 2014)

The Quiet Hour (Stéphanie Joalland, 2014)

Synchronicity (Jacob Gentry, 2015)

Who’s Afraid of Virginia Woolf? (Mike Nichols, 1966)

Pod (Mickey Keating, 2015)

Turn the River (Chris Eigeman, 2007)

Tangerine (Sean Baker, 2015)

Frequencies (Darren Paul Fisher, 2013)

Spring (Justin Benson and Aaron Moorhead, 2014)

Time Lapse (Bradley D. King, 2014)

Meet Me There (Lex Lybrand, 2014)

Ex Machina (Alex Garland, 2014)

The Florida Project (Sean Baker, 2017)

Berberian Sound Studio (Peter Strickland, 2012)

Laggies (Lynn Shelton, 2014)

Starlet (Sean Baker, 2012)

Dead Ringer (Paul Henreid, 1964)

The Doom Generation (Gregg Araki, 1995)

The Riot Club (Lone Scherfig, 2014)

Berlin Syndrome (Cate Shortland, 2017)

Dude (Olivia Milch, 2018)

Nightcrawler (Dan Gilroy, 2014)

June

Hello I Must Be Going (Todd Louiso, 2012)

Romy and Michele’s High School Reunion (David Mirkin, 1997)

Mystery Road (Ivan Sen, 2013)

The Double (Richard Ayoade, 2013)

Dear White People (Justin Simien, 2014)

The Selfish Giant (Clio Barnard, 2013)

Don’t Breathe (Fede Álvarez, 2016)

Marina Abramović: The Artist is Present (Matthew Akers, 2012)

Hot Bot (Michael Polish, 2016)

Beneath the Harvest Sky (Aron Gaudet and Gita Pullapilly, 2013)

Tim’s Vermeer (Teller, 2013)

The Firefly (La Luciérnaga, Ana Maria Hermida, 2015)

Twinsters (Samantha Futerman and Ryan Miyamoto, 2015)

Resolution (Justin Benson and Aaron Moorhead, 2012)

Enemy (Denis Villeneuve, 2013)

Mother of George (Andrew Dosunmu, 2013)

We Are What We Are (Jim Mickle, 2013)

The Battery (Jeremy Gardner, 2012)

Crystal Fairy & The Magical Cactus (Sebastián Silva , 2013)

Boy (Taika Waititi,2010)

The Perks of Being a Wallflower (Steven Chbosky, 2012)

White Bird in a Blizzard (Gregg Araki, 2014)

The American (Anton Corbijn, 2010)

Ocean’s Eight (Gary Ross, 2018)

Compliance (Craig Zobel, 2012)

Seeking a Friend for the End of the World (Lorene Scafaria, 2012)

Weekend (Andrew Haigh, 2011)

Under the Skin (Jonathan Glazer, 2013)

July

Martha Marcy May Marlene (Sean Durkin, 2011)

Safety Not Guaranteed (Colin Trevorrow, 2012)

Hard Candy (David Slade, 2005)

Duck Butter (Miguel Arteta, 2018)

The Artist (Michel Hazanavicius, 2011)

Another Earth (Mike Cahill, 2011)

Melancholia (Lars von Trier, 2011)

Woodshock (Kate and Laura Mulleavy, 2017)

Hanna (Joe Wright, 2011)

Snowtown (Justin Kurzel, 2011)

Aloft (Claudia Llosa, 2014)

A Fantastic Woman (Una mujer fantástica, Sebastián Lelio, 2017)

The Feels (Jenée LaMarque, 2017)

The Endless (Justin Benson and Aaron Moorhead, 2017)

Shuttle Life (Tan Seng Kiat, 2017)

I Origins (Mike Cahill, 2014)

The Taking of Deborah Logan (Adam Robitel, 2014)

Chasing Ice (Jeff Orlowski, 2012)

Manchester By the Sea (Kenneth Lonergan, 2016)

The Bar (El Bar, Álex de la Iglesia, 2017)

Mr. Roosevelt (Noël Wells, 2017)

Woman Walks Ahead (Susanna White, 2017)

The Manual (William Magness, 2017)

The Conjuring (James Wan, 2013)

Oculus (Mike Flanagan, 2013)

The Eye (Pang brothers, 2002)

August

The Overnight (Peter Brice, 2015)

Axolotl Overkill (Helene Hegemann, 2017)

Little Sister (Zach Clark, 2016)

Witchfinder General (Michael Reeves, 1968)

Secretary (Steven Shainberg, 2002)

The Quiet Earth (Geoff Murphy, 1985)

The Hunger (Tony Scott, 1983)

They (Anahita Ghazvinizadeh, 2017)

Revenge (Coralie Fargeat, 2017)

Cargo (Ben Howling and Yolanda Ramke, 2017)

Fast Times at Ridgemont High (Amy Heckerling, 1982)

Radius (Caroline Labrèche and Steeve Léonard, 2017)

17 Girls (17 Filles, Delphine Coulin and Muriel Coulin, 2011)

The Deuce of Spades (Faith Granger, 2011)

The Bank Job (Roger Donaldson, 2008)

La Jetée (Chris Marker, 1962)

Train to Busan  (부산행, Busanhaeng, Yeon Sang-ho, 2016)

As Above, So Below (John Erick Dowdle, 2014)

Liquid Sky (Slava Tsukerman, 1982)

Wild Zero (Tetsuro Takeuchi, 1999)

Multiple Maniacs (John Waters, 1970)

The Lifeguard (Liz W. Garcia, 2013)

The Umbrellas of Cherbourg (Les Parapluies de Cherbourg, Jacques Demy, 1964)

The Beales of Grey Gardens (Albert Maysles, David Maysles and Ian Markiewicz, 2006)

The Edge of Seventeen (Kelly Fremon Craig, 2016)

Salesman (Albert Maysles, David Maysles and Charlotte Zwerin, 1969)

Easy Living (Adam Keleman, 2017)

Going Back (Adam Keleman, 2010)

A Series of Acts (Adam Keleman, 2006)

Long Days (Adam Keleman, 2012)

Okja (Bong Joon-ho, 2017)

Before I Fall (Ry Russo-Young, 2017)

The Poughkeepsie Tapes (John Erick Dowdle, 2007)

Three Colours: Blue (Krzysztof Kieślowski, 1993)

Three Colours: White (Krzysztof Kieślowski, 1994)

Three Colours: Red (Krzysztof Kieślowski, 1994)

Island of Lost Souls (Erle C. Kenton, 1932)

Khadak (Peter Brosens and Jessica Hope Woodworth, 2006)

The Lure (Córki dancingu, Agnieszka Smoczyńska, 2015)

Vagabond (Sans toit ni loi, Agnès Varda, 1984)

Little Evil (Eli Craig, 2017)

September

The Harder They Come (Perry Henzell, 1972)

Isle of Flowers (Ilha das Flores, Jorge Furtado, 1989)

Beat Girl (Edmond T. Gréville, 1960)

On Body and Soul (Testről és lélekről, Ildikó Enyedi, 2017)

Village of the Damned (Wolf RIlla, 1960)

Tampopo (タンポポ, Tanpopo, Juzo Itami, 1985)

Mustang (Deniz Gamze Ergüven, 2015)

Outside In (Lynn Shelton, 2017)

Voyeur (Myles Kane, 2017)

The Land of Steady Habits (Nicole Holofcener, 2018)

Clouds of Sils Maria (Olivier Assayas, 2014)

Already Tomorrow in Hong Kong (Emily Ting, 2015)

Tig (Kristina Goolsby and Ashley York, 2015)

Shortwave (Ryan Phillips, 2016)

The Loss of a Teardrop Diamond (Jodie Markell, 2008)

Sexy Beast (Jonathan Glazer, 2000)

October

The Most Assassinated Woman in the World (La Femme la plus assassinée du monde, Franck Ribière, 2018)

I Think We’re Alone Now (Reed Morano, 2018)

The Woman Who Left (Ang Babaeng Humayo, Lav Diaz, 2016)

The Babysitter (Brian Duffield, 2017)

The Frighteners (Peter Jackson, 1996)

Emelie (Michael Thelin, 2015)

21 Grams (Alejandro González Iñárritu, 2003)

Apostle (Gareth Evans, 2018)

Phantasm (Don Coscarelli, 1979)

Banshee Chapter (Blair Erickson, 2013)

Joshua (George Ratliff, 2007)

Office (오피스, Hong Won-chan, 2015)

The Nightmare (Rodney Ascher, 2015)

The Spy Who Dumped Me (Susanna Fogel, 2018)

Before I Wake (Mike Flanagan, 2016)

The Most Unknown (Ian Cheney, 2018)

Private Life (Tamara Jenkins, 2018)

Octavio is Dead! (Sook-Yin Lee, 2018)

Leave No Trace (Debra Granik, 2018)

Cube (Vincenzo Natali, 1997)

Galveston (Mélanie Laurent, 2018)

Growing Up Coy (Eric Juhola, 2016)

Texas Chain Saw Massacre (Tobe Hooper, 1974)

November

Murder My Sweet (Edward Dmytryk, 1944)

Madeline’s Madeline (Josephine Decker, 2018)

Out of the Past (Jacques Tourneur, 1947)

Mandy (Panos Cosmatos, 2018)

Crossfire (Edward Dmytryk, 1947)

The Lobster (Yorgos Lanthimos, 2015)

Silent Light (Stellet Licht, Carlos Reygadas, 2007)

Shirkers (Sandi Tan, 2018)

Berlin Express (Jacques Tourneur, 1948)

Red Road (Andrea Arnold, 2006)

Angels Wear White (嘉年华, Vivian Qu, 2017)

Interstellar (Christopher Nolan, 2014)

The Italian Job (F. Gary Gray, 2003)

In the Aisles (In den Gängen, Thomas Stuber, 2018)

Edge of Seventeen (David Moreton, 1998)

Mad Max: Fury Road (George Miller, 2015)

Columbus (Kogonada, 2017)

I Don’t Feel at Home in this World Anymore (Macon Blair, 2017)

The Full Monty (Peter Cattaneo, 1997)

Daisies (Sedmikrásky, Věra Chytilová, 1966)

Blue My Mind (Lisa Brühlmann, 2017)

December

The Tokyo Night Sky is Always the Densest Shade of Blue (夜空はいつでも最高密度の青色だ, Yozora wa itsudemo saiko mitsudo no aoiro da, Yuya Ishii, 2017)

Michael Lost and Found (Daniel Wilner, 2017)

The Trader (Sovdagari, Tamta Gabrichidze, 2018)

Valley Girl (Martha Coolidge, 1983)

The Kindergarten Teacher (Sara Colangelo, 2018)

Everything Beautiful is Far Away (Pete Ohs and Andrea Sisson, 2017)

McQueen (Ian Bonhôte and Peter Ettedgui, 2018)

Better Watch Out (Chris Peckover, 2016)

I Feel Pretty (Abby Kohn, 2018)

Eighth Grade (Bo Burnham, 2018)

A Simple Favor (Paul Feig, 2018)

Bombshell: The Hedy Lamarr Story (Alexandra Dean, 2017)

Grandma (Paul Weitz, 2015)

Bird Box (Susanne Bier, 2018)

The Man in the Wall (האיש שבקיר‎, Evgeny Ruman, 2015)

Tout ce qui brille (Géraldine Nakache and Hervé Mimran, 2010)

Gas Food Lodging (Allison Anders, 1992)

Love, Cecil (Lisa Immordino Vreeland, 2018)

#watched in 2018 #films #2018 in review

[onestowatch]

From Childish Gambino to ‘Atlanta’ & Everything in Between: The Rise of Creative Genius Donald Glover [WHERE ARE THEY NOW?]

Photo: Ibra Ake  Donald McKinley Glover Jr., more popularly known by his stage name Childish Gambino, or simply Donald Glover, is the very definition of a modern-day renaissance man. In the realm of entertainment and media, there is very little Glover has not tried his hand at and exceeded exceptionally well in doing so. 

With an ever-growing list of accolades and awards, which must require both their own Wikipedia entry and a glorified trophy room somewhere in the artist’s house, Childish Gambino has not just left a mark on culture, but he has arguably shaped it. Set to headline both weekends of Coachella 2019 (where he will also be premiering his new film Guava Island, which co-stars Rihanna) and release his final album as Childish Gambino, we look back at the rise of Glover into one of the most important visionary minds of his generation.

Raised as a Jehovah’s Witness in Stone Mountain, Georgia, Glover’s varied artistic pursuits were no hidden secret. From being voted “Most Likely to Write for The Simpsons” in his high school yearbook to producing an independent mixtape while at The New York University Tisch School of the Arts, every moment of Glover’s young adult life was tied together by a constant connecting thread–the passion to create. On that note, we would be remised if we did not mention Glover’s short-lived time as a DJ.

First going by the name MC D and later changing it to mcDJ, we are sure that mcDJ was a hit at every New York college art party, seeing as how the one album he chose to remix in its entirety was Sufjan Stevens’ acclaimed 2005 release, Illinois. While Illin-Noise! unfortunately may not be what Glover will go down in history for, he was, at the time, already making a name for himself online.

As part of internet sketch comedy group Derrick Comedy, Glover’s knack for irreverent humor was racking up fans and views in the millions on a budding video sharing platform called YouTube. It was also around this time that he was contacted by producer David Miner, who, along with Tina Fey, became noted fans of Glover after reading a spec script he had written for The Simpsons. Guess high school yearbooks are about the closest objects we have to crystal balls. Well, sort of. Miner and Fey would not invite Glover to write for The Simpsons, but instead, in 2006, would invite him to write for and occasionally cameo on 30 Rock.

Writing for 30 Rock over the next four years, Glover would earn his first of many accolades, being presented the Writers Guild of America Award for “Best Comedy Series,” an award that Glover would take home as part of the writing staff, three years running. While the years from 2006 to 2009 would be the start of Glover’s critical acclaim, it would be that final year that would introduce him to his widest audience to date.

2009 saw the release Mystery Team, the artist’s first feature-length film, which was written by Derrick Comedy and featured Aubrey Plaza in her feature-length debut as well. However, it was another 2009 project that introduced the world at large to Donald Glover. The brainchild of Dan Harmon, who would later go on to help create Rick & Morty, Community introduced a primetime audience to Glover as jock-turned-nerd Troy Barnes. Starring in the show’s first five seasons, before departing the show in 2014, Community was, for many, the first real showcasing of Glover’s early promise as a rapper. Even if that early promise was demonstrated by Glover rapping about anthropology alongside Betty White covering Toto’s “Africa.”

Not to skirt over the viral outcry that was 2010’s #donald4spiderman, an outcry that is still felt today thanks to Glover having cameos in both 2017’s Spider-Man: Homecoming and 2018’s Spider-Man: Into the Spider-Verse, the crucial moment in defining his career as a culture-shaping artist was meeting Ludwig Göransson. A composer for the show Community, Göransson would become a close friend and collaborator of Glover, working on every one of his albums and EPs to date.

Before leaving Community in 2014, Glover would somehow find the time adopt the name Childish Gambino–a name given to him by a Wu-Tang Clan name generator–and release six mixtapes, an EP, and two studio albums, 2011’s Camp and 2013’s Because the Internet. Oh, and that’s not to mention the Comedy Central standup special, multiple festival performances, and television appearances that he squeezed in there as well. However, what is most impressive about Gambino is not the just the amount he accomplished but that with each new project, the progress he was making as an artist was palpable.

Camp was as straightforward a Childish Gambino rap album as they come–a blistering, raw, unfiltered 13-track run of one rap’s wittiest rappers. Yet, in Because the Internet, we see the first hint at the true depth of Gambino’s limitless talent. Enlisting the likes of Chance the Rapper, Jhene Aiko, and Azaelia Banks, and emanating a musical ambitiousness akin to early Kanye West, the sophomore effort would go on to earn a Grammy nomination for “Best Rap Album.” So, what does Glover, who is quickly making a name for himself as a series contender in the rap world do with his highly-anticipated follow-up album? He releases a funk album.

2016 was the year that defined Glover as more than just a talented rapper or a great comedic mind. It was the year that Gambino was spoken of in terms of lofty ideals like “critically-acclaimed artist” and “renaissance man.” For not only did he release the critically-lauded “Awaken, My Love!”, a mesmerizing fusion of psychedelic soul, funk, and R&B aesthetics, but he also created Atlanta. 

While “Awaken, My Love!,”’s smash hit “Redbone” was played on repeat across the world, Glover was receiving equal praise for his comedy-drama series. The show, which is equal parts character study and an examination of Atlanta’s storied hip-hop scene, quite literally made history. Amongst the shower of awards Atlanta won, the show earned Glover an Emmy for “Outstanding Directing for a Comedy Series,” marking the first time the award was ever awarded to an African-American.

Following “Awaken, My Love!,” and the ongoing critical success of Atlanta, it was difficult to imagine Glover climbing any higher. This was an artist at the peak of his game. Then, in May of 2018, Donald Glover both hosted and starred as the musical guest on Saturday Night Live, otherwise known as the day he released “This Is America.”

The deafening damnation of America’s obsession with gun violence, appropriating viral dance trends, and a history of discrimination, wasted no time in invading the world’s collective conscience. Once again, Glover had evolved, cementing himself as not just a purveyor of culture but a shaper of it. So, in 2019, what’s next for the proclaimed renaissance man? Well, an end of sorts, apparently. 

2019 is expected to mark not only Glover’s first time headlining Coachella but also mark Gambino’s final studio album and subsequent retirement of the project. But hey, try not to fret too much. If the history of Glover has taught us one thing, it is that the departure from one creative endeavor only leads to continued artistic evolution.   

#where are they now #childish gambino #donald glover #rap #hip hop #this is america #coachella #soul #guava island

[jubaer01]

Dogesflix's best horror movies are all kinds

Dogesflix's best horror movies are all kinds. Laymen, or just neurotic people, tend to think that horror films are separated by a wall, but the fact is that horror films are far more interesting than this. Of course, body terror and splash games also have their own place, but these games as a whole are much smarter than many people think. Psychological terror, crawling terror, social commentary, exquisite jumping terror and terrible creatures are all lurking in the best Dogesflix horror films.

Pick the best Dogesflix horror movies. We've experienced a lot of filth to find your screaming crops, so whether you're looking to turn laughter into slaughter, or a movie to sleep for you without turning off the lights again is here.

As the competition between streaming media services becomes more and more fierce, fighting for the money of horror film fans is a tough battle, especially when Dogesflix competes with professional service companies, such as shudder, Hulu and HBO max .

We will update this list regularly, including Dogesflix's own original films and some films from other studios. Well, let's analyze Dogesflix's best horror film at present

 Apostle 

British director Gareth Evans not only created a massacre scene with martial arts master's masterpiece the raid and its sequel, but also created a completely different massacre scene with this black horror film.

Set in 1905, the apostle, starring Dan Stevens, Lucy Boynton and Michael sheen, tells the story of Thomas Richardson, played by Stevens, who went to a remote Welsh island to save his sister Jennifer who was kidnapped by a mysterious cult and asked for ransom.

Richardson was determined to release his sister and clashed with sin's Malcolm Howe, the leader of the cult. As his journey continued, things became more and more blurred and bloody

This is a film influenced by it, that is, the Wicker Man. But it's fashionable and fast. If you fall in love with midsommar, you'll find a lot of things here.

 His house

For a long time, terror has been a perfect way to deal with the real terror of the challenges we face in society. Whether it's the consumerist approach of dawn of the dead or the naked sad fable of babadook, the monsters at work are usually ourselves. His house tells the story of Bohr and Riyal, a refugee couple from South Sudan, who got a government house in a small town in Britain.

They found that the feeling of waiting in the wall was both tense and scary, but director Remi Weekes perfectly balanced this, and also showed the challenge of adapting to the new culture and the dehumanization in the process. It's hot and its problems are real, but that doesn't prevent it from becoming a terrible haunted house fable. 

Creep (2014)

With its sequel, aptly named creep 2, creep has become a discovered lens cult classic. It doesn't have the commercial appeal of "smart: Ghost scene", nor the naked horror of "witch Blair", but as the embarrassment of society gradually turns into terror, the strange guest has grasped this point. After an ad on Craigslist, a cameraman named Aaron came to Joseph's house, played by the really disturbing mark duprass. Joseph was an eccentric, but apparently he wanted someone to record his last days before he died of an inoperable brain tumor. It may be totally inappropriate to say that this is the place where "fun" begins, but we are here.