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#they FINALLY made the right choice
arabian-batboy · 1 year
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Don’t play with me now, this better be for real-
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haunted-xander · 3 months
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Sometimes I think about Urianger's role in and feelings on the Thancred-Ryne dynamic and I think watching it kills him a bit inside. For several reasons.
Like, to begin with there's the guilt he's been carrying with him since he ushered Minfilia to the first, how he effectively killed the person Thancred cared about the most in the world and who's "death" ended up causing Ryne's entire Situation. He looks at what's happening between them and can only think "I caused this" even though that's not really true. No one person is responsible for this outcome, it's a culmination of several circumstances and the consequences of them. Logically, Urianger knows this. But it doesn't matter, because his guilt is overpowering his logic.
And also, like. What Thancred is doing here, the way he's knowingly letting Ryne be and stay hurt because he literally cannot bring himself to tell her his feelings, is the exact same mistake Urianger made with Moenbryda. Of course, the circumstances are vastly different, and the potential consequences to Thancred telling Ryne the wrong things or her misinterperating it is far greater (being a matter of literal life or death), it's still the same sort of paralysis they are trapped in.
And he knows it. He sees it. But he can't say or do anything about it, he doesn't have the right to. He acknowledges the mistake, but he hasn't really improved upon it yet. He still doesn't voice his thoughts and feelings as he should. He's also non-confrontational by nature, he doesn't argue or try to change peoples minds, he probably doesn't think he has any place to.
So, he tries to help in what little ways he can. Because he doesn't want it to become Monebryda again, he doesn't want to know he stole not one but two people from Thancred. So he does what he can. He tells Ryne little tidbits about Thancred, things that help her understand him but are safe to share. Nothing too deep, nothing too personal. Just small things, things that are purely factual, because he can't afford to give her a false image of who Thancred is. He teacher her fun and interesting things, because Thancred isn't in the mindset to provide her with non-essential skills.
I like to think Urianger has brought it up with Thancred at least once, during one of his stays. But nothing would've come of it. Not really. Unlike Y'shtola, Urianger isn't pushy, he'll bring it up once or twice and when he sees this won't go anywhere, he gives up. He wants to help, but he knows that persistance only does do much, and he is not the person who has the resiliance needed to push and push until Thancred finally budges (because he won't budge, it won't help anything but to sour things further by adding aditional stress to an already strained dynamic).
And like. Urianger gets it. He gets it because he's been the same way- not saying what he should to someone he loves more than anything else because she was meant to figure her life out herself, and 'steering' her in any direction by telling her his feelings (regardless of if the 'steering' is intention or not) will go against that. He gets it. He gets it and it's all the more painful for it. He knows it can't just be fixed by acknowledging it or with encouragement, something needs to happen to break the stasis.
I think this is probably why he stayed behind while they went off to Nabaath Areng. This is the very last chance they have to say what they want to, and he can't afford to be the anchor anymore. This is about them, not him, he can't let their resolution be buffed by his presence, so he stays behind. Which was probably for the best. Ryne got nervous when Urianger said he's staying behind, probably not too excited about being alone with Thancred (well, not alone, but WoL doesn't count) so soon after she had ran away crying. But she needs to be nervous. For anything positive to come out of this Thancred and Ryne both can't afford to be too relaxed. As sad as it is, the stress is necessary for anything to happen. He knows it. Does he like it? Absolutely not, but nor does he like his other plots. At least no one dies this time if it goes right.
#urianger had an integral part in the thancred-ryne situation and i think its very important to remember that#like i think he served as a very important buffer that prevented the dynamic from becoming even more strained than it already was#but also like. ryne NEEDED to have at least someone she can be comfortable around without the stress of her circumstances souring it#urianger is uniquely suited to play that role. even with his guilt regarding minfilia he never showed anything but genuine kindness for her#it helps that she didnt know about his hand in the situation existing to begin with (as shes surprised when he tells her in ahm areang)#THATS ALSO IMPORTANT BTW. like this man had a DIRECT hand in making this happen (even if it isnt fully his fault. minfilia made her choice)#AND LIKE. the parallels between uri-moen and thancred-ryne. they both love these girls so so much but cant bring themselves to say anything#urianger has been through the pain before. he knows. but he hasnt improved much himself. what right does he have to scold thancred?#silent support is all he can give. pushing thancred would make him a hypocrite and risk making it worse. hes not suited for confrontation#y'shtola and uriangers approaches to helping both have their merits but it needs a balance#too much pushing and the dynamic just gets worse but too forgiving and nothing will ever change#and yes i know im just repeating myself but ITS IMPORTANT OK#GOD#urianger augurelt#thancred waters#ryne waters#final fantasy#final fantasy 14#final fantasy xiv#ff14#ffxiv#xander rambles#xander being insane about ryne#urianger actually this time but. its related to ryne so. it gets the tag
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laurasbailey · 3 months
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critical role foundation donating to palestine? damn i didn’t think they had the guts after this long, good for them.
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blueskittlesart · 11 months
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any thoughts on how once again zelda was robbed of her agency because her "father figure" didn't listen to her? even if rauru was kinder to her than her father. and that she had sonia who was patient and loving for a little while before she died (just like her mother). i know rauru apologizes for his hubris but still, i wish we saw zelda be upset about it. and even if zelda was such a big part of the quest she still literally sacrificed her humanity once again because of someone else's mistake- because rauru literally didn't listen to the girl from the future that warned you that shit was going to go down. o know nintendo just loves putting zelda inside crystals and stones but i wish we got something better. even if it was her decision to become a dragon... did she have any other choice? it really just feels like they robbed her of agency again just like botw and the games before
i've been trying to figure out how to answer this one. because there are two ways i could analyze this plot point, either from a writer's perspective or an in-story perspective, but neither of those lead to me fully agreeing with your interpretation? I think there's definitely something to be said about zelda consistently being pushed aside in these games, but. well. ok let's get into it ig
from a writer's perspective, I do honestly have quite a bit of sympathy for the zelda devs as they attempt to navigate the modern political landscape with these games. The cyclical lore, though canonized relatively recently, holds them to a standard of consistency in their games in terms of certain key elements. one of those key elements is that there has to be a princess, and that princess must somehow be the main macguffin of the game. The player must chase her, and the end goal of the game must be to reunite the player and the princess. In 1986 this was an incredibly easy sell. women didn't need to be characters. players were content with saving a 2-dimensional princess whose only purpose was to tell them "good job!" at the end. but as society advances, that princess becomes a much more difficult character to write while adhering to the established overarching canon. (as a side note: i don't necessarily believe that the writers SHOULD be held to the standards of that canon. I think deviating from it in certain areas would be a good change of pace. but i also recognize that deviations from the formula are widely hated by the loz playerbase and that they're trying to make money off these games, so we're working under the established rule that the formula must be at least loosely adhered to.) Modern fans want a princess who is a person, who has agency and makes decisions and struggles in the same way the hero does. but modern fans ALSO want a game that follows the established rules of the canon. so we need a princess who is a real character but who can ALSO serve as a macguffin within the narrative, something that is inherently somewhat objectifying.
the two games that i think do the best job writing a princess with agency are skyward sword and botw (based on your ask, our opinions differ there lol. hear me out) in both games, we have a framing event which seperates zelda and link, but in both games, that separation was ZELDA'S CHOICE. skyward sword zelda runs away from link out of fear of hurting him. botw zelda chooses to return to the castle alone to allow link the time he needs to heal. sksw kinda fumbled later on by having ghirahim kidnap her anyway, but. i said BEST not PERFECT. botw zelda I think is the better example because, with the context of the memories, she's arguably MORE of a character than link is. we see her struggles, her breakdowns, her imperfection, specifically we see her struggle with her lack of agency within the context of the game itself. when she steps in front of link in the final memory, and when she chooses to return to the castle, those are some of the first choices we see her make almost completely free of outside influence; a RECLAMATION of her agency (within the narrative) after years of having it stripped from her. from an objective viewer's standpoint, this writing decision still means she is absent from 90% of the game and that she has little control over her actions for the duration of the player's journey. however I think this is just about the best they could have done to create a princess with agency and a real character arc while still keeping the macguffin formula intact--you're not really SAVING zelda in botw. SHE is the one that is saving YOU; when you wake up on the plateau with no memories, too weak to fight bokoblins, let alone calamity ganon. the reason you are allowed to train and heal in early-game botw is because SHE is in the castle holding ganon back, protecting YOU. When you enter the final fight, you're not rescuing zelda, you're relieving her of her duty. taking over the work she's been doing for the past hundred years. in the final hour, you both work in tandem to defeat ganon. while this isn't a PERFECT example of a female character with agency and narrative weight, i think it's a pretty good one, especially in the context of save-the-princess games like loz.
as for totk, you put a lot of emphasis on rauru not believing zelda and taking action immediately, which, again, from an objective standpoint, i understand. but even when we're writing characters with social implications in mind, those character's actions still need to... make sense. Rauru was a king ruling over what he believed to be a perfectly peaceful kingdom. zelda literally fell out of the sky, landed in front of him, claimed to be his long-lost granddaughter, and then told him that some random ruler of a fringe faction in the desert was going to murder him and he had to get the jump on it by killing him first. the ruler which this girl is trying to convince rauru to wage an unprompted war on has the power to disguise himself as other people. no one in their right mind would immediately take the girl at her word. war is not something any leader should jump into without proper research and consideration, and to rauru's credit, he DIDN'T ever outright dismiss zelda. he believed her when she said she was from the future, he allowed her to work with him and he took her warnings as seriously as he could without any further proof. but he could not wage an unprompted war on ganondorf. that's just genuinely not practical, especially for a king who values peace among his people as much as rauru seems to. as soon as ganondorf DID attack, giving rauru confirmation that zelda's accounts of the future were real, he began making preparations to confront him. remember that zelda didn't KNOW that rauru and sonia were going to be casualties of the war--she didn't make the connection between rauru's arm in the future and rauru the king until AFTER sonia's death, when rauru made the decision to attack ganondorf directly. I think the imprisoning war and the casualties of it were less an issue of zelda being denied agency and more an issue of no one, including zelda, having full context for the events as they were unfolding. if zelda had KNOWN that sonia and rauru were going to die from the beginning and was still unable to prevent it that would be a different issue, but she didn't. none of them did.
I think another thing worth pointing out with rauru and his death irt zelda is that rauru is clearly written specifically as a foil to rhoam. this is evident in how he treats both zelda and link, with a constant kindness and understanding which is clearly opposite to rhoam's dismissiveness and disappointment. consider rhoam's death and the circumstances surrounding it. He died because, in zelda's eyes, she was unable to do her duty; the one thing he constantly berated her for. Rhoam's death solidified zelda's belief that she was a failure, a belief which she KNEW rhoam held as well. his death was doubly traumatic to her because she knew he died believing it was her fault. Now contrast that to the circumstances surrounding rauru's death. Rauru CHOSE to die despite zelda's warnings, because he wanted zelda and his kingdom to live. rauru's death was not agency-stripping for zelda; in fact, it functioned almost as an admission that he believed her capable of continuing to live in his place. With him gone, the fate of the kingdom fell to her and the sages. he KNEW that he would die and still went into that battle confidently, trusting zelda to make the right decisions once he was gone. where rhoam believed zelda incapable of doing ANYTHING without link, rauru trusted zelda COMPLETELY with the fate of his kingdom. several details in totk confirm that when rauru died there was no plan for zelda to draconify, that all happened after rauru was gone. it was HER plan, the plan which rauru trusted her to come up with once he was gone. and I think it's also worth noting that zelda's sacrifice with the draconification parallels rauru's!! Rauru gives up his life trusting the sages and his people to be able to continue his work in his place. Zelda gives up her physical form trusting link and the sages in the future to be able to figure out what to do and find her. these games in general have this recurring theme but totk specifically is all about love and trust and reliance on others. zelda relies on link, link relies on zelda, they both rely on the champions and the sages and rauru and sonia and they all rely each other. reliance on others isn't lack of agency, it's a constant choice they make, and that choice is the thing which allows them to triumph.
The draconification itself is something i view similarly to zelda's sacrifice in botw--a choice she makes which, symbolically & within the confines of the narrative, is a demonstration of her reclaimed agency and places her at the center of the narrative, but which ALSO removes her from much of the player's experience and robs her of any overt presence or decisionmaking within the gameplay. again, I think this is a solution to the macguffin-with-agency dilemma, and it's probably one of the better solutions they could have come up with. Would I have liked to see a game where zelda is more present within the actual gameplay? yes, but I also understand that at this point the writers aren't quite willing to deviate that much from their formula. the alternative within the confines of this story would be to let zelda DIE in the past, removing her from gameplay ENTIRELY, which is an infinitely worse option in my opinion. draconification allowed her to be present, centered the narrative around her, and allowed the writers to reiterate the game's theme of trust and teamwork when she assists the player in the final battle, which i think was a REALLY great choice, narratively speaking.
In any case, I don't think it's right to say that zelda was completely robbed of her agency in botw and totk. Agency doesn't always mean that she's unburdened and constantly present, it means she's given the freedom to make her own choices and that her choices are realistically written with HER in mind, not just the male characters around her, and I think botw/totk do a pretty good job of writing her and her choices realistically and with nuance.
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trainingdummyrabbit · 6 months
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in conclusion the most poignant thing about ruina is its running theme of Imperfection. imperfection, focused not on its flaws, but on the miracle of it existing to begin with. imperfection not as a failing, but as a triumph. its cracked, broken, deeply in need of repair-- but it's real and its ours and it exists. despite everything it exists and that enough is a relief beyond words, beyond expression. to present a toppled structure not as a conclusion, but an opportunity.
its the choice-- and the joy-- of looking forward, unflinchingly, and facing it. one step at a time.
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hzdtrees · 1 year
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Storm in the West
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ottosuwuen · 2 months
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Vincent and Chisha's wedding, with Priscilla and Cecilus as their best woman and best man respectively.
I commissioned this gorgeous piece from Livia. The artist delivered a beautiful result and was also quite attentive during the process, so check out her stuff!
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rocicrew · 1 year
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THE EXPANSE 6.04 REDOUBT
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lvstharmony · 6 months
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​beyond grateful for the people that are surrounding me in my life, just as i am grateful for the people i’ve parted ways with, for without them, i would not be the person i am today.
#i have left so many people throughout my life#and#if someone would ask me if i’d regret any choice i’ve made i would say no#i regret hurting people yet i wouldn’t change a thing if i could#without the suffering the sacrifices and the lessons i would not be the person i am today that i can finally say i’m proud of#whenever i read the question “would you want to be your friend if you’d meet yourself?” deep down my answer was no#i was a good friend and i always tried my best to be there for everyone#but i was so blinded and overwhelmed by my pain that i tried so hard not to project on others that it was exactly the thing i’ve done#i was extremely caring sensitive loving and selfless but my ”bad“ traits were just as extreme#my emotions were so overwhelming that they were scattered all over the place that it didn’t allow me to have any control over them#i used to be so terrified of being alone. all i’ve felt was a great loneliness that was residing within me#until i’ve gathered the strength to leave an entire friendgroup with people that meant the world for me#they weren’t good for me anymore just as i wasn’t for them#since that day i’ve grown a lot i became a better and healthier version of myself#i learned how to be alone and to find the peace in it and in myself#all i’ve had was Allah swt. and He is all i will ever need.#without the hardships in terms of friendship i wouldn’t have been able to learn how to be alone and love and enjoy it#without it i could not say that i could easily give up the people in my life#i could if i had to bc i have Allah swt.#but i’ve learned how to choose and to choose the right people#i don’t need you and never will but i choose you bc i want you in my life and i think that makes it so much more special#i can finally say that i love the person i am today and can’t wait to see myself grow even more as the cycle of growing is never ending#I still have so much to learn and I will let it come to me with open arms#an open mind and an open heart#above all the most precious gift i’ve earned is to learn how to have tawakkul.#everything that happens every trial that is afflicted upon us has meaning#and it’s beautiful.#being able to pick out the khair in everything is the biggest blessing#alhamdulillah for the things that bruised my soul alhamdulillah for the things that mended it#alhamdulillah for everything bc truly; Allah does not burden a soul beyond that it can bear.
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My favorite part of fafsa is where it doesn’t even ask you if your family is going to contribute, it just assumes they will, and then spits out a total bullshit number based on that 🙄
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snakegentleman · 4 months
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I'M STARTING HRT!!!!!!!!!
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carlyraejepsans · 1 year
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with toriel and asgore it's like. they're both flawed and their flaws parallel one another, but they're not EQUALLY flawed... like..... come on......
#let's be serious here. just say you don't like toriel and move on. but don't pretend her hypocrisies were in any way comparable#in size in subsequent damage or in blame to asgore's own#the game goes out of its way to show asgore's actions as wrong. both towards his people and towards toriel. noble yes. sympathetic. tragic.#heartwrenching. narratively impeccable and capable of genuine chance. but fundamentally the wrong choice made by a good man#toriel may not have made the best possible choice at every turn but her final intentions were the morally correct ones#she just did what she KNEW was right. even when it meant leaving her entire life and people behind to live in isolation.#asgore backed toriel into that corner just as much as he did himself#he was a good man who was in a world of hurt and that decision hung over him for the rest of his life but it WAS. HIS. DECISION.#you cannot take that from him. you cannot take the teeth out of his character like that#and you cannot take toriel's role as the person who challanges and refutes his decision from her#her entire character was created as a subversion of rpg motherhood. and how it had so little of motherhood in it.#letting children venture out into the wilderness to face god knows what god knows where#WHICH IS!!! IN ITSELF!!!! A NARRATIVE PARADOX. because it's something that the genre requires for the story to exist#you can't play the whole game on tutorial. the contradictory nature of her stance between morality & ut's genre is built into her character#that's what makes her so freaking interesting to begin with!!!!!! like.#OUGH#undertale#toriel#asgore#entry log
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Posting this on behalf of some friends, who are too damn kind to say what needs to be said.
I find it interesting that you say you used to be friends with us. You’ve done nothing but make others feel terrible by gaslighting, manipulating, insulting and spreading gossip to an entire circle of people, and those you keep in your own circle have admitted—and there’s hard PROOF of this, directly from the mouths (or, well, IPs, I guess?) of those responsible—to having bullied another user off Tumblr in the first place.
If an entire group of individuals have blocked you, it’s not because they’re 'twisting your words' and 'making you the villain'. It’s because you’ve shown yourself to be the villain. Word to the wise: if you’re going to treat people like shit, make sure they don’t have a way to communicate with each other about the things you're doing. Because, at the end of the day, it doesn’t take long for the pieces to add up.
The math doesn’t lie.
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grapejuicegay · 2 years
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something about a touch that physically holds you to the duty placed on you
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and how quickly it can turn ugly when you can’t live up to its expectations
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clottedscream · 11 months
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it’s june again motherfuckers. time for more Cameron Sitting On A Wall content
[Image ID: a digital illustration of the artist’s oc sitting on a brick wall. The image is in perspective, with the foreground occupied by the oc’s skateboard propped up against the wall. The skateboard has a multicolored splatter paint design and is covered in a multitude of stickers, including two cat faces, a lesbian pride flag, several stars, and a purple oval that says ‘defund the motherfuckers.’ The oc is a woman with short, shaggy bleach blonde hair that covers one eye. She is blowing a gum bubble and reclining against the wall with her headphones on. Her outfit consists of a cropped tank top with a similar splatter paint pattern to her skateboard, with the word “PUKE” emblazoned across the chest, worn over a black tank top and denim shorts. she has several multicolored bandaids on her body. In the background behind the brick wall, a tree is drawn in a less realistic and more scratchy, hand-painted style. The sky is abstract, with paint drips and splotches, and the sun casts a rainbow lens flare. End ID]
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bribes · 11 months
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i managed to leave a crisis counseling session without being hospitalized (~:
but now i have to talk to a lot of people on campus l about how much i want to kms/what i can do in terms of my education & living arrangements
when do i become a liability to these people
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