Today my therapist introduced me to a concept surrounding disability that she called "hLep".
Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"
And my therapist pointed out that this is not "help", it's "hLep".
Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.
At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.
So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!
Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!
Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!
Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.
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The reason the whole age discourse is confusing is that bluepoch keeps pulling shit like THIS.
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Byler Week Day 5 — Secret Identities
very loosely interpreting the prompt for today but i've had this idea for a while and... secret identities, Superheroes, that works. anyone who knows me well probably could have seen something like this coming LMAO
also trying to draw Robin & Superboy costumes that look thrown together and home-made when i have spent so much time drawing their actual designs was a challenge
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a lesson on good karma
digimon survive week 2024
day 4: supporting characters
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#not me thinking they were gonna give us dunkphuwin lmao 😭
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She's on a hospital bed, amnesiac after an accident and she's having a crush on this man who is apparently her husband.
@dragonuva's part on an art trade with them from last year! 🥰 It's based on the first chapter of Chiptune by Newlense.
Guys. This fanfic is my favorite FAVORITE connverse fic and I love it so much I don't care if the last update was in 2020 nor if it's never going to be continued. It's so tender and the angst whalloped my guts in the right places. 😭💕
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tall shadows line of "she was only a kittypet" kinda reminds me of the line "they were only slaves" from the prince of egypt.
What kills me about it is that like, at that point in the movie, the Pharoah Is Bad. Him saying that a billion babies where fed to crocodiles is A Bad Thing. It's the point where Moses realizes he can't be part of the royal family without being complicit.
But Tall Shadow says "calm down, Bumble was less than human anyway" and Gray Wing nods along (complete with the jiggly clicking noise that comes with shaking a can of spraypaint) and this is an example of them being reasonable. Level-headed, even, not getting swept away by the passion of the angry mob.
There are so many levels to how fucked up the Bumble Debacle is that you can't explore every floor all at once. It is an onion. It has layers.
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I think the portrayal of Spider-Man 2099 in Across the Spider-Verse is in-character in that aside from like Shattered Dimensions he's always been portrayed as a bit of an asshole who slips into anti-hero territory at times and generally has a "needs of the many over the needs of the few" mindset and given his specific circumstances in the movie it's not unreasonable to think he could take the actions he does. However it does kinda suck that since like 99% of moviegoers had no idea who he was before the movie came out their first impression of him is when he's in an antagonistic role and people think "antagonist" and "villain" are synonyms so now I'm gonna have to listen to people who've never read a comic saying he's a villain or isn't a real Spider-Man for the rest of time or at least until he inevitably changes his mind in the third one.
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i think some people (especially on this web site) interpret succession the same way that people would interpret, like. glee. or bbc sherlock. or any media in the past decade-ish before queer characters and couples were more common in media. in the way that essentially boils down to “popular entertainment is so heteronormative, i need to hunt for clues that show the creators know gay people Exist beyond homophobic stereotypes” because that validates the queer person watching and any potential queer readings of the characters. and that period of time is still SO fresh, and queer representation in media is still not what it could or should be.
but it’s just interesting and i think kind of unfruitful when people interpret the scenes of this show as clues or proof that greg is gay irl or something.
not only is that just patently Not The Point Of The Show, it’s also like. we don’t need to see a scene where greg comes out as gay. his dad who abandoned him was gay. logan calls every one of his family members a faggot if they do something he just slightly doesn’t like. tom asked greg the first day they met if greg would kiss him as a power play or plea for affection or a sign of his latent sexuality. etc etc etc. and all of these connect inextricably to the show’s actual themes and message. what exists in the show already is so much more meaningful and complex than any cumulative “proof” could be, and i think interpreting it as such undervalues the show’s thoughtful writing.
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Throwback to when someone referred to me as the matpat of transformers
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YELLOWJACKETS | 2.04 “OLD WOUNDS”
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btw not to make everything about My Fucking Guy but i honestly think one of the things that seperates q!phil out from the other islanders is the approach he takes to dealing with the lack of agency + control all the islanders have over whatever the fuck the federation's doing.
it shows up most prominently whenever tubbo is excitedly telling him about the 'progress' he's made with cucurucho or various investigations (ie: trapping him into a corner with the 'do you have free will' questions), and phil always shoots it down w an immediate 'that doesn't mean anything. curucuho will say anything to mess with you. you can't take anything he says as true.'
and it's not that phil is... a paticularly pessimistic character? he's just EXTREMELY practical. like, he's yet to give up on anyone EVER finding ANY answers (he was the one who initially gave the federation that one week ultimatum w the cage for a cage stream), he just doesn't trust the idea that curucuho is ever going to voluntarily give them. they're uncontrollable + senseless - you might as well argue with the weather.
and like, if that's how he sees the one (1) and only point of contact the islanders HAD with the federation for months, it explains a lot abt his characters lifestyle! ofc he sits on the wall all day, talking to his kids, and keeping his head down. he believes that the federation wants nothing more than to drag the islanders into sick games + tasks just so they can fuck with their head (ie: curucuho revealing he was the one cellbit gathered all that information for). and while he can't totally PREVENT any of that from ever impacting him, he can make sure his kids are well fed, well protected, and as happy + comfortable as he can manage. this is objectively not a perfect situation, there is a guaranteed amount of suffering + fear that he can't mitigate, but he can at least account for it.
like, he REFUSES to engage. whenever curucho shows up, he treats them with total ambivalence. he's not going to get riled up by anything they do, he's not going to get super attached to the guy, he's just gonna laugh it off and irish goodbye it when things drag on. the ONLY time he's strayed from that general guiding principle has been since he's lost his eggs, and can no longer afford to let the federation's fuckery go: those are his fucking kids.
hence the completely unprecedented levels of outward rage and sadness and terror he shows throughout the birdcage streams - almost all directed directly to cucurucho. it's all a completely fair + proportional response to the horror the islanders are being subjected to, but it feels so different bc until now, q!phil has been so dedicated to not reacting, and not giving the federation any sign that they're actually getting to him.
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What do you think as Hermione's career would be post battle of Hogwarts? To me her being minister for magic really doesn't make sense. She does not have patience or tact to wade through murky waters of politics 😭😭
So hard to say! The Trio are so, so young when we leave them, I find it almost impossible to project their futures farther than a few years out. The job that suited me at 17 would be radically unsuited to me now. That's why of all the Trio, Ron's ending strikes me as the most realistic — he jumps straight into the save-the-world business again, burns out, realizes he's actually Done The Fuck Enough, Thanks, and pivots into a low-stress career where he gets to see his family a lot. Feels accurate! The others are weirder to me because they do seem to just... pick a lane and stay there.
With Hermione, you could spin her a couple ways. You could say that she leans into her bookish side and does research or teaching, which is not my preference for a couple reasons (namely, I don't think Hermione would like academia as a profession; she finds her classwork interesting and enjoys intellectual validation, but she'd be stifled and wasted in a DPhil program, and she'd be infuriated by the administrative politicking of your average higher-ed faculty). You could say that she gets disaffected with politics and ends up as a barrister or a lobbyist of some kind, but if anything that requires more political finesse, because you don't actually have institutional power, you're just handling the people who make decisions and trying to persuade them of your goals. This is not Hermione's preferred method of influence. She's not even particularly good at persuasion, she just happens to be smart enough (and right often enough) that people take her ideas seriously.
Or you could say her brashness fades with the years into a softened flavor of tell-you-like-it-is honesty, which some politicians actually do successfully trade on; as we see in British politics today, you don't have to be all that charming or clever to get ahead, you just need to be really driven and well-connected (which Hermione completely is; she fought shoulder-to-shoulder with the first postwar Minister and her bestie, the Literal Messiah, runs the Auror Office.) But I don't know if Hermione especially wants to be Minister, after the war. She's just watched years of horrendous bureaucratic incompetence plunge the country into a violent civil conflict. She's had not one, but two Ministers of Magic try to bully or shame her friends into complicity with fascism. Her view of government is... likely extremely dark.
But Hermione also isn't the kind of person who sees her life as a quest for happiness. Babygirl has a savior complex that makes Harry look selfish. (She basically kills her parents — yeah, obliviating is a form of murder, #changemymind — "for their own good," and justifies every batshit, vindictive, mean-spirited move she ever pulls on the grounds that it "helps" one of her friends.) She is a mean, lean, dragon-slaying machine, and she needs a dragon. After Voldemort, the Ministry is the no. 1 threat to muggle-borns and non-wizarding Beings. As a war heroine with basically infinite political capital, I'd be surprised if she didn't try to do something there. That said, Hermione is so vivacious and dynamic that she could potentially grow in a hundred different directions; it's possible that all of this, while true of her at 18, becomes completely inaccurate by 22. That's why I'm not too fussed about any particular fanon interpretation.
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I had a night thought, i've never realised before, with all the dark parallels between Elwing's and Maedhros' fall, that Elrond and Elros potentially had two suicidal parent figures at different moments in time. It's just... For Elrond and Elros to lose two people who played such a huge and heavy and bitter and complicated part in their upbringing, to suicide. It's bad enough to be abandoned by their mother and then to be kidnapped by her pursuers, adopted and raised by them - only to be abandoned by them too. But to have this dreadful lingering impression that their guardians consciously chose death over them. It doesn't matter how true it actually is, it must be devastating anyway.
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It's a side-mission that I don't think many end up doing, at least from the lack of talking about it I see, but still. The figurines. If you succeed a check in the pawn shop, you can take a figurine of a headless soldier on a horse. If you've done that, when you inspect the stained glass Dolores Dei you can get the task to give her any and all figurines you can find. Perhaps you can one day. Even when you get this task, though, it feels odd- it confuses your Logic because Dei has long since passed, but... Maybe you can give her these gifts somehow? You can find another figurine in the unplayable Wirral expansion pack (I only found it bc I didn't know you couldn't play Wirral w Kim). There are only these 2, according to the wiki, and I have not found more.
This task is another moment where the writers really manage to emulate that feeling of not only loss, but lost-ness that you get a few times in the game. When I did this task I thought it would be something extraordinary, maybe vaguely supernatural as there are a few things confirmed to be unexplainable happening with and around Harry, y'know? I had hope and intrigue and didn't even realize how strange and rare it must be to get this task on accident bc after typing it out I realized the starting parameters were VERY specific and easy to miss, actually. And I was so excited to find who to give it to, maybe a lost shrine, or someone reaching through a spot of pale and time, maybe when I found 3 or 5 I could lay them at her shattered feet and look behind the glass, something odd and unexplainable.
Then I met her in the dream. And just before it ended I was reminded that I'm supposed to give Dei the figurines. And that's when it dawned on me what Harry had forgotten, and I knew what he'd done to his memory of Dora by combining the two, and... It was so sobering and desolate. It felt the same way the end of a party feels, when you're the last to leave. The balloons are still up, but there's streamers on the floor, crumbs on the plates, bowls of snacks emptied, walls that held and echoed laughter are silent. The after image of something amazing, left only with the memory and the knowledge that that moment will never, ever happen the same way again.
You fulfill this task by giving all found figurines to Dora in the final dream.
And it does nothing. It doesn't work. Nothing will work. She would have liked them once, but like Dei, that Dora is dead. She died years ago and the Dora that remains is far, far away now.
Just like when I had no idea the carriage was Harry's until Kim spelled it out for us 2 hours later after chatting and whistling and relaxing; the figurines made what Harry was feeling and going through dawn on me so personally. I can't explain it in words well enough. I was so disappointed the figurines weren't some greater purpose, I was sad this was all we were holding onto them for, I was disappointed in Harry for trying to use trinkets to win her back, I was upset that they didn't do anything good, she didn't even want them; and I knew that's what Harry felt in that moment, too.
It's a level of "Show, don't tell," that not many writers set themselves up to be able to achieve. Even in this game there are only a handful of moments that are able to put you into Harry's headspace so precisely, and all of them are very specific and rely heavily on context given or lost on the player. It's impressive. I think about those figurines a lot.
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s3 opens with Stede walking into he and Ed's shared bedroom. Izzy's half-transparent ghost is sitting at the desk with his legs propped up.
"Christ didn't you die?!"
"I did," Izzy smirks. "Can't get rid of me that easily, Bonnet."
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