as a major fan of your Thai BL list, I shall now ask about your Korean BLs! 🤩
I think I can actually trust you 😌😌
Anon Two, thanks for tag-teaming this with the previous Anon, so y'all could squeeze another list out of me. To recap, I've already given y'all:
Top GMMTV Actors
Top GMMTV Pairs
Top Five Taiwanese BLs
Top Ten Thai BLs
So what's one more? @lachikapercebe also asked for this list, but requested only my top five; however, since I already started the list without a specific target number from Anon Two, and Korea gives some of the best confessions in the genre mixed with color coding, I can't reduce the list now. It's too late for me to trim it. I am attached to each pick. They are my children, and I can't desert them, so . . .
Top Ten Korean BLs
Rising Star - Love Tractor
I don't trust Korean BLs. A majority are too short, so either the beginning is confusing or the ending is flat, but unless Love Tractor completely fumbles the second half (which it could because . . . Korea), this will be a yearly top and even possibly an overall top for its country and all BLs. It's that good to me. It's hitting all the normal K-drama notes while being oh-so-very-gay. And as a rural queer, it pleases my soul to see country life presented in such a kind and beautiful way.
#10 - Roommates of Poongduck 304
Mr. Petty Peter Jae Yoon independently earned a spot on this list. Ho Joon was a jerk and a true nemesis when the show began, but Jae Yoon started effing up Ho Joon's home life the more Ho Joon kept messing up his work life, so it was a beautiful tit-for-tat the first few episodes; then, Ho Joon lost focus and wanted a consensual workplace relationship. His father appreciating his new attitude and rejection of his ladies' man ways was a delight to witness since we all knew it was due to him falling in love with a man. And oh boy did he fall in love. That entire conversation of Jae Yoon saying it's impossible for two men to fall in love, only for Ho Joon to respond that it was impossible for him NOT to fall in love with Jae Yoon is a top tier confession for me.
#9 - Blueming
I have issues with Blueming solely due to its ending because I was just as pissed as Siwon was at Daun. Maybe even more so. All was going well; then, the end of episode nine pulled a Thai episode eleven, and DAUN TOLD HIS MOM TO PICK THE FILM! I understand men in love do dumb shit, but that was a bold choice, and a very, very, VERY wrong one. As the youths say, "that was not the move." However, the cinematography was delicious like their silhouettes with that bewitching blue backdrop and their first kiss was realistic. Pretty kisses are cool and all, but the awkwardness of desperately wanting someone yet not knowing how to physically perform is true to many people's experiences and should be spotlighted more.
#8 - Choco Milk Shake
I only trust two entities with poly: Thai director Jojo, and Korea's Strongberry, so the fact that Strongberry did not give me poly when it was so clearly laid out is the reason this show isn't in the top three. It had a supernatural plot, great characters who were all well cast, and a happy ending, so WHY NOT POLY? I don't care if the rest of the world is ready or not. I'M READY! We are getting a second season, so if I if get a kiss AND a vocal acknowledgement of Milk and Choco's love for each other when their love for Jung Woo was well established in season one, this will cement its place in my heart and on this list forever.
#7 - Light on Me
Sixteen episodes with most running about thirty minutes?! A love triangle where I could root for both love interests?! A straight boy who earned his spot at the queer table?! Light on Me had it all and then some! Looking at my various lists, it's clear I am not fond of high school dramas, yet I was seated twice a week to see how our neurodivergent baby boy, Tae Kyung, fared that week in his adventure through social norms and annoyances, like trying to help a fellow peer by giving him back the dildo he dropped in the hallway, but getting yelled at instead. I was not Team Shin Woo until that cellphone confession, and then all I could see was Shin Woo. I'm telling y'all, Korea understands how to confess its unwavering love. Gets me every time!
#6 - The New Employee
As the BL fandom continues to evolve and expand, we will get more BLs geared toward adults and workplace dramas, but hopefully, they take the approach that The New Employee (and Thailand's Step by Step) did and make the work environment part of the drama. Working adults, sadly, spend a majority of their time at work, so finding love at one's job seems reasonable, but if anyone has experienced coworkers breaking up, that shit can get rough, real quick. So having to navigate a relationship with someone you work with, especially someone of a higher authority position, ON TOP OF being queer can be stressful, and is something I want more BLs to explore. There are levels to being out, and for most queers, being out at the job is not a possibility, but finding love anywhere is always a possibility, particularly for our late 20-something virgins.
#5 - Semantic Error
The fact that this came out in 2022 is beyond my understanding only because it seems like I have appreciated it for at least five years. This has become a comfort watch when it first started as a "nothing else is on" watch. I have never cared so much about honorifics in my life as I did watching the slow transition of Sang Woo’s emotional walls crumbling under Jae Young’s affection through language. As much as I hated the idea of forced collaboration (aka group projects), seeing the way Jae Young squirmed his way into Sang Woo’s every waking thought and had him seeing red to the point that Sang Woo was saving screenshots of Jae Young’s Instagram posts was a delight and one of the major reasons I keep returning to it. But the layered confession about Sang Woo finding Jae Young, a man, attractive which lead to Jae Young's countdown kiss is, once again, the reason Korean BLs win in the confession department.
#4 - The Eighth Sense
I'm still really bothered by some of the discourse that came out of this show about how it was better than everything else ever because the comments were reductive about the BL genre, yet some of the comments resonated with elements I loved about the series, mainly its look at mental health and trauma. It was a beautiful show, but the message it carried throughout about depression being isolating and taking the light out of people's lives hit me in a way that if this was the Thai list, I would have left it off because it felt like a personal attack. Wanting someone to save you from yourself, but terrified to drag them down with you was not the plot I wanted, but was the story a lot of us needed to see. We also needed to witness someone actively going to therapy. Let's continue this trend!
#3 - Our Dating Sim
"Have you been well . . . without me?" - Put this on my tombstone because I died and came back to life from this utterance alone. Episode four was already killing me, but once Eddy snapped and allowed all his emotions to spill out in front of Ian, the show came for all my past lives and future ones too. Deceased. I wrote this about the show while it was airing, but no other show has done the leave-him-because-I-love-him plot as well as Our Dating Sim. This show nailed it then made a billboard to boast about it because it was perfection. Ian's reasons for leaving were valid, but the show really shined by allowing Eddy to voice his anger at being ghosted for seven years by his best friend and someone he loved. It even touched on the trust issues that stem from someone saying he loves you only to abandon you. Just know I have NOT been well since this ended.
#2 - To My Star 1 & 2
The first season was almost perfect. The cat/dog energy, the "If it's hard for you, I'll come to you" confession, and the budding kink of Ji Woo kissing a tiny bloody wound on Seo Joon all served in a quick nine episodes gave me everything I needed, so I thought this would be my #1 the second season two was announced, but understand the sequel hurt me. The foundation was great: everyone came back, it had more episodes, the episodes were longer, and the conflict always existed in the first series, so a last-minute twist wasn’t invented. Yet, every single episode hurt. Much like I Told Sunset About You, it was realistic to the point that I expected it to end with pain. If season two was its own show and not a sequel to one of my favorites, it would have ranked higher because it was beautiful, but knowing the magic the first series possessed, and having to be a bystander to all the angst for EVERY EPISODE WITH NO RELIEF was tough. But, somehow, here I am secretly hoping we get blessed with a third series. That’s the power of the Star.
#1 - Long Time No See
Small flex - I've been involved with an international queer film festival for over a decade. I've seen easily over 1,000 pieces of queer media including feature films, short films, and documentaries through the screening process, which only adds to my always growing personal watched list. Long Time No See was one of those films. It didn't make it into the festival because I think it was already available on a streaming platform (maybe?), but it was a top for me then, and it's still a top for me now. Is it a BL? Not really. Is it a show? No, it's more like a two-part movie. So why am I allowing it to reign at the top of this list? BECAUSE IT IS AMAZING! In 2017, we were still getting the bury your gays trope shoved down our throats, so a film about two assassins getting a happy ending was a miracle. I read comments from some who did not like the portrayal of "toxic love" but were probably fine with Mr. and Mrs. Smith beating each other with cooking utensils for all the world's children to see, so God forbid, the queers do anything like want to kill AND fuck each other. Niña, Pinta, and Santa María, LET THE GAYS DO CRIMES TOO! Oh, and it's Strongberry, so because of this film - In Strongberry I trust.
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can i just say that I'm haunted by the image of Ice wearing "one of Mavericks cheapest rolexes". One because of the mental immage of Maverick being the kind of men who not only owns multiple watches but also Rolex, which is absolutely delightful, because oh the quiet vanity of that. And two because of the implied and groundbreaking (to me) domesticity (and defiance of the not talking/acknowledging the thing between the 2 of them) of wearing another person watch. I'm screaming into the void about your brilliance. So I need to ask, do they do that on purpose (before the mission) in a sort if roundabout way of acknowledging each other presence in their life? What would Mav wear that belongs to Ice (apart from that USNA ring eheh)?
pilots/sailors/doctors etc who do high-level specialized work with their hands tend to really be Watch Guys. and “cheap” rolexes (sub $7k ish) are actually pretty affordable if you’re making >$150k a year and want to treat yourself every fifth christmas or something. source: know several sailors & doctors. ALSO the watch ice is wearing in his famous gay plane photoshoot is actually a rolex. So theres some evidence ice at least is (annoying, ostentatious, bad with money, and) a Watch Guy. Maverick’s also wearing a kickass chronograph in TGM so i think he’s also probably a Watch Guy. also… you know, status symbol, honor, et cetera et cetera…
they probably wear each other’s socks because in-regs socks all look the same and they’re both men so who cares. i also hc that they’ve always worn the same size in shirts so each other’s t-shirts are also free game. and was very confusing at the start of their relationship when trying to figure out whose shirt was whose after a midnight rendezvous. lots of accidental shirt mixups. and, yeah, each other’s watches, because most people only see the status and don’t see the detail, and most people aren’t around both ice and mav enough to recognize that “omg last month adm kazansky was wearing the same omega chronometer capt mitchell is wearing today!! theyre totally together!!!” so if ice buys a new watch and maverick salivates over it, sure he can borrow it, whatever. and i think there’s a scene in wwgattai when maverick wears ice’s pj pants hold up lemme find it
“in bare feet.” now wtf does that mean. that could use a rewrite.
ice also wears mavericks leather jacket when they’re on their baseball date in debriefing. at some point when you live with someone long enough your stuff becomes their stuff which was the point of this graf
thinking about it… trying to decide if they’d wear each other’s cologne. that seems like a little much. no i don’t think so.
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Undercover Boss AU where Lena goes undercover with an actual disguise when the company is still L-Corp, and she braces herself for the worst because the producers are warning her about the nasty things they've uncovered during previous episodes.
But when she goes in as a research assistant or factory plant worker, all she hears is good things. Both macro and micro. Everyone is proud to be working for L-Corp, they know they're compensated well, and the company culture is happy and healthy.
And then there's the people who reveal that they know she's the one who paid off their mother's medical bills after she was diagnosed with cancer. The person who found their bereavement leave paid for and then some when their husband or child died. The people who appreciate that she greets them by name, despite having no reason to know them offhand. There's the women who relate how Lena makes a point to give them room to talk in a panel full of men.
Just all these good things, and initially the show is like, we can't use any of this, it's not scandalous enough. Until someone (Kara??) points out how in a world full of awful people, surely knowing that there's a good person in charge of a company that touches so much of daily life across the country is newsworthy.
Which prompts the show to feature Lena's episode during sweeps, capitalizing on the fact that its so different from their usual content. Like, they promo clips of Lena all teary eyed suggesting that she's hearing awful things, but in reality it's her being all mushy when a young intern just effusively explains how it was Lena who prompted her to pursue not only science, but science that served a purpose to improve the lives of others.
And Kara couldn't be prouder.
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One reason why I think Mila Finelli's mafia books do work for me better than most other (Italian--I did really love Kresley's series) mafia romance novels I've read is that the characters do feel DISTINCT and so do the relationship dynamics.
In a lot of these somewhat darker, more erotic reads, you do get the sense that any of the characters could be switched out for one another. The heroes are always the same types of alphas, the heroines are always the same types of a) virgins or b) defiant rebels who may also still be virgins, and what really sets the books apart are a few bananas scenes here and there, and some distinct sex scenes.
And while I definitely think there are distinct sexual dynamics and kinks at play with each couple (Fausto/Frankie are obviously daddy kink-central, Enzo and Gia are.... generalized freaks with some heavier BDSM by way of CNC vibes, Giulio and Alessio also have some D/s vibes but with a more competitive edge and are very into each other's violence, and Giacomo/Emma are obviously a breeding kink/softer touch vibe) they're also just super different people.
I guess the closest couples would be Fausto and Frankie and Enzo and Gia, but even then... Fausto is a dick, but he's more rational, more doting (see: daddy), and though Frankie is absolutely defiant and strong, I actually think that though she and Fausto have more of a traditional partnership in terms of gender than Enzo and Gia (which also could be because Frankie wants a billion kids and yes she has her MBA but she's very much a wife and mom first, whereas Gia is more about her career, which keeps them from being too similar). Enzo and Gia are more into the defined D/s shit sexually, but you get the sense that she has more control in the relationship and that, at the end of the day, he is very much... her bitch. Enzo and Gia have a very similar age gap to Fausto and Frankie, but Fausto and Frankie have more of a care-focused DD/lg relationship, whereas Enzo and Gia thrive on the friction of her giving as good as she gets.
And Alessio and Giulio, aside from the obvious of being the only queer relationship in the series, are very much coded as D/s as well... But not as inflexibly as the previous two couples. Aside from them switching it up in the bedroom a little, there's also a lot of space for Alessio to take care of Giulio. Like, Giulio kinda doesn't know shit about what he's doing lol, whereas Alessio is hypercompetent (which also makes sense, as Fausto for sure spoiled Giulio and Alessio has been in essentially a different class his entire life). So while Giulio is more sexually dominant, Alessio is really the stronger, steadier, and more threatening partner otherwise. And again, they both really get off on watching each other do what they do best, which is: crime.
I do think Giacomo and Emma have the softest relationship in the series--but it's not so much because she's this kind of babe in the woods virgin (and I will say, I did love that Frankie and Gia were NOT lol) but because Giacomo is just a much more tender guy. Like, yes, Fausto and Enzo both also had loved ones, but I think that because they'd both been running their shit longer than Giacomo had before he met Emma, they had these very set roles. Fausto and Enzo come off as more brutal, and honestly more crazy (like, Enzo is THE CRAZIEST for sure, but Fausto is a fucking nutball). Giacomo seems like a dude who's good at killing people and doing mafia stuff, but it's really like? His day job. It's not his life and it doesn't feel like his culture, even, which makes sense because he was on the fringes of the types of levels Fausto and Enzo have always been in, because his father and brother kept him separate from it. Even Giulio is more connected to that space than Giacomo, because he was groomed to take over for years.
I think it would be very easy to rely on these great sex scenes and wacky plots she writes, but the thing that does make it clear that Mila has the chops (.... and it also makes it clear that she's very experienced, lol, and someone who has had to write series with very individualized characters for professional editors in the past........) is that the characters are very DIFFERENT. Like, Frankie and Gia may both have their partners' balls in their pockets, but you see Frankie do a wheedling kind of little girl pouting thing to get her way with Fausto because she knows he looooves it, whereas Gia is like LISTEN UP ASSHOLE with Enzo (and it makes the relationship the best because nobody else can do that with him, Enzo and Gia are the greatest, thanks for coming to my Ted Talk). Giacomo is willing to let Emma go in a way that Fausto, Enzo, and honestly I would say Giulio too after working out some things, really aren't okay with. He's probably the best guy out of the series, on a moral level, while also being a scary murder man.
(Except for maybe Alessio? Because Alessio is also a scary murder man, but he literally just does it for the cash or to protect Giulio. It's PURE BUSINESS.)
I find the distinctiveness of the characters really cool, especially when I reread the books, and that is probably why I've had a hard time finding a series that really clicks for me in the same way within the sort of Italian mafia genre.
(That, and: so much of the other books center on Italian-American mafia stuff and that shit DOES NOT HAVE THE SAUCE the way Mila's Italy-set books do. Like, be real here, the Italian-American mafia has not been raking in this kind of cash for DECADES.)
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