#use statues as reference kids! | Explore Tumblr Posts and Blogs

creatingblackcharacters · 1 month

Text

“That One Hairstyle? RETIRE IT!” Black Hair is an Art (pt.1)

(This is part one of two lessons, with this one focusing on how our hair itself! The next lesson will encompass how to incorporate its existence into your writing. It'd be a massively long post otherwise.)

So! Black hair. Black hair is a CENTRAL, ESSENTIAL part of our culture and identity. Writing and drawing it means understanding the vulnerability and trust that comes with access to it, and yes, it is racist to suggest that ‘it’s just hair’ when our hair serves such an important role in our history and art. I already wrote a mini-lesson and ask on the topic, but being aware of what our hair looks like, and what means to us, will help you to understand why we care that you put in the effort to get it right.

Hair Textures

We are not a genetic monolith! However, for the sake of this series, we are focusing on 3C-4C, because 1) it's most likely to be seen in life and 2) least likely to be seen in popular art! When you are creating your characters, consider the style and care for THESE textures. I will get more into this next lesson.

Let's get into SOME of the hairstyles!

Afros (36 Afro Hairstyles)

“So, what’s the phenomenon behind the Afro? Well, it’s our hair in its most natural form, but that’s only part of the phenomenon. It’s a way to fight the status quo without saying a word.”

-Ebony Magazine, The History of the Afro

When nonBlack society hears ‘afro’, they think completely picked out, Black power imagery, political statement. And it was, and is! But in actuality, afros are just the natural hair growing out of a Black person's head. The same way your hair grows out of your head. Our texture. Even my hair is not allowed to be ‘hair’, it has to ‘assign’ my Blackness; my distance from whiteness. Imagine, the hair growing out of your head being automatically associated with how you should be perceived. Just by existing, it is making a statement in a Eurocentric society.

Braids (31 Braid Styles)

There are SO MANY TYPES of braids and ways to wear them. If you can imagine a design, I bet there's a Black braider that can do it!

CORNROWS ARE NOT AUTOMATICALLY BRAIDS! Internalize this! They may be used in the same style, but they are NOT INTERCHANGEABLE TERMS!

Braids are considered a protective style; that is, a hairstyle designed to let our hair 'rest' and grow without having to manipulate it. If you have a Black character that's constantly on the go and/or doesn't have time to focus on their hair, and you want an accurate, more true-to-life experience for them, braids can be a crucial part of character design.

Locs

(Yes, while that link has plenty of examples, it was also self-indulgent. Locs are gorgeous, Black men with locs are gorgeous!)

"Locs vs Dreads": As someone in the loc community, there’s been a push to refer to the style as ‘locs’, rather than ‘dreadlocks’. Some people with the style will not care, but others take it very seriously, so it’s something to keep in mind. There’s a societal stigma behind having locs, that they’re ‘dirty’ or ‘unkempt’ or ‘lazy’ and that is NOT true. Locs are beautiful, and they take far more effort than people seem to want to believe lmao.

Locs, though there is currently a positive revival, are still highly discriminated against. Kids have been expelled from school and even have had their hair forcibly cut off to be allowed to participate in sports. Many places won't hire you if they think your hair is 'unprofessional' or 'dirty', especially if you're a Black woman. To consider yet another example of the hair that grows out of my head 'dirty' is extremely racist.

LOCS ARE NOT BRAIDS!!!!

Locs are also a protective style, albeit a much more permanent one, and one that comes with a long history and culture behind it. Many Black people consider the biblical story of Samson to be a man with locs, and that our locs hold power within them. That not just anyone should be allowed to touch your locs. So, if you're interested in mythology and powers, that might be an intriguing way to go, that would be possible if you had a Black character with locs!

In Professional Media

The lack of awareness and concern about our hair isn't just a fan or amateur creator experience. It is ubiquitous in the professional media world. Black actors, actresses, and models have discussed having to do their own hair when working, because no one would properly care for it on set if it wasn't familiarly white. It’s admittedly grown better- however! After decades of not having options other than ‘stereotypical afro’, ‘box cut’, and ‘white people hair’, it is LONG PAST TIME to stop settling for the bare minimum in Black character design. We can tell when "one of us" (with some sense, at least) wasn't in the room to make decisions in popular media.

If you were curious about the lesson title, here's a current example of what I'm talking about in video games. Tell me if you see a pattern:

This style? The Killmonger? We seent it!!!! It has become the “hairstyle to show I understand the exaggerated swagger of a young Black teen” option, the "I know the Black people!" go-to, and frankly, we are all tired of it. Okay it was cute on Ekko. The Black Delegation DEMANDS the professional video game industry pick something else! We have SO MANY DIFFERENT HAIRSTYLES!

I'll give you an example on the other end (not trying at all; refer to Lesson 1) from one of my favorite games, Hades:

This is my blorbo. My favoritest guy. I’ll fight for Patroclus being Black til the day I die. While I begrudgingly settled in my excitement, I can tell you no one Black with any voting power was in the room at Supergiant when they approved this design. Why? His texture! Locs were such an easy option if they wanted long hair! Locs existed BEFORE Ancient Greece! The man did not have a flat iron while fighting in a war! A good Black designer would have considered that!

To give him a more accurate design, some artists (myself included) lean into giving him locs (one of my favorites is @karshmallow 's Pat; a phenomenal example in caring about your Black characters). It’s something Black fans find themselves doing- redesigning Black characters. That's not something we should have to do at all, especially in media we pay for!

But if you REALLY want your Black character to have straight hair, that leads into the last style of this lesson:

Straight Hair

We do have straight hair. But it’s not straight because it grew out that way! It will still look and be thicker! It might be a wig or a sew-in (human or synthetic), it might be flat-ironed (while relaxed? While natural?) It takes effort to get and maintain straight hair.

'I think it looks better good this way!'

If you catch yourself thinking this, this is a racist statement. Whether you’re aware of it our not, there is a bias towards Eurocentric/white features in our society, and that includes in our media. When you think “I only drew [this Eurocentric hair texture and style] because I think it looks good on them!” I want you to PAUSE and think about the WHY. WHY do you think that this Black person’s natural features are unattractive in comparison to the white hair texture you gave them? And how hurt might a Black peer of yours would feel hearing that you find their natural features not worth drawing because they’re “not attractive”. It requires approaching your own internal biases, recognizing them, and then working to unlearn them. And that means practice! Using references to draw our hair and styles, and growing used to using OUR features on US!

Doing it in Art

Me personally, I think if you think drawing thinner hair textures is easy, thicker hair textures should be a BREEZE. I was curious, so I challenged myself and-

(it took me about thirteen minutes total to do ol boy's hair and it's still not right. I'm sick fr y'all don't even know 🤢)

@ackee has a really good art lesson on the how-tos of drawing Black hairstyles. I highly recommend checking it out, as well as following and supporting a fellow Black artist (who is far better than I!)

Hair Brushes

Finally, an option you can use for painting is downloading Black hair brushes! Vegalia has an amazing array of brushes with different types of curls, locs, and braids at her Etsy store! You can also follow her on social media to see how she applies them, and support yet another amazing Black creative!

I know this was a long one, but you made it! Just keep going. Remember, it's the thought that counts, but the action that delivers!

#creatingblackcharacters #black art #black characters #character design #black hair #black history #black culture

3K notes · View notes

xnoctua · 1 year

Text

🪶🦴🦋

#episode 8/the murmuring is so so so scary aaaaaah #i was able to watch all the cabinet of curiosities short films with little actual fear (relief)#but i can’t take this one because of a fucking poor lit kid next to a bed wHY #I was so proud of myself to be able to watch horror since visual horror/cinema is the only type of horror that can scarre me #and now that’s I’m 30 minutes away from finish an entire collection of horror movies I just might not #cosmic horror? for some reason very conforting in it’s incomprehension #scary dead kid just standing in the dark? Hell No.#why why why #épisodes 3 and 5 are very nice. loved everything about 3. Also the doomed/can’t escape/it’s running towards you/in the ends it’s always here #of 5 was so good to watch. after hearing and reading about this type of stories watching one and all the art/sets/costumes was delightful #I feel like The Outside will stay with me for a while. visceral experience.#The Viewing left me wondering if I was missing some references. like there were pieces I should know. at some point I started thinking it #might have been inspired by an urban legend for some reason?? the whole Rich person call top of their fields folk to his home to do a #shitton of drugs and end in ways no one can explain nor prove rings a bell but I don’t know why #episodes 1/2/6 were eh. didn’t vibe with them. felt like I might have been into 6 if I saw it younger #I can’t believe I’m saying this but the fairy tale aspect of it rung wrong. I like dark fairytale. no idk why this one doesn’t do it for me #after 1 it took me a while to watch 2 and even then I wasn’t into the show. but the statue of chuthulu and the pendent had me intrigued #i did not start this show knowing there would be cosmic horror/chuthullu mythos and all. very nice surprise #also the lighting in these are so nice. love the colors too in the more ´recent’ set episodes. do anyone know if the effect in ep7 is added #or from the camara they used? like the grain a lot #i have been stalling finishing ep8 for an hour now.......#rant

1 note · View note

raven-at-the-writing-desk · 5 months

Text

the elitism in magic education

HELLO 🤡 I have come to you today with an analysis of Fellow Honest's motives and what they imply about the mages and non-mages in the world of Twisted Wonderland, as well as the state of magic education as it relates to one's social status. It's a doozy, so let's get right into it! ***WARNING: Spoilers for Stage in Playful Land!!***

Fellow's resentment of the elite harkens back to something I've always suspected but also something that Twisted Wonderland has seldom gone out of its way to shine a harsh spotlight on. That "something" is the discrepancy between the "haves" and the "have-nots" in terms of magic. With the main setting of TWST being a private magic school, of course the lens through which we view many events will be from this perspective as well... and that limits what we see and hear. Most of the NPCs we encounter (even the annoying ones, such as the Magicam Monsters from the first Halloween event) endlessly praise the NRC students just for attending a famous magic school. If we look closely though, we’ll start to see cracks in the shiny rose-colored lenses (which, coincidentally, is how Fellow’s UM name is written).

To begin with, we are told that only 10% of the human population (for the sake of argument, let's assume that most other races also have low magic rates) is even capable of magic to begin with. Of this 10%, the majority of people with the aptitude for magic only have enough to barely be able to lift a cup. In order to qualify for a prestigious magic school like Night Raven College or Royal Sword Academy, you'd literally have to be the cream of the crop and get lucky in terms of genetics. Magic cannot be learned by someone that was not born with the innate ability for it, and not everyone who is the child of a mage will be capable of magic themselves. This is already one HUGE barrier for entry. We now have more to consider.

Night Raven College is notably a private boarding school. This potentially means that students may need to pay a tuition fee for classes, room, and board. Perhaps this tuition doesn't exist, since NRC doesn't take applications but rather hand-selects its students. Additionally, NRC is based on a British school, and most European schools cost little to nothing to attend. However, it's hard to believe a school as fancy as NRC is a private institution that runs solely on the charity and goodwill of donors (though we do see Crowley happily accepting donations as well, specifically from the local town and from Kalim’s family). Realistically speaking, Stuff Costs Money, and if you Want Stuff, you also Need Money. NRC is not raising these mages of the future out of the goodness of their hearts, NRC is raising these mages because there is profit and prestige to be gained from the endeavor. What if there are students who are picked to go but end up having to leave because they can’t afford it?? This point is just speculative though; I won’t count it as actual evidence since there is no in-game lore which confirms tuition. We do know, however, that students do at least have to pay for their dorm uniforms, as Ruggie has mentioned he could not afford one—hence why he wears a hand/me-down from Leona. We also know students are on their own when it comes to paying for their food, as both Ruggie and Deuce mention being low on cash in reference to buying meals/snacks. Buuuuut even if we discount that money is a factor that gatekeeps some selected students from attending or having the cash to just get by on a daily basis, what we cannot ignore is that money inherently puts some people ahead of others before magic schools even recruit them.

Because the majority of those in Twisted Wonderland are incapable of using magic, magic is not typically included in general education. This means that if your kid manifests magic and you want them to be "ahead of the curve", you'd need to seek out resources for magic training and education. Now, this could mean reading materials, private tutoring, or reaching out to mages you know of. The problem with all of these things is that they tend to require money and/or connections, which are things not everyone has access to. Idia even says in book 6 that Riddle has an “artificially large” pool of magic due to how young Riddle started his magic training, meaning that the wealthy has the resources to just produce “better” mages. The rich also have more money to throw into items to help with magical training, such as bigger and better magestones (which must sell for substantial amount in the first place since Ruggie tries to save some to pawn off later in Vargas Camp) to keep mages healthier for longer (since magestones help absorb blot). This keeps power concentrated in an already elevated class. (Note: research has shown that money opens up and expands one's connections, which still puts the rich in an advantageous position compared to the less fortunate. There are also studies that show impoverished people who happen to have rich friends have a better chance of raising their own social standing just because of the doors and connections that rich friend can open for them.) Look at who in the main cast remarks on having formal magic training: literal royalty like Leona and the upper middle class like Riddle. Again, one could say that because schools like NRC appear to hand-pick students regardless of how much formal magic training they had prior to enrollment. However, the fact remains that it simply looks better to potential recruiters (using this blanket term because we don't know how magic schools besides NRC gets its students) and better prepares the child for magic school curriculum to get an early start on it.

Looking back at the 22 boys that make up the main cast, close to three-quarters or ~75% of them come from at least upper middle-class backgrounds and quite a few could classify as wealthy:

Riddle's parents are both doctors, with Riddle's mom in particular being well-known and well-regarded in their home community.

Cater's dad is a banker; his position is high enough up that he needs to relocate every so often (presumably to service their largest or most important firms).

Leona is a literal prince. Even if he isn't destined to be king, he still has access to the resources and wealth avaliable to a royal.

Azul's mom owns the most popular restaurant in the entire Coral Sea (have you seen how large the Coral Sea is on the world map???), and his stepdad is a lawyer.

The twins' family is said to be well-off; they are able to afford luxuries like fancy clothes and Mr. Leech stresses the importance of manners and presentation. He is implied to have business associates who are also well-off and would like to get in his good graces. (Popular fan speculation is that the Leeches are a crime family.)

Kalim is the heir to a massive family fortune and trading business. He also has relatives who are royals.

Jamil, as Kalim's attendant, is also from a reasonably well-off family; they are compensated handsomely for handling the Asims.

Vil's father is an A-list celebrity, and Vil is also one himself.

We don't know the specifics of what Rook's family does, but it must be well-paying, as we learn in book 5 that the Hunts have villas all over Twisted Wonderland, as well as permissions for international travel via warp pads.

Idia and Ortho's family run a secret organization that researches blot. S.T.Y.X. is so secretive that basically only those in super high positions like Crowley and Leona would know about them. Let's also not forget that the Shrouds have ties to the Jupiter Conglomerate and the Olympus Corp, which is a tech giant in the world of TWST.

Malleus is prince AND the heir to his kingdom’s throne. He is also one of the top 5 most powerful mages in the entire WORLD.

Lilia is a renown war general and a close friend of royalty. He raised a young Malleus as well.

Silver is Lilia's adopted son and is actually a prince himself.

Sebek's parents are dentists. They must make mad money. His grandfather is also a respected knight that served alongside Lilia.

Notice how all the dorm leaders are upper middle class or higher; the vice dorm leaders have ONE normal person (Trey); in Playful Land, Trey confesses to living a comfortable life so we know he must be at least middle class.

We can try to argue all we like that NRC doesn't discriminate based on social status for their selections, but if that's the case then why are so few of the main cast from impoverished or low-income families? Only Ace, Trey, and Jack count as squarely middle class. Ruggie is the only example we have of someone from a very low socioeconomic status rising up to be among "elites". The other example is Deuce, who comes from a single parent household and has implied they don't have a lot of money (for example: how the VDC/SDC earnings will help out his family). (Epel is kind of a ??? case because depending on where in the story you are, his family could be in financial trouble or not; in book 5, they imply his entire village is having difficulties selling product until Vil promotes Harveston apples on his Magicam.) Maybe it's unfair to say that 22 students out of 800ish is representative of the makeup of the entire NRC student population (or represents the composition of all magic schools), but Ruggie confirms in his Birthday Boy vignettes that a majority of the students at NRC are decently well-off. This single digit representation of low-income students is also true of real-life elite schools. They are private schools for a reason; it naturally gatekeeps who is and isn't "allowed" to attend, leading to the majority of its students being members of the elite.

Another thing to consider is legacy students. This term refers to the increased likelihood of people being accepted into a school if they had a relative that also attended that school. We know of two instances of this happening: Ace's brother and Sebek's brother also went to and graduated from Night Raven College. Ace even makes a remark during his sorting ceremony that he ended up in the same dorm as his older brother "as expected". If magic aptitude is genetic, then perhaps it makes sense to recruit from the same families--but again, this is inherently restrictive, as you would continuously be culling from the same pools generation after generation.

Back on the topic of bloodlines and family, what about Kalim, who has an extensive family? There will be no shortage of Asim mages going to NRC just because of legacy (Jamil even alludes to the fact that the previous Scarabia dorm leader was an Asim relative, and his recommendation is what got Kalim the dorm leader seat). And speaking of Kalim, consider instances where rich families are able to bribe faculty (lookin' at YOU, Crowley) or donate a large sum to get their kid ahead or to be given priority over others that may be more qualified than them (RIP Jamil). To continue off that point, NRC itself is structured as a "dog eat dog" world. Those with inherently more magical ability have the right to trump over others. You can duel and lose your dorm seat to a more powerful mage, even if you trump them in terms of merit or leadership qualities. Students feel a sense of duty to obey those who have bested them in battle (ie Epel's servitude to Vil). Everyone fears Malleus. Your magical power is respected above all else.

Attitudes surrounding magic have notably shifted from fear of it several hundreds of years ago (around the human-fae war, back when “witch” and “wizard” were used in a derogatory sense) to recognizing it for its strengths and actively seeking it or granting some favoritism to those who have it. There is, in fact, now class discrimination in based on whether or not you can use magic. We got an early instance of this as early as book 1 of the main story, when Riddle insults Yuu for their upbringing, lack of education, and their inability to use magic. It’s something that clearly rubs Ace, who has a magicless father, the wrong way, and he stands up for Yuu. There are other subtle hints about this divide sprinkled throughout the lore. For example, Ruggie has a voice line which he indicates that the slums where he comes from doesn’t produce many magic users. Again, recall that magic runs in bloodlines. This could potentially allude to a past where those without magic were forced into lower income neighborhoods, which results in pockets like Ruggie’s hometown with a high population of magicless individuals living in poverty. This doesn’t appear to be a large scale issue (perhaps its only an isolated case?), but this is worth paying attention to.

This could all translate into the professional world too. Some jobs are entirely locked behind magic (ie you just cannot do them or pursue them if you don't have the magical ability for it). Some jobs DO require magic (ie medical mages like Riddle's parents, magic police force officers, technomantic inventors, etc) and probably additional training that goes with it. As a result, I'd imagine that these magic-intensive jobs pay quite a bit more. There may also be overall more job opportunities for those capable of magic, since magic is so much more efficient than doing things by hand. It means more retention of wealth and/or more upward mobility for the few impoverished that are able to enter magic schools. (This is, of course, not including the few and far between cases of regular people who get rich in select industries, such as Kalim’s father.) Recall too that NRC requires its students to take internships during their 4th years, many placements being with very prestigious groups and organizations such as pro-sports teams, labs, tech giants, etc. Being able to attend a prestigious school with connections grants those elite students even more opportunities than the average person.

Then think about what this means for people who fall short of these standards that these magic schools set. We actually have examples of them in book 5 of the main story: when Deuce and Epel are reconciling on the beach, a bunch of delinquents from another school come along and start checking out Deuce’s borrowed magical wheel. Through the NPCs’ exchange, we learn that one of them has enough magic to power a magical wheel, but not enough to do much else. This NPC also couldn’t keep up in class and dropped out of a magic school. He then becomes insulted when Deuce implies he is “a beginner”, so this is obviously a very sore spot for him. Riddle also has dialogue that implies students dropped out of NRC prior to his reign (and since then, no Heartslabyul students have left). Additionally, consider how magic can be used to oppress and lord power over others. Deuce himself is guilty for summoning cauldrons to crush rival delinquents in fights back in Clock Town—even if those delinquents lacked magic themselves. Similarly, Epel is implied to use magic to gain an upper hand against those that bullied him back home. This all implies a social divide between those with magic and those without, and begs of bigger questions.

What happens to the ones that don’t make it? The ones that get left behind? The ones without the magic to make it “big”? This is the root of Fellow’s anger; he’s mad at a system that cast people like him (someone with very little magic) and Gidel (a non-mage) aside. They don’t get the opportunity to make better futures for themselves. They’re looked down on by high-up institutions that basically tell them they’re not good enough.

Knowing all of this, the deck appears to be stacked against the poor and non-mages. It’s no wonder why Fellow is so mad.

THIS ACTUALLY RELATES BACK TO WHAT ROLLO SAID IN 5-2 OF GLORIOUS MASQUERADE… "When you have too little [magic], you're resentful. And when you have plenty [of magic], you're arrogant. You can never content yourselves." The NRC boys are arrogant (this is the side of the story we’ve always known due to seeing the world mainly from their perspective). They are the “haves”, and we see them constantly misusing their power by fighting each other over very petty things (even if it’s against the rules to do so). But everyone else??? They’re scrounging for the scraps. Fellow falls into that former category; he IS the guy that’s resentful because of his lack of magic and how something he cannot control has already determined where he and Gidel will stand in life no matter how hard they work. They can never hope to rise out of poverty, and there’s nothing they can do about it. That must be soul-crushing.

When Fellow praises the NRC boys in that overly exaggerated way, he’s obviously being shady and facetious—however, there is also a kernel of truth behind this behavior. Most other NPCs we’ve met have spoken about the NRC boys favorably just because of their affiliation with a prestigious school. It’s the same way people might be impressed if you walked around in an Ivy League branded hoodie or something. People automatically associate you with the school’s shiny and exclusive reputation, and thus assume you are also intelligent, talented, etc. Then, in the same way being constantly put on a pedestal like this might result in the students getting swelled heads, this only further feeds into the NRC kids’ egos. They so privileged they don’t even recognize it. And that makes Fellow fucking FUME.

Look back at Fellow's dialogue. He is constantly mentioning the prestige of the school the boys go to, or adding on extra compliments about their status and skills. He's ass-kissing to his boss, who is also wealthy or part of the upper class, then insults the boss once he hangs up. Fellow is always in a position where he HAS to be subservient to the upper class in order to make his money and get by, and he finds that entirely unfair. Imagine having to simper and placate people you absolutely despise and blame for your problems every day, people who are gorging themselves on luxuries, coasting by in life, taking everything they have for granted while you get by on pennies—that has to get frustrating.

I want to briefly mention here that, in addition to praising the NRC students to high heaven, Fellow also talks down his own skills. He cheerfully calls himself a loser and says that no matter how much he trains, he could never reach their caliber of magic. Yes, Fellow is exaggerating to get the kids to think they’ve won, but I also have to wonder if he’s parroting the same phrases he was told long ago, from people who doubted him and never thought he’d make it. If that’s the case, then I get the sense that Fellow is in a way “reclaiming” his autonomy and power by adopting those same cruel words and using them as a strength. He admits to being “weak” but is also proud of the fact that he can utilize his magic along with his natural charisma to get a leg up over others. It further fuels his new belief that going to an elite school doesn’t matter, it’s practical skills that will serve you well.

Okay, back to talking about his shitty work situation! Fellow’s employer clearly doesn’t treat him with decency. They berate him, make unreasonable demands, act impatient, etc. They are a typical depiction of a toxic workplace and boss. This can also be read as shorthand for the relation between the rich and the poor, and how that may have shaped (or worsened) Fellow’s views on others of the privileged class. He makes many assumptions about the NRC students without really getting to know them, calling them entitled brats. Why? Because these descriptors likely apply to the higher-ups Fellow has always slaved away for. This, in combination with his own experiences in being rejected from magic academia, has created a person who feels trodden on by society and by the upper echelons who run it and benefit off the system.

Fellow himself is the perfect example of someone who was failed by said system. He has dialogue stating that he was never given the chance to learn because his magic was not considered strong enough. Still, he tried to make an effort to earn that chance among to elites and to study among them. Fellow was rejected, ridiculed, and told he had “forgotten his place”, what he had been born into. There were expectations he couldn’t meet, and so Fellow was thrown away like a broken toy. He has failed not because he didn’t try, but because he was denied the opportunity to begin with. This is where is rage stems from. Fellow despises the students of those same kinds of institutions who kicked him down, students who don’t realize how fortunate they are for their educations and will likely continue to perpetuate the system.

What, then, does that means for his signature spell, which is closely tied to one’s identity? Let’s take a magnifying glass to it. As previously mentioned, the name for Fellow’s spell is written as “Rose-Tinted Dream”, but it is said out loud as “Life is Fun”. The chant for it is, “Come on to the theater” (notably said in English rather than in Japanese). Both the spell and the incantation are references to the song Honest John sings in Pinocchio, Hi- Diddle-Dee-Dee. And… well, the whole UM in of itself is one big cruel joke given his circumstances now.

I think this spell is representative of a young Fellow still full of hopes and dreams, looking forward to studying at a magic school. But then those dreams are shattered and he has to commit terrible crimes to survive day-to-day, and he seems to have given up on his dreams. He even goes so far as to protect Gidel from having the same hopes he once did, telling Yuu to not put silly ideas in his head when Gidel expressed curiosity about school. At the same time, he delights in crushing the hopes of those he deems his enemies (stating that he wanted to betray Kalim to “teach him a lesson” about how cruel the world is). Fellow knows the truth: that life isn’t fun, that it will disappoint you and will put you down. His actions are very cowardly as well—he uses tricks and deception, he runs away from his problems instead of properly addressing them, the NRC students remark on his lack of pride. Fellow has had to throw away so much to scrape by. Yet his UM symbolizes someone brimming with hope—so perhaps it’s a UM he manifested when Fellow still thought he had a chance?? And then people made fun of him for it being so weak?? Alternatively, maybe he didn’t get his UM until after his dreams were crushed so he’s looking back on those nostalgic days of blissful ignorance with rose-colored lenses (which is, again, maybe why his UM magic name is written as “Rose Tinted Dream”). A UM that is a reflection of one’s true self, yet that same identity is one that has been forced to be discarded. That’s the reason why, despite all the swindling and scamming, I don’t think Fellow’s enthusiasm for fun is a lie. That’s the one “real” part of him, but even that’s been repurposed to help him live on scraps, something innocent twisted 😭 and that’s really sad to think about…

But also??? You could argue that Fellow still has a little bit of that lost inner child and hope left in him. He tries to defend Gidel’s understanding of the world and has goals of starting his own school despite how poorly he originally spoke about these institutions. (So Fellow does appear to care about children and their futures.) He also has a childish streak despite being an adult, demonstrated by his use of cowardly tactics, taunting kids, and abruptly quitting his job to then destroy his workplace. Fellow himself states that he “just tries to live a free and fun life”, thus his pursuit of money and pleasure. This could all play into being what defines Fellow and thus his UM. It embodies a spirit of playfulness even when he has been crushed under the weight of an unglamorous life.

I’ve heard people saying that while Rollo is Idia’s dark mirror and Fellow is Ruggie’s. They have similar backstories but ultimately their fates are different and left the former two down far more sinister paths. Just as Rollo is an Idia that turned his anger outward instead of inward, Fellow is Ruggie had he not been given a chance to receive an education to elevate his social status and job prospects. Fellow and Ruggie both cling to rich, powerful benefactors/bosses and do their dirty work to get on by—a big difference is that Leona, while he does also work Ruggie to the bone, also has some conscience. Something else to consider is that while Ruggie prioritizes making a life for himself by studying and securing a stable, well-paying job, Fellow is focused moreso on the accumulation of wealth itself (as he suggests to Kalim he’ll take a bribe to let him go free and quits when there is no longer money to be gained from his boss). Both don’t really care how they get their money (even if it is by dirty means), but ultimately Ruggie’s way of making cash is more sustainable in the long run. Yet Fellow ultimately realizes the importance of school deep down despite constantly denying it when the NRC students tell him of it. Fellow is in denial because that’s the only way he can cope and justify his lifestyle. He’s confused when finally confronted with students who are his ideal of “happy and free”, even when they’re in an educational system that he views as shackling people into strict roles. The way he laments about not being able to go to school is also very reminiscent of an adult mourning a lost or unfulfilling childhood, which is quite a depressing scenario…

Fellow is the one that got the short end of the stick in life. Ruggie met Leona, and Leona technically uplifted him in his endeavors, tutored him into getting decent grades and giving him hand-me-downs and money in exchange for his services. Fellow never had that kind of support system, he was just insulted and bullied into giving up and had to find an alternative way to keep himself going 😔

Personally, I think Fellow could also be a dark mirror to Kalim, no?? They exist on opposite ends of a social spectrum. Kalim has everything and Fellow had nothing. What’s more, Kalim is still wide-eyed and trusting. He is the only one willing to try words instead of fighting him and instantly labeling him as the enemy. Meanwhile, Fellow has become bitter because of how the world has betrayed him. He wants to take that trust Kalim has and show him how cruel everything truly is. Why is he fixated on that? Why even offer in the first place if he never intended on going through with it? Why does he want to rub it in Kalim’s face in particular? Maybe it’s because Kalim seems rich and dumb, as Fellow claims, but maybe it’s because there is envy there. Sure, Fellow is upset about Kalim being a sheltered brat that faces no challenges in life, but I also feel like he’s jealous that Kalim can still afford to think this way. That he can still afford to be cheerful, that he can still be a dreamer. Fellow was alluded to be like that once—but he can’t be like that anymore, not when he has to look out for himself and Gidel.

Side note, another comparison! Recall that Kalim’s Oasis Maker is also a UM that uses a little bit of magic. However, Kalim does not know of many creative ways to use his spell, as there is no real reason to since his home country has lots of canals and irrigation. He therefore deems his UM as pretty useless. Fellow meanwhile has what most consider a weak UM but he fully utilizes it to his advantage and pairs it well with his natural charm to maximize its effects. He had to develop these skills because he was in pressing circumstances in which they would benefit him. This contributes to the “mirror” theme between the two.

Fellow and Kalim have a notable similarity as well, and this is where I feel they can connect. They are both older brothers to a child or children who are magicless. Fellow only has one, and Kalim has many—but the number here isn’t what is important. What is important is that Fellow and Kalim think the world of their siblings and want to support them. To that end, Fellow is willing to be cruel and step on others, and Kalim is all sunshine to keep their spirits up. Fellow has suffered through great poverty and insults and Kalim has survived so many attempts on his life, yet they’ve developed distinctly different approaches to the worlds that have embraced them. Kalim’s wealth could afford him protection and luxuries, so he’s able to live carefree with others tending to his needs. The same isn’t true for Fellow, and so he came out far more spiteful and resentful.

Thinking about it, it’s ultimately Kalim’s words that convince Fellow to turn on his employer. (The other boys certainly wore Fellow down and planted the seeds of doubt, but it’s Kalim that I believe fully resonates with Fellow.) He can so happily talk about why he loves school, even though he doesn’t do well at it (something I presume is also true of Fellow, since he is lacking in tons of magic). It’s not said in a particularly articulate manner, but it’s so candid in its presentation. Kalim is relating to him based on similar skillset (or lack thereof) and sharing fond memories of his time at school, reviving the hopeful “lost child” in Fellow. Kalim is probably the first wealthy person in a long time that was friendly, kind, and supportive to him. And here he is, reassuring Fellow his dreams are still possible, to not give up. That’s the final nail that allows Fellow to be “honest” with himself and his inner child. It’s what leads to that slew of irresponsible actions at the end of the event (letting people free, blasting the amusement park, driving a sinking ship, etc.).

At the end of Stage in Playful Land, we see that Fellow never really let that childlike side of him fully die. (It seems to have been concealed under a desire for money and appeasing his boss.) He shares his dream of creating his own great school to give educational opportunities to non-mages and mages with low magical reserves like Gidel and himself, a school that teaches practical life lessons. He wants to promote his own ideals and to change the system he hates from the inside out. This was never communicated to us before most likely because Fellow had renounced those ideas in favor of blind hatred and a lack of faith in the world and those that dominate it.

Fellow also acknowledges that life may be even more difficult for him and Gidel going forward, as now they lack the money for even food and no longer have jobs. Furthermore, they need to worry about their ex-employers coming after them for what they’ve done. Even so, Fellow faces it all with a smile and reassures everyone that they can transfer or visit to play… “on this shining stage called life”. He and Gidel are able to walk away with their whimsy preserved, and can still be that which they’ve always wanted to be: dreamers.

All of this is to say that Rollo was right all along about magic, he never misses—

1K notes · View notes

lunastrophe · 3 months

Text

BG3 Elven Lore 🌙 Astarion's Name

I stumbled across this popular theory that Astarion's name means Little Star - but personally, I prefer to derive his name from DnD version of elven language. I think that the result is much more interesting 🙂

Astarion - it looks somewhat similar to aasterinian (quicksilver, mercury as a metal), with the last syllable changed into a suffix -ion (noble).

So, Astarion's name could be connected to a definition of mercurial character - changeable, cool and willful at one moment, utterly fragile the next. Mercurial can also mean: animated, quick-witted, having the characteristics of eloquence, shrewdness, swiftness, and thievishness. Suits him!

Suffix -ion is commonly used as a term of respect to address the scions of noble elven families who are not entitled to "lord" or "lady" (based on A Treatise on Espruar). It could nicely point to Astarion's social status: noble, but not of the highest rank.

Child name - if you prefer the theory that Astarion's name is his child name (customarily given by elven parents to their children and used until the elf can be considered an adult) - "mercurial" could still fit. I can totally imagine Astarion as a hyperactive, hard-to-control, shrewd kid... prone to mood swings, maybe?

Ancunin - using D&D Elvish as a point of reference, Astarion's last name can be neatly split into an (hand) - cu (in) - nin (ritual).

So, "hand in ritual". In a foreboding sense, it could point to Astarion's role in Cazador's ritual - but it could also suggest, for example, that his elven ancestors were connected to some arcane rituals or religious practices in their community.

#astarion #astarion ancunin #baldur's gate 3 #baldurs gate 3 #bg3 #bg3 astarion #bg3 elven lore #bg3 lore #dnd lore #dnd elves #dnd elven language #bg3 headcanons #astarion headcanons

708 notes · View notes

nerdyenby · 10 months

Text

Things I noticed in my rewatch of Nimona (spoilers):

Gosh, I didn’t even remember the squire “trying to take a selfie” with Bal the first time round, it works so well both ways

The gay and trans flags behind Bal and Nimona at ~38:40

Nimona’s “You got betrayed by someone you trust, I get it, it sucks”

Ballister looking right at the American flag when talking about how Ambrosius was just doing “what we were trained to do”

The director referring to Ambrosius as “Captain” during the confrontation of the rooftop

The director’s poster saying “protecting our way of life,” an uncomfortably familiar xenophobic phrase

Nimona disguised as Ambrosius grabbing and pulling the Gloreth statue to the floor with her

Bal’s username being balliSTAR12

The director having the segment of Nimona turning into her kid form on loop every time we see her office, and that being how she made the connection to Nimona being the being that Gloreth “killed”

The movie Bal and Nimona watch describes zombies as “immortal, eternal beings” unable to be killed, followed by a woman asking “But what if they come for us?” The zombies — like Nimona — never attacked first, it was out of fear that they were hunted and any act of self-defense only served as justification for their cause

The very intentional fear mongering taking place in the director’s broadcast

God, Nimona was never aiming for anything but Gloreth’s sword

Ambrosius’s “You’re okay” to the old human he saves from getting squashed under Nimona’s feet mirroring her “It’s okay” to the little girl she saved from the car

An unnamed extra’s dialogue “Forget the kid, let’s go” being the antithesis to Bal’s running into the wreckage to get to Nimona

Bal’s “What have I done?” 🤝 Ambrosius’s “What are we doing?”

The vocalization as Nimona reaches the statue being the same as the first time she met Gloreth

Bal’s blade representing the corruption he’s resisting and every time he discards it drawing him closer to true compassion

The brunt of the director’s blast hitting Ambrosius’s left arm while Ballister lost his right

The centerpiece of Nimona’s memorial being in the comic’s style

The graffiti in Nimona’s handwriting of “love is love” on Gloreth’s statue’s hair

#nimona

1K notes · View notes

genderkoolaid · 20 days

Note

tw suicide, s/a

hi i wanted to submit something for the antitransmasculine violence archive. unsure if it counts but basil brown was a genderqueer disability activist recently who killed themself after being raped on campus. the school is covering it up, they're being misgendered everywhere, and it hurts. I knew them.

https://www.kadn.com/news/local/an-unspeakable-loss-ul-releases-statement-after-student-suicide-on-campus/article_4b6797c2-f5c1-11ee-bfc4-9326f10eb630.html

https://twitter.com/Georgeroyde/status/1777602502298345748?t=-7gb5o5HL3lE3UQziTG5yg&s=19

same anon that sent about basil. just found out libs of tiktok posted about them. sick to my stomach

Yes, this absolutely counts. Thank you for sending me this.

From their Instagram I can see that they were on T at some point and used to identify as trans man; if anyone can find out if they were still comfortable being grouped under the "transmasculine" umbrella by the end of their life, it would be much appreciated. I am going to put them on the list for the sake of visibility, but I want to make sure their full genderqueer identity isn't being ignored.

Basil wrote this Instagram post, apparently in reference to a trans boy who died (according to this, also by suicide) and was misgendered by the Louisiana School for Math, Science and Arts, now unfortunately too relevant in their own death:

Honor Max. Use his name, use his pronouns. Be brave enough to handle the consequences, and stand up for him. It is equal parts heartbreaking and blood boiling for you to make the choice to disrespect him, even in death. Protect trans kids.

They link a neocities website in their Instagram bio, which appears to be a product of their own creation. Its very interesting and full of art, so if you want to check it out to honor their memory, go to ocimum.neocities.org

Their name was, and is, Basil Brown.

UPDATE: According to a friend, Basil used he/they pronouns at the time of his death.

Additionally, I want to point out that one of the people Basil accused of raping them is a professor at the university they were attending. The university has only put out the vaguest nothingburger of a response (linked above) to a student's on-campus suicide & accusation of rape.

#m.#ask box #suicide tw #rape tw #exorsexism #tdor #examples of transandrophobia #basil brown

348 notes · View notes

cheeseanonioncrisps · 1 year

Text

So like, it's okay to be good and nobody is born evil and anyone can change the path they're on, yadda yadda yadda, but I actually think one of the biggest lessons Megamind learns over the course of the film is the shocking revelation that actions have consequences.

I'm not even kidding. When you put aside the whole 'evil' thing, one of Megamind's biggest flaws is his entirely screwed up notion of cause and effect.

Like, the whole reason the plot happens is because it apparently never occurred to Megamind that 'carrying out elaborate plots to kill Metroman' could ever result in 'dead Metroman'. Nor that creating a new hero with the specific motivation of defeating him, Megamind, could lead to negative consequences for him, Megamind. Or that riling said hero up into a murderous rage could have the unforeseen consequence of that hero raging around murderously.

Dude spent at least a few years kidnapping Roxanne, threatening her with alligators and lasers and various other villainous knick-knacks, only to disguise himself as somebody else and lie to her until she fell in love with this fake identity he'd created and is genuinely shocked when she is upset upon finding this out.

Not just that she did find out, but that post-her finding out he is unable to talk her into continuing the relationship.

“We don't judge a book by its cover or a person by their appearance… we judge them based on their actions.”

“Seems kinda petty, don't you think?”

Megamind may be a genius when it comes to inventions and evil plans, but he's a fucking idiot when it comes to predicting and anticipating the obvious results of his actions.

And thing is, it makes total sense why he would be like that.

He spent his childhood being consistently punished by the adults in his life, often for no reason that he could understand or even for no reason at all. As a result, he stops viewing punishment as a consequence of his behaviour and starts seeing it as a consequence of him being 'evil', which of course leads to him leaning into his evil persona and eventually becoming a supervillain.

And, as a supervillain, ironically enough, he's completely sheltered from consequence by his greatest enemy, Metroman.

Megamind doesn't need to worry about his evil plans hurting any citizens, because Metroman will use his powers to save them. Megamind doesn't have to worry about the damage he does to the city, because Metroman can fix it.

Megamind does in theory have to worry about social consequences for his behaviour, but the social consequences are being locked in prison and having everybody hate him which is like, the default status quo of his existence since he was a baby.

He literally calls the prison as 'home', a word he does not use to refer to his Evil Lair or indeed anywhere else in the film barring his home planet. Going there is an inconvenience, maybe, but it's not really a punishment. It's where he lives.

Metroman's 'death' changes all that.

Not only does one of Megamind's evil plans finally destroy something that (seemingly) can't be fixed, but he's then turned loose on the city with no superhero to run around after him cleaning up his mess.

Now, if he steals all the artwork in the gallery, then Metro City will no longer have artwork in it's gallery, and people (Roxanne) will miss it and be upset. If he doesn't take care to clean the streets then the streets… will be dirty, and people (Roxanne) will be negatively affected.

If he gives a random, unstable, person superpowers and then goes out of his way to piss that person off, then that person can't be guaranteed upon to “play the game” just because that's what Metroman did, and people (Megamind… then everybody else) will be negatively affected.

And the flipside of this is that, by the end of the film, he wins the battle because he realises "hey, I can change this". If his negative actions have negative consequences then he can choose to do the positive thing instead and save the city.

#megamind #megamind meta #megamind analysis

1K notes · View notes

sepublic · 4 days

Text

Speaking of; The Owl House's pitch bible got leaked as well! So while I look for the rest of it, let’s examine some interesting tidbits I found on Proto-Belos, or 'Obron' as he was once known, and William AKA Proto-Hunter!

Can I just say, I'm quite smug to know that Belos resurrecting the Titan as his endgame was always the original plan? I called it from the start! It was also kinda obvious, but c'mon. The Bionicle fan in me was obsessed.

I'm not surprised about the mentions of Pupa, or the name Obron or even the appearance; We've actually seen all of this before! But what does make me curious is the mention of two other councilors... So there's supposed to be a trio? Again, I always bring up the three statue motif in my speculation about the original plans of the show, I wonder if there's any connection there. Would Kikimora have been one of the other councilors, and who would've been the third? And it seems the coven system was always a thing, early on at least.

Yeah, the mention of '500 years' and the connection to William, etc. Even as Obron he was supposed to have been a human witch hunter turned actual witch. Comparing this to the pilot we got, it may not be Obron that the characters are referring to, since he's not the Emperor. But maybe he declared himself Emperor since he was basically the only one in charge by that point.

Makes me wonder if he hates humans under the delusion of 'I hate modern humans'. He hates what humanity has become and he's taking out his anger on modern humans; We also know the main reason he wants Luz in the pilot, to awaken the Titan. I presume Obron preserved William in stasis and hid him away, only for Luz to wake him up earlier than intended. I can imagine the scene/episode where Obron realizes William has been awake and roaming about for a while now...

There's the confirmation that Prince William and Hunter are the same character, or were. As I guessed, his witch-hunting tendencies would've been established early on as a strange gag, a quirk, only to become so much more darkly significant. I wonder if in this draft, Obron's past as a witch hunter also has relevance; Does he think he's 'saving' humanity by using the Titan to conquer both worlds, wiping out the denizens of one? Also him being a feral kid subsisting off of food given to him by friends is such Labyrinth Runners vibes. Was William always going to have his dynamic with Willow, given Luz plays a bigger role in him opening his mind?

Given we had a 'proof of concept' animation leaked a while back, I wonder if that was an even earlier draft to the pitch bible, given William is PRINCE William. Maybe he's meant to be an actual European human, because European bigotry towards witches existed back then I think, even if it wasn't as pronounced. And Obron does bear a resemblance to one of the Proto-Belos designs, though I'm not sure which came first.

…Huh. Would William have been Obron’s nephew or. God. Would he have been his brother. And while William never grew up because magical stasis, Obron did and now sees his brother be the exact same but also change. Man. And William just has to reconcile, when he gets his memories back, the jump from his brother, a kid like him, to Obron. So we still got the desperate attempt to preserve his brother, only for his brother/Hunter to ‘betray’ him.

#the owl house #emperor belos #philip wittebane #the owl house hunter #analysis

208 notes · View notes

honeysimagines · 2 years

Text

home

pairing: Bradley ‘Rooster’ Bradshaw x fem!reader

plot: at a get together after the mission the dagger squad finds out some things about Rooster, causing Maverick to step up and try and help…

warnings: drinking, references to parental death and past trauma

notes: for K ♡︎, thank you for letting me bother you with this for weeks

words: 7k

It was a bittersweet evening at The Hard Deck but they tried to not let it show. After the successful mission it was time to dismantle their little ragtag group of pilots and for everybody to head back to their former assignments. Sadly Fritz had to fly out in the early afternoon but the rest of the pilots and backseaters had descended upon the bar and shuffled some tables around with Penny’s permission to make a large circle where everybody found a place for at least the next few hours.

It felt good to be back on solid ground. While being in the air was one of the best feelings in Rooster’s mind he was glad to be off the ship again. With the old jukebox playing music and the patrons of the bar talking and laughing together it was a little easier to forget about the events that happened just a few days prior.

“You guys are lucky,” Harvard pointed out after everybody except Bob was a few drinks in, “at least you guys get a few weeks leave.” The other aviators knew it wasn’t coming from a place of malice, had they been in the place of the aviators that didn’t fly the mission they’d probably think exactly the same way. Everybody craved the comfort of home while deployed.

“Yeah,” Omaha added, “Leave would be nice. I wish I could head home, see family. My sister had a baby months ago, never even met the kid and he’s already crawling.”

“Maybe Mav can put in a nice word with the commander. Make it so everybody can go home faster.” Rooster said after taking a drink of his beer, “Although with him there’s always a chance we’d end up shipped out overseas for a few months.”

A few nods and words of agreement greeted Maverick as he made his way back to the group after not so sneakily disappearing to the back of the bar with Penny earlier. At least he was smart enough to get a new beer so he could play it off as just getting another drink, even if none of the other aviators bought it. “What are we talking about?”

“Leave.”

The older man just took his place among his now former students, looking around. “That’s nice. What are everybody’s plans?”

Most of the others just answered with the basics. Going to see family, spending some time with their loved ones. Hangman wanted to use his time for a vacation and Rooster didn’t doubt that in a week there’d be pictures of Hangman’s abs at a beautiful tropical beach all over social media. At least that gave him time to prepare a witty joke he could send in the groupchat to roast the blond.

Realizing he was the only one of the lucky ones that hadn’t shared his plans, Rooster took another drink of his beer, finishing the bottle before putting it down on the table in front of him. “Don’t know yet. Probably going to spend some time catching up with Mav and after that head home to see the missus.”

Several heads whipped around to look at him with a speed that put fighter jets to shame. Rooster was sure he saw poor Bob get whipped in the face by Phoenix’ ponytail hard enough for his glasses to become crooked on his face.

“The what now?!” Multiple voices said loud enough to draw the attention of other patrons but the group skillfully avoided paying attention to them.

Hangman let out a fake cough to hide his reaction but he couldn’t hide the curiosity in his voice as he spoke. “Didn’t know you were married, Rooster.”

“Congrats.” Mavericks' voice tore him out of his thoughts about how Hangman had no reason to know his relationship status. His godfather looked at him with a certain sadness in his eyes that made Rooster mad for a split second before he reminded himself that they were working on mending their relationship and a missed wedding might have been another thing to add to the list of life events they didn’t share like they should have.

“I’m not married.” He paused, trying to find the right words to describe what the two of you were. “It’s an… inside joke with an old friend.”

“Oh that’s-”

“I thought about asking her once but… yeah no I’m not married.” He rambled on, unable to stop himself, almost forgetting about his fellow pilots as he looked at Maverick and the way his eyebrows knit up in confusion.

The rest of the group just looked at him before Halo slapped her knees before standing up, signaling she was ready to leave.

“And that’s our cue. Come on boys, let’s give the Daggers some privacy. You coming with, Coyote?”

“Nah, I’m Hangman’s ride. Can’t leave him with the bunch. He’d just say something to piss them off and they’d leave him here.”

It wasn’t a tearful goodbye but hugs and handshakes were exchanged alongside promises to stay in touch. But almost as soon as Halo led Omaha, Yale, and Harvard away from the table all heads turned to Rooster again. Great.

“Alright, spill!” Phoenix ordered. Bob behind her enthusiastically nodded his head to back his pilot up.

“Guys, maybe that’s not-”

“Ignore Maverick. Spill Rooster!” Hangman interrupted.

Sighing he looked at his empty beer on the table in front of him and wished he had a full one in its place. Or maybe a tall soft drink glass full of whiskey neat.

“Here.” Mav pushed over the beer he picked up earlier, opened but still full.

“There’s not much to talk about.” He tried to defend himself. “She’s a friend. A good friend.”

That wasn’t enough to satisfy the lot in front of him though. Phoenix was motioning for him to continue and part of him wished it was just her he was talking too. She had always been a good friend. A good person to talk to when he had the need to talk. Even if they rarely had the chance to just sit down and chat due to the nature of their work.

“Lives in the old house.” He continued in a low voice, hearing his godfather inhale sharply next to him.

“I wasn’t ready to let it go but I- I couldn’t stay there. Not alone. Not after mom died. So when I left and she needed a place to stay I told her she could have it. Tried to pay me rent for years but I don’t take it. If she didn’t stay there it would be empty anyways so why waste a perfectly good house, you know. I go back every few months and she keeps my shit around.”

He just focused on the bottle in front of him, thumbing away at the label as the stares of his friends bore holes into him.

“That’s….nice.” The hesitant tone alone voided the words, he didn’t need to see the unsure face on top of it. He didn’t even want to imagine what the group was thinking of him at that moment. Revealing his tragic backstory in the middle of a bar.

“It’s not really home but it’s… it’s a homebase. Someplace to retreat to in case I’m back stateside.”

“And how long has this been going on?” Bob asked from behind Phoenix, confused, and Rooster was suddenly reminded of the years he had on them. Years because Mav held him back.

Years because he tried to protect you - a soft voice that sounded too much like his mother reminded him in the back of his head.

“Fifteen years? Give or take.” He mumbled.

“And how long have you been fucking her?” Three arms reached across the table to swat at Hangman for his question, Phoenix getting him in the arm hard enough for him to wince loudy.

“Fifteen years. Give or take.”

The only thing preventing an awkward moment of silence falling over the group was the fact that Fanboy choked on his beer hard enough that for the next few moments all the attention went to him, their group making sure that the WSO didn’t die. It didn’t prevent an awkward pause that followed after though. It was heavy, only interrupted by muffled coughing.

“Wasn’t expecting that to be completely honest.” Hangman said after everybody had mostly calmed down. When Rooster looked over to him he saw that the usual cocky smirk was nowhere to be found on Hangman’s face and for the first time in his life he wished the other man would make fun of him. Look at him with something more than blank surprise or maybe thinly veiled pity.

“Fifteen years is a pretty long relationship to have, Rooster. Even if you’re not married, that's still impressive.” Coyote tried to be uplifting, smiling at him across the table.

“We’re not dating either. Told you she’s just a friend.”

“But you’re fucking?” Hangman asked.

“Whenever I go back. Unless she’s in a relationship at the time which hasn’t really happened yet because she doesn’t really date but most of the time, yeah.”

Across the table Payback raised his beer to him before taking a sip. “I mean… friends with benefits isn’t bad. Me and my wife started out as fuckbuddies before I grew the balls to ask her out for real.”

A few of the guys around the table nodded in agreement while Phoenix rolled her eyes hard enough that Rooster was worried they’d get stuck, but nobody added on to what Payback said.

Another few moments of silence followed before Bob spoke up, all eyes on the quiet WSO. “So let me get this straight. You and this woman have been on again off again fuckbuddies for the past fifteen years. She lives in your house. You nearly asked her to marry you….. and you still insist that she is just a friend?”

It came out rather harsh and nobody really knew how to react, least of all Rooster. Nodding, he took another drink of his beer, breaking eye contact with Bob.

Pushing his chair back from the table Bob moved to get up from their table. “Jesus fuck I need a drink.”

“Bob, you don’t drink.” Phoenix pushed her chair back too, quick to back up her backseater.

“I’m starting now.”

Six pairs of eyes watched as the two walked over to the bar but the men soon found themselves returning their attention back to the conversation.

“That’s a long time to pine over somebody, Rooster.” Fanboy chimed in, the pilots around the table nodding in agreement.

Before he could defend himself that he wasn’t pining, Hangman decided to speak up again.

“Jesus dude I know you like to wait things out but that’s long even for you.” Putting his arm around his shoulder he continued, “Gonna make your move when you get back? You’re a hero now Rooster, that gets the girls hot. No way she’ll say no.”

Without looking at the other man Rooster just shook off his arm, not taking his eyes off the bottle in front of him. Half the label was missing at this point but scratching at it kept his hands busy at least. “She’s just a friend, Bagman. Just a friend.”

Before any of the others could comment on it, Bob and Phoenix made their way back over to the group, letting themselves fall into the seats they had abandoned before. Their little comeback thankfully drew the attention to them and off Rooster, something he really appreciated. Judging by the way Bob was looking, his first drink didn’t go over all that smoothly.

“How’d he do Phoenix?” Mav teased.

“Went straight for the tequila. I tried to tell him he should start out with a beer but noooo.” She drew out the vowel, interrupted herself with a short giggle, before continuing, “Doubleshot of the cheapest tequila Penny had, didn’t even pull a face.” Phoenix bragged while giving Bob an encouraging pat on the back as he kept quiet. She turned to Hangman, sizing him up before adding. “You can ask Penny if you don’t believe me, Bagman.”

“Nah screw that.” Hangman replied, jumping up in his seat and leaning across the table to get closer to Bob, and Rooster was glad that they seemed to have found a new topic to latch onto. “First time and he went straight for the kill. Atta boy Bobby. Mister B.O.B.”

Most people around the table joined in with Hangman who continued to go on and on like usual while Rooster just went back to focusing on the bottle in front of him. He continued to thumb at the label, using the nail to push the paper back little by little. Almost everybody had stopped paying attention to him but he could feel Maverick’s gaze burn into the side of his head. He just hoped the older man would let it go.

Maverick did not let it go.

Two days after the night at The Hard Deck he was pounding on the door of Rooster’s room until he had no other choice but to roll out of bed. Stumbling his way to the door with half closed eyes he cursed as he walked straight into a table, a hand coming up to rub over his thigh while the other one pulled open his front door.

“What?” The words came out harder than he intended but the other man didn’t react, instead pushing past him into the room.

“Great, you’re up. Come on get dressed, we need to leave soon.”

“It’s like…” He picked up his phone from the nightstand, dropping it onto the bed after he saw the time. “6 in the goddamn morning. Why are you waking me up at 6am on my day off, Mav?”

“I want to show you something but we need to hit the road soon unless you want it to become an overnight trip. So go and get ready.” Maverick picked up a shirt he had thrown over a chair a day or two ago and threw it at Rooster, catching him off guard enough for it to hit him square in the face.

Knowing full well he couldn’t escape this trip Rooster just sighed and gathered his things so he could get ready. Hurrying through the process of getting ready until he was standing back in his room, silently looking at Mav while the older man looked at the pictures Rooster had taped up next to his bed.

Most of his memories were kept in his phone nowadays but he still liked to keep a few physical pictures with him on deployment. An old strip from a photobooth the two of you had squeezed yourself into, you perched on his lap with his arms wrapped around your middle while you made faces into the camera right next to the picture of his parents with their arms around each other. Maverick was focused on the third picture that was taped up though, their last family picture from before the accident. It had been hard to bend the picture in a way that properly hid Mav since they were all crowded together, Mom and Dad and Mav with little Rooster in the middle. He didn’t regret not tearing it apart in a fit of anger though. Instead he had taken it down after the mission, carefully straightened out the picture until Maverick was no longer hidden behind the back of the picture and next to them again, before putting it back up with their family reunited.

Rooster watched as he reached out and trailed a finger across the crease. It felt like he was interrupting a moment so he just stood still for a few more seconds, giving Maverick a little bit more time. When the other man turned around he didn’t seem surprised to see Rooster standing in the middle of his room though, a small smile growing on his face.

“Ready to go, kid?”

“Yeah.” He replied, waiting for Mav to bring up the pictures or where they were going but nothing came in response.

“Great.” Maverick stepped past him, hand coming up to give his shoulder a firm pat. “We’re taking your Bronco.”

It wasn’t until they were out of San Diego and making their way down a highway out east that Maverick opened up a little. He had been designated to the passenger side, left to peruse through the handful of cassette tapes in the glove box and play navigator while Rooster drove.

“Good selection.”

Out of the corner of his eyes Rooster could see the older man’s hands stopping once he came across a familiar mixtape, his own illegible handwriting staring back at him. He had played the tape over the years, knew the songs by heart even. But he still wasn’t able to read the writing. Your daddy had the nicest handwriting - his mother used to tell him - always filling out paperwork for Maverick. It wasn’t until he was older that he understood why his mother continued to do the same after his father’s death. A small act of kindness towards the poor soul that had to deal with Maverick Mitchell, saving at least a little bit of their sanity by shielding them from his terrible chicken scratch. Mav could write legibly when he cared, Rooster had a shoebox full of cards and letters at the old house that proved this, but he never really cared for paperwork.

Still focusing most of his attention on the road in front of them, Rooster saw the older man opening the case and carefully putting it into the correct slot on the old car. It took a moment for it to start but he smiled as the intro to Danger Zone began playing. Mav was nodding his head along the rhythm and Rooster could feel himself being overcome by some kind of nostalgic sorrow.

He was young when his father died. Too young. That wasn’t something he ever tried or was able to hide. But he tried his hardest to shield the ones around him from the full truth and maybe lie to himself a little. Nick Bradshaw had been a good man and he deserved to be remembered as such by his loved ones. Which just caused his limited memories of his dad to be all the more painful. No matter how hard Rooster tried to find new memories hidden away in a far corner of his brain he was stuck with a handful of amazing but painful ones.

It must have been mere days before the accident. His mom was somewhere, he didn’t quite know where, but his dad and his uncle Mav were with him. He remembered that the radio was blasting Danger Zone and that the adults had been singing along. They had all jumped across the room wildly and his uncle had picked him up only to collapse onto a couch or bench or something similar towards the end of the song.

After their falling out it had taken him years until he could listen to the song again without getting overwhelmed by emotions. But sitting here now, side by side with the man he tried to hate for years, all that heaviness he’d been carrying around with himself seemed to lift. It would never be like that one carefree summer afternoon in San Diego again but Rooster was certain that they could work towards mending their relationship again and he looked forward to it.

They had been driving for hours and Rooster was starting to get tired of the scenery. While he appreciated the desert as a beautiful place in theory after driving through it for a while it started to become too monotonous for him. They had stopped at a diner in a small town around eleven and eaten what would probably be considered brunch although there was a distinct lack of mimosas. He had filled the tank while Mav picked up some things from a nearby store and they were on the road again before noon.

“There’s a dirt road up ahead, on the left side. No street sign but you’ll see it.”

It was easy to follow his directions, pulling the Bronco into the street and making their way down the road. He could see a building up ahead, far enough removed from the main road to not be visible to passing cars but now that they were on the smaller dirt road Rooster was able to see that they were heading straight towards it.

An airplane hangar. Maverick had taken him to an airplane hangar. In the middle of the damn Mojave.

He slowed down the car once they got close enough, coming to a stop near the access doors but off to the side so he wouldn’t block the runway. If it involved Mav and a hangar there would definitely be planes around and he didn’t want to be in the way.

“Remember the thing you talked about last time at The Hard Deck?” Maverick said, hopping out of the car and Rooster had to suppress a laugh at the sight before he exited the Bronco too.

He watched as Maverick walked over to the middle of the hangar and raised his voice a little so that the older man could hear him even as he walked away. “What thing? I talked about a lot of things.”

“About the old house and it being your homebase.” Maverick was fiddling around with the chain that hung in the middle of the giant doors but Rooster couldn’t see what exactly he was doing, even as he walked closer.

“Well….” The chain rattled as it fell to the ground but Mav picked it up before giving each side of the heavy doors a push. “Welcome to my homebase.” Maverick said before slipping through the gap in the door and disappearing into the darkness.

Homebase. The stupid word echoed in his mind as he hesitated to follow the older man into the hangar. He had said that, hadn’t he? Downplayed the significance of you, your home… his home. Expressing his feelings had never been his strong suit but part of him didn’t regret his selfish choice of words. He trusted the daggers with his life but he didn’t want to share your relationship with them, not when he wasn’t sure of things himself.

He couldn’t bare himself to them in such a manner. Not when he still struggled to come to terms with things himself.

Trying to shake those thoughts he followed after Mav. The inside of the hangar was significantly darker than the outside even with the slight opening in the doors letting in light and his eyes needed a moment to adjust before he could see but when they did he looked around the large space in awe.

Rooster knew that the older man had an affinity for all things speed -bikes and planes, even the occasional sports car- but looking around he was surprised by how many machines he could see. Just from a first glance he counted at least 15, half of which he somewhat remembered from his childhood, as well as an old P-51 and… random furniture placed in front of a trailer?

“What-” He started but didn’t finish his sentence. What would he even ask? What is this place? Homebase. Mav had already said that.

He looked around again, trying to find Maverick between the machines.

“Go sit down.”

He nearly jumped at the sound of Mav’s voice echoing through the hanger. He hadn’t seen or heard him coming at all.

“I’ll go get the bags from the car but you go sit. Or go look around. Make yourself at home. Just don’t touch anything.”

The way he said it sounded like an adult warning a small child. Don’t touch anything, you could get hurt. And for a second Rooster thought about all the years he had spent with Maverick and his machines. How they had fixed up old bikes and Mav had patiently explained what every tiny screw does before ruffling his hair and telling him good job buddy for handing him a wrench. How he had helped Rooster get all his licenses from bikes to cars to planes and then let him take out some of the machines for joyrides or to impress girls at his high school. How he knew what he was doing and if he wanted to he could touch because he knew not to get hurt. Because he’s not a kid anymore. Because Mav taught him how not to get hurt.

But instead he kept quiet and looked around.

Rooster spent a while looking at the P-51. That thing must have cost a fortune even if it was old and Mav did the repairs himself. It was a gorgeous plane though and he hoped that he could convince his godfather to take him up with it soon.

The row of bikes felt so familiar it hurt but he still ran his fingers over the polished metal with care. All neatly lined up along the side of the hangar.

When he was younger Mav kept a locker covered in stickers in their garage. He still had the same locker now in the hangar and the collection of stickers had only grown. He used to go into the garage to look at them all the time when he was a child. Stickers of the different squadrons in all colors of the rainbow. He had them all memorized before he had memorized all 50 states. This one is where Ice flies -Maverick would point out- and this one is the squad that has to deal with Wolfman and Hollywood. They had gone through all the different symbols and pointed out when one of Mav’s friends flew with them.

As a kid he often wondered which squadron he would be assigned to, what insignia he would rep. He slowly raised a hand and ran his fingers over the Golden Warriors sticker at the side of the locker when something past the locker caught his eye.

Pictures upon pictures taped to the wall, familiar faces staring back at him. He could see pictures of Maverick and his parents as he stepped closer. Iceman. Their class at top gun.

Himself.

One of the pictures he knew. It was taken the day his high school baseball team had won a state championship and he remembered feeling like he was on top of the world. His mom had already been sick at that point but her prognosis had been good. Mav had been home from deployment and was able to bring his mom and together they had cheered loud enough that they could be heard across the entire pitch. Other teens would have felt embarrassed but Bradley had felt nothing but love. They had taken him out to eat afterwards and he had talked their ears off while stuffing his face with fries. His mother hadn’t even scolded him for talking with his mouth full. He had asked about the naval academy and if they had a baseball team and if Mav thought he should join. They’d all been so happy.

Not even a year later his mom was dead and Mav had pulled his papers and he had found himself on the other side of the continent completely alone.

Mav had another picture of him as well although he didn’t know where he got it. It was a newer one of him in his uniform, taken before the start of his last deployment. Ice, he answered his own unasked question. There was only one person that held enough rank and love for Maverick to get a hold of his picture.

He should have reached out sooner. If not to Mav then at least Iceman. Even in his stubbornness he had to admit that the late admiral had never treated him with anything but kindness and now it was too late to apologize.

“There you are.” Mav’s voice came from behind him and Rooster was proud that he didn’t flinch at the sudden noise. He had completely forgotten that he wasn’t alone in the hangar.

Instead of speaking immediately he took a deep breath and swallowed down his feelings. One step at a time. First he’d mend things with Mav for the future, then he’d ask for forgiveness for the past.

“Quite the collection you got here.” He said instead.

“Yeah?” He could see how the older man’s eyes lighted up at the mention of his machines. “I got more up here and a few more back there.” He turned around to point them out to Rooster, taking a few steps away from the side of the hangar.

“I’ve put the bikes on the backburner for a little bit to focus on the plane but as soon as I get it back up and running I have a few that need repairs. Maybe you could come and help me out a little. Like old times.” Mav smiled.

“That would be nice.”

He watched as Maverick walked over to the sitting area and followed. He disappeared into the trailer for a moment only to come out holding two bottles in his hands and gesturing for Rooster to sit. It was almost as if he had set up a little living room in the middle of the hangar. With an armchair and a couch, a small coffee table all on a big rug in front of the trailer. Wait…

“Mav do you fucking live here?”

Mav just gestured to the couch. “Sit down Bradley.”

It felt weird to be called Bradley again. For years he had only gone by Rooster or Bradshaw, building it up almost like a second identity or an armor. To him it felt like he had left Bradley behind years ago when he left home. Still, he sat down.

He looked at Mav.

Mav looked at him.

“Yes Bradley. I’ve been living in this hangar for the past few years while stationed at a nearby air base.” He finally said.

“In that trailer?”

Mav didn’t say anything, just nodded while looking at him.

He shifted a little where he sat on the couch, trying to avoid eye contact. “So you’re just all alone out here in the desert?”

“You know I’m used to being on my own, Bradley. No wife, no kids.”

Nobody to mourn you when you burn in.

He should have known that he would end up eating his words. No matter how much anger and distress he was feeling when he spoke them, no words were said without consequences and he was about to be faced with his.

He shifted in his seat again, still not meeting the older man’s eyes. “Mav, listen…”

“No. No.” Mav took a deep breath and let in out loud enough for him to hear it through the distance between them. “You were right.”

Another silence fell over them, this one weighing heavier on him than the ones before.

“I fear we’re a lot more similar than either of us would like to admit.”

It sounded less than a statement and more like a confession or maybe even a little bit of an apology. Like it pained Maverick to admit it and he had to force himself to say them. As if it had been a shortcoming on his end that had made them this way and not just the universe playing a cruel joke.

“There are… a lot of things we need to talk about and a lot of things I need to apologize for but not now. We have all the time in the world to talk things out but that’s not why I brought you here.”

“Then why did you?” His own voice sounded strange to him but he couldn’t figure out why. His thoughts were racing but at the same time his mind felt emptier than ever.

“I don’t want you to repeat the same mistakes I made.”

“Mav…”

“People like us belong in the sky and when something comes along to threaten that things turn ugly. You think there’s nothing worse than having that freedom taken away from you but there is. Because we can’t… we can’t stay up there forever, Bradley, no matter how hard we try. Once that’s taken away you have to look around and see what’s waiting for you on the ground. And when you see there’s nothing waiting for you… That’s scary, kid.”

Although he understood every word coming out of Maverick’s mouth he couldn’t understand what he was saying.

“You’re allowed to put down roots without them chaining you to the ground. You’re allowed to build a home and a family without fear holding you back.”

And all of a sudden his words began to make sense.

No wife. No kids.

Just like him.

Somebody to mourn him if he burns in.

“I don’t think…”

“Don't think. Just do.”

That damn sentence had burrowed itself into his mind. Nested itself deep enough in his subconscious that there was no way he’d ever get rid of it again and Maverick repeating them now did nothing to soften the blow he felt.

“You love her, don’t you?”

Such a simple question. Such a simple answer. Yet it felt like he had to force himself to admit it. “Yes.”

“Then tell her.”

Sometimes home wasn’t a place but a person but there had to be some incredible luck involved for the two to overlap for him.

For years he had felt a certain type of sadness while driving up to his childhood home, reminiscing about all he’s lost, but as he pulled his Bronco into the little driveway all he could think about was what he was about to gain. His stomach was twisting and turning in anticipation.

Part of him wondered if he was doing the right thing, finally confessing to you. The friendship you had built over the span of more than one decade was too important and he didn’t want to mess it up. It had been easier when he was young and stupid and fell into bed with you the first time without consideration but now your time together weighted on him. He hesitated before exiting the car, mentally going over everything he wanted to say and repeating the words Mav had told him before sending him on his way.

She wouldn’t have waited fifteen years for you to get your act together if she wasn’t head over heels in love with you too.

Oh how he hoped that Maverick was right.

Taking one last deep breath he opened the door and got out, throwing it closed behind him. You had planted some new flowers in the front yard. Last time he had been here he was greeted by soft yellow flowers but now all he could see was a beautiful red. Granted it had been a few months since he last came by but he still felt a slight sting at the change. Not that it happened -he was glad that you actually felt at home in your house and comfortable enough to change the greenery- but the fact that he missed it. As he made his way towards the front door he thought about all the other things that could have changed since he saw you last. Did you get new pillows for the couch? Hung new pictures on the walls?

He had to search through his keys for a moment before he found the house key but as soon as he did he unlocked the door and stepped inside. There were noises coming from the tv in the living room and he had no problem imagining you curled up on the couch with a soft blanket and a mug held between your soft hands with one of your shows playing.

“Honey, I’m home!” He called out, hoping that you wouldn’t be able to hear the desperation in his voice and only the excitement.

Instead of a response he could only hear a crash coming from the living room and instantly became concerned. He couldn’t take more than two steps down the hallway though before you suddenly appeared at the other end of the small space. Messy hair and comfy clothes he didn’t have time to brace himself before you all but tackled him, clinging to his body while his arms came up to hold you up and against him.

Holding you in his arms again just made him feel so much more confident in his decision. His body still felt a little sore even a week after the mission but he’d never tell you out of fear that you would lessen your crushing embrace. The last thing he wanted right now was to be separated from you in any way. He could feel saying something against his shoulder but he couldn’t hear anything, the sound muffled by his shirt.

You must have realized that he wasn’t able to understand what you were saying because you pulled away a little so he could understand you better. “You’re home.” You almost whispered, voice airy and light and a big smile on your face. “Why are you home? You’re supposed to be overseas, why are you here? You always text me before you’re home or at least give me a call. Are you okay? What happened?”

He smiled as you took his hands between your hands, trying to see if he was hurt while rambling and he just couldn’t hold himself back any longer so he leaned down and finally, finally put his lips on yours in the softest, most loving kiss he could muster with the amount of desire running through his body. If he surprised you with his kiss you didn’t show it, instead your lips began to move against his, only for him to pull away once you try to deepen the kiss.

“I love you.”

The words didn’t feel foreign in his mouth even though it was the first time he said them for a long long time. He’s been running from his true feelings for as long as he could remember but now that he managed to spill them he couldn’t stop.

“I love you. I love you. I love you.”

Realizing that he was still holding you up, he carefully lowered you down until there was solid ground underneath your feet. You looked so sweet just standing there and part of him just wanted to swoop you right up again. Instead he brought one of his hands up to cradle your face, carefully stroking his thumb over your cheek.

“Baby...” You started but stopped when his thumb brushed over your bottom lip.

“I love you and I’m sorry.”

He could see your brows furrow in confusion so he continued.

“I’m sorry. I’m sorry I was scared and it took me fifteen years to finally admit it but I love you. I love you and I’m not scared anymore and I’m yours… in any way that you’ll have me.” It was a blatant lie. He wasn’t just scared, he was absolutely terrified. Not just about his confession but also the future and the past and everything in between. But he needed to tell you how he felt so desperately.

Your hand touching his brought him back from his thoughts, cradling his hands while he cradled your face and a smile so wide he couldn’t focus.

When you spoke your voice was barely more than a whisper. “Oh you stupid man.”

For an awful drawn-out second he couldn’t breathe before your lips met his again and he felt whole again. Deepening the kiss all he could think about was how he was never letting go of you again.

Lieutenant Jakob Middlename Seresin enjoyed the simple things in life. A cold beer, a light breeze, and a beach full of attractive people were paradise on earth for him. After the recent mission all he wanted to do was lay back and relax before he had to head back out for deployment so when two of his old academy buddies talked about their new house in Hawai’i he invited himself to crash in their guest bedroom for two weeks and so far it had been nothing but pure bliss.

Taking a picture of his current view he sent it to his parents before pulling up the group chat Fanboy had made for everybody involved in the mission. He had missed about 50 messages but just from scrolling past them he picked up that Bob had sent a picture with his family and now everybody was roasting him for how out of character it seemed. Apparently there were flannel shirts and horses involved and Jake was just about to scroll back up to take a look himself so that he could join in the fun when a new message was sent to the group chat that caused him to drop his phone into the fine sand with a bitten off curse.

Rooster 🐓

getting hitched in vegas this wknd, be there or be square

txt Mav for details

Before he could fully process what he just read the chat was blowing up again. Text after texts came in expressing various degrees of excitement but Jake just read over Rooster’s text again before putting his phone away. With a sigh he brought his half-empty beer up to his lips and emptied the bottle before getting up to make his way back to the house.

It was only Wednesday so he still had a little time to enjoy his vacation before he had to head back to the mainland and he fully planned on enjoying it. He just needed to ask his friends where he could buy some gaudy Hawaiian shirts first. Maybe he’d even find some Vegas wedding appropriate ones.

He wouldn’t leave his wingman hanging.

#Bradley 'Rooster' Bradshaw #bradley bradshaw #bradley rooster bradshaw #bradley bradshaw x reader #bradley bradshaw imagine #rooster x reader #rooster imagine #top gun imagine #top gun #top gun: maverick #top gun maverick #top gun x reader #top gun maverick x reader #top gun maverick imagine #bradley rooster bradshaw x reader #bradley rooster bradshaw imagine

3K notes · View notes

skamenglishsubs · 2 days

Text

Subtext and Culture, Young Royals, Season 3, Episode 6

Out here in the real world it's been a week since the cliffhanger ending of episode 5 where Simon broke up with Wilhelm, but in-universe it's just the next day, and Wilhelm is being comforted by Felice.

Subtext: This entire episode is incredibly meta, there are so many times characters say things that reference earlier seasons or episodes, or the entire series as a whole. This is the first time, and Felice is saying what we're all thinking. IS IT REALLY OVER?!? 😱

Blink and you miss it: Felice gives Wilhelm her sunglasses and dries his tears so he can hide the fact that he's been crying. Also, look at that gorgeous Swedish summer. It is so pretty.

Culture: The third-years are painting the banners that go on the trucks on graduation day.

Culture: They're also signing each others' student hats, which is a common tradition. You can just sign your name or write something funny or do whatever.

Culture: This car is what we in Sweden call a sossecontainer. It's an old 90's Volvo, it's square, it's ugly, and it was pretty cheap and reliable, so it was very common and popular among working class and the lower middle classes. It was never a high-status car, so it perfectly illustrates the Eriksson family.

Subtext: Oh look, another throwback to season 1 when Sara argued with Simon about their dad, and said that he should stop giving people second chances.

Culture: Oh look, another poem by Karin Boye. This time it's Eternity, a poem about cherishing your time with your loved one, and the text is about how good times feel like an endless summer, which is what it certainly looks like for the kids and their teacher in the lush landscape. But just like in the poem, their endless summer is about to end.

Culture: This is pretty much exactly the reason used when real-world Lundsberg was temporarily closed.

Culture: And Wilhelm isn't wrong, the shitty traditions are in the walls of the place, it's always been like that, and it's always been upheld by everyone involved with the school, parents, teachers, staff, and students.

Subtext: Since this is the last episode, let's prepare the viewers to say good bye to the show, and let's do it with a little montage of students crying and taking their stuff down and emptying their rooms.

Culture: This is a 100% factually true statement, Göteborg is the worst city in the world. Source: I'm a native Stockholmer, and you just have to trust me on this, ok? Look, it's just common sense, alright? Don't listen to people from Göteborg, they're just jealous they're not living in the glorious capital. Also, they talk funny. And they have no sense of humour! And everyone is named Glenn or something.

Culture: I don't think they're referencing an actual school here, and the current Norwegian royal children went to school in Norway, not Switzerland. But the current Danish crown prince went to some boarding school in Switzerland for a while, but then he went to the Danish elite boarding school Herlufsholm. However, it was rocked by a bullying scandal in 2022, so they had to pull him out of that one and deny all knowledge of the events. Feels familiar?

Culture: Solliden is the private summer palace of the real-world Swedish royal family located on Öland, an island off the south-east coast of Sweden. The show has consistently stayed away from every likeness with the real world, but I guess they couldn't be arsed making up a fictional summer palace for the YR royal family so they went with something familiar.

Subtext: Farima is talking about the problems of finding a new school for Wilhelm from an academic perspective, but he's just thinking about how this means he won't be close to Simon any longer.

Culture: Vincent and the boys are pouring one out for Hillerska. It's a way to toast a dead friend, or in this case, a place.

Blink and you miss it: August places a king chess piece on the table before telling his friends that he's Wilhelm's reserve and might be king someday.

Subtext: And he's still so blinded by the glamour of it, despite everything. Thankfully, his friends can bring him down a couple of pegs.

Blink and you miss it: While Wilhelm is returning Kris, the book from last season, the second book in the pile is a book by Kjell Westö, Den Svavelgula Himlen - Yellow Sulphur Sky. It's about a working class kid in Finland becoming friends with his upper-class neighbour family, and his struggle maintaining a relationship with the girl of the family because of their class differences. Slightly on the nose there, show.

Meta: Henry interrupting our boys at the worst possible time is just a running joke at this point. How many times has it happened now? Four times? Five? Read the fucking room, Henry!

Subtext: Last chance to have a party together, but also last chance to see Simon, "maybe ever". Oh no, we have to start preparing for a sad ending!

Culture: Red solo cups are not a thing anywhere outside the US really, but you can buy them as a gag gift in Sweden, because to us they're just a weird movie prop we've seen American movies. Every other party scene in the show has featured regular plastic cups.

Culture: Drinking with the teachers?!? Yeah, sure, why not, everyone is an adult.

Subtext: Emo outfit? ✅ Sitting on the floor? ✅ Full of self-pity? ✅ Exaggerating the catastrophic state of his world in the way only a 17yo disaster boy can do? ✅

Meta: Another throwback to how Wilhelm was referred to as the party prince back in season 1.

Blink and you miss it: Felice hides the wine bottle behind her back before Malin comes in. She knows, Felice. Malin knows everything.

Meta: Another throwback to when Wilhelm was eating the dirt at the very same football field that disaster emo boy Simon is now sitting at together with his friends, who are trying to convince him to go to the final party.

Subtext: This time, August isn't just sorry that he got caught, he is genuinely sorry for everything he did to Wilhelm. He in turn forgives August, and we're all getting closure for this plot point.

Meta: Hey, hey, hey guys, do you remember that scene in season 1 episode 1 when Sara helped hold Felice's hair while she was throwing up? We're doing a throwback here!

Meta: Hey, hey, hey guys, do you remember that scene in season 1 episode 3 when Felice told Sara that maybe you don't have to speak the truth all the time? Well, Sara still doesn't understand why you would lie, but this time she's right, Felice was right to tell the truth.

Blink and you miss it: Stella and Fredrika are making out at the party, Felice saw it, and is making a very funny face. This is also why Stella rudely rejects Rosh, because of course she's gonna choose Fredrika, Rosh was just a distraction to make her jealous.

Subtext: Vincent is talking about Nils, who just came out, but August just saw Sara, and that's the whoever he wants.

Subtext: But despite saying that he doesn't care about anyone else seeing them, he still ducked behind a stack of pallets for this conversation.

Meta: This is a brutal Fleabag reference.

Cinematography: This scene is overwhelmingly lit in that sickly greenish fluorescent hue, but there's golden light coming from somewhere, so Sara and August share one final kiss in that golden light. But there's not enough of it to go around, not enough for their love to last, so August is left standing there alone, and all the golden light is gone.

Cinematography: Wilhelm and Simon left the party sometime after midnight, this is supposed to be a very early morning summer sunrise, and our boys are just gonna be bathed in the golden light throughout the entire scene. Gods, it is pretty.

Meta: Hey, hey, remember that scene in season 1 when Simon was singing that song, and Wilhelm instantly fell for him?

Meta: Hey guys, remember that scene in season 1 when they were discussing welfare politics in class and Simon threw shade on Wilhelm? This is a throwback to that.

Cinematography: Just fucking look at this shit. What a nice view. The nature and the sunrise is pretty, too! Going naked into the water? Yeah, that's a rebirth metaphor as well. Lisa said so!

Subtext: This entire scene is basically Wilhelm trying one last time to get Simon back. They said they weren't gonna, but he's trying anyway. They're talking about that politics class where Wilhelm couldn't speak up because he was "not allowed". So he's still bound by his royal duties, which is why Simon broke up with him last episode.

Subtext: And since Wilhelm is still stuck, he's left on dry land, while Simon swims away from him, free. Guys, I'm thinking we're actually gonna get a sad ending! This does not look good! 😭

Blink and you miss it: Stella and Fredrika are sleeping in the same bed and making out the morning after, and millions of #Stedrika shippers are rejoicing! Yay, fanservice!

Blink and you miss it: Walter is helping Henry up after he passed out in the grass outside after the party, and millions of #Walty shippers are rejoicing! Yay, fanservice!

Subtext: The last photo Wilhelm takes down from his wall is the one with him and Simon, because that's the most important memory of this place.

Blink and you miss it: Wilhelm shuts off his red lightstrip in his room. Those lights have typically been a symbol of his love for Simon, but he's turning it off. Sad ending confirmed.

Meta: Listen, it's a lovely little song that Simon wrote for Wilhelm, but it's 100% fanservice, it's referencing events in the show that Simon actually didn't witness, and it's even referencing the soundtrack to the show itself! I mean, come on! And we're getting yet another sad boy Wilhelm montage of him moping around Hillerska with his earbuds.

Subtext: Remember how the frog snowglobe was a gift from Erik, who in turn got it from their grandpa, the king? It's so obviously a symbol of the monarchy, but Wilhelm is dumping it in the trash. Are we... Are we not getting a sad ending?

Cinematography: The shot of the flag being raised is cut off at half mast, which is a pretty universal symbol for mourning. Oh ok, we're back on track for a sad ending.

Subtext: This is the first time this season that Simon speaks Spanish with his mom, and the first time in the entire series that Sara does, which shows that they're fully themselves again, they've pulled themselves out of the Hillerska world.

Culture: The graduating students are having a champagne breakfast before the graduation ceremony, that's also very common in Sweden.

Subtext: Felice and the rest of the choir decided to have a little rebellion and not sing the boring old Hillerska song, and instead the new improved one that Simon made last season. No-one told him about the switch though, which is why he's so surprised.

Culture: After the ceremony, the graduating students will run out of the school to find their parents and family and friends, who are waiting for them, usually with a big sign with the most embarrassing baby picture they could find of them.

Blink and you miss it: August's mom and stepdad have also made a huge sign with an embarrassing picture of August Malte as a kid. Adorable.

Lost in translation: The queen is saying "lilla gubben", which literally means "little old man", a very common term of endearment in Swedish families. The show has been pretty consistent in that Wilhelm's family are all using normal words, just like any other family would. So it's pretty funny that despite everyone else using titles and styles all the time, to Wilhelm, his parents are simply "mamma" and "pappa", as if he was a regular kid.

Subtext: As a graduating student you get little gifts from your family, flowers, champagne, stuffed animals, all with a blue-and-yellow ribbon so you can hang them around your neck. August is family, so the Queen gives him one as well. Of a frog with a crown. Which is a symbol of the monarchy in the show. Wilhelm threw his frog in the trash, August is getting a frog from the Queen. I think there might be symbolism here! I think we're setting up August to become the next king! Do we dare hope for a happy ending?

Cinematography: Just fucking look at this shit. The composition, the contrast, the height difference, the distance between them. It's so pretty. And they're talking about how good it was while it lasted, just like how a TV show with a sad ending can still be an amazing experience. Hint hint.

Subtext: We're saying our goodbyes, Wilhelm and Simon are saying goodbye to each other, Wilhelm wishes Simon a nice summer, just like how Simon wished Wilhelm a good Christmas back in season 1, and just like back then, they both understand that they love each other, but can't be together.

Cinematography: And then Simon exits the scene, again, leaving Wilhelm standing there alone, again, having seemingly chosen his family and royal duty.

Culture: It's common to either rent a truck as a large group of students, or to be driven in a flashy car alone or with a friend. The two girls in the centre are sitting in a very nice Aston Martin, while a bunch of their classmates are on a truck. I can't make out the full text on the banner, but I think it says something like "Lock up your sons because tonight we become like animals".

Culture: Svensson is a very common Swedish last name, so to "be a Svensson" basically means that you're super average and mediocre, you're like everyone else. Whereas these elite kids are used to having everyone else bow and scrape for them, so that message is on brand.

Cinematography: We're in the car, it looks like the ending of season 1, and we're doing a close-up of Wilhelm's face. We're ready for the fourth-wall-break of him staring sadly into the camera, having been once again broken down by the system and not getting the boy. We've said goodbye to everyone, roll the credits, start your crying...

Cinematography: ...except the show isn't ending here. We're having an honest conversation between Wilhelm and his parents for the first time. Because every other time he's said that he doesn't want to be crown prince of the next king, he's been angry or upset, he's been threatening, and definitely impulsive. But he's never wanted any of it.

Cinematography: His parents let him go, they open the door to their van, Wilhelm exits, and the show turns up the volume of the soundtrack. "Energetic music" my ass, it's the Harmony theme! It's the main theme of the entire show playing as Wilhelm runs away.

Subtext: Oh, yeah, August sees him run away, and understands that he's next in line now. Sorry buddy, sucks to be you, but never mind that now. RUN, WILHELM, RUN!!! GET YOUR MAN!

Cinematography: The shows turns into the most perfect rom-com, with Wilhelm chasing down Simon's car through the incredibly lush and green Swedish summer. He catches up to them, tells Simon that he ditched the crown for his own sake, and asks if it's really over between them.

VAD FAN TROR DU?

As if the soundtrack wasn't triumphant enough, it now starts playing As Long As you Are Here as they throw themselves in each other's arms. Happy ending! They're crying, I'm crying, we're all crying! 😭

Cinematography: A montage? With all the best scenes between our boys from the entire show? With the text of the soundtrack perfectly matching the montage? I should be outraged at how cheesy this is, but it is perfect. Perfect. I love it. I swear, this fucking show.

Subtext: Finally we are at the true ending of the show. Wilhelm has managed to escape Hillerska, him and Simon and Sara and Felice have all escaped the hierarchies, the expectations, the duties, and the toxic environment of the school. He arrived in a Ferrari, and is now running away with his boyfriend and friends in a crappy Volvo station-wagon. The stiff suit jackets are gone, they're all in white, his hair is ruffled in the wind, and for the last time ever Wilhelm looks into the camera. And he smiles.

He is finally free.

#young royals #young royals subtext #young royals analysis #young royals season 3

168 notes · View notes

lovely-lying-loveable-liar · 6 months

Note

Dude poly!Ted Schlatt with a size kink? Omfg + calling both of them daddy or calling Schlatt daddy and Ted sir *faints*

THEYRE JUST SO FJSIDNEHA

*sorry if I blew up your inbox with likes*

Love them both tbh

I'm so mad that there isn't a lot of poly stuff for them

But then again, I feel like ppl just don't write the reader the way I act, you know?

I also don't really write daddy/sir stuff but we'll see!

To establish some relationship tings:

You're in a relationship with Schlatt and Ted, they're in a relationship with you and each other, none of that "love triangle" bullshit, this is a polyamorous relationship SUSAN!!!

ANYWAYS

Ted's a switch, dom leaning

Schlatt is also a switch, he doesn't really lean but he loves domming Ted

But they both have a mutual alliance that whenever you decide to sub, they go HAM

Not pushing your limits or anything, but they pull out all the stops

They wont cum until you have at least three times

They set the mood

Candles

Blankets

Fresh sheets

Pillows

They'll turn your plushies around

I also feel like they'd be very goofy during sex

Schlatt dropped something off the bed one time and completely forgot he was inside you so when he went to bend and get it, he almost came and fell off the bed right then and there cuz you squeezed him just right.

Ted cracks jokes mid-sex ALL THE TIME

"Fuuuck... you're.. so big?!"

"That's what she said."

"Did you just make a 'that's what she said' joke... during anniversary sex?"

But Schlatt doesn't really mind it, cuz he loves the feeling of you laughing around his cock

"Holy fucking shit... Ted, I swear to god, if you stop makin' this sweet angel laugh I'm gonna fucking kill you... I'm so close..."

Because he's Catholic, Schlatt refuses to fuck you with a condom on. Sorry babe, you're just gonna have to deal with it! It's against his religion!

But seriously, no matter your gender or status of fertility, Schlatt CANNOT stop picturing what your kids would look like.

He's a family man, what can I say!

This is getting off topic.

Tbh, they just *work* together, you know?

Joint sex playlist

Believe it or not, Schlatt's the one that adds Careless Whisper to it

Even if he does it ironically, there have been times where you give up and just let him fuck you to it

And he laughs the entire way through, making it soooo cheesy

Meanwhile, I feel like Ted fucks to more sentimental music, like Hozier or smth

I know I said he makes jokes

But I can't help but think he *makes love to you* while Son of Nyx plays

Schlatt also just likes watching you two fuck

A lot

He's taken up drawing and will use you guys as references

He says it's so he can get better at Gartic Phone, but it's just because he can't express his love for you guys through words so he prefers to draw you two having sex.

he keeps the drawings to himself and admires them sometimes

#ted nivison x reader #jschlatt x reader #schlatt x reader #ted nivision smut #jschlatt smut #schlatt smut

327 notes · View notes

homunculus-argument · 8 months

Text

I think George R. R. Martin brushed past something similar in concept in ASoIaF, with a few characters referring to themselves in ways like saying "a man has no name" to say "I have no name", and later on in some interview saying that's actually a thing somewhere in the setting, but I think it would be fun to have a worldbuilding thing of a people whose language straight-up doesn't have personal pronouns, or where the line between pronouns and simply nouns is so blurred that technically speaking you could say that the amount of words you could use as pronouns is infinite.

Like in finnish, lacking gendered pronouns, people occasionally refer to someone who isn't present as "the/that girl/boy/man/woman" for clarity. There's a specific word ("tytötellä/tytöttely") for the thing where adult women are referred to as "girls", and if I recall right, the varying Japanese first person pronouns depend on one's gender and status in whatever situation they are in, so you can draw a lot of conclusions about a character by whether they say "I am" as watashi wa or boku wa in the same external context.

But what if you took this kind of a thing and wrote a language where there are no pronouns? A language that does not have words for "I", "you", "he/she/they", or even "it", but where whatever word you choose to use to refer to yourself or other people, and whom you are addressing is only distinguished by a prefix or suffix. So there is no "neutral" way of saying "I want to see you", but sapphic poetry is full of sentences like "a woman(myself) wants to see a woman(you, whom I address now)". And you cannot say a thing without showing how you see yourself and others.

It's an observable part of growing up to notice when a kid stops referring to himself as "a boy" and starts using "a man", someone raising into a new status takes a moment of adjustment to learn how to refer to themselves at work as "the supervisor", or someone revealing their past by slipping into an old form of address by saying "a soldier" when they should have said "a passenger" on a train.

Many people go through their whole lives not really thinking about it, going from referring to themselves as "a child" (there is no common use of "baby" as first person, as babies naturally don't know how to talk yet, so as soon as a child starts talking in sentences, they'll just use their name or the word for "child"), and move on through age, gender, and social role words through their life arc, but some people do get creative with it, such as making a pregnancy announcement by unexpectedly referring to themselves as "a mother", or someone who royally screwed up sending a text

"A disaster(1st person) is coming home, hoping that a wife(2nd person) can forgive."

420 notes · View notes

dariaslookalike · 2 months

Text

Building Houses and Burning Bridges Pt 10: Should you suck him or rub him?

Summary:

It seems, oddly enough, that Gregory House lives to annoy you. He takes 'arseholish boss' to the next level. Wake up in the morning, ready to have breakfast, and drive to the hospital where you both work? Nope, you're getting a text that says you're late to his impromptu 4:30 AM meeting where he's had the 'breakthrough of the century' on the team's latest case. Get your hair cut and walk into work, for once feeling confident? Nope, he's saying that he would have done a better job blinded, hands tied and going through Vicodin withdrawals. Finally, 𝘧𝘪𝘯𝘢𝘭𝘭𝘺, prove him wrong and attempt to wipe the cockiness off his face? Nope, you're simply slow because you didn't get to your diagnosis quicker and weak-willed because you didn't fight him for it in the beginning. Everything House does infuriates you, and it seems everything you do infuriates him. No wonder you end up pinned to the wall of your apartment and groping him like your life depends on. And knowing House, it very may well.

Warnings: Adult language, mature themes, eventual smut, female protagonist, no reference of y/n

Rating: 18+ MDNI

Current Status: Ongoing

Masterlist: Building Houses and Burning Bridges

Next Chapter:

-----------------------

You jolt awake in the night; a chilly breeze through the window or an odd nightmare that was already fading from your memory. Whatever it was, you thrash against the blanket and suck in sharp breaths of air. You blearily gaze around the room when a shiver creeps up your spine and you find him sitting in the corner armchair.

“You’re a creep.” You croak out.

House raises his glass of bourbon in admission. You can only see the vague silhouette of him lit up by the light drifting in from the street; the glint of his glass, the dark shadows of his brow and cheekbones. You stay like that for a few minutes, gazing at each other. Your eyes gradually adjust to the darkness, and while he sips, you drink in the sight of him. The new stubble lining his face, the whites of his eyes, the curl of his lip.

You break the silence with a quiet question. “How was work?”

You realise it’s dumb as soon as you say it. So much had happened from work to here, where you lay, naked in his bed. You roll yourself over to your side, fully facing him.

House stares at you, and nothing is revealed on the stony plane of his face. “Cameron asked about you.”

You blink. Not like House to avoid the question, but you play into him. “What’d you say?”

His jaw clenches. “I didn’t know what to say.”

You hear his glass clink against the bedside table, and he groans. He shifts in his chair, and you can make out his hands being dragged down his face. His voice is muffled behind his palms, and you squint. “Huh?”

House just groans again, and you’re blinded when he reaches over swiftly and flicks on the lamp. You stop yourself from hissing, and just fling the blankets over your head. Only when you stop seeing white on the dark of your eyelids do you gradually lower it again.

House is staring at you, and while your eyes still sting from the brightness, you appreciate being able to see him. He grinds his teeth. “I said, do you know how annoying that is?”

You blink, stopping yourself from trying to memorise the detail of his neck, and draw your eyes back to his. “What, Cameron asking you a question? Scandalous, I know.”

House scoffs in disbelief, but it doesn’t hold the same bite it used to. It’s softer somehow, here in the pillowy, blanketed expanse of his bedroom. “Even now- Even now, when you’re running on a few hours of sleep and you’re not even fully awake yet, you’re a smart arse.” You clench your jaw as he throws his hands up softly, defeated. “No, no, not Cameron asking. It was not knowing what to say.”

You don’t say anything, and his eyes flick to yours. “I know a lot of things; more than every patient in the clinic combined, more than the snot nosed kids and helicopter parents. But I didn’t know what to say to Cameron.” He leans back in the chair, and scoffs at the ceiling. “I could’ve said your pimp raised your hours or that you were being treated next door by Wilson, and she could go shave her head with you, if she likes. And instead I stood there, and couldn’t think of anything.”

You don’t know how to reply, and he clenches his jaw, blinking away something in his eye, before he takes another sip of his drink.

“House.” Your voice is soft but it still sounds too loud in the sudden silence that envelops you both.

You don’t know how to say it, how to ask. You can feel the words lodging in your throat, trying to bubble out and instead being barricaded inside. So, you shift yourself back towards the edge of the mattress, and raise the blanket up with one arm as an invitation. You see his adam's apple bob and his eyes flick to yours. It’s one thing to fall asleep in the same bed after exhausting sex. It’s another to consciously make the decision to lay with each other- somehow, it felt more vulnerable, more raw, more intimate than what you two had done earlier.

It’s just sex. House’s words from earlier ring out and you can almost see them fluttering through his head right now.

Fine. It’s just sex. You start to lower your arm, rescinding your invitation. But House moves, staring into your eyes all the while, raising himself to his feet and you smile at him. Not a toothy, cocky smile, but a soft one that has your dimple showing.

House groans, his hand whipping to his leg. “Argh!” He’s unsteady on his feet and falls back with a ‘hrumph’ into his chair.

You don’t realise how hard you’re gripping the sheet until you sit yourself up and drag half the bedding with you. “Are you okay?”

House scoffs. “If you call missing muscle and cripple inducing pain okay, then yes, I’m okay.”

You roll your eyes, relaxing slightly. House sees your reaction, and sighs. “It’s just- it’s just a bad pain day. Trying to fuck the shit out of gorgeous women puts a bit of a strain on me.”

You gulp, slightly. “I’ll have to tell that woman off when I meet her.”

House’s breath is sharp and hissing through his nose, but he still manages to scoff. “Don’t do that.”

You can feel your pulse jumping in your neck. “Do what?”

“Don’t sit there and act like some insecure teenage girl who didn’t get asked to prom- you’re gorgeous, and if you pretend you’re not, it makes you look like a gorgeous idiot.”

You laugh, but still feel your cheeks flushing. “House, one time I walked into work, you asked me if a dog chewed me up and spit me back out.” You raise your hands in defence. “I’m not trying to fish for your compliments- I know I’m not the girl in magazines and I’m not like Cameron or Cuddy. I learnt that a long time ago and I’ve learnt to live with it.”

House looks repulsed. “You actually are an idiot then.” You roll your eyes, and he shakes his head in disbelief, still hissing in pain. “Yes, you’re not anorexic or bulimic or some giraffe looking model. And I can’t get enough of you. If you think that I’m not going to compliment you, and tell you truthfully that you’re beautiful, because you weigh more than some pubescent teenage girl beauty standard bullshit, you’re an idiot.”

He’s staring at you from beneath his brow, “Get me a bottle of vicodin from the cupboard, and I’ll show you what I really think about you.” You can practically see the dirty images across his mind. You, pinned beneath him, getting praised and worshipped and adored by House’s depraved self.

Your cheeks are definitely aflame now but you manage to force out a soft laugh. “I don’t know how you managed to say all that when you’re in that much pain.”

As if remembering his pain, House groans loudly, deep from the back of his throat, as his hand rubs over his leg. You try not to focus on the way that sounds make you throb, and you swing your feet over the side of the bed. You see House’s eyes cling to you, to the skin hidden by the bed sheets covering you. You smirk, and simply grab a discarded shirt from the floor, slipping your arms into it. The bedsheets drop, and you hear House inhale sharply at the sight of your bare chest, but then you poke your head through successfully and cover yourself again with the t-shirt.

House’s t-shirt. It’s got some sort of graphic across the front and you vaguely recall it from House’s so called ‘fashion week’ that occurred after Cuddy demanded he wear a doctor’s coat. You slide to your knees in the space between House and the bed, and he shifts his hips slightly towards you.

“Round two?” He asks, smirking down at you.

You laugh, and reach towards the bedside table. “How can you be that horny in that much pain?”

House’s blue eyes track your movements. “It’s one of my many talents.”

You grab the small tube and close the drawer, turning back to House. His eyes flick down to the Deep Heat tube, and trail down you, snagging on your bare thighs. His breath is uneven as he speaks. “How’d you know that I kept that there?”

You look up to him from beneath your lashes. “I’ll be honest- I’ve gone through your entire apartment by this point. I know where you keep your birth certificate, let alone some cream.”

He huffs. “‘Should have expected you to be a detective too.”

“As if you didn’t do the same thing at my place.”

House stares down at you for a moment before he speaks. “You’ve got me there. You found my birth certificate and I found your collection of raunchy pornography, so I guess we’re even.”

You unscrew the lid and squeeze some cream onto your hands. It warms near instantly. “Ha ha. I don’t keep porn, only a box of sex toys.”

Your eyes flick back up at his silence to see House’s hooded gaze as he stares at the apex of your thighs, seemingly entranced, and you shake your head. “Take your pants off, House.”

He blinks, shuddering in a breath. “You don’t have to ask me twice.”

He shimmies himself out of his pyjamas- some flannel pants that you might have called him an old man for another night. But tonight, when he shakes and his leg spasms as he finally strips his pants, you resist.

You don’t comment on his laboured breathing when he leans back against the chair, and you simply scooch closer until you’re enclosed by his knees. His hand reaches forward, threading into your tousled hair and pulling it, gently enough to drag your eyes up to his.

House stares down his nose at you, and you remain like that for a moment, staring at each other. You could stare at him forever, you think. Study the lines of his face and the blues of his eyes for your whole life, the same way a cartographer memorises the planes and the dips of a landscape or a crazed artist obsesses over the cool blue of the ocean. Memorise the notch in his brow or the lines under his eyes or the sharp slope of his cheekbone.

A smile tugs at his lips. “You are gorgeous.”

Your brow crinkles. “Now you’re only saying that because I’m on my knees.”

His hand tightens at the roots of your hair, and his grip is more sharp. “You’ll believe me. Eventually. It’ll take me fucking that insecurity out of you and maybe getting Wilson to join, but it’ll work.”

You laugh, cheeks aflame. “‘You sure you could handle that? Last I checked you hated the idea of me taking on Chase by myself, let alone your buddy.”

His jaw ticks, and you can’t tell if his sharp inhale is his pain or the mention of Chase. “That’s because Chase is a snot-nosed ‘yes-man’.”

You roll your eyes half-heartedly. “Stop with the squabbling and let me work.”

His hand loosens at your head, and you lean forward, gingerly smoothing the cream down his bare leg. House flinches at the touch, and you hear him grunt when your fingers trail over the silvery mass gouged out of his thigh. You work gently, and even softer when the grip on your hair tightens, stinging your scalp, and his breath racks through his chest, leaving him heaving. You massage the heated cream into his skin, working in circles and with both hands, pushing into the surrounding muscle and working it into the silvery scar. When it’s absorbed, and his thigh is warm to the touch, you continue working him with your hands, pushing down on the muscle and easing back in a soft massage.

House swallows above you. “I think this is better than the blowjob.”

You smile up at him, mockingly. “Really?”

His head falls back against the chair, and he groans. You clench your legs at the way the sound makes your core tighten, and focus on ensuring your hands continue to work. “Actually, we should do both to test it.”

You laugh at his hopeless attempt, and his head tilts back down as he looks at you. “How’d you learn this? I’ve had masseuses do much worse.”

You narrow your eyes in a faux-glare, applying more pressure to his thigh. “I thought you knew everything about me.”

His hands abandon your hair, and he runs them through his own hair, his adams apple bobbing as he does so. “There’s always things to learn. I didn’t know what you were like in bed, and now I know you’re a slutty little thing that loves to-”

“I got a certificate in massage therapy,” You cut him off. “While I was studying. It was easy enough and I thought it would come in useful if I ended up flunking out of being a doctor.”

“You? Flunking out? In your dreams- or nightmares, I suppose.”

You shrug softly. “It’s always good to have a back-up plan.”

He chuckles. “By that logic, what was your backup plan for your backup plan?”

“Get a sugar daddy.”

House’s eyes drop to yours immediately, searching for facetiousness. You simply smirk up towards him and lean forward, pressing a kiss to his thigh. Your staple, you suppose. You couldn’t argue against it. Kissing House’s thigh and getting that pupil-blown reaction was worth it. “Did that help at all?”

He blinks. “You can kiss it again and I’ll tell you. Or I have something else you can kiss.”

You ease your massage, now only working softly and lightly. “I meant the massage.”

His blue eyes are soft when he gazes down at you, staring at you appreciatively.. “Yes. Thank you.”

“Do you want me to get you some vicodin too?”

He sighs fully. “I could kiss you, you addict-enabling goddess.”

You roll your eyes, easing yourself to your feet. House leans forward as if shocked by the separation of your hands from his thigh, and you stand between his legs, letting your hands rest on his cheeks. They must reek of the cream, but he makes no move to resist you as you rub your thumbs against his stubble and trace the edges of his face. His shirt falls past the apex of your thighs, but his hands reach forward, slinking under the material and grasping your arse. You gasp, and move closer to him, his face coming closer to your breasts.

He squeezes your cheeks, fingers digging into the supple flesh. He gazes up at you, drinking in your reaction and hiss when his hand slaps against your arse, leaving a stinging sensation and a light, blotchy mark. He does it again, and you nudge into him, gasping lightly. You squeeze your legs together. “That wasn’t a kiss.”

He smirks. “My mistake. I’ll remedy it.”

His hands shift to your hips, gripping them and tugging you down slightly. When you’re lower, one hand reaches up, wrapping around your neck and pulling you towards him. It’s a bit awkward at that angle, but you bring yourself closer, lower, until you’re level with him. He leans forward, placing his lips against yours, and your hands move from his face to run through his hair as he deepens the kiss. He licks against your teeth and you give into him, letting him explore your mouth as his hand threads into your hair, pinning you in place. He’s warm and he’s demanding and he’s House, and you feel your core tighten.

When you pull apart, you rest your forehead against his, sucking in air. “I’ll go get your pills.”

“Forget about ‘em.” He says, trying to drag you back to his lips. You laugh, and pull back, and he lets you step back, away from him.

When you return, and pass him two pills, to which he glares at you mockingly for not bringing him the whole container, you retreat back to bed. You feel his eyes on your bare legs, and especially on the rosy print on your arse. You tug the blankets up and gaze at House as he throws back the pills and groans. He thumbs his glass, finishing the dregs of his drink, and then he lifts his head and stares at you with his cool eyes.

You’re back to where you started. This time, you find the words.

“Come here, House.”

He furrows his brow. “And if I don’t? You’ll… what? Tie me up and make me?”

You roll your eyes in mirth. “Turn the lamp off and come to bed. Please.”

His cool gaze remains on you, and it’s almost calculating- weighing the pros and cons, the possibilities and the certainties of what your request entails. But maybe it’s the light yawn you let out, or the bleary blink of your eyes, or the not so subtle inhale of his shirt. Whatever it is, House’s gaze softens, and he reaches over, flicking off the lamp.

You can’t see anything as your eyes adjust to the sudden darkness, but you can hear him. He still winces when he raises himself to his feet, but the sound is soft and nowhere near his prior pained yelp. He hobbles the slight distance to the bed and there’s the sound of shuffling and twisting sheets and blankets as he gets into the bed.

And then he’s beside you. Here.

You listen to each others breathing, neither one of you saying a word. Your eyes adjust, and you see the shape of him, darkened and identified by the sharp cut of his cheeks and the whites of his eyes. He’s staring at you too, and you wonder how much he can make out in the dark. Does he see the faded scars on your face or the tilt of your lips? Or does he see further, into you, and see all the thoughts and desires and twisted wants filling your head as you stare at him?

House is the first to break the silence, and does so by scooching closer. “Get over here.”

You chuckle quietly at his demand, but obey, shuffling closer until your arm brushes his. “I never took you as a cuddler.”

Somehow, even in the dark you can tell he’s rolling his eyes. But he doesn’t resist your observation, and rather he slips his hand under you, clinging to your back and drawing you even closer. You swing your arm out, to make sure you don’t suffocate in his shoulder, but more importantly to wrap around him too. There’s more shuffling and twisting from the both of you, but eventually, you find a comfortable position. You’re tucked into his side and his other hand rests on your thigh, drawing you leg across his hip. You ask him if that’s alright, if it hurts his leg, if he’s fine, and he scoffs lightly. “My leg won’t ever stop me from having you this close.” As if to emphasise your position, he rolls his hips forward, dragging himself against your bare core. But even House, it seems, is tired, because he relaxes and takes it no further.

Both of your hands are wrapped around his waist, and you nuzzle your face into him, inhaling him and the smell of whiskey, detergent, and House. He laughs down at you, softly. “And you said I was the cuddler.”

“‘Shuddup.” You say, but the word is muffled in the fabric of his shirt. You twist your head, and kiss his bicep where his sleeve has risen up. He swallows, and you get the sense the rise and fall of his rib cage stutters.

You drift off like that, clinging to House. His breathing deepens, and as you fall asleep, you feel him shift slightly, before he kisses your head.

#house md x reader #house md fanfiction #house md #gregory house x reader #gregory house #greg house x f!reader #gregory house fic #gregory house smut

153 notes · View notes