shipping Lucifer and Alastor but not romantically or sexually or even platonically but in a secret fourth way. enemies to enemies who hang out with each other all the time. kismesis without the sexy parts. a QPR but in this case the R stands for Rivalry. they both built their own tower on opposite sides of the hotel to avoid each other but neither of them are ever in those towers because they spend all their time in the lobby bickering. they have at least five musical showdowns a week. at first Charlie steps in to deescalate whenever it looks like they're about to actually kill each other but they're always like "we were just talking what's the problem?" so eventually she just leaves them to it. any suggestion to either of them about rising above it or trying to stay away from the other is met with some variation of "I can't back down and give him the satisfaction of thinking he won! also he's fun to piss off" Vox tries to start shit with Alastor and gets smited by the king of hell himself because Lucifer "can't let anything happen to my daughter's hotel's bellhop!" Lucifer seems down after an argument with Charlie and Alastor convinces her to talk things out with her dad who "isn't nearly as entertaining when he's moping about." at no point do they show any signs of hating each other any less. imagine if one of the most important and stable relationships in your life was based on mutual loathing.
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ace4ace radiostatic is so funny to me actually. vox asks alastor to be his partner, alastor interprets this as a sexual come-on and rejects him, and then YEARS later alastor is like "are you seriously still this distraught about not getting to fuck me" and vox is like "HOLD ON. YOU THOUGHT I WAS ASKING WHAT"
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Prompt 99
Tucker feels like tearing out his hair and screaming until reality warps.
Visit Gotham, they said. They have great scholarships, they said. It’s not that bad, they said. Yeah well they can go shove it, because he bets that they didn’t have a bunch of golden-eyed not-ghosts following them around like Cujo does with Danny!
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~ Star Hill💫🌟
wanted to make some art related to this location in Mario RPG it’s so amazing and pretty i love the atmosphere ;w;🌌and I wanted to draw crossover as well Mario and Kirby series my beloved (*^▽^*)🍄💫also my first time ever trying out hard light on a pixelated piece :D⚡️
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You had a post about Luci and Al and the eyes that i cant find but anyways.
What if more people start to notice that Alastor is constantly under watch, that the 'Excess evil' from dead sinners stare at the deer 24/7?
What if the eyes snap to whoever brings them up around Al, and slowly slide back to him, like their waiting to see how he responds.
What if they twist like they're smiling if Alastor panics?
👀
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The Radio Demon. He's your guy, your day-to-day; your chum, your steadfast hotelier!
Psst... There's a timelapse of this under the cut ;-)
Please do not repost this to any other platforms - this piece is likely already available in all social media listed on my website.
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i cannot stop over-analyzing asoue netflix but guys. do you think that scene in hotel denoument when the baudelaires are trying to get everyone to leave the hotel that all of the side characters' reactions represent their fatal character flaws.
like how olaf's mentors immediately started berating him and calling him a disappointment just because they believed he didn't set the hotel on fire. so their fatal character flaw was cruelty.
and mr. poe and vice principle nero refused to take their blindfolds off, despite the situation, making their fatal character flaw their incompetence, which made them the series' definition of useless adults.
babs and jerome first tried to find a way out, but ended up panicking and staying in one place, so their fatal flaw was cowardice, the original reason neither of them were able to help the baudelaires in the first place.
with esmé and carmelita, it's a little more complicated, since olaf was able to trick esmé because of both her vengefulness and greed (which manifested in her obsession with the sugar bowl), but to some degree it was also about carmelita's stubborness and entitlement (which manifested in her choosing to stay with esmé)
and, finally, justice strauss, who attempts to stop the baudelaires from running away on the roof. i've always interpreted her fatal character flaw as naivety; she believes that all problems can be solved without breaking any rules. she trusts the system too much, which is why she couldn't ever fully understand what the baudelaires were going through, and that they really did not have a choice.
overall, this scene is so important to the story, because it's the exit of all of these characters. it's the last time we see any of them. that's why these negative character traits of theirs were put in the spotlight for this scene; even though these characteristics are flaws so fatal they literally end up being the characters' dooms, they're still aspects of the characters we need to remember in order to understand why nothing went right in the lives of the baudelaires: all of these characters were too cruel or incompetent or cowardly or greedy or arrogent or naive...to be able to help them.
so, as tragic as it is, all these characters end up dying (literally or metaphorically) because of the same flaws that made them useless to the baudelaires in the first place.
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