Something I really need Stranger Things fic writers to know is that no one in rural America was locking any doors in the eighties apart from the government and businesses. I remember when there was a big stink about "we gotta start locking our doors now how am I supposed to remember that every time I leave the house." People didn't lock the doors when they were home until at LEAST the mid-aughts, a lot of people STILL don't. "Oh we can't get into so-and-so's house/car because we don't have the keys!" You do not need the keys, just open the door. "I'm alarmed because I went over to so-and-so's house and their front door was unlocked so I instantly knew something was wrong." It would be much weirder if it was locked. If I showed up at my friend's house and the door was locked I would immediately assume something was wrong. If I lived in a town regularly invaded by monsters and patrolled by mobs of government agents/Russian spies/jocks with guns, I would assume my friend was currently being hunted.
it's sad how many reviews and stuff around tmbg seem to centre linnell as the sole dark and creepy writer of the band, never really crediting flansburgh too. do "hide away folk family," "dirt bike," "rabid child," "black ops," "cloisonné" mean nothing to them, smh.
so me n sibling finished rise rewatch with all the newfound turtle lore after our big tmnt media binge......... many feelings i wanna get out
firstable........ how anyone watched this show and didnt think those were the ninja turtles in purest form i will never understand. like you cannot deny any of these characters being the same characters but with new roles to fill. raph is the protector. mikey is the heart. leo is the strategist. donnie is the brain. it just created a new dynamic, but never strayed very far from what came before
second....... take the ninja turtles and just hammer home a story about generational trauma and healing from it, giving them strength from how much they love and trust each other.... you break my heart wide open i am crying
to me they are the best amalgamation of all the turtles who came before them like: silly and sweet like 87, they have this close familial understanding unconditional love like 03, and this overarching story of bringing a family back together like 12
started this watch of all turtle media because rise on its own felt so good, but having gone back and seen all the other pieces i was missing makes me appreciate what it was doing more, because i felt every other series and movie in this one in spirit, but with the ideals of the modern cartoon saying: hey kids, its okay to ask for help, youre not alone, your feelings matter, and the people around you should support you
and on top of that, obviously the most visually stunning version to date, utilizing years of lessons learned from western cartoons and anime, meshing together in breathtaking action, but also having the most hilariously snappy comedic animation that uses what seem like cheap movements of a frame to make every line of dialogue all the more hysterical, and having these very expressive characters be able to be very subtle in the touching emotional moments.
i genuinely love this show so much and i feel really stupid for not having watched it sooner, and the fact it is the shortest of all the shows that never got the chance to finish its story makes me so sad. but at least what story it did get to tell was beautiful.
I'm still thinking about that scene in Victoriocity S3E7 where Fleet runs back towards the Beast so as to lure it into the path of the train...
Clara's exclamation of 'Teamwork, Fleet!' after Fleet says he's got a plan reflects her conviction that any plan that Fleet has will be a shared plan, something they do together.
This conviction is a kind of trust, and that trust is part of the reason Clara takes a moment to realise Fleet has headed back towards the Beast. She trusts that he's following behind her. She keeps talking to him, her words full of optimism.
When she realises Fleet isn't there, she immediately realises what that must mean he's done, and her voice sounds more small and scared than I think we've ever heard it before.
Fleet's attempt at self-sacrifice is a kind of betrayal of Clara's trust, but when he echoes her celebration of their teamwork in a more somber tone, I think it suggests that he understands the weight of that betrayal.
If Fleet's plan is that Clara won't realise he's gone until it's already too late, then he thinks "Teamwork, Clara" will be the last words he'll ever speak to her. In what he imagines will be their final conversation, Fleet affirms Clara's understanding of them as a team who work well together, even as he is making a choice that rejects the possibility of their teamwork in this scenario. It's a recognition of what their dynamic has meant. It's a goodbye and an apology, even if Clara doesn't understand it as such at first.
I don't think Fleet sounds scared as he initially faces down the train. When he shouts "Yeah, this way, you stupid machine! Come on then!", he sounds defiant and grimly determined.
In fact, I don't think he sounds afraid until Clara appears, until she might be at risk of being in the path of the Beast or the train as well. It's when he shouts "Clara, stay back for God's sake!" and "Please, get back!" that there's real fear and desperation in his voice. He can confront the idea of giving his own life, but not the idea that doing so might put Clara in danger.
Another thing about these lines is that the move from 'stay back' to 'get back' suggests that Clara didn't obey his first instruction but got closer to him (and therefore to the path of the Beast and the train) between those two lines.
Then Fleet gives what might be another attempt at his last words: "I'm sorry! I'm sorry." A repeated apology before an attempted self-sacrifice is an implicit acknowledgement of how much losing him would hurt Clara. He regrets causing her pain.
Even so, he's accepted that he is about to die and that it'd be worth it to destroy the Beast. But Clara very much hasn't accepted either those things. She's still trying to yell over the noise of the train; she's pulling off her ring to throw at him.
I think it's a good illustration of how Clara's optimism is a kind of strength. She always believes that they can "make a new plan" and that it'll be one in which no one has to die. I think Archibald Fleet needs someone like that, someone who'll tell him to drop to the ground when his death advances from both sides, someone who - even in a dark tunnel with an murderous metal monster and a speeding train - won't stop shouting that there's hope.
Thinking about Rana introducing Groda to other people bc she has to be forced to socialize eventually.
And like, Groda meeting Sunny eventually and immediately clocking that he's missing an arm and trying to subtly tug on Rana's shirt almost instantly while being very clearly panicked but still trying to hide it.
And Rana eventually pulls her aside like "What?? what is it?"
"You didn't tell me he was missing an arm!!"
"...Why would that matter?" <- understandably getting the wrong impression from this
"Because I've seen it before."
"Oh."
And that was the day that Rana learned Sunny's arm was ripped off by Groda's Warden at the worst possible timing.
I watched it today for the first time this morning and it uses my favorite song. I will never forget this feeling. I wish I can re-experience this feeling again.
My mind was blown when I heard the score. I wish everyone knew this feeling. The story and the song together it’s just healing my soul. I think I’m gonna go cry now
versions of booster gold made by people who obviously dont know much about booster can be so infuriating because they tend to depict him as stupid or as a joke and then people who only know him from these depictions in more popular media have a skewed impression of him