Another reason why the whole "forced marriages" concept (that Rhea haters ate up like pie) is bullshit.
Speaking for Faerghus, since this seems to be an issue players point the finger at Faerghus for, it's just... not true? This NPC does understand there are political implications to his marriage, but he wasn't forced into it and neither was his wife. They married for love.
The only known case of an arranged marriage prospect within Faerghus' known cast is Ingrid, and that's something Ingrid has taken on for herself as well. She knows her lands struggle with crops and that her people go hungry. She's choosing to deal with a non-romantic marriage for her people.
But what about Glenn, you ask? There are two aspects to that:
The marriage was arranged when Ingrid was born, but it's worth noting the marriage was arranged between Gunnar and a childhood friend's son. She wasn't just being married off to just anyone. It was both a childhood friend (who Gunnar clearly had deep trust in)'s son, but also a family member of the royal family's right hand family. But what about the Houses paralogue, you ask? Gunnar wasn't aware of the man's crimes, but as soon as he found out he rejected the proposal. Gunnar cares about his daughter's happiness and wellbeing. The only reason they're searching for a marriage candidate is because Galatea lands desperately need the financial support.
Ingrid is the only case we know of where she's being "married off" (her endings rebuke this entirely anyway because she does end up marrying for love if paired with someone). Nobody else in Faerghus had a marriage forced or politically forced on them (and frankly I still fail to understand how the Church is supposedly at fault for concept of this being the case period anyway). Dimitri, the literal prince and at the time of birth immediate heir to the throne, was never forced to marry. Felix has never been pushed to marry. Sylvain has never been pushed to marry (despite how important it is that they continue that bloodline). Annette, a female, has never been pushed to marry.
In other words, the major political players have never put their kids into arranged marriage with a single exception of necessity for one family (Galatea), and in Rodrigue's case with Glenn, it was done with a childhood friend's lands' welfare in mind. Gunnar could have married Ingrid to anyone at any point, but the most important aspect of it is that when it was arranged without her say so (i.e. at her birth), it was done with the son of a man who Gunnar trusted implicitly.
After Glenn died, Ingrid was plenty old enough to have a say so in who she might be married to. Presumably the issue wasn't pushed on her for a while after Glenn died for emotional reasons, but once they tried again, Ingrid had a say in things. Her father sent her letters specifically for her input. No, she doesn't want to marry for political reasons, but she understands how much her lands need it. Still though, her father won't force her to marry some scumbag. If she tells him she won't marry someone, he accepts that.
In other words, the only argument that can be used for "forced marriages" falls flat on its face. It's not a regular practice in Faerghus. None of the heirs to specific territories are being married against their will. The only instance we know about isn't so extreme that Gunnar is just going for it and picking the best dowry without considering his daughter's happiness and health.
The one time it was decided before she was old enough to give her input, Gunnar didn't need to "consider" marriage prospects and be unsure who to pick, because it was planned between two old friends who trusted each other and presumably felt that their child would be safe with the other family in question.
My biggest problem with people saying this claim is supported is that for the most part, people just take Claude's words in GW at pure face value and assume it's absolute, definite truth when he gives nor has any evidence to back it up (mainly because he blames it on the Church, which still doesn't make sense because such things are out the Church's jurisdiction. No amount of "seeing what the world is like without Rhea" is going to change Faerghus' politics, so even if his claims were true, Claude would have to go talk to every single individual territory within Faerghus to realize the truth if he's that dead set on his view of this, as each territory does its own thing politically).
He brings it up like it's a fact in Faerghus, which as I've said before, he has literally no knowledge whatsoever about Faerghus, and it shows. He doesn't even know extremely basic things, such as the previous king literally dying in the middle of making friends with a foreign land. He knows that Lambert died in Duscur during the Tragedy, and that's... basically the extent of his knowledge and understanding about it. For some reason though in Hopes, he thinks he understands Faerghus as well as he understands Almyra.
It's also annoying because in Fodlan games, a character can just say something - literally anything at all - and it's eaten up immediately and taken at pure face value with no thoughts actually put into questioning its validity. And before anyone says "but Dimitri didn't argue this in Zaharas!" yeah, I'm aware, and I feel that was a huge reason why that chapter, trying to be the "we fight as allies this once" chapter, was a total flop, aside from other things (particularly in the SB/GW department with Dimitri and magically wanting to "talk things over" with someone who had just murdered one of his dearest friends mere hours ago tops in SB, or in GW where politics would demand more from him).
The games have a problem with trying to introduce false concepts through characters who don't know better (i.e. introducing incorrect perspectives that we're meant to understand are just perspectives and not the truth nor fact) but then not refuting those claims, despite the game itself as the story progresses outright denying those things, whether outright or passively (in the latter's case, again, other important political figures having no talks of marriage on the table at all).
In the screenshots, the NPC is aware that politics have to get involved with his marriage, but he wasn't forced to marry and neither was she. Not only does he mention it, but he wants people to know they married for love. He's basically saying he doesn't want people to misinterpret their reasons for marriage (wanting land, wealth, etc).
In Ingrid's case, it was started with that goal in mind, but it started out in safe hands. After that she always had a say in who she might marry, and ultimately didn't marry for political reasons. The one person who was possibly going to marry for political reasons in Faerghus and not out of love ends up not even doing that.
Honestly, in Claude's case, I feel like he was just written with no purpose in mind except to rock the boat unnecessarily, because everything he claims in regard to Faerghus is purely speculation on his part. He knows absolutely nothing about Faerghus (in both games, but his ignorance in Houses isn't malicious, whereas you could argue in Hopes he's attempting to overthrow what he believes are their systems when even if they were, it would still be none of his business) but talks like he's lived there or spoken to its people who make the decisions he claims are happening.
Also, the concept of Dimitri being forced to do this that and the other thing are just... not true? Dimitri is happy to be able to help others and make reforms for his lands. He likes that he's able to have the power to make good change and help people. He knows that you need a certain degree of power to be able to push things in a better direction and to have a voice. By having the most important voice, he can make other voices known that otherwise would not be. When people have no choice but to listen to the king, he can demand that other voices are heard.
Even in his A support with Shez, he believes his happiest moment will be when he dies after dedicating his life to "a peaceful kingdom full of joyous citizens". I get the whole "but he isn't living for himself!" side of things, but this part of this post is specifically about how Dimitri is supposedly "forced" into doing things because he's king; but plain and simple, he wants to be king because by having the highest power in his land, he can make positive change happen
"This bad thing is happening in the Kingdom!" Well now he can change that. He wants to change things in his land for the better, and he understands that his position is a necessity for that. That's why he's so upset when he's "rendered powerless by age" in Houses, i.e. can't ascend the throne yet. He wanted to make change and couldn't. He wanted to do right for the Kingdom, but he couldn't yet.
Basically what I'm saying is that people keep using Claude's Hopes rhetoric as "fact", but literally none of it is. It's all based on the most severe amount of ignorance in both games and him for some reason believing that he knows jack shit about Faerghus. That includes the marriage "issue", which while I'd say it may exist in Adrestia (ex. Bernadetta being planned to marry Ferdinand), does not exist in Faerghus as any sort of "issue".
I don't recall if it's really even present in Leicester? So either... Claude just pulled that argument out of his absolute ass, or he's seeing an issue in Leicester and for some reason assuming his country's politics are every country's politics, which is, again, total ignorance (and he makes no effort to ever found out if any of that is true).
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The Inx: Jinx's Great and Terrible Devotees in Spite of Conv/rgence
The most annoying thing about Conv/rgence as a game is that it introduces great concepts, like the Inx, but just fumbles the execution of them and the overall story.
In Conv/rgence the Inx are a new chempunk gang of Zaunite teens and young adults that idolize and borderline worship Jinx to the point where they're said to spread chaos in her name. But the Zaun that Conv/rgence establishes tells a different story about the Inx from the intended description.
The first time the Inx appear is in the Conv/rgence comic, where the lead members like Chadd play at the Triumph Festival. It's supposed to be a Zaunite festival to celebrate Jayce's defeating Viktor, the Machine Herald. If the Inx follow Jinx's lifestyle why would they even play at such an event to celebrate a Piltovan, and why would Zaunites think the Inx wouldn't make trouble over it? I could go on about how weird it is for Zaun to host a festival to celebrate Jayce, a Piltovan champion for a fight unrelated to them and their wellbeing, but that would take too long.
For people who admire Jinx's boldness, the best they can do in the comics is pretty harmless vandalism where they just graffiti Jinx's monkey tag over some walls. The Inx are also nowhere to be seen in major events like the Scraptown Run, which apparently all Zaun gangs participate in.
Then there's members like Moshpit Meg. Meg's a diehard Jinx fan that loves Jinx's attitude and dedication to explosions. Before that Meg was admired Vi, the enforcer, because Vi's gauntlets reminded Meg of her own naturally big fists and it made her feel less self conscious about her own hands. That second half begs too many questions I don't have time for.
Outside of aesthetic choices there isn't really anything about the Inx that says they're people who stake their identity around Jinx. This is largely because Conv/rgence's universe works hard to sanitize Zaunite grievances against Piltover which directly undermines the central class conflict between Zaun and Piltover. It also largely impacts the motivations and general existence of characters like Jinx and the people who follow her, like the Inx, because they wouldn't exist in the absence of Piltover's oppression.
To avoid addressing any real conflict between the two cities the Inx are only vaguely make sense in the story, especially the game. All except for one element, Chadd. I need to say this...
Chadd is Accidentally (on Purpose?) Great
The brief moments the audience gets to know Chadd's character gives us an interesting glimpse at the people Jinx inspires.
The first thing we know about Chadd is that he's a musician, and it's neat trait that connects him to the musical roots of Jinx's character. In League, Jinx was the first champion in League to debut with a music video. It was through Jinx's character that Riot and Fortiche begun experimenting League with music. So it's very fitting that Convergence creates a chorus of sorts for Jinx to continue that musical tradition. To add to that, the game's promo posters decided to reestablish Jinx's connections by making her a talented karaoke singer.
The next thing to know about Chadd is that he was the one who planne and organized the Inx to transform a rundown theatre into an airborne concert arena. Red, Ekko's close friend and romantic interest in the game, confirmed that it was Chadd who was the one to make it happen, within a week too. It's an impressive creative feat that's clearly in homage to "Get Jinxed's" aerial imagery. Despite how cool a stunt that was I couldn't see how it was meant to impress Jinx, she was the most destructive thing in the theater... until I read the transcript "Hold me like a Fermata".
A shotgun, a flame thrower... who's funeral were you planning Chadd!??!? Just for context this was a transcript Ekko found of Chadd and the Inx talking about a new weapon (and sound system?) Chadd seemed to have made. I'm sure Chadd was the one who made it because the Fermata is also the name of a musical note that represents a pause (sometimes dramatic) in a score.
If you're familiar with music you might also know that the Fermata has more than one name, it's also referred to as "the Cyclops Eye". That kind of reference to Silco used on a weapon for a later act to honor Jinx couldn't have been lost on the writers because the Eye of Zaun was already found on an Inx hangout.
When I finally noticed all these details I finally got that Chadd is dangerously devoted to Jinx. All the points in his character can only lead us to conclude the real plan wasn't to just play obnoxiously loud music when the theater reached Piltover's heights, it was to destroy Piltover with all the weapons they equipped on it. That's the best idea I can come up with because Jinx immediately throws bombs at their plan to cause havoc in Piltover... for reasons. It does match Jinx's track record at least, usually other dangerous or apathetic champions tend to appreciate her, like Urgot, Renata Glasc, and Khada Jhin.
Even Chadd's concept art communicates that he's probably more devoted to Jinx than rest of the Inx. The way his early design evolves to reflect Jinx's influence could even tell a story. The more this douchey glam rocker finds inspiration in Jinx the more he changes himself and his art to reflect Jinx's impact. Chadd grows his hair out, wears his tattoo of Jinx in the same place she wears hers, and even dresses more like her, but he still retains his own diva personality.
One last thing, the funniest thing about Chadd is the fact that both Ekko and Red seperately ask him to explain himself and what "statement" he's trying to make with the Inx. Chadd just flat out refuses to answer, and even breaks up with Red over that. I thought he was being douche (he was), but then I remembered Jinx doesn't explain herself in game either about the mayhem she causes, she just taunts anyone who asks. The student learns from the master I guess.
Tldr: In the Converegence game and comics the Inx are characterized by mild vandalism and pretentious artists. And I could almost get behind that idea if only Convergence wasn't so heavily biased towards Piltover the dynamics of a group like the Inx could have had a more interesting exploration in their motivations and goals. Also, Chadd is a dipshit and he makes a great follower of Jinx!
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I know you already mentioned Scara wouldnl't exist in the rewritten Teyvat, but what if Makoto and Ei creates him anyway? Out of curiosity on how to have a bigger family with a young child or sth
Say, from Childe's spy network, he hears that the two were working on a project so he lets them be, then after some time, they create Kunikuzushi? Like actual good boy Kuni who gets named by name and brought up as normal as possible even if he's a creation?
So ofc Childe would bluescreen, go error404 and every existential crisis known to man. Then he actually meets Kuni, I think it would be funny if Childe would be like:
first meet: Wtf Wth Where did I go wrong? Get the fuck away from me! Stay 30 feet away!
every time Kuni does something a normal good boy would do: Nononono eww why the heck are you like that disgusting
then if and when Childe actually manages to find a soft spot for Kuni, he goes back to earth and sees Scara: Kuni's such a good boy whoever made you turn out like a disgusting rat deserves a punch so hard they'd meet Asmoday asap
Scara: Wtf-
quite frankly no, i cannot see how makoto and ei would ever have any need to create the puppet. the only reason the puppet was made was in an effort to eventually land in the raiden shogun, and the raiden shogun's purpose was to let ei sequester herself in euthymia to combat erosion. if makoto never dies, ei would never have any incentive to go hide there. given erosion is a weird topic in-game, i never brought it up in the fic, but the idea i always had was that it was imposed onto the people by celestia/the heavenly principles. so with celestia's turnover, there's no forced erosion, there's no war, and there's no dead makoto.
i also really don't think ei or makoto would have any interest in creating a bigger family? i can't speak for makoto since we barely know her, but ei has never struck me the type who is out on the market for found family situations – and if she were to ever end up in one, it wouldn't be in the caretaker role. plus ei and makoto get miko at some point anyway, so it's not like it's just the two of them. i imagine they'd be plenty busy watching over inazuma, and if my take on makoto makes sense, she'd see all of inazuma as her family, so why would she make a puppet?? it just does not make sense in my head.
if you don't kill makoto, i genuinely cannot see how you'd justify creating a puppet, let alone a puppet that results in kunikuzushi. like that's another problem entirely.
plus the whole family thing is entirely on kunikuzushi. like maybe i'm not adept enough in scara lore for this but i'm pretty sure the only one ascribing a family dynamic to this fiasco is him lmao
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