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#write characters with nuance and keep it
lykos-attic · 11 months
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Randomly thinking about how angry the way Winter is treated in the narrative makes me
They show the real Winter and acknowledge who he actually is JUST to once again present him as the mean stuck-up prince??? HE GOES THROUGH SO MUCH DEVELOPMENT IN WINTER TURNING JUST TO BE SHOWN AS THE SAME OLD 'ANGRY RACIST STUCK UP PRINCE'???? IN THE NEXT BOOKS LIKE WHAT. TUI. PLEASE. I KNOW THAT WE AREN'T SEEING IT FROM HIS PERSPECTIVE, SO WE DON'T KNOW WHAT HES THINKING BUT. HE BARELY CHANGES AT ALL... LIKE AT THE END OF WINTER TURNING HE REALIZES THAT THE WINGLET IS HIS TRIBE AND HE CARES ABOUT THEM MORE THAN A RANKING AND A FAMILY WHO (mostly) DOESN'T LOVE HIM. THEN IN THE NEXT BOOKS HE'S BACK TO THE SAME OLD 'WINTER'. TUI.
I've seen people calling Winter 'nasty mean racist man' HAVE YOU READ THE BOOKS. DRAGON RACISM WAS SO RAMPANT IN THE BOOKS.... LIKE ALMOST EVERY CHARACTER HAD A MOMENT WHERE THEY WERE BEING THE DRAGON EQUIVALENT OF RACIST. WHICH OBVIOUSLY, ISN'T GOOD, BUT TO JUST PIN IT ON WINTER??? WHAT??? HIS HATRED OF NIGHTWINGS WAS FUCKING DRILLED INTO HIS BRAIN GROWING UP, HE GETS PAST THAT AND LEARNS TO NOT BE DRAGON RACIST. HE REALIZES 'OH FUCK. MAYBE THE THINGS MY SHALLOW HIERARCHICAL SOCIETY TAUGHT ME AREN'T TRUE'. DID WE READ THE SAME BOOKS, WHERE APPARENTLY, NONE OF THAT HAPPENED?? MEANWHILE DARKSTALKER, THE FANDOMS 'PRECIOUS MISUNDERSTOOD BABY' TRIED TO COMMIT RACIAL GENOCIDE BECAUSE HE HAD AN ABUSIVE DAD WHO HAPPENED TO BE AN ICEWING??? (And when Winter is upset about this he is treated as unreasonable by the guy who KNEW WHAT WAS GOING ON (Qibli) )
I've been a Winter defender for so long, surrounded by a fandom who mostly hates him and now that I have emotional intelligence since I'm not nine (no offense to nine year olds 🙏) and I have a place to ramble where I'll be listened to I can finally defend my angsty ice dragon I will absolutely do so. This stupid ass garbagefire of a series has meant so much to me over the years and I'm passionate about so many of these characters. I adore Winter so much, reading through the books for like the 50th time is so amazing, like I used to immediately hate moon because she was called a Mary sue, Qibli because people find him annoying, Kinkajou because she was the 'annoying one', but now I love all of those characters. I can see traits of all of them in me, and they mean a lot to me. Turtle's anxiety, Qibli's Sociotropy, (needing to be liked by everyone) hypervigilance (I've never seen people talking about it, and to see it represented in my favorite book series makes me feel seen.), fierce loyalty, Winter's guilt, self-loathing, desperate desire to please his parents, Moon's social anxiety, nervousness, and love of reading, Kinkajou's desire to be a dragon others notice and remember.
This turned into a rant about a completely different thing I'm so sorry, I'm not even done I have so much to say about these guys
Please don't let this flop I poured my heart out about this book series for children
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heteromerous-rhyming · 3 months
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i think that i've figured out why i don't like show sally.
ok like don't get me wrong, virginia kull?? she ATE with that interpretation. her acting?? amazing. like i could truly get the core of her character.
it's just that i don't like the character the writers give us.
cw: discussion of abusive relationships, of toxic family dynamics, probably a good bit of generational trauma. I don't really get into details except with stuff shown on the show and written in the books but i wanted to be safe.
as someone from an immigrant household, as someone whose mom works a part time minimum wage job, as someone whose seen and been there as my parents fought, i just really really dislike sally's portrayal in the show. and it's partly because of poseidon and partly because of gabe (mostly because of her character in general but yeah, lets get the men out of the way first)
I feel strongly about poseidon in his relationship to sally very specifically. i don't mind his relationship to percy either books or show. but it's pretty damn clear to me that this show was written by someone who's never experienced sally's situation, of being the single working parent with an absentee partner (or in gabe's case a partner who literally ahHHHHHh). because from the beginning, from sally's reaction and snark to gabe, I felt like something was wrong or off, and it was Specifically the show because i read the books and i watched (some) of the musical and i never felt that way towards either of those. i'm not saying that my family situation is sally's (don't have a god for a father for one), but. by all accounts sally knows that this is an abusive relationship, the only reason that she's with gabe is because of the protection he offers percy. i have to assume that this is true because sally jackson turning gabe to stone is something i'm assuming is staying in the show, and i remember this being mentioned by grover? or someone in the first few episodes. and the cord that struck in me was not the traditional (that is, visible, defined, i don't like this word but i don't have a better one) abusive relationship but relationships in my community, of women staying with husbands because of their children, women outright saying this, women who know the world is cruel to single women and to single mothers specifically. sally, to me has never been under any illusions that gabe is any sort of relationship material. she has never been under any illusions that poseidon would be able to help in any way.
and that crux of sally's relationships made her first scene in the show all that more jarring. but it's not anything specifically that i can put a finger on. and maybe i'm wrong for this or maybe i'm expecting too much. but. sally doesn't have the resentment or the quietness or the bitterness or even the loudness that i expected. you have been the only true caretaker for your child, the only one in the house that really puts food on the table and on top of that is expected to do emotional labor? to cook and clean or at least pick up the food?
but she treats gabe like he's an annoyance. someone to brush off. and you see the manipulation tactics from gabe, you do, but.
its not that i want sally's spirit to be crushed. my mother's spirit wasn't crushed. the women in my community, they laugh, they cry, they watch silly tv shows, they have lives that they live, and in many cases they live well.
but the women that i know are also angry. they are either on fire or they used to burn. when they banter with their partners it often turns ugly because they are tired of the same damn argument day after day, because often the trivial things that are asked are compounded and compounded and compounded because you live in the same house, there is no escape, there is no private space, not really.
it's new york and sally works a job to support an apartment and her family. they are not well-off. sally has no support network we can see, and how could she? poseidon mentions that she has no one to talk to about these things, her parents are clearly out of the picture. all this to say. there is a certain understanding of class that exists within the books that was excised, i believe unknowingly, from the show, and it is the worse for it. there is a tiredness, a worn-down-ness from being low income that sally had in the books, but in the show i only see a struggling first time single parent. i don't see the complexity of a woman who literally gave up on finding a fulfilling relationship to be with a man for her child. i don't see the complexity of a woman working fulltime and still getting demanded from at home. and i didn't realize that I wanted to see that until I saw the show. i didn't realize that that was what i loved about the books.
i hate that they tried to bring poseidon back into sally's life as this perfect man who through cosmic forces can't help. i hate that sally calls him, i hate that he says he'll listen. but most of all i hate that sally just accepts him, falls into him. it's really hard to be a mother when your partner doesn't seem to help you parent in any way, even if he cannot help you. he's a greek god, there's no way in hell that he can begin to understand the lengths that sally has gone through to sacrifice and survive, the very human things that she's done. sally in the books thinks of poseidon as a sweet memory, almost a fairytale, and it's clear that this story is the one that brings her comfort. poseidon is a one night stand, a sweet stranger, she understands he's not coming back. but this poseidon comes when sally calls, and that i cannot believe. i cannot believe that she still thinks of him as the fairytale man, that she accepts him so easily if there isn't that distance. i cannot believe that there is no resentment, that she still puts faith in him as her god (the first episode when she talks about him just felt so wrong to me) if he's not a memory, but a recurring figure. this is not a story of star-crossed lovers, sally feels too real as a human being for that.
sally finds trust, finds contentment, in the books after percy leaves home, after she no longer has to put up with gabe for his safety. she does not find poseidon again. she marries a human man, a very ordinary human man who cares for her. poseidon visits after she is in this relationship and its an amicable one. he is percy's father but also distant memory all in one. sally has the strength to survive a terrible relationship and still find a way to heal and live fully after that.
but the anger. the fire was there. she turned gabe to stone. she reclaimed her life with her two hands.
you don't kill a man for no reason. you don't kill a man without emotion.
but it's that reason and that emotion that i don't get from the writer's room. and it just makes me deeply sad.
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fromtheseventhhell · 2 days
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One major factor missing from most debates on Arya and Lyanna's beauty is that they're being judged by their society's extremely patriarchal values. In both looks and personality, that context is essential to understanding how others perceive them. George explores the misogyny experienced by non-conforming women, especially with Arya, and it's interesting how he plays with that regarding their physical beauty.
Her mother used to say she could be pretty if she would just wash and brush her hair and take more care with her dress, the way her sister did. (The Blind Girl, ADWD) "You never knew Lyanna as I did, Robert," Ned told him. "You saw her beauty, but not the iron underneath. She would have told you that you have no business in the melee." (Eddard VII, AGOT)
These two quotes offer a nice summation of this idea. With Arya, her supposed lack of beauty is defined by her being a non-conforming wild child. Her hair is messy, her face is dirty, and she's often in "lower class" clothing while engaging in unladylike activities. None of this says anything about her physical beauty but it tells us everything about how she's perceived. Arya could be pretty...If she conforms to society's standards for a highborn Lady. With Lyanna, however, we get the opposite. Where Arya is judged based on her personality, Robert's romanticization of Lyanna is rooted solely in her looks. He doesn't know anything about the person she really was. There is an assumption that, because she looked a certain way, her personality must fit and Robert imagines her much softer and more passive than she actually was.
That Arya isn't pretty or Lyanna wasn't wild are two perceptions that George specifically pushes back against. This is where people miss the brilliance of them being linked as literary mirrors; it is largely about us learning more about Lyanna, but it touches on more than that. The significance of them being written as wild, willful, and with their own beauty is that George isn't writing his female characters around patriarchal expectations. When people debate their beauty, that's often the trapping they fall into. Beauty and non-conformity are treated as mutually exclusive factors when the story itself never makes that point; this is also the logic that leads people to the (incorrect) conclusion that Lyanna and Arya aren't meant to be similar. Arya's self-esteem issues around her looks and being a Lady make this a topic certain to be addressed in the future; George has made it a part of the story. The conclusion shouldn't be that "looks don't matter", but that looks aren't indicative of a character's value, personality, or morality.
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july-19th-club · 11 months
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love an ending that is 'happy' in that a desirable outcome is produced, but made complicated by the fact that the protagonist has given up something integral to themself in order to make it so. it's sort of uncool in some circles to admit you LIKE when characters give up something really cool for something pretty basic, but it's all about context and quality of storytelling, right? that sort of conviction - this is a part of my personality that i am permanently renouncing access to, and it's my choice, and i'm going to miss it, but i'm not going to regret it - that's compelling. ending in which a character who loves nothing more than the rush of finding the answer to a question is handed, one day, a puzzle they just don't want to solve. and that part of their life is over, but it's not a bad thing. maybe the answer doesn't need to be known. maybe not knowing it opens you up to a creative mindset you never had before. character who gains some kind of special power chooses to give it up not because they no longer love the ability, not because it hasn't improved their life, but because this thing they love comes with costs, is getting in the way of a life someone they love or loved and lost would want them to live. i'm glad it turned out this way. i miss the missing thing with all my heart. i would let go of it again if i was asked to choose.
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prismatoxic · 1 month
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congrats on writing the fic that made a man text his (sort of estranged) dad. fr your portrayal of every single dynamic is so flawless and considerate. nobel prize.
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THAT ACTUALLY DOES FEEL LIKE AN ACCOMPLISHMENT... i hope it goes well anon!!!
there's a lot to be said about people who did the wrong things but feel genuine remorse and want to get better, i think. i've been there (though not in a parent sense), and it's also what happened with my mom after i moved out, so i guess i kind of know how it is from both angles. on top of, you know, just writing what i know of who chilchuck is as a person (and assuming a lot of things about meijack and the others, lmao...)
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vermillioncrown · 6 months
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at the risk of sounding butthurt for talking about not being butthurt: going through quals really prepared me for trawling through fandom meta and research while keeping my zen
#redglyphs#opinionated verm#i have not seen another fandom as salty and divisive as the dc one#all the interesting meta and summaries come with this implicit ''you illiterate idiot'' vibe (exhausting)#or the ''we do what we want and fuck canon'' mindset is taken to the extreme end (simplistic and lacking nuance)#personally the visual style of a lot of western comics grates at me so it's hard to get into#but i do like the wack and fucked up dynamics of canon + trying to imagine a world/chronology around that#i like calibrating what i write around canon -> thus those meta&summary posters are very valuable and interesting to keep up with#i just gotta do 🙈 whenever they start to lambaste ''''fans'''' for not reading the comics/despised fanon reinterpretations of characters#''mmhmm yep. okay okay. i'm stupid. but let's get to why my blorbo is so fucked up bc of [whatever issue/run]''#like whatever they say they cannot roast me as hard as this one prof from my quals panel did#that prof is basically the successor of the academic lineage that established his discipline#and man utterly destroyed me during the exam#''you have no idea what you're talking about; you didn't even read taylor's hypothesis from 1941'' and i just let my soul evaporate lmao#anyways. i feel like fandom (all fandom and esp ones w sprawling canons) would benefit from two things:#1) willingness to learn (you gotta try to absorb some of the canon to transform it; ''know the rules to break them'')#2) willingness to accept limits (ppl are allowed to pick and choose; ''you gotta tolerate other ppl on the playground'')#and like. fucking chill out. we're all literally writing about some fictional dudes doing fictional things#rarely is a thing you dislike actually harmful rather than just distasteful (to you personally or broadly w/e)
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boxwinebaddie · 2 months
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alright, angels; as much as i like talking about The Boys, i am getting a little bit burnt out. :/ so, while i recuperate from ravesey, if you would like to ask me a question about any of the Side Characters you're interested in, i'd love nothing more!!! <333 literally any of them. adults, adolescents, animals, etc. you can ask me about ones that haven't been written in yet and i can tell you where i might cobble them in. again, though, all of this is subject to change while i world build, but i am excited about a lot of ideas and concepts i've figured out thus far!
also, please know that i love you all very much. <333
thank you for being kind to me yesterday. c':
-uncle nina
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orchideae · 6 months
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My apologies for the short absence, I (still) tend to disappear a bit during the beginning of each month due to every payment in the book coming out of me at that time. So as that happens and I ensure all is tended to, I become a bit of a social hermit on Discord and am mostly hiding in Genshin.But please know that I've seen DMs and will be getting to them as I slowly re-emerge, but please know I'm not ignoring anyone! Also, also, Fontaine's AQ is hands-down my favorite out of all of them.
Focalors (and Furina) is immensely well-written and I'm so, very insanely impressed with Hoyo's writing for her. Holy shit. Also, the fact this happened in the region that's inspired by France and Britain to some extent? Of course, why wouldn't it? But also, the light foreshadowing from previous nations, the continuous and built-on talk of sacrifice for humanity, for the sovereigns? But even on top of that, we're in the nation of hydro. Cryo is obviously the element that pulls on the heartstrings because of obvious characters like Wriothesley and Kaeya, but has no one ever looked at the hydro characters? Dedication and devotion, responsibility, selflessness, and even-sacrifice, they all stand at the very core of each character. Meshing that in with the inspiration used for the nation, the foreshadowing from especially Sumeru— self-sacrifice was kind of in the cards all along.
But honestly, in terms of execution? Chef's kiss, chef's kiss.
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spider-man-2o99 · 1 year
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still overall optimistic as i had been figuring smthn like this would be the case ever since the full trailer drop. but. also know better than 2 get my hopes up just so they can later get crushed. feel like both andy samberg and the dog here praying these words aren't empty and that they don't just completely massacre miguel in atsv for the sake of bruteforcing a cheap kingpin parallel LOL
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tea-cat-arts · 1 year
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(Image found on Haresbeloved's page over on Instagram)
WE WERE ROBBED!!! It's not perfect, and it still has some "limited range of color values" issues, but with a couple more revisions I think the one on the bottom right really could've turned into something special
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hecksupremechips · 2 months
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The best feeling in the world is when there’s a piece of media you know you love and you’ve hyped it up as your favorite thing for so long but you haven’t revisited it in a while so you start to worry if it’s really as good as you make it out to be and so you go back and revisit it and it’s like. Oh this is even better than I remembered this shit rules
#the klock keeps ticking#i always get this feeling when i play 999 but tonight i got it with the letter#cuz ive uh finally decided to bite the bullet and play the evil meanie route where everyone dies 😟#a route ive put off for so long cuz its just too damn sad to think about akjdksk god it hurts#and ive played like for the most part every route of this game EXCEPT this one but i know the ending is really dark and i need to see it#plus i will at least get my beloved torture scene in so thats nice#i didnt kill off isabella though its a coma route which i hope still allows me to get the ending i want cuz i mean shell still be out of#commission in the final scene so hopefully it works out#but yeah no i started off tonight on the marianne chapter and while i did skip around through it cuz ive played it many times and i just#wanna get to the important stuff already alskj i also just replayed some of the best parts#aka the shit where lorraine appears and the gay shit alksks and god like hnnnghh not only does this chapter still ruin me emotionally#i also just remembered why i love this character so much and remembered just how good the character writing in this game is#and i also played into the rebecca chapter and didnt skip as much cuz i actually am not as familiar with the coma route#cuz it makes me sad and i never revisited it lol and i havent gotten to The Scene that makes me sob yet#its so coming though dont worry but idk i guess its just been cuz ive been thinking about p3 so much lately#and in particular shinji both the death route and coma route but in particular the coma cuz thats what im writing#and damn lol the letter just writes the grief and nuanced relationships and death stuff so much better lol god#like marianne loses her childhood best friend whom she has a gay ass relationship with to suicide and like its just better#she blames herself and still isnt even kinda okay with it after 13 years#like it just fucking ruined her and the only thing keeping her from losing it is her repression and drinking problem and unattached sex#and then with coma route well fucking first off isabellas friends actually like. visit her frequently damn#and they just all have such unique ways of coping like Zach is being optimistic so no one gets too upset#rebecca is sorta in charge of making sure everything goes smoothly she has to contact the family and make big decisions#and shes also just taking the most stress and shes got so many complicated feelings around isabella going on but she genuinely cannot stand#that isabella is hurt shes fucking destroyed she loves isabella and then ashton AAAAA god yeah i also just remembered that hes SUCH a good#character hes like being a genuine asshole right like Rebecca calls to tell him that isabella is comatose now and he literally doesnt let#her say anything he literally says ‘i dont have time for other things rn’ like the wellness of his friend is just ‘other things’#but you just know thats not it not at all hes burying himself in work to the point of destruction so he can figure out who did this and make#everything okay and he refuses to show even an ounce of vulnerability cuz THE SECOND HE DOES IT ALL COMES OUT AND HE CANT GET OUT OF BED#ANYMORE CUZ HOW IS HE SUPPOSED TO BE OKAY WHEN THE LOVE OF HIS LIFE IS DYING
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jedie · 10 hours
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i hope this post finds you well! quick little soft reboot!
i want to do a soft reboot of this blog! i won't be moving or doing a deep clean, but i do want to start fresh in that i think that the best thing for that is retiring most if not all old threads. it's been a while and i'm not sure if The Muse is there and i certainly don't expect it from anyone! so i won't jumpscare anyone with a thread from 2 years ago lol. i miss writing with you all and in a silent lurk i've read what you guys write on the dash for a couple days and it ignited that spark again to want engage in that!
if you see this and you want a little starter thrown your way, let me know!
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hajihiko · 2 years
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Big fan of your work, and I’m sorry if this comes off as rude but I just wanna info dump or else I’ll go crazy
I still respect your interpretation of fuyupeko but I think it’s debatable those two are as dependent on each other as ppl say
There’s major themes of Fuyuhiko pushing Peko away
1. In the splash art of them growing up, Fuyuhiko is never looking at Peko)
2. In Fuyuhiko’s Island Mode ending, Fuyuhiko explicitly say he needs to stop running away from Peko
3. In Danganronpa S, Fuyuhiko’s first instinct is to brush off Peko but he corrects himself saying he still needs her. In the Peko and Sayaka convo, Sayaka expresses she needs to be independent to not bother her friend, but Peko says her friend is probably happy to be relied on
4. The fact in SDR2, Peko lies about almost everything about herself (she saids she has parents in freetime, she calls Fuyuhiko her childhood friend and negates that in the trial), and the only time she was truly truthful she states that all she wants to be is remembered by Fuyuhiko
5. In Fuyuhiko’s talk with Akane, he states he never told Peko he was grateful for her. And in Peko’s freetime, Peko states as a child, Fuyuhiko would cry and call her scary
I do think Fuyuhiko and Peko’s relationship is strained from Peko being taught she was only a tool but I think it’s also comes from the fact Fuyuhiko never communicates with Peko that he actually likes her as a person. It still hurts me that when they were on a dangerous island where anyone could murder, Fuyuhiko told Peko explicitly not to talk to him, the one person she could trust on the island. Like who can blame Peko for thinking Fuyuhiko resented her.
Anyways, sorry if none of this made sense. I hope you’re not mad.
NO AUGH WASNT SUPPOSED TO BE POSTED DONT READ YET IM NOT DONE closenur eyes
ok done now
Nah not mad! I just think maybe I have a very different way of interpreting info, which is fine (we all do tbh), but I appreciate a respectful differing view.
Anyway, disclaimer, my memory is brittle and I havent consumed all DR content so some stuff is not available to me.
I'm gonna do this in numbers too just bc its easier
I dont really put a lot of stock into the art anyway? I dont know which one this refers to
same as in 3. with trying to distance himself from being too reliant on the family, possibly also being distant by trying to adhere to their roles, more on that later
I remember some of Fuyuhiko's deal being that he doesn't want to rely on the power of his family of everything, and that extends to Peko with her being his protector. I think the fact that he thinks e needs her, but doesn't want to, actually just plays right into my view of them (this one, Fuyuhiko not wanting their relationship to e what it is but admitting that he doesnt know anything else and would be pretty adrift without it).
I didn't know that! That's interesting. My memory might be wrong, but wasn't some of that because Fuyhiko instructed her to keep their affiliation a secret? And since the clan is all she knows, she had to make stuff up?
I could believe that Fuyuhiko never actually thanked Peko for her services, their whole job status being messy as it is. I dont know about that second thing, but I remember something about Fuyuhiko crying because he could sense that Peko was worried / she was trying to reassure him but without smiling or anything, something about them being kidnapped. Still doesnt really negate my view on them, just once again that they wanna be there for each other but somehow just can't.
Ok so, re: that little comic, I guess I should say: I dont think they were that sweet with one another all the time, and in fact kind of want to imply that while they *were* friends as kids, as volatile as kid friendships can be, from that point onwards they did start to grow into their roles and their own seperate ways (for worse). Fuyuhiko being an overly aggressive and angry dickhead a lot of the time, trying to fit into what he thinks he needs to be, and Peko being the 'tool' that she tries to pass as in the trial, actually kind of thinking she knows what's best for Fuyuhiko instead of talking to him one on one as a friend. When I say they were reliant on each other, I dont mean they were emotionally close, I just mean they literally define themselves a bit by the other (the game does this also), because they're not sure what to be otherwise, the other being the only peer they know closely. Like Fuyuhiko says (cries) in the trial, he needs Peko, and Peko is so consumed by her role that she did the whole murder thing.
Fuyuhiko pushing Peko away and Peko refusing to back away makes sense to me in the lens that Fuyuhiko wants Peko to be more than his walking talking sword, and Peko takes her duty seriously/is unwilling to lose the one person she has a connection with. Fuyuhiko is taking dumb clumsy baby steps at not needing Peko there all the time, even though he kind of does, and Peko doesnt see what's wrong with their relationship as is (and therefore thinks she can base a murder unit because she doesnt see how it wouldnt make sense that she doesnt count as a person). Fuyuhiko also absolutely dogshit at communicating and could have avoided a lot of this with some anger management and more thoughtful speaking, but i think part of the tragedy is that neither of them knew any better because what they were doing was all they'd ever been expected to do.
I always understood the whole "dont interact w me" thing to be a, a) a way for both of them to be normal classmates, which would be good for them, and later b) scheme to protect the both of them and give them advantage in the game. I cant say I ever saw it as pure callousness on Fuyuhiko's part- rough and clumsy attempt at being helpful, maybe- and I definitely can't agree with that read. I think maybe Peko could have seen it that way, in being that she wants to be relied on and be useful and that being rejected means she's being rejected, but Fuyuhiko states that people tend to be wary and suspicious of him (for good reason) so however harsh, I think it was always gonna end in Peko's favour, in or outside of game. Whether that was explicitly planned, I dont know- probably not- but I dont think it was just him being a dick.
Anyway! I don't know if this reply makes sense, but I'm not like disagreeing just to disagree! I replied this in-depth bc I was interested in answering lol. This is just what I mean by fundamentally different reads. This is how *I* understood the events based on my own brain translating it, doesnt mean yours is any more right or wrong, just different people processing things differently.
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homielander · 1 year
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I hate that they made aegon a rapist (but in some episodes, they tried to give him depth and show how he suffers from his position). it's already not easy being team green, and we still have to pass as apologists, when that shit didn't even happen in the books and no one in that book it's a nice person. it literally is such a gratuitous scene.
me too🥲
aegon was said to get handsy with maidservants in the book but that was the extent of it (as long as we're discounting mushroom, whom i believe should almost always be discounted). i guess i can see why they would put it in there based on that, but they made the adaptational choice to whitewash pretty much every character except aegon, which would be baffling if it weren't very clear what their intention was. i think aegon may actually be the only character who is better in the book than the show. and he actually had one of the more interesting arcs in the book so it's depressing all around
if they were going to make aegon a worse guy than in the book, then they should have at least made rhaenyra book accurate, because making one of them a fundamentally better person than the other undermines the futility of the dance. but i do respect that they wanted to make rhaenyra more likable (though i would say this stretched too far with the erasure of every canonical flaw she had in 1.10 and the white hart) so the easy solution to preserve that theme was to not have aegon casually commit atrocities that are so cartoonish they're not even shown on screen. obviously then they wouldn't have been able to market a proto daenerys to audiences but maybe we'd have an interesting story idk
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musical-chick-13 · 3 months
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Setting an Official Deadline™ for myself of getting the last bits of chapters 2 and 3 done, which means. Chapter 1. Genuinely for real happening very soon. I may make a separate post ahead of time over what this thing is actually about so that people can be Aware (because. trigger warnings.), but I haven't decided yet.
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acidicpenumbra · 1 year
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i hate dirkjake and also like other pairings but whatever
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