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#yeah I imagine that in life action she would look like MCU Vision
tallysgreatestfan · 3 years
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Favorite Canonically Autistic or Autistic Coded Characters for Autism Acceptance Month: Peridot (Steven Universe)
As much as I love her as a character (and damn, her redemption arc is one of the best I ever saw), I don’t see much of my autistic traits in Peridot. But I saw so many others look up to her as representation, and I also see the behavior and traits of autistic friends who are a bit more extroverted than me in her.
Canon Status: Not canon (at least as far as I know, I am not quite up to date with SU
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davidmann95 · 3 years
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How about those JL storyboards?
In case you haven’t heard, Zack Snyder is putting on display the ‘storyboards’ - i.e. a rough plot summary accompanied by some Jim Lee sketches - for what would have been Justice League 2 and 3, or as this puts it 2 and ‘2A’. You can see them here (I imagine better-quality versions will soon be released), and read a transcript here. This is evidently a very early version: this was apparently pitched prior to the release of BvS and Justice League being rewritten in the wake of it, with numerous plot details that now don’t line up with what we know about the Snyder Cut, plus it outright mentions it builds on the originally planned versions of the Batman and Flash movies. But it’s a broad outline of what was gonna go down, and while I initially thought it was Snyder throwing in the towel, the timing - paired with the ambiguity left by the necessity for changes, including that this doesn’t factor whatever that “massive cliffhanger” at the end of the Cut is - says to me he’s hoping this’ll be a force multiplier behind efforts to will sequel/s into existence. He’s probably right.
I’ll be discussing spoilers below, but in short: with this Zack Snyder has finally lived up to Alan Moore, in that like Twilight of the Superheroes I wouldn’t believe this was real as opposed to a shockingly on-point parody if not for direct, irrefutable evidence.
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Doing some rapid-fire bullet points for this baby to kick us off:
* Folks who know the subject say a lot of this is a yet further continuation of Snyder doing Arthuriana fanfic with the League reskinned over those major players, and I’ll take their word for it.
* I don’t know whether I love or hate that in Justice League 2 the Justice League are only an extant thing for the first scene, and then it’s Snyder giving everybody their own mini-movies. It’s compressing the entire MCU “loosely interconnected solo stories leading to a single big movie later” strategy into a single movie!
*  Funniest line in the whole thing: "Even Lantern has heard of the Kryptonian, worried that he's under the control of Darkseid. He heard his spirit was unbreakable." Hal what fuckin' Superman movie did YOU watch? Second funniest being “IT WILL GIVE HIM POWER OVER ALL LIVING LIFE”
* 90% of the plot I have nothing to say about, it’s generic stage-setting crap. That to be clear is the ‘shocked it’s Snyder’ element, it feels so crassly commercial in a way I can’t believe is coming from the BvS guy.
* Most of what I have to say is unsurprisingly gonna be about a handful of characters but Cyborg’s happy ending being “he isn’t visibly disabled anymore!” is not great!
* The Goddess of War battle with Superman...never pays off? No clue why it’s there.
* What I’d originally heard was that the Codex in Superman’s blood was the last key to the Anti-Life Equation and that’s why Darkseid was coming to Earth. It’s not like all of this wouldn’t have already been averted by Kal-El’s pod smacking into an asteroid on the way to Earth so it’s not as if this makes it any more Superman’s fault, and it would have at least tied all this back to the beginning of the movies, but I suppose that was either fake or from a later draft.
* I have NO idea how this was reimagined without the ‘love triangle’, it’s the central character thing and the entire climax flows directly out of it!
* Darkseid’s kinda a chump in this, huh
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Anonymous said: So: Does Zack Snyder hate Superman?
Look: the hilarity of this when Cuck Kent has been a go-to Snyder cult insult towards ‘inferior’ takes on Superman for years cannot be understated, yet at the same time I can almost wrap my brain around where Snyder’s coming from with that as the end for his take on the character. He talked in that Variety piece on how his interest in Superman is informed by having adopted children himself, and Deborah Snyder is the stepmother to his kids by previous relationships, so I can see where he’d be coming from, and I can even imagine how he’d see this as ‘rhyming’ in the sense of “the series begins with Kal-El being adopted by Earth, it ends with him adopting a child of Earth!” In the same way as MARTHA, I can envision how he would put these pieces together in his head thematically without registering or caring what the end result would actually look like. In this case, Superman raising the kid of the man who beat the shit out of him who Batman had with Clark’s wife, who earlier told Bruce she was staying with Clark because he ‘needed her’, suggesting if inadvertently that this really honest to god was a “she’s only staying with Superman out of pity, she really loved Batman more” thing.
But Clark is nothing in this. He’s sad and existential because of coming back from the dead I guess, then he’s corrupted, then time’s undone and he woo-rah rallies the collective armies of the world (interesting angle for the ‘anti-military/anti-establishment’ Superman he’s talked up as) as his big heroic moment in the finale, and then he stops being sad because he’s adopting a kid. So his big much-ballyhooed, extremely necessary five-movie character arc towards truly becoming Superman was:
Sad weird kid -> sad weird kid learns he’s an alien, is still weird and sad, maybe he shouldn’t save people because things could go really wrong? -> his dad is so convinced it could go wrong he lets himself die -> ????? -> Clark is saving people anyway -> learns his origin, gets an inspiring speech about being a bridge between worlds and a costume -> becomes superman (not Superman, that’s later) to save the world, albeit a very property-damagey version, rejects his heritage he just learned about and space dad’s bridge idea -> folks hate him being superman and that sucks though at least he’s got a girlfriend now -> things go so wrong he considers not being superman but his ghost dad reminds him shit always goes wrong so he should be good anyway, which sorta feels like it contradicts his previous advice -> immediate renewed goodness is out the window as he’s blackmailed into having to try and kill a dude but the dude happens to coincidentally have some things in common so they don’t kill each other after all -> big monster now but superman keeps supermaning at it because he loves his girlfriend and he dies -> he’s brought back, wears black which apparently means now he likes Krypton again? -> he has work friends now but he’s still sad because he was dead -> evil now! -> wait nevermind time travel -> rallies the troops -> his wife’s having a kid so he’s not sad anymore -> Superman! Who gives way to more Batman.
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Do I think Zack Snyder is lying when he says he likes Superman? No. I think he sincerely finds much of the basic conceits and imagery engaging. But I don’t think he meaningfully gives shit about Clark as a character, just a vessel for Big Iconic Beats he wants to hit. Whereas while for instance he’s critical of Batman as an idea (at least up to a point), he’s much more passionately, directly enamored with him as a presence and personality. So while Superman may be the character whose ostensible myth cycle or arc or however it’s spun might be propelling a lot of events here, it’s a distant appreciation - of course the other guy takes over and subsumes him into his own narrative. Of course Batman is the savior, the past and the future (though if he’s supposed to be Batman’s kid raised by Superman there’s no excuse for him not to be Nightwing), the tragic martyr to our potential. Admittedly the implication here is also that Batman can apparently only REALLY with his whole heart be willing to sacrifice his life to save an innocent, for that matter apparently his great love, once said innocent is a receptacle for his Bat-brood, but he and Clark are both already irredeemable pieces of shit by the end of BvS so it’s not like this even registers by comparison.
Anonymous said: That “plan” Snyder had was utter dogshit. Picture proof that DC & WB hate Superman. Also I love how you’re like Jor-El: Every single idealistic take you had about Snyder, his fandom, and BvS was wrong. Snyder’s an edgy hack, his fanbase just wants to jerk off to their edgy self-insert Batgod as he screams FUCK while mowing people down with machine guns, and the idea that BvS said Superman was better than Bats was completely wrong. You know what comes next SuperMann: Either you die or I do.
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In the final analysis, beyond that mother of god is there sure no conceivable excuse for the treatment of Lois in this? The temptation is to join that anon and say as I originally tweeted that these were “built entirely to disabuse every single redemptive reading of the previous work and any notion of these movies as nuanced, artistic, self-reflective, or meaningful”.
...
...
...yeah, okay, that’s mostly right. Zack Snyder’s vision really was the vision of an edgelord idiot with bad ideas who was never going to build up to anything that would reframe it all as a sensible whole. He’s a sincere edgelord genuinely trying really hard with his bad ideas who put some of them together quite cleverly! But they’re fucking bad and the endgame was never anything more than ramping up into smashing the action figures together as big as he could, the political overtones and moral sketchiness of BvS while trying to say something in that movie reverberated through the grand scheme of his pentalogy in no way beyond giving his boys a big sad pit to rise out of so when they kicked ass later it’d rule harder, and all the gods among men questions and horror and trappings were only that: trappings. Apparently he’s really pleasant and well-meaning in person, but at his core his art as embodied in a couple weeks in his 4-hour R-rated Justice League movie meant to be seen in black-and-white all comes down to that time he yelled at someone on Twitter that he couldn’t appreciate Snyder’s work because it’s for grown-ups. He made half-clever, occasionally exciting shit cape movies for a bunch of corny pseudo-intellectual douchebags, folks latching onto and justifying blockbusters that at least acknowledge how horrifying the world is right now even if the superheroes are basically useless in the face of it if not outright part of the problem until a convenient alien invasion shows up to justify them, and a handful of non-asshole smart people who vibe with it but...well. ‘Suckered’ is a harsh word, and definitely doesn’t apply to all of them re: what they’ve gotten out of it up to this point and would (somehow) get out of this. But it doesn’t apply to none of them, either.
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aion-rsa · 3 years
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The Suicide Squad: How Idris Elba Brings Bloodsport to Life
https://ift.tt/eA8V8J
Idris Elba has a certain unmistakeable, charismatic vibe about him. The resulting magnetism extends to the wide range of characters he has brought to life over the years – from playing the second-in-command to a drug kingpin in The Wire to playing a guy who has to deal with the likes like Michael Scott in The Office, to playing a dedicated horseman committed to fighting off gentrifying developers in his neighborhood in the recently released Concrete Cowboy. Whether it’s as a leading man or part of a larger ensemble, Elba’s performances always stand out because of what he brings to each role. 
Later this summer, Elba will make his DC Extended Universe debut in James Gunn’s The Suicide Squad – a comic book adaption full of talent who could carry their own features if given the opportunity. We recently spoke with him about his role as the lesser-known comic character Bloodsport and what it was like to be part of such a chaotic batch of DC villains and antiheroes. 
How were you first approached for the role for Bloodsport, and what made you say yes?
James Gunn reached out to me and said he had this project that he wanted to work on and didn’t tell me what it was. We had a meeting pretty late at night [and] what was appealing to me was that it wasn’t a continuation of the last film, and this is a new character. I just wanted to see where James wanted to go with this new film and this new character. So that was really what drew me in.
Bloodsport isn’t a very famous character. So what did you learn about him and what freedom were you given to bring him to life?
Like you say, he’s not very well known so I sort of traced his history back in the DC world. He’s popped up in some places. He’s more of the vigilante soldier type. He’s not going to have special powers, he’s just a really good assassin, basically. That was pretty consistent throughout his history. There was a little bit of leniency between myself and James collaboratively just working it out … what we want to bring to life. I felt very involved in that process, so essentially I got to bring him to life the way we wanted to.
You’re no stranger to superhero movies. You’re an MCU alum and I consider Hobbs & Shaw a superhero movie because you played Brixton Lore, the fantastic “Black Superman” in it. Did you bring any of those experiences to Bloodsport?
Playing any action character requires a level of real dedication just to the amount of work you have to do. So although I’ve been in the Marvel universe, Heimdall isn’t so much of an action character, despite moments where he’s had action. But Brixton in Hobbs & Shaw was 100% full on. Going from that into The Suicide Squad was a great transition because I basically brought some of the things I learned from the experiences I had on Hobbs & Shaw. It’s not the same character, but the level of effort is the same. 
This ensemble cast is one of the wildest we’ve seen in a superhero movie. What was it like to work with everyone? 
That was a lot of fun. It’s challenging keeping your character in one lane while you’ve got these really larger-than-life characters around you, especially Peacemaker who is a natural rival [to Bloodsport]. It’s kind of hard to sort of stay in your character with John Cena, who is incredible with improvisations. And then everyone else has this quick-fire banter, but Bloodsport, he doesn’t even like to talk. It’s like, you don’t want to be too friendly with these people. But I think that’s what’s beautiful about his arc. When you see the movie, he goes on a journey.
The dynamic with the actors is incredible. Really good, nice, hard-working people. James was so specific around timing and comedy and how you say lines and stuff. It was great to be a part of that. It’s almost like he’s a comic strip artist and he had these characters to play with and built these amazing frames. I love working with directors that have a complete vision, but allow you a little bit of latitude to bring it to life.
What was it like wearing that intricate Bloodsport costume?
The suit was very tricky to wear. Each component of his costume does something else, so it’s quite a tricky costume to design. I remember speaking to James about the many machinations of designs that he had gone through with this costume. When I came on board, it had to fit to who I am and how Bloodsport moves. It’s intricate but it looks incredible and badass when you see it in the film, but it was a real journey getting there. 
What are his weapons like?
Just imagine a weapon that can transform from one thing into another and keep going. He’s got a pretty cool array of weapons. 
In the trailer we see Bloodsport in vacation wear, a nice pair of grilling sandals and linen pants. Do you believe that Bloodsport is good on the grill and who would he play Spades or Dominos with and why?
With a name like Bloodsport he’s definitely going to grill. I don’t think he’s the guy that’s seasoning, but I think he’s behind the barbecue with the fire, making sure that meat and blood are cooking. As far as playing games with anyone, he doesn’t do that, he’s solitary, he doesn’t like company, and likes to be alone. He’s very guarded. He just wouldn’t find it interesting to play cards against anyone. He might play chess, maybe, but I don’t think he’s playing Spades at the barbecue.
Earlier this year, there was an announcement about you and your wife, Sabrina, teaming up with your respective production companies to develop an Afro-futuristic animated series. Can you speak to some of the motivation for wanting to put a story like Dantai out into the world?
I can tell you that it’s mainly the brainchild of Sabrina. Her deep passion and history with anime introduced me to it. From my perspective, I just love telling stories, but also this is a medium that’s kind of new and interesting to me, and it feels underserved in many, many ways. Sabrina is a super, super geek when it comes to anime [laughs], so, you know, I’m there. But I’m so engaged from what I’ve learned so far, Crunchyroll is incredible. We want to make something really exciting, hopefully that will maybe even bring more people to the genre.
You don’t know how happy it just made me to hear that your wife is a huge anime fan. I’m a huge anime fan, so finding other Black women who love that art form always makes me happy. So thank you for sharing that.
Yeah. You guys could definitely travel down some wormholes and discuss because she can go deep.
Would you all ever consider developing a superhero story or comic book adaptation?
We haven’t considered it. It would certainly be sort of a natural course of action in terms of how this came about. We would certainly consider that, but right now it’s one step at a time to try and get [Dantai] right and see how we go. But for me, if you know anything about me or my ambitions are out there, so (laughing) I’ll end up doing something in that space for sure.
Retcons and remakes and comics all go hand in hand. Are there any other comic characters you’d love a chance to bring to life, even though you’ve already been in the DC and the Marvel universe?
Well, we all need to see Black Superman but someone else is putting that in the works. But you know, that’s practically my nickname right now. (laughing) I’m being honest. I’m not the best dictionary of comic books [so] I honestly couldn’t speak with authority.
There is a character named Icon from Milestone comics, and although folks don’t like when you refer to him as the Black Superman, he is kind of like that analog. So I mean, there is still a chance for that to happen. 
Oh, really?
Yes.
Wow. Okay. Thank you for that tidbit. What did you say was the name of the company it comes from?
He comes from Milestone Comics. They were a Black imprint. Dwayne McDuffie was part of this startup, but they were an imprint of DC Comics. Static Shock, Icon, Rocket and some other really prominent Black superheroes came from them. I’m sorry. I’m a comic nerd.
No, I did not know that. Who has it now?
DC does. Unfortunately, Dwayne McDuffie passed away. But DC is bringing it back. There are some actual comics that are in the works right now. Static Shock is one of them. I know that. I believe Michael B. Jordan is producing the movie. So they’re around. Yeah. So I’m just putting that bug in your ear.
cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });
Thank you very much. That’s great. I’m looking it up as we speak.
The Suicide Squad opens on Aug. 6 in theaters and HBO Max. 
Check out more on The Suicide Squad in the latest issue of Den of Geek!
The post The Suicide Squad: How Idris Elba Brings Bloodsport to Life appeared first on Den of Geek.
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Title: Going Through Motions{2}
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Title: Going Through Motions {2}
Steve Rogers X Reader OFC Korral “Korri” Evans
Warning: Plot, Cursing, Mild Sexually Suggestive Content
Word Count: 2K
Summary: You and Steve had a hot, passionate, and wild romance seven years ago when you worked with the Avengers. It was the best year of your life; you’d never felt the things you’d felt in all your life. Then out of nowhere, Steve just ended things—in a letter. A heartbreaking letter, then the world deemed him a criminal, and he disappeared. Now, you’ve moved on and have gotten engaged to rich man Marc Spector. Tony brings you back to work with the newly rebuilt Avengers that is still led by Captain America who is definitely done asking for permission and not looking for forgiveness. Or is he?
Note: So, for this fic, we are going to alter the MCU timeline a bit. This takes place after Civil War, but Infinity War has not happened yet. Steve is off the grid for seven years before he comes back. {I know that’s a long time, but let me rock please} Also, I’m going to be introing/adding in Moon Knight (Marc Spector) in just because I feel like it and I want to start exploring other Marvel characters and of course I will twist him to serve my purposes.
**Loosley Proofread/edited**
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“Man is it good to be back,” Sam said as he dropped into the couch in one of the lounge areas at the Avengers complex. You smiled. “I’ll take your word for it.” You walked over to him and the others and passed around their credentials.
   It had been almost a month since their names were cleared, and good standings returned with the citizens of the world. Everyone was glad to have them back, and they weren’t shy to express it. Of course, with them expressing their joy of the return of Wanda, Vision, Sam, and Natasha there was a lot of confusion as to where Cap was. The public was notified that his name was also cleared, and he was free to return and would be welcomed. With that information they began to think he’d abandoned them for real and wouldn’t return. With each passing day that he didn’t return you were becoming more and more comfortable with the fact that he wouldn’t come back. The others didn’t bring him up; they simply said they hadn’t heard from him in the last few months, that he’d stopped communication.
   “I missed the food,” Wanda said. “I missed the network,” Vision added. You smiled and stood to the side and watched them all interact. It was clear they’d formed a close-knit family over the years. You couldn’t imagine what it was like to be on the run and living off the grid. It had to be hard, especially having to evade authorities and the countless operatives the government sent their way.
“You never used to be quiet, what’s wrong with you?” You looked to Natasha and smiled. “I’m fine, just—glad to have you all back. It’s been a long time.” Wanda and Natasha approached you and hugged you. You’d been very close to them years ago, and now they felt like strangers but strangers who would quickly become friends again. You saw Tony enter the room.
   “Very glad everyone is enjoying getting reacquainted. I see Korral has given you all your credentials back and I’m happy to say you all are officially no longer criminals. Ross got back to me with the official news; records are expunged. You are even off of the no-fly list. I mean I don’t know why you were on that anyway it’s not like any of you ever fly commercial.”
   “Why fly commercial when you can fly quinjet,” Sam piped up. You shook your head pleased to see his sense of humor was still the same.
  “I’m throwing a party!” Tony added. “Of course, you are,” Natasha dryly commented as she took a seat in the barstool next to you. “I think we have plenty to celebrate.” Everyone looked to each other; no one looked like they agreed. “Doesn’t feel like it without Cap,” Sam voiced up. Everyone was thinking it, they nodded in unison, and a silence fell over the room, a heavy silence.
  “Then I sure hope it feels like it now?” Everyone’s head snapped to the door where Steve stood dressed in his suit. Your stomach fell to the ground, and you stumbled back into the bar.
   “You sly dog, always know how to make an entrance,” Sam said, getting up and crossing to him before pulling him into a hug. “Hey Sam.” Soon everyone else followed and crossed to him to greet him. You stood where you were just staring at him. He looked a hell of a lot different. When you last saw him he was clean-shaven with neatly groomed blond hair, now that was not the case. His face was covered in a groomed goatee that was perfectly filled in. His hair was also much longer, so much longer that your fingers wanted to entangle themselves in it. As your eyes traveled downward, taking him in, your mouth went dry once you realized how much bigger he was. Damn, being on the lam was good for the body, you thought.
   Your body began to tingle; it was a tingle that started in your belly and branched out to every part of you—every part. By the time your eyes finally finished their feast you realized the silence in the room had returned. Wanda and Nat were looking at you, but the others were looking between Tony and Steve. Neither of them spoke, but you knew there was a lot to say. “Cap,” Tony began. Steve nodded. “Tony.” Again, silence ensued. You didn’t know if there would be yet another fight or if both men had enough time to reflect and grow. Tony held out his hand to Steve, an action that shocked you and those around you. Steve looked to his hand and quickly took it, shaking it. The two closed the gap between them and embraced. You couldn’t help but feel a small betrayal. In all these years you knew that Tony was pissed at Steve for his actions and you felt some weird solidarity with him. Now it looked like the hatchet between them was buried.
 All eyes turned to you, and you felt like you were a contestant on some gameshow you didn’t want to be on. They all knew you and Steve were together seven years ago. Your relationship was the topic of discussion many times, to Steve’s annoyance. Wanda and Nat knew how you’d felt about him; they knew very well. His eyes bore into you—the same eyes you’d stared into countless times as he brought your body to indescribably pleasure. You’d played this moment in your head time and time again. You’d wondered what it would be like the first time you saw him. You wondered what you’d say, how you’d act, what he’d say, how he’d act. Standing across from him your entire relationship played out before you at warp speed: the intense beginning, passionate, wild and hot middle and even the soul crushing ending. At the thought of the end you broke eye contact.
   “Maybe we should--,” Natasha began. You shook your head coming back to your senses, and the present and waved it off. “No need for that.” You walked toward the group of them taking the route that had you walking behind the couches; it was the long way. You could feel Steve’s eyes on you. “Welcome home Captain.” You stopped several feet from him with a smile plastered on your face. “Thank you Korri.” At the mention of his nickname for you, a blazing heat ran down your spine to curl in your belly, a heat that jump-started your memory of every time he’d whispered the name in your ear or grunted it out in your bed as he came undone on top of you. It tripped you up. You cleared your throat. “It’s uh—it’s actually just—Korral works fine.” Steve nodded once then lowered his eyes from yours to skim your body. That was a bold move you thought to yourself, a move Steve from seven years ago would not have done. He would have kept his professionalism in front of everyone.
   “Well, I’ll get started on your credentials.” You abruptly turned and walked out of the room doing your best to keep your head up and back straight even though your legs were complete jelly.
  Three hours later you were lying on the carpet of your office staring up at the night sky lost in thought of nothing in particular. That was not the case two hours ago. Two hours ago, you were slightly a mess, so much of a mess, you’d drank the bottle of cognac you’d had in your desk for years. You didn’t just have a glass or two, you had the entire bottle and relived your relationship with Steve. You went over everything, first meet, first conversation, first touch that was more than a touch, first date, first kiss, first time you made love which was the same night of your first date, first I love you, first kiss in front of the team; it all swam in your head, and though you were over it all, it still impacted you.
“Are you okay?” Opening your eyes, you saw Wanda and Natasha standing over you. “Oh yeah, I’m good.” It was a lie, and they knew it and sank to the floor to lie on either side of you. They didn’t speak; instead they waited for you to speak. You didn’t know what to say; it had been seven years since you’d had a heart to heart or divulged your secrets. It dawned on you then that since they’d disappeared you hadn’t talked to another woman about things. You’d buried it all.
  “Safe to say Cap’s been hitting the gym,” Wanda breached. The three of you laughed together for the next few minutes. Before long, your laughter turned to sobs. You sprang up and covered your face, unsure what had come over you. Both Natasha and Wanda put their arm around you. “I’m sorry I don’t know what this is.” Wiping the tears away you sniffled and tried to get a grip. “You don’t have to apologize.” Wanda rubbed your arm. “Not to us, never to us,” she finished. You breathed out and nodded. “Do you want to talk about it?” you thought about it for a while but decided it didn’t serve a purpose. “No, there’s no point. I actually have to get home. it is late, and I should have been there hours ago.”
   You walked over to your desk on shaky legs and gathered your things. You had to sober up before you got home. Wanda and Nat helped you outside where a car was waiting. You didn’t bother protesting, you slid in the back and sunk into the seat getting comfortable for the hour and a half ride back to the city and Marc.
When you got home, you expected him to be there to meet you at the door, but when you walked inside you were greeted with silence. You rushed to your bedroom hoping to make it to the bathroom to jump in the shower to wash away the tears. When you got into the bedroom he wasn’t there either, you stripped and jumped in the shower where you remained for the next hour. The shower was your thinking spot; you made all your decisions over a shower. It was in the shower you decided to test the waters with Steve, it was also there you decided to go on that date with him, and it was there you became one with the decision you loved him.
   When you got out and walked in the bedroom, you were so lost in your own thoughts that you didn’t realize you weren’t alone. When you felt arms around you, you nearly jumped out your skin before you used one of your defensive moves twisting the arm over your head to come up behind them to hold them in a chokehold. It wasn’t until you’d done it you realized it was Marc. “Oh my god Marc I’m so sorry.” He laughed out loud then turned to you. “Wow, I forgot who you were for a minute,” he said with an amused smile on his face. You’d never been so absentminded not to realize he was there.
   “I’m sorry.” He pulled you to his body and lifted you in his arms before he placed a juicy kiss on your lips. “You’re lucky you’re so beautiful even when you’re putting me in a chokehold.” You smiled and allowed him to kiss you again. “I don’t know where my head was.” Marc placed you on the bed and hovered over you. “Long day?” You have no idea, you thought. “Kind of, but I’m here now.” Marc kissed your forehead and then your lips again. “I can take your mind off it if you’d like.” You smiled, knowing just where he was going. Marc’s idea of a good stress release was a roll in the sheets. Usually, you’d be down to work up a sweat with him, but tonight it felt different, and you didn’t know why. As he trailed kisses down your body you tried to get in the mood. When his head disappeared between your legs you closed your eyes and tried to focus on what he was doing to you and the way he was making you feel. It took great effort to focus on nothing and no one else, but somehow you accomplished it, and Marc was none the wiser.
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marmolita · 5 years
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bringing an era to a close (avengers endgame spoilers)
Avengers (2012) was the movie that got me out of a decade-long fandom hiatus and back into fandom and fanfic, and today I went to see Avengers: Endgame, so I feel like I need to make some kind of comment on the Avengers era coming to a close, though clearly the MCU era isn’t done.  My thoughts on the movie (WITH SPOILERS) behind the cut.  But, in spoiler-free summary, I laughed some, cried a lot, and enjoyed the action.  The best movies of the MCU thus far though? Thor: Ragnarok, Spiderman: Homecoming, Iron Man (1), and Captain America: The Winter Soldier.  Shout out to Ant Man too, and I haven’t seen Ant Man and Wasp yet.  Also I will preface this with: I have not read any other fandom discourse on this movie at all yet.
Okay so first off.  The actual plot?  Made NO FUCKING SENSE WHATSOEVER GODDAMN IT WHOSE IDEA WAS THIS GARBAGE??!?!
Like okay time travel is always terrible, always, no matter what, because the cases where someone manages to make a time travel closed loop are so rare that they barely exist (shout-out to Bill and Ted’s Excellent Adventure for that though).  My problem really is when shows and movies that SHOULD have logical rules DON’T.  I can suspend disbelief for fantasy universes that don’t even attempt to make a scientific explanation, but when they TRY to make it scientific and then they make it garbage, it just really pisses me off.
NAMELY: they didn’t develop the theory of parallel bifurcating timelines enough to actually explain anything, they said they had to return the infinity stones to the moment they were taken from to avoid changing the past because they wanted to preserve the past five years....AND THEN THANOS CAME FROM THE PAST TO THE FUTURE AND NEVER WENT BACK AGAIN, THEREFORE ERASING THE ENTIRE HISTORY OF THIS TIMELINE.  Like this is the same level of complete nonsense as why freaking Eobard Thawne looks like Harrison Wells and is also still alive in the Flashpoint future on CW’s Flash.
What about Gamora??  She didn’t go back to the past.  She didn’t get dusted (I presume).  What the actual fuck happened to her?
The infinity stones can CREATE ENTIRE UNIVERSES FULL OF LIFE but they can’t bring back Natasha and Vision?  Why the fuck not?  Why are the people who came back after five years via the gauntlet not five years older?  Unless all of Peter’s friends were also dusted, why the hell are they still in high school five years later?
If STEVE went back and STAYED in the past then HOW DID HE END UP IN THE SAME FUTURE.  He disappeared and then oops there’s an old dude who must have walked there and been wandering around this whole time attending this goddamn funeral and nobody fucking noticed.  What the actual fuck.
Like if they hadn’t tried to explain it at all, maybe I could suspend disbelief and be like “okay superhero magic whatever,” but they tried and that makes it worse.
ANYWAY
Let me try to think of what I liked about this.  Valkyrie, of course, who was badass as hell and I LOVE that Thor was like “nah I’m not gonna be king, you’re already the king,” and did you notice nobody said the word “queen” in there?  She’s fucking awesome and I love her.
I liked Tony’s kid, who was adorable, and also my kids have literally said to me “I love you three thousand” so like, that’s very believable.  I liked that Tony didn’t want to erase the past five years because that would erase his own daughter out of existence.
I liked the joking about Steve’s ass, because yes, I appreciate a healthy objectification of men to match the objectification of women, and he does have an amazing ass.
I liked that Steve got to have his happy ending and dance with Peggy on one level, but I also didn’t like the way it happened at all, because the time travel made no fucking sense and also: WHAT THE FUCK HAPPENED TO SHARON CARTER.  I get that I guess it wasn’t playing well with audiences, and I can only imagine they did the same thing with Bruce/Natasha because hello that romance storyline got NO kind of closure whatsoever in this entire series, but the fact that they just left the thread hanging is really what drives me nuts.
Oh, but I did love the “on your left” callback, so good job there guys.
I liked the story with Nebula a lot, though it also didn’t make much sense at all.  I liked Thor’s buddies, though I didn’t like the kind of fat-shaming “Thor’s let himself go” thing?  And not just because I was disappointed at not having a shot of Chris Hemsworth looking sexy, but like, I don’t like that Thor was kind of reduced to comic relief.
idk there are so many characters in this and there was so much stuff that I can’t even remember what I liked anymore.
As for Natasha, man, I don’t even know.  I liked that Clint went on a murder spree after his family got killed.  I like that Natasha wanted him to get back with his family.  I didn’t like that she had to die for it to happen, or that she didn’t get any real action at all, or that we never fucking found out ANY OF HER BACKSTORY.  Remember how great she was in Avengers 1?  What happened to that?
Who fucking knows what happened with Loki, nobody ever explained any of that.  Did Steve ever find out that it was Red Skull guarding the Soul Stone?
...........was Thanos right to remove half of the universe’s population?  Like, there’s that line about the pod of whales, and I definitely had times in the first infinity war movie where I thought about it, but like . . . yeah there are other solutions besides random killing half of life but randomly bringing them back also doesn’t solve the problem.
Anyway Captain Marvel was awesome and badass and I appreciated the scene with all the ladies teaming up, even though it felt kind of like it was forced in and Extra, just like the huge clash of the armies scene which was basically like “HERE IS A MOVIE POSTER ISN’T THIS DRAMATIC.”
Honestly also though: why didn’t they let Thor wear the gauntlet?  He’s Asgardian, he’s not human.  If he could handle that ~power of an entire sun~ thing in Ragnarok he can probably handle some infinity stones.
Okay, maybe I will have more to say later but that’s what I’ve got for now.  Mostly I think I’m just disappointed that for a movie that made me cry so much, it was largely unsatisfying because of the gaping plot holes?
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valyrfia · 6 years
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hey friend! fello eurovision shitposter here :) first of all I want to say that im so glad to have finally found someone whos as convinced as i am that bulgaria should win this year! I had another question for you: so you post a lot of marvel as well and a lot of stony so i stalked your blog and im confused because you said you started to ship them more after civil war? idk im a huge stucky shipper and steve and bucky just seem to have the better dynamic no offense intended i just want yourview
BULGARIA. THEY’RE AMAZING RIGHT? I’m honestly almost more in love with this song that I was with Beautiful Mess last year (that’s a lie I still cry that my boy Kris didn’t win but I also adore Amar Pelos Dois so I’m not mad). Now with the footage of their AMAZING live performance at the London pre-party, I’m almost fully convinced that they are gonna clinch the top spot this year. I mean, imagine Bones with the camera work and lighting of Eurovision and the atmosphere of the arena. It’s going to be incredible I’m so excited. 
Moving on from my trash talk: why I ship stevetony and not stucky? Whoo boy this is gonna take an essay to answer, and it’s going to be difficult  a. because I can never remember all the reasons why I do ship stevetony (I always end up missing one lol) and b. because stucky shippers are…enthusiastic, for the lack of a better word. I love them, I respect a lot of them and I’m friends with people who ship it. But fandom is a tricky business. Stevebucky never did it for me as a ship. The explanation is long and complicated but it can be boiled down to a distinct idea: For me, adding a romantic element to Steve and Tony’s dynamic makes their interactions much more interesting and intriguing, while adding a romantic element to Steve and Bucky’s dynamic would almost subtract something quintessential from both of those characters. 
Friendships to me are almost more impactful on a person’s life than romantic relationships, god knows where I would be without my friends today. There’s a tendency in the media to push the obligation that the most important person in your life has to be your significant other. I hate that, frankly. Steve and Bucky love each other more than anybody else in the world, and for me, that’s beautiful. I guess I just never did understand the romantic connotations that people attached to what seemed to me, seemed to be a fully functioning, complete and beautiful relationship. 
Steve and Tony’s relationship however, you always feel like you’re missing some part of the story when you observe their interactions. From their respective monologues to each other, The Confession and The Oath to their familiar joking with each other right before everything goes to shit at the base in Siberia in CA:CW. You feel like you’re missing some part of their story. I, (it seems along with Jonathan Hickman, RDJ and Chris Evans) like to headcanon that this missing piece is a romantic plotline, but you can interpret it however you want. That’s the beauty of fictional works. It’s not the cold, hard canon that matters, but your interpretation of it. My experience is different from yours and to me that’s beautiful.
An essay is available below the cut, if you’re interested in how I actually stopped shipping stucky and started shipping stevetony (an origin story if you will.)
In my introduction to Marvel, a couple of years ago, I did initially read Steve/Bucky fics more than any other pairing, but incidentally it was a Steve/Bucky fic that made me start reading Steve/Tony ones (oops I guess?) The Man on the Bridge by boopboop on AO3 was the one that got me invested in the Steve/Tony dynamic, it was the fic with the highest kudos on AO3 at the time that I was reading Stucky. It’s a really great fic 11/10 definitely worth the read (I think you need an AO3 account though) but what kept me going wasn’t the ship I was supposed to be reading it for, it was the dynamic between Steve and Tony. For example: you get great scenes like Steve and Tony bickering like an old married couple over coffee at least four times and banter like this out of nowhere: 
““I sent flowers?” Tony asks, trying like hell to play it cool. He gives her a desperate look that she ignores by default.
“Tony picked them,” Pepper says, determined as ever to ruin Tony’s reputation.
“He did, did he?” Steve asks knowingly.
Pepper leads them all into the wide social space inside. “He spent a lot of time trying to find your favorites.”
It’s dark enough to hide the fact that Tony’s ears are a little pink, even when someone has as sharp a vision as Steve does. That doesn’t stop him wanting to crawl back into his suit and hide. “Really? Do we have to tell him that?”
“He might think you don’t like him if I don’t,” Pepper says with a knowing smile flashed in Steve’s direction.
“I don’t,” Tony says firmly. “I tolerate him. Barely.”
“Uh huh.” Steve chuckles, his smile growing warm. “Right. I get it.””
and lines like this
“We - Nat and I - figured Rogers would come to you for help once he and Bucky made it out of Florida.”
“You did?” Tony asks, stunned. He can think of a dozen people Steve would have picked over him, even with the resources Tony has at his disposal.
Barton looks at him like he’s an idiot. “Yes,” he says, simple as that.
“And that brings you here why?”
“Because neither of you idiots have a single shred of self preservation between you,” Barton says bluntly. “That’s why you’re good for each other.”
and general power couple stuff
She hardly looks a day older than she had appeared in the recording they saw before leaving for London - but Tony knows that file was dated 1991. Her sharp features are paired with dark eyes and unnaturally pale skin, offset by a razor sharp, almost masculine suit. “Mr Stark,” she inclines her head, “Captain Rogers.”
She had been given no other identification in the videos, other than being addressed by Lukin as ‘Synthia’. Since they don’t want to give away how much information they have, Tony tips his head to one side and asks, “Should I know you? Have we met?”
“We have not, Mr Stark. Captain Rogers and I do have a shared acquaintance, however.”
“Don’t you dare talk about him,” Steve growls, tense at Tony’s side. The fact that he hasn’t rushed forward and unleashed that brewing violence is something of a shock. He’s practically shaking with his rage, every muscle in his body tense and strained.
Tony puts one hand on Steve’s arm, steadying him. “Look lady, I don’t know who you are but I’m tired of games. What do you want with us?”
She tilts her head, “Why not the pleasure of your company? You are Iron Man and Captain America after all. An unstoppable force. The two greatest superheroes of our time.”
even the goddamn villains ship it I was supposed to go into this fic and not come out the other side shipping steve and tony come on
there’s a reason that this is the only non-stevetony fic i’ve read in three years goddamnit 
*clears throat*
But yeah that was the fic that got me interested in the possibilities surrounding the Steve/Tony dynamic. Then I started doing some research and came up with the canon content (like their respective love confessions in 616 and the actors fascination with the ship (shoot me I’m weak okay)), and it’s been a wild ride ever since. 
If you’re interested in seeing their dynamic in action through a romantic lens, may I suggest Disrepair by Tippet for MCU and  Belief Space by magicasen for 616. Neither have huge confessions of love or anything like that, Belief Space does have one kiss towards the end but the focus point is Steve and Tony’s dynamic during the incursion crisis in 616 and Steve’s POV remains largely platonic throughout the fic. Disrepair actually has no romantic connotations in it, as far as I remember, but it analyses the MCU dynamic in such a way that you start to see what I mean when I say that Steve and Tony’s relationship would be ten times more intriguing with a romantic element. Both fics are interesting character studies of both Steve and Tony and I would highly recommend reading them anyway. Also Belief Space is my favourite fic of all time, and does not get enough love goddamnit, so there’s that. 
Anyway, I’ll finish your lovely ask by giving you what is frankly my stevetony song for Infinity War and the only song I listen to nowadays. It’s my fave. What else would it be in the month before Eurovision? It’s Bones by EQUINOX. 
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