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#zeffirelli
estellaestella · 7 days
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You know what would be kinda neat? Sitting down Wes Anderson and Paul King and having them chitchat about how they want films to be more whimsical. #wonka #wesanderson #paulking
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chalamet-chalamet · 1 year
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Timothée as Zeffirelli in The French Dispatch (2021)
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windswept-fields · 8 months
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Wes Anderson Movies + textpost part 5/11 (or until I give up)
The French Dispatch Edition
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#118
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rudnitskaia · 4 months
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It circled around in my head for a while already, but now I rewatched and it suddenly hit me. Rocky and Mau together have very strong vibes of Olivia Hussey and Leonard Whiting from the time period of Zeffirelli's Romeo and Juliet. Just look at 'em and tell me they do not.
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josefksays · 1 year
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hellooo, hi, im not sick anymore (more or less) and in surprisingly great spirits! i was thinking, if you wanted to write more Zeffirelli and absolutely and i mean ABSOLUTELY no pressure maybe we could have some sort of university themed kinda fic? not an AU just kind of widening the lens of The French dispatch to see Zeffirelli as a students not just his after school activities. im thinking like a philosophy student poet boyfriend x art and film theory painter reader kinda situation. studying and going to interesting lectures and to cinema in the evenings..idk it would be lovely to have some nice uni vibes to motivate me. also if you don't feel Zeffirelli now Timothee himself would be very much okay too i feel like. it is all up to you. sending you great energy, love you, message me if you want to brainstorm this story or want to talk literally about anything xx
omg hiiii!!! it’s fall now!! zeffirelli would be living his best life. i was really missing zeffirelli and timmy. timothee always renters my brain this time of year so be prepared. it’s movie szn brainrot time, my friends.
coincidentally enough, this happens to be my 700th follower celebration as well! yay!
uhhh so usually i write the translations at the bottom but i didn’t keep up this time i’m so sorry 😭😭
zeffirelli masterlist
ensoleillement (sunshine)
“You’re late,” you say, looking at the clock in the corner of your living room.
“I brought compensation.” Zeffirelli holds up a brown paper bag from the pastry shop down the street as an apology. “There's a pain au chocolat in there for you. I also got you a coffee.”
“I hope it’s not in the bag,” you respond drily, but take the bag nonetheless and rifle around for your breakfast. “Where’s the coffee?”
“Here,” he says absently, placing it on the kitchen counter.
“Dieu merci,” you sigh, taking a sip and shouldering your bag. The leather strap digs into your shoulder through the fabric of your coat.
“Thank me, not God,” Zeffirelli complains, ushering you out the door.
“You’re still the reason I’m late.” There’s a warning in your voice, but you can’t put any real venom behind your words. You never can, with him.
“Oui, but you’re not going to any important classes right now.”
“I’m going to math,” you protest. He reaches across you and takes your coffee, sipping it and grimacing. You slap his hand away and retake the coffee. “No matter how much you try, you aren’t going to like the way I have my coffee.”
“That’s because you have terrible taste,” he complains. “Why are still taking those bullshit classes? There are so many better classes to take.” It’s a conversation you’ve had many times, mostly out of jest, but there is some seriousness behind it.
“You mean math?”
Zeffirelli hums. “That’s the one. Why would you waste your time with math when you could be going to philosophy at noon?”
“Because I’m not some poet revolutionary, Zef,” you laugh, bumping your shoulder with his. “Not everyone is as successful as you.”
“Nonsense. You just haven’t shared any of your ideas with other people. Come on, amor, let me know what’s going on in that head of yours.”
“Right now there are a few things, but I don’t think you want to hear them,” you deadpan, gathering your books in your arms.
“Don’t get shy on me now, ensoleillement.” The endearment falls easily from his lips, his favorite term for you, meaning, quite literally, sunshine.
Ironically, you got the nickname on a rainy day when you had been giving him a hard time about his tendency to walk in the rain.
“I have nothing to say to you,” you reply, knocking your shoulder against his as you both try to go out the same door to the street below your apartment.
“All that math is filling your brain with nonsense,” he complains, his shoes scraping against the worn hardwoods. “I can’t have a good philosophical conversation with a mathematician.”
“Just because I’m taking the class doesn’t make me good at it,” you correct absentmindedly. He huffs and steps into pace beside you, his hand brushing against yours. The autumn leaves crunch under your feet, warm red and orange bleeding past as you make your way to class, the air crisp and the sun slinking behind the clouds. You really should be trying to make it to class on time, but you know you’ll regret it if you leave Zeffirelli out here alone with that rosy color on his cheeks from the cool air. Fall suits him well, and he wears the chill running through your fingers well.
It’s better to be here, your hands skimming against his, knuckles red and electric when he touches them than it is to be sitting in a class. Especially because he isn’t in the class.
The walk to your school isn’t much further. Just through the town sits a two-storied brick building where you’ve devoted hours to studying, crying, and trying to get Zeffirelli to take breaks unsuccessfully.
The cobblestones underneath your feet are consistently unsteady, and you find yourself, as usual, looking in awe at the quaint town that wakes up as you walk through.
There’s the flower shop on the corner with the green and white striped awning that gives out free roses on holidays. Next to it, stands a stationary store where you go more days than not to get a hand-pressed piece of paper to write home on. Across the street is a cafè where you and Zeffirelli have spent countless sleepless nights discussing movies and poetry when you should be studying,
This isn’t your hometown, and it isn’t his either, but you both know it more than you ever could know any other place on Earth. Zeffirelli’s American rouge, prophetic attitude couldn’t come from a town this small, but that doesn’t stop it from thriving. Here, nothing can stop him. Not living with his parents, which he does on purpose, or not knowing how to start a manifesto. Those things are trivial and unimportant because this place reveres every waking and sleeping moment it has with him. You and
You, well, you can’t claim this place as your home, but you’ve fallen in love with its poetically simple lifestyle. The two years you’ve been here as an exchange student has been the best you can remember, and you aren’t sure how much of that is related to the boy next to you.
A gut instinct tells you that he might have something to do with it, but you would be drawn into the charm of this town anyway, probably. He’s just an added bonus.
Zeffirelli takes the cup of coffee out of your hand and tosses it into the trashcan before you enter the towering, gray stone building that is your school.
“I’ll see you at lunch?” he asks, walking backward down the opposite hall that you’re traveling. “My mom packed cookies.”
A laugh bubbles from your throat and you can tell you’re grinning like a fool. You genuinely don’t know if he’s joking or not, but you don’t doubt the truth of his words. “I can’t even make fun of you because your mom’s cookies are so good.”
“That’s the sweet spot.” His arms are outstretched wildly as he turns back to go to his class. “I’ll see you later, amor. Don’t have too much fun in math without me.”
“I wouldn’t dream of it, Zef.” There’s still a grin on your face when you walk into class, and you take your seat next to your’s and Zeffirelli’s friend, Mitch Mitch.
Mitch is radically passionate like Zeffirelli, but, as obvious by his presence in a math class, he’s less utterly devoted to the revolution. Which is to say that he’s still deeply invested.
“Did l'auteur make you late again?” Mitch reaches over you and slides today’s work to you. “I swear, you need to stop waiting for him in the mornings.”
“He did indeed.” You lean back in your chair and try to listen to the lecture, and you think you retain about half of the information.
The teacher at the front of the room drones on for half an hour about something you don’t understand, not that you care enough to pay attention. Despite the nature of his ideas, Zefrilli is correct about the fact that math isn’t your thing, nor is it going to help you at all. Especially not when you don’t have a clue what’s going on. Based on the look on Mitch’s face, he understands even less than you do, which is comforting and terrifying at the same time.
“Why did you convince me to take this class?” Mitch groans, flopping onto the desk and banging his head on the wood. “I’m too pretty for math.”
“I don’t think that has anything to do with it.” You pat him on the shoulder consolingly and gather your things together.
“Peut être pas, but it makes me feel better about myself.” You walk side-by-side to the next class. You have film studies with Zefirelli and Mitch has some economic class.
Zefirelli is waiting by the door for you, and, when he sees you, he pushes himself off the frame and asks, “How was the waste of time?”
“It was a waste of time,” Mitch confirms, bumping shoulders with Zefirelli, who looks at you for confirmation, which you readily give.
“Let’s do something worthwhile then, mon chéri.” Zefirelli holds out his arm for you, and you take it easily. “To the magical world of film we go.”
“Onwards we go.”
*
Lunch doesn’t come soon enough, but, slowly, it comes. Mitch, Zefirelli, and you usually eat together, but today Mitch is going to the cafe down the street with a girl in your class named Layla. She’s sweet, and you hope she’s enough for Mitch.
You and Zefirelli find your normal spot in the corner of a courtyard hidden away in the twisted cobblestone streets. It’s nothing special, just a park bench pretty much, but you wouldn’t eat anywhere else. Not when Zefirelli is sitting close to you.
“What are you writing about?” he asks, leaning over your shoulder to try and read the words in your journal.
“How much I hate math,” you deflect, shutting the small spiral and stuffing it into your backpack.
“That’s not what looks like when you write about something as trivial as math. I’ve seen your math face, and it is much more détestable.”
“You’re telling me that you don’t write enthusiastically about math?” you joke, hoping to deflect the attention.
“Only about my manifesto.”
“Yeah, well you have your manifesto, and I have my movie.” It slips out easily like things usually do around him. You’re so used to telling him everything, so it comes as no school that you’re unable to keep this from him.
The thing is, he isn’t supposed to know about the movie you’re writing. Not because he wouldn't support it, which you’re sure he would, but because there’s no doubt in your mind that he wouldn’t let you hear the end of it. You try to backtrack. “I mean, I have the movie that I’m studying for class-“
“-You’re writing a movie?” he interrupts, his hand frozen where it’s reaching for his food. “Why didn’t you tell me?”
“Because I’m not writing a movie,” you attempt. “It was a slip of the tongue. Fourchement de langue.”
“No it wasn’t,” he denies easily. “You’re writing a movie.” This time he doesn’t ask, but he does return to his previous action, splitting the pink-colored cookie in half. He offers one half to you and you take it. You decide not to respond and focus on the cookie instead.
“So, what is this secretive movie about? Hopefully something dashingly bohemian and revolutionary.” You know he’s tuning down his excitement for you, which is nice. At least he’s trying. Hopefully, he knows that you would never keep something like this from him if you weren’t embarrassed.
“Those are your interests, not mine,” you sigh, despite the deception behind your words. Truly, you do care about those things, maybe only because he cares so much about them.
“Yeah? Then why do you work with me on my manifesto so much?” he prods, a grin on his face. Everything about him screams “got you” and you have no choice but to accept his meaning.
“Maybe I like being around you, connasse.”
“That could not possibly be it,” he dismisses easily. His cookie gets placed on the floor beside him and he leans into you, his head coming to rest on your shoulder. “You’re much too talented to be hanging around me all the time.”
“You can’t be serious,” you chastise, your hand running through his hair. “Zef, you’re the most talented person I know. Not only are you some sort of chess wizard, but you also have such a passion for life that I don’t see anyone else. I’m lucky to be around you as much as I am, honestly.”
“You’re just saying that,” he sighs, but there’s a blush rising to his cheeks that fits him so beautifully.
“We’re poets, Zefirell, we only say things that we mean.” He leans heavier into your side and you relax against him, taking his weight happily. The rest of the world passes by, and time passes by, but you don’t care. This is where you want to be, by his side.
You would lift the sky for him, but right now all he needs is a shoulder to lean on. It’s something you’re ready and willing to give.
“You know,” Zefirelli starts, “there are stories about people like us. You know, people that want to change the world. Usually, they have someone by their side, a second-in-command. Napoleon had Josephine, Pierre Curry had Marrie, Sintra had Garder.”
“I think it be more reasonable to say that Marrie had Pierre, given that she was the one who did most of the research. And you’re forgetting that Sinatra and Gardner broke up after 12 years.”
“But she was the only woman he ever loved. Come on, amore, you know that. Anyway, what I was trying to say-” he looks up at you, smiling softly- “before I was so rudely interrupted, is that most people have someone beside them when they start their journey sur le chemin de la révolution. The road to revolution can be lonely.”
“Everything must start in love,” you agree. “Nothing comes out of nothing.”
“Précisément. Would- would you like to be my second-in-command? We have a long way ahead of us, and I think it would be easier if we stuck together.”
“How am I supposed to say no to that?” you breathe, laying your head on top of his and reaching for his hand. “Promise you won’t leave me for someone more antagonistic?”
“You’re enough of an antagonist for me,” he responds in an overly-sweet voice. “Not sure I could handle much more.”
“Good. I prefer you waking me up in the middle of the night rather than anyone else.” You also prefer his head on your shoulder, his hand in your hand, and his figure in your bed, but those are things you keep to yourself for now.
You’ve already got enough of a win for today.
*
A banging on your door is an unfortunately common event to wake you up. Without checking, you know who’s on the other side of the door. That messy black hair and those piercing eyes are waiting impatiently for you to make your way across your cramped apartment, you’re positive of it.
The floor is cold underneath your socked feet as you make your way over the piles of books, papers, and clothes strewn everywhere across your room. While the trek is short, to your sleep-addled brain it feels like it lasts forever, with you in a dreamlike state of confusion and agitation. You can hear the sound of rain pounding against your apartment roof, a steady rhythm in time with your slow breathing.
With a deep breath, you open your door and you’re met with the familiar, tall form of Zeffirelli. “I have an idea for the revolution,” he says, out of breath, soaked from the rain. “And I need your cinematic expertise.”
“So that’s why you’re at my apartment at three in the morning?” you ask, rubbing the sleep from your eyes.
“Yes. And it’s only two,” he says as he brushes past you and goes straight to your tiny kitchen. Absentmindedly, he rifles through your counters and grabs the first food he finds; some untrustworthy brown biscuits. You don’t take any when he offers. “I needed to talk to you. Son affaire sérieuse.”
“Right, I’m sure it is. Tell me, what exactly do you need my help with? I’m not sure I can be of much help.” You shuffle into the kitchen and put a kettle on the stove, accepting the fact that you’re probably not going to get any sleep tonight.
“Absurdité. Who else is going to shut down my best ideas ruthlessly?”
“I would do that in daylight too,” you accuse. He fits beside you at your counter and reaches across you for the sugar bowl, taking a sugar cube and putting it in your cup. Two more are added to the cup that he’s claimed as his own from your array of delicately painted teacups.
“But you admit to having shut down good ideas?” A twinkle in his eyes tells you to give up now and accept your defeat.
“Sure.” It’s worth it to see the victory smile break across his face, his tongue peeking out of the corner of his mouth. “I am obviously the bane of your existence. Je suis ta couverture mouillée.”
“Don’t be too hard on yourself.” His consolidation is quick and filled with a teasing lightness that you’ve long since accepted as his trademark. A lot of people would look past him for it, and call it arrogance, but you know it comes from a loving place.
“Don’t make me send you to Mitch Mitch’s apartment instead,” you warn, waving a spoon in his direction. “I would do it in a heartbeat.” It’s not true, you would much rather he be here with you, instead of at Mitch’s. Despite the entertainment that comes with Zefirelli and Mitch’s back and forth, you’re feeling selfish tonight.
“Empty threats.” he tisks. The kettle whistles from its spot on the stove and you both reach for it at the same time, your fingers brushing against his. It’s terrifyingly electric, but you push past the feeling. Zefirelli withdraws his hand hesitantly and you busy yourself with pouring the tea.
He’s come over in the middle of the night enough for you to know how he takes his tea by heart. Two heaping spoonfuls of sugar, no more, no less. He claims that you make it better than he does, which you choke up to him being unable to boil water without making a mess.
Clearing your throat, you ask, “So, what’s this big idea? Care to fill me in on why I’m awake at this time of the night.”
“What’s your movie about?” he fires back immediately, settling into your beaten blue couch.
“Did you come here to pester me about my future?” you ask, eyes narrowed. “Because I will kick you to the curb.”
“No, no,” he laughs, “you wouldn’t do that to me. You have no resistance to my pretty face.”
“Ah, yes, you’ve figured out my one weakness. It seems as though you’ll be taking advantage of it forever.”
“Of course, ensoleillement. What would I do if I didn’t have you to manipulate?” He sits across from you on the couch and grabs one of the blankets you have thrown around. It goes over his shoulders and he huddles into its warmth.
“So what did you come here to talk about?” you ask, taking a sip from your tea and placing it on the side table.
“Oh, right!” His eyes light up as he sits up straighter, splashing tea all over himself. Luckily, he doesn’t seem to care very much. “I thought that I would have my mother’s friend, some writer, is coming into town soon. I was thinking that I should ask her to help me. At the least, she can write about us, no? What do you think?”
“I think it’s a great idea. What does she write for?”
“The French Dispatch. You know, the one with all the stories they put out once a month or so. I hear that she’s looking for something out here in our petite ville.”
The conversation shifts and he talks about his big ideas and how he’s going to get them done. You could listen to him talk for hours, and, by the time he’s finished, you have, not that you have anything better to do. Not even dreams of him are this real. You could never make up in your mind the way his eyes sparkle and his hands flutter with excitement, or the way his hair falls in front of his face when he’s moving too fast.
Eventually, sleep takes him over, comically mid-sentence. He’s propped up against the side of the couch in a very uncomfortable looking way, but he doesn’t seem to mind. You’ve known him to fall asleep in worse situations,
When his breathing stills and his eyes close, you allow yourself to look at him as he is without fluttering hands and excited eyes. He’s calm and motionless, except for the gentle rise and fall of his chest. Everything about him is usually coiled for action, an easy tension running through his hands and his eyes, but now, now he’s undistributed and serene, laying with his hair splayed like a dark halo around his head.
Before you close your eyes, you tuck yourself close to him, fitting against his warmth like you’ve done so many times in the past, just like this, on deep-silence-ridden nights.
“You’re my movie,” you whisper into the dark, towards his sleeping figure. “You’re the one I write about.”
But of course, he doesn’t hear.
*
“Medre,” Zeffirelli swears, hopping around and trying to get his shoes on. “I have a test today.”
“You should have thought of that before you came over that early,” you admonish, watching him with amusement. “Why you didn’t think you would oversleep, I have no clue.”
“We’re in this class together, ensoleillement. You’re going to burn with me,” he warns, rushing a hand through his hair carelessly. It sticks up widely in every direction, but you know better than to try to fix it. Nothing can convince his hair to do anything except chaos.
“Yeah, but it’s so much more fun not to think about that.” Begrudgingly, you start to get ready as well. The floors creak under your feet as you shuffle to your bedroom, where a clean outfit is nowhere to be found.
For a moment, you let yourself think of the wild-haired, cigarette-smoking, arrogant person in the room next to you. His infuriating charm and charismatic persuasion captured you years ago, and you haven’t been able to get out of his orbit since then.
You may be his sunshine, but he’s your gravity, keeping you centered but tipping you over and surprising you at times.
“Dépêchez-vous,” Zeffirelli calls, rapping his knuckles against the wall. “Hurry up.” You know he doesn’t really care about making it to class on time, despite the panic, but you also know that he understands you well enough to know that you want to make it on time.
The film class you have this morning is one of your favorites, and you try and avoid missing it as much as you can. While your film studies class is more focused on the aspects of film, this class advises it’s students on the writing and cinematography that you need to make something truly special.
To make something worthy of a manifesto.
“Mon chéri, we have to go,” Zefirelli warns one last time before giving up and aimlessly wondering around your room.
“Don’t touch that,” you sigh, not having to look at Zeffirelli to know that he’s touching something he shouldn’t be touching. When you do look over, you see him flipping through your journal.
“I wasn’t doing anything,” Zeffirelli defends, hiding something behind his back. You send a glare in his direction and lean back in the chair by your mirror. The wood creaks underneath you and you stretch out your back, satisfying pops cascading up your spine.
“You have some deep dark secrets written in here?” His tone is joking, and he waves the journal in the air, taunting you.
“Grocery lists and middle-of-the-night thoughts,” you dismiss. “If you want to know when I forgot to pay the electricity bill, look on the fifth page.” You hope with everything you have that he’s going to let it go, but you have no such luck. He’s nothing if not absurdly relentless.
“I know for a fact that you don’t write anything like that down, it’s not worth the time. You just forget things like the rest of us.”
“Peut être. Still, put it down.” He doesn’t. Instead, he keeps reading with a grin on his face that slowly falls as he makes his way through the rest of the book.
“Is this- is this written about me?” he asks, disbelief written on his face. “Is this your movie?”
“I asked you to stop reading,” you defend miserably, hiding your head in your hands. “I know it’s strange, and I know I shouldn’t be writing about you like that. You don’t want to be heroic or some great leader, above everyone else, but I cannot help it if that’s who you are. Please understand, I only wrote what I saw.”
“I’m your movie? I’m what you have been furiously scribbling away at, working on late at night?”
“You’re my everything,” you admit honestly, softly, “How could you not be the plot of my movie too?” Zeffirelli walks slowly towards you and drops the journal on the floor. “I’m sorry, Zeffirelli.”
“Why?” he asks breathlessly, standing in between your legs and settling his hands on your shoulders. “What have you to be sorry for? You have immortalized be forever with your words. How can I be anything but grateful. If- if I ever gave you the idea that I do not burn for you- that I do not turn towards you in every room like you are the sun and I am a flower, then I can do nothing but apologize profusely. There is more than one reason that you are my ensoleillement. You are grumpy and rude and you give me shit for everything I do, but you also light up my days and nights. You are warmth and home. You are everything.” Zeffirelli’s voice is breathless and rushed, his hands coming up to cup your face. They’re shaky and the calluses on his fingertips are rough against your cheekbones, but you lean into them anyway.
“Zef,” you whisper, like it’s the only word you know. Just as soft as his words, his lips come down to yours, hesitantly at first, but more sure as you don’t protest.
He truly is your everything. That’s the only thing running through your mind as he kisses you with everything he has.
“We’re going to be late to your favorite class,” he gasps in between frantic kisses. “Don’t be angry at me when you have extra homework.”
“I make no promises,” you laugh, pulling him back into you. “But I’ll try my best.” For him, you’ll do anything.
He’s your ensoleillement, your sunshine, just as you’re his.
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autisticheadcanons · 6 months
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Zeffirelli(no last name) from The French Dispatch is autistic.
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nakhtflug · 25 days
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Could it be that the theme Dolce sentire from Zeffirelli's San Francesco mirrors part of Liszt's Cantico? That ascending scale which opens to the choir rings a bell.
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beautifulcinephile · 2 years
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Timothée Chalamet as Zeffirelli in “The French Dispatch”.
(Song: Oublie by Gillian Hills)
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chalamet-chalamet · 7 months
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9/19/2023-Happy Birthday Stephane! ✨🎂✨
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windswept-fields · 3 months
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Wes Anderson Movies + Tv tropes part 10/12
The French Dispatch Edition
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lovelyrocker · 2 years
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I Mean!
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iloveopera9 · 5 months
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josefksays · 10 months
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growup-thatbeautiful · 10 months
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zeffirelli x m reader where reader is zeffs muse.Reader can't do anything without being stopped by zeff.Anything reader is stopped.Getting a book, eating, playing chess,sleeping, bathing, changing clothes.Whatever zeffs boyfriend does zeff tells him to stop and pulls out a sketch book.
A/n: hey! thank you for the idea ♥️ i just did gender neutral no pronouns, hope that’s okay! no other gender related stuff.
“Hold that pose,” Zeffirelli says. You hear it every day from him, that phrase, but it never fails to make you grin. He’s sitting across the room from you in a green velvet armchair that you’re sure his parents bought for you, and he looks every bit the part of an artist. His hair, usually wild, is somehow sticking up even worse than usual, and there’s pencil marks all over the pads of his fingertips. You know the callouses on his hands well, and you can see the angry red blisters forming where old ones were peeled off. It’s a habit of his you’ve been trying to break to no avail.
“I’m reading a book,” you remind him, “I wasn’t planning on moving, love.”
He huffs an annoyed sound before reaching for the sketchbook that he keeps in his bag. “You don’t have to be smart about it.”
“I do if you keep asking me to pose for you. I can’t do a single thing without you stopping me.”
“That’s not true,” he defends, his eyes switching rapidly between you and his sketchbook. When he’s drawing, his hair flops down in front of his eyes and his tongue pokes out of the corner of his mouth. It’s endearing, and you have it memorized from the amount of times you’ve watched him like this.
“Zef, you drew me while I was cooking breakfast and we almost burned the apartment down.” Despite your protests, you don’t move like he told you to. As annoying as it can get, you don’t hate being drawn by him anymore. “And we’ve never made it through a game of chess.”
“I would beat you anyway, amor.”
“I know you would.” You continue flicking through the pages of your book in comfortable silence, the only sound being the occasional scratch of his pencil against the paper. You tell yourself to stay put and look as natural as possible, which you’re still working on.
“I’m done,” he says after a while. You mark the spot on your page with a slip of paper (Zeffirelli refuses to call it a bookmark) and make your way over to sit on the arm of his chair. “What do you think?”
It’s a lovely drawing. The light, made of black and white shadows, catches your eyes in an enchanting fashion, and the pattern of your pajama top looks so incredibly soft and textured. It makes you look like a vision, sweet and still and beautiful.
It’s the way he sees you when you aren’t paying attention. Before you get dressed and before you’ve tried to care about what you look like.
Through the drawing, you see why he’s in love with you. Through the drawing, you remember why you’re in love with him.
“It’s beautiful, Zef,” you whisper with a kiss to his temple. “Thank you.”
He leans into your touch. “No, love, thank you. What would I draw without you, hm?”
There are a lot of things he could draw- you’ve seen his drawings of buildings and animals and cups of coffee- but the idea is flattering.
It’s not so bad to be his muse. Especially when it ends like this; you, curled up next to him, listening as he talks about your plans for the day, your fingers carding through his hair.
Yeah, there are worse things to be.
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