Who Do You Make Art For?
[Art by Tamra Bonvillain from our comic Play Of The Game from We're Still Here]
The modern landscape for the arts is not exactly great, every form of art is seeing further and further troubling developments from corporate giants who wish to raise the profit margins. In these stressful times I think it's important to reflect on our craft and ask, who is this for?
When I saw who is this for I don't mind your target demographic or how big you want it to be. I think most artists would love to be part of a project that is so big they could only make art that they want to. I am asking who that art is for, who are the people you really want to speak to? It's easy to get caught up on the business ends of our craft, hell I mostly post to tumblr because I want engagement to sell my projects later. So I think we should step back, take a breath and think about what it is we really crave in our pieces.
For me, who I am making the art for in particular shifts depending on the project I am making but I always have a few core goals that are the same. I want to reach queer people of some kind and make them feel seen. For me, art I made wasn't worth making if it didn't make some queer folks happy. Then the other important factor is obviously making art for me, I want to make art that I would love and enjoy. I hate so many things, a lot my favorite things I give faint praise to because for me the flaws are obvious, we could have so much better. So, I want to make art that when I see it I don't think that it could be more radical or queerer or whatever, that it was what it should have been to tell it's story.
Now let's talk about all my little individual project's I've worked on over the years.
With Wish, my first comic book that I self published and took debt into making sure the artist was paid properly for, I wanted trans fem folks like me to see it and feel like they could be super. Wish was a story I had been writing for years, I had maybe 100 issues in google docs by the time the first [and only] part released. Over that time I went from "for sure cis but I just feel the alure of womanhood, it looms over me, it calls me like a siren, it tempts me like a dark enchantress but I shall resist" to "Sure I guess I am gender fluid" to "I'm a trans woman" right around when I released it. So for me it was an important story to my own gender journey with the protag suddenly "becoming a girl" after dying to protect someone.
With Puerto Rico Strong I wanted to have a queer story inside the anthology. So I told a personal story about my own gender, sexuality and my relationship to the island. I wanted other lesbian and trans Puerto Ricans in particular to feel like there was a story about them here too. I made it more fantastical but it was a clear message through the imagery. I was glad I did too because when I read the final product I was the only one really telling a story about queerness and I think that the anthology needed it to really represent Puerto Rico.
In Deadbeats Anthology, I wanted to make transbians feel seen in particular. Horror has often left trans women as the villains, so I leaned in, a happy story of queer love featuring a transbian and a demon possessing the body of her main tormentor. The woman learning to stand up for herself and cut out terrible people from her lives as she burns her past to the ground and leaves on a new life with new love. Trans Lesbians don't get to angry enough, we need to be respectable, acceptable, we can't just bad mad and this was an anger story, something for us to feel like, fuck ya, fuck them.
Last, but in no way least from what I want to talk about today is The Matriarch playbook inside of Thirsty Sword Lesbians. For me, queer parents in general are such a huge part of my life. From my own relationship to motherhood to all the non binary moms who have given me amazing friendships to the sapphic moms that have brought light into my life. I wanted the playbook to be for everyone, obviously, in fact, I think this is the kind of playbook that can be too real for some queer parents to play. However, I wanted it to be a venue where people felt seen, like they were being reflected in the queer culture and that their experiences were worthy of being main characters, not just people on the side waving off the hero. We get so many gay parent characters with no depth or adventures from long ago they no longer go on. I wanted to say, hey you deserve adventures.
Obviously, I've worked on plenty of other projects, To Change, Hero Too, We're Still Here and lots of more. Maybe I'll talk about them in the future, I for sure have tons of words about creating Love Beyond The Holy Light I would love to write out but for now, this is it. Remember the questions up on top of this, I really would love to hear the answers to these question, so go ahead and like, reply with them or reblog with them or whatever it is your into these days.
All my posts are funded by fantastic people giving me money on https://www.patreon.com/alexissara or also like Ko-fi https://ko-fi.com/alexiss, thank you to everyone who has my back with money. I strive to keep making amazing sapphic art.
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I love your yj sets so much btw the coloring is always so gorgeous
I hope you know that every time I see you in my activity I am always prepared to read the most fun (and probably sad!) takes in your tags of my sets and it is truly a pleasure, so I'm so glad you enjoy them 🥺🥺 Thank you SO much! 💜
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