Wow, this is really interesting early concept art of Manfred/Manny along with Nadia and Roshan! I don't think I've ever seen this concept art before and it's very intriguing becos Nadia looks like she survived the fall here - or there never was a fall/jump from a waterfall in this earliest of concepts - and Roshan is crying as Manny looks on at them compassionately.
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Early visual development for Wish (2023) by Griselda Sastrawinata-Lemay and Brittney Lee.
An earlier version of the film saw Star take on a human form as a magical, glowing character inspired by Peter Pan. Ultimately, the creative team reconceptualized Star as an ethereal, playful entity resembling Mickey Mouse. "Now Star and Asha have an emotional journey. They are soulmates." -Allison Moore.
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Casey had been listening to Uncle Tello, at first, taking great care to absorb all his lessons for a future without him in it. But as he did so, listening to this man who he had known and relied on his entire life, who had carried him around on his shoulders like he was weightless as a child, who he had once watched run a literal mile-long race with his brother just to end an argument (Casey had timed it himself,) this person who had always, without question, been strong and capable and confident and indestructible in Casey's eyes, even despite the world they lived in, in spite of everything... he came to a horrifying realization.
Looking at him now, Casey was quite certain that if he were to wrap his fingers around his thigh, his fingers would touch.
Based on the latest arc in @somerandomdudelmao Apocalypse Series. I am being very brave and choosing to trust them.
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Now that Ghibli's new movie is coming out soon, I've been thinking about anime films and wanna talk about my favorite animated movie ever, Tokyo Godfathers.
TG is a 2003 tragicomedy by Satoshi Kon, following three unhoused people––an alcoholic, a runaway girl, an a trans woman––who find a baby in a dumpster and set off across Tokyo to reunite her with her parents.
If you like the sound of that, go watch it because the rest of this post is spoilers and I have FEELINGS about this movie.
URGHH, the fact that only two moments of true kindness, generosity, and care given to the three protagonists without any expectation of reciprocity are given by a Latin-American immigrant couple and a drag show club full of trans women. The fact that, despite her loud and dramatic personality, Hana is the glue that holds the team together and the heart of the whole movie. The fact that this movie pulls no punches at showing the violence and inhumanity committed by "civilized Japanese society" against the unhoused. The fact that Miyuki craves to be loved by her parents and ends up seeing Hana as her true mother. The fact that Miyuki starts off accidentally using transphobic language against Hana, but slowly begins calling her "Miss Hana" out of respect. The fact that, according to Kon, Hana's role in the story is as a mythological trickster god and "disturb the morality and order of society, but also play a role in revitalizing culture." The fact that Hana so desperately wants to be part of a true family, yet is willing to sacrifice her found family so they can be with their own, and is rewarded for her good deeds in the end by becoming a godmother. The fact that, throughout the movie, wind and light have been used to signify the presence of god's hand/influence (this movie's about nondenominational faith––faith in yourself, faith in others, faith in a higher power. Lots of religious are referenced, such as Buddhism/Hinduism, Christianity, and Shintoism), and in the climax of the film, as Hana jumps off a building to save a baby that isn't hers, a gust of wind and a shower of light save her from death. The fact that god saves a trans woman's life because she proved herself a mother, and that shit makes me CRY.
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Nimona is one of THE BEST animated book to movie adaptations I’ve ever seen BUT there is one missing component I am so sad about. RIP Dr. Blitzmeyer you’ll live on in our hearts
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Concept art from Ice Age (2002) showing the staging for the Diego's sacrifice scene by Michael Rose. Look how the focus, even from the concept art, shows Manny and Roshan mourning over Diego and not a shred of Sid in sight (You can see Sid in this concept art but he is out of focus compared to Manny and Roshan and barely in the image; the only thing visible of Sid is his eyes, which are hidden from us.), because, well... he didn't do it for Sid so much as he did it for Manny and the baby. Their Pinky.
It looks like Diego's foreleg is covering Roshan too as though he's trying to comfort the baby even as he lays dying. ;_;
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Yeah, I know many people have talked about this already but I need to say it as well before I explode.
I love visually seeing how the campers are all age accurately cast. In the books, it didn't hit me as hard because it was something I read when I myself was around 12. Even upon rereading I just go back to my 12-year-old body and the age is just this textual evidence that I KNOW exists but it doesn't truly impact me as much as it really should.
With this still, though, it's clearly visible how young all of them are. And it's scary. It's just the teaser trailer and it's already scary to think just how tiny and innocent they are, and how many hardships they have to go through at such a tender age.
But the scariest part about the scary part?
The youngest campers. That little girl (sorry for the bad quality) who's sitting right behind the girl with glasses looks around 7-8 at most. She's so small, so tiny, and yet she's at a camp where she has to learn how to survive and fight off monsters 100 times her size.
And the essence of all this is exactly what the movies failed to capture. The movies had a mostly adult cast, with zero ideas of what they were doing with the plot and characterization that could make the movies as impactful as the books, and focused a little too much on getting their Percabeth ship going, with absolutely no buildup of trust or slowly falling for each other or anything.
But with this show, I'm sure it'll be a lot more emotional and real because while it is sad that they're all just little kids, it's also a reflection of reality. Not every kid has a wonderful life; we all have to fight our own monsters no matter how young we may be, because life doesn't wait to see how old you are to throw problems at you. It doesn't have an age limit for trauma and hardships. The younger you are, the harder it impacts your life, and them being this small has a much more impactful meaning to it than watching almost adults go through the same problems that often get solved in an underwhelming manner.
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