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br1dg3rton · 4 months

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The Art Of Falling In Love- Prologue❦︎

Dearest gentle reader,

If one were to describe the two gorgeous Anderson sisters, I would describe them as a pair of genius, loveable feminists.

For those men and women who struggle with even reading the word or not even being aware of the word feminist, a feminist is a woman who believes in equal rights for everyone, regardless of their gender. Being a feminist is about fighting for fairness and empowering individuals to be treated equally.

And these two sisters portray this perfectly.

The eldest Lady Eleanor Anderson who is a beautiful well-known artist. Her work is always as bold and revolutionary as she is! Creating powerful portraits that challenge the status quo of our society, depicting women in roles traditionally reserved for men or showcasing themes of independence and equality. But mainly her work is shared at the few bohemian party's she attends or much more private gatherings, which she has with the few gentlemen she meets at these parties, whom she has been spotted with in and outside of town but not in her old family home with maids and butlers or even her younger sister present! Some say she rents a small apartment under a false name just for her and the lucky gentleman she brings home.

But her more famous work is more accepted and praised in our ton and by me! Her landscape paintings, capturing the true beauty of the English countryside with a fresh and beautiful perspective.

Her younger sister Miss Scarlett is the complete opposite of her almost rake-ish like sister, Miss Scarlett is more of a gentle spirit almost angel like and rather quiet when seen and spoken to around. Always attached to her sister and standing behind her like a shadow, although it is known to this author that she wants to become a writer, I can imagine Miss Scarlett's passion for writing must be quite a challenge for her to navigate her dreams in a society that restricts women's ambitions. But with her sister by her side she will manage and this author has been told she is already writing her seventh novel!

Lady Eleanor Eliza Anderson, a blonde artist and feminist, exudes confidence and courage in her every brushstroke. Her art challenges societal norms and portrays themes of independence and equality, reflecting her progressive views. Alongside her stands Miss Scarlett Diana Anderson, a brunette dreamer with a passion for writing. Despite the constraints of her time, Miss Scarlett's determination and yearning for self-expression shine brightly. Together, these sisters embody strength, creativity, and resilience in the face of societal expectations. Their bond, forged through shared dreams and individual pursuits, weaves a captivating tale of artistry and aspiration and one can only wish them good luck in joining us for the season ahead.

Yours truly Lady Whistledown.

1813.

#bridgerton #benedict bridgerton #luke thompson #bridgerton fanfiction #bridgerton netflix #anthony bridgerton #kate sharma #bridgerton fic #millie bobby brown #florence pugh #regency fic

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geekcavepodcast · 2 years

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Puss In Boots: The Last Wish Trailer 3

DreamWorks Animation’s Puss in Boots: The Last Wish finds our hero down to his last life. Puss, along with Kitty Soft Paws and Perro, goes on a quest to find the Wishing Star and restore his lost lives. They will have their work cut out for them as they try to stay ahead of Goldilocks and the Three Bears Crime Family, “Big” Jack Horner, and bounty hunter The Big Bad Wolf.

Puss in Boots: The Last Wish stars the voice talents of Antonio Banderas (Puss in Boots), Salma Hayek (Kitty Soft Paws), Harvey Guilllén (Perro), Florence Pugh (Goldilocks), John Mulaney (”Big” Jack Horner), Wagner Moura (The Big Bad Wolf), Olivia Colman, Ray Winstone, Samson Kayo, Anthony Mendez, and Da'Vine Joy Randolph. The film is directed by Joel Crawford.

Puss in Boots: The Last Wish hits theaters on December 21, 2022.

#puss in boots last wish #puss in boots #shrek #antonio banderas #salma hayek #harvey guillen #florence pugh #john mulaney #wagner moura #oliva colman #ray winstone #samson kayo #anthony mendez #da'vine joy randolph #joel crawford #dreamworks #TGCLiz

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hockeymusicmore · 4 months

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#austin butler #timothée chalamet #zendaya #florence pugh #dune 2 #callum turner #masters of the air #anthony boyle #Youtube

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nickchristian86 · 5 months

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Letterboxd: OAD #9 King Lear

The majority of my thoughts on the film are actually in the review, so let’s just post it: Overall, I did enjoy the viewing of it. I guess I just wanted a little more out of it. I was kind of excited to watch Hopkins as Lear but the surrounding matter bled through a little too much for me.

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#letterboxd #2018 #Anthony Hopkins #BBC #film #Florence Pugh #King Lear #Movie #Shakespeare

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nerdwelt · 10 months

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Thunderbolts: Veröffentlichungsdatum, Besetzung, Handlung & mehr.

Alles, was wir über Thunderbolts wissen, den Suicide Squad-Film des MCU, von seinem Veröffentlichungsdatum über Besetzung, Handlung, Trailer-Updates und mehr. Phase Five hat einen holprigen Start: Das Marvel Cinematic Universe hatte einen seiner größten Flops aller Zeiten mit Ant-Man and the Wasp: Quantumania, nur um es dann mit dem brillanten (aber einzigartigen) Guardians of the Galaxy Vol 3…

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#Ant-Man and the Wasp #Anthony Mackie #Captain America #David Harbour #Florence Pugh #Hannah John-Kamen #Harrison Ford #Julia Louis-Dreyfus #Marvel Cinematic Universe #Olga Kurylenko #Präsident der Vereinigten Staaten #Sebastian Stan #Seinfeld #The Marvels #William Hurt #Wyatt Russell

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denimbex1986 · 11 months

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'It's all happening for Florence Pugh.

The brilliant actress can be seen in Christopher Nolan's latest box-office hit, Oppenheimer, as the psychiatrist Jean Tatlock. She has starred in films as diverse as Outlaw King, Greta ('Barbie') Gerwig's Little Women (for which she received an Oscar nomination), the Marvel hit, Black Widow, and Don't Worry Darling, opposite Harry Styles. On TV, she has been Cordelia to Anthony Hopkins’s King Lear, and was the lead in BBC One’s hit adaptation of John le Carré's The Little Drummer Girl.

She presented two categories at the 2023 Oscars (her striking Valentino dress prompted Vogue magazine to hail her 'punk princess' look), and she has appeared on the cover of Time magazine, billed as one of its 'Next Generation Leaders'. Her social media series, 'Cooking with Flo', has been a huge hit.

Little wonder that a London-based newspaper can say of her: "In the last couple of years, the actress has become a plain-speaking role model for Gen Zers and is fast becoming the celebrity young women most identify with".

Back in April 2017 the Sunday Herald ran an interview with her, as her then-latest film, Lady Macbeth, was released in the UK. Here it is again.

“SHE was just so different to anything I’d ever read before,” Florence Pugh is saying. “She was just so exciting, and so manipulative, and delicious. I’ve never had a character allow us to love her whilst she does awful things”.

Awful things is an understatement when it comes to Katherine, the anti-heroine whom she plays in a new film, Lady Macbeth. The film has just gone on UK general release, trailing the sort of advance reviews that most film-makers would kill for. Pugh herself has drawn praise from critics who know what they’re talking about.

The film, the debut feature by theatre director William Oldroyd, is based on a 19th century novella, Lady Macbeth of Mtsensk District, by Nikolai Leskov (and despite the title, it’s not about the Shakespeare character).

On screen, the action has been transported to rural Northumberland in 1865. Katherine, 17, having been sold by her father, together with a small piece of land, finds herself in a large, austere country house and, worse, in an arranged marriage to a curt and distant older man, who resolutely declines to make any physical advances to her, even on their wedding night. And her new father-in-law is as harsh as he is unsympathetic. Her future looks bleak, but Katherine is not without resources.

In time, she falls headlong for a groomsman, Sebastian (Cosmo Jarvis), with whom she begins a torrid affair. Gradually, however, she, and the film, take a violent turn as it becomes evident that she will stop at nothing to get what she wants. It says much for the script (by Alice Birch) and for Pugh’s remarkably self-assured performance that, even at the end of the film, having witnessed a fair degree of mayhem, we still can’t bring ourselves to dislike Katherine.

Pugh herself has won acclaim for the role. Declaring that she had announced herself as a major talent, the US entertainment bible Variety praised her for folding Katherine’s contradictions “into one composed, consistent characterisation” and that she “impresses with precocious poise, sensuality and venom”. Given that this is really her first major role, and that she is still only 21, it’s hard to disagree with Variety’s judgement.

Pugh was born and raised in Oxfordshire. At school, in Oxford, she was, by her own admission, no good at chemistry or maths, being much more inclined in the direction of drama and music. She took part in a city arts centre’s productions of such plays as Romeo & Juliet and Blood Wedding, and she was already thinking of a career as an actor when fate intervened in the shape of The Falling, a 2015 film directed by Carol Morley and set in an all-girls' school.

“I nearly didn’t do it,” Pugh says of that film. “I wasn’t going to do it. My brother’s in the industry, and I had been watching him for a couple of years before I had done that audition. I knew how mean the industry was, I knew how cut-throat it was. I knew that you just don’t get auditions like that.

“So obviously, when I saw that ad – to hand in a tape – I didn’t do it, because there was no point, because I wasn’t going to get the part. And then my mum said, well, this is what you want to do at some point. You’re not going to get the role, but we can always just give it a go because you need to start knowing how to do tapes.

“So, on the day of the deadline, I rushed over and we quickly filmed myself talking about my hobbies, who I was, and what it was that I did, and I got a callback the next day, saying the director wanted to meet me at some point. So it was all pretty much fluke, and being in the right place at the right time.”

She subsequently did an audition in person for Morley. After she left the room, Morley thought, oh wow. The casting personnel fell quiet as they weighed up what they had just seen. “Do you not think she’s amazing?” Morley asked. Someone else said it was like a young Kate Winslet walking into the room.

Pugh has a small but central role in The Falling, and if she appeared daunted by working with Maisie (Game of Thrones) Williams, with Maxine Peake and Greta Scacchi, she did not show it. That said, her first day in front of the camera was, she acknowledges, “absolutely terrifying, and I remember feeling sick on the way to work, because I’d done a whole summer’s worth of auditions, and I’d worked so hard to get this role," she says.

“I remember [on that first day], getting in the car and thinking, oh God what if I’m crap? What if all of this is a lie, and I’ve managed to wean myself into this role and I completely muck it up? The first line I had on camera is where me and Maisie are under the tree and I say one line. It’s a very simple line. There was a big crew there … and the camera’s on, and they say ‘action’, and I’m looking up at the tree, and I just completely forget my line. Gone. I remember thinking, you really can't muck this up. Wake up!”

She needn’t have worried. After The Falling, she filmed a pilot, Studio City, for Fox. Most recently, she was seen in ITV’s Marcella, alongside Anna Friel and Laura Carmichael. And last October she was one of 20 talented newcomers to win a BAFTA Breakthrough Brit award.

Casting director Shaheen Baig had cast The Falling and she recommended Pugh to Oldroyd when the search was on for someone to play Katherine. It had to be someone capable of playing an innocent young woman who becomes considerably more cold-hearted. Oldroyd himself had seen The Falling and thought Pugh had been “open and honest”. And straightaway, they knew they’d found their Katherine. Florence, Oldroyd says, “gives an incredibly strong and confident performance”.

And now, after numerous screenings at film festivals, comes the widespread release of Lady Macbeth. “It’s very rare,” Pugh says, “that a script like this lands in my inbox – especially, you know, being given the opportunity to … at the time, I was a still-unknown 19-year-old actress, and that just really doesn’t happen.” It was “such an exciting prospect to try and get under the skin of” someone as manipulative and delicious as Katherine, she adds.

“The most fascinating thing about her is that we still love her until the end. Even if you don’t love her at the end, she still managed to allow you to support her. For a character to try and play, that’s fascinating."

The film also makes you think of the repressive way in which many women were treated back then. “One reason why I believe this character is so brilliant is that she is a modern woman in 1865. This wasn’t the norm, back then: it was totally expected that the woman was bought by her husband, and she was his property, and she would do exactly as he said.

“And of course Katherine – she’s 17 and she has been forced into this marriage – and she says no, which is rare. All of us that know period dramas were not expecting that. We don’t expect to see a modern force in an 1865-period film.”

Lady Macbeth sees Pugh wearing some authentic, striking gowns, but the tightly-laced corsets that Katherine is tied into by her maid Anna (Naomi Ackie) were a key way to understanding her.

Let’s get ready to giggle

“We went up about two weeks before we started shooting, and we had rehearsal time. We would be doing all of these physical scenes, me and Cosmo, and of course the moment I got in a corset, it all changed, because I couldn’t do that. I couldn’t move.

“That was so eye-opening in terms of Katherine and the character, because it meant that she was just as serious about these things as I was, and essentially her happiest times were when she was in a nightie or she was naked or she was in a dressing-gown, because that’s when I was at my happiest.

“There are so many ties that I could pull between me and Katherine because of that corset. It also made me realise how imprisoned these women were in 1865. They were trapped in their own clothes.” The corset, she adds, squashes your internal organs. "It’s designed to do exactly what it does, and that’s to keep a woman quiet.”

Pugh has gone on to shoot three upcoming films. The Commuter is an action thriller with Liam Neeson and Vera Farmiga; in Hush, a Sigma Films and Thruline Entertainment production, filmed in Glasgow and Ayrshire, she and Ben Lloyd-Hughes play two siblings who run a profitable ghostbusting racket. “Florence is a very unique talent, a special British talent on the rise,” says Brian Coffey, co-producer of Hush, “She has a deeply intuitive ability to create characters that draw an audience in. We were thrilled to be able to cast her in Hush.”

The third film is Stephen Merchant’s Fighting With My Family, in which Pugh plays a real-life WWE wrestler called Paige. The cast also includes the substantial presence of The Rock, Dwayne Johnson.

One scene in the film recreates Paige’s wrestling championship victory in a Monday Night RAW event in Los Angeles. Before Pugh stepped out into the ring, she had a brief rehearsal with The Rock. Speaking on Women’s Hour this week she said: “He’s teaching me how to throw a punch and I was stood there, and I remember looking at him, and just this space behind, all the empty seats, and thinking, oh my God, Dwayne 'The Rock’ Johnson just taught me how to punch!”

All in all, it was a marvellous experience, as evidence by Pugh’s Instagram post: “One of the best, most terrifying, most knackering and unbelievably exhilarating shoots I've ever done. #fightingwithmyfamily has wrapped and my god has it been a good run.”

She tells the Sunday Herald that she’s excited about both Hush and The Commuter. "Fighting With My Family was an emotionally and physically draining film, because it was so much fun but also because we were playing those wrestlers," she says. "Jack Lowden played my brother and it was really wonderful. We learned how to wrestle together and we had a lot of fun.”

There’s nothing else in the pipeline at the moment, though. For the time being she is focusing her energies on helping to promote Lady Macbeth – she’s excited to see what people think of it. Afterwards? “I’m going to have a little bit of time off, because I’m knackered. And then I can see what happens to Lady Macbeth, see where it goes.”

I ask her about her favourite films. “I love Leon,” she says, “I love Eternal Sunshine [Of The Spotless Mind]. I tell you what: I bloody love all of Natalie Portman’s stuff." She asks if I’ve seen the film, Chicken. “Oh, you should watch that,” she enthuses. “It’s by a new director called Joe Stephenson and there’s a great actor in it called Scott Chambers, who I worked with on Hush. It’s just absolutely beautiful.”

It’s only once the interview is over that I remember that Florence Pugh has yet another string to her bow. On her Twitter bio she describes herself not just as an actor but also as a singer-songwriter - she plays acoustic guitar, and sings, in a tantalisingly brief scene in The Falling. If for some reason she doesn’t make it as an actor she could, you imagine, always turn to writing and singing songs. But her performance as the manipulative, quietly riveting Katherine in Lady Macbeth suggests that her acting career is already on the firmest of footings.'

THE issue of so-called "posh" actors dominating the profession at the expense of those from less privileged backgrounds crops up frequently. Two weeks ago, Eton-educated Damian Lewis rejected the idea that they dominated acting, but called for greater diversity in the arts.

“I can certainly say that I didn’t have a difficult childhood. I had a really wonderful upbringing,” says Florence Pugh. “Obviously, [the alleged dominance] must be an issue, because it’s coming up, and people are obviously very opinionated about it.

“I haven’t been doing this for very long but of course I’ve been called this and that. And because of the speed with which my career has gone up, people have questioned whether it’s because of where I’ve come from, or where I went to school, or whatever. And I think my main comment towards it is: obviously, it must be frustrating to see people of privilege to go so high, but at the end of the day it’s the same game to get into this industry.

“It is just as hard, and everyone’s stories, left or right, have their own challenges in it. It is not easy to win over the public, to win over the critics. And yes, essentially, you could get in the news a lot if you’re privileged, if you have money, but it’s what you do with that afterwards. If people continue to watch your work, then surely that’s down to your talent.

“If they don’t, then you can call them out on it. But because this industry is so difficult, to stay in and to get there, I don’t think anybody should be accused of how they got there – unless they haven’t proved their point.”'

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rookie-critic · 1 year

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Puss in Boots: The Last Wish (2022, dir. Joel Crawford) - review by Rookie-Critic

I can't believe I'm saying this, but Puss in Boots: The Last Wish is, legitimately, one of the best movies of the year. It is pure in its love for animation and easily one of the most enjoyable theater experiences I've had in 2022. I wasn't even going to see it. I haven't seen any other Puss in Boots movies or series and have only seen the first 3 Shrek films (maybe only the first 2), so I thought that would be a barrier for entry, but it absolutely isn't. You can jump headfirst into this movie knowing absolutely nothing and have a wonderful time. I've also never been the biggest fan of this particular franchise, and thought that this would be an easy skip because of that, but then reviews started pouring in and they were all overwhelmingly positive which, of course, piqued my interest. Even still, when I sat down in my seat at the theater I was skeptical; I thought I would have some fun, laugh at the jokes, and go an a quasi-entertaining adventure with a character that I didn't really care a whole lot about before now. What I ended up getting was not only an absolute laugh-riot, but an animated film that digs deep into death anxiety and has a larger narrative about found family, trust, and, as cliché as this is going to sound, the power of friendship.

The cast is great and surprisingly stacked (Salma Hayek, Florence Pugh, Olivia Colman, and John Mulaney all have major roles), but the obvious standouts are Antonio Banderas and Harvey Guillén. Banderas has been playing Puss in Boots fairly regularly since 2004, so it's no surprise he is effortlessly perfect as the character at this point, but Harvey Guillén (who you might know as the lovable Guillermo from FX's What We Do in the Shadows) really shines and holds his own as a hopeful therapy dog that Puss comes across early on in the story. They play off each other expertly and contribute to a lot of the film's funniest moments. The humor is second-to-none, with comedic timing and sequences that are some of the most cleverly written I've seen in a long time. I'm pretty sure I was either laughing or grinning ear-to-ear for most of the movie from the moment it started to the moment the credits rolled. When I wasn't laughing, I was slack-jawed and dumbfounded by either the amazing animation quality or the incredibly heartfelt story.

The animation is absolutely bonkers in this film, from CG animation that blows most other modern 3D-animated movies out of the water to stylized animation slightly akin to what we saw out of Into the Spider-Verse back in 2018. The CG, especially when it comes to the unbelievably expressive faces of the animal characters, is mind-blowing. There are times I was staring in disbelief at the screen, not because of any big major action sequence, but because Kitty Softpaws gave Puss in Boots a knowing glance that broke right through the Uncanny Valley to look almost real. Although the action sequences are nothing to scoff at, either, with changes in animation style so subtle and weaved in that you barely even notice it's different, just that it looks amazing. As far as the story goes, I really can't say anything plot-wise because I absolutely do not want to spoil this for anyone, but just know that Puss in Boots: The Last Wish got this 29-year-old to tear up. Multiple times. It's beyond beautiful and I can't heap enough praise onto the film makers and animators for creating a movie that had absolutely no right being this great.

When I got home from the theater and was talking to some friends on Discord about it, I was really trying to find anything, even one thing that I disliked. A single complaint. The only thing I could come up with was that the auto-tune on Antonio Banderas' singing in the opening musical number of the film is very noticeable. That's the worst complaint I can even think to lob at Puss in Boots: The Last Wish. This movie is incredible and everyone should see it. Full stop.

Score: 10/10

Currently only in theaters.

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