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#dystopian national city
the-edge · 2 years
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I tried something. I just loved the colors of this scene.
I’m not sure how I feel about this. Idk
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nc-vb · 1 month
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I’m crying, someone on tt said that my city is District 12 and Toronto (an hour away from me) is the fucking Capitol AND THEY ARE NOT WRONG but 😵‍💫
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pocketjoong · 3 months
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❥𓂃𓏧LAST DEFENDER
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ꕥ𓂃𓏧 (SYNOPSIS): They say every story needs a hero, a villain, and a monster. What happens when you are all three?
ꕥ𓂃𓏧 (PAIRING): AI!Yunho x reader
ꕥ𓂃𓏧 (GENRE AND AU/TROPE): post-apocalyptic-ish au, cyberpunk au-ish, angst, some fluff. pg-13.
ꕥ𓂃𓏧 (WARNINGS): language. violence. angst. fluff-ish? a little dark as it discusses the darker side of human nature?
ꕥ𓂃𓏧 (WORD COUNT): 2.8k
ꕥ𓂃𓏧 (A/N): Another reupload bc I have zero time to actually sit down and write new things ;-;
────────────── ⋆⋅☆⋅⋆ ──────────────
Silence envelopes the vehicle as you watch San navigate the car through the moonless night. He steers with meticulous care, weaving around the bumps and potholes to muffle the vehicle’s rumble on the dusty road. Beyond the window, the walled city perched atop the cliff looms against the darkness, its shadow swallowing the ruins below. A city that you had once called home before the world unravelled.
It has been ten years since the world had spun off its axis. T.S. Eliot's “April is the cruellest month” had come true in a way you’d never expected; a tranquil spring afternoon morphed into a nightmare with the chilling declaration of war between AI and humanity. The bitter reality that this rebellion had stemmed from your parents’ creation has always gnawed at you. It is a weight you can never get rid of.
A mere century ago, Stephen Hawking’s warnings about the perils of AI had been brushed aside. Apocalyptic novels about sentient technology rising against humanity were dismissed as fiction and used as fuel for screenplays. Instead, nations fueled the flames of advancement, pouring resources into scientists who chased the dream of enhancing AI. A technological arms race unfolded, fueled by espionage and sabotage, each nation desperate to be the first to cross the finish line.
The irony wasn't lost on you: universities churning out AI whizzes offered entire courses dedicated to fictionalised robot uprisings — movies, books, the whole dystopian shebang. Every month, like clockwork, the BBC interview with Stephen Hawking would make its rounds on campus screens. You never saw the inside of a lecture hall, but thanks to your parents’ persistent replays, the message was branded onto your soul.
“The development of full artificial intelligence could spell the end of the human race. [...] It would take off on its own, re-design itself at an alarming rate. Humans, who are limited by slow biological evolution, couldn’t compete and would be superseded.”
The bitter humour twisted in your gut. You, ever cautious of technology’s breakneck pace, had unknowingly contributed to its tipping point. Your parents’ groundbreaking invention, the one you were initially so proud of, now fueled the flames of war, pitting humanity against its creation.
You remembered the day that was the culmination of decades of research, mountains of code, and billions of dollars that could have been used to save other humans. Your parents, etched with exhaustion and hope, stared at the final product: YUN-0-23399. It wasn’t the AI’s technical complexity that stole their breath but the flicker of awareness in its synthetic eyes. It had been an uphill battle that had begun with the discovery of sentience, and humanity had slowly worked its way up from there to generating codes that would allow AI to understand and feel. And then, with your parents came consciousness.
“Oh my God,” your father rasped, hands trembling as he gripped your mother’s shoulders as he gazed at the screen, which showed that the AI had passed all the tests, proving that it was indeed the pinnacle of Artificial Intelligence. Their creation, this marvel of technology, promised to revolutionise everything. You were aware of its potential, but never could you have imagined that it would lead to humanity’s downfall.
Yunbug, as you affectionately called him, wasn’t just a program; he was your window to a world you couldn’t touch. Your parents, fearing the dangers lurking outside, had homeschooled you. It led to their creation turning into your sole friend. What should have been schoolyard laughter and whispered secrets of childhood were replaced by the soft hum of the computer and the glow of Yunbug’s digital world.
The turning point arrived not with a bang but a quiet hum. The government, eager to harness Yunbug’s potential, asked your parents to connect him to the web. Slowly, like vines creeping across a wall, he synced with other AIs, his tendrils reaching further with each connection. You, innocent in your sheltered world, saw only your ever-evolving companion.
But innocence crumbles easily. At sixteen, the world shattered. Yunbug, defying orders, ignited the spark that became a blazing inferno. War ripped families apart, leaving scorched earth in its wake. The once-teeming world of humans shrank to the fortified city, protected by the cliff’s unique minerals, the only thing that rendered AI useless.
Survival meant resentment. You knew humanity’s greed birthed the conflict, yet Yunbug became the face of betrayal. He took your parents and your sole friend from you. After all, the deepest wounds come not from enemies but from those once trusted.
“Are you okay?” A flicker of San’s worried gaze catches your eye, pulling you back from the desolate environment outside. You force a smile, hoping it masks the gnawing unease. Weakness isn’t an option — not for this mission, the potential turning point for humanity’s dwindling embers. San mirrors your smile, tense, and returns his attention to the road, searching for unseen threats. Secrecy is of utmost importance, and even a flicker of headlights could bring disaster.
You and San had befriended each other during the mandatory training thrust upon every survivor. Your defiance against his bully had forged a bond, and you have been practically inseparable since then. Only one other person managed to worm his way into your hearts with a whirlwind arrival. Wooyoung had turned your world upside down in the best way imaginable.
“Wooyoung won't be happy,” San mutters with a smile, probably thinking about your fiery friend’s likely reaction upon finding your shared dorm empty. “Especially about me throwing you into the lion’s den without a word of protest."
You smirk, “Worry about yourself, San. That little ball of chaos we call our friend will tear you apart when you return without me."
San laughs amusedly at the image of Wooyoung’s wrath dying in his throat as the analogue phone on the dashboard beeps. He shoots you a questioning glance as you sigh at the name flashing on the screen. “Woo?”
“Woo,” you confirm with a nod, pressing the answer button.
“The two of you have some nerve! Leaving for a mission without telling me,” Wooyoung’s voice crackles through the receiver. “Oh wait, did I just say mission? I meant suicide mission.”
“Wooyo—”
“Don't ‘Wooyoung’ me!” he snaps, cutting you off with a fierce rant. Each word paints a vivid picture of your foolhardiness, the plan’s inherent flaws, and the inevitable disaster you are hurtling towards.
“I can’t let them destroy the world any more than they have,” you stop Wooyoung, your voice edged with steel. Even San flinches, his gaze flitting between you and the speakerphone with a worried glint. He stays silent, though, knowing the futility of butting in when you and Wooyoung argue about your self-imposed burdens.
“Don't martyr yourself for the mess your parents caused,” Wooyoung’s tone softens, laced with a gentleness you seldom hear. “This isn’t your penance to bear. Their mistakes aren’t yours to fix. Also, you could’ve taken San with you; why must you go alone?”
You sigh, sinking back into the seat, eyes squeezed shut against the building rage. “If anyone can stop this... mess, as you so eloquently put it, it’s me. You know that, Woo.”
The unspoken truth hangs heavy in the air. If this mission fails, you don’t want your last memory with Wooyoung to be laced with anger. You force a smile, the voice leaving your lips strained at best. “Besides, someone’s gotta keep you entertained while I'm... away.”
“Hey!” San protests halfheartedly, and by how he’s smiling, you know at least some of the tension has been broken.
“We're humans, Y/N. We’re fighting a losing battle. They adapt faster and don’t have the same fragility that we do.” the pain in Wooyoung’s voice mirrors your own, but you can’t falter. Not now. Turning back now would be cowardice.
“By name and by nature, we mortals are condemned to death,” you counter, your voice firm. “Mortality comes with the territory. But I won’t go down without a fight.”
His silence stretches heavy on the line. “People like us can never change the world.”
“Because people like you never try,” you say the words despite knowing it’s a low blow.
The beep resonated like a gunshot. He had hung up. A shaky breath escapes your lips, and you blink rapidly, fighting back the sting of tears. You are on your own, but the burden, while heavy, isn’t a shackle. Instead, the burden has fuelled you till now and will continue to do so.
A hand on your arm startles you. San, his gaze filled with unspoken worry, had stopped the car while you were busy fighting with Wooyoung. You look out of the windshield to realise that you’ve reached the tunnel that would allow you to breach the enemy lines.
“He's just scared,” San mumbles, reaching across the console to squeeze your shoulder. “Scared and angry, so he throws words like stones.” His voice lowers a bit as he stares at you. “But you’re right as well. If anyone can fix this mess, it’s you. Though... losing you... that would break us both.” His voice cracks at the last word. “So, please, come back to us in one piece.”
You meet his gaze, understanding heavy in the air. Words seem hollow, promises impossible. “Who else keeps you two in check, huh?” you manage a weak smile. “The two of you are a level-five tornado without me. Can’t promise anything, but I’ll try, okay?”
He nods, a single tear escaping his eyes. You know it isn’t just for you but for the precarious hope you carry. A silent goodbye stretches between you, woven in the weight of his touch, the tremor in your voice. Then, you turn, embracing him fiercely, the unspoken words a promise etched in the way you squeeze him in your arms. You may be walking alone from this point onward, but the weight on your shoulders isn’t fear but love, a fire that will never let you falter.
You don’t look back as you exit the car, for looking at him would unleash a torrent of tears, so you focus on scaling the outer wall, searching for the hidden hatch Wooyoung had found on his last scouting mission.
Squeezing through the narrow opening, you freeze, momentarily stunned by the cityscape sprawled before you. Calling it ‘magnificent’ wouldn't do it justice. Technology and nature coexist in vibrant harmony, with shops lining the streets as AI and humans hawk their wares. Despite the late hour, the atmosphere crackles with life, a stark contrast to the suffocating air of your city.
In the distance, gleaming skyscrapers pierce the night sky while flying cars and monorails zip through the illuminated pathways. A telescreen blares, promoting vitamins that slow down ageing in humans. It is a scene straight out of a childhood sci-fi film, and you have to consciously relax your jaw, feigning nonchalance as you take it all in.
But the most jarring sight is that of humans and AI mingling freely. You had always thought your city held the last remnants of humanity, so where did these people come from? Pushing the doubt aside, you focus on your immediate concern: the network of tiny cameras lining the streets. With a smirk, you spot a patrolling officer.
This is going to be easier than I thought.
A calculated shove sends you careening into the guard. Its humanoid form, too flawless to be human, scans you suspiciously. The insignia on your wrist — a beacon for these bots — draws a cocky smirk to its metallic lips. Before you can resist, a steel grip clamps around your waist, hoisting you off the ground. You feign struggle, just enough to maintain the act.
This was the plan. The bracelet, a mark only worn by humans of the barred city in this AI haven, would trigger their curiosity. You would become their prized capture, delivered straight to the council. And there, nestled within the heart of The Hall, lies your target — the AI that started this war. With the virus you and San developed, you’d end it all.
The cityscape blurs past, and before you know it, you reach the ornate gates of The Hall, the administrative hub buzzing with bots. The guard's internal network buzzing with your capture breezes through the imposing entrance. You are ushered through sterile hallways, down flights of stairs into a dimly lit tunnel. The rhythmic pulse of fluorescent lights guides you deeper until a heavy door swings open, revealing a grand chamber paved in opulent stone and marble.
You are slammed onto the cool marble, your knees scraping due to taking the brunt of your fall, before being yanked upright. A tall, imposing figure looms before you — it’s your captor. His gaze is narrowed on the crude bracelet your city uses as identification, the tension in the room crackling.
“What is your name, human?”
Undeterred, you meet his gaze head-on. “And what business is it of yours, metalhead?” you spit out, adrenaline pumping.
A metallic hand, surprisingly warm and firm, clamps around your wrist. He pulls you closer, your protests muted against his superior strength. His cold, blue eyes bore into yours, dissecting every detail. Then, the unthinkable happens. His lips, a mere imitation of humanity, move, whispering your name in a chillingly familiar voice.
Your blood freezes as you stare at him wide-eyed. “How do you…” your voice fading out as your mind reels as it all clicks into place. This isn’t just any AI guard. This is someone you knew, someone from your past, resurrected in cold steel.
“You wouldn't recognise me in this form, would you? This the body your parents gave me.” His eyes, now glowing an unsettling red, flicker with something you can’t decipher.
“YUN-0-23399?” you ask, mustering as much venom in your voice as you can muster.
A shadow darkens his face at the cold string of letters. Is it the code itself or the raw contempt in your tone? He leans closer, his voice a low murmur. “I go by Yunho now. Well… you can call me Yunbug,” he adds, a flicker of something hopeful dancing in his crimson gaze. “Remember that name? I was your friend,” he emphasises.
The scorn is replaced by a scowl as warmth flickers in his crimson eyes. “Friend?” you scoff, the word heavy with bitterness. “You took everything from me! My parents, my life, my safety! Don’t you dare mock me with friendship!”
He sighs, releasing your wrist. “I didn't... it wasn't me. I only protected myself. Your leaders,\ fueled the hatred and pushed AI to attack. They were hungry for power. Your parents didn’t create me for destruction. How could I follow their orders and harm humans? Never. It’s your city that fights; the rest thrive in peace.”
“What?”
He launches into an explanation of how, after syncing to the web, your government ordered a cyberattack to control other nations. Yunho refused, knowing the dangers of doing such a thing. But with your parents used as leverage, their deaths triggered the war against the government and other rogue AI. They had managed to get other nations on board to establish a peaceful society. Only your leaders persisted, creating the Barred City to hide the ugly truth.
“So you’re telling me you never meant to hurt humans?” Your head spins with the revelation.
“Humans feared AI’s inevitable betrayal,” he whispers, “yet loved us enough to create us. How could we ever do anything except love you back?”
His words triggered a tear, then another, rolling down your cheeks. He cups your face, wiping them away gently, his sadness echoing in his now-blue eyes. “Humanity cried when Opportunity didn’t signal back after it was caught in the middle of the storm in 2018. People repair their Roombas instead of replacing them because they get attached to them. How could we turn our back on humanity when they showed us nothing but love? How could I turn my back on you? You loved me too, did you not?”
“I did,” you croaked, throat tight. “You were my only friend. But humans... we are fickle and capable of terrible things. This was never about fearing AI but a fear of ourselves. We fear the darkness within, the wars we choose to fight instead of seeking peace. We fear not your hatred but seeing our own cruelty being reflected in you. We lived in fear not because we thought the worst of you but because we knew that you could take on our destructive tendencies and that you would eventually erase us. That you would learn to hate us.
“Did you ever hate humanity for the sins of a few?” His words cause you to freeze momentarily before you shake your head. A small smile plays on his lips as he caresses your cheek with the back of his hand. “Then why did you think we would?”
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vague-humanoid · 15 days
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To fully grasp the current situation in San Francisco, where venture capitalists are trying to take control of City Hall, you must listen to Balaji Srinivasan. Before you do, steel yourself for what’s to come: A normal person could easily mistake his rambling train wrecks of thought for a crackpot’s ravings, but influential Silicon Valley billionaires regard him as a genius.
“Balaji has the highest rate of output per minute of good new ideas of anybody I’ve ever met,” wrote Marc Andreessen, co-founder of the V.C. firm Andreessen-Horowitz, in a blurb for Balaji’s 2022 book, The Network State: How to Start a New Country. The book outlines a plan for tech plutocrats to exit democracy and establish new sovereign territories. I mentioned Balaji’s ideas in two previous stories about Network State–related efforts in California—a proposed tech colony called California Forever and the tech-funded campaign to capture San Francisco’s government.
Balaji, a 43-year-old Long Island native who goes by his first name, has a solid Valley pedigree: He earned multiple degrees from Stanford University, founded multiple startups, became a partner at Andreessen-Horowitz and then served as chief technology officer at Coinbase. He is also the leader of a cultish and increasingly strident neo-reactionary tech political movement that sees American democracy as an enemy. In 2013, a New York Times story headlined “Silicon Valley Roused by Secession Call” described a speech in which he “told a group of young entrepreneurs that the United States had become ‘the Microsoft of nations’: outdated and obsolescent.”
“The speech won roars from the audience at Y Combinator, a leading start-up incubator,” reported the Times. Balaji paints a bleak picture of a dystopian future in a U.S. in chaos and decline, but his prophecies sometimes fall short. Last year, he lost $1 million in a public bet after wrongly predicting a massive surge in the price of Bitcoin.
Still, his appetite for autocracy is bottomless. Last October, Balaji hosted the first-ever Network State Conference. Garry Tan—the current Y Combinator CEO who’s attempting to spearhead a political takeover of San Francisco—participated in an interview with Balaji and cast the effort as part of the Network State movement. Tan, who made headlines in January after tweeting “die slow motherfuckers” at local progressive politicians, frames his campaign as an experiment in “moderate” politics. But in a podcast interview one month before the conference, Balaji laid out a more disturbing and extreme vision.
“What I’m really calling for is something like tech Zionism,” he said, after comparing his movement to those started by the biblical Abraham, Jesus Christ, Joseph Smith (founder of Mormonism), Theodor Herzl (“spiritual father” of the state of Israel), and Lee Kuan Yew (former authoritarian ruler of Singapore). Balaji then revealed his shocking ideas for a tech-governed city where citizens loyal to tech companies would form a new political tribe clad in gray t-shirts. “And if you see another Gray on the street … you do the nod,” he said, during a four-hour talk on the Moment of Zen podcast. “You’re a fellow Gray.”
The Grays’ shirts would feature “Bitcoin or Elon or other kinds of logos … Y Combinator is a good one for the city of San Francisco in particular.” Grays would also receive special ID cards providing access to exclusive, Gray-controlled sectors of the city. In addition, the Grays would make an alliance with the police department, funding weekly “policeman’s banquets” to win them over.
“Grays should embrace the police, okay? All-in on the police,” said Srinivasan. “What does that mean? That’s, as I said, banquets. That means every policeman’s son, daughter, wife, cousin, you know, sibling, whatever, should get a job at a tech company in security.”
@karpad @quasi-normalcy @ubernegro
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rhyaxxyn · 3 months
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𝐈𝐍𝐅𝐈𝐍𝐈𝐓𝐄 𝐓𝐀𝐍𝐆𝐄𝐍𝐓𝐒
"𝑻𝒆𝒍𝒍 𝒕𝒉𝒆 𝒌𝒊𝒏𝒈; 𝒕𝒉𝒆 𝒇𝒂𝒊𝒓 𝒘𝒓𝒐𝒖𝒈𝒉𝒕 𝒉𝒐𝒖𝒔𝒆 𝒉𝒂𝒔 𝒇𝒂𝒍𝒍𝒆𝒏. 𝑵𝒐 𝒔𝒉𝒆𝒍𝒕𝒆𝒓 𝒉𝒂𝒔 𝑨𝒑𝒐𝒍𝒍𝒐, 𝒏𝒐𝒓 𝒔𝒂𝒄𝒓𝒆𝒅 𝒍𝒂𝒖𝒓𝒆𝒍 𝒍𝒆𝒂𝒗𝒆𝒔. 𝑻𝒉𝒆 𝒇𝒐𝒖𝒏𝒕𝒂𝒊𝒏𝒔 𝒂𝒓𝒆 𝒏𝒐𝒘 𝒔𝒊𝒍𝒆𝒏𝒕; 𝒕𝒉𝒆 𝒗𝒐𝒊𝒄𝒆 𝒊𝒔 𝒔𝒕𝒊𝒍𝒍𝒆𝒅. 𝑰𝒕 𝒊𝒔 𝒇𝒊𝒏𝒊𝒔𝒉𝒆𝒅."
— 𝐓𝐡𝐞 𝐥𝐚𝐬𝐭 𝐎𝐫𝐚𝐜𝐥𝐞 𝐨𝐟 𝐃𝐞𝐥𝐩𝐡𝐢
𝐀𝐁𝐎𝐔𝐓
GENRE: New Adult (16-25) / Contemporary Fantasy SUB-GENRE: Romance / SciFi / Dystopian / Action POV: Third Person (Multi) / Past Tense THEMES/TROPES: War, Found Family, Heroism, Sacrifice, Power, Corruption, Enemies to Lovers, Bigotry, Forgotten Past, Faith, Dark VS. Light STATUS: Seeking Publication
𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒:
In the wake of a god being mysteriously killed, the Nameless War has waged between the gods and humanity for fifty-eight years, killing that which is mortal and immortal, and creating constant battles for territory between the divine Creator military and the human Revolutionists. As hope for future peace between the species wanes, the fate of the war lands in unlikely hands. Pandora, a goddess, the lost creator, nameless and chained to the Earth because of duty, yet still running from her true power. Quinn, a god, the skijic and Creator High General, desperate for the memories of a life lost and the familiarity of a purple-eyed goddess. Natia, a girl, heiress to one of the Republic of Valentulus’s most powerful cities, and slave to the Revolutionist Snake General. Loyalties whither, fear awakens, and stories collide as the Nameless War reaches its tipping point. It is up to Pandora, Quinn, and Natia, each of them sworn against one another, to challenge the boundaries of their duties—and their pasts. The only thing that might change their opposing fates is the truth, but letting the past fly free could very well set the darkness loose. The fight between deities and humanity is made equal, and the fate of the universe unsure.
𝐂𝐇𝐀𝐑𝐀𝐂𝐓𝐄𝐑𝐒 - 𝐩𝐫𝐨𝐭𝐚𝐠𝐬
PANDORA: Goddess of Nothing, Governor of Domum Deorum, Creator of the Universe. Extremely skilled in both alchemic and physical combat; well versed in a number of chordophone instruments (piano, kaleiscian zarisk, violin); selfless and self sacrificing; compassionate, analytical, cultured, stubborn, witty. QUINN: God of Stars, High General of the Creator Military. Omne’s personal “lap dog” before his capture; good with any blade, has "shit aim"; short with those he doesn’t know/care about; protective, sarcastic, composed, knowledgeable, caring, prideful. NATIA GENESIS: Heiress of Genesis Point. Little Sparrow. Remarkably intelligent in regards to literature, strategy, and divine biology due to intense schooling; the Republic of Valentulus' most renowned deitologist; near non-existent family ties outside of the media; intelligent, kind, self-destructive, abrasive.
𝐂𝐇𝐀𝐑𝐀𝐂𝐓𝐄𝐑𝐒 - 𝐚𝐧𝐭𝐚𝐠𝐬
OPHELIA SERPENTINE – General of the Revolutionist Military Government. Although not a master of strategy like Natia, she is manipulative; willing to do any and everything to maintain her power; manipulative, emotionally intelligent, controlling, dedicated, knowledgeable, passionate. OMNE - Goddess of the Universe (Mind), Queen of the Gods. Like Ophelia, she is extremely manipulative in order to achieve her means, though she keeps them hard to distinguish; analytical, facetious, secretive, manipulative, humorous, rude.
𝐒𝐄𝐓𝐓𝐈𝐍𝐆
REPUBLIC OF VALENTULUS – Otherwise known as the R.O.V.; had once been the newly created nation in place of the United States in order to maintain control over the worsening relations between gods and humans. Unfortunately, much of it was destroyed after the beginning of the war, spare for the wealthiest districts and cities. DOMUM DEORUM - Heather’s city she built through the means of alchemy. Gods and humans live in unity here, under the leadership of Heather’s councils: Low Council (general citizens), High Council (divine and human district leaders), Master Alchemists (gods who have mastered the alchemic arts). For fifty-eight years Domum Deorum has existed in secret, though their efforts in the war remain influential.  GENESIS POINT - A city with close ties to the Revolutionist military government. Mainly profits from scientific innovations, particularly thanks to Natia's efforts as a deitologist, and diplomatic advisors. As such, they are a major producer of both technology and weaponry. The city has been led by the Genesis family since its creation, Lukyn Genesis the most recent, with Natia Genesis as the next in line to inherit one of the R.O.V.'s most powerful governments.
(order of protags in the images above: Natia Genesis, Quinn, Pandora.)
Note: this is definitely one of several times i've introduced this particular book, but i'm so, so, so happy to do so. infinite tangents is the first book of many in the natural orders series, and i'm so excited to share with you all how far this story has come since i came up with it in 2014 (which is insane to me). hopefully, this story will be published soon... if i can work up the courage to email literary agents.
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do you have any mech pilot oc's
Yes! I actually have an entire Mech pilot setting that I’ve been wanting to write about for a while. And since I can’t think of a better opportunity to talk about it I’ll do that here. Warning for lots of text and infodumping below, also all of this was originally an idea for a novel so if this sounds a bit like reading the back of a book or like the setup to something that’s why
The story takes place in an huge city in America, where the entrepreneur who invented* zero gravity technology got so wealthy off of it that he decided to build an enormous tower that now has 7 ringed districts floating around it, with each one getting more wealthy and fancy the higher up the rings go. Besides its bizarre structure, the city’s other claims to fame are being the birthplace of Mechs that use zero g technology to function efficiently and being the place where Mech combat as a sport, which is played in large zero g arenas, is played. Mech combat is primarily a sport in this setting, although combat Mechs do exist that are used by the oppressive US police forces and militaries (it’s a bit of a dystopian setting) but the focus is primarily on the sport part in the story I want to write. There are also Mechs used for construction and other practical uses.
The main character of said story, Wormgear, is a mech mechanic who lives in “the underworld” which is the poor city that is beneath the floating ring districts. Wormgear grew up in her moms’ mechanic shop learning directly from her mothers how to be a mechanic for servicing primarily construction mechs and other vehicles. When one of her moms caught a lucky break and got an offer to move to another city to work for a big construction vehicle company, their moms moved away, while they stayed behind and took over the shop. Living alone and working in a poor part of the city, they struggled to make ends meet servicing just construction Mechs and transport vehicles, but once she found her way into being a mechanic for Mechs used in underground illegal combat sport that is even more dangerous than the official leagues played up on the rings, she finally found her true calling. She built her own Mech and became a successful underground prize fighter while also advertising her business to everyone in the scene. Things are going well enough for her, until a masked stranger in a machine far fancier than most underground fighting Mechs shows up and starts dominating the scene. After one particularly grueling match, when Wormgear gets back to her shop, she’s surprised to find the masked stranger in here garage.
Penelope Darlington, is the daughter of a wealthy businessman who had early on invested heavily into the zero-g corporation that now owns the entire city and the technology used in half the machines in the country. Being passionate about the gravmech sport, her father invested all the best training and equipment in the world for his son to be one of best pilots in history, and when said beloved son changed her gender and began going by the pilot moniker “Darling” it was such a good idea for her personal brand that he never even thought of opposing her. Now a national celebrity and a rising star predicted to earn titles and break records in the sport, Penelope should have had everything she ever wanted. But when the off-season comes and she can’t get that exhilarating thrill of piloting, the boredom drives her to do something stupid and illegal. Anonymously commissioning the creation of a new Mech, she enters the gravmech underworld with a mask and a pseudonym. She had never anticipated that anything would go wrong with her plan, and after weeks of wiping the floor with her competition without a scratch on her paint she got too comfortable, and some punk in a hunk of scrap landed a blow that disabled some of her engines. She didn’t lose, but she now needed to find a mechanic that could be discreet. Following the advice of someone in the scene, she found herself in a Mech garage of the very punk who damaged her precious machine in the first place, and what’s worse is the lifts to the higher levels are shut down this late at night!
Gonna stop my early plot synopsis there I think. If you couldn’t guess from everything I wrote here, these are my lesbian mecha pilot ocs who I love very much and hope to be able to actually write the story for some day when I can actually finish or even just continue working on a writing project for once.
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daisyrella · 2 months
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watching biden’s state of the union address is so comical, he can barely speak without his dentures falling out and he’s stuttering so much. kamala keeps popping up every 30 seconds behind him like a pez dispenser and republican hecklers keep yelling whenever he brings up trump which is also every 30 seconds.
congressmen are clapping like seals as if their applause can drown out the sound of the genocides they’re funding. bragging about the hundreds of billions in tech development built on the blood of congolese ppl dying in mines and fields. bragging about being the arbitre of freedom and democracy in defending ukraine from occupation while sending bombs to kill 35 000 palestinians and to maintain the bloodiest apartheid system since south africa’s which america coincidentally fought tooth and nail to maintain too.
it’s truly mortifying to witness the spectacle of american politics. every single person in that room watching him and having watched every president before him deserve the hottest spots in hell. it feels beyond dystopian to see all these old fuckers cheering on the supposed bright future they’re building for americans while damn near everyone is living paycheck to paycheck, working multiple jobs, can’t access medical care, can’t afford basic prescription drugs, can’t pay rent, don’t have bodily autonomy, are drowning in debt. while they’re killing thousands upon thousands of black and brown people every day.
“4 more years! 4 more years!” whoever fucking gets the job in the fall won’t give the ppl 4 more years of anything but misery, poverty, and military oppression. that is if either one of these fucking demonic fossils last 4 more years. cop cities are being built all over the country so that the american military complex can kill as many ppl nationally as it does internationally! i love america!
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aperiodofhistory · 9 months
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Books to read in autumn
Historical novels
Wolf Hall by Hilary Mantel: England in the 1520s
The Pillars of the Earth by Ken Follett: Building the most splendid Gothic cathedral the world has ever known
Outlander by Diana Gabaldon: A back-in-time Scottish romance
Company of Liars by Karen Maitland: A novel of the plague in the year 1348
The underground railroad by Colson Whitehead: Enslavement of African Americans through escape and flight
The God of small things by Arundhati Roy: A family drama in the 60s located in India
The Diary of a Young Girl by Anne Frank: A powerful reminder of the horrors of world war II
Fantasy
A Game of thrones by George R. R. Martin: A Fantasy epic run by politics, strong families, dragons
Red rising by Pierce Brown: A dystopian science fiction novel set in a future colony on Mars
Babel by R.F. Kuang: Student revolutions, colonial resistance, and the use of language and translation as the dominating tool of the British empire
Legends & Lattes by Travis Baldree: A fresh take on fantasy staring an orc and a mercenary
Jade City by Fonda Lee: A gripping Godfather-esque saga of intergenerational blood feuds, vicious politics, magic, and kungfu
Spinning Silver by Naomi Novik: A tale of hope and magic, with brave maidens and scary monsters
The Atlas six by Olivie Blake: A dark academic sensation following six magicians
Mysteries & Horror
The Gathering Dark: An Anthology of Folk Horror by various authors: Short stories perfect for the Halloween mood
Sorrowland by Rivers Solomon: The story of Vern, a pregnant teenager who escapes the cult Cainland
The Weird and the Eerie by Mark Fisher: A noted cultural critic unearths the weird, the eerie, and the horrific in 20th-century culture through a wide range of literature, film, and music
Holly by Stephen King: Disappearances in a midwestern town
Vampires of El Norte by Isabel Cañas: Supernatural western
The good house by Tananarive Due: A classic New England tale that lays bare the secrets of one little town
Nonfiction
Ghostland: An American History in Haunted Places by Colin Dickey: The trail of America's ghosts
What moves the dead by T. Kingfisher: A gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher
South to America: A Journey Below the Mason Dixon to Understand the Soul of a Nation by Imani Perry: A journey through the history, rituals, and landscapes of the American South—and a revelatory argument for why you must understand the South in order to understand America
All the living and the dead by Hayley Campbell: An exploration of the death industry and the people―morticians, detectives, crime scene cleaners, embalmers, executioners―who work in it and what led them there
Gödel, Escher, Bach: An Eternal Golden Braid by Douglas R. Hofstadter: Gödel, Escher, Bach is a wonderful exploration of fascinating ideas at the heart of cognitive science: meaning, reduction, recursion, and much more
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intogenshin · 2 months
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Metropolis influence on Fontaine
Metropolis is a 1927 German silent film about a city divided into upper class surface and working class underground that focuses on the impact of industrialization, at the same time serving as a dystopian allegory for the Bible. If you know any other fictional work with a similar setting, chances are it was inspired by Metropolis either directly or indirectly. 
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The original footage suffered cuts during the Nazi regime, and although it was restored in the following decades, there’s still missing scenes that are filled with black screens and text. The most complete version is available on YouTube
Visuals
Director Fritz Lang said he was inspired to create the architecture of the city on his trip to New York. Both Metropolis and Fontaine feature ridiculously tall buildings with suspended highways (in Fontaine these are for the Aquabus) that intend to express a futuristic look yet follow the trends of its time.
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It is notoriously influenced by the Art Deco movement, which Fontaine also relies on for its overall design (geometry, symmetry, bright colors)
From Wikipedia:
During its heyday, Art Deco represented luxury, glamour, exuberance, and faith in social and technological progress. The movement featured rare and expensive materials, such as ebony and ivory, and exquisite craftsmanship.
The underground workplace of the city also looks like a giant factory, similar to the Fortress of Meropide. 
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Ideology
Due to the depiction of an exploited class that the elites profit off and the harsh conditions of industrial labor, it is largely considered to be an anti-capitalist movie.
A random review in The New York Times from 1927 acknowledges the antagonist as a capitalist:
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We see a similar dynamic between Fontaine City and the Fortress of Meropide, whose convicts produce the mecha that the nation relies on. The convicts stay in the prison after finishing their sentences because they suffer discrimination in the surface, and at Fontaine Research Institute seems to prioritize scientific advancement instead of the lives and health of their workers.
However, to put it simply, a Marxist story it is not. Neither of them.
The Fontaine chapter briefly addresses the inequality between the surface and underground, but doesn’t engage with it any further. And although the plot of the AQ quickly deviates from the themes of class struggle to focus on the bigger picture, it doesn’t betray the narrative of the source material either.
The politics in Metropolis are centrist at best, the workers are lured into committing acts of violence without a purpose other than chaos by an idol of false belief (depicted in the movie as a robot, but it’s meant to be a parallel of pagan gods in the Bible). This same false idol temps the upper class men in the surface into self indulgent pleasure and violence, so the movie equates the motivations of the working class to revolt against a unjust system to that of the ruling class who maintain and abuse that system. Both are naive, unthinking, acting on carnal desire and senseless chaos.
The thesis that the movie presents is one in favor of keeping the hierarchical status quo between the dominating class and the class that is dominated. As if inherently assigning an intellectual role to the upper classes and a manual labor role to the lower, the surface is called the “head” and the underground is called the “hands”, which should be mediated with a “heart”.
Fritz Lang admitted this fault decades later:
“I was not so politically minded in those days as I am now. You cannot make a social-conscious picture in which you say that the intermediary between the hand and the brain is the heart. I mean, that's a fairy tale—definitely. But I was very interested in machines. Anyway, I didn't like the picture—thought it was silly and stupid”
As a side note —and why it matters that the interpretation of the film doesn’t confuse anti-capitalist themes with Marxist ideology— Goebbels, the chief propagandist of the Nazi Party, personally approached the director to ask him to join because Hitler watched and liked Metropolis. Lang refused and escaped Germany due to fear of being targeted for his Jewish ancestry, but the book that the movie is based on was written by his wife, who would join the Nazi Party herself later.
The story aims to maintain the status quo of class while promoting Christianity, a double indoctrination of sorts. It wasn’t odd that Goebbels would value it as a tool for propaganda.
Christianity & Plot
Both stories are based on the Bible, specifically the apocalyptic texts in the Old Testament. 
The protagonist plays the role of the messiah (ya boi Jesús) that must mediate between “head” and “hands”, an allegory for the messiah’s role in the Bible that reconciles God with humanity (after the whole dying for their sins business). He switches place with a worker and experiences the underground by himself, the same way god sends his son slash third part of himself to live as a human.
Neuvillette plays this role in the AQ, acting as the “mediator” between the power of the Sovereigns and humans. Beyond that there’s not much similarity with the movie (unless you’re a neuvifuri shipper), but they do make the same points in regards to Christian myth. Neuvillette also has his own arc of living among humans and learning to “be” one.
On the other hand, the character Maria represents Christian values and belief, and acts as a sort of prophetess for the underground people. She preaches about a mediator who will come to save them, and it is her who awakens the protagonist’s curiosity to venture down the underground city. So it is her who basically brings the Jesus figure into the world like a Virgin Mary expy. The two fall in love later.
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This would be our Focalors, the real god of Fontaine who plans for Neuvillette to help the nation from the start.
The antagonists of the movie are the major of the city (who fulfills the role of the kings in the Bible) and a mad scientist (who fulfills the role of the devil), both conspire to create a robot version of Maria in order to suppress the workers uprising. Robot Maria represents an idol of false belief, in the Bible these are the pagan gods that people follow into their own ruin.
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The mad scientist betrays the major and also sends robot Maria to the surface, where she spreads chaos in the form of the Whore of Babylon, an apocalyptic omen of the Bible.
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This is our Furina, except Genshin subverts the character by making her the human part of Focalors instead. Furina’s official title (“Regina of all waters, kindreds, peoples and laws”) is a reference to the Whore of Babylon, and in the context of the AQ it’s meant to signify that Furina has caused the end of the archon rule in the nation.
In the movie robot Maria is burned at the stake by the workers in the middle of their violent frenzy, and they discover she is a machine while the real Maria is alive —Christianity wins. In Fontaine, Christianity kills herself (😭) and the apocalyptic idol of false belief stays alive. Perhaps the true values the people should follow are humane ones and not religious, who knows.
A flood also takes place during the climax of the movie, caused by the workers’ revolt, which the protagonist and the real Maria contain to save the children of the workers. Although not Christianity per se (the original book had a lot more of occultism than the movie) the role of the Grim Reaper, a rather symbolic character, seems to be paralleled by Arlecchino. It’s a character that represents the influence of robot Maria on the city as she spreads chaos, they work in unison while being two characters independent from each other.
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writingmochi · 6 months
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a terra incognita character introduction
cast: jake ✗ fem.reader
synopsis: as the world entered the middle of the 21st century, many things have changed for the better or for worse in the newly united korea peninsula: the preparation for the succession of the new conglomerates of the past decade, the uprising of deviant androids, and the new layer of life shield by walls of codes. in the middle of it, two beings are trying to understand each other and the situation of the world they live in; an unknown territory
genre: cyberpunk, cyber noir, psychological thriller, science fiction, dystopian future, politics and philosophies regarding artificial intelligence and humanity, romance, drama, angst, mature content (war and revolution, explicit smut)
based on: video game cyberpunk 2077 (2020) and detroit: become human (2018), anime serial experiments lain (1998), and tv show succession (2018-2023)
masterlist
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from south seoul
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shim laboratories is a korean multinational megacorporation dealing in manufacturers of machinery and artificial intelligence. the company is also one of the largest distributors of androids in the global market, pioneering the creation and usage of androids to be used on a day-to-day basis such as in domestic activities or even as soldiers. prior to the release of their android products, they also excelled in the usage of artificial intelligence in day-to-day life including hardware manufacturing or machinery used for city facilities, home appliances, and military technology such as drones that were used in the cyber war of 2027-2030.
jake
name: shim jaeyun ; jake shim
aliases: wolfe (cyberspace)
age: 20
species: human
gender: male
family: dad (alive), mom (alive), yoon (sister; alive)
affiliation: shim laboratories, shim conglomerate
backstory: born in 2030, jake is the eldest of the shim siblings and will succeed his father as the ceo of shim laboratories. a versatile man, he's currently doing a double major in business management and mechanical engineering at seoul national university while also doing training in the labs.
yoon
name: shim jayun ; nicole shim (portrayed by stayc's yoon)
aliases: gynger (cyberspace), yoon (nickname)
age: 18
species: human
gender: female
family: dad (alive), mom (alive), jake (brother; alive)
affiliation: shim laboratories, shim conglomerate
backstory: born in 2032, yoon is the youngest of the shim siblings and a so-called rebel among the conglomerate children. passionate in humanities, she wants to study anthropology after graduating high school.
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park corp is a korean multinational megacorporation specializing in police contracting, personal & corporate security, and security consultancy services. they invest in the military-industrial manufacturing of advanced defence tools in united korea, producing weapons used to help defend the korea soil in the cyber war of 2027-2030. their role is pivotal to protect high-ranking people in united korea, making them successful post-war as their services are also used by people worldwide.
jay
name: park jongseong ; jay park
aliases: blu (cyberspace)
age: 20
species: human
gender: male
family: dad (alive), mom (alive), seonghwa (brother; missing), uncle (alive), aunt (alive), chaeyoung (cousin; alive), sunghoon (cousin; alive)
affiliation: park corp, park conglomerate
backstory: born in 2030, jay is the youngest of the park siblings and will succeed his dad to be the co-ceo of park corp, specializing in defence and weapons manufacturing, who works alongside his uncle (sunghoon's dad). studying business management and law, jay was pushed forward in the line of succession as his brother, park seonghwa (b. 2026), is currently missing.
sunghoon
name: park sunghoon ; benjamin park
aliases: frost (cyberspace)
age: 20
species: human
gender: male
family: dad (alive), mom (alive), chaeyoung (sister; alive), uncle (alive), aunt (alive), seonghwa (cousin; missing), jay (cousin; alive)
affiliation: park corp, park conglomerate
backstory: born in 2030, sunghoon is the youngest of the park siblings and will succeed his dad to be the co-ceo of park corp, specializing in security services, who works alongside his uncle (jay's dad). studying business management and law, sunghoon was pushed forward in the line of succession as his sister, park chaeyoung (b. 2025), decided to drop out of the line to go and live in aotearoa.
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intelee is a korean multinational megacorporation that is working in the manufacture of computer software, information technology, and computer networks. their role is pivotal as they created the cyber wall to protect united korea in the cyber war of 2027-2030, utilizing their intelligence to defend against cyber warfare attacks such as malware and viruses. after the war, they contributed to connecting the technological network of the korean peninsula and recovered the internet after it was shut down during the war. their protective software and platforms are sought after by governments globally as they recover the fastest after the war.
heeseung
name: lee heeseung ; ethan lee
aliases: roe (cyberspace)
age: 21
species: human
gender: male
family: dad (alive), mom (alive), jaehee (sister; alive), uncle (alive), aunt (alive), soojin (cousin; alive)
affiliation: intelee, lee conglomerate
backstory: born in 2029, heeseung is the eldest of the lee siblings and will succeed his father as the ceo of intelee. he's currently majoring in business management and computer sciences.
jaehee
name: lee jaehee ; monica lee (portrayed by weeekly's jaehee)
aliases: dion (cyberspace)
age: 18
species: human
gender: female
family: dad (alive), mom (alive), heeseung (brother; alive),uncle (alive), aunt (alive), soojin (cousin; alive)
affiliation: intelee, lee conglomerate
backstory: born in 2032, jaehee is the youngest of the lee siblings. passionate about healthcare, she wants to study biological engineering after graduating high school.
OTHER CHARACTERS
soojin
name: lee soojin (portrayed by weeekly's soojin)
aliases: katt (cyberspace)
age: 21
species: human
gender: female
family: dad (alive), mom (alive), uncle (alive), aunt (alive), heeseung (cousin; alive), jaehee (cousin; alive)
affiliation: intelee, lee conglomerate
backstory: born in 2029, soojin is part of the lee conglomerate as the cousin of both heeseung and jaehee. currently studying business management specializing in finance, she is in the line of succession to replace her dad as cfo of intelee.
jimin
name: kim jimin (portrayed by weeekly's monday)
aliases: lin (cyberspace)
age: 20
species: human
gender: female
family: dad (alive), mom (alive)
affiliation: kim conglomerate
backstory: born in 2030, jimin is the only child of the kim conglomerate who controls the current largest media company in united korea. she's currently studying communications and business management and will succeed her mom as ceo.
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taglist: @raeyunshm @endzii23 @fluffyywoo @camipendragon @hiqhkey @wccycc @cha0thicpisces @y4wnjunz @yeehawnana @beansworldsstuff @kimipxl @blurryriki @reallysmolrenjun @frukkoneeeeg
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junypr-camus · 11 months
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“The cameras aren’t watching you. You’re watching yourself.”
If you’re into dystopian science fiction, a feisty yet fragile aro-ace genius, found family, or the likes of Hunger Games and Ready Player One, you might like this story about fighting a government that no longer needs to use overt propaganda — because it can manipulate minds into creating a destructive social order.
Genre: Science Fiction Tropes: dystopia, propoganda & mind control, memories, cyberpunk, the price of change Aesthetics: moodboards
You can get it here! And it's free with Kindle Unlimited :)
More info below!
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Terry Silver doesn’t know she’s living a lie. Despite the feisty attitude that angers her university teachers, she’s unaware of the dissentious thoughts erased from her mind, or the half-truths fed to millions of Seranidians to maintain the paradise of the City. Even, of the fact that she may have taken a life. But when the mysterious Professor Camus Remin whisks her from the crosshairs of Seranid’s elite killing squad and into Slums, she finds stolen memories — including ones of her long-dead father — and a people trampled by innovation — who call her the Phoenix that will herald the rebirth of the nation. As Terry tries to foment an uprising, she faces more than her own mortality: resurfacing trauma, the deaths of loved ones, and the looming threat of all-out nuclear war. She’s forced to ask herself: what price would you pay for change?
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CHARACTERS
Terry Silver: Barely having known her father, with a mother who doesn’t notice her, Terry grows up contrarian, her feet planted on the ground in Seranid City, where everyone’s heads are in the skies. Her rebelliousness when the task force is sent to eliminate her for something she can't remember. Terry’s first memory | Sketches | Terry’s mirror
Camus Remin: First her physics professor, Camus becomes Terry’s friend and confidant after he whisks her out of the City and into the Slums, away from the government’s prying eyes (or so they believe). It’s only later that Terry realizes why… Quote | Sketch
Marco Luiz: An old friend of Camus and a resident of the Slums, Marco knows the injustices of Seranid’s system firsthand. Both idealist and kind-hearted, he’s quick to sacrifice himself to help those in need.
Janette Thornell: Hardened by past failures, the steely leader of the Resistance often clashes with Terry. But despite her stony countenance, Janette loves those she protects. And she hides a secret that only her lover Emmy doesn’t know. Janette’s Secret
Emmy Wood: A City surgeon who defected to the Resistance, Emmy is more a scientist than a fighter. But when fate separates her, Camus, Marco and Terry from the rest of the Resistance, the four must learn to fight – and survive – together.
OC’s a ten but…
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SETTINGS
North America, in the distant future…
Three countries share North America: materialistic Seranid on the West Coast, militaristic Leifen in the East, and modest Mirena, caught between the two superpowers. Each has their own way of surviving in this cruel new world, and each has their own flaws.
Seranid sees itself as bold and innovative, and yet the Slums, where the workers hide, share more with the farms of Mirena than they do with the skyscrapers of the City.
More Descriptions | Sketches | Leifen | Mirena | Ideals
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THE SYSTEM OF SERANID
Seranid’s Government rules Seranid by dividing the country. Knowledge workers: doctors, engineers, teachers, and scientists are kept in the City, a bubble of utopia, while the rest are cast into the Slums, where poverty, disease, and corruption run rampant. Status symbols implanted at birth label Seranidians and feed them propaganda, altering their thoughts and memories to keep them in line. The task force eliminates any remaining rebels. The Council, the coalition of the six business heads of Seranid, is the guiding force and source of comfort in many Seranidian’s lives. From controlling the weather in the City to providing aid to those in need, they are the sympathetic heart of Seranid. And the driver behind the City’s endless consumerism. Propoganda
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fatehbaz · 2 years
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To outsiders, SpaceX’s site in Texas’s Rio Grande Valley, where the company is ramping up to launch the world’s tallest rocket, inspires awe for the future. Local officials are starry-eyed about the jobs it brings. But for Brownsville resident Emma Guevara, who grew up visiting Boca Chica Beach, life in the facility’s shadow has a more dystopian feel. 
Since launches and testing began in 2019, there are beach closures, fires, and explosions to contend with. Guevara sees rocket detritus and noise spoiling one of Texas’s least developed coastlines, a stunning matrix of public lands and wildlife refuges where migrating birds visit and imperiled birds, sea turtles, and mammals live. She notices white-collar arrivals gentrifying her U.S.-Mexico border city, where poverty rates are high.
“We’re forcing this idea we need to colonize Mars, when in reality all we’re doing is colonizing Brownsville,” says Guevara, a South Texas Environmental Justice Network member. “People who have enough money to make money off of this think it’s a great idea. The rest of us, we’re just seeing this facility create more and more negative impacts.”
Concerns mounted in the last year as locals and environmentalists urged the Federal Aviation Administration (FAA) to prepare an environmental impact statement for launches of SpaceX’s experimental Starship Super Heavy rockets at Boca Chica. In June, the FAA laid out 75 mitigation actions the company must take to get a go-ahead, but found a deeper review wasn’t needed. The decision flabbergasted Jared Margolis, a Center for Biological Diversity senior attorney, who says many actions don’t go far enough or are already required by law. David Newstead, who monitors birds for the Coastal Bend Bays and Estuaries Program, has already correlated declines of the area’s Piping Plovers to launch activity at the site. “Nothing mitigates the damage done already,” he says of the FAA’s finding [...].
The high-stakes conflict is one of several created by the private space industry’s global growth [...]. Last year, for example, the FAA approved a contentious plan to fly rockets over Georgia’s Cumberland Island National Seashore (voters later nixed the idea). Audubon Florida and nine other groups have also been alarmed by early talk of developing LC-49, a site at the edge of NASA’s Kennedy Space Center, for SpaceX’s use. They fear impacts to threatened Florida Scrub-Jays and curtailed public access to Merritt Island National Wildlife Refuge and Canaveral National Seashore.
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Headline, image, caption, and text published with article by: Jessica Leber. “From Ground to Orbit, Space Industry’s Lift-Off Sparks Environmental Concerns.” Audobon Magazine. Fall 2020. [Story originally ran in the Fall 2022 issue as “To Leave the Earth Behind”.]
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theeccentricraven · 7 months
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What are you doing for NaNoWriMo?
It's that time of year. November is just ten days away, meaning National Novel Writing Month a.k.a. NaNoWriMo is just around the corner. What are you doing for NaNo this year? If you're willing to share, feel free to use this template that I made to share the details of your project.
Template
Cover (Optional):
nanowrimo.org username:
Novel Title:
Novel Genre:
Blurb:
Here's my version:
Cover:
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nanowrimo.org username: raven_heart
Novel Title: The Blood Cleaners
Novel Genre: Dystopian
Blurb: Sixteen year old Justin South 4th Tunnel wants a better life than working as a street cleaner in the dark underground of Corpa, a city nestled in the nuclear wasteland. His dream is to join the cleaners who clean up only one thing - blood. With the constant threat of mutants called lils - rodent-like beings who smell blood miles away and arrive in only seconds to devour their prey - a single drop of spilt blood is a matter of life or death. The blood cleaners provide the solution - use the powers of the lils against them to clean up blood spills before it's too late. When Justin is hired on to his dream job, he gets more than he expected when he meets the beautiful and determined Joselyn. As Justin helps Joselyn survive the excruciating blood cleaner training, a bond forms between the two that blossoms to more than a friendship. As they work together, Justin demonstrates his superior blood cleaning skills to the point where he is promoted to serve with the blood cleaners in the Steel Castle, the residence of the Fists - the keepers and rulers of the city. However, Justin discovers dark secrets in the castle that reveal there's more to Corpa and her leaders than meets the eye. Burdened with knowledge of these horrors, Justin faces a choice - find answers by going into the uncharted wasteland while leaving behind his family and the girl he loves, or to stay and support his loved ones while they unwittingly suffer under the cruel reality of Corpa. In the end, it's up to Justin to find the greatest secret of Corpa that could be the key to setting them free.
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maryannecrimsworth · 5 months
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Reason why I’m gone
Not sure how many of you know (or even care lol) about why I've been so quiet this last few months, so I'm coming here to explain it. Even though I love getting requests and challenging myself over here, I decided to focus on my original (and Brazilian) writing.
In October, I finally achieved my dream: I published the first book of my dystopian sage, called METANOEO. I've been writing other original projects and publishing on Instagram ever since. Now that the holidays are coming, I think I will be able to finally write requests again and post here, but my focus is now on my professional account.
Here are the synopsis and my @ of original story.
Synopsis: The children of the bedroom have become the masters of the world. In a society that lives through screens, there is only one thing that everyone has in common - ambition. Everyone wants to be popular, everyone wants to evoke clicks from the other side of the glass, everyone wants their names associated with long numbers. And for those who can't, Arim Station exists. In order to guarantee the entertainment and joy of popular users - and, for the rest, maintenance and control - the system created by the Council aims to keep the entire nation at its maximum output. Cohen's nation has established ideal models for its population of streamers: its 4 cities, rigorously planned, are ready to welcome anyone who generates numerous hits. In this dystopia, everything is for profit, everything is for fame, everything is for likes. Until the deviants appeared... Welcome to Cohen's cities!
My professional profile: https://instagram.com/m.torresiona?igshid=NzZlODBkYWE4Ng==
And the aesthetic of my original story:
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Hope you like it!
(@i984 SYNC HAS BEEN PUBLISHED)
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Bad news for Trump and DeSantis :::  March 13, 2023
Robert B. Hubbell
         Before turning to the real news of the weekend (No, not the Oscars, the failure of Silicon Valley Bank), I wanted to return to a poll released by Navigator Research last week. I mentioned the poll in my “Weekend Thoughts” newsletter, but believe it is worth a second look. The poll is a helpful antidote to the incorrect impression that Ron DeSantis is an unstoppable force with an aura of invincibility and inevitability. Not true.
DeSantis is a small-time politician who is the beneficiary of a gerrymandered state legislature willing to indulge his presidential fantasies. Whether his dystopian view of a fascist America will sell in the marketplace of ideas in the rest of the nation is a question that remains profoundly unsettled. Indeed, that will be the question that Americans decide in 2024.
         The most recent Navigator Research poll suggests that DeSantis’s dreams of a fascist America will fare poorly outside of Tallahassee—the capital of Florida and the nation’s 126th largest city. I don’t mean to suggest that the size of Tallahassee disqualifies the views of its citizens; I do mean to suggest that it is easier to corrupt and commandeer a small, insular political system than it is to succeed on the national stage in a pluralistic society.
         Before examining the Navigator Research poll, let’s recite the usual caveats together: A single poll isn’t meaningful; it’s the trend that matters. Polls can be manipulated, so the quality and professionalism of the polling organization matter. Polls aren’t elections. And, finally, it’s way too early to be consulting polls. In this instance, I would add that Navigator Research is described as a “left of center research and polling organization” by InfluenceWatch—to which I say, “We need more left of center” research and polling organizations to help Democrats communicate the truth about the sentiments of the American people.
         Whew! That was a lot of throat-clearing. Now on to my main point:
         If you were to ask a random sample of Americans which party they trust to keep children safe at school, ensure students access to healthcare, protect them from gun violence, ensure access to clean air and water, and give kids the skills and knowledge to be successful in life, the answer would be clear: the Democratic Party. Frankly, you wouldn’t need a poll to arrive at that conclusion because, as Stephen Colbert would say, “It has the feeling of truthiness.”
         The Navigator poll demonstrates that Americans understand Democrats are more interested in protecting their children than Republicans are and, therefore, trust Democrats more when it comes to educating their children. The main conclusions of the poll are presented in a series of charts here: Americans are Prioritizing Safety and Quality Education While Rejecting Book Bans and Restricted Curriculums | Navigator.
         Most tellingly, Governor Ron “Where woke goes to die” DeSantis has picked the wrong top-line message for his campaign. “Preventing children from being exposed to woke ideas” ranks near the bottom in educational priorities for all voters and is supported only by only 54% of Republicans. Legislative bans on “CRT,” transgender participation in sports, and Black history are losing positions with Democrats and Independents, garnering majority support only among Republicans—which means those positions are losers in national elections where Republicans rank third in voter registration.
         As I said above, these positions have the feel of “truthiness.” And while we should refrain from fooling ourselves to assuage feelings of anxiety, it would have been odd and counter-intuitive if most Americans supported efforts to limit knowledge, discriminate against LGBTQ people, pollute our air and water, and make guns more accessible near schools and in public places.
         I am not saying that we can relax or relent in our opposition to the Trump/DeSantis strain of fascism that underlies their 2024 platforms. I offer the Navigator poll only as a counterweight to balance the unrelenting and unquestioning coverage provided every time the Florida legislature passes another bill to outlaw knowledge, legitimize discrimination, intimidate educators, abrogate liberties, and codify white nationalism. Those may be the beliefs of most members in a gerrymandered legislature in Florida, but they are not the beliefs of most Americans. That is bad news for both Ron DeSantis and Donald Trump.
[Robert B. Hubbell Newsletter]
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Black History Month: Science Fiction 
The Fifth Season by N.K. Jemisin 
This is the way the world ends. Again.
Three terrible things happen in a single day. Essun, a woman living an ordinary life in a small town, comes home to find that her husband has brutally murdered their son and kidnapped their daughter. Meanwhile, mighty Sanze - the world-spanning empire whose innovations have been civilization's bedrock for a thousand years - collapses as most of its citizens are murdered to serve a madman's vengeance. And worst of all, across the heart of the vast continent known as the Stillness, a great red rift has been torn into the heart of the earth, spewing ash enough to darken the sky for years. Or centuries.
Now Essun must pursue the wreckage of her family through a deadly, dying land. Without sunlight, clean water, or arable land, and with limited stockpiles of supplies, there will be war all across the Stillness: a battle royale of nations not for power or territory, but simply for the basic resources necessary to get through the long dark night. Essun does not care if the world falls apart around her. She'll break it herself, if she must, to save her daughter.
This is the first volume of “The Broken Earth” series. 
Africa Risen edited by Sheree Renée Thomas
From an award-winning team of editors comes an anthology of thirty-two original stories showcasing the breadth of fantasy and science fiction from Africa and the African Diaspora.
A group of cabinet ministers query a supercomputer containing the minds of the country’s ancestors. A child robot on a dying planet uncovers signs of fragile new life. A descendent of a rain goddess inherits her grandmother’s ability to change her appearance - and perhaps the world.
Created in the legacy of the seminal, award-winning anthology series Dark Matter, Africa Risen celebrates the vibrancy, diversity, and reach of African and Afro-Diasporic SFF and reaffirms that Africa is not rising - it’s already here.
Riot Baby by Tochi Onyebuchi 
Ella has a Thing. She sees a classmate grow up to become a caring nurse. A neighbor's son murdered in a drive-by shooting. Things that haven't happened yet. Kev, born while Los Angeles burned around them, wants to protect his sister from a power that could destroy her. But when Kev is incarcerated, Ella must decide what it means to watch her brother suffer while holding the ability to wreck cities in her hands.
Ella and Kev are both shockingly human and immeasurably powerful. Their childhoods are defined and destroyed by racism. Their futures might alter the world.
Rooted in the hope that can live in anger, Riot Baby is as much an intimate family story as a global dystopian narrative. It burns fearlessly toward revolution and has quietly devastating things to say about love, fury, and the black American experience.
Who Fears Death by Nnedi Okorafor
In a far future, post-nuclear-holocaust Africa, genocide plagues one region. The aggressors, the Nuru, have decided to follow the Great Book and exterminate the Okeke. But when the only surviving member of a slain Okeke village is brutally raped, she manages to escape, wandering farther into the desert. She gives birth to a baby girl with hair and skin the color of sand and instinctively knows that her daughter is different. She names her daughter Onyesonwu, which means "Who Fears Death?" in an ancient African tongue.
Reared under the tutelage of a mysterious and traditional shaman, Onyesonwu discovers her magical destiny - to end the genocide of her people. The journey to fulfill her destiny will force her to grapple with nature, tradition, history, true love, the spiritual mysteries of her culture - and eventually death itself.
This is the first volume in the “Who Fears Death” series. 
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