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booksteacupandreviews · 6 months

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Broken Vow by Sophie Lark - thrilling Mafia romance with a grumpy heroine/sunshine hero trope.

Broken Vow is fast-paced, action-packed, and thrilling Mafia romance with a grumpy heroine/sunshine hero trope. SynopsisReviewI recommend Broken Vow if you like,Book Links Broken Vow (Brutal Birthright #5) by Sophie Lark Publication Date : December 2, 2020 Read Date : December 3, 2023 Genre : Mafia Romance Pages : 347 ⭐⭐⭐⭐ Rating: 4 out of 5. Disclaimer : Downloaded through KU.This post…

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#Adult romance #assassination plot #bodyguard romance #Book Blog #book blog feature #Book blogger #Book review #book review blog #Books Teacup and Reviews #Broken Vow #Brutal Birthright Series #cowboy hero and uptight city girl #Eclectic Book Blog #forced proximity trope #grumpy heroine / sunshine hero #grumpy x Sunshine #Indian Book Blogger #Mafia Romance #Sophie Lark

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asporadicreader · 1 year

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Daises & Small-Town Men: Things We Never Got Over by Lucy Score

Bearded, bad-boy barber Knox prefers to live his life the way he takes his coffee: Alone. Naomi wasn’t just running away from her wedding. She was riding to the rescue of her estranged twin to Knockemout, Virginia, a rough-around-the-edges town where disputes are settled the old-fashioned way…with fists and beer. Tina leaves her with something unexpected. The niece Naomi didn’t know she had.…

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#dumb but entertaining #grumpy male #not as spicy as it could&039;ve been #oh lord the drama #review #selfless heroine #small-town #three stars

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authorkimberlyquay · 1 year

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Tainted Dreams: Romance with a side of darkness!

Hello fellow book lovers! Remember that slightly dark contemporary romance series I mentioned in my last post? Yeah, that one. Well, I’m chugging along on book one, and I’m pleased to announce that I’m more than halfway done with the first draft! Woo-hoo! Let me tell you a bit about Tainted Dreams which is book one in the TAINTED series. It’s got everything you could want in a romance novel: a…

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#author blog #Author Kimberly Quay #book blog #brooding hero #coming soon #contemporary romance #dark romance #feisty heroine #grumpy sunshine #new book #spicy books #steamy books #TAINTED #tainted dreams #writer blog #writing blog

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danielleurbansblog · 1 year

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Review: All is Bright

Synopsis: “[Thayne] engages the reader’s heart and emotions, inspiring hope and the belief that miracles are possible.” —Debbie Macomber, #1 New York Times bestselling author Return to Hope’s Crossing this Christmas in New York Times bestselling author RaeAnne Thayne’s latest heartwarming story of matchmaking at the holidays! Sage McKnight is an ambitious young architect working at her…

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oharababe · 7 months

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WHY DIDN'T YOU TELL ME | MIGUEL O'HARA

✮ premise. . miguel notices that you’re not your usual self. it concerns him that the sunshine he knows you as is losing your light. he decides to get to the point of it and checks on you.

✮ tags. . tired sunshine reader + grumpy concern miguel, light hurt/comfort, afab reader. divider creds: cafekitsune.

✮ wc. . 3,600

a/n; this piece is reposted from my old blog and originally was supposed to be in two parts. but i've decided to just combine them into one. this fic is a sign to make sure to include self-care in your routine! should have taken my own advice bc now my mental health is delincing. but i am slowly regaining my strength and forcing myself for self-care ♡

“Hey, do you think she’s alright?”

Miguel glares at the young variants of Spider-People from the holographic screen. As the leader of the society, he’s expected to oversee things. The multiverse and Spider-People are in the building and on missions. He sees Miles, Gwen, Hobie and Pavitr in the hallways. Miguel assumes they're going to his office to deliver their mission logs from the mission he gave them.

Miguel turns to look at the screen; there should be five of them coming back. He stares at the screen a little longer, red eyes hoping to glimpse a familiar figure. You are not with the young variants.

Pavitr mentions your name and adds, “Perhaps she’s feeling unwell today.”

“I don’t think I would use ‘unwell’ to describe her today,” Gwen says. “It’s more like she’s—”

“Angry?” Hobie guesses. “On edge? Like the way I would express my anger and hatred to the PMs and oppression of society?”

“Pretty much,” Gwen’s voice trails. “She seems more tired than she usually is. It’s not like her, you know?”

“Maybe we can get her something and check up on her after this.” Miles suggests.

This shouldn’t surprise Miguel; the mission he gave you wasn’t an easy one. He assigned you to lead the team this time, trusting your abilities and judgement. Outcomes of every mission you come back from bring him neutrally satisfied and at ease. You’re usually the one who updates him about the mission. Hiding nothing from him, even with things that someone in your assigned team has done will make his blood boil. You’re a person Miguel relies on and trusts a lot. He depends on you to keep the multiverse safe, and depending on your presence, to remind him of what he’s fighting for.

Hearing the young Spider-Heroes talk about your unusual behaviour keeps him attentive. He knows you. Well, everyone in the Alchemax building knows what you’re like. The bright and cheerful spider-heroine, your presence and energy, lightens the room. Everyone in the building would believe that you are a ray of sunshine in human form. Delightful to be around, and everyone comes to you because you give people some sort of comfort. You might as well be the Spider Society’s very own Spider-Sunshine.

Miguel slowly descended at his preferred pace. He knows that the youngsters are coming to see him, but you’re not. It troubles him and hides it by being inquisitive; “Lyla, what’s the status of her? Has she been injured during the mission?”

His holographic assistant appears next to him. “There hasn’t been a report of major injuries based on the mission’s footage.”

“Is she still in the building?”

“Yes, she is. In her room. She’s asked not to be disturbed.”

“Miguel!” A female voice echoes. Miguel withholds himself from sighing at being interrupted to ask his assistant more. “We’re back.”

“Reporting for duty!” Pavitr adds.

Miguel turns around to see the younger Spider-Men and Spider-Gwen. Though the platform has reached its lowest stop, he’s still towering over the four of them. Looking at Miles, Gwen, Hobie and Pavitr from above. “Mission report?”

“It’s all good, Miguel! We caught the anomaly as planned.”

“The clean-up team arrived on the scene and there were no casualties,” Gwen says. “Though I think I might have to check myself for a chiropractor.” She mumbles, and slowly rotates her right arm, touching her shoulder.

“Hmph.” Miguel’s eyes bore mindless. Seeing there’s no sight of you irks him a little. After a few seconds of silence, he glances at the four of them. “How is she?”

“She?” Miles’ voice echoes. His eyes widen in realisation, probably because he’s intimidated by the way Miguel is glaring. “She’s uh… she’s okay. She just needs to recharge herself after a hard mission.”

“Oh, and she said that she’ll send you the log missions,” Gwen says.

“Good,” his response is simple. The air goes quiet, thoughts in his mind running at the thought of seeing you. Though you didn’t say how she would report back to him about the mission given you’ve retrieved as soon as you got back. “Will she be coming soon in person?”

“Don’t know about that.” Hobi glances. “It seems that she wants to be alone for the day.”

Miguel lets out a dissatisfied hum. “Alright. You all may go now.”

The young spider-heroes variants take their exit and soon the room belongs to him alone.

He was hoping to see you after the mission. And, strangely, he hasn’t seen you in person for the day. The last communication he had with you was when he told you about putting you in charge of a mission to investigate and capture any anomalies in a different Earth multiverse. You sounded as fine as you normally are to him.

Miguel thinks back to the conversation earlier, about your unusual behaviour. A part of him feels that you are almost acting closed off. Withdrawal. He knows that feeling all too well. “Lyla, are you sure no one was hurt during the mission?”

Lyla gives him an apologetic look and shakes her head. “Nothing, boss-man. Or else the medical team would report it in their system logs.”

Suddenly there’s a look on her face; her eyes twinkling coyness as her smile widens into a grin. “Are you that worried about her, Miguel?”

Miguel grumbles and looks away, hoping that his assistant doesn’t see his face twisting in annoyance and somewhat flustered. Today doesn’t seem to be his day that goes according to plans. His mind finds himself back to you again for the nth time. He hates to admit it, but he is concerned about you. Especially when the youngsters said. He just hopes that it’s just your tiredness that could be the reason for it.

“If she hasn’t sent the mission logs by tomorrow, remind her again of it,” Miguel instructs. “And make today her day off. Make sure no one disturbs her until she’s ready.”

“Hey Miguel, Peter B. is on the call for you.”

Miguel didn’t bother to throw a glance at Lyla next to him. He is anticipating him to call him anyway. Peter is the team leader for the particular mission he was assigned to to save another dimension. “Put him through.”

Peter B’s hologram appears in front of him as Miguel keeps an eye on the surveillance. He can hear his friend’s voice without looking at him. “Hey, Miguel. The mission has gone well today. There’s a bit of damage control that needs to be sorted out, so could you call the Damage Control team?”

“What happened out there?” Miguel’s voice was stern. Even though he can see everything from the Spider Society, he wants to hear it himself from Peter Parker. He notices that a mishap happened that almost changed the canon event. Even though it didn't happen, Miguel couldn’t help but feel annoyance rising in him.

“Well,” he sees Peter touching the back of his neck. There’s hesitation in his expression as Peter glances at him once again. “We managed to dodge the bullet of what happened. You know, prevent the disruption of the canon events. But, Sunny has taken a bit too much at heart. I think she’s having a hard time, Miguel. It looks like she’s struggling.”

Miguel can’t help but raise a brow at him when Peter brings up your name. He tries to conceal the troubled expression on his face. Red eyes stare at Peter for an explanation. “What makes you say that?”

“Well, she’s not, you know, sunny. Not like herself.” Peter says.

Miguel is certain that this isn’t the first time he’s heard about you like that. He remembers the younger Spider-Heroes talking about you the way Peter is talking. About how you seem different. More withdrawn, and quiet, and he noticed that you weren’t as engaging as you usually are during missions.

“Alright, thanks, Peter. The Damage Control team will be with you shortly.”

Peter B. nods then his hologram disappears. Miguel looks back at the surveillance footage and watches you on the screen. Swinging from one place to another and throwing punches and kicks at the enemy. You’re a fighter and a well-trained one too. But he notices something different about the way you carry yourself in the fights. It’s swift, aggressive, and full of anger from the movements of your body. Miguel has never seen you fight like that before. You look unstoppable.

He needs to see you and have a word with you.

* * * * *

The mission you were given annoys you greatly.

Even though you and your teammates have captured another multiverse villain, you do not still feel well about it. You mess up on several things; the villain was close to escaping, a child who happened to be at the wrong place at the wrong time almost got killed on the crime scene, and you snapped at one of your Spider teammates over the littlest things. Which you rarely do and you don’t usually do .

But today you’re in all sorts of places and you hate it.

The portal opens up to a familiar environment of the Spider Society HQ on Earth-928. You’re the first one to walk out, followed by your teammates. The heavy silence and brooding air feel too thick and you feel that you’re part of the cause for it.

You walk into the headquarters intending to head towards a place that you’ve been frequently to the past few weeks. The training has become your haven to take out whatever you’re feeling. Except that with every punch, force, kick and flinging things around, you feel vexed—agitated and aggressive. And it’s been becoming more of that recently.

You punch the bag harder. Faster. Harder and faster until you let the aggression take over you as you hit the bag simultaneously. Gritting your teeth as you focus on nothing but the urge to hit something.

Bam, bam, bam! Why can’t you get your head in the game?

“Hey, girl!”

The bag hits you in the face and almost knocks you over. That snaps you from your torturing thoughts but you just want to be alone. You don’t bother looking at the person, recognising their voice. “Blowing off some steam?” Lyla says in a fun and playful tone.

“What do you need, Lyla?” You ask, breathing shallowly. Your head spins a little – it’s been like that for a while – but you ignore the feeling. Thinking about what to beat up next.

“Miguel wants to see you. He’s in the surveillance room.”

You freeze when Lyla tells you that; he’s the last person you want to see right now. A gut feeling tells you that you know what this is all about and it doesn’t make it any better. You know you can’t avoid this especially if Miguel wants to see you. The week is getting worse for you.

“Tell him that I’ll be there in thirty minutes.” You say, needing to take a shower and freshen up for another dreadful day for you. You glance at the holographic assistant. “How is he feeling today?”

“The usual– grumpy and serious.” Lyla nods. “Make haste then.”

You let the cold water run down your skin and body. The time you spend in the shower did help you a little to mentally prepare yourself. When you’re done, you make your way to the surveillance room, where Miguel usually copes himself. The room starts dark but soon there are orange and red fluorescent lights emitting from the screen as you walk deeper into the room.

Miguel has his back on you. His muscular, broad shoulders are the first thing you catch sight of as you enter his territory. You can never read Miguel and right this moment, you wish that you could.

“Sunny.”

You stay still, hearing your name being called out. Miguel’s voice booms in the large room. “What happened? A disruption of canon almost happened.”

“I–” You begin, but nothing comes out of your mouth. You’re not sure how to explain yourself to him as you think back to what happened during the mission. Deep down, you know that you lost focus back there and nearly jeopardised the mission. And potentially the livelihood of others. “I’m sorry.” You lower your gaze, your voice like a whisper.

“Don’t make the same mistake next time,” Miguel stearns. His red gaze feels sharp on your skin. His tone doesn’t help either and adds fuel to your unsettling emotions.

“It won’t.” You glare at him. A tone of determination and subtle displeasure that you can’t help but feel. And yet, you have to keep your emotions in check or else you will be questioned. You feel yourself on thin ice with Miguel at this moment.

The Spider-Man leader narrows his eyes down at you. You don’t look at him just yet but you can tell that he’s looking at you. Gawking at your body language. “Is there a problem?” Miguel asks.

“It’s nothing.” You say once again. This time you look at him in the eye with a solemn stare. Hoping that he wouldn’t press on further. You just want to be left alone at this point and one of your hands starts to tremble slightly. With another beat of silence, you force yourself to speak up more, this time hoping that it would sound convincing. “I’ll do better next time.”

Miguel could only look at you before he turned away. His back is facing you. “You can leave. And I want you to send over your report of what happened.”

You didn’t say anything more, only giving him a nod. And you leave the room feeling even worse than before with a pounding headache and palpating heart.

* * * * *

Your behaviour certainly sets him off.

Miguel couldn’t stop thinking about the conversation he had with you earlier. Something is off with you. He thinks about what Peter B. had said to him earlier and he’s starting to see what the man means. His thoughts dwell further back to a week ago when the young Spider-Heroes also talked about their concerns about you. He can see that something is bothering you and that it’s affecting your job.

But Miguel knows that it’s better not to ask until he gathers more information on why you could be acting this way.

After spending a couple more hours in the surveillance room, Miguel decides to grab something to eat. He usually doesn’t go to the cafeteria when it is busy and packed. But today, he’s particularly in the mood to move around. And he can feel himself getting hungry for empanadas (he’s told that he gets hangry when he doesn't eat something).

Miguel makes his way to the headquarters’ cafeteria, walking along the corridor. From a distance, he can hear the crowd of Spider-Heroes socialising. A couple of them notices him and greets Miguel as he joins the queue to be served. He waits in the line as he minds his own business in mental peace as much as possible. But that’s when he hears a commotion nearby and Miguel turns to look at the scene happening in front of him.

“Goodness, darling!” Jess frowns. She says your name softly and holds your arms. Her voice laced with worry, “I think you’re having a burnout.”

Miguel goes still. His red eyes gaze at you from afar, looking at your reaction closely. There is fatigue on your face and your eyes don’t shine like they used to. Your shallow breaths and they sound deep and heavy. His eyes stay on you. Miguel watches as she holds onto your arms to help keep you steady.

You exhale a sigh, brows furrowed a bit. He can see how you’re trying to brush off the worry. “I’m fine. Just didn’t get much sleep last night.”

“Make sure you get a proper rest,” Jess tells you. “Take a day off for today.”

You let yourself go from her grip and only nod. But Miguel knows that you would do the opposite of the suggestion. He’s been there before, especially when he first started out learning about the dire consequences of the Multiverse. He knows the signs of burnout too well and you are certainly demonstrating it. Miguel curses under his breath for not picking up the signs of your struggle– of your burnout when he spoke to you earlier. It was right there in front of him and it went under his radar.

He watches you leave the cafeteria once the other Spider-Heroes have decided to move on with themselves. You blend in the crowd before disappearing out of sight. His eyes met Jess Drew who was looking at him with a sympathetic expression when their eyes met. You’ve kept quiet about your feelings or whatever you’re going through from everyone. It seems that you don’t wish to talk about it– the dismissive attitude and withdrawn answers. He knows what Jess is trying to tell him.

Miguel nods in agreement. And he leaves the cafeteria, trailing behind you. He follows you back to your universe when he sets the coordinates to your Earth. A part of him tells him that what he’s doing is out of line. But he tells himself that it’s fine; he’s only doing this to look out for you. That’s what a leader is supposed to do— to check on their subordinates, even though you’re more than that to him. But that’s not the point.

Miguel continues to stay on his trail behind you. He sees that you’ve gone inside a red-bricked building. He swings himself up to the roof of the building, watching you through the glass roof. There’s no one in the building but you and Miguel spot you walking towards the ringer in the centre of the room. The banging sound of a bag being punched by you echoes in the space. He notices how you seem to take off steam by letting out your physical aggression since this is your second time in the gym. Your punches become faster, so frequent that they ring in his ears a little.

Miguel sneaks into the building through an open window. You’re still focused on your punches and kicks but knowing that you have spider senses, you must have noticed his presence by now. He sees you break a sweat from the combat exercise as Miguel approaches the boxing ring. He lets you continue throwing punches until you come to a stop and catch your breath. Miguel studies your expression and body language. “Why didn’t you tell me that you were struggling?”

You stay silent, seemingly lost in your thoughts. Your tone sounds soft and vulnerable, almost hesitant too. But it’s still loud enough for him to hear. “I didn't want it to determine my worth. Or to have it determine my future. If people knew, it would seem as if I'm holding everyone back.”

Miguel can see in your eyes that you’re pushing yourself despite the neutral facade you put on. The daze looks with the ambitious, strong and tough facade in your eyes. It’s familiar to him because he is like that too.“I would be a liability to the team.”

He studies your face a little longer, the signs of fatigue and shallow breathing are apparent. You’re even fighting against yourself to keep your eyes open. Scrunching your face as you pinch the bridge of your nose whilst softly panting for air. Shaking off the fatigue, the brain fog.

“Mariposa tonta.” Miguel sighs. “You’re not a liability to the team. You never were one.”

You sit on the ground and lean back against the ropes of the ring area. You’re too tired to pretend, too tired to put on a mask that you’re not okay. Your mind spirals in thoughts of self-loathing at how pathetic you look in front of Miguel. You try to hide your face from Miguel by looking down, not wanting him to see your current state. You feel pathetic in front of him.

“Lyla, put my alerts to ‘do not disturb mode’ unless it’s a live emergency of the multiverse,” Miguel says.

“Roger that,” Lyla responded. Her physical form materialises nearby with a worried look on her face. “Should I call for the medical team as well?”

“No need, I'll take it from here.”

You push yourself up to stand on your feet the second a shadow towers towards you. Your head may be spinning but you still have the capacity and energy to muster whatever thoughts you have. “I don't need help, Miguel.”

The harsh, cold tone that you jab doesn’t phase him. Knowing that it only comes in a place of stress and guarding your feelings. Miguel remains patient with you, putting on a neutral yet there’s a subtle empathy in his red eyes. “You may think that you don’t need the help, but I want to.”

You see Miguel holds out his hand in front of you. The mask on him is gone and his red eyes are staring down at you. “Take it one day at a time.”

His words bring a sense of solace that warms up your heart. You finally take his hand – taking on his offer – your fingers and his interlaced together. You stand up on your feet as Miguel pulls you up, neither of the both of you letting go.

“Thank you.” You whisper. “For not judging me. Or pushing aside my feelings. ”

“I’ll take care of you, whether you like it or not.” Miguel tells you in a stern tone. But there’s a hint of soft affection in his words. “I promise.”

#꒰📍꒱﹕my writing #miguel o'hara x reader #miguel o'hara x y/n #miguel o'hara x you #miguel x you #miguel o'hara fanfiction #miguel spiderman #miguel x reader #miguel spiderverse #fic: wdytm #the miguel effect

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writers-potion · 3 months

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Plotting Tips for Romantasy 𓆩🖤𓆪

Check out my masterpost for more tips :)

Okay, What IS romantasy?

Generally speaking, romantasy is a commercial subgenere that provides equal weightage to romance and fantasy.

If you can remove one side of the plot and still have a complete story, you may not be fulfilling genre expectations.

To summerize:

Romantic Fantasy = Fantasy + Romantic subplot

Fantasy ROmance = Romance + Fantasy subplot

Romantasy = Romance + Fantasy

Balancing Romance and Fantasy Elements

Combine two or more tropes from each genre.

Romantasy is all about an interesting mix-and-match. Think of your favorite romance/fantasy tropes, then marry them:

Enemies to Lovers discover a Portal to Faerieland in their Contemporary Office setting.

Grumpy and Sunshine accidentally anger a Troupe of vengeful witches while on a Road Trip

a Second Chance Couple is thrown into a Forced Proximity in order to plant hunt, and she must keep her Botanical Magical Powers a super-secret from him.

2. Integrate the two plots into one another.

The best way to juggle with two different plots is to integrate them into one another. For example,

Romance as a prerequisite for using magic: e.g. only when a witch meets her soulmate will se be able to use her wand.

Love between characters threatens the fantasy world. e.g. forbidden love between two magical species has now become a full-blown war.

Romance between non-human characters. The key is to remind your readers of the fantasy elemnts by giving the characters nonhuman conflicts, personalisties and values.

Common Genre Tropes for Romantasy

A female lens: The readership is largely made up of women - they want to read narratives that foreground women and their stories. Where the heroine loves the hero, the love interest should be likable.

Strong heroine who saves the day: Most common in books by women for women this includes fewer damsels in distress and plenty of dames doing the saving.

Enemies-to-lovers: This trope has plenty of scope for inter-species prejudices and love across (literal) battle lines, which is a common must in fantasy.

Friendship and found family: Portraying relationships from a romantics AND fantasy point of view is important. The hero who begins as the cool, aloof longer must eventually become part of a collective even if that's only through their partner.

Elemental magic: Who wouldn't want to be able to hurl fireballs or lightening bolts? It would be useful in a lovers' fight, too.

Popular Romantasy Books 📚

The best way to understand the genre norms is to read it for yourself!

A Court of Throns and Roses (Sarah J. Maas)

Fourth Wing (Rebecca Yarros)

Stardust (Neil Gaiman)

The Paper Magician (Charlie Holmberg)

A Promise of Fire (Amanda Bouchet)

The Paper Magician (Charlie Holmberg)

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

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kifkay · 11 days

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Winx and their Favourite Literary Tropes

Bloom: Found Family. The girl is queer, most likely a fan fiction enjoyer, if not a writer, and has been bullied. She is THE target demographic for this trope.

(plus, she literally went on and created her very own family of Winx)

Musa: Other than the very obvious choice of Your Crush is Mean to Everyone but You (ahem, ahem, Riven), Musa would love the Soulmates trope. It’s very comforting, to believe that there exists a person cosmically tied to you — someone who will have to love you, in spite of your flaws and hurts. Belong to you fully.

Aisha: although Aisha is usually a very calm and compassionate person, I think she would find Revenge narratives cathartic. Let the girlie read about a vengeful princess cutting down her past abusers, she deserves it!

Stella: definitely a romance girlie. I could see her either obsessing over a litany of romantic cliches (Prince in Shining Armour, only One Bed, nursing each other’s wounds (but only in theory, blood is disgusting), forced proximity, enemies to lovers, etc) OR hating them all due to how predictable they are. BUT she would definitely despise any toxic romance tropes Musa seems to love: the Mafia ones, the sunshine x grumpy, the “he’s cold but actually cares”. If both people are not whole-heartedly into each other, she’s not into it.

Flora: she is definitely a fantasy girlie (what is even fantasy for the society of Magix?). Particularly, she loves world-building and lore, brimming with their own unique biomes and freaky little creatures. She also likes Anti-Heroes or Misunderstood Villains. They play on all of her emotional strings.

Tecna: contrary to what you may expect, I don’t think Tecna would like sci-fi very much. What is sci-fi to the majority of the universe, to Zenith is reality. She would most likely find fantastical elements of these books cheesy or over-the-top. Tecna would like Heists: dynamic, fast-paced, high stakes. Puzzle pieces coming together to form a brilliant plan, complete with witty banter and colourful characters.

(I also think she would like Dysfunctional Families. Her parents interacted with her only when necessary; she was an only child. She would be fascinated by messy and tragic interactions between people who should walk away, but just can’t part with each other.)

some other characters I thought of:

Roxy: Supernatural, Talking Animal Companion.

Brandon: Hopelessly Devoted, Mutual Pining, Martyr.

Sky: Reverse Damsel in Distress/Distressed Dude? (the heroine saves his captured ass; he’s into girls that can snap him in half).

Nabu: the Chosen One, the Robin Hood, switch-and-bait.

Helia: long journeys as metaphors for a soul search; tending to the other person’s wounds; cosmic or eldritch horror.

Riven: the Princess and the Peasant, Hero saves the Day, Grumpy Mentor who cares.

Timmy: the Headquarters, Secret World, outsmarting your enemies.

Mirta: a fellow enjoyer of Doomed by the narrative, bonus points if it’s sapphic.

#winx club #winx headcanons #winx #winx bloom #winx brandon #winx flora #winx riven #winx sky #winx specialists #winx stella #winx musa #enchantix #winx rewrite #winx aisha #winx tecna #winx layla #winx helia #winx nabu #winx timmy

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tamlinrose · 7 months

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It is my greatest pet peeve In the whole world that everyone thinks in season 2 Crowley is Mr. Darcy and Aziraphale is Elizabeth Bennet. Crowley is clearly the woman of little means who considers herself above romance before it slaps her across the face, who’s very CLASS prevents her from being taken seriously as a love interest. (Demon being a class). Elizabeth Bennet, who is inquisitive and bold and an outlier in her family (hell). Who’s pride causes her to be grumpy and even rude at times when she feels she has been insulted.

AZIRAPHALE meanwhile is so CLEARLY Darcy so obsessed with his station that he has trouble coming to grips with the fact he loves someone beneath his class. He is unintentionally insulting to his love interest and can barely admit he loves her and when he does admit he loves her with an offer of heaven marriage he does it so disastrously and cannot even see why it fails because of his prejudice!

Anyway I keep seeing fanart of Crowley as Mr. Darcy and I’m just… let Crowley be the heroine. Let Aziraphale be the flawed but redeemable love interest. please

#good omens #crowley #aziraphale #good omens season 2 #good omens s2 #good omens spoilers #good omens season 1 #good omens theories

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princesssarisa · 5 months

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One of the most fascinating pieces of movie analysis I've ever read is J.B. Kaufman's thesis of the "two different Snow Whites" in Disney's Snow White and the Seven Dwarfs.

He writes about this in both of his two books on the making of the movie, The Fairest One of All and its companion piece Snow White and the Seven Dwarfs: The Art and Creation. His argument is that Snow White's two leading animators, Hamilton Luske and Grim Natwick, each gave Snow White a slightly different personality when they drew her. A close look at the movie, and knowledge of who animated which moments, reveals subtle differences in Snow White's expressions and body language. Luske, her head animator who handled the majority of her scenes, portrayed her as a more purely innocent, childlike character, while Natwick, the creator of Betty Boop, gave her a little more maturity, sophistication, and sauciness.

You can see the difference, for example, when comparing her girlish interactions with the animals in "With a Smile and a Song" and "Whistle While You Work" (animated by Luske) to her flirtatious smiling at the Prince from the balcony, or her "mothering" of the dwarfs as she examines their dirty hands (animated by Natwick). Or her responses to Grumpy in the scene before the Washing Song: as she asks "What's the matter? Cat got your tongue?" she looks at him with a devilish grin (Natwick), but then when he sticks out his tongue at her, she reacts with the most wide-eyed, girlish shock (Luske).

Now, I don't know if these two men really held different views of Snow White's character, or if it just worked out that Luske drew Snow White's more innocent scenes while Natwick was assigned her more grown-up moments. But either way, Kaufman argues that this "tension," the movie's constant push-and-pull between "Snow White as a wide-eyed innocent girl" and "Snow White as a self-assured young woman," makes her an especially interesting Disney Princess. I tend to agree, especially because, miraculously, there's no sense of inconsistency in her character. She comes across as a young girl on the verge of womanhood, who naturally can still be naïve and childlike in some ways, but more grown-up and clever in others.

This thesis makes me wonder if certain "tensions" in other movies are the result of different viewpoints within the creative team.

For example, in Beauty and the Beast.

Linda Woolverton has often talked about her feminist goals in writing Belle's character, which sometimes clashed with her collaborators' visions of Belle as a more traditional fairy tale heroine. It just might have been those clashing viewpoints that created the dichotomy in Belle that I personally think makes her interesting. On the one hand, she's a strong-willed misfit rebel, partly inspired by Jo March in Little Women and by Katharine Hepburn's screwball comedy heroines, who longs for adventure, isn't looking for romance until she unexpectedly finds it, stands up to men (and beasts) who abuse their power, and refuses to let anyone dominate her. On the other hand, she's a sensitive dreamer with delicate beauty and balletic grace, who wears pretty, ladylike dresses, adores fairy tales and love stories, and is sweet, nurturing, and almost motherly to her friends and loved ones. Yet somehow these two sides of her character co-exist with no sense of inconsistency between them.

There's also the dichotomy between the two different views of the Beast that the movie seems to present at once. On the one hand, there's the Beast as an unseemly brute, who's beastly form is both a just punishment for his flawed character and an outward symbol of it, and who needs to be "tamed" into proper "human" behavior, culminating in his physically turning human again. On the other hand, there's the Beast as a suffering, self-loathing outcast, unfairly hated, feared, and dehumanized, whose plight under the spell can easily be read as an AIDS allegory, and who needs to be accepted and loved as he is. I suspect that this also stems from different goals and viewpoints in the creative team. (For example, Howard Ashman's clash with the directors over whether the Prince should be a child or a man in the prologue – the former would have made him more "tragic" but the latter makes his punishment more "fair.")

I'd like to read an analysis of these "tensions" similar to Kaufman's analysis of the "two different Snow Whites."

#disney #snow white and the seven dwarfs #snow white #j.b. kaufman #beauty and the beast #belle #the beast #animated film #analysis #characterization #dichotomy

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mswyrr · 5 days

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thoughts on Penelope

-Her awkwardness in flirting is so clearly deeply connected with how she's a good writer but that means she's used to taking her time to find the perfect words? And she has a strong inner editor. All of which is the wrong pace and skills for face to face flirting -- she can be sincere with people she trusts face to face and she can be sparklingly insincere in writing, but she has no in between conversational mode. I bet she could rip up the road writing flirty/witty letters, though.

-I like that Penelope's secret identity is being clever and mean (because sad). It's hard in US media to find a heroine who is even a little bit mean without being OTT vilified for it. Even when she has a lot of good reasons to be grumpy! "All that pain… and it just made her kind 😇 " is the only good girl trauma people will accept. Whereas with Pen, it's like "All that pain… and she used her sharp wit and talent for writing to make money playing into high society's inherent cruelty." Love it 😍

#penelope featherington #bridgerton spoilers #bridgerton #bridgerton meta

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welivetodream · 6 months

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How much do you think Richard lied about the story?

Because I think he was lying about a LOT of stuff. I do not trust words that come from this man. He is sus.

Since he is talking about the past, it could all be misunderstandings and blurry memories (he was high half of the time) Or it could be just lies.

My favourite headcanon is that Richard was writing a book about his college life. He is a bit delusional and grandiose so when he went to college, he expected to have this main character vibe going on. But his college life was as normal as any of ours and he was disappointed. So, he tried to live vicariously through a book, which he wrote as an "autobiography" (he literally starts the book with "this is a story of my follies"). Richard is telling us, the reader, "his" story. He is acknowledging it as a "real" story. But that too is a lie. Richard made it all up. All the characters were written by him.

That's why Camilla was portrayed as an angel, she is the heroine, his damsel in distress, love interest. Henry was the mythical Jay Gatsby to Richard's Nick Carraway. Henry was someone he could obsess over and idolise. Francis is the gay one, he is another 'kind of' love interest, he is always making passes at Richard, he is snarky and a bit grumpy, that's his entire character. Charles is the mean villain, he is abusing Camilla and committing incest, his existence makes all of them appear better than they are. Bunny was homophobic to a degree that didn't make any sense, he was in a fucking Greek class and was friends with all these people with major gay vibes, what did he expect? If Bunny was sympathetic, we wouldn't have accepted the murder so quickly. And Julian is Julian, he is so out of reach and ethereal; depicted as a type of teacher we would love to have, the story's John Keating.

Now when we come to the ending. The only one who gets to live a "normal" life and has any success (at least graduating college) was Richard. Yeah, Camilla turned him down and all but, he doesn't seem that mad about it (he admitted he loved Henry too, which gives major Nick Carraway vibes) He doesn't really face any consequences of what they all did (he is an accomplice to murder after all)

Camilla is traumatised, she is still in love with Henry and he fucking died in front of her. Her relationship with Charles is ruined and that would be traumatising as well.

Francis is forced to stay in the closet with no choice in the person he dates. And he almost dies of a suicide because of that. He is done with life.

Charles tried rehab but then ran away with a woman in her 30s that was married. His life is a complete mess and he has no contact with his old friends or sister.

Henry commited suicide and Bunny was murdered by his own friends.

Out of all these situations, Richard was the lucky one. He still has ties to Camilla and Francis and they still are kind of friends. He graduated and got a job. He dates one of the most popular girls at college and moves in with her for some time. He is doing something in his life.

In the end, Richard got the best of all of them. Maybe because that's just his real life. He doesn't have a crazy backstory. He doesn't have a huge personality. He doesn't have many connections to these characters. He gets the best ending. He is always the outsider. He is the narrator. He is a liar. He is a storyteller.

It's Richard's world, we are all just living in it.

(I know this theory is not at all true. Donna Tartt was not going for it to be like this. But I find the idea of Richard faking the entire book for his own entertainment and delusion, fascinating. And it's even plausible because of his personality)

Just imagine if TSH happened in the present day. The afterward would be just Richard going to his desk job with four hours of sleep and revealing he was writing an OC self-insert fanfiction about a modern Greek tragedy in AO3.

(okay, this turned out so funny. I get Richard, I want to escape from my boring life with writing too)

#dark academia #chaotic academia #the secret history #donna tartt #tsh #henry winter #richard papen #charles macaulay #camilla macaulay #franics abernathy #bunny concoran #julian morrow #tsh memes

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