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#just feels... kinda old fashioned I guess? I feel like most guys these days don't? so probably a result of his dad being older
annefic · 5 months
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LOTS OF PEOPLE BUSYBODIES up in my notes very CURIOUS and NOSY about the video of tim adjusting himself that was brought up (NOT BY ME!!! I DIDN'T EVEN KNOW IT EXISTED!!!) in response to the message I got about tim's... size
So here, ya filthy animals:
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@thiziri sent me this! Don't fuckin' @ me!!!
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phoebified · 6 months
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ooooobliiiiigaaatory sso post because new dark rider design dropped! erissa (not sure why they didnt just keep elise or change it to eris? but that's ok!), the remake of chiyo, just dropped, and... she's white! interesting. there were a lot of ways sso could've saved the dark riders fumbles. there were a LOT of those fumbles, but the one i hammered on the hardest was chiyo, because i myself am japanese, and immediately know a bad design when i see one. likewise, i'm pretty spot on with calling how that character will most likely be written, and can make a few good solid guesses. i will say, i feel lots more in common with sabine, and am against the way they designed someone i could relate to and then painted them staunchly as a villain; likewise with all the dark riders, this may be sso's most diverse group yet, and they are villains. HOWEVER. at that point, they had already put them in-game, and now all i can hope for is some good old fashioned childhood "everything ends up fine" writing that shows these characters some love and perhaps sways them from their homocidal ways.
back to erissa.
why was chiyo's design racist? well, it wasn't just her. most of the dark riders were handled poorly. to be honest, i've talked SO much on this blog about why chiyo was such a bad design that i simply don't want to rehash it. was it the worst i'd ever seen? no. but putting in those stereotypes to a game children -- WHITE children -- play is like teaching children to hit bees nests for fun. it's pointless and hurtful to everyone.
SO: what do i think of erissa? she's cute! i like this design way better than the last.
that's it. whole idea. i think the colors are more comprehensive, i like the crochet details, i think the hobby horse looks a little silly but i kinda like it. overall, i am happy.
now you're probably wondering, "what, so sso can't make non white villains!?" and the answer to that is 1. don't be stupid and 2. of course they can. but they better put just as much effort into the rest of sso. they don't, though. our only buff woman is alex, who barely counts because she's kinda small as fuck in game. that leaves Sabine, who's more buff. her character is nonwhite, visibly has arm hair, and until proven otherwise, is nonhuman. not only that, she's evil. that sends some pretty strong messages, and, side tangent, but to anyone too goofy or too stubborn to see how that's a problem, i'm excited to see how the children in YOUR family turn out, be it yours or other family member's. will YOU teach them what racism is and why it exists and the complexities of it that people scoff at that allow it to continue to exist day in and day out, or will you let them play all the other games that DONT revise their writing, where the good characters are straight and white and every other type of "normal" and the enemies are gay or nonwhite or both? anyway. i hope you see my point.
"children will experience this stuff ANYWAY!" sure. why add to it?
"oh, so you're pulling a save the children thing? so what, you want everyone to be th3 same?" no. i want them to take chiyo's design, make her clothes look better, make her default state not like a mouse, and put her in the game as sso's like. only japanese character. i'd fucking love that! do you know how little representation there is for weird japanese girls? we dont got dick or shit. it'd be so fun to have a slightly redesigned chiyo as an npc, i'd totally fucking adore that! different clothes bc i think her past design was a little. ourgh. it'd be fun and cool if they made her like, a budding emo? omg that'd resonate with so many people i'm sure, and the purple hair is already suited to it. black hair would also be cool, though. do you see what im saying here, though? context is everything. im sad sabine is a bad guy. im sad every white girl who plays this game gets someone to relate to. i guess i too really relate to and like anne, but that's where the similarities end. it's easy to say "why does race matter?" in a sea of white people if you're white, but it can get lonely playing any video game if you're not white. sso is one of the best games ive found in terms of trying to really add diversity (although im still waiting for updated fat npcs), and that's why i weighed in so heavily. it matters to me. i love this game. i think they've done so much good with it recently, i'm really just beyond impressed and in love.
i think erissa is a good design.
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hikennosabo · 10 months
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trimax vol 9 random thoughts
sorry if you saw this post disappear and reappear in the tag multiple times, i was fighting for my life much like wolfwood using trial and error trying to get it to even show up in the tag because tumblr is a functional website and not fucky in the slightest. </3
i wrote this post extremely sleep deprived 2 days ago let's GOOOOO
also heads up for potential spoilers for tristamp since i talk about it a little. even though i spoiled 98 untagged in my last post. sorry about that
chapter 1:
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someone in the book club tag (don't remember who it was, sorry) said something about sharing food being a love language for wolfwood... :') wah...
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^_^
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why is this thing even on the building in the first place. and for that matter how did the dog even GET up there...... whatever
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hi razlo. i don't know where to say this in the post so i'll just say now i unintentionally spoiled myself on razlo's identity because i was googling when i shouldn't have been. all totally my fault LOL [anime girl bleh gif]
the boy didn't even have the decency to wash the blood off his hands. kid, please, you're not doing livio any favors here.
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livio manspreading on the couch... chapel, have you considered there's another reason why livio's breathing might be "irregular" as he helps you take his former home hostage? hmmm?
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^ FUNNIEST PIECE OF DIALOGUE IN THE WHOLE VOLUME
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thank god for livio, this guy was doing a speedrun on being the most annoying one-off minor villain--WAIT is he kicking him with his hands in his pockets? that's SO funny. i'm liking livio more and more.
chapter 2:
"he shouldn't be that old" <- the kids would be expecting wolfwood to be, hmmm, in his early 20s, thereabouts? ww looks around a decade older than that...
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he's giving... something here. it's the combo of the glasses and all-white outfit i think. the y2k fashion vibe.
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who is saying this? livio? razlo? both? chapel, since he was the one just talking? also, nice visual metaphor!
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this is obviously NOT the reason wolfwood spared these guys, but this is reminding me of when oda said that luffy doesn't kill his opponents because shattering their dreams is worse than death. LOL
also i am convinced nightow drew this chapter for the sole purpose of making wolfwood do cool shit on his motorcycle.
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that being said, all the cool shit wolfwood does is immediately overshadowed by livio CATCHING A BOMB IN MIDAIR AND THROWING IT BACK AT THE GUY WHO SHOT IT. stampede livio could never do this, he's too skinny
chapter 3:
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people have already said stuff about this page, but I Also Want To Say Stuff. the wispiness of the smoke, livio's hair blowing in the wind... it feels very much like the calm before the storm, simultaneously serene and tense. and i LOVE how wolfwood is shaded in grey, while livio is the one shaded in black. fantastic contrast and composition, i adore it.
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why is this razlo's first note to livio. "!" like...?! you're letting livio know you exist, but giving literally no other information like at all? okay. razlo's a bit of an oddball, to put it mildly.
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the rest of his letters are... well they're not "normal," i guess, and not any less cryptic, but they are kinda sweet in their own way.
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knowing who razlo is i love the way his introduction scene is presented. livio is keeping information from ww and from the reader, so it's both literal and not. also razlo is appropriately unsettling, i wish he would stop... unhinging his jaw like that.
...also who tf told him about EoM?! this is a difference with stampede... stamp!livio joined EoM because he wanted to follow wolfwood. no razlo involved in the decision-making, as far as we know. compared to here in the manga, livio left the orphanage on his own, so there isn't really a clear timeline on when ww joined EoM vs when livio did. we don't even know if he knew ww was in EoM at all.
also upon rewatching this scene for this post i got distracted by legato's lack of ass and had to pause because i was laughing too much
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the guy is literally flat as a board help
*cough* anyway. razlo is only alluded to and never named or even really shown, except for a very brief very blurry reflection, so his level of involvement in... literally everything is unknown.
speaking of characters who are weirdly absent, chapel isn't around either...? i thought maybe they combined his character with conrad, but he DOES speak in livio's memory, i even checked the credits for his seiyuu. (hiroshi naka - he voices a lot of old men but most notably garp from one piece!) i don't really know how his role in all this has changed, if at all, since conrad seems to be the one in charge of the experiments...? and i really... do not like what they did with conrad in stampede, he went from being shitty but having nuance to just being extra shitty... okay, tangent over.
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oh, this fight is so WEIGHTY!! i love it!! they gave a lot of weight and physicality to the livio vs ww fight in stampede too, (and all the fights, for that matter), despite stamp!livio's loss of bulk... it's a really fun fight to watch!
chapter 4:
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OHHH..... okay.... soooooo.... this means he's coming back in stampede season 2 i assume?
not to go off on another tangent but this is the second time this has happened to me... i went into stampede more or less blind (oh how things change) and so when knives died at the end of the season I HAD NO REASON TO BELIEVE HE WASN'T DEAD... but then i saw people talking like he would come back in season 2 and i was like, "how?? he DIED" and then i read the manga and i was like oh. and now with livio too. i thought he served his narrative purpose and then died. and he shot himself through the head, which is notable because that's how ww killed monev who was ALSO a subject of EoM's experiments in the tristamp universe!! so i had no reason to believe he wasn't dead!!
i dont have that much to say about this chapter because it mostly consists of the fight, but OH what a fight it is...!! i know i should be rooting for wolfwood, and i am, but livio is just so COOL in this fight. they're both cool...!!!
also, how many little glass vials(tm) does wolfwood have?! honestly, it's amazing that he still has any at all left to drink, it's a wonder they haven't all shattered already with how much he's been thrown around. especially because the one he drinks from CRACKS when it hits the ground... these vials aren't exactly bulletproof, lol.
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THE HUG...?! UUUEEEEAAHGHGHHGH
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MESSAGE TO ALL BITCHES ughhh ww looks so pained here. when he told vash that his blood runs cold when he points his gun at livio... he's feeling that through this whole volume. man.
something about brothers fighting each other... vash and knives, wolfwood and livio... uagh.
chapter 5:
HEY CAN WE KILL CHAPEL ALREADY??
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oh, the punisher is taller than him... i was trying to get an approximation of relative character heights recently, and i saw somewhere that the punisher is 5'7, the same height as me...
also, 10 punishers, huh... wolfwood's is one, razlo has three... does chapel's count even though it has a different design...? do livio's handguns count? will we see the others? is there even a significance to the number...?
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oh great, is this another wolfwood death flag?! we haven't seen him drink THAT many of them so far but still. hope chapel keels over already. i know ww's making an effort not to kill people but can he please just shoot chapel in the head. also wolfwood's pose in that panel... he's kinda serving cunt
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OH, THIS SPREAD FUCKS!!!! once again the CONTRAST... THE STARK BLACK AND WHITE... SO COOL!!!
so these guys work for razlo specifically, i assume? not livio? also... just who are they? random EoM goons?? why are they so loyal to razzy???
and he has a mechanical third arm. somehow. sure okay
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^ um... trigun lol [roll credits]
oh, it's tri-p as in tri-punisher. i thought it was the word "trip" and didn't question it. ...although "trip" could still work.
--also, wait, hold on, upon rereading i noticed razlo's left ear is covered up (by... something) and it's making his head shape look uncanny (more like a skull?!) and now i have to scroll back through the previous chapters to see if livio has ears. [several minutes of scrolling later] okay, he DOES have a right ear. okay. another pointless diversion for this post
chapter 6:
razlo was a real one for killing livio's shitty parents!
also another thing i'm noticing! razlo opens his mouth pretty wide, while livio doesn't open his mouth much at all... i mean okay there are a ton of differences in physicality between the two of them, but that one in particular stands out to me because last volume i complained that i couldn't tell when livio was talking because he never opens his mouth LOL
spraying wolfwood with blood and guts is a fucking wild battle tactic bro. also i'm convinced that nightow gave razlo three punishers for the cool factor first and foremost. three crosses also brings the scene of jesus's crucifixion to mind... but nahhhh it's definitely the cool factor. unless...?
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"killing and violence! killing and violence! :D"
ALSO CAN CHAPEL DIE ALREADYYYY PLEASE
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VASH MENTIONED!!! i'm so caught up in wolfwood's story rn that i haven't even really thought about the fact that vash isn't present in this volume at all... and then it evolves into a fucking. memory montage. stop with the montage please that's another death flag
and... oh man... wolfwood getting back up to fight because he's thinking of vash... and last volume vash said wolfwood is his reason to fight... both of them staring death in the face and thinking of each other... oh my god. ohhhh my fucking god. oh my fuckign god you guys. VASHWOOD.
oh, looks like i lied when i said vash isn't in this volume, he's right here
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...and that ends that volume. i said more than i thought i would... sorry for the rambles and tangents, i wrote this post running on about 3 hours of sleep lol. time for something lighter as i await next week's volume, let me continue to rewatch the 98 anime... what episode was i up to... ahh... 22, huh...
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mrlondonboy · 7 months
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🔍 Harry Griffin Jr Takes a Lie Detector Test
"  we're  going  to  be  taking  a  lie  detector  test  today.  you  will  be  hooked  up  to  the  machine,  and  we  will  ask  you  a  series  of  questions  -  whether  you  tell  the  truth  or  lie  is  up  to  you,  but  the  test  will  be  able  to  snitch  out  any  lies."
" Seem simple enough."
"  to  start,  what  is  your  first  name  and  what  city  are  we  in  ?  "
"Harold. Or Harry. And we are in the amazing New York City."
"  thank  you.  how  are  you  feeling  today  ?  "
"Just peachy. Had my morning beagle and coffee. I'm content."
"  understandable.  how  about  an  easier  one  -  what's  your  favourite  colour  ?  "
"It's been blue forever. But like a darker blue. I don't know the name, but let's just say dark blue."
"  and  your  favourite  film  genre ?  "
Harry lets out an airy chuckle. "Most people would say Superhero movies, with my track record but I want to make the record straight I do enjoy a good horror thriller."
"  let's  see  -  what  is  one  thing  you  wouldn't  be  found  without ?  "
"It is too "basic"- is that the term?" Harry laughs trying to understand these new terms being tossed around. "My phone. I'm always on it. Text, random Google searches during the day."
"  keeping  it  light,  what's  your  drink  of  choice  ?  "
"Whiskey on the rocks." "That's a lie." "Okay, okay. You got me. I'm kinda of a fruity drink kind of guy. Long Island Ice Tea is up there.
"  which  of  the  following  have  you  attended,  and  would  you  attend ?  "
bold  what's  been  attended,  italicize  what  would  attend  /  attend  again.
the  ballet.  the  met  gala.  the  horse  track.  the  race  track.  a  yacht  party.  the  opera.  the  orchestra.  a  broadway  show.  a  shakespeare  production.  a  concert.  a  comedian.  an  (  american  )  football  game.  a  soccer  /  football  game.  a  documentary  film.  a  film  premiere.  a  polo  game.  art  museum.  wine  tastings.  nyc  sightseeing  tour.  celebrity  sightseeing  tours.  haunted  tours.  charity  galas.  fashion  shows.  fashion  week.  disneyworld  /  disneyland.  a  basketball  game.  a  hockey  game.  a  baseball  game.  a  boxing  match.  a  cricket  match.  the  golf  course.  the  olympics.  
"  oooh,  we're  jumping  into  something  a  bit  heavier  now.  what  is  the  one  thing  you  want  to  achieve  in  life  ?  "
"Not to keep in the footsteps of dear old Dad, but maybe finally get that Oscar. Not necessarily in the acting career but one of my films I produce getting some attention. Outside of my name."
"  who  knows  what  the  fates  ​​​​​​​have  ​​​​​​​in  ​​​​​​​store.  ​​​​​​​how  do  you  feel  about  reputation.com ?  it's  ​​​​​​​all  ​​​​​​​anyone  ​​​​​​​seems  ​​​​​​​to  be  ​​​​​​​talking  about  lately."
"I've heard of it. It's a website. I've seen dozen of these in the past couple of years now. My name is always circulating in these outlets. Ever since I've shown my face to the public. I do have to admit this one knows where to get their information."
"  everyone  is  entitled  to  their  own  opinion,  i  guess.  what's  the  weirdest  /  craziest  headline  you've  read  about  yourself  there  ?  "
"Oh, man. A recent one I saw that actually made me laugh, that I had signed on to this trip to space that other celebrities were going. As much as I wish that was true, I didn't make the cut. - I know!" Harry reacted to the gasps behind the cameras. "I'd kill to go to space."
"  what's  something  you  are  currently  working  on  ?  "
"A few projects here and there. Mostly producing. So sorry to disappoint any fans of mine that want another Superman movie any time soon."
"  i'll  look  forward  to  it.  one  last  official  question  -  and  it's  an  easier  one.  cats  or  dogs ?  "
"Thanks. They are some projects that are close to my heart. Oh dogs 100%. I have a Collie, Quinn." Harry was quick to pull out his phone with his free hand. "This is the little guy."
"  personally,  i'm  a  dog  fan  anyday.  anything  else  you'd  like  to  add ?  "
"That this was fun. Only got one beep out of it. Gotta say that's a win."
"  well,  thank  you  so  much  for  joining  us  today  ​​​​​​​-  can't  ​​​​​​​wait  ​​​​​​​to  ​​​​​​​have  ​​​​​​​you  ​​​​​​​back  ​​​​​​​with  ​​​​​​​us  soon."
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charlesandmiranda · 4 months
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Arrival!
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Writing to you this morning from our hotel breakfast! Just wanted to fill in everyone about the rest of our trip before we start our first full day. I doubt we'll be able to post EVERY SINGLE DAY WE'RE HERE but we're definitely gonna try and keep it frequent enough to be interesting!
From our last post, we were heading from Baltimore to Toronto, which was a very quick hour and a half-ish flight. From Toronto, we headed straight to our gate to which started boarding shortly thereafter, so it was a pretty quick turn around. It was almost kind of a shame because airport was actually kinda pretty, and I wouldn't have hated a few extra minutes to look around at all the really lavishly decorated restaurants and stuff.
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Then came the 14 hour flight. It IS a very long time, don't get me wrong, and by the end my back was VERY achy and my legs definitely craved stretching but also they keep the windows closed and the lights low for most of the trip so you honestly kind of lose track of how long you've been on there.
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Charles and I both watched some movies on the flight; we started the first two episodes of Severance (which was also provided on the flight and I've been curious about for a while anyway -- anyone else here seen it?) and played games on our Switches. I also read a lot; I loaded my e-reader up before we left. In a weird way it was kind of nice to have such a long, uninterrupted time where there was nothing to do but leisure activities even if you're doing them in a mostly uncomfortable way --I think Charles and I (Charles especially) struggle with justifying how we spend our free time, always feeling like there has to be something else we can be working on or doing, but it's kind of a bad habit and terrible mental state to always be in, so we're working on it. Unfortunately, neither of us managed to get much sleep on the flight despite our best efforts, I think I managed maybe 20 minutes total?? So it wasn't super restful for sure.
Thankfully, our flight was kinda ahead of schedule, and we ended up landing around 5:00 PM / 17:00 which is like....3:00 AM for those of you in the Eastern US timezone! We're 12 hours ahead of y'all, so when I'm writing this, I'm writing to you from the future!!!
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After getting through customs and immigration, baggage, etc. we were stopped by a news crew from a show called Why Did You Come To Japan? They seem to stop tourists at the airport pretty regularly, and we ended up talking to them for a while. Charles said that as someone who used to be a camera guy himself, he always tries to stop for folks filming stuff like that, because he knows how hard it can be to get people to talk to you and work with you. They were very interested in the fact it was our honeymoon, and that we got engaged here, and even more interested that we were really into Oishinbo, which is a food manga from the 80s/90s. It's not super popular in the US although personally I love & recommend it, and I kinda get the impression from the crew we spoke to that it's a classic but kinda old fashioned here. They said in all their years of doing these interviews, it was their first time having a foreigner mention it. They gave us a card and a slip of paper and asked us to contact them again, because they may be interested in meeting up with us again later in our trip to film more for the show (!?) so we'll see how that pans out I guess!
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Speaking of, after we finally left the airport, we took the Skyliner train to Nippori, and then transferred to a JR Line train to get us to Shinjuku station. We've stayed in Shinjuku for at least part or all of our trips in the past, and it kind of feels like a home base for us now. We usually stay in or around the Kabukicho area, which is known as an entertainment district with lots of nightlife. If you want brilliantly lit signs and that crowded cyberpunk-y look, Kabukicho is a great place to be!
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NOT THAT IT SUPER MATTERS, BUT the card in the photo, with Hello kitty and other Sanrio characters on it, is a Pasmo card, we each got one. Basically it's a little card that you can add money to, and you can use it to pay fare on most trains and buses, as well as lots of vending machines and stuff like that. You can top it off as you go as well.
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We checked in to our hotel, the Shinjuku Gracery, and IMMEDIATELY needed to stretch out on the bed and shower the sweaty airport off of us, haha. The Gracery is built on top of a Toho Cinema movie theater, and the whole hotel has a very classy Godzilla theme to it. There's a to-scale Godzilla head built on top of part of the building, looking like he's about to demolish it, and he roars and blows steam out of his mouth, haha. To be honest, a night in the Gracery is one of our "we're on our honeymoon, we deserve this!" splurges -- it's one of the more expensive parts of our trip, given the rest of the time we'll be staying in smaller hotels and airbnbs and the like. We dished out a little extra cash to stay in what they call a Godzilla view room, where you can see the head of Godzilla that is mounted to the roof of the hotel from your room! Totally cool. I had to include specifically a picture of the shower, because I loooove these big hotel showers!
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(sadly the filter for this exhibit not only doesn't fit my phone screen but also insanely reduced the image quality LOL)
We took a rest, then headed out to get a bite to eat. We hit up a ramen shop we'd been to in the past, and spent a while walking around the Kabukicho area, including the micro-bar district, Golden Gai. It was interesting to see what's changed and what hasn't since we were here last; for example, they were in the process of demolishing a VR arcade when we were last here, and now there's an ENORMOUS, lux-looking hotel in its place!
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We ended up in the unfortunate position of feeling physically very tired but mentally pretty awake, and even though we spent time in our hotel room soaking in the bath, it was probably 1 AM our time before we actually fell asleep, meaning we were up for like....32 hours straight, I think?
Today, our plan is to check out a few shops in the area around Kabukicho, and a little later we'll be checking out and moving on to Akihabara, where our next hotel is. It's well known for being crammed with electronics and used and new like....nerd stuff, and is pretty close to a district jam packed with guitar shops, so we'll have a pretty full day! Stay tuned I suppose!!
Til next time!
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tiredspacedragon · 2 years
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Ooh I wanna send some questions. I think A3, A21, A22, B3, B17, C6, and C11 interest me the most!
Ooh, lots to answer here
A3 Favourite Villain: It might not be an interesting answer, but it's Makuta Teridax. You really can't beat a good big bad. At least not one like Teridax. He's got one of my favourite qualities in major villains: charisma. Some big bads are just so thoroughly unpleasant that it's not fun to watch or read about them because you just want to drive a stake through their skull whenever they're around, or worse, they're boring, but Teridax is just a joy. He is so theatrical, so secure in his arrogance and superiority that he chews up just about every scene he's in. And it helps that he's actually smart. So many villains are portrayed as that "backup plans for my backup plans" evil schemer archetype, but then fall flat in execution when they get undone with relative ease. But Teridax actually manages to pull it off, both because he's terrifyingly good at using that facet of his personality as an intimidation tactic; go ahead, try to fight him, he has a plan for every move you could make; and because he actually wins. To this day, Teridax is the only villain I have seen succeed in their plans by taking advantage of the trope of Good Guys Always Win. How do you, as the villain, succeed when the heroes are always going to come out on top? Easy, make the heroes accomplishing their goals result directly in you achieving yours. Brilliant! And I will say, I enjoy both versions of Makuta. Both the schemer, and the malevolent force of nature of the early years. I would have liked to see more overlap between the two characterizations, but I'm happy with what we have.
A21 Favourite Order of Mata Nui Member: Uhhh...Axonn, I guess? I don't know, I've never been a big fan of most of the OoMN. I like them in concept, but very few of the characters actually interested me after they were revealed. I mean I like Helryx, first Toa and all that, and Krakua is sweet, but picking one of the two members who are Toa feels kinda cheap, especially given the whole "no Toa allowed" rule. So I guess Axonn. I do enjoy me a good heavily-armoured holy warrior every now and then, and it helps that whenever I read any of Axonn's lines, I hear them in Kevin Michael Richardson's voice in my head, so he feels a lot more defined and present than most of the 06-08 characters.
A22 Favourite Dark Hunter: Well aside from everyone's favourites, The Shadowed One himself, Lariska, and a certain spidery lad, I have a soft spot for Darkness. 'Cause like...what the heck is he?? He just shows up one day, tells TSO "Hey, I live here now. And btw, if you ever show a sign of weakness, I'm going to eviscerate you and claim your criminal empire for my own," and apparently that was totally cool? We're never given any indication that TSO hired him, or pays him for his services. He doesn't go out on jobs, doesn't make any profit, just sits there and waits for murder time with 0 explanation of how or why he is in that position. He is fascinating and I don't want to know anything else about him because quite frankly, that might just ruin him.
B3 Favourite Titan Set: I answered Lhikan and Kikanalo as my favourite set in a previous ask, so I guess that qualifies here too. For the sake of saying something different, though, I'm also gonna give some credit to the Axalara T9. I never used to care about the vehicles in Bionicle, but I have since come around. I am older, wiser, and I know awesome when I see it, so I've warmed up to the gigantic flying battle machine. It's good old-fashioned Technic wizardry, and I completely understand how it managed to win awards.
B17 Favourite Movie: Web of Shadows, no contest. I get the feeling this is an unusual choice in the fandom, but I love Web of Shadows. It's easily my favourite of the original trilogy, and TLR really does not come close. The voice acting, the music, the visuals, everything about this movie does it for me. Especially the character designs. I love the asymmetrical, more bestial Toa Hordika, especially how their weapons became natural tools, and also, I'm just gonna come out and say it, the Rahaga's propellers should have been cannon because they absolutely rule. My only gripe is that, like its predecessor, Web of Shadows moves too quickly. The pacing feels a little rushed sometimes, especially Vakama's side changes, and so much of the 2005 story is cut out to fit into the hour-and-a-half-ish time frame. It's handled better than LoMN was, but still, I would have at least appreciated an acknowledgement of time passing between certain scenes. Like at least a hint that there's like a whole month between the first scene between the Hordika and the Rahaga when Vakama storms off, and when he actually gets captured and betrays the team for that sweet snake-lady...uhh, affection. But that's my only complaint.
C6 What Character do you Think is Underrated?: Gonna stick with Morak and Krahka on this one. And also I'll add on every single Turaga ever. Like sure we talk about their Toa selves all the time, but I feel like the Turaga don't get talked about much, in-story or out. Which is a shame, because they're still our guys, just in a new stage of life. I feel like Turaga in general get written off as a little lame, and maybe if they were talked about more, that impression might start to fade a little.
C11 What Character Should Have Been Given (Another) Physical Set?: I'm tempted to say Teridax here, because it seems odd that the big bad only ever got one true set, excluding Dume and Maxilos as disguises, and completely disregarding Ultimate Dume because it's a travesty. Hell, you could even argue he appeared in every Piraka set too, in their Zamor Spheres. But I don't know if I actually would have wanted another set for him. Teridax worked pretty well as a behind-the-scenes villain, he didn't need another physical form, because the one we got for him was great. I wonder sometimes if Icarax was planned to be a Teridax set, but Greg nixed the idea for the same reason I just stated and made Icarax his own character to continue letting Teri stay in the shadows. So with that said... I might have liked to have seen the Turaga Metru re-released in larger forms to stay in-scale with the later years. So either them, or another proper Teridax set, because it still would have been cool, even if it made no sense.
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keefwho · 8 months
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October 11 - 2023 Wednesday
2:21pm
Oopsie, remembered some minor trauma and realized it's wider implication. My dad and brother used to do this thing where individually they would man handle me and pin me down, sitting on top of me restricting my legs so they could tickle me. It was supposed to be some good old fashioned simple parent-child playful bonding but I deeply hated it. I didn't like being tickled and having my legs unable to move really freaked me out. I'd always end up crying and running to my room when they did it but they would still do it every now and then. If I didn't cry then it would ruin my mood and I'd verbally shut down before going to my room. Even thinking about it now hurts because it doesn't seem like a big deal but I'm remembering just how awful it was to experience. It was definitely a huge violation of my boundaries, maybe not the first time but all the times after when it was clear I didn't like it.
Naturally I'm also thinking about when Rousso visited and how terribly it went. I think about this a lot, usually when I remember unrelated bad past experience because this event is the most recent. I think I keep wanting a resolution to the entire situation or I wish I could somehow undo all the pain we both experienced from it but the fact is I can't. It happened for well understood reasons. I can't beat myself up about it either because I was never acting out of malice. I was completely unequipped not just for the meetup but everything that happened. I think because I was more or less socially undeveloped. Yeah I'm 27 but there are so many experiences I missed out on, especially at a young age. It's why I've always been the weird kid. And it's for reasons I couldn't control. All I can do now is make an effort to learn as I go like I've been doing. I don't think all is lost, its just frustrated having to try extra hard just to keep up with people my age and get through situation everyone expects me to be ready for.
Also I'm choosing not to ruminate on these memories because I have a nasty habit of ruining my own day when things are going well. Im still well aware of my personal kind of toxic behavior. There is no reason for me to be wallowing about the bad things in my past. It isn't helpful to anything I'm doing today. Its important to note I'm not suppressing, I'm just not acting based on these memories and their associated emotions.
10:56pm
This morning mom was outside when I took Sporticus out. I told her I wanted to try vaping THC instead of edibles since it hits quicker and goes away quicker. She agreed to take me tomorrow morning if I feel like it. Breakfast was a bologna sandwich and some beans, but I threw out the beans because they smelled and tasted like that old chalky disk candy for some reason. I ate a granola bar with my sandwich instead. It also tasted weird so maybe it was just my taste buds today.
I decided not to stream today because it feels very monotonous and I guess I kinda wanted to be alone. Problem is I couldn't focus on work like I wanted and I really wanna get better about that. I ended up only doing half the commission which is okay because it's paid double.
My workout today was splitting wood and I went pretty hard. It also rained while I was doing it which felt refreshing. When I came back in I shaved my body, clipped my nails, and touched up my hair a little. I took a nice hot shower and moisturized.
I couldn't do today's request because the guy I picked was at work and couldn't give me his details so I have to do it tomorrow. I worked on the world instead, intent on doing as much as I can even if it eats into my evening free time. I tried hanging out in David's server while I did it but there was a guy that I've never met there vaping very loudly and otherwise being noisy in other ways. I couldn't take it so I went to work on it alone. I felt pretty dreadful for a little bit only because there were no streams to watch and no one I wanted to talk to. I felt isolated for maybe an hour, trying to make my environment more comfortable and enjoy the alone time. Also my tummy started becoming active which I didn't appreciate. Daisy called at around the usual time. She was smoothing out her fursuit head which she did really well on and she sketched a unicorn for the world. We also watched Zelda some more before bed time. We had a good chat while she was in bed, I'm glad I can just enjoy our time together and not be in my own head. Before bed I put a little bit more time into the world.
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The Critique of Manners Part VI
~Or~
An Attempt at an Objective Review of Emma (2009)... VOLUME TWO
Haha, bitches you didn't think I could wait a whole week did you? Nah, not me. and guys, I added to it--all total, it's 9,023 words now. this half of the review is 5,214. HOW DO I HAVE SO MANY WORDS FOR THIS THING? I'm not gonna split it into a third part, because I don't need to for picture limit purposes, but buckle in.
If you didn't catch it, read part 1 here
Here it is, the stunning conclusion to my Emma Adaptation Review series (but this isn't really the end because I plan on doing some rankings later). In this half of my review of BBC'S Emma (2009) we'll discuss Costumes and all the very specific things that I love about this version, and some things I don't like, and some things I'm here to defend.
Let's dive in!
Costumes
Generally I liked these costumes pretty well. They were designed and facilitated by Rosalind Ebbutt, also known for her work on PBS’s Victoria and Vanity Fair (1998). And her work is, as her filmography would suggest, by turns, great and so-so.
These costumes are definitely in line with the adaptation’s general aesthetic: warm pinks and golds, with mints emeralds and blues to cool it off a little, are the order of the day. I really appreciate that every character has a definite color palette. The tradeoff is that this adaptation is the WORST EVER offender for the Jane Fairfax Blue™ trope.
Daywear
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Emma’s daywear is full of warm and muted colors. Salmon and magenta are commonly seen. I love that most of Emma’s daywear consists of sleeveless or short-sleeved gowns with wide-sleeved linen blouses underneath. It’s not a commonly seen aesthetic so it feels light and fresh. My favorite of Emma’s daywear dresses is the pale yellow with purple floral print.
There’s one other in particular that I love.
Emma’s blue, sleeveless dress. I love this because of HOW OBVIOUSLY it’s a reference to this portrait of Charlotte, Princess of Wales. I mean...
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I’M NOT IMAGINING THIS, RIGHT? WHY DOES NO ONE TALK ABOUT THIS? This is a REAL dress. They still have this exact gown of Princess Charlotte’s. It’s on display. It’s faded, but it’s the same dress.
Harriet has a fresh and innocent green, white and purple color scheme with healthy doses of peach and pink showing. I particularly like her white and purple floral print dress.
Mrs. Weston’s color palette varies, but leans heavily on tans and purples, which is very flattering, I must say, to Johdi May’s coloring and is really refreshing for Mrs. Weston who seems to get stuck in pinks and yellows a lot. No idea what’s going on with the laced-front dress though? This doesn’t quite read as authentic to me, but I do like that her first dress seems to be an apron-front.
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I know I already said that this is the worst Jane Fairfax Blue™ offender, but guys I can’t stress it enough. WE ARE 5/5 ON DAYWEAR HERE. LOOK AT THAT. (Also of note, Jane 5 is one of Gwyneth Paltrow’s dresses from the '96 Emma.)
Mrs. Elton seems, at all times, to be wearing some form of pink, but I think I’m right in saying that the white day dress with the rose patterned bodice under the yellow and pink spencer is one of Jane’s dresses from P&P ’80. Can anyone confirm that? They did sneak in some Mrs. Elton Orange™ though, for Box Hill, and it’s worth noting that Mrs. Elton is the only lady who’s appropriately dressed on that occasion.
Isabella gets some understated day gowns that are very nice and also VERY “Jane Austen” in the sense that I feel like Jane Austen herself might have worn them.
Miss Bates, unfortunately is slapped with brown at just about every turn, but at least her “Nice” day outfit has some subtle leaf patterns, which is refreshing. Also Mrs. Goddard has a slappin’ cap. Love that.
Also, Harriet’s Grecian costume for the painting (upper right hand corner). What can I say, but that I love it. I love that it hints at the neoclassical influences on Regency fashion too. This is my favorite interpretation of the painting too.
Evening Wear
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You know what I love about this version? It’s the first version of Emma where her gown for the Crown in Ball isn’t WHITE. I know, I know white was fashionable, but it’s just… it’s nice for not EVERY gown in a ball scene to be plain white friggin muslin and also, it’s not one she’s ever worn before, which is great.
Harriet does have only white evening gowns but that’s okay. My only complaint is that, specifically on her Crown Inn dress and in a lot of her costumes in general, the waistline seems just a little low. Hmm. I really like the pale blue pattern on her first evening dress though.
Mrs. Weston though. Woo. Look at those. She has a dark chartreuse gown with black lace trim that any other version would have put on Mrs. Elton, so you know from the dark tones that she’s a bitch. Not so with Emma '09, and that’s good. And her teal dinner number is a favorite of mine. I never paid much attention to her green and gold ball gown but it has some really beautiful, subtle leaf or maybe peacock feather patterns on it and I love that. My only problem is that there seem to be some fit issues. She’s got muffin top way too often. Her orange evening dress is a bit of a dud though, firstly, because it has long sleeves (which is an evening gown no-no) and the fabric slaps a bit too much of sari fabric for my tastes.
Jane, not only is put in blue with both of her evening gowns (although one is so pale it borders on white), ONE of them is another Emma ’96 repeat and not only that, it’s one of Jane Fairfax’s dresses in that film! Perhaps that’s enough to make it an homage, and I have to say, I think Laura Pyper wore it better.
Miss Bates only has one evening wear ensemble, but at least it’s cream and not brown.
Mrs. Elton’s gowns are surprisingly understated, and yet still seem to be annoyingly fussy and, what’s better? They’re not sickly green. One of them is actually a very pleasant mint.
Outerwear
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Outerwear is roundly pretty great here. Emma’s primary choice of color for spencers is emerald/evergreen and one of them is Elizabeth’s Bennet’s from the 1995 P&P (though to be honest, I think Jennifer Ehle filled it out better.) I do love Mrs. Elton’s pink and yellow number with the slashed sleeves. Jane Fairfax’s only spencer is, you guessed it, blue, but her friend Miss Campbell has a rather fun mauve one.
There’s no shortage of pelisses and redingotes either. Harriet can be seen in one borrowed from Elinor Dashwood in the '08 S&S, Mrs. Weston has a rather fabulous purple one which she wears with the most delicious looking hat I’ve ever seen.
Emma has two. The first one is a great magenta number with military braiding (and I think she wears with it one of the brown slouch hats that Kate Beckinsale wore in the same role) and while the other pelisse is brown, they had the sense not to make her wear a hat with it that was also brown. Instead, they gave her a contrasting color. Good on ya, Rosalind!
Speaking of hats, I don't often single them out for commentary, but I want to here because… the hat authenticity is… kinda spotty. Let me show you.
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Okay first of all, Emma may be a teenager in this pic on the upper left, but she is not dressed formally enough for her sister’s wedding (which is what’s going on in this scene) but at least her hat is pretty good. You can see the ribbons are on the inside of the hat here, which is as it should be… but she never wears this hat again. At any point in the series. Instead, we next see her in the one on the upper right and ye gads this is atrocious. WHY IS HER HAT NOT PINNED ON? IT’S SLIDING DOWN THE BACK OF HER HEAD. SOMONE FIX IT. PLEASE. But wait, there’s more. This kills me because these bottom two are so similar to the one she wore earlier (the correct one) but crappier looking. Jeez.
This is not a hat. It’s a peanut. You know who doesn’t have this problem? Harriet. She only has one sun hat but at least it’s correct.
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I also wanna touch briefly on this ^ costume continuity issue.
WTF is this? She’s in the hall, her ribbon is contoured to the line of her dress; she goes into the drawing room and… it isn’t anymore? Wha happun?
I took more menswear screencaps for this version than any other version. And that’s because the men just have more outfits that are, y’know, different from each other.
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Mr. Knightley is as understated as ever, but I wanna highlight the first pic there and why I love it. This is Knightley’s first appearance in the series and it’s the perfect establishing shot that shows the viewer everything they need to know about Emma and Knightley’s relationship and how it has always been. He sort of materializes, out of focus in the background, but Emma immediately knows he’s there. And to accentuate how much Knightley is part of her home and scenery, his clothes (similar shades of pale tan, white and minty green to the wall behind him) almost camouflage him and make him seem at one with the moulding.
He also has a rather lovely blue evening waistcoat that I WISH I could have gotten better shot of (although I do believe it’s also worn by Henry Crawford in the '07 Mansfield Park, so for further reading…)
Mr. Weston finally gets to wear clothes that aren’t all brown! He only has ONE brown outfit. He gets PATTERNED waistcoats, one of them a rather spiffing blue and brown striped number. And he wears TROUSERS! Because he’s a gentleman, and he’s not that old and trousers are worn by fashionable gentlemen in this period!
You know who else gets to wear trousers and at least one fun waistcoat? Mr. Woodhouse. Check out that lovely Sunday Best™ waistcoat. The red striped one. That’s delightful.
John Knightley’s evening wear intrigues me. That’s a double-breasted jacket, and you know I’m not totally sure that’s very authentic for evening-wear of this period, but it is different. Unfortunately he also has a flared top hat and that is definitely not on for this period.
One of my favorite things about this version is that they don’t dress Mr. Elton as a clergyman all the time. Yes, he may be the vicar, but he’s also allowed to dress like a fashionable, handsome young man. So I’m really happy that he gets to flex his fashion muscles here.
And speaking of fashionable young men, FINALLY frank gets to be COLORFUL and his trousers are even tight enough. Both he AND Elton are often seen wearing TWO waistcoats, as I would expect them to, and even though Frank’s a dandy, he knows that flashiness is gauche so his pops of color are bright, but not in your face. His green and red waistcoats are always worn under more muted colors, and I just love it.
The only problems are… what’s with the turned-down waistcoat collars? There’s no precedent for this, in fact I think it’s directly contradictory to the style at the time, and also it makes the cravats look a bit unruly.
A Critique of Manners
A lot has been said about the manners in this adaption. Like, the actual manners, body language and facial expressions, specifically vis-à-vis Romola Garai.
And, oh yeah, there’s a lot to pick at here, but first I’d like to talk about the facial expressions.
I'm mostly gonna be talking out of my ass here, but this is my take, so if anyone can make a better argument against my points, I am listening, because I don't really like talking out of my ass and I like to be informed. That said...
I tend to be lenient on the… exaggerated facial expressions because, something I’ve noticed reading Austen’s works through the last several months is that Austen is very descriptive when it comes to facial expressions and I just find it hard to believe that people in the Regency Era never made exaggerated expressions like this.
I’ve heard a lot about how Garai’s Emma is not dignified or lady-like. But let’s think about the context of Emma Woodhouse – she’s never been in society. She’s only had a governess to teach her, and we know Emma’s always been sort of averse to being told what she can and can’t do. Emma is the highest ranking woman in her social circle (barring Isabella’s occasional presence). Emma doesn’t have to be ladylike. At 21, she’s already her local Lady Catherine. She puts a lot of stock in her position in society but, as Mrs. Elton will be the first to hypocritically point out, she’s very poorly behaved. I'd be very curious to see what would happen if Emma went to London for the season. Probably, she'd be seen, comparatively, as a country bumpkin. Can you imagine how she might get on in a sea of accomplished young ladies? She can barely handle having ONE rival with any kind of grace.
Austen never describes bodily movements of the kind we’re looking at when we watch adaptations, so why not have Emma’s body-language be un-ladylike in the conventional sense of the time? I’m not saying this to excuse the absolutely inexcusable (Frank’s head in her lap, kneeling on the sofa backwards etc.), but while Emma’s mannerisms aren’t exactly ladylike for her time, they’re not overtly masculine either (which was one of my biggest problem with Death Comes to Pemberly for example.)
Yes, there’s an ideal for manners. But we know real people didn’t always follow those ideals. In dancing for example, many dancing guidebooks of the day were full of repeated instructions not to be too loud or rambunctious when dancing. What this tells us is that people were doing just that, and probably quite a bit, too. I think that, while taking societal strictures into account, we shouldn’t totally discount the idea that people in the Regency weren’t really that different from us, and young people especially.
Now I’ve already mentioned some of the inexcusable aspects of interaction in this adaptation and they’re so notorious at this point, I don’t think that I really need to go over them much here. Although I will say: is it ridiculous to have Frank Churchill put his head in Emma’s lap? Yes. Did it make me more viscerally uncomfortable with the situation on Box Hill than any other version? Yes.
I was like, 14 when I watched this the first time. This was an effective way to telegraph to young people like me that Emma is being extremely inappropriate here in a way that no other version really managed to, even when I watched them when I was older and understood the period more. I’m far more acquainted with Regency manners than I was then, but to be honest – if they had been accurate with the manners here, when I was 14 I would not have understood what the big deal was. Is there merit in circumventing historical accuracy in favor of reaching a less-informed but still-interested audience? Yes, I think so. There were three other versions of this, at that point, that did this scene with more or less pristine manners. Not every version has to follow the manners of the time to-the-letter to be good. That’s my feeling on the matter.
There are things that do really bother me though. Like the idea that Harriet Smith doesn’t know how to spoon soup, for instance. As I said in my review for the Miramax version, table manners are pretty basic, there’s no reason Mrs. Goddard wouldn’t have taught Harriet this. It does provide a good moment to show Emma tacitly coaching Harriet and showing the trajectory in which this relationship will go, but personally I don’t think it was necessary—there are plenty of other ways that could be done.
Also: kids at the dinner table? I know this is part of building the familial atmosphere but it really does annoy me, because apart from building the familial atmosphere (which they do very well and frequently in other ways) it really didn’t need to happen, and it doesn’t add anything.
The Heart of Highbury
So, as I’ve hinted at throughout this review, the bread and butter of this adaptation of Emma is emotion. This version goes hard and heavy on showingthe relationships – Emma’s relationships with Mrs. Weston, Mr. Knightley, her father, her sister, her brother-in-law, Miss Bates; Jane’s relationship with Frank; Frank’s relationship with his father; The John Knightleys’ home life – and it illustrates things that can be surmised from just reading the story, but really draws your attention to them in ways that other adaptations just don’t.
It does this from the very beginning with the prologue which explains in detail (not just in quick exposition between characters) how Jane and Frank were separated from their families at young ages. We know now, from psychological study, that being taken away from their primary caretakers during their formative years is one of the most psychologically traumatizing things for a child. This is deeply important context which is explained in detail by the narrator in 2-3 large pages (in my Barnes & Noble anthology) in the book.
In the featurette on the houses, they talk particularly about Hartfield and the Woodhouses being the heart of Highbury and how they particularly wanted it to feel homey because Hartfield is Emma’s house and they wanted the audience to feel why everyone is so drawn to it, and to Emma; to me that is what they did with the whole adaptation in microcosm.
I usually talk a bit about the dancing and I'm going to here as well because this is maybe the most special dance scene in any Austen for me. Of course I'm going to link to Tea with Cassiane as usual because she knows what she's talking about and I don't. But I wanna add some comments. She gives this a pretty low rating in spite of a generally favorable commentary because of two big oopsies, the circle dance formation is one, and the other is I believe, an issue with the style of dance not matching the tune in Emma's dance with Knightley. Throwing out any objective technical analysis though, this is my favorite Ball in any Austen and it all comes down to the cornerstone of this adaptation--emotion.
All of the songs and dances were original compositions and choreography made for this adaptation. So they're not period per se, but the tunes at least are representative of how Regency dance music should sound. These dances are upbeat, and lively and, damn they look like fun. Everyone is excited here and it makes me understand why dancing was such a big thing. Best of all that excitement adds to the emotional charge of the scene. "The Ship's Cook" is the most fast paced dance and I'm glad they made this the dance where Elton snubs Harriet because it really hits for me just what Harriet would be missing out on if Knightley wasn't so fucking aptly named. In all other versions you get the insult, but the dance that's taking place is usually a Baroque walker so it doesn't seem terribly like she's missing out on much. Here, this is like not getting picked for kickball-- not only is it a slight that no one wants you on their team, but you miss out on even playing the game. Harriet looks so lonely, and her feeling of being out of place rolls off of Louise Dylan so forcefully it chokes me up just thinking about it because I've been there, man. I feel this shit. *dabs eyes*. Ahem. So, yes, when Knightley engages her for the dance the excitement the viewer feels is that much more forceful and Harriet's exuberantly starting to jump in when the timing is off and Knightley gently pulling her back, it just hits me in the feels center, guys. (I wanna take a moment to give a shout out to every camp counselor who ever partnered with me for any game at summer camp.) Emma's reaction too, is gold. Her genuine relief at Knightley swooping in is one of those great reminders that Emma is Harriet's friend, and she does care about her.
Finally on the dancing front, I wanna talk about Emma's dance with Knightley and why I prefer it to the one in the 2020 version. I already talked about this a bit in the 2020 review, so I'm gonna try and keep it brief. That shouldn't be too hard, because I'm probably mostly going to repeat a lot of what I've already said about Emma and Knightley in this version as a whole.
The big thing everyone loves about the Crown Inn dance in the 2020 is the yearning, the sexual tension, the quivering touches etc. Don't get me wrong, I LOVE all of those things but... not all the time. Not in everything, and definitely not in Emma. Because Emma, to me, isn't about repressed sexuality or heated tension or seething passion. Emma and Knightley are the opposite of that, to me, really. One of my mutuals put it best, I think: "Emma and Knightley are more suited to stolen glances than hot touches."
In Part 1 I talked about how Knightley is Emma's comfort object. When Emma is out of sorts, Knightley re-centers her. It helps set up, and puts emphasis on, the crisis of the story in the last act--Emma not knowing what she has until [she thinks] she's lost it. Emma and Knightley are Friends to Lovers done as it should be. She is already so comfortable with him she doesn't even realize her own feelings. She just feels right with Knightley and that's what this dance is here to show you--a foreshadowing of matrimonial harmony.
The dance itself, of course, is always up to interpretation, because Austen never describes how it goes, just that Knightley asks Emma to dance and Knightley doesn't dance (barring charitable causes). If you prefer the sexual tension take, if that, to you is an improvement on Austen's story and gives you what you've always felt was missing, I'm glad that there is a version now that gives you what you've been looking for, but for me, I think the 09 approach hits closer their dynamic in the book.
Now do I do think the Emphasis on emotion maybe went a little too earnest in some places in this adaptation? Maybe. Just a little.
In my last review (1972) I went on a rather lengthy tirade about the scene where they turn Emma’s appeals to Harriet to exert herself and move on following Mr. Elton’s marriage into Emma guilting Harriet into thinking she’s a bad friend for being heartbroken and then throwing her into the situation most likely to rub salt in that particular wound.
In this version, while I love the emphasis they put on the stress Emma puts on her own guilt for being the reason for Harriet’s situation in the first place, I think it’s maybe a little too… much.
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That’s the only way I can put it. I know I’ve just said that I think there should be a bit more expressiveness in period drama, but this doesn’t quite match the way I read it (Emma’s a bit less desperate in Austen’s prose. Very dedicated to helping Harriet feel better, but just a skosh more composed). I think she’s even crying in this scene.
While we’re here let’s go over to Box Hill ONE. MORE. TIME.
First of all, this is where this screenplay shines, in my opinion. This is the big turning point in the story and as such, should be a touchstone for the judgment of any adaptation. This sequence in the 2009 version is a perfect crystallization of everything I love about this version—namely that this is the version that, to me, most feels like someone read the book thoroughly, paid attention to what Austen was describing and then actually tried to convey it on screen. A lot of other versions sort of feel (to me), like the director glanced at the page and said “here’s what I want to convey in my version”. Insofar as making a piece of art goes, that’s good. Directors are artists as much as painters are and movies are their canvass, but it’s seldom that you find a director who honestly wants to hit as close to the author intent as possible and this Box Hill sequence makes me feel like that’s what Jim O’Hanlon was going for. I have the book open next to me as I write this and it’s shocking to me how minutely the atmosphere described in the book is conveyed here. Most of all, the fact that Emma’s insulting Miss Bates is not the only thing faux pas she makes here. Box Hill as a whole is a disaster, and it’s largely because of Frank.
“When they all sat down it was better; to [Emma’s] taste, a great deal better, for Frank Churchill grew talkative and gay, making her his first object. To amuse her, and to be agreeable in her eyes, seemed to be all that he cared for—and Emma, glad to be enlivened, and not sorry to be flattered, was gay and easy too, and gave him all the friendly encouragement, the admission to be gallant, which she had ever given in the first and most animating period of their acquaintance; but which now, in her own estimation, meant nothing, though in the judgment of most people looking on it must have had such an appearance as no English word but flirtation could very well describe. “Mr. Frank Churchill and Miss Woodhouse flirted excessively.” They were laying themselves open to that very phrase—and to having it sent off in a letter to Maple Grove by one lady, to Ireland by another. Not that Emma was gay and thoughtless from any real felicity; it was rather because she felt less happy than she expected. She laughed because she was disappointed…” --Emma, Chapter 43
Most other versions rush through Frank’s “excessive” flirting with Emma (Right in front of Jane) to get to “Three Things Very Dull Indeed” as fast as possible, and yes that’s the crowning horror of Box Hill, but there’s a very intricate setting here, too, and this version has the time to lay back and let it all unfold in the oppressive discomfort of an English summer day.
Even better than all of that though is Knightley confronting Emma after it all goes down. This treatment is neither plaintive, nor aggressive as it was in ‘96 and ‘97 respectively. I’ve already extolled the virtues of Johnny Flynn’s Box Hill rebuke, but for a change I’m not going to zero in on Miller’s performance which is, at least as good as Flynn’s, but on Romola Garai’s, which I find superior to Anya Taylor Joy’s. Specifically, her reaction once she’s alone.
ATJ in the 2020 version immediately breaks down sobbing and it’s hard for me to feel that she’s sobbing for “anger against herself, mortification, and deep concern” or that there’s much self-reflection going on there. To me it rather just feels like she’s crying because she got shouted at. The theatrics of it, to me, feel childish and self-centered.
I don’t feel that with Garai’s performance.
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“She was vexed beyond what could have been expressed—almost beyond what she could conceal. Never had she felt so agitated, mortified, grieved, at any circumstance in her life. She was most forcibly struck . . . How could she have exposed herself to such ill opinion in anyone she valued! And how to suffer him to leave her without saying one word of gratitude, of concurrence, of common kindness!
Time did not compose her…” --Emma, Chapter 43
Of course one can make the case that Emma's reaction should be a bit childish because Emma is an immature character, but that's the thing--I can agree with you anywhere else in this story but this is Emma's maturing moment. This is her turning point as a character. It's where we should see her reactions shift from the same childish denial we're used to seeing when Knightley scolds her, because this is different. It's not the usual brushing off of big brother Knightley, this is a young woman reacting to an esteemed friend pointing out how abhorrently inappropriate she's been and her having to admit that to herself.
I didn't really want to drag comparisons to the 2020 film into this, not on this scale at least, but this just jumped out at me the last time I watched the new film and I have to express it somewhere.
What I see in Garai’s performance is desolation and mortification. That shocked tearfulness of knowing you’ve been justly reproached for wrongdoing, but being too frozen in a pretense of composure to actually cry about it until you’re quite sure that no one will see you. And especially when it’s someone you esteem rebuking you, the horror of them leaving before you can admit that they’re right. There’s so much more depth here, I think, and I can’t even quite express what it makes me feel.
The aspect of time not composing her is another thing that they decided to put stress on in this version. Emma looks fucked up in the following scenes. When she goes to see Miss Bates, she clearly either hasn’t slept or has slept very badly. I feel like this is maybe an anticlimactic conclusion to this section but I’m afraid I’m very close to reaching incoherence, so I’m just gonna leave it here.
My absolute favoritest thing about this version though—something that sets it apart from ALL other versions and even adaptations of other Austen stories—is the inclusion of the post-confession conversation.
This is something of a trope in Austen books but it very rarely finds its way into adaptations: confessions of love are out of the way, the hero and heroine settle into an easy an comfortable conversation, glowing with happiness as they explain and laugh over their actions and misinterpretations of each other’s choices. It happens in Pride and Prejudice, in Persuasion, and yes, in Emma. This is the only Austen adaptation, that I've seen, to include this kind of conversation in any kind of detail. The 1995 Pride and Prejudice alludes to the corresponding scene in it its source material, but the lines pulled from it get tossed into the confession scene itself and then it flies through to get to the obligatory wedding—a side effect of rushing through endings, a convention I’m rather tired of.
Emma (2009) takes its time with this, as with all other aspects of this adaptation. For a version that’s so full of energy, its pacing is extremely laid back and comfortable, without dragging. When you hear the gentle musical swell and Emma and Knightley have their kiss (this whole confession sequence is so sweet and wonderful in its own right), you expect that to be it. But no, we cut to them, the picture of contented happiness, sitting together on a bench overlooking Hartfield’s garden, just talking and enjoying being together, with no teasing, no pretense. If Jane Austen stories emphasize anything, it’s the importance of communication in relationships, and I think that’s maybe why she made it a point in almost every story to show her characters communicating their feelings in words, even after all the conflict has been resolved. This is my favorite scene in the whole series (In case it being my header image didn’t make that obvious.)
This is followed rather promptly by a cut to the next day, with Emma bursting in to Donwell in hysterics about how they can’t be married because she won’t leave her father alone.
This is one of those maybe over-the-top choices that a lot of people don’t like, but guys, it was so funny to me when I was fourteen and it still makes me laugh. It might seem outlandish, but to me it’s just the emphasis on personal relationships and emotion coming through again and it always makes me smile.
Final Thoughts
It’s hard for me to give a proper round up of my feelings for this section because I think I’ve poured just about all of my feelings on each aspect into its dedicated sections.
At the end of the day, the only thing that really disappoints me about this version is the number of missed opportunities there are here. One of my favorite parts of reading Austen is when I run across a line in dialogue or narrative that just… slaps. But they never make it into the adaptations. Emma is full of them and I just wish that Sandy Welch could have taken an opportunity to slip a few of them in.
In summary, I think this is a wonderful, heartfelt adaptation aimed at getting to the emotional heart of a story that often gets caught up in the Mean Girl-ness of its main character than the coming of age story that it is. It's one of my favorite period dramas because it's one of the few that really captures the spirit of the source material as it's always felt to me. There's really only two other period dramas that I esteem on the same level as this, and they're North & South (2004) and Jane Eyre (2011) and it's for the same reasons; because they impact me deeply on an emotional level--which is what art is supposed to do--because of how well it captures the essence of the story that I know and love.
So did I succeed in a more objective review of Emma 2009? I' feel like probably not. But I tried my best. It’s so hard to be objective about something that makes you as happy as this adaptation makes me.
Ribbon Rating: Most Agreeable (83 Ribbons)
Tone: 10
Casting: 9
Acting: 9
Scripting: 7
Pacing: 10
Cinematography: 7
Setting: 9
Costumes: 6
Music: 8
Book Accuracy: 8
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fakeloveaskblog · 3 years
Note
Greetings from the void, Remington Siest, I have been summoned in your stead—
Oh, it's you! We've already met! Right! Uh, Remus's nonbinary demon friend again, this time coming from the shadowy corners in your room that you never look to. My apologies for that little scare, it's my day job you see, and someone else did summon me to you; old habits die hard, yadda yadda. How have you been? How are you liking that Raccoon plushie I sent?
Now, as for what's been requested of me *sounds of paper shuffling* hmm, ok, yeah, that's easy! Remus adores you, can confirm! Both him and Janus love having you as a friend and while I cannot speak on Remus'd behalf on the matter I can say that Janus is absolutely smitten with you (on a romantic sense) beyond a shadow of a doubt! He doesn't and will never only want you for your body, or leave you if you were to reject any advances he may yet put forth, so you can rest easy on that issue!
Oh. *hears what Remy has to say to their summoner before the message sents* Oh my. *starts to panic* Seems things are worse than I thought. I have. No idea what to say that wouldn't make this any worse! Where's the person who cheers you up and sents you nice text messages when you need it?! Ah, guess if they're not here this falls to me until they do get here? Uh, darn the timer's running out, um.
Remy… you are amazing and a great person and your friends love you for you, and you alone, not just your body, you! (Remus is ace for crying out loud!) Other than the obvious… now, we don't have time to unpack all of that, but…! *quickly sents a link to a social media app on Remy's phone* So. *John Mulaney voice* Hey, do you want me to kill that guy for you? Because it sounds like he sucks and I would totally kill that guy for you!
(U!Virgil, emotional abuse)
Remy: "Oh girl I am loving the raccoon! I sewed him a lil like hoodie so now he like reminds me even more of my boyf. I have-"
They forced in a sharp breathe through their teeth while their whole body trembled from pain. The plushie was pressed close to their chest as they laid in bed. All the blinds were rolled down because any and all light would bring them a migraine right now.
"I haven't like....been doing too hot...I...It's like....a lot right now"
They took a few moments to really listen to your message. (How good that all demon messages came with an automatic playback function)
"...Jan does seem so sweet...and Rem makes me feel all warm...maybe you’re right" They buried their face into the soft fur of the plushie "I want Jan to like hold me like all the time. He's so soft"
(A part of them still felt doubt. Sweet guys had left them before. They tried to press the doubt deep deep down until they couldn’t hear it anymore)
"I really hope Jan like texts me about hanging out soon. Like shopping or eating at some resturant or like going out walking or whatever. I just wanna like talk to him. He seems like tots a good listener right? Would be like good to vent to I guess...I kinda want to...I trust him. I think....I shouldn’t vent....I shouldn’t”
The door opened. The small amount of light coming in made them whimper and hide down under the blanket. Virgil came in. He hunched down by the bed.
“You feeling any better?” 
“Bitch look at me. I’m dying more than a 70′s fashion trend!! Oh woe me!”
He kissed them on the nose before taking out a pill from one of the medicine bottles on their bedside table. Remy immediately tensed up.
If they took that pill then eventually the bottle would be empty and Virgil would have to pay for another and they wouldn’t have any way to make it up to him because they were useless and couldn’t work and could barely even be used properly and he would probably tell them himself how horrible of a burden they were and they were probably supposed to refuse or he would get mad and-
“You need it” He had a soft look in his eyes.
“I’m fine babe!” They spat out in panic.
Virgil grabbed onto their jaw and forced their mouth open. The back of their head got pressed down into the mattress. It hurt. They knew he would just sigh back how Everything hurt to them if they said anything. They grabbed onto his wrist to try and force him away, they couldn’t. He wasn’t strong but they were very weak. 
He pressed the pill down into the back of their mouth. “Swallow” He kept their mouth open until they did as told. “Good. Was that really hard” He muttered sarcastically.
Their whole body was still so tense it ached “Please babe you just sounded like a laughably pathetic daddy dom”
Virgil fiddled with his hoodie strings like he always did when he got flustered “I Uh didnt’ mean to. Gross. Eh. Dinner’s almost ready by the way”
“Don’t burn the stove down” They teased.
“Shut up you smartass” 
“You wish”
“Idiot” He said jokingly before kissing them. He left to check so the stove hadn’t actually burned down.
Remy painstakingly turned to look at you. They pressed the plushie closer. The medicine started to make them drowzy. It did that sometimes.
“My boyfriend doesn’t suck...he’s sweet. so sweet” They mumbled out “Most days he’s so sweet. Like today. And on bad days he just like doesn’t lie. He just says the truth..he gets so anxious about me leaving him....isn’t that like kinda romantic...him being so desperate for me to not leave he just...he just says stuff...and yells...and.....and it’s sweet. He’s so sweet”
They kind of wished Virgil would always be either sweet or honest. It made them so stressed to never know how they had to act. At least their dad never made them stressed like that. He was always angry. That made it easy
Remy gripped onto the stuffie harder. They hated when their brain made connections between his boyfriend and-
“He loves me. He just like loves me so much. All that stuff that sounds bad it’s either ‘cause he’s trying to make me stay, like I would leave or someting, or- or ‘cause it’s true”
....But....But they’d thought the whole thing about how no one else would want them except for their body was true...but if Janus didn’t....then it wasn’t true....Remy couldn’t help but wonder if-
The door opened again. Virgil came in with 2 bowls of black bean soup. The silly wondering was quickly forced away from their thoughts. 
He sat down on the bed next to them and set the bowls onto the bed table they had for bedridden days. He gently put his hands on their back and neck to help them sit up. When they whimpered he kissed them.
“I’m not hungry” Remy muttered.
“Beanie you are”
They could eat on their own but they didn’t say no when he used the spoon to feed them. It made them feel pampered and it made him feel needed. Double win.
“Babe this tastes horrible. just saying as like a warning” They said after finishing half the bowl.
“Like you could do any better” He pressed a playful kiss to their forehead.
“Oh yeah definitely! I just put the ingredient in! And then the like water! and then it’s done! Easy!!”
“Woooow. Wish I’d thought of that”
They smiled “Yeah that’s why you’ve got dick for brain. Bitch”
He simply snapped his finger into their forehead in reply “Wanna watch a horror movie?”
Remy got bored by horror movies and Virgil easily got anxious by them even though he loved them so really he was if they wanted to make out and cuddle to avoid looking at the film.
“You akready know I want to”
They didn’t look which movie he picked. They’d already cuddled up to his side and pressed their head to his chest. He moved his arms around them so he could eat his soup while the movie started.
It was so nice. They could hear his heartbeat through his hoodie. He was so sweet. They were so horrible.
They didn’t deserve it. They didn’t deserve it. They didn’t deserve it.
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rowyn-writes · 4 years
Text
Cinnamon and Sugar
Chapter One
Warnings: Small mentions of depression, language, mentions of sex.
Characters: Jo Harvelle, Dean Winchester, Chuck, Jack Kline
Pairings: Dean Winchester x Reader
Word count: 2k
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You groaned as you flailed your hand around, trying to silence your annoying ass alarm clock. It was 4:30 in the morning, and to say you weren’t a morning person was an understatement.
You didn’t understand why you had to get up so early in the morning when the shop didn’t open until seven, but that was Chuck for you, always trying to ruin your peace. You didn’t mind your boss; when he stayed out of the way, that is.
You quickly got dressed, fed and watered you cat, giving him some belly rubs, before heading out the door. You didn’t live that far away from the shop, only a five minute drive, but you decided to walk there pretty much every morning. It was good exercise.
You jiggled the key in the lock before swinging the doors open. The smell of old books comforted you. It was always one of your favorite things. If you could bottle the smell and make a candle, then your life would be complete.
You began to set up for the day, grinding coffee beans, getting the display case ready, wiping down counters, the works. You knew the store didn’t get it’s rush hour until at least nine o’clock, so you had plenty of time to yourself. You connected your phone to the speakers in the store and began to play some of your favorite songs.
If you were being honest, you loved having the place to yourself. While you loved social interactions and talking to people, there was something about the tranquil environment of a coffee shop that just made you feel content.
You knew it was going to be busier than usual, since it was a Monday and everyone needed their morning coffee before going to work. Once you were finished setting up, you got out your backpack and began working on your homework. You were currently attending the University of Kansas, trying to get your Masters degree in chemistry.
You would have gone to a more prestigious if you could have afforded it. But UK was the best you were going to get. Plus, it wasn’t all that bad, as you had made some new friends there. Your best friend, Jo Harvelle, you had know since you were ten years old. She worked along side you in the coffee shop, and she should have been here ten minutes ago.
“Jesus Jo.” You muttered under your breath, looking at your phone. “Why is she always so damn late.” You went ahead and clocked in for her, because if Chuck saw that she was half an hour late, he was going to fire her. Again.
“I’m here! I’m here!” She exclaimed, rushing through the doors. “Sorry I’m late. I overslept.”
“Yeah, yeah. Just put on your apron and get to work. These coffee’s aren’t going to make themselves."
Jo gave you a mock salute and got to work. Like you thought, the line was pretty long. You and Jo rushed to get out orders and clean up as you went. Around 12, it finally died down.
"Thank god it won't be that busy tomorrow. Tuesday's one of our slower days." Jo huffed as she leaned against the counter.
"Okay, you never told me. . . Why in the hell were you so late today?!" You cuffed Jo, who glared at you.
"Well, if you must know, Y/n, I was having a sleepover." She winked.
"With who this time?" You rolled your eyes.
"I don't actually remember." She admitted. "But he was hot." You snorted at her comment. Since there was hardly anyone there, you decided to sit down on one of the plush arm chairs and start your homework. You had midterms in two weeks, and you were stressing majorly.
"Jeez, Y/n. You're no fun." Jo complained.
"I'll be more fun once midterms are over. Until then, you get Grumpy Y/n." You flipped to the next page of your textbook.
A bell sounded through the store, signaling that someone had just entered. "Oh my god." Jo whispered.
"What?" You asked, furrowing your eyebrows.
"That's the hot guy I slept with last night. And I kinda just left without telling him this morning." You felt your jaw drop. 
“You’re kidding!” You hissed. “Jo, you told him where you work?”
“No!” She defended herself. “No, I didn’t. Look, he’s nice and all, but I really don’t wanna talk to him. I kinda just wanted last night to be a one time thing and never see him again.”
“Fine. Go into the back and start cleaning up while I take his order.” Jo threw you a grateful look as she quickly fled into the kitchen.
You stood up and made your way over to the counter, and boy, was Jo right. The man was very handsome. The first thing you noticed was his emerald green eyes. It was one of his most beautiful features. Although he was gorgeous all around.
“Hi! Welcome to Chuck’s, what can I get for you today?” You gave him a friendly smile.
“Uh, just a large Americano, please.”
You narrowed your eyes at him slightly. “Let me guess, you’re used to crappy diner coffee, right?”
The man chuckled, scratching the side of his face. “Yeah. How’d you guess?”
“You seemed kind of hesitant in ordering, plus, Americano’s are disgusting.” You scrunched up your nose.
“Alright, what do you suggest then?”
“Hmm. . .” You looked the man up and down, trying to see what type of coffee would best suit him. “An Irish coffee. You seem like the type to drink whiskey, am I right?”
“Yeah.” He seemed skeptical. 
“Alright. One large Irish coffee, coming right up. What’s the name for that?”
“Dean.” You nodded as you wrote down his name on the cup. As you were brewing the coffee, you heard a loud crash coming from the kitchen. You quickly set aside what you were doing and ran to the back. 
“Jo?” You called. Your best friend looked at you sheepishly as there were scattered cups on the floor. “Jesus Christ woman, you almost gave me a heart attack.”
“Is everything okay back here?” Dean asked, rushing into see the two women. “I heard a crash and wanted to make sure everything was okay.”  His eyes widened in surprised as he looked at Jo. “Jo, hey.” He cleared his throat awkwardly.
“Oh, hey, uh-” Jo stumbled.
“Dean.” You whispered.
“Dean. Right, I knew that.”
“No, you didn’t.” Jo glared at you as she hit the back of your head.
“I’m just gonna go and wait for my coffee.” As soon as he was out of ear shot, you bursted out laughing. 
“Oh shut up!” 
You continued laughing as you went back to the counter. “I’m sorry for laughing.” You apologized in between breaths. “It’s just. . . Jo’s my best friend and she always looks for a chance to embarrass me, so whenever I get the chance to embarrass her, I take it.”
Dean cracked a smile. “Yeah, I’m like that with my brother.”
“I have a brother too.” You said, continuing to brew Dean’s coffee. “He’s five years older than me. Treats me like I’m a child.”
“It’s an older brother thing.” He grinned, leaning on the counter. “I act like I know more than him just because I’m older. It’s a complex.”
“Alright, here’s your Irish coffee.” You smiled, handing him the drink.
He took a small sip of the coffee, fully prepared to be hit with bitterness. He was pleasantly surprised to find that he liked the taste. It wasn’t too bitter or sweet, and the Irish Whiskey was a great bonus. “Wow, this is great.”
“Thanks, I’ve been trying out some new blends. I hope to convince my boss to add some new stuff to the board. But he’s a pain in my ass.” Dean chuckled.
“Well, I’ll definitely be back. This is much better than that crappy diner coffee.” Once Dean was gone, you called out to Jo, telling her that it was safe to come out.
“Well, that was awkward.” As Jo went to hit you again, you grabbed her wrist. “I love you, but I swear, the next time you hit me, I’ll hit you back.” Jo held her hands up in surrender, knowing full well that you would keep your promise.
Around three o’clock, you clocked out, finally going home for the day. You were exhausted and just wanted to get home to your cat, Storm. The days were getting shorter and the nights were getting cooler. It was becoming fall, the leaves were changing to a beautiful orange-red color, and every store you went inside smelled like pine cones. 
You unlocked the door to your apartment, setting down your keys and bag on the small table by the door. You clicked your tongue, calling out to your cat. He came instantly, wrapping his body around your ankle. “Hey, Storm. Did you have a good day?” Storm purred loudly as he continued to weave back and forth in between your legs.
You refilled Storms food bowl before going to sit down on the couch. You will still crunching for midterms, and it was awful, to say the least. You were hardly retaining anything that you were reading. Nothing seemed to be sticking.
You sighed as you threw your textbook aside. Instead of studying like you should have been, you decided to call your friend, Jack. You, Jack and Jo had been friends since you were kids, all going to the same elementary school. Granted, your parents had forced you to spend time together, but you grew to be close friends.
“Hey, Y/n!” Jack’s face popped up on the screen. “I’ve missed you.”
“I’ve missed you too.” You smiled. “I feel like we haven’t talked in ages. Ever since you decided to go to college in North Carolina. Duke sucks, by the way.”
Jack laughed, his honey blond hair falling in his eyes. “Duke does not suck, I’ll have you know. It’s one of the most prestigious schools in the south.”
“Oh yeah, because the south is soooo great.” You teased.
“It is great, Y/n. Once you get past the bipolar weather, it’s nice. The food and drinks are amazing too.”
“Well, you better be getting your ass over here for Christmas. I haven’t seen you in months. Jo and I miss you a lot.”
“Speaking of Jo, how’s she doing? Does she still arrive ‘fashionably late’ to everything?”
“Duh.” You snorted. “Have you met Joanna Beth Harvelle?”
“Sadly.” He muttered. 
“Don’t act like you don’t love her. She may be an annoying bitch, but she’s our annoying bitch.” You both laughed, genuine smiles on your faces. It had been so long since you actually smiled. For months now, it felt like you had been drowning in the ocean, trying to break the surface, but never quite reaching it. You could hear other people around you talking, laughing, out living your life while you just stayed stuck.
You had so desperately wanted your senior year of college to be normal, to return to normal, at least. You wanted to enjoy everything that the last year of college had to offer. You wanted to get wasted at parties, hook up with hot guys, or girls, you didn’t really care. You just wanted to be happy, but things were so much more complicated than that.
“Okay, I really hate to leave so soon, but I have a date tonight.” Jack seemed proud of himself. He was awkward when it came to the female species, aside from you and Jo, he never really talked to other girls. He could never seem to say the right things to them, and it always turned out weird.
You pouted, sticking out your lip. “Aww, okay. Well, as soon as it’s over, call me. I want to know how it went.”
“Will do. Bye, Y/n. Love you.”
“Love you too.” And just like that, you were left alone with your thoughts again.
-.-.-.-.-.-.-.-.-.-.-.-
Tag List:
@akshi8278​ @laycblack  @lovememisha
If anyone else would liked to be tagged when the next chapter comes out, let me know!
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jungwnn · 3 years
Note
Hiiiii😚 i wanna request for a ship with txt, enhypen and bts, thank you soo much for taking the time to do this!☺ I hope you have a good day, stay healthy and take care for yourself🤗
INFP-T | enneagram type 4 | sun: Sagittarius, moon: Cancer | Hate studying anything except English | Competitive when it comes to things I love and am passionate about | Like creative writing and interior designing(basically architecture) | Novels over movies | Even if i watch movies its either action or angst-drama, and always like the evil characters more than the good ones because I'm able to sort of understand why they do what they do, I believe everything has a reason, and every action is a result of something | I also believe in soulmates, love at first sight and all sorts of tropes like these | Obsessed with Greek and Roman mythology and ancient Egypt and just in general medieval eras | Love taking polaroid pictures and traveling | Aesthetic all the way, love being in the nature | I love fairylights and abstract paintings and night walks and stargazing | Love sad things | I'm sensitive to smell and don't like artificial scents | I like going to libraries and museums and cathedrals and old medieval buildings, beaches also and other nature aesthetic places | Always observing little details about everything that other people fail to notice | Easily scared or startled | Have huge trust issues and very sensitive | Have very few friends and am loyal before anything | I'm moved by little things and don't really like much of fancy dates, I like it simple and my favorite would be walk along the beach at night | Am very open-minded and wise but no one's really aware of that | Like disturbing people and then giving puppy eyes | Shy at first but when you get close with me I'm very loud, talkative, playful and annoyingly funny and weird | Just realized it yesterday that i tend to 'huh' a Lot | Clingy with people I am very close to(might even jump and koala hug them tbh) | Everyone's comfort pillar | Very expressive with words and actions | CLUMSY(I hit or bump into something at least once a day) | Love eating (taking advantage of my never getting fat genes lol) but am sort of quite picky | 5'2 - 157cm and I like tall people but I have no problem connecting with people on the shorter side of the height spectrum | Baby voice and baby face | side bangs and dark brown short almost straight hair which reaches just 4cms above the shoulders | Big chocolate brown eyes | Have slightly honey tanned skin | I'm a crybaby too, like if someone I love or care a lot about is getting scolded for whatever reason or they are sad or something then I tend to cry immediately. And while watching or reading sad things too | I do random sounds or actions too and I noticed recently I go 'huh' and 'uh' all the time | sometimes I don't even understand myself like a few days back I was wearing a black sock on my left foot and a white one on my right and then i forgot that i wore mismatched socks so when I noticed it after a while I got fascinated for literally no reason then within seconds i forgot about it again and then when it came to my notice again i got fascinated again and this went on the whole day lmao | My fashion style leans towards boho chic/bohemian and casual | And prefer bare face over makeup and converse over other footwear and dusk(sunset) over dawn(sunrise) but in the album I like dawn ver more🤭 | I love spicy and sour food and have a high tolerance of spice | And my love languages are acts of service>physical touch>quality time>words of affirmation.
YOU SOUND SO INTERESTING AND COOL LETS BE FRIENDS 🙄✋
in txt i ship you with!! Beomgyu !!
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pls I can already already see yall fighting over movie chararters😭 I just get the vibe y’all met in a really weird way like he was reaching over to grab a random ass toy and you were too and bam!!! Talking, numbers exchanged. He instantly fell in love with you dude. Like gyu isn’t one to simp but your the exception here. Like dude had a big smile when you responded to his text message. Will he ever tell you that he would bounce up like a puppy whenever he got even a notification hoping it was you?? No. Never. That never happened I swear. There was a time where kai texted and was like “hey soobin said practice in an hour” and gyu straight out texted back “idiot shush I’m waiting” and Kai was just like ??? “...ur weird” basically gyu is literally in love with you from the beginning like it’s insane. That doesn’t stop him from teasing you though. Dude you better stay on high alert this dude is constantly pranking you. They are all harmless but if he ever did hurt you or do something wrong. He will instantly hug you and literally apologize all day and shower you in love. Just finding comfort in each other!! Like he is always there to listen to you talk about anything and just comfort you, He also trust you enough to share his issues! He loves to call you idiot all the time but he says it in the sweetest way or just to tease. He also loves to carry you, it makes him feel super tall ( esp when moas be calling him tiny 😭) also sleepy gyu!! Clingy!!! Let’s say y’all went on a date just a quick ice cream and a walk around the park right, He would look at you and be like “your so pretty~” then you look up and be like “huh? What did you say?” And he would just pull you closer to his side and be like “nothing idiot~” in the same cheeky sweet tone. Then later on that day y’all would just to hang out on the couch cuddled up. He was obviously tired since he was yawning every five seconds. He pulled you against his chest and just started mumbling about how happy he was to have you!! But that’s for your ears only!!
Your overall relationship would consist of:
☼lots and lots screaming like dude is loud but he is expressing his love so it’s okay!
☼movie marathons!!
☼pls don’t use puppy eyes on him he’ll cry at how cute you are
☼let him kiss your forehead and your head he wants to be tall
☼he makes u meals but sometimes they burnt 😣
☼brags abt you all the time like I’m pretty sure taehyun knows your favorite food and your birthday by how much gyu talks
☼he loves listening to you talk abt your interest and fascinations !!
so for Enhypen I ship you with !! Mr.Jake sim!
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I just know this boy loves you for your witts bro, like.. how can you be so smart, interesting and pretty at the same time?? Like you completely captured this boys heart!! He loves hearing you talk about Roman and Greek mythology and ancient Egypt!! He thinks it’s honestly so amazing to listen to you speak about your interest🥺 He has this thing, where like whenever you do something cute or he just looks at your face he just walks over and squishes your cheeks. He loves loves loves showing physical affection! He WANTS you to know that you are the light of his life and you make him so so happy!! He talks abt Layla to you all the time and even called you her mom like WOAH. Speaking of mom, Jake gives me the vibe he talks to his parents about you!! Like mans is so serious abt you he just adores you!! Dude is so worried about you when you bump into things, like let’s say you accidentally hit a wall. He will be by your side in a second telling you to be more careful them kissing your forehead. He calls you princess 🧍(HAVE U SEEN THAT ONE FAN CALL BYE) he also treats you like a princess as he should. I have a feeling when he can’t see you in person he calls you and y’all will fall asleep on call. like he would be all sleepy and be like “i miss you :(“ and just talk about your guys day and it would be so sweet!! I’m sure you get the idea !! He’s in L word with you hardcore!!
Your overall relationship would consist of!!
☼he always buys snacks for you because he wants his baby to eat well
☼he is a romantic he loves taking walks on the beach with u!! (And Layla)
☼always compliments your eyes !!
☼always gets you flowers or lil things that remind him of you !
☼he has you as his wallpaper!
☼if y’all go see scary movies together he will most definitely try to act tough and protect you but he fails and hides his face in your neck
☼CHEEK KISSES!!!
for bts I ship you with !! Kim taehyung himself !!
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okay okay!! I feel like taehyung loves your mind, he loves hearing your side of things and just loves everything about the way you think! He truly thinks your a piece of art !! like homeboy just loves spending time with you and just talking. He is a hopeless romantic like he loves taking you out to dates that mean a lot to both of you! He takes you to art museums and beaches and takes so many pictures of you!! he has a whole folder dedicated to you!! He also loves hanging out with you and your guys friends!! He just wants everyone to know he’s with you forever and ever!! He is the kinda dude to rest his elbow on your head like deadass just to tease you. He takes you to his hometown often because like I said he wants a future with you!! Expect a lot of snacks from his mom because she adores how happy you make him and he is just!! ugh you lucky lucky girl!! He likes to travel with you, like he can be so unpredictable!! dude will sit there and go “for dinner can we get pizza? Also I got us a trip to Paris for my week off” LIKE OKAY WE GET IT YOUR RICH!! But good for you I guess🙄 also matching outfits. He’s buying you a matching beret and your gna wear for that boxy smile idc. He looked at your matching socks and instantly wanted to try and now he claims it’s the coolest shit ever like Yoongi is always like “why tf?? You bought these in pairs?” Like mind your business Yoongi. His baby does it so he wants to do it too !!🙄✋
overall relationship!!
☼kisses on the lips all the time
☼plane ride cuddles
☼ur boyfriend is your professional photographer
☼pls tell him he’s a good boyfriend he just wants to make you happy
☼always talks to you abt the future <3
☼no joke he has y’all’s kids names planned
☼fun fact.. he bought you a promise ring 😣
a/n aaa!! I hope you like it!! I’m so sorry for the wait!!
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kyutown · 3 years
Note
hii, if you are accepting requests, can I ask for a ship with bts, txt and nct 127?
Thank you in advance ^^
(also, my mother language is portuguese, so I'm sorry for any mistake, for the long description too)
Physical:
So... my height is 162cm (5'4), I weigh around 50kg, I have a skinny body figure with an hourglass shape, thin waist, long (almost reaches my belly button) and straight medium brown hair, dark brown eyes and pale skin. People always tell me that I'm naturally charming. I'm not a big fan of heavy make up, that's why 95% of the time I'm barefaced. The color that best suits me is black, small face: 17,5cm (last time I've measured was 18cm, but I just measured yesterday again and it was 17,5cm lol), soft skin, eye smile, kind of an aegyo-sal (however, only appears sometimes, idk, not sure if it really is) and bunny teeth.
I used to have double eyelids in both eyes, but now I have a double eyelid on my left eye and a triple eyelid on my right eye, (somehow I developed a third eyelid in the beginning of the year).
Personality:
My MBTI is ENFP-T, sign is Sagittarius. I'm the youngest, silliest and weirdest in my group of friends. An only child. I can be friendly or very shy at first, it depends on my mood. Love spending time alone and thinking by myself, I'm very competitive, can do both sexy and cute styles, a scaredy cat, love perfumes and fashion, animal lover, midnight person, traditional romantic, very curious, like romance and horror movies, fav color is purple since 2010, pretty talented at singing; dancing; drawing and acting. I LOVE playing video games since I was around 4 or 5 years old. Also LOVE stars, moon, galaxy and everything about the universe (and prefer sunset over sunrise). I've always been one of the smartest at my school, even tho I hate to study, it just seems natural. I also can speak 3 different languages.
People usually laugh of what I say, so I guess I'm kinda funny (?)
I'm very honest, kind, active/athletic (I can't stand still for a long time, I have the necessity of keep moving), a bit sarcastic, bubbly, dirty minded, sincere, open-minded, loyal and love eating sweet things.
I have extreme fear of bees, whenever I see one I start screaming, running and (in some extreme cases) crying.
Most of the time I just pretend that I'm strong and cold, but actually I'm very fragile with my emotions, I act like idc, but later I will surely think about and cry.
Flaws: stubborn; bossy; too much emotional; I'm sincere on the point that sometimes can hurt the others and manipulative.
I'm already a bit stage experienced, since I started "performing" when I was only 11 years old, it started with a role as the lead actress in a play at my old school, for a crowd of around 300 people. I was the lead actress in 2016, 2017 and 2018. In 2017 I joined a choir and stayed until 2018. In 2019 I participated in a school show talents with my group of friends, we danced very like a girlgroup. Since then, I took a break from the stage. But never did something in the professional level, only at school.
I took both contemporary and street dance/hip hop classes at the age of 10 (2015), as well drama classes. And in 2017 I took singing lessons.
(yeah, I'm a 04 liner)
Clothing style I'd say I'm more of a tumblr/casual, I can wear any color, but darker tones fits me the best.
My current biggest ambition is to become famous, I'd love to become an Idol cuz I completely love the stage/singing/dancing and performing. Hopefully it can become reality soon. (Yeah, I'm willing to audition in the beginning of the next year)
My fav skinship is holding hands, hugs only if they are quick. I just want to hug longer my s/o (and my parents ofc), I'm not a VERY touchy and clingy person, I like to have my personal space.
My ideal type: is a guy who is at least 172cm but I would prefer his height to be between 175cm-180cm, not small but not a giant, has black or dark brown straight hair. Ideal age gap 1995-2002, I'm totally into an older s/o, but not older than a 95 liner (I don't want him to look like he is my father). An understanding boy, who knows how to respect privacy, because I like to spend some time by myself, romantic, loyal, trustworthy, honest, knows how to dance, open-minded. Affectionate but not THAT clingy, I'd feel annoyed if he wanted to live glued to me 24/7. Sometimes, when feeling more affectionate, I will want to hug him all day and cuddle while watching something and have a good conversation.
I believe in destiny, so a person who wouldn't make fun of that, cuz I get sad/mad pretty easily tbh.
Someone who isn't only a s/o, but also a best friend, who I can have fun and share everything. I'd melt inside when he praises me a lot, but I wouldn't know how to react on the outside.
I'd like if he has the same liking for shopping as me, and for traveling too.
That's it, I tried to be as detailed as possible about everything and resulted in a really long description. I hope you don't feel bothered for it.
hi! thank you for responding!
for bts, i think jimin would be good with you! jimin would not only be your significant other but he would always be like your best friend which you wanted! he would talk with you, go shopping with you and do all of the things you would do with your friends! when you have a fight or argument with family or friends, he would always be there for you and would always want to see you having fun!
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for txt, i think yeonjun would match you well! yeonjun is a fashionista! he would be the type to dress up with you, go shopping and would do many of the other fashion things with you! he is also born in 1999 which matches your ideal age gap! he would also give you lots of hugs but would still understand if you need your alone time and privacy. but he would love it when you hug him!
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for nct 127, i think taeyong would be a great fit! he enjoys listening to music, watching movies and playing games! he would for sure, be the type to spend his free time with you! he would also be the one who would be understanding, affectionate, loyal, trustworthy, open-minded and honest! he would be many if not all of the adjectives that you listed above!
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sebastianshaw · 4 years
Conversation
RP meme from "Chapter Two: Infesting the World" in The World of Darkness Ratkin Breedbook, Part 1 of 2
"What a lovely sound of broken glass!"
"Hide! Danger! Make yourself small!"
"Something about this guy isn’t right."
"His eyes look a little beady, and he seems to slouch a bit too much."
"Your fingers are bleeding."
"Hey, I got a bottle of Jack Daniels inside the truck, if you need it bad enough."
"You want to sleep here in the alley, that’s fine with me, but I’m supposed to drive you out of here."
"You want to sleep in the back or ride up front?"
"Make yourself comfortable. It’s gonna be a long drive."
"Even from the freeway, the city looks cold and unforgiving."
"Apparently, they love to go on about their delusions."
"Makes you sick, don’t it?"
"Five thousand years of human progress, and look at what they’ve got. Street gangs. Rampant crime. Pollution. Homeless dying on the street."
"That’s what humans do to the world. "
"Take a look up at the top of those skyscrapers. The people in those buildings wear nice clothes, trying to live so far above the people starving on the street."
"The rich folks think they’re safe up there. They’ve built up layers and layers of crap — technology, corporations, wealth and progress — that they think it’ll save them from all the madness around them."
" The humans now act like they own the world, and hunt down anything that threatens their superiority.
"It’s all bass ackwards; everything’s gone to hell."
"The solution seems pretty damn obvious."
"It would be so easy to tear it all down."
"Spread a little disease through ventilation system. . . take out the structural foundation with a little pyrotechnics. . .all that steel and concrete. . .it wouldn’t take much to reduce it to rubble."
"You know, every time I come to the big city, I think the same thing. You know what’s the biggest problem they got here? Overpopulation."
"It’s like something was keeping the world under control, and it’s just not there anymore."
"Too many damn people on the planet."
"Every time I see so many people walking down the street, I think, ‘What would happen if a few of them just. . .disappeared?"
"In the history of the world, would it really make much difference?"
" Too many damn people, that’s what’s wrong with the world. Kill ’em off, that’s what we should do. Damn straight."
"Kill ’em off, that’s what we should do. Damn straight"
"Hey, I got some cheeseburgers under the seat. You hungry?"
"I used be a vegetarian, but those burgers smell. . .um. . . kinda good.”
"The taste is foul."
" Let the driver do most of the talking."
"There isn’t much real wilderness left."
"Those bastards way out in Washington want to regulate everything."
"Phone lines, power lines, barbed wire, television aerials, television transmissions, radio waves — they just keep growing."
"Every aspect of our life is contained, regulated and controlled."
"We’re planning to mete out some country justice."
"I’d better be real polite."
" I’m not asking you to join up with what we’re doing."
" I signed on because I was angry about losing my lands, about losing my rights."
"Everyone’s looking for someone to blame. Some blame the government; some blame the bankers; some blame the Jews, or the blacks, or the environmentalists, or the United Nations."
" Me, I know it’s all just the signs of the Apocalypse."
" There’s no handle on the inside."
"This is all insane."
"He's in mortal danger."
"Suddenly, they don't taste so bad."
" I know it might seem like our family’s a little bit crazy, but you’ve got to widen your perspective a bit."
"Even the world you see outside that window is just part of a bigger picture."
"We’re waiting for reinforcements from another dimension." "There’s a world waiting outside the one you see, a reflection of everything that happens in this one."
"We can step out into a world that isn’t as messed up as this one."
"If you concentrate, you can start to see that other world."
" We’re gonna take a little short cut."
"Everyone’s getting pissed off."
"Don't look at me that way."
" Look, I know it’s all a bit much."
" You think we’re all insane, don’t you?"
"I had it a bit easier I guess."
"Yeah, I see that look on your face."
"You’ve heard the voices too, haven’t you?"
"Did they put you on medication?"
" I kinda like it."
"That’s how our family has stayed together for so long."
" I knew the End Times were coming."
" It’s enough to drive some people mad."
"I’m sure someone’s told you about the struggle, the battle between good and evil."
"After all, what exactly’s at stake?"
" I’m thinkin’ that maybe the “end of the world” will just mean the end of human civilization."
"For me, there’s nothing wrong with that."
"And once the humans have been exterminated, millions of our brothers and sisters are gonna swarm over the world."
" Pure chaos will overwhelm everything that remains."
"You’re family now, and we’ll take care of you."
"Might as well play along, since none of these people can be trusted anyway."
" You look like a mess."
"So much for romance."
"Are you about to tell me the reason you’re buried in this school bus with all these sacks of fertilizer and boxes of ammunition?"
"You can see where I’m going with this, right?"
" Do you know what happens if rats breed more children than their environment will support? They know that we know that when a colony is too big, they can either all die slowly of starvation and disease, or a few of us can die quickly. It’s only logical for us to turn against each other until the balance is restored. Mothers eat their weakest children, and the weakest of the swarm is destroyed for the benefit of all."
" There are too many humans on this planet for the Earth to support. They can all suffer slowly, through disease and starvation, or the weakest should be killed."
"Me? I just pray for the day when the human race dies out."
"Look at you! You’re so scared that your hands are twitching. I can almost feel your muscles tensing from where I’m sitting."
"You look skeptical."
"If you’re quiet enough, you can almost. . . hear. . .the
spirit world."
"Sit still and listen to the blood flowing through your veins."
"Ssssh! Ssssh! Calm down! It’s okay!"
"It takes some practice to get used to your nerves racing like that."
"See, if the stress and anger builds up in you too much, your reason can’t contain the rage building inside you."
" You can help reason win out over rage."
"No more damn lectures."
" No sane man would dare walk down that path, and probably, no one ever has."
" Stop acting like a damn housewife!"
" We need to find you a name."
"First we got to figure out what the hell you are."
" They hold all the clues about who you really are."
" There’s a few lucky ones, though, who never have to be alone."
"I got me a name, and I found it the old fashioned way; I stole it."
"I can tell you’re gonna be one of us, so this’ll be easy."
"Yeah, if a rat lives in filthy conditions with constant danger, he’s gonna act like a feral little beast."
"This is your crash space, and you better remember where it is."
"Around here, we’re all rather informal."
"We all see things differently, but it’s not like we’re going to eat each other because of it."
"I know this is all confusing; It’s because people have been lying to you for so long."
"Human history is built upon lies."
"Bastards. Deceivers. Killers."
"They like to keep it all shiny and new, just to fool themselves."
"Their whole society is built around the nicely packaged, the neatly contained, and the freshly scrubbed."
"Those big square buildings above ground they like so much, they keep them shiny and bright, just to keep from thinking about all the rot and imperfection inside everything."
" Chaos works much faster than corruption."
"That seething rage that lies sleeping within you, that’s chaos."
"Maybe there’s hope, huh?"
“It’s addictive, though. Once you let a little chaos out, you’ll want more."
" If all the human cities go to hell, that doesn’t mean the end of the world."
"It’s a war we’re going to win."
"You better start training now.
"You’re talking about gratuitously ripping and tearing down
anything you feel like."
"You’re talking about messing with people’s shit."
"They’re so cute when they’re small."
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rogerstoast · 5 years
Text
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Garage Band//Roger Taylor x Fem Reader
warnings: fluff ig, really simple and cute
AN: I wrote this a long ass time ago and never revised it so apologies in advance for errors.
You were in your second year at Imperial College, and struggling to get through your second set of finals this year. Only three more exams to get through and you could finally say hello to summer.
The fact that you have been sitting at your desk studying for the last six hours, didn't help with stress either. No matter how much you studied, you just couldn't seem to grasp any bit of information from the papers in front of you.
Figuring it was going on six, and you have been sitting in an old wooden chair since noon, a well deserved break was needed. Capping your pen, you got up, stretched, grabbed your jacket and headed out of your dorm for a walk.
As you were walking down the streets of London, subtle music began to play in the distance. It wasn't half bad either. Quite decent actually. The music grew louder and you noticed a few, small groups of people, mostly girls, were gathered on the driveway of the house.
You looked both ways before crossing the street to see what was going on. Once you reached the house, it was hard to get about considering so many students were crowding the lot. Squeezing through and shoving past all the bodies was a struggle, but you managed to get to the front and into the garage.
Just as expected, it was a band. Now that you're here, you remembered your friend telling you about them a few days ago. But you weren't expecting them to be this good. The group was made up of three uni students. A tall one with wavy dark hair playing the guitar, and another dark haired guy, a little shorter, playing the bass. They both were singing. Along with the fella who caught your eye instantly. He had blond, wavy hair and played the drums wonderfully. Never missing a beat, and harmonized with the group beautifully.
About two songs in, you felt a tap on your shoulder.
"(Y/n)! What are you doing here?" It was your friend Lorali, the one who told you about  the band.
"Needed to get some fresh air after sitting at that desk for so long. Thought I'd see what was so special about this band you were telling me about" I told her.
"Well I'm glad you came! Wanna go get a drink with me? Bars inside."
Accepting the fact that it was a Friday night and you studied enough for the day, you gave into her offer.
"Sure thing!" Following Lorali to the door located behind the band, you figured you would steal another glance at the drummer, as you were about to past him. However, he seemed to have caught your glance just as they were finishing their song. You immediately looked away, and followed your friend through the door, as you felt a slight blush rise to your cheeks.
"What are you blushing about," she asked you, noticing your obvious flushed complexion.
"Wh-what? Nothing. Just need a drink that's all."
"Oh please (y/n), what kinda twat do you think I am. Do you really think I didn't see you making heart eyes at the drummer a second ago?"
Damn it Lorali.
She could always see right through you.
"Oh shut up! Doesn't matter, it's obvious he's the womanizer of the group, what should it matter to me?" But before she could deny anything, I poured myself a shot of whisky and downed it as fast as I could. Feeling a wave of relief already, I gave her a look as if to say alright, go on.
"The night is still young, (y/n). Let's go back out there, they're almost done!
Following her back out to the garage, you noticed it had got darker outside, and string lights lit up the garage as students gathered around a fire pit on the driveway, smoking and dancing along to the music.
Lorali led you to the couch up front, and you took a seat right next to her, each with a beer in hand. Facing the band, they sang and rocked their hearts out to their closing song. You happened to really like it. Wether it was the subtle head bops, or the perfect rhythm he managed to keep, you couldn't keep your eyes off of the drummer. He played perfectly. The song then came to a faster, more rock n roll bit and the guitarist played a rif while blondie hit the drums harder and faster than before.
This time when he caught you staring at him, you didn't look away immediately right after. Same goes for him, giving you a wink and a cheeky smile. Doubting the possibility he could be looking at you, you turned your head around to see if the group of girls from earlier was behind you or something. Only to find them outside, and groups of guys behind you instead. When you turned around, he seemed to notice your disbelief, and subtly laughed to himself. You blushed and looked down, feeling slightly embarrassed that you thought he wasn't gesturing towards you.
Drinking from your cup, they finished the song and ended it with harmonizing their voices and it sounded like the most spectacular thing you have ever heard before.
doooiinnn allllllrrrrrriiiggghhhhhtttt
The guitarist then spoke into the mic, "Thanks for coming out everybody, we really appreciate it!"
You sighed to yourself, that the live music was over for the night. But just as a record started playing from the corner of the room, you stood up for your spot on the couch, next to your friend. In need for a quick smoke, you informed her you were going to stand outside for a bit and warm up by the fire.
Noticing people have either left or gone to get their second round of drinks, you stood next to the fire pit, struggling to warm up. Pulling a pack and a lighter from your coat pocket, you were slightly disappointed to see that you were all out.
"Having a bit of trouble over there?" You heard a deep voice ask you from behind, causing you to turn around.
Crap. It's him. "Oh I uh, I uh, I'm all out, that's all," you awkwardly chuckle and look down.
"No worries," the drummer then pulls out a pack and offers you a cigarette.
You take it as your fingers lightly brush over his. "Thanks," you say, with a small smile.
You both light your cigarettes and you allow yourself to really let it sink in before taking a long breath out.
"I'm a, I'm Roger by the way," the drummer offered is hand out for you to shake
"(Y/n)," you reply, shaking his hand in return. 
"Wow, that's a nice name. How come I've never seen you around here before?" he asked.
You blush a little and turn to meet his eyes. Wow, you thought. It was the first time you saw his big blue eyes. Just as you were about to get lost in them, you remembered he asked you a question.
"Oh, I uh, I came with my friend. You guys were amazing by the way, should've come around sooner."
He chuckled and took a small step closer to me, "Thanks, I'm glad you enjoyed it. I feel like I've seen you around." his mention came off more as a question.
"Yeah, im a uni student. Second year actually, majoring in fashion design. What about you?" I asked him, bringing my cigarette back up to my lips.
"Dental student. Doesn't seem to be working out well. Hoping this band thing works out," he said, looking back at me.
"Ah I wouldn't worry about it, you guys were amazing," I reassured him with a smile, hoping I wasn't coming off too obsessive with all the compliments I was giving him.
But Roger loved how you would blush and gawk over the band. Although you never noticed him until this night, he has noticed you since the beginning of his second year at uni. He sat at the very back in a class you two shared with each other, but you never seemed to noticed he existed until today. Roger on the other hand, was the total opposite. He noticed you the first day, and couldn't get over how beautiful you were. The way you concentrated so hard in class to make sure you took all the right notes, and the way your tongue would poke out of your mouth when you were focused. Roger admired all of it. Everything about you. But, he never had the courage to talk to until tonight. It was almost as if he had been intimidated by your perfection, and it made him nervous, which is not in his nature. Being known as the womanizer and all. 
"If I don't know any better, I'd say you have a little crush on the band," he brought up, trying to mess with you.
"Oh shut up!" you joked back, nudging his shoulder with yours, both of you lightly chuckling. It was only then when you realized how close you too actually were. Standing there, shoulder to shoulder.
You then realized your beer was empty when you went for another sip. Figuring you walked here, maybe it would be best to start heading back
"Well, i uh, I should get going I guess."
"Wait"
But just as you were about to walk away, Roger grabbed your hand to turn you around. Very quickly actually, resulting in your noses almost bumping each other as your faces grew closer all of a sudden. Neither of you said anything for a second, but just looked at each other. Both sets of eyes quickly looking down at each other's lips, then back at each other's eyes. Yet the awkward tension took over, making the moment suddenly uncomfortable.
"Let me get you another drink at least?" He offered.
You easily obliged with a simple, "okay," and a small smile.
He took your hand and led you through the garage past the bunch of people who were still there, and into the house to the kitchen.
While Roger went to the fridge to grab two beers, you hopped up and sat on the corner.
"So Rog, is this your house?" You asked curiously. 
He walked over to stand in front you, and handed you the can.
"Yeah, I've been rooming with Brian for a couple of months now."
You don't know why, but you felt so at ease around him. A sudden wave of confidence washed over you, causing the next question to come out of your mouth without a care in the world.
"I assume that means you have your own room then?"
Roger knew what you were intending with that question. He raised an eyebrow with a smirk on his face as he walked closer to you, standing in between your legs.
"I suppose it does," he replied, your faces merely a few inches away from each other.
Roger placed a hand on your thigh, taking you  a bit by surprise. But you allowed it, and you couldn't help but feel more at ease because of it. The moment, it felt so right. But why? You barely knew him. You feel like you did, but you didn't.
"Hey (y/n)" Roger whispered, as our faces grew closer
"Yeah"
"I know you barely know me, but I need to be honest. Ever since I saw you the first day of uni, I thought you were absolutely stunning. I always sit at the back of class, and I can help but admire your perfection. It kills me, everyday when I see you."
This took you by surprise even more. That's why Roger looked familiar to you. But what he just confessed to you made your heart skip a beat, and cause butterflies to literally explode in your stomach. You were blushing uncontrollably and had a huge smile plastered on your face. Why? You didn't know. Even though you barely knew each other, everything felt as if it was meant to be happening.
"Roger, I-"
But before you could say anything, he leaned in and crashed his lips into yours. It was fast, but sweet and loving at first. You flung your arms around his neck, running your hand through his hair. He brought his other hand up to your cheek as the kiss became more heated. Both of you craved each other, need each other. Roger has been the missing thing in your life all along.
Roger then took his hands, slid them under your thighs, signaling for you to jump on him. Which you did, wrapping your legs around his torso as his hands made their way under your ass to hold you up. He then started kissing you down your neck, leaving love bites all over. The feeling completely melting your insides, you grabbed his face with both hands and connected your lips together yet again.
Before you knew it, Roger had already carried you upstairs. Your lips not letting go for even a single breath of air, the two of you pushed the door open, only for him to slam it shut with his foot, ready for night of his life.
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On The Street Where You Live, Part 1
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My laptop finally arrived! It got lost in the mail. Once I get electricity I can finally work on Ragnatela again. So this--and its next part--might be the last bonus chapters for a while.
I always thought that if Patience and Salvatore were younger--and met of their own accord--it would be quite different. Hell, extend that to Leonardo too.
***
Patience Winslow took the same route home every day, trudging down the gray street with her books in her arms, passing a cracked fire hydrant, an abandoned warehouse, a park with rusted and creaking equipment. The stream ran with green scum and sludge alongside the road in a drain.
She had no idea why her parents had decided to move from Greenhaven to stinking Garland City. She hated everything about it. She hated the school and the rude, rowdy city girls. She hated her bored, apathetic teachers. She hated the way she knew nobody. In Greenhaven, everyone had known her and her parents by name.
And most of all, she hated her slum of a neighborhood. There were union meetings next door. A drunk with dogs that never stopped barking on the other side. There were gunshots in the night and people speaking different languages and gangs of youths that loitered the street. 
One particular gang she hated with a passion. They were always standing outside of a butcher shop she passed, talking and smoking cigarettes. They always were dressed sloppily, with their shirts untucked. She suspected they were dagos, but she thought one sandy-headed boy might have been Polish or Irish.
The head boy, a black-haired youth, always yelled something dirty out to her. And always her. One day when she was crossing the street behind a group of other girls he had called out to her specifically, and the other girls had giggled and looked behind them at her.
Patience was approaching them now. Sure enough, there they were, one leaning against the wall, another holding a cigarette, and the head one spotted her.
She walked faster. 
"--skirt! Come over and give me a kiss," he yelled, and she bowed her head, flushing in shame. An old woman was across the street, surveying them closely with her lips pursed in disapproval. She was so focused on where she was going that she didn't notice when she tripped over the curb. Her knee erupted in pain.
The quietness of the street, and the loudness of his voice, stressed her and humiliated her. She struggled up and began walking again, and the shouts rang in her ears, and she covered her face with her hands and began running, tears bursting from her eyes.
"Oh, look at that! You made her cry!"
"You're a son-of-a-bitch, Sal."
She heard rapid pounds of footsteps, and someone grabbed her shoulder. She turned around to face the dark-haired boy, trying desperately to hide her face.
"Hey, hey, I'm sorry. I didn't mean to make you cry." His voice was regretful and a little embarrassed.
"Go to hell," she said, trying not to tear up, but he took the back of her head and cleaned her tears with his sleeve. Close-up, he was very handsome, with thick black hair in a widow's peak and sharp, angular features.
The rest of his gang were around her now. "C'mon, tell the girl you're sorry," said the heavy one.
"I..." he looked discontented. "I always looked at you walking back from school and-- hey, you all! Get lost!" He barked at his friends.
"I kinda like you," he said under his breath once they were gone. "And I guess--I didn't know that you'd. Uh, react this way--but I really do like you."
Patience studied him through her tears. His big dark eyes and stark eyebrows and thin lips and that gangly frame halfway to becoming a man. She still felt like crying but the thought of someone liking her flattered her. "Do you go to William Weston High school? I think you're a few grades ahead of me."
"Yes'm. My name's Salvatore Mallozzi." He offered her his hand. "Pleased to meet you."
His hand was warm as she shook hers.
***
After that, he began giving her little tokens every time she walked by, instead of harassing her. He had pennies and handkerchiefs and even an ice cream cone sometimes. And she knew she should hate him--she still did, a little--and stay away from him, because he was the sort of boy you should stay away from, but she was impressed and flattered and fascinated by the attention the older boy heaped on her.
Patience arrived home one day, and Mommy was yelling at Daddy. His assignment wasn't ending soon enough, and Mommy wanted to go back to Greenhaven. Patience hated it when her parents yelled like that. She didn't go home, but ran off, her schoolbag thumping against her side.
When she came to the corner, the boys were still there, and she approached shyly. Black-haired Sal was holding a cigarette, and he smiled and motioned. "Come on, join the crowd."
Patience took one inhale, coughed, and resolved to never do it again. She passed the cigarette to the sandy-haired boy. "I don't think I ever got your name," said Sal.
"Patience. Patty."
"This is Thurston and Luca and Tony and Jacko." He indicated each member in turn. 
"Is this your... like, headquarters?"
"No. My dad owns this shop so he lets us hang around."
Standing by them, their casual conversation horrified and fascinated her. Robbing trucks. Making another rival member 'pay'. Her attraction couldn't compete with her disgust, and she eventually walked home. 
But her home still wasn't empty.
A strange black car was parked in the driveway, and unfamiliar voices filtered from the living room.
She poked her head in. Daddy was sitting on the couch, face pale. Opposite him she saw a hulking beast of a man, shoulders broad, and beside him a slimmer figure with golden hair.
"Patience, honey. Go play outside," said Daddy, his voice having a note of urgency that made her hackles rise.
The hulking man turned to fix his eyes on her, and her body paralyzed with fear. They were dead as the eyes of an animal, like eyes painted on a wall, completely blank. They made her freeze in place like a deer in the headlights.
He said something in a deep voice to the golden-haired boy, and the boy stood up. "Go on, go," said Daddy.
Patience was happy enough to leave the room, and the cold-eyed man. The blond boy tagged along, smiling congenially.
"What is your name?" He asked her as she sat on the stoop. "Mine is Leonardo. My father knows your father well."
He spoke with a heavy Italian accent she could tell he was trying desperately to shed. "Patience," she said.
"Pazienza. What a lovely name. Patience is a virtue."
"Yeah. It's a family name. One of my great-aunts or something was named Patience."
"Are you from around here?"
"No, Massachusetts. What about you?"
"Sicily. Scafapani. It's a beautiful little village near the coast, tucked away in the mountains. But I was born in Rome, the capital of Italy."
"That's pretty cool." Patience didn't really want to talk with him, but she kept getting drawn back. He was a very handsome boy, with thick, curling golden hair and red lips. His eyes were so blue, and with such long lashes, that she desperately envied him.
She heard a crash from inside, and leaped up. He caught her shoulder and forced her down. "You have very pretty eyes," he said, staring at her intently. "Green as the sea."
Leonardo really was very handsome. And well-dressed, in a waistcoat and a tie. The family was obviously well-off. His hand was warm, and he stroked her leg through her tights. "Thank you," she said, wanting to move her leg but feeling frozen.
The door swung open, and the dark-haired man exited, his heavy boots clomping on the ground. He sharply spoke a word in a different language to his son.
Leonardo stood up. "I will meet you again, Pazienza."
He followed his father to the car, and Patience watched them leave before she entered the house again.
The sitting room was a wreck. The coffee table was overturned, and papers were everywhere. Her father was dabbing his bleeding nose with his handkerchief. 
"Daddy! What happened?"
"Nothing, honey." He turned to her sharply. "Listen. If you're here alone, and someone knocks at the door, never answer it. Understood?"
She nodded blankly.
"Go tell your mom it's time to start dinner."
***
Patience studied her shopping list. Milk. Red beans. Flour. Beef. The deli had bene closed that day, so that was the one thing she couldn't find. Her mom was going to give her an earful--she wanted to make her famous meat pie for guests that were coming over, three of her dad's police coworkers.
As she walked home in the waning Saturday sun, she kept an eye out for when Salvatore and his gang loitered in front of that butcher shop, but they weren't there. They never were on weekends. An idea sparked in her mind. Hell, if she knew the guy, why didn't she just get her meat from his shop? For some reason her father and his friends never went there, preferring to go to the shop that was 2 miles away. It never made much sense to her. I mean, the paint was peeling and there were always shifty-looking people in and out of there, but that didn't mean they had bad meat.
Patience was a naturally inquisitive girl, so she stepped inside. It was warm and well-lit, with a large glass counter under which various sliced meats sat glistening. The menu was written in chalk on a blackboard nailed to the wall.
The benches and tables were all occupied by older, balding men in ratty-looking overcoats, who all looked over at her suspiciously.
A stocky man with a jowly face was shaving slices off a hamhock behind the counter. He looked up indifferently. "Hi," Patience said. "Can I, uh--"
At the sound of her voice, a familiar person stuck his head out of the door.
"Patience, is that you?" He said. 
"Yeah! Hi, Sal."
He was dressed in a blood-smeared butcher's apron and his hair was in disarray. He self-consciously smoothed it back, but that did nothing but make his hair sticky with blood. "What are you doing here?"
Patience smiled inwardly. She'd surprised him at his workplace and he was all embarrassed. "Well, the deli on Fashion Square was closed, so I decided to stop here instead. Guess you don't get too many girls here, huh?"
He laughed nervously. "Well, I guess, I mean, not too much. You look, uh, great."
Patience was wearing a plaid skirt, white knee-high socks and a blouse. "Thanks. I wish I could say the same about you."
"So, what are you looking for?"
"One pound of corned beef." As he began her order, she rested her elbows on the counter amd stared at him. "Hey, Sal? Do you know anyone called Leonardo? Blond, with curly hair?"
His face turned puce, and he cut into the slab of beef with more force than neccessary. "That little fuck. His daddy pays for him to go to St. Joseph's, that private Catholic school that costs an arm and a leg to get in. Tries to pretend his whole family ain't from the ass-end of Sicily. But people love him 'cause he's a good talker and has a nice manner. I hate that smarmy little douchebag." He stopped cutting for a moment. "Why? Do you know him?"
"Yeah, I met him." Patience studied him carefully. "He's real cute, you know."
"The Borghese boy?" said one of the men at the tables. "I always thought he was a fag."
Salvatore looked mortally offended. "He probably fuckin' is. You stay away from him, Patty. He's a two-faced little snake and always has been. Don't let him take advantage of you." He finished weighing her beef and wrapped it up. "Here you go."
Patience took out the rest of the money her mother had given here, but he pressed his hand over hers, closing her fist with the money inside. "Don't bother. This one's on the house." He smiled at her, that billion-dollar smile that made her heart thump. "Save it, get yourself a treat. Maybe at that Dairy Queen on the corner of 5th and 9th. How about I meet you there after school on Monday?"
She smiled back. "Sure. Sounds good. See you then."
As she left, a man walking in held the door for her. He was tall and handsome with slicked-back hair and dark glasses. "Thank you, sir," said Patience.
"Anytime, sweetie." He let the door swing shut behind him. As soon as Sal spotted the man, he stood ramrod straight. "Boss Malone!"
"Heeey, Sal. Thought I'd drop by to see how our 'project' was doing. Got yourself a girl now, haven't you?" He ruffled Sal's hair and grabbed him in a half-hug with his arm around his neck. The younger boy guffawed bashfully.
"Son, do you know who that girl is?" Malone's voice became serious.
"Patience, right? She lives just around the corner."
"That's Patience Winslow, I've seen her around before. She's the daughter of Richard Winslow." 
Realization dawned on Salvatore's face. "THAT Richard Winslow?"
"Yeah. Him. So be careful, okay? I know you're just kids fooling around. But don't let yourself get... carried away or nothin'." 
"I won't, boss." 
Malone nodded to the door that led to the back of the butcher shop. "So. Let's see how our 'project' is goin, yeah?"
In a back room, among slabs of frozen pork and sausage, was a man tied to a chair. His ears, nose, and eyes were cut out, crystallized trickles of blood frozen down his face and neck.
"Cocksucker still ain't tellin us anything, is he?"
"I've been working on him all day, Bats. Nothin." Salvatore crossed his arms, blood-stained cleaver in hand.
Malone took the cleaver from him, threw it up in the air and caught it by the handle. "Let this be a learning experience, Sal. Watch closely..."
***
The date had gone well, and Salvatore had been nice enough to walk her home after the fact. She had bid him goodbye on the street beyond where she lived so her mom and dad didn't have to see him. He wasn't the sort of boy her Daddy would have been enthused to see her bring home.
Her heart was in her throat as she walked up to her door. She was noticing all sorts of things about him now, the sharp widow's peak on his forehead, how big and black his eyes were, how tall he was, so tall he had to stoop down to kiss her.
Her mind was so focused on the kissing that she didn't notice they had company until she saw the figure sitting in the living room.
"Ciao, Pazienza." Leonardo put down his teacup delicately. 
"Whatcha doin' here, Leonardo?"
"He wants to talk with your daddy. Richard should be getting back in half an hour." Marilyn was red in the face, and her skirt was untucked. Patience collapsed on the floral print sofa next to Leonardo and tool her shoes off. "Did you just make these, Mommy?"
"Leonardo brought them by. He's a very good cook."
She bit into one. Peanut butter. They were indeed surprisingly good. "Where'd you learn to cook like this? Do you have home ec at your school?"
Leonardo chuckled. "Not at St. Joseph's, though I'd love to take home ec. I do all the cooking for my father, always have."
"That's weird." The thought of doing all her cooking for her dad was bizarre. 
"You should stay, Leo. Help us make dinner," said Mommy.
"Alas. I'm afraid I am expected home just after I talk with Mr. Winslow."
The door swung open, and she heard her father's footsteps. As soon as he entered the living room and saw Leonardo his face froze. "Both of you, get out."
Patience left, her quarrelling mother close behind. She was peeling potatoes on the table when Leonardo finally emerged, and he paused next to her on his way out the door.  "You should come over to my house for dinner sometime," he said softly. "I'll show you how good my cooking is."
She smiled. "I might take you up on that sometime."
He put his hand on her shoulder and let it slide off slowly, fingers trailing over her skin, then left like a breeze through the front door.
"He's very nice, isn't he?" Sighed Marilyn, dunking the potatoes in a pot of hot water. "He doesn't look like a dago at all. In fact, he looks very white."
"Italians can look like anything, Mom. They were Romans and stuff, remember? I learned it in World History."
"I suppose so. I don't know what the Borgheses and Richard have against each other. I wish the boy would come and visit more often."
***
"Junior Prom is comin' up."
Patience stirred her sundae, watching the caramel and ice cream swirl together. "Is it? Are you going?"
"Well, I never went to prom before. Thought it was kinda gay, you know. But... uh, I was wondering if... maybe this year, you'd like to go with me."
She stopped stirring and looked up at him, stars in her eyes. "Really?"
"Yeah." He smiled. "And maybe, if everything works out... we can go next year, as well."
Patience tossed her arms around his narrow shoulders and kissed him passionately. His lips parted under hers, and she tasted cigarettes.
"I'd love to! Oh, Salvatore! Oh my gosh! I have to get a dress..."
***
Salvatore walked her home as he usually did, arm in arm, and since it was getting dark, they took a shortcut down an alley she didn't recognize.
They emerged onto a dimly lit street with weeds growing through the cracks of the sidewalk. Some of the houses were boarded up.
The street was empty but for a kid wearing a leather jacket leaning against the wall of a building. Smoke spiralled from the cigarette he held in his hand. When he saw the two of them, he threw his cigarette to the ground and stomped on it. "What the fuck are you doing here, greaser?" He snarled. "This is Bulldogs territory."
Sal eyed him coldly. "Calm the fuck down, Sam. I'm just escorting my girlfriend home."
"Well, escort her home some other way. Your kind isn't allowed around here."
"I will go wherever the fuck I want, you mick asshole."
"What did you call me? You ain't so tough without your little gang, you guinea cocksucker. Come over here!"
Salvatore's arm was tense in hers. "I ain't gonna cause a scene in front of my girl, otherwise I woulda beaten your red head in until it looked like a fucking pile of meat. Back off."
"Maybe you should leave your girl here so I can take her home." Sam leered at her, and her hackles rose. "Leave me alone!"
Salvatore let go of her arm and threw a punch so rapid that the boy barely had time to blink before his fist crunched into his face.
Sam stumbled back, hands going up to cover his face. Blood burst through his fingers.
Salvatore caught him with a right hook, but he was ready with a left hook. 
The thuds of muscle and bone were the only sound on that quiet street. Patient stood there, frozen, wanting to flee, wanting to scream, but able to do nothing but watch them. Salvatore twisted a an arm around his enemy and threw him to the ground. 
His nose was bleeding and his eyes were as black as coal. And he grabbed the boy's arm and dragged him over to the curb, and threw his head on top of the concrete edge. 
And Sal kicked him so hard that the crack echoed through the night. Patience was screaming by then, frightened and shrill, and when she couldn't take it anymore she ran back through the alleyway she came in.
Sal ran to catch up, grabbing her shoulder. "What the fuck are you doing? You won't get home if you take this route! Come on--"
Patience yanked her shoulder out of his grip. "What is wrong with you?" She screamed. "Is that boy going to be okay?"
"Who cares?" He looked confused. "He's just some Irish prick. He started it."
She turned and tried to walk away, but his grip on her arm was iron.
"Listen." He gripped her face between his hands. "If anyone hits on my girl, I'll make them suffer. Doesn't matter who they are. You're mine, Patience. And you better remember it."
The harsh tone of his voice made her heart thud, and she pulled out of his grip and headed into the darkness. She knew he was standing there, watching her even if he didn't follow, and his gaze haunted her the whole way back, through her mother's screams and curses and her father's admonishments.
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lizzybeth1986 · 6 years
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Quick Thoughts on DD Book 1 Chapter 5
• Content Warning: There are references to slut shaming while speaking about opera singers, and I speak about executions in the Hamid scene (I've not added grisly details or anything, but to me what I have included does sound a little macabre). I don't know if those warrant a warning, but I'd like to err on the side of caution and ensure that anyone comfortable with that knows this before they make the decision to proceed.
• Okay on with the QT!
• Why hello there, fancy hot looking Ottoman prince dude.
• Looks like not one but both of my MCs will be living the thot life.
• Apologies for the huge delay guys. There was a LOT to unpack this chapter, and it took me a while to actually explore, confirm my research and get a clear idea overall of how I wanted to approach this one. I'm hoping once TRR ends I can get these babies out earlier.
• You know what I realised? The Lady Grandma LIKES a sassy bitch. There are several times this chapter she's actually been more approving of my headstrong Marianne than she has been of my more mild-mannered Florence. See all of this:
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She's mostly approving of this, however, when Henrietta is the recipient of this behaviour, but there are also points where she appreciates the MC's candor (if she chooses to show it) such as if the MC refers to the art of the fan as "ridiculous". If there is one thing that consistently gets on Dominique's nerves, it is occasions where the MC might speak of herself and her former background negatively, mostly out of annoyance because it shows she hasn't comfortably settled into her role yet, and Dominique needs the MC to do so if Edgewater is to stay within in the family and bloodline.
• Also I love the subtle streak of independence we get to see in Annabelle. She is someone who is doing what is expected of her, someone who tries to make the best of her circumstances the only way she knows how, but she is also refreshingly open about how stressful it is for her to go down this path, even in her free scenes. She is also playful and mischievous and doesn't take herself too seriously, which makes a lot of her scenes a joy to do.
• I also really really liked the option where you tell her she's the one you want to marry, and her reaction is both a disbelief that such a dream could come true alongside a receptiveness to the idea. It's soft and sweet and beautiful.
• So we start out with a crash course on the nobility we'll meet in London (Alfred Halloway, whose daughter Felicity is debuting this season, and the Barrymore family, who are related to the Halloways by marriage). Only this time, Annabelle wants to be a snarky little boss and fill the MC in on all the juicy gossip that Lady Grandmother won't give her.
• Lady Grandmother: Alfred Holloway is the viscount of Lochdale. His daughter, Felicity, will be coming from her estate at Bellington Hall to make her debut this season.
Miss Parsons: Alfred Holloway is an arrogant prig who looks like an Easter ham studded with cloves.
(For the record, this is what a clove-studded Easter ham seems to look like:
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Holy shit Annabelle you savage af)
Lady Grandmother: Miss Holloway's family is also tied by marriage to the Earl of Barrymore...
Miss Parsons: Oh, avoid the Earl of Barrymore. His bed has more traffic than Drury Lane!
Annabelle here must be referring to the crowd that tends to flock around the Theatre Royal, Drury Lane, which was popular as a source of entertainment for its plays and had a seating capacity of 3000 people.
• The free scene with Annabelle is important because it eases us gently into the main themes of her scene later on. The women get to speak about the whole concept of a "marriage market", and straight off the bat Annabelle lets us know how uncomfortable she is with having to go through a wedding to another man.
• She also speaks about what else - besides the fact that Harry was her closest friend - about his death affected her. Having been promised to Harry, Annabelle didn't have to go through the rigamarole of finding a husband. She had learned to settle with the idea of being married to someone who she knew and liked at least, if not loved. It's sad to us modern readers now that Annabelle would have to settle for less than passion or love, but back then I don't think she could have imagined a better deal. And now...and now she will have to settle for even less than what she had with Harry. This was a pretty neat way of easing us into the larger conversation she has with us in her diamond scene.
• A few days pass, and Briar is now helping us get ready for the trip to London. You have the option of encouraging her romance with Mr Woods, which...cmon. They cute 😊
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Ooh so our House Colours are navy blue and gold! (considering that the Earl's default outfit itself is navy blue, I should have figured that would be a house colour). It's nice but MY NECK WHERE IS MY NECK.
Did You Know: that up until the middle of the 19th century, men's and women's riding habits were largely made by men in a distinctively masculine style. This is what Candice Hern's article "Regency Habits, Overview" on her website Regency World, says:
"Though the style and cut of riding habits changed with time and fashion, they continued to be tailored in a masculine style throughout the 17th and 18th centuries and into the early 19th century. In La Belle Assemblée in 1815, we read that: “Habits have, ever since they were first brought into fashion, been considered as decidedly calculated to give even the most delicate female a masculine appearance, and the wits of our grandmothers’ days were unmercifully severe on the waistcoat, cravat, and man’s hat which were then the indispensible appendages to a habit.”"
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YOU'RE NOT COMING WTF DAD NO.
• WHO KNOWS WHAT THEY'LL DO TO YOU WHILE I'M GONE.
• I'm having a sinking feeling about leaving my old dad around in this house while Henrietta is still there, Grandma had better be his bodyguard (or maybe not. Cordonians seem to have weird ideas of what constitutes a successful bodyguard *COUGHCOUGH Mara and Bastien COUGHCOUGH*).
• Like most of the fandom I have a feeling the Earl will die sooner than we think. @i-dream-so-i-write once mentioned that it could well be towards the end of the book, and I think that's a fitting dramatic turn this book would take into the next. I'm going to miss the hell outta this guy though 😟
• Henrietta sent Mr Marlcaster and Miss Sutton ahead of time so they can screw things up for us, so we will need to butter them up like no tomorrow when we reach there, apparently.
• Hello Luke! It's been exactly one chapter!
• Kinda like the bonding the MC and Luke have with regards to the horse. Their first real conversation began with Clover, so it is fitting that their bonding continues over her at least for their initial interactions.
• Aww man, Henrietta wants Clover the horse to be sold and they give you a diamond option to keep her, name her and get extra scenes with her. Florence calls her Moonstone, Marianne calls her Pepper. Moonstone suits Florence's particular sense of whimsy, and I figured Marianne would want something short and snappy and it helped that Luke gave the horse some salt before the diamond option came up 😂
It's a fairly nice scene I guess, but it drives me batty because this book is already taking astronomical sums of money early on in the book, and people are already beginning to get frustrated. Even TRR, which is a pretty expensive book, took more than half the book before they pushed forward the option to buy the Derby horse. It just is beginning to feel like too much too soon at this point.
• Of all the free scenes this chapter, my favourite has to be the exchange among the four in the picnic en route London.
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I found this particularly interesting because all of these people, so far, have been outside the rigors of the Season in some way or other. Briar is the most outside of this system of doing things: she has grown up completely out of it and will probably always struggle to understand the way things work within the gentry. Luke has spent years in that environment (that of the gentry) so he knows some of it, but he still is and will always be an outsider. Annabelle has grown up in this environment and is perhaps the closest to it, but has never had to take active part due to her association with Harry and the Edgewater Estate. And the MC straddles both these worlds. She is an heiress, part of this high society, but she was born in and more familiar with Briar's worldview. And I love how this scene captures all this in just a few bits of dialogue.
• Also Luke's sensible response to Annabelle's question and Briar being a teasing little imp is super cute, I will fight anyone who disagrees with me on this 😂😂😂
• So many gems nestled in Annabelle's scene guys I can't even. There's so much going on in this one. So much.
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The main thing this scene does is to - without a doubt - establish Annabelle as a closeted lesbian. She's still at the stage where she's aware and finds it odd that she doesn't hold any affection for any man, that the idea itself of marriage frustrates her, and her growing confusion that she's now feeling for a woman all that she "should" be feeling for a man. There are points where she almost welcomes it, like the scene I mentioned earlier, but she still is clearly struggling.
The MC has three ways of responding to this - one where she misses the point completely and says "you haven't found the right man yet" (Marianne, unfortunately), another where she states that she "understands" (which is left open - either it is a gesture of support from an ally, or it is from someone who understands her dilemma to...well...some extent. Florence is the second. She is bi, so her "I understand" was basically "I've fallen for some men sure but I also have a hard time figuring out what my sexuality is"). My favourite is the response where the MC speaks of facing a similar dilemma in her life and is an excellent choice if your MC is also a lesbian. I couldn't use this one for Florence or Marianne because it didn't ring true for either of them, but I did see the screenshots on tumblr and it's quite poignant.
Did You Know: Lesbian/sapphic relationships and sex were not as much seen as illegal as invisible...and this was an attitude that a later monarch, Queen Victoria, would uphold as well, refusing to sign a legislation to criminalize it by insisting that "women do not do such things". Obviously as we all know, she couldn't be any more wrong. Today we know of famous lesbian women of the Regency as Anne Lister, owner of Shibden Hall, and the Ladies of Llangollen - two women from Ireland named Eleanor Butler and Sarah Ponsonby, who had a romantic relationship for over 50 years. Gail Eastwood, in an article titled "Queer in the Regency: a Slice of Once-Hidden LGBT History" says:
Defying their families, the two established an estate in Wales, called Plas Newydd, rather than enter into marriages with men they did not love. Though they incurred significant debt in order to have a staff, they survived on the generosity of friends until a fascinated Queen Charlotte convinced King George III to grant them a pension.
Plas Newydd became something of a haven for writers during the Regency era, especially since the couple living there could afford to keep it. 
Part of me wonders if elements of this story may be found in the Annabelle x MC route. Or like Anne Lister, who was well-endowed enough financially that she could refrain from marriage and have relationships with women. Maybe, or - given the limitations of having to chart out a storyline that will suit every LI - maybe not. Whatever it is, I'd be very interested in finding out how they'll handle the MC's romance with Annabelle.
• The second most interesting thing is Annabelle speaking about her poetry, and the restrictions her father has kept on her talent. She mentions him looking down on women's poetry as being "all bad rhymes and flowery sentiment", and that - in keeping with the times - he prefers Romantic Age poets such as Wordsworth, and that famous influence on Romanticism, Shakespeare. If we choose to ask her about showing us her poetry, she tells us her writing is "of a...delicate nature" (get it, girl! 😀) and if we choose to encourage her instead, the MC makes references to Mary Wollstonecraft, whose ideas of gender equality were considered radical for the times, and who is seen as one of the earliest feminist icons.
Did You Know: that in a time when female education was mainly geared to prepare women for their domestic roles, Mary Wollstonecraft advocated for women to receive an education that would help them survive beyond the home and the marriage market, stating that the one real barrier in the way of gender equality was the disparity in the education women received compared to men. She says, "this homage to women’s attractions has distorted their understanding to such an extent that almost all the civilized women of the present century are anxious only to inspire love, when they ought to have the nobler aim of getting respect for their abilities and virtues".
Her daughter, Mary Shelley, would write the famous novel Frankenstein in 1818, two years following the events of Desire and Decorum.
• Within this scene also lies a little tidbit that will hold some importance in Chapter 7: the MC tells Annabelle that her mother used to sing in the opera:
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So this could be the root of some of the snarky remarks Henrietta makes about the MC's mother. She has close pretty darn close to calling her a "prostitute" on more than one occasion, and her comment after the MC sang along with Annabelle in chapter 3 about how it was "no wonder" that the MC could sing, given her mother's profession.
Did You Know: Opera singers had a very different reputation in the Regency era, not all of it very positive. Shana Galen, who is described as a Regency adventure author, speaks about how opera singers were viewed at the time: Of course, it was perfectly acceptable for a young lady to show her talents on the pianoforte or to sing in front of a small group of family and friends, but performing on the stage at Drury Lane or Covent Garden were frowned upon.
Female performers, especially, were shunned by society. One example of this sort of attitude was seen in the ridicule faced by a singer named Dorothea Jordan, who had an long-running affair with a Duke, bore him ten children, and who was the subject of a "satirical cartoon that showed her in her bedroom, gazing adoringly at a duchess’ coronet, which she hopes someday to wear by marrying her lover. A map on the wall purports to show the route from “Strolling Lane” (i.e. prostitution) through “Old Drury Common” all the way to “Derbyshire Peak.” A genealogical chart of the nobility lies on her dressing table, and her bed-hangings are crowned by a Phrygian cap, symbol of the French Revolution. The latter is intended to ridicule her pretensions to nobility; as a common woman, let alone an actress, she should know her place" ("Glimpse at Opera during Jane Austen's Lifetime" by Maggi Andersen, for the blog Historical Hearts).
• Luke's scene on the other hand is lighter in content but is important if you look at it from the viewpoint of establishing his role in the MC's life before they reach London. As a neutral friend, he is happy to serve her and considers her a vast improvement over Countess Henrietta. He tells her that she possesses what Henrietta lacks, understands something that Henrietta would never understand in several lifetimes: that looking down on people she believes as her 'inferiors' will leave her at a disadvantage eventually.
But if you hint at having feelings for Luke, the entire mood of the scene changes, and you see him feeling torn between his growing affections for her and his recognition that any relationship beyond the professional will end badly for them all.
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• The thing with both Luke and Annabelle is that to not fall for them is to maintain the status quo. So even if there is an element of attraction, the MC not reciprocating does not tip the delicate balance that governs their lives at Edgewater over. But when she does...it gives rise both to moments of joy...and moments of fear.
• Ooh I love the animation for the train!!
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I mean...just...look at this!
• The MC and Briar get to react in awe to their first sight of London before they get down from the carriage. We find out that we're pretty much stranded on the streets of London and no one has come to pick us up. Gee thanks, stepbro.
• Not gonna lie, but seeing Prince Hamid's shocked!face on his full-body shot made me giggle a little.
• He introduces himself as Imperial Prince Hamid, cousin to "his Imperial Majesty Mahmoud the Second, Caliph of Islam, Sultan of the Ottoman Empire, and Custodian of the Two Mosques (the last especially was used in royal titles for many Islamic rulers, and refers to the Al-Haram Mosque (al-Masjid al-Ḥarām) of Mecca, and the Prophet's Mosque (Al-Masjid An-Nabawī) of Medina).
• In a sense he kinda reminds me of Kamilah: he is a fictional character positioned as being related to an actual historical figure, so they will give us plenty of background about the countries they were from (Egypt and Turkey [Istanbul in this case], respectively) but keep the actual historical figure at a distance. Making the fictional character a cousin and a person of an important position in that court is a smart choice to make: they're important enough to represent the royals of the times but distanced enough that it doesn't seem unnatural if they aren't that close and ergo can't tell you personal details about said historical figure.
• Did You Know: Sultan Mahmud II (the cousin Hamid mentions) was seen as quite a progressive ruler of his times. 1829 onwards, he tried to bring many, many reforms into the Ottoman empire, including (according to the Encyclopedia Britannica article on him) "adopting the cabinet system of government, provided for a census and a land survey, and inaugurated a postal service (1834), introducing compulsory primary education, opening a medical school, and sending students to Europe. In addition, the sultan’s right to confiscate the property of deceased officials was abolished, and European dress was introduced". It looks like some elements of this way of thought could be reflected in Hamid, from his talk of diplomacy in his diamond scene.
• Hamid not only positions himself as a bit of an outsider to England but also as a man who travels: talk of travelling and seeing the world is his ice-breaker when they get into the carriage. This will allow him not only to help familiarize the MC with London, and his home Constantinople, but also give her (and us) a view of what the world looks like at this point. For instance, if the MC speaks of even London is unfamiliar territory to her, he mentions the Blue Mosque, the construction of which was completed exactly 200 years prior to the events of the story.
• The other very essential point of this scene is to provide a bit of a parallel to Luke, but also as a counterpoint. Luke is disadvantaged both by his class and his race - ergo he has a very layered perspective. Hamid has privileges, but he is also aware of and in some ways used to the reception he gets in England, and has figured out how he wants to respond. Both Luke and Hamid find their ways to cope with their situation, and the MC is allowed - according to the ethnicity chosen for her - to relate to both.
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Florence, for instance, relates heavily to this as someone is visibly a foreigner even though England is the only home she has ever known. Marianne does not fully understand this, but she can tell him like any decent human being would that she thinks it's wrong of people to treat him that way.
• Just prior to this the two manage to see the Tower of London, notorious for the imprisonment and execution of many, many people including royals and nobles. There is a short but rather poignant conversation on the "many people tortured and murdered over who had the right to sit on the throne" (among the people executed, you will find names like Anne Boleyn, Thomas More, Lady Jane Grey, Guy Fawkes and Walter Raliegh).
• Did You Know: For a long long time in England, executions were seen as a bit of a spectator sport. The more unusual the criminal, the bigger the crowd. The Capital Punishment UK blog speaks of the kind of atmosphere usually present around the time:
In many counties, executions were held on market days to enable the largest number of people to see them and school parties would be made to attend as a moral lesson, something which is certainly recorded as happening at Lancaster Castle.  Public houses and gin shops always did a very brisk trade on a hanging day.  
However, attitudes towards executions experienced a shift around the late 18th-early 19th century, and by 1864 Parliament established a Royal Commission on Capital Punishment, with a declaration that executions would take place inside the prisons rather than in public.
I'm not sure if this was intentional, but possibly the MC's and Hamid's reactions to the tower may be reflective of their times.
• Interestingly, Annabelle is shown to look jealous if you've been romancing her, and giving you a sly grin if you're just friends. I quite liked that little touch. Luke meanwhile is a little less open about how he feels at this point: whether you're romancing him or not, he is described as "watching you carefully" during your exchange with Hamid.
• So Mr Marlcaster got the letter from the Duchess to send a groom for picking the MC, but didn't...as per his mother's demands, surely. But AT LEAST you should have been a little prepared to answer me in case I dropped by anyway, dude? Instead of just standing there and staring at me like a scandalized goldfish.
• Looks like Edmund is still going to try screwing things up for us, and we'll need to find a way to get him on our side. After all, we get relationship points with both him and Theresa Sutton, and Lady Grandmother did tell us we could find a way to get them to be with us rather than against us.
• I'm looking forward to Chapter 5...but it's Chapter 6 I REALLY want to see. We're going to learn a bit more about the MC's mother's background!
General Thoughts:
• OMG so much was there to unpack this chapter!! A lot of it to do with Annabelle and Hamid, and Luke has taken a bit of a backseat this chapter but I'm hoping that's a taster of what's to come in his case.
• Look I love this story but IT COSTS SO MUCH. WTF. Keeping Clover was a nice option but it really added nothing to this chapter and could have easily been shifted elsewhere. I want this book to do well. I'm happy with how they're writing it, the effort they're putting into their research and into their characters so far...and I would hate for it to not be appreciated because they made it so hard for people to get into the book by making it this expensive so early.
• Florence is going for Annabelle and Luke (leaning more towards Annabelle at this point), and Marianne for Hamid and Sinclaire (I'm not sure yet but Hamid is a very very strong contender!!). Who would have thought I'd have my first polyam MCs in a book on Regency Era England!! Who woulda thunk!
• Annabelle particularly intrigues me at this point. She is clearly established as both inside and outside of this system, and vocally critical of it at least to the MC. She writes about her desires against the chargin of her father, and states that she doesn't want to merely settle into a 'safe' relationship like her mother, not unless she can know and trust that person (which is mostly why she agreed to the match with Harry even if she didn't love him). She is confused, and open and honest about her confusion. I really think the foundation of this character is immensely strong, but they really need to keep working on her and not just drop their efforts on her halfway. And I've seen that happen enough times with female LIs to be afraid.
• At this point, we now have three male LIs (one Master of Horse who is African-American, one family-approved eligible bachelor and one prince of the Ottoman Empire) and one female love interest. Is there space for one more confirmed female LI? I sure hope so but at the same time I don't want keep my hopes up.
However...IF the plan is to keep just one female LI, then they'd better do a pretty darn phenomenal job of her. If you're not going to give wlw players other options it's only fair to make sure the only option is given really, really good writing - consistently. They're doing a good job so far...but there's a long long way to go before I can fully trust PB to do justice to her.
• That's it for now! On to Chapter 6!
• Tagged: @boneandfur @liamraines @thespiritpanda @alanakusumastan @ernestsinclairs @private-investigator-nazario @bcdollplace @thedepthsremember @mcbangle @queenodysseia @novaelaras
If you'd like to be tagged on these QTs, do let me know! 😀
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