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songoftrillium · 9 months

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Werewolf: the Apocalypse 5th Edition and the Anti-Indigeneity in the Gaming Industry

reosted with permission from J.F. Sambrano

Dagot’ee!

Shii J.F. Sambrano gonsēē. My nations are Chiricahua Apache (Ndeh) through my maternal grandmother and Cora Indian (Náayarite) through my maternal grandfather. I am a mixed race Indigenous person, and through my father my heritage is English and Scottish. I am currently residing and doing work in my community on the lands of Lummi Nation. I use both gender non-binary and masculine pronouns, but prefer the former. I have several published works in the TTRPG industry, and am probably most known for my contributions to Mage: the Ascension 20th Edition, Werewolf: the Apocalypse 20th Edition, and the Transformers Roleplaying Game, as well as being part of the Essence 20 development team. Further, I also work in higher education at an Indian college, both advising and teaching Indigenous students across the United States. My passion is education, and I believe that we all learn through play, and that TTRPGs are a valuable source of learning, especially on personal, cultural, and social levels. This has always been what has drawn me to TTRPGs since I started playing M.E.R.P. with my brother in 1996 (and before that HeroQuest), through to my “graduation” into more story-driven games such as those presented in the Storyteller System, until now, where I author and produce my own roleplaying games.

I was also part of the First Team (in-joke intentional) hired by White Wolf Studios/Paradox Interactive via Hunters Entertainment to develop and author Werewolf: the Apocalypse 5th Edition. After several months of work, Paradox Interactive chose to go in another direction in early 2021 (I believe it was either March or April) and in fall of that year, it was announced that Werewolf would instead be taken in house, with Justin Achilli as the Brand Creative Lead and primary author of the book. Going forward I will be describing my experience while I worked with Paradox Interactive, primarily through Karim Muammar, White Wolf’s Brand Editor, as well as the developmental editor for Werewolf. Although I worked in a team, both with hired authors and in-house representatives at Hunters Entertainment, I will not be speaking for the experience of others, except when specifically noting unanimous consensuses, and specific interactions (which will go unnamed) that are particularly relevant. My hope is that by highlighting some of the anti-Indigenous attitudes that are central to the foundational members and leaders of the White Wolf brand, that I can provide opportunities for growth and healing within the World of Darkness TTRPG community, but also in the broader gaming community, where these behaviors and attitudes are rampant. I also want the community to have a better understanding of what this experience is like internally, and the challenges that Indigenous creators, as well as other marginalized creators, are met with when they try to make positive change within nerd and geek communities clinging to inherited white supremacist values, even if they don’t realize they are doing so.

What I do not want to be doing in this article is creating fuel for edition wars. I believe that both legacy and Werewolf 5th are rife with anti-Indigenous attitudes, and appalling amounts of appropriation. Both versions deserve criticism, I am not defending one over the other, I am only sharing what my experience was like working on the 5th edition of the book. Further, please understand that I was originally going to wait until I had read the final copy of the book, because I wanted to know how much of my work was used (based on previews I already know some was, just not the extent) and whether or not they decided to credit me for that work, and how I was going to be credited. My belief is that I likely will not be, but I am genuinely uncertain. Knowing how they handled that would have reframed how I addressed this. But more importantly, I want it to be very clear that even before Paradox ultimately pulled the plug on the Hunters team, I was preparing to exit working on the project based on the experience I will describe below. Not only did I find it frustrating, and personally disparaging, but I ultimately decided I was uncomfortable with my name being attached to the product based on the direction they wanted to go. So while I wanted to know whether or not I would be credited, because it would teach me something about their internal practices, I do not want or need the credit.

Finally, the reason that I decided to speak about this now instead of after having a chance to inspect the final product, was because my personal experience dealing with anti-Indigeneity coming from Paradox was just that: personal. But since then I have witnessed a throughline of hateful and xenophobic attitudes wielded against Indigenous people across the globe, and we do not deserve this treatment. I was outraged over the events that led to the segregation of the Latin American fanbase, which culminated from bottom-up criticism about how poorly their people and countries were being defined through World of Darkness products, and ended up with the firing of their Latin American Brand Ambassador, Alessa Torres, because she chose to stand with her community in those criticisms. I was further appalled when the likeness of Tāme Wairere Iti was shoehorned into the Werewolf book, a blatant example of cultural theft: not only in stealing the literal physical identity of an Indigenous person, but also his sacred tā moko. When Paradox Interactive issued an apology for this, it felt incredibly hollow to me in the wake of these events, the hateful attitudes I had personally witnessed coming from the top.

Whether from North America, Mexico, Brazil, Argentina, or Peru, or across the globe in New Zealand, not only do Indigenous people deserve better treatment from such a major company, but their Indigenous and Latino fanbases, who have twisted and worked themselves through difficult representation for decades at this point, deserve better. Apologies are not enough, especially when they come with next to no real change.

Werewolf: the Apocalypse in Context

At the time that White Wolf Publishing began to produce its World of Darkness line, the TTRPG industry was dominated by white men, both as producers, developers, and authors, as well as the main characters in their settings. White Wolf's World of Darkness made an impact at the time, by defying these Eurocentric, patriarchal presentations, first by defaulting to feminine pronouns throughout Vampire: the Masquerade, and then by focusing on Indigenous representation and values in Werewolf: the Apocalypse, and as a young Indigenous nerd, it had a positive impact on me, as I know it has on some other Indigenous people who became fans of the World of Darkness at the time. This was because before opening the pages of Werewolf: the Apocalypse, I had never seen heroes that I could play who looked like me and my culture. It was off, and often offensive, but it was my first experience in which I could directly play a hero who shared my heritage--and I also had more than one option through two different Tribes to do so. This might sound a little like I was cheering for table scraps, but again, at the time, table scraps was more than I had ever seen before.

Werewolf: the Apocalypse 1st Edition was originally published in 1992 via then White Wolf Publishing (not to be confused with Paradox Interactive's White Wolf). From its inception, the premise was interwoven with what its then-authors believed to be Indigenous praxis and representation. Like many pop-culture presentations of Indigeneity from this time period (see Fern Gully, Dances With Wolves, Disney’s Pocahontas, or in TTRPGs, the NAN from Shadowrun) it was rife with problematic and even offensive stereotyping. The most obvious examples thereof are within the two "Pure Tribes" Uktena, and W****** who I will henceforth refer to as Older and Younger Brother. However, Indigenous inspiration was at the core of the game's spiritual premise as well, where animism and "Totems" are central to the setting and gameplay. The way these concepts are presented is trivializing and dehumanizing, but it is important to acknowledge that the appropriation present in Werewolf: the Apocalypse goes a lot deeper than the two Brother Tribes (even the term "Tribe" was meant to invoke a vision of Indigeneity compared to the previous setting in the line's use of "Clan"). Additionally, there is art throughout every generation of these gaming books that represents humans, wolves, and human-wolf hybrid forms wearing Indigenous regalia, including sacred items such as headdresses, or engaged in sacred rituals such as the Sun Dance. The list of problematic representations goes deep, and my examples only scratch the surface, but it is also important for me to note the positive impact that this had, particularly in the 90's.

Even though the primary contributors to these narratives were non-Indigenous authors, or in one case, a Pretendian, and another, a culturally disconnected author, by the time the Revised (or Third Edition) era of the books came around, White Wolf Publishing was actively engaged in cultural consultation. While I do not believe cultural consultation makes a big difference on its own, it matters that the attempt was made, to a degree: while these efforts fall short of what needs to be seen in cultural representation, this was still ahead of most other gaming companies at this time.

Hired by Hunters Entertainment

In February of 2020 I was approached by one of the co-owners of Hunters Entertainment to be one of the primary authors for Werewolf: 5th Edition due to my work on other World of Darkness projects, and let's be honest, because I was capable of bringing a much needed Indigenous perspective to a gameline that was rooted in Indigeneity and rotting with appropriation and racist stereotypes. I was overall receptive to the invitation, largely because I was very passionate about the World of Darkness setting overall, and Werewolf in particular, due to the impact that 90's representation had on me when I was a younger gamer. I also felt hopeful that with a really hard rewrite of Indigenous aspects of the game that I could shift a lot of really painful aspects of the game into something that was a net positive for Indigenous representation. I will tell you now, more than anything, I was excited to rewrite the Younger Brother Tribe, because when separated from racist authors, their message is very empowering and real to my lived experience.

That said, I did not agree to join the project without first asking for reassurances. I said that I was not willing to write negative Native stereotypes. I would not use appropriative language, or generally engage in appropriative writing (which meant at minimum that the names of the Pure Tribes would need to change), and most importantly, that I would not not engage in writing that contributed to erasure. While the person who recruited me to work on the project was eager to work with me, he acknowledged that he was not sure he could get everything I wanted to see approved, but also promised to fight for everything I suggested as hard as he could. Additionally, he shared with me that the original setting pitch for W5 involved all of Younger Brother being slaughtered en masse in a massacre. I made it clear that this was exactly the kind of thing that I would not write. I cannot remember if this was something he suggested to be changed before or after I was invited onto the project, but with some pushback it was changed. However, I point this out because I want you, the reader, to understand how eager Paradox Interactive was to start with mass genocide and erasure as a foundation to the setting. All that said, I cannot stress enough that I have had nothing but positive experiences with Hunters Entertainment, and none of the following concerns fall upon them.

The Sword of Heimdall

The first encounter the Hunters Entertainment team as a whole had with problematic guidelines for the W5 draft was the direction that Paradox Interactive wanted to go with the Sword of Heimdall. At the time, the suggestions from Paradox and Karim Muammar were that the Sword of Heimdall was going to represent the new major villain of the Werewolf setting, and that they were to also represent the far-right, fascist direction that Werewolf society so often turned toward. They were meant to be representative of how far the new concept of Hauglosk could take entire communities. However, the Sword of Heimdall was discussed interchangeably with the Get of Fenris as a whole, and more than once Muammar seemed to suggest that every member of this Tribe was guilty of the same attitudes espoused in previous editions from the Sword of Heimdall. Now let's not beat around the bush: the Sword of Heimdall are literal Nazis. They believe directly in white supremacy and don't shy from it. They wanted to cleanse impure elements from the Get of Fenris, including BIPOC people, other non-white ethnicities, women, neurodivergent Garou, and other disabled Garou.

The writing team found this approach problematic for several reasons. The first, and most obvious, was that the direction seemed to want to turn one of the most popular Tribes into a horrific stereotype of its most abhorrent faction. Whether or not Muammar’s goal was to turn them into villains, we could not imagine a world where fans of previous editions would get their hands on this book, and not look for a way to play one of their previous favorite groups, thus creating the issue of making a guide to playing Nazi. Even beyond that, it’s not as if historically there were not players who used the tools of the setting to play Black Spiral Dancers, why wouldn’t this draw people who actually wanted to role-play through these toxic, harmful politics? Further, and while this is less important, it left a bad taste in my mouth, the justification for this major shift in Werewolf lore seemed to change over each pass. At first, Muammar suggested that all Fenrir were Nazis/SoH. Then, when he was provided with evidence that it was a small faction that was eliminated in the early 2000’s, he started to shift toward the idea that we should not follow the lore. Finally, when every single member of the writer’s team flatly refused to provide what would essentially be “a player’s guide to being a Nazi werewolf” the writing was on the wall about the end of our involvement with this product. More than once, he suggested that we were cowardly social justice warriors for being unwilling to work with this concept, even though there were several attempts to write a heroic version of the Fenrir that were focused on undoing these ills of the past.

Indigenous Erasure in Werewolf: 5th Edition

While the entire Hunters Entertainment writing team was handling the major, glaring issue of Paradox’s fervor to include a major Nazi element in Werewolf, I was personally dealing with the problematic approach to the Indigenous issues in the setting. The largest problem, for me, was in addressing Younger Brother’s issues, the history of non-Indigenous writers creating horrifically racist stereotypes, and what was valuable in the Tribal identity that should be saved and recentered. However, my attempts to do so were thwarted with every approach. I rewrote this Tribe four times, and offered three different versions of it to try to earn approval for a final write-up, but each time there was a lot of negativity directed towards my attempts and all them boiled down to this: Muammar felt that having two Tribes (both Younger and Older Brother) representing the “Indigenous population” was too many, and wanted them to only be focused on Older Brother, and that Younger Brother’s connection to a central, Indigenous identity, was undesirable because “other sources wrote them as having Siberian and European connections” and that future writing on this Tribe would require a lot of sensitivity…suggesting that one, Muammar wasn’t interested in doing the work to handle that level of sensitivity, and further, that he wasn’t interested in including me in future work, since I was involved with doing that at the time.

I want to take a moment to remind you that the work that was put into recovering Younger Brother started with “Let’s Kill Them Off” and at this point, through a combination of convincing and pleading, had been walked back to “They can live, but now they’re not connected to being Indigenous anymore” which is just representative genocide of a different variety. “Kill the Indian in him, and save the man.” It was also explicitly something I said I would not write about going into this project. Ultimately, my efforts did not get much further than this, with some specific exceptions I will cite below.

Karim Muammar’s Anti-Indigenous Positions

Muammar consistently and repeatedly communicated to the team in ways that were condescending and dismissive of our collective accomplishments and capabilities, but from my perspective, no one suffered as much significant derision as I did while discussing the changes I wanted to make to Younger and Older Brother in order to make their representation empowering and exciting.

In the pulled quote from the previous paragraph, I want to point out to you that Muammar, who had the title of Lead Editor on this project, refused to capitalize Native American. Further, he would often redline my work with edits to decapitalize my own uses of Native American, as well as the word Indigenous when referring to Indigenous peoples. While there are plenty of people who might want to argue about this, I will point out that both the AP style guide as well as the Chicago style guide (the one which I am most familiar with in my academic historical work) both call for Indigenous to be capitalized when referring to a people. Further, I challenge anyone to defend the consistent decapitalization of Native American. More importantly, the reason that these are standards in respected style guides, is because the English language has been used historically to oppress and erase ethnic identities, including Indigenous identities. By transforming adjectives into proper nouns, we are declaring that Indigenous and Native aren’t descriptors that can be applied to animals, plants, and soil, but real lived identities and culture groups.

When I was explaining to the Paradox team (which was mostly just Muammar) why it was important to change the names of these two Tribes from the appropriative (and offensive) ones used in the past, Muammar pushed back by defending the previously used Younger Brother name, even after reading my extensive research and explanation about how this would harm Indigenous communities and fans.

While doing so, he also decided that it was appropriate to refer to this entirely Native American tribe by the word “savages” a slur that has been specifically used to dehumanize Native Americans, and then mocked my rewrite that focused on presenting them as stewards of the land using Indigenous methodologies and praxes, instead of the “savage” racist stereotypes they were presented as in previous editions. Further, as in the above quote, even after it was communicated that the use of this term was problematic, he kept doubling-down to use it to refer to the Tribe.

Even though I worked hard to redefine Younger Brother through Indigenous theory, such as place-based theory, relational theory, and communal theory, Muammar either refused to recognize this work, dismissing it as simple, or else simply could not understand the importance of these changes. Either way, the choice is that he didn’t want them to change, or couldn’t comprehend why the change was important because of how entrenched in white supremacist thinking he is. Further, after the massive effort that I put forward to attempt to educate him and the rest of the Paradox team on these issues, the insistence on using offensive terms and belittling my work felt intentional. So let’s talk about the work I did that was above and beyond my job description: free cultural consulting work.

“Sensitivity” and Consultation

I have seen several misunderstandings of my role working on this project going around, so I want to make something very clear. I was hired to work on this project as an author, and nothing else. I was not ever hired to be a cultural consultant. I do not do cultural consulting work. While I feel that there are many creators and companies who hire cultural consultants with the best intentions in mind, their responses often fall short of what is needed, as no one is ever obligated to actually follow the advice of cultural consultants. Further, I think there are also many companies who choose to hire cultural consultants only to say “we did this minimal step, and that is enough” in order to ward off naysayers.

However, anyone who hires me gets some level of cultural consulting for free, because it comes out in my writing–in both what I won’t write and what I choose to center my writing around. In the case of Werewolf 5th Edition, however, it was far more involved than this. I came with a plethora of “I will not write X” because I knew the setting was so problematic. A short list of my demands besides not being willing to write Indigenous erasure, was that we needed to change the names of the Pure Tribes (and the term Pure Tribe itself), we needed to change the word Totem to Patron, and also the Patrons of the Pure Tribes. We needed to move away from the term Metis for obvious reasons, and we needed to move away from the term Skin Dancers. I also specifically noted that there was a lot of cultural theft happening from the beginning of Werewolf until now that I wanted to address. The only way these issues were going to be addressed was to convince Paradox they were actual issues on the level of PR concerns, because nothing else was likely going to be considered. So in order to achieve this, I put in weeks worth of research, writing, and meetings with top level administrators with Hunters Entertainment so that they could bring this information to Paradox. I never documented my hours, but I would guess that I did approximately 80-100 hours of what I could only describe as cultural consultation work for free that was outside the contract work I was hired for. Let’s be clear: I did this willingly because I was passionate about the positive changes I wanted to see in this product, because I believed that Werewolf’s historic ills could be turned toward non-toxic representation.

Besides my actual words, such as naming the Ghost Council, and arguably the name Gale Stalkers came from a combination of names I pitched to Paradox after Winter’s Teeth was denied, and several sentences and paragraphs that I have seen so far that appear so close to what I originally wrote that you could imagine they were just edited versions, my largest contribution toward the final version of Werewolf: 5th Edition was this work. The only reason the offensive, appropriated names were changed were because of hours of my work to convince them it needed to happen. The reason that the Gale Stalkers aren’t just dead and gone: again, I pushed against this. The reason that Skin Dancers, Totem, and Metis will not appear as canonical titles? I pushed against their unwillingness to alter these things (see Karim’s defense of Wen**** Tribe name above).

Further, and this is the biggest reason I decided to write this article before seeing the final version of the book, I want to mention that I was also included in discussions with Hunters Entertainment to potentially be part of the art direction team, especially to oversee depictions of Indigenous characters, regalia, and art, to ensure that it would be represented either respectfully or not at all. I decided I needed to speak as soon as possible after the artistic portrayal of Tāme Iti appeared in the Glass Walkers preview without his permission. There are many arguments surrounding this issue and I am not going to address everything, but ultimately, I can tell you that had I remained as part of the art direction team, and saw that, I would have questioned it immediately. Even if I didn’t recognize Tāme Iti immediately, I would have asked what the source was on the depiction of moko in that piece, because I am aware that this is a sacred form of art–and I had already discussed wanting to make sure things like Crinos in headdresses didn’t appear in the book (as had often happened in previous editions, particularly on a certain white-skinned character whose name rhymes with Steals-the-Past).

As time working on this project went on, and I went through rounds and rounds of trying to convince Muammar and Paradox that it was important to not steal Indigenous identities, art, and stories, and that a greater effort needed to be put in powerful and empowering Indigenous representation, and I constantly ran into refusals and criticisms that were clearly hateful toward Indigenous identities and peoples, not to mention the push to represent Nazism as a major part of the game setting, I grew increasingly frustrated and restless with feeling like I was trying to work on a challenging project while also defending my right to exist as the person I am at every turn. Eventually I turned to another Indigenous TTRPG and game creator to ask for advice, and after a long and difficult discussion, I came to the conclusion that I was going to talk to the Hunters administration team and tell them that if Muammar kept using slurs and other anti-Indigenous language and attitudes, I was going to need to step off of this project, because it was harmful to me on a personal level. In furtherance of this point, I have been avoiding doing any contract work at all where I can tell that I am wanted for my specific cultural perspective ever since, because this situation was so harrowing for me.

Unfortunately, before I could have this conversation, after one final draft of Younger Brother and Bone Gnawers (which had its own issues, but that is not the point of this discussion), before we received any other specific feedback, the Hunters Entertainment administrators announced to the writing team that Paradox had decided to take the book in-house, and would no longer need our services.

The main point I would like to leave you with, besides these few specific quotes (out of dozens and dozens) that Muammar made that were anti-Indigenous, is that there is often a big call to have more BIPOC voices in various entertainment industries, so that both our stories, perspectives, and unique views on how the universe and life works, can be included; so that an industry that is historically, harmfully Eurocentric, might turn toward new, healthier, and inclusive directions. And I agree with this call for change, but I implore you to consider the conditions that BIPOC creators often have to work under: doing cultural/identity work and consultation for free as part of being present, being subject to vicious refusals of our experiences and perspectives, and straight-up having slurs lodged against our work. I want to see these changes in the industries we love, including the gaming industry, but currently the people who are in charge, who have the most power, are severely hostile to our work and our perspectives. This is why, for example, works like Coyote & Crow were done with an almost entirely Indigenous group of creators, and led by Indigenous creators, because trying to work for and with this ugly, hateful, and xenophobic group of people is so often exhausting, both mentally and spiritually, and because no good changes end up being made.

I am glad the harmful, appropriative terms were removed from the setting. I am glad I was part of the fight to make that real. I am not so glad that I was treated with hostility and racism by Muammar for the effort and love I put into this work, and I am not so glad that I will certainly be reviled by one of the two communities I did this work for–the gaming community, and certainly the people in power in this industry–and I am also not so glad that I didn’t have the opportunity to properly acknowledge how much of Werewolf’s base themes and setting are twisted and tied-up in Indigenous appropriation without giving the proper acknowledgments.

More than anything, I hope that this story will help you, the fans, realize that there is a lot of darkness in these communities, and they won’t change unless you hold their feet to the fire.

Ánaagodzįįhł

J.F. Sambrano

#decolonization #ttrpg #werewolves #writing #world of darkness #werewolf: the apocalypse #werewolf the apocalypse #mage: the ascension #vampire: the masquerade #changeling: the dreaming

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sanctus-ingenium · 9 months

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we need to talk about Inprnt.com

Following a really good post with more screenshots and evidence by @dynasoar5 i'm going to talk about my own experiences with @inprnt and why I am about to put my shop on indefinite hiatus from Monday the 14th of August.

First of all I'll say that since starting my print shop last year it has been a significant help to me financially - I was able to not worry about affording car insurance or motor tax (together commonly over a thousand euro) when I bought my first car, for example. I am immeasurably grateful to anyone who chose to buy one and I treasure all the pictures I've been sent of my prints hanging up on people's walls. Right now they are displayed in a real (if small) art exhibition in my home town.

(top right print is not from inprnt though)

They're great prints. Never had any complaints about them. But here's what's going on behind the scenes.

Earlier this year, around March or April, Inprnt sales started increasing in regularity. I'd made as much as $600 a week during previous sales when I made proper promo posts here, but with this increase in regularity, I felt that I couldn't make promo posts every single week. And then one day, I'm not sure when tbh, the sale just never ended. It just didn't stop having that "Ending soon! 15% off your order" banner at the top of the site. Right now it says "Final Hours: $5 Worldwide shipping and save up to 35% off your order!" and not even for a second do I believe in this final hours bullshit. It's been 'final hours' for weeks now. Months, even.

Why is this a problem? Well, how tf am I meant to make a promo post for a sale that is always "ending soon!!" and then never ends. One week it'll say "this weekend only!!" and then when the weekend is over, the sale banner just changes its wording and the sale doesn't end. I can't promo this, it makes me look like a liar and a skeevy salesman by association! It makes the site look like it's 1 week from crashing and burning, and the site owners are just scrabbling to suck as much money from artists as possible before they drown.

And they are sucking money from us. To peel back the curtain, Inprnt money can only be transferred to my paypal account 30 days after the sale is made, just in case the order is cancelled and refunded. This means I used to make one withdrawal every couple of months, when there was enough build-up of money to make it worthwhile. It also forbids withdrawing any sum under $50 btw. I would make a withdrawal request and then, after a 10 business day wait, it would reach my Paypal account.

Not anymore! The past few withdrawals have taken over a month to complete. They are straight up keeping my earnings from me for longer the agreed period. This was my last fulfilled withdrawal:

Note the date.

Almost two months.

And here is the latest withdrawal request that still has not been fulfilled.

It's coming up on 1 month and if the pattern continues, it could literally be November or December by the time I fully clear all sales.

So what's going to happen to my print shop? Because my art is currently being exhibited with a QR code linking to the shop, I can't close the shop this week. Instead I will close it on Monday the 14th of August, next week. That means that on the 14th of September, I can withdraw all of the remaining money without having any left over. My account balance will go to 0 and stay there. Although I'll de-list my prints I will leave my account there, because at the end of the day I don't want to leave Inprnt. It still offers the best artist margins and as I'm now unemployed after graduating, the additional support is such a load off my mind. So this is a chance to wait and see - if they improve their services, I'll happily re-open.

It's a big deal to me because selling prints is sort of my ideal life as an artist. I never had the attention span or self-discipline for commission work and I found that it left me creatively stagnant. I always want to try new things, new concepts and ideas, and being able to think "yeah, people will like this as a print" while I experiment is honestly very reassuring. And I know that in going on hiatus, it'll break a lot of "buy a print" links in my circulating posts. Oh well lmao. If you want to buy a print right now - go ahead, it might be your last opportunity. Another way to support me would be to check out my ko-fi for once-off donations or some nice sketchbooks/comics/book samples you can buy, or subscribing to my Patreon.

As of right now, Inprnt owes me $381 (the unfulfilled request submitted above for $186.60 and my current standing balance of $194.80 which takes 30 days from each transaction to clear).

#it's so god damn insulting u know. even redbubble threw its shitty payouts directly into my paypal asap #inprnt

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see-arcane · 28 days

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As the Count says, we are only one measly month away from getting to hear from our good friend Jonathan Harker once again. Since the initial Dracula Daily boom on here two years ago, there've been heaps of Dracula-inspired creative works blossoming among its fans. I recently popped out a little book in the aftermath and I've been swooning over a number of amazing comics and Substacks spurred on by the undead renaissance. But I'm sure I've missed several more.

So consider this an open call for everyone's recommendations for storytelling creations that were sparked by Dracula Daily and/or the incredible addition of @re-dracula. I want to make a mega post of the whole list for perusal before we dive back into Dracula Season itself. Ideally I'd like to put everything together with a week or two left of April so folks can read through as a little preliminary fun right as the Horrors kick in.

Please feel free to add recs in the replies or an Inbox ask!

#the dastardly ba(t)stard's hour approaches #dracula #dracula daily #re: dracula

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blissfullyecho · 1 year

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March 2023 "That Girl" Challenge

Helloooo :)

This is the 31-Day Challenge that I've created for us to do together this month. It's just something simple and fun. Enjoy! - BlissfullyEcho

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DAY 1: Deep clean your living space (bedroom, apartment, house, condo, camper, etc)

DAY 2: Deep clean your car (if you don't have a car, deep clean something else that you haven't done but should do: junk drawer, dresser, yoga mat, makeup brushes, etc)

DAY 3: Try a new (healthy!) recipe-- this could even be a healthy dessert or beverage

DAY 4: Try a guided meditation on YouTube for 10 minutes after waking up and before checking social media

DAY 5: Spend an extra 15 minutes working on something for school, work, hobbies, or your own personal development

DAY 6: Unfollow, delete, and block social media accounts and phone contacts that are just not part of your life anymore (or those who you plan on not having as a part of your life anymore)

DAY 7: Delete social media pictures that don't fit in with the best version of you. This could be the overedited photos, the thirst trap you put on there because that one person made you upset, etc.

DAY 8: Try a new workout that you haven't done. Pilates, ballet, barre, tennis, CrossFit, kickboxing, F45, cycling, running, swimming, etc.

DAY 9: Pamper your pet. Brush, clean, trim their nails, give them treats, etc. Go above and beyond for them today. (If you don't have animals, pamper yourself today!)

DAY 10: Enjoy the sunshine. Go outside (wear your sunscreen, sunglasses, and a hat) for 15-20 minutes and enjoy your own company and nature.

DAY 11: No phone 30 minutes before bed. Set your bedtime tonight, and set an alarm 30 minutes prior to that. Once your alarm goes off, put your phone on DND and read a book before bed. Read until you are tired enough to turn off your lights and sleep.

DAY 12: Watch a documentary about something and learn! Maybe it's something you've never had an interest in. Just please make it positive! No heartbreaking or tragic documentaries. Let's not invite that into our "That Girl" challenge.

DAY 13: Buy a self-care item. This could be a yoga mat, face mask, cleansing oil, the Bible, perfume, etc. It can be as expensive or inexpensive as you'd like.

DAY 14: Go out on a date with yourself. Take yourself out to do something you've never done/been to before.

DAY 15: Aim to drink at least 60oz. of pure water today.

DAY 16: Spend 30 minutes learning a language you've always wanted to learn (and if you love it, practice for 10 minutes a day afterward)

DAY 17: Turn your notifications off.

DAY 18: No social media today.

DAY 19: Do something creative today. Buy a canvas, paint, and a brush, and follow a Bob Ross tutorial; maybe buy a jewelry-making kit. Take today and be creative for at least 30 minutes.

DAY 20: 10,000 steps OR walk for an hour

DAY 21: Go through your finances and see where you can budget. Take this time to audit your subscriptions and see if you would like to cancel any recurring subscriptions to save you extra money each month.

DAY 22: Avoid eating animal products today. Just focus on whole grains, fruit, veggies, nuts, seeds, water, and vitamins.

DAY 23: Schedule any doctor appointments you might have. If you don't have to, then take today to create a to-do list for the next 3 days.

DAY 24: Spend some time deleting pictures and making storage space in your phone. Any way you can-- it doesn't have to be from deleting your photos.

DAY 25: Listen to a new podcast or TedTalk.

DAY 26: Check your credit report/score and see if there's anything you need to do/complete.

DAY 27: Clear your email inbox and unsubscribe from the companies you don't shop from anymore.

DAY 28: Touch up on your resume.

DAY 29: Sort through your closet and throw away, donate, and sell your clothes and shoes that you don't wear (and that you know you'll never wear again)

DAY 30: Sort through your bathroom drawers and cabinets and organize them.

DAY 31: Create a vision board for April.

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quinton-reviews · 3 months

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Hi Quinton!! I have been a HUGE fan of your stuff since a friend sent me the Tobuscus Fallen Titans (I used to watch him back in high school and was like "huh, wonder what happened to him after those allegations") and I gotta say, it is REALLY FUNNY every time my fiancé and I watch the iCarly videos again, because when you cover Gibby's stunt double breaking his ribs, you cut to a clip of The Official Podcast. I used to play D&D with one of the main dudes from the podcast, so when he talks during that clip I do a goddamn double take literally every time.

Anyways, I remember an original Patreon stretch goal being a Fallen Titans on Homestuck! I was really big into Homestuck in my early 20s, and was wondering if that's still on the table at some point? If not that's fine, I understand plans change! I just love Fallen Titans lol, the Fred episode and the Neil Cicierega unFallen Titans are some of my favorite videos of yours!

That's a real funny story!

So here's the rundown on the Homestuck video. When I first started making long videos, they were actually inspired by the relationship I had with other YouTubers at the time. I used to watch, like, H3H3 and Filthy Frank, etc; and I'd always see people obsessed with the versions of creators from the past. Like, "Oh 2015 H3 was the best" and "Oh 2012 Frank was peak." So I had this idea that it would be crazy if H3 posted, like, a video he spent a decade on and you got a new video with 2015 H3 10 years on. (I don't watch H3 anymore ironically)

So the original idea for the "long video" format was that it would be cool if, throughout a long, analysis/review/recap video, you kept noticing someone get older. Maybe my months, maybe by years. That's why I always like to get a haircut when I start one of these videos. If you scrub through and you see my hair get longer and messier as it goes on I think that adds something magical you can't fake.

So... My pitch to the Homestuck video was that it would be funny to work on it just once per year. To record one segment, say "That's it for 12 months", and then come back around to it. And when I was making the iCarly and Victorious videos I actually recorded a few minutes of the video! I think it was two segments in total. But then I had a bunch of personal stuff happen and my work drive has been much lower, so any "back burner" video hasn't gotten much attention since then.

Now that the iCarly mini-series is done with, I want to focus on some short one-off videos I can make before April. But once that's done with, I would REALLY love to start work on a few more long-term projects which will take months or years to finish. I think returning to work on the Homestuck video, to at least get the first 20-30 minutes done, would be a great idea this summer.

Now, if you want to know my pitch for that video, here it is. The video is not a recap of the creative history of the franchise. I do not get into drama, community hell, lawsuits, or other YouTubers. My idea is this: you always hear about Homestuck as an outsider but you never hear about the actual content. Most franchises on Earth I know something about, even and especially if I've never been interested in them. I can tell you a bunch of facts about wrestling and MLP and the Fast and the Furious simply through cultural osmosis and having friends who are into those things.

I can't tell you the plot of Homestuck, who the characters are, what the themes are, nothing. I've known a lot of people who were into Homestuck but nothing about the series!

So I thought it would thus be funny to make a video about a bunch of people who know nothing about the series starting from the beginning and giving their reactions, even if it's been years since it all started. I call this part of the video the "Homestuck Book Club." So the next step is me picking out the members (who all have to have no history with it) and making sort of a podcast setup. We'd then read and record every six months or so, IDK.

This is why the video has been stuck in production hell! Everyone who wants to work on it and messages me about it already knows the franchise. I don't want spoilers, I don't want people writing for the video who get it already. I want to capture the "what the fuck is this" energy of three dudes just getting in the middle of it.

Also, I think that I really like the theme of the video capturing our lives as they go by, capturing us aging and changing. If you came back from the future and told me this video comes out in five years, I'd say great. If you told me it comes out in ten years, I'd say awesome. Until then, the latest edit will always be on Patreon, even if you have to dig a little.

#homestuck #quinton reviews #long videos

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tf-bigbang · 2 months

Text

Sign-ups for the event open in less than a week! Curious about what a Reverse Bang entails? The Decepticon Disinformation Division has put together an infographic just for you. Feel free to check out our Big Bang infographic from last year as well if you want to learn more.

Full text under the cut:

Page 1

Reverse Bangs and You: An Infographic, featuring: Josh Boyfriend, corporate shill’. Brought to you by the mods of the TF Big Bang.

What is a Big Bang?

Big Bangs are fandom events where writers and artists are paried up to create a fic and art collaboration. They’re meant to generate an ‘explosion’ of new fanworks, hence the name. In traditional Bangs, the writer comes up with a fic concept, and the artist illustrates the resulting fic.

So… What’s a Reverse Bang?

In a Reverse Bang, the format is flipped. The artist comes up with a concept for their piece, and the fic writer uses that art as their prompt. This is what we’re doing this year!

Why a Reverse Bang?

1) A different dynamic. This year, artists get the chance to come up with their own prompts, and collaborate with a writer on a short fic. It’s an opportunity to approach your ideas a little differently!

2) Meet the community. Embrace the opportunity to become involved with the wider Transformers creative fandom!

3) Collaborate. Make something fun and exciting together with new friends! This is a chance to broaden your creative horizons.

How Does this Work?

Sign-ups: Artists have until March 24th to join. Writers have until April 7th to join. You must join the discord to participate. Remember- if you sign up, you’re in!

Artists' sketch submission: Artists submit their initial sketch to the Big Bang mods on April 28th. Sketches are shared with writers, who’ll then rank their selections for match-ups.

Pairings!: The mods will use our special algorithm™ to assign each writer one (1) artist from their top choices.

Creation period! Artists and writers will be set loose into their team channels. You’ll have from May 6th - June 30th to finish your fic and artwork. At the end of it all, it’s time to post your work and say “Whoa, I did that!”

Page 2

2024 Logistics:

Want to work with someone new?

Meet new friends! Work with a prompt you might not have thought up on your own! Random pairs aren’t exactly random. Writers will rank a set number of artworks they would be interested in using as a prompt for their fic, and the mods will algorithmically assign teams based on this.

Already have a collaborator?

Pre-paired groups come into the event knowing they want to work with each other. When applying to the event, there will be a line where you can request a partner. In order to be accepted as pre-paired, both the artist and writer must request each other. The second section is about the size of the event.

This year we go mini!

Smaller commitment: Lower requirements, lower stress. We’re requiring one (1) full illustration from our artists and 5,000 words from our authors.

Faster timeline: This year, our turnaround from sign-ups to posting is only four months. It’s a smaller commitment!

Bitesized fun: Get a little taste of collaborating with a new friend in the fandom!

#maccadam #transformers #tfrb2024 #tf big bang #mod post

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redmyeyes · 4 months

Text

Fellow Travelers Timeline

(as comprehensive as i can make it. corrections/additions welcome)

1919-20 (?) - Hawk is born

based on tennis trophy which shows year 1936, and hawk's statement that he and kenny were on the tennis team in 11th grade (16/17 years old).

also date on the paperweight (1937) that hawk says kenny picked out on their senior trip. spring or fall though? if spring (usual for a senior trip, just before graduation), it would mean hawk graduated HS in 1937, b. 1919. (thanks, @lestatscunt!)

June 6, 1930 - Tim is born, on Staten Island, NY

birthdate/place shown on army application in ep 5

Gemini, with moon in Libra

>>> With a Gemini Sun Libra Moon, emotional equilibrium is hard for you to maintain in a world of constant flux and tension. Since you are not responsible for the woes and upsets of those around you, you should not feel so duty-bound to assuage their wounds or mediate every conflict that happens to come your way.

>>> your natural diplomacy, extraordinary perception and insight can all be applied creatively in such fields as politics, social work, and the mass media.

>>> your extreme open-mindedness would probably enable you to almost any life-style. You have a universal quality about you that transcends culture, religion, ideology, or any other barrier that divides mankind.

Fall 1937 - Spring 1941 - Hawk attends "Penn", presumably the University of Pennsylvania. (assuming hawk b. 1919)

(this is very very long, the rest is under the cut)

December 7, 1941 - bombing of Pearl Harbor, US enters WWII

??? - Hawk joins the army (along with Kenny), and is sent to Europe.

January 9 – August 15, 1945 - Battle of Luzon, where Kenny dies.

September 2, 1945 - Japan surrenders, US exits WWII

February, 1949 - Hawk starts working at the State Department

Hawk says in 1x04 (Dec 1953) that he's been working at the State Dept for "four years and ten months".

"I came out of the war with four assets: degree from Penn, a hero's war record, no particular political ideology, and a passing acquaintance with three languages. Throw in a talent for prevaricating and a taste for travel and fine clothes, you have the makings of a competent, mid-level Foreign Service bureaucrat."

Fall 1948 - Spring 1952 - Tim attends Fordham University, graduating with a degree in political science and history.

1951 - Hawk starts work for the Bureau of Congressional Relations

Tim mentions Hawk's been working there for two years during their meeting on the bench.

1952 - Tim works "the New York campaign" (presumably for Eisenhower).

1952/3? - Tim interns for three months at the Star, in the mailroom.

November 4, 1952 - Election Night, Eisenhower (R) wins the presidency. Tim/Hawk first meet and are instantly smitten. (ep 1)

February 16, 1953 to March 10, 1954 - McCarthy Hearings, part 1.

The first consisted of a series of hearings conducted by McCarthy, as the subcommittee’s chairman, throughout 1953 and early 1954 in which McCarthy alleged Communist influence within the press and the federal government, including the State Department, the U.S. Army, and the Government Printing Office.

March 5, 1953 - Stalin dies.

Late March, 1953 - Hawk/Tim second meeting

After Hawk meets Tim at the park bench, he attends a hearing where Marcus says Cohn has brought David Schine on, and then later at their lunch Senator Smith says, "McCarthy is sending Cohn and his sidekick to Europe..." This article, dated April 19, says that Cohn and Schine have been in Europe for two weeks.

Hawk mentions that it's near the end of the month, police need to make their quotas.

April 27, 1953 - Executive Order 10450 signed. Hawk goes to Tim's apartment and tells him about Kenny. (ep 1)

June 6, 1953 - Tim's 23rd birthday (Hawk 'misses' it because they weren't talking for 4 weeks. belated celebration in ep 3.)

June 15, 1953 (?) - date of the newspaper Tim is reading just before he goes to visit Hawk in ep 2, where Hawk makes him write the letter to Mary. I'm choosing to believe this is a mistake on the show's part, because this would mean that Hawk has already missed Tim's birthday.

June 19, 1953 - Julius and Ethel Rosenberg's execution. Hawk comforts Lucy about this at the end of ep 2. So, likely Hawk and Tim had their big fight very shortly before Tim's birthday, and weren't talking from end of May - end of June.

End of June, 1953 - at the end of ep 2, Tim says it's been 4 months since his last confession, making his last (proper) confession the end of Feb or beginning of March. (ie, before he meets Hawk again).

End of June or beginning of July, 1953 - weekend trip to Rehoboth Beach (ep 3)

November 1953 - G. David Schine drafted into the army (ep 3)

Christmas 1953 (ep 4)

March 16 to June 17, 1954 - Army-McCarthy Hearings (part 2) (ep 5)

The second phase involved the subcommittee's investigation of McCarthy’s attacks on the U.S. Army. Known as the “Army-McCarthy hearings,” they were broadcast on national television and they contributed to McCarthy’s declining national popularity. Five months later, on December 2, 1954, the Senate censured McCarthy.

June 6, 1954 - Tim's 24th birthday

June, 1954? - Tim/Hawk break up, Hawk proposes to Lucy (ep 5)

I believe this happens at the tail-end of the Army-McCarthy hearings, so before June 17th.

Fall, 1954 - Sen. Smith's funeral

based solely on fall foliage in this screenshot:

Late Nov / Early Dec, 1954 - Tim enlists in the army

based on army application: birthdate 6/6/30, age: 24 years, 6 months

Late Nov / Early Dec, 1954 - Hawk/Tim last meeting in the tower

based on the radio program Tim is listening to, which says, "Chief Counsel Roy Cohn has resigned from the committee. And Senator McCarthy, his approval ratings plummeting, faces censure or even expulsion from the Senate."

Tim leaves for Fort Dix, for training, but is later stationed at Fort Polk, in Vernon Parish, LA. (thanks, @jesterlesbian!)

December 2, 1954 - the Senate censures McCarthy.

Summer or Fall 1956? - Tim's letter (that lucy burns) (ep 6)

Flashbacks, for context:

"Since he's giving up his apartment, Hawk insists on having a lair in the woods." // "I'm surprised that he finally agreed."

Lucy lets contractor go. // "Give me a baby."

Hawk is reading the Bristol Daily Courier, a paper located in Bristol, PA, a town in Bucks County, outside Philadelphia. I can't find any info on the one headline I can read though ("Heath Carlson breaks arws deadlock, locals proud"), so can't date this properly.

Lucy cleaning out Hawk's apartment, finds paperweight, sees Tim drop off letter.

"I went into the Army to get away from you. I thought time and distance would help. But it hasn't." If Tim sends the letter in summer 1956, it's been a year and a half since he enlisted.

Biggest question here: did lucy ask for a baby before or after she read Tim's letter??? the flashbacks don't answer this definitively.

October, 1956? - Lucy becomes pregnant with Jackson (see note under April 1957)

October 23 – November 4, 1956 - Hungarian Revolution of 1956

October 23, 1956 - April 30, 1957 - Hungarian Refugee Crisis

November 8, 1956 - Operation Safe Haven commences

President Eisenhower declared that 5,000 Hungarians would be awarded visa numbers remaining under the 1953 Refugee Relief Act

Spring 1957? - Tim sends telegram. It looks like 05-??-???? to me, which doesn't really make sense if McCarthy died on May 2nd, but it's hard to make out. or maybe telegrams used the date format dd-mm-yyyy.

April 1957? - Tim/Hawk first meeting, Lucy at least 5 (or 6? or 7?) months pregnant

You should feel your baby's first movements, called "quickening," between weeks 16 and 25 of your pregnancy. If this is your first pregnancy, you may not feel your baby move until closer to 25 weeks.

25 weeks ~= 6 months, and it still seems novel to her, so let's say she's approx. 6 months pregnant here.

May 2, 1957 - Joe McCarthy dies.

May 6, 1957 - McCarthy's funeral. Tim's first visit to Hawk's apartment (ep 8)

June 6, 1957 - Tim turns 27.

June or July, 1957 - Jackson born (based on dates above)

1958? - Kimberly is born. (estimated bc she looks the same age or older than Jackson, so assuming she's a year younger at most.)

August, 1965 - President Johnson signs a law making it a federal crime to destroy or mutilate [draft] cards.

October 15, 1965 -David Miller publicly burns his draft card, becoming the first person to be prosecuted under that law and a symbol of the growing movement against the war.

May 17, 1968 - the Catonsville Nine took 378 draft files from the draft board office in Catonsville, Maryland and burned them in the parking lot. (inspo for Tim & co. thanks @brokendrums!)

November 1968 - ep 6. Hawk is 48, Tim is 38, Jackson is 11.

based on this newspaper screenshot when Hawk is talking to Marcus on the phone about Tim

November 1968 - May 1970 (earliest) - Tim in prison. (he says in ep 7 he was in prison for a year and a half. this assumes he went to prison right away, but it could have been several months later if he was awaiting trial/sentencing.)

1970? - After prison, Tim moves to San Francisco and gets his counseling degree.

Mid-late 1970s - Tim earns his C-SWCM qualifications, requiring:

A Bachelor’s degree in social work from a graduate program accredited by the Council on Social Work Education

Documentation of at least three (3) years and 4,500 hours of paid, supervised, post-BSW professional experience in an organization or agency that provides case management services

Current state BSW-level license or an ASWB BSW-level exam passing score.

nb. because Tim already had his bachelors (from Fordham, majoring in history), I could see him entering a much-accelerated BSW program, transfering a lot of credits from his previous degree. That would give him maybe 2 more years of university, plus the required 3 years of post-BSW work = 5 years minimum before he earns that business card.

February 4, 1977 - Fleetwood Mac's album Rumours is released, including the 1970s Tim/Hawk anthem, Go Your Own Way

October, 1978 - Jackson dies

November 27, 1978 - Harvey Milk assassinated

May 22, 1979 - Harvey's 49th birthday (celebrated in ep 7)

1986 - ep 8

how long was Hawk in San Francisco? Timelines for the events below may be fudged in the show, bc I doubt he was there for 5 months.

March, 1986 - Roy Cohn's 60 Minutes interview, which the gang watches in ep 4.

April 15, 1986 - US bombs Libya. in the first episode you can hear reference to this on the radio, before Hawk leaves for San Francisco. (thanks @aliceinhorrorland93!)

July 27, 1986 - In California, Gov. George Deukmejian vetoes a bill that would have defined AIDS as a physical handicap calling for entitlement to protection under the state's civil rights laws.

August 2, 1986 - Roy Cohn dies (ep 8)

Late 1986? - the fundraising gala that Tim crashes, shortly after Cohn's death.

September 1986 - The State Legislature has passed another bill [in addition to the one vetoed on July 27]. Mr. Deukmejian, a Republican running for re-election, has indicated that he will probably veto the bill. (nb, this is likely the bill that Tim & co want to pressure the governor to sign).

October 11, 1987 - AIDS memorial quilt first displayed (ep 8)

this was a collaborative effort! many thanks to @ishipallthings for many of these details, as well as @startagainbuttercup , @alorchik, @itsalinh and others in the FT discord!

#fellow travelers #timeline #reference #i made this as comprehensive as i could but i would LOVE feedback/corrections #esp re: anything in 1956-1957 era #jackson's birth? and the date of that letter???

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taylorswiftstyle · 18 days

Text

Out and about | Los Angeles, CA | April 12, 2024

Vintage 'Urban Lapel Jacket'

Taylor was spotted out to dinner this week in a look that, to my eye, wouldn’t be out of place in a top box at Arrowhead Stadium. Though off-duty from her football spectator activities, this outfit has all the hallmarks of Taylor’s sporty aesthetic uniform she leaned on and we became familiar with when cheering at Travis’ games during the 2023-24 NFL season. The ‘fit comprises a Chiefs-appropriate red/white varsity-style jacket on a black base (inclusive of a short denim hemline) and finished off with heeled ankle boots (and I spy a cute Gucci bag - the red strap detail ties in nicely to the jacket).

While I have my mind fixated on TTPD visuals and the aesthetic of this era, a look like this feels like a subconscious signal boost to the public of her present reality. It bears remembering that Tortured Poets is an album a minimum of 18 months in the making - based on Taylor’s admission that conceptualizing for it began almost immediately after she submitted October 2022’s Midnights to her label. I think about that key fifth stage in the process of grief, Acceptance, and how different Taylor’s life must look like now on the other side of the lifeline I’m sure Tortured Poets presented for her creatively and emotionally. And this outfit feels like the very embodiment of those significant life changes and leaps into love she’s made since April 2023.

On a fashionable note regarding the brand: I’ve seen a few questionable retailers with this jacket’s stock info as part of its inventory offerings and all appear questionable to me - hence my choice to mark this piece as ‘vintage’ at least for now until I’m better able to certify the brand in question. Funnily enough, the last time that Taylor made an appearance at this particular strip mall establishment (a charmingly non-descript celebrity favourite in a tucked away, unexpected venue) she was wearing an H&M top that also had retailed in dubious seller markets that I won’t name here but you’re familiar with likely for their fast fashioned foibles).

Illustration by Amelia Noyes

#taylor swift #candid #outerwear #vintage #april 2024

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sariphantom · 1 month

Text

Anyone excited for Rise April next month?

There's also the week version for anyone unable to do the month version of Rise April:

You guys already know the drill; anyone can participate and have fun! Go crazy with the prompts! Write! Draw! Make silly Tik-Tok videos! Get creative! We gotta keep the spirit of Rise TMNT alive and let @nickelodeon know that we, the fans, want MORE of Rise TMNT.

#rise april #rise april art challenge #rise april 2024 #rottmnt #save rottmnt #rise season 3 #rise of the tmnt #save rise of the tmnt #unpause rise of the tmnt #unpause rottmnt #art challenge #rise april 2024 art challenge #the month of april o'neil pretty much #rise of the teenage mutant ninja turtles #fyp

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alcoholfreenayeon · 2 months

Note

can you do co worker Irene x fem reader,where Irene secretly has a crush on reader and she waits every time for her.But this day readers ex didnt stop calling reader and ended up waiting for her at work so Irene went to reader and acted like her gf.Later Irene took reader to her home and they made out ,THENN READERS EX CALLED AGAIN.irene told her to answer the call and while they were talking reader couldn't stop moaning (English isn't my first language sorry)

A/N: Well….as I wrote this, I realized it was not so much smut but more fluff that’s a bit suggestive so this will be a bit disappointing for all of you who voted for this expecting smut😭(but also horny jail for you all🚔) anyways, this is probably the last request I’m doing before I finish the Angst April fics unless I get a random burst of creativity.

Stupid Cupid

Irene x fem!reader

CW: Fluff, suggestive

Your phone started ringing, once again, right on time, your ex calling you exactly 5 minutes after your lunch break starts so you have no excuse to not pick up other than that you don’t want to talk.

You sigh and pick up, knowing the calls will continue to come if you don’t pick up. “Hello….”

As you talk with your ex, telling her the same thing you have been for the past month, you are seemingly unaware of an annoyed stare in your direction, albeit from afar. Irene watches you, an exasperated look on her face. ‘The audacity of that stupid woman to keep calling her y/n’, she thought to herself. ‘Well…not her y/n….yet’. She really wanted to walk over, snatch the phone out of your hand, tell your ex to fuck off, block her and then kiss you. But alas, she couldn’t do that. And that annoyed her even more. Regardless, she was about to get on with her work when her ears perked up at something you said.

“What! What do you mean you are on your way here? I don’t want to see you. I already sa-. No, we don’t need to give it another tr-…..fine, whatever”, you sigh and put down your phone, rolling your eyes in irritation, unsure of what will happen next when you feel a gentle tap on your shoulder. You turn and find that it’s Irene, your coworker. Supposedly she’s the scary one but she’s been nothing but sweet to you so you have always chalked it down to her just being more prompt and serious than the rest.

“I, ahem, I did the….”, Irene begins but trails off when you take the sheets of paper from her, your hands lingering on hers for a second. You smile at her and you could have sworn she blushed. “……I couldn’t help it but I overheard you on the phone…”, she says hesitantly.

“Ugh..yea..my ex…it’s just a mess”, you start, “and yeah I know I can just block or her not answer or whatever but like…I think she won’t let up as long as she thinks she can win me back…”

Irene listened to you, a concerned look on her face, a slight frown forming on her face before her expression softened again. “Y/n….maybe…”, she hesitates, you see her cheeks flushing, “you should tell her you are seeing someone else…or something”, she quickly added at the end.

You sigh, “I wish it was that easy, she’ll keep on pressing me even then, who is it, how do they look, why them etc etc. Thanks for the suggestion though”.

Irene stayed quiet, a bit stumped. That’s when you hear a shout, “Y/N there you are!”. And you see your ex walk up and you sigh. This was not going to be pretty….

She walks right up to you and you can’t deny it, she does look really pretty, “Y/n…”, she smiles, “look I’m sorry for being so pushy lately…but I really think we are making a mistake. Like it’s been a little while now and it’s been difficult for me and you said it’s been hard for you too so why don’t we just make out-up, oops”, she giggled.

Irene couldn’t believe what she was hearing, no way Y/N would fall for this trap right? Like it was so blatantly obvious.

You stayed silent…yes she was not completely wrong, you had been feeling a bit lonely lately and you did miss intimacy but you had been focusing on your job lately and that made it much easier, like for some reason you didn’t feel like working was such a burden anymore. But did you really want to start over once again?

As you considered your options, your ex took a step closer, smiling, her hands reaching for your cheek.

That’s when Irene suddenly stood up, a determined expression on her face as she got in between you two. “Stop. And leave. She doesn’t want you. How many times does she have to tell you before you understand huh?”, she says calmly but also coldly.

Your ex seems taken aback for a moment before she chuckles, “Who even are yo-”

“I’m her girlfriend.”, Irene says defiantly.

Now your ex looks stunned. She gives Irene a once over, a frown forming on her face and she faces you back again, “Y/N? What is she….”

You look at Irene and then your ex and make up your mind, “Yea, it’s true….”.

“You both are lying, there’s no way, I don’t believe-”, she begins again but is cut off.

“Believe what you want but that’s the truth. And none of your business anymore anyway so just go away”, Irene snaps.

Dumbstruck, your ex just stares at Irene who grabs your hand takes you back to your desk, as soon she’s out of sight, you notice Irene is completely red faced and she lets go of your hand slowly, reluctantly…and then glances at you, unsure of what of say when you hug her, “Thanks for that, you shouldn’t have…now she’ll be after you too…”

“I don’t think I should worry about that too much”, Irene replies, seemingly unbothered.

“No…I mean like…I’m pretty sure she’s gonna be at the parking lot when you leave, watching us to see whether we were lying or not…”, you sigh.

“Oh”, Irene says quietly as she realizes what you mean, “I…I guess maybe we just…just pretend abitlongerthenright?”

“Huh…oh..oh!”, you are a bit surprised Irene is still willing to continue with this facade, “S-sure…I guess that works…maybe it’ll put her off for good? But…what do we do?”

“……maybe….you come with me…you know instead of taking the bus…just pretend I’m dropping you home or something?”, Irene says quietly.

You consider it for moment before nodding in agreement and that was the plan.

Hours later as you get in the passenger seat of Irene’s car, you notice through the side mirror that a familiar car was in the distance, observing. You sigh and point it out to Irene who says nothing and begins to drive in silence.

A couple minutes in, you notice that your ex is still following and you once again tell Irene who suggests maybe you both go to her house for a bit so the ex doesn’t bother you and has no choice but to believe you both are dating.

20 minutes later, you are sitting awkwardly in Irene’s living room while she gets some snacks. You both eat a few biscuits and then Irene suddenly becomes really quiet, she looks at you and takes a deep breath, “Y/N…..I have something to tell you…”

You look at her, perplexed and tilt your head, “what is it?”, however as you say it, you suddenly become very conscious of her hand on top of yours, the way she is looking at you right now, how you yourself look at the moment and why suddenly it feels like there’s so much tension between you both.

She hesitates…and hesitates again and then looks away, moving her hand and shifting away looking frustrated, “Nevermind…it’s nothing…my bad”.

“Huh”, you feel surprised and a bit hurt that it seems like Irene isn’t completely comfortable around you, “Come on, just say it, you’ve already said you are my girlfriend”, you say smiling and nudge her, “What could be-”, you falter when you see Irene look back up at you, nervously biting her lip and then suddenly putting both her arms on your shoulders, pushing you back a little and she starts to lean in, as if you kiss you.

Not knowing what to do you just shut your eyes and a moment later you felt her lips on yours. She kissed you and kissed you again and this time you kissed her back and before you even realized you both had begun to make out. A minute later Irene finally pulled back, both of you red faced and breathless, panting, looking at the other.

Irene clenched her fists and suddenly blurted out, “I meant it when I said I want to be your girlfriend”.

You slowly blinked, “what…..”

She sighs in frustration, looking away, blushing, “don’t make me say it again…..”

Unbelievable, was Irene really saying she liked you? What! Did she always like you? Is that why it always seemed she was nicer to you? Did you like her too? You didn’t think so but…at the same time why did it feel so good when she kissed you, why did your heart pound when she said she was your girlfriend….why couldn’t you take your eyes off her when she drove you here…..did….did you like her too? Maybe…enough atleast to be willing to give it a shot with her.

You look at her and she doesn’t meet your eyes but you feel her tense up, waiting for your reply and then this time, you kiss her. Irene gasps but then leans into it, melting into your arms. She then caresses your cheek and begins to take off her jacket, “Y/N…..I want you”

Even though that makes you want you bury your face and squeal, you manage to stay somewhat calm, smirking at her, “what are you waiting for then?”, you say moving back and leaning against the sofa.

As Irene gets on top of you, her eyes full of desire, suddenly your phone starts ringing loudly completely ruining the mood…you both sigh and you pick up….

“Hello….oh it’s you…what now, honestly you are just being really annoying now”, you say, annoyed now that your ex is still calling you. “No, I don-ah!”, you cover your mouth as you almost moaned because Irene just began to kiss your neck. You try to give her a look to stop but shakes her head, “keep talking”, she says smugly while continuing to kiss your neck while her hands begin to undress you.

A few minutes later, you were shivering, almost completely naked, your neck and shoulders full of hickeys and your ex almost crying on the phone as she cuts the call, realizing what was happening.

You take a deep breath and toss your phone away, ready to jump at Irene but she beats you to it, getting on top of you, her hand clamping your mouth shut, “you were so bad right now, couldn’t even be quiet while on the phone…that can’t happen, so I’m going to test you now”, she whispered as her hands began to sink lower and lower, “if you stay quiet….I’ll let you off or else you are going to be edged again and again until I get what I want from you ok?”…….

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